8-D189D Gardner’s Art through the Ages The Western Perspective, Thirteenth Edition

Book D: Modern Europe and America

Fred S. Kleiner

Supplemental Image Set

Chapter 21 Europe and America, 1700 to 1800 Rococo: Architecture 1. Johann Michael Fischer (1692-1766 Germany) Interior of Abbey Church, Zweifalten, 1738-1742 Photo © Davis Art Images 6147

Rococo: Architecture 2. Dominikus Zimmermann (1685-1766 Germany) Interior of Die Wies Pilgrimage Church, near Steingaden, 1746-1754 Photo © Davis Art Images 6115

Rococo: Architecture 3. Josef Effner (1687-1745 Germany) Pagodenburg, Nymphenburg, Munich, 1716 Photo © Davis Art Images 6101

Rococo: Architecture 4./21-4 Balthasar Neumann (1687-1753 Germany) Interior of Vierzehnheiligen, vicinity of Bamberg, 1743-1772 Photo © Davis Art Images 6134

Painting and Sculpture 5. Jean-Antoine Watteau (1684-1721 France) View Through the Trees in the Park of Pierre Crozat, c1715, oil on canvas, 46.7 x 55.3 cm © Museum of Fine Arts, Boston MFAB-74

Painting and Sculpture 6. François Boucher (1703-1770 France) Venus Consoling Love, 1751, oil on canvas, 107 x 84.8 cm © National Gallery of Art, Washington NGA-P0051

Painting and Sculpture 7. Giovanni Battista Tiepolo (1696-1770 Italy) Young Lady in a Tricorn Hat, c1755/1760, oil on canvas, 62.2 x 49.3 cm © National Gallery of Art, Washington NGA-P0754

Painting and Sculpture 8. Franz Ignaz Günther (1725-1775 Germany) Male Figure, c1760, linden wood, 95.2 x 65.4 x 31.8 cm © Cleveland Museum of Art CL-304 8-D189D Kleiner

The Enlightenment: Philosophy and Science 9. William Pether (1731-1795 England) after Joseph Wright, of Derby (1734- 1797 England) Academy Students Drawing After an Antique Sculpture, 1772, mezzotint, 58 x 46 cm © Philadelphia Museum of Art PMA-2025

The Enlightenment: Philosophy and Science 10./21-11 Thomas Pritchard (1723-1777 England) and Abraham Darby III (1750-1789 England) Severn River Bridge, Coalbrookdale, 1776-1779

The Englightenment: “Natural” Art 11. Jean-Baptiste Siméon Chardin (1699-1779 France) The Kitchen Maid, 1738, oil on canvas, 46.2 x 37.5 cm © National Gallery of Art, Washington NGA-P0357

The Enlightenment: “Natural” Art 12. Jean-Baptiste Greuze (1725-1805 France) The Neapolitan Gesture, 1757, oil on canvas, 73 x 94 cm © Worcester Art Museum, Worcester, Mass. WAM- 52

The Enlightenment: “Natural” Art 13./21-16 Thomas Gainsborough (1727-1788 England) Mrs Richard Brinsley Sheridan, 1785-1787, oil on canvas, 220 x 154 cm © National Gallery of Art, Washington NGA-P0044

The Enlightenment: “Natural” Art 14. Joshua Reynolds (1723-1792 England) The Ladies Anabel and Mary Jemima Yorke, c1761, oil on canvas, 196 x 170 cm © Cleveland Museum of Art CM-9

The Enlightenment: “Natural” Art 15. Benjamin West (1738-1820 US) The Battle of La Hogue, c1778, oil on canvas, 152.7 x 214 cm © National Gallery of Art, Washington NGA-P0814

The Enlightenment: “Natural” Art 16. John Singleton Copley (1738-1815 US) Mrs Ezekiel Goldthwait (Elizabeth Lewis), 1771, oil on canvas, 127.32 x 101.92 cm © Museum of Fine Arts, Boston MFAB-114

The Enlightenment: “Natural” Art 17. Antonio Canaletto (1697-1768 Italy) Entrance to the Grand Canal from the Molo, Venice, 1742/1744, oil on canvas, 115 x 154 cm © National Gallery of Art, Washington NGA-P0689

Gardner’s Art through the Ages, Book D 8-D189D Kleiner

Neoclassicism: Painting 18. Angelica Kauffmann (1741-1807 Swiss) Ariadne Abandoned by Theseus on Naxos, 1774, oil on canvas, 64 x 91 cm © Museum of Fine Arts, Houston MFH-102

Neoclassicism: Painting 19. Jean-Antoine Théodore Giroust (1753-1817 France) Oedipus at Colonus, 1788, oil on canvas, 165 x 194 cm © Dallas Museum of Art DMA-55

Neoclassicism: Architecture and Sculpture 20./21-25 Jacques Soufflot (1713-1780 France) Panthéon, Paris, 1757-1790 Photo © Davis Art Images 6027

Neoclassicism: Architecture and Sculpture 21./21-26 Richard Burlington (1694-1753 England) Chiswick House, London, begun 1725 Photo © Davis Art Images 12758

Neoclassicism: Architecture and Sculpture 22. Henry Hoare II (1705-1785 England) and Henry Flitcroft (1687-1769 England) Stourhead Gardens, Warminster, c1741-1760 Photo © Davis Art Images 12789

Neoclassicism: Architecture and Sculpture 23./21-28 Thomas Jefferson (1743-1826 US) Monticello, Charlottesville, VA, 1770-1806 Photo © Davis Art Images 29789

Neoclassicism: Architecture and Sculpture 24. / 21-29 Thomas Jefferson (1743-1826 US) University of Virginia, Charlottesville, 1823-1827 Photo © 2009 Oliver Radford RAD-112

Neoclassicism: Architecture and Sculpture 25. Jean-Antoine Houdon (1741-1828 France) Claudine Houdon, c1791, marble, 33 x 28 x 18 cm © Worcester Art Museum, Worcester, Mass. WAM-56

Neoclassicism: Architecture and Sculpture 26. Antonio Canova (1757-1822 Italy) Terpsichore, 1816, marble, 177.5 x 78.1 x 61 cm © Cleveland Museum of Art CM-375

Neoclassicism: Architecture and Sculpture 27. Horatio Greenough (1805-1852 US) Castor and Pollux, c1847, marble, 87.95 x 114.81 x 4.44 cm © Museum of Fine Arts, Boston MFAB-473

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Chapter 22 Europe and America, 1800 to 1870 Art Under Napoleon 28. Jacques-Louis David (1748-1825 France) The Emperor Napoleon in His Study at the Tuileries, 1812, oil on canvas, 203.9 x 125.1 cm © National Gallery of Art, Washington NGA-P0053

Art Under Napoleon 29./22-3 Pierre Vignon (1763-1828 France) La Madeleine, Paris, 1808-1842 Photo © Davis Art Images 6836

Art Under Napoleon 30./22-4 Antonio Canova (1757-1822 Italy) Maria Paulina Borghese as Venus, 1808, marble, 160 x 200 cm Museo Galleria Borghese, Rome, Photo © Davis Art Images 7602

Romanticism: Roots of Romanticism 31. William Blake (1757-1827 England) Malevolence, or, A Husband Parting from His Wife and Child, Two Assassins Lurking in Ambush, 1799, ink and watercolor on paper, 76 x 56 cm © Philadelphia Museum of Art PMA-400

Romanticism: Spain and France 32./22-11 Francisco Goya (1746-1828 Spain) The Sleep of Reason Produces Monsters, #43 from The Caprices series, 1797-1798, etching and aquatint, 20 x 15 cm © Philadelphia Museum of Art PMA-1665

Romanticism: Spain and France 33. Francisco Goya (1746-1828 Spain) Portrait of Taddeo Bravo de Rivero, 1806, oil on canvas, 207 x 116 cm © Brooklyn Museum of Art BMA-8

Romanticism: Spain and France 34. Théodore Géricault (1791-1829France) Study for The Wounded Cuirrasier, 1814, oil on canvas, 55 x 46 cm © Brooklyn Museum of Art BMA-717

Romanticism: Spain and France 35. Eugène Delacroix (1798-1863 France) Lion Hunt, 1860-1861, oil on canvas, 76.5 x 98.5 cm © A7098

Romanticism: Spain and France 36./22-20 François Rude (1784-1855 France) Departure of the Volunteers of 1792 (La Marseillaise), 1833-1836, marble, 13 x 8 meters Arc de Triomphe, Paris, Photo © Davis Art Images 29794

Gardner’s Art through the Ages, Book D 8-D189D Kleiner

Romanticism: Landscape Painting 37. John Constable (1776-1837) Hampstead Heath, Looking Towards Harrow, c1821, oil on paper mounted on canvas, 25.9 x 31.3 cm © Cleveland Museum of Art CL-1030

Romanticism: Landscape Painting 38./22-23 Joseph M.W. Turner (1775-1851 England) The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840, oil on canvas, 90.8 x 122.6 cm © Museum of Fine Arts, Boston MFAB-14

Romanticism: Landscape Painting 39. Thomas Cole (1801-1848 US) A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), 1839, oil on canvas, 102 x 155.8 cm © National Gallery of Art NGA-P0505

Romanticism: Landscape Painting 40. Albert Bierstadt (1830-1902 US) Storm in the Mountains, c1870, oil on canvas, 96.52 x 152.72 cm © Museum of Fine Arts, Boston MFAB-383

Romanticism: Landscape Painting 41./22-26 Frederic Edwin Church (1826-1900) Twilight in the Wilderness, 1860, oil on canvas, 101.6 x 162.6 cm © Cleveland Museum of Art CL-17

Realism: France 42. Gustave Courbet (1819-1877) Mère Grégoire, 1855/1857-1859, oil on canvas, 129 x 97.5 cm © Art Institute of Chicago AIC-7055

Realism: France 43. Jean-François Millet (1814-1875) Potato Planters, c1851, oil on canvas, 82.5 x 101.3 cm © Museum of Fine Arts, Boston MFAB-1115

Realism: France 44. Honoré Daumier (1808-1879) The Uprising, 1848 or later, oil on canvas, 87.6 x 113 cm © The Phillips Collection, Washington PC-63

Realism: France 45. Rosa Bonheur (1822-1899) The Horse Fair, c1852, oil on canvas, 26.67 x 63.5 cm © Albright-Knox Art Gallery, Buffalo, NY AK-220

Realism: France 46. Édouard Manet (1832-1887) The Dead Toreador, probably 1864, oil on canvas, 75.9 x 153.3 cm © National Gallery of Art, Washington NGA-P0202

Gardner’s Art through the Ages, Book D 8-D189D Kleiner

Realism: Germany and the United States 47. Winslow Homer (1836-1910 US) Boys in a Pasture, 1874, oil on canvas, 40.32 x 58.1 cm © Museum of Fine Arts, Boston MFAB-161

Realism: Germany and the United States 48./22-38 Thomas Eakins (1844-1916 US) Portrait of Dr Samuel D. Gross (The Gross Clinic), 1875, oil on canvas, 243.8 x 198.1 cm © Philadelphia Museum of Art PMA-3040

Realism: Germany and the United States 49./22-39 John Singer Sargent (1856-1925 US) The Daughters of Edward Darley Boit, 1882, oil on canvas, 221.93 x 222.57 cm © Museum of Fine Arts, Boston MFAB-62

Realism: Germany and the United States 50. Henry Ossawa Tanner (1857-1937 US) Portrait of the Artist’s Mother, 1897, oil on canvas, 74.3 x 100.3 cm © Philadelphia Museum of Art PMA-2671

Realism: Pre-Raphaelite Brotherhood 51. Dante Gabriel Rossetti (1828-1882 England) Beata Beatrix, 1872, oil on canvas, 87.5 x 69.3 cm; predella 26.5 x 69.2 cm © Art Institute of Chicago AIC-317

Realism: Pre-Raphaelite Brotherhood 52. Edward Coley Burne-Jones (1833-1898 England) Hope, 1896, oil on canvas, 179 x 63.5 cm © Museum of Fine Arts, Boston MFAB-1177

Architecture 53./22-44 Charles Barry (1795-1860 England) and Augustus Pugin (1812-1852 England) Houses of Parliament, London, 1835-1865 Photo © Davis Art Images 13120

Architecture 54./22-45 John Nash (1752-1835 England) Royal Pavilion, Brighton, Eng., 1815- 1821 Photo © 2009 Hartill Art Associates, Alec or Marlene Hartill HAR-279

Architecture 55./22-46 Charles Garnier (1825-1898 France) Opéra, Paris, 1861-1874 Photo © Davis Art Images 6837

Architecture 56. Henri Labrouste (1801-1875 France) Library of Saint-Genevieve, Paris, 1843-1850 Photo © Davis Art Images 25898

Gardner’s Art through the Ages, Book D 8-D189D Kleiner

Architecture 57./22-47 Henri Labrouste (1801-1875 France) Interior of Library of Saint- Genevieve, Paris, 1843-1850 Photo © 2009 Thomas A. Heinz TAH-116

Photography 58. George Barnard (1819-1902 US) Untitled portrait of four children, 1846- 1853, Daguerreotype, 8.5 x 11.6 cm © The Museum of Modern Art, New York MOMA-P1248

Photography 59. Southworth and Hawes (firm 1844-1862 Boston) Portrait of a Woman in Nine Ovals, 1850s?, Daguerreotype, 21.6 x 16.5 cm © Museum of Fine Arts, Boston MFAB-121

Photography 60. Julia Margaret Cameron (1815-1879 England) Call and I Follow, Let Me Die, c1875, carbon print from wet collodion negative, 34.8 x 26.7 cm © Philadelphia Museum of Art PMA-1472

Photography 61. Timothy O’Sullivan (1840-1882 US) The Field Where General Reynolds Fell, from Gardner’s Photographic Sketchbook of the Civil War, 1863, albumen print from wet Collodion negative, 17.4 x 22.7 cm © Worcester Art Museum, Worcester, Mass. WAM-689

Photography 62. Eadweard Muybridge (1830-1904 US) Cockatoo Flying, plate 762 from Animal Locomotion, 1884-1886, collotype, 19.8 x 36.2 cm © The Museum of Modern Art, New York MOMA-P2285

Chapter 23 Europe and America, 1870 to 1900 Impressionism 63. Claude Monet (1840-1926 France) Rouen Cathedral, Façade, 1894, oil on canvas, 100.6 x 66 cm © Museum of Fine Arts, Boston MFAB-108

Impressionism 64. Claude Monet (1840-1926 France) Arrival of the Normandy Train, Gare Saint-Lazare, 1877, oil on canvas, 59.6 x 80.2 cm © Art Institute of Chicago AIC-7247

Gardner’s Art through the Ages, Book D 8-D189D Kleiner

Impressionism 65. Claude Monet (1840-1926 France) Grainstack (Sunset), 1891, oil on canvas, 73.3 x 92.7 cm © Museum of Fine Arts, Boston MFAB-81

Impressionism 66./23-5 Gustave Caillebotte (1848-1894 France) Paris Street: Rainy Day, 1877, oil on canvas, 212.2 x 276.2 cm © Art Institute of Chicago AIC-7013

Impressionism 67. Camille Pissarro (1830-1903 France) Afternoon Sunshine, Pont Neuf, 1901, oil on canvas, 92 x 74 cm © Philadelphia Museum of Art PMA-2955

Impressionism 68. Berthe Morisot (1841-1895 France) In the Dining Room, 1886, oil on canvas, 61.3 x 50 cm © National Gallery of Art, Washington NGA-P0609

Impressionism 69. Pierre-Auguste Renoir (1841-1919 France) Luncheon of the Boating Party, 1881, oil on canvas, 130 x 201 cm © The Phillips Collection, Washington PC-344

Impressionism 70. Edgar Degas (1834-1917 France) Café Singer, 1879, oil on canvas, 53.5 x 41.8 cm © Art Institute of Chicago A7078

Impressionism 71./23-12 Mary Cassatt (1844-1926 US) The Child’s Bath, 1893, oil on canvas, 100.3 x 66.1 cm © Art Institute of Chicago AIC-13342

Impressionism 72. James A.M. Whistler (1834-1903 US) Nocturne, c1880-1885, oil on canvas, 31.1 x 51.8 cm © Philadelphia Museum of Art PMA-2326

Post-Impressionism 73./23-14 Henri de Toulouse-Lautrec (1864-1901 France) At the Moulin Rouge, 1892-1895, oil on canvas, 123 x 141 cm © Art Institute of Chicago AIC- 7366

Post-Impressionism 74./23-15 Georges Seurat (1859-1891 France) A Sunday on La Grande Jatte – 1884, 1884-1886, oil on canvas, 207.5 x 308.1 cm © Art Institute of Chicago AIC-7349

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Post-Impressionism 75. Vincent van Gogh (1853-1890 Netherlands) Houses at Auvers, 1890, oil on canvas, 75.6 x 61.9 cm © Museum of Fine Arts, Boston MFAB-152

Post-Impressionism 76./23-17 Vincent van Gogh (1853-1890 Netherlands) The Starry Night, 1889, oil on canvas, 73.7 x 92.1 cm © The Museum of Modern Art, New York MOMA-P0076

Post-Impressionism 77. Paul Gauguin (1848-1903 France) The Day of the God, 1894, oil on canvas, 68.3 x 91.5 cm © Art Institute of Chicago AIC-7125

Post-Impressionism 78./23-20 Paul Cézanne (1839-1906 France) Mont Sainte-Victoire, 1904-1906, oil on canvas, 73 x 91.1 cm © Philadelphia Museum of Art PMA-47

Post-Impressionism 79./23-21 Paul Cézanne (1839-1906 France) The Basket of Apples, c1893, oil on canvas, 65 x 80 cm © Art Institute of Chicago AIC-7033

Symbolism 80. Pierre Puvis de Chavannes (1824-1898 France) The Fisherman’s Family, 1887, oil on canvas, 82.5 x 71.8 cm © Art Institute of Chicago A7291

Symbolism 81. Odilon Redon (1840-1916 France) Orpheus, c1903-1910, pastel on paper, 68.8 x 56.8 cm © Cleveland Museum of Art CL-542

Symbolism 82./23-25 Henri Rousseau (1844-1910 France) The Sleeping Gypsy, 1897, oil on canvas, 130 x 201 cm © The Museum of Modern Art, New York MOMA-P2000

Symbolism 83. Edvard Munch (1863-1944 Norway) Summer Night’s Dream (The Voice), 1893, oil on canvas, 87.9 x 108 cm Museum of Fine Arts, Boston MFAB-176

Symbolism 84. Gustav Klimt (1862-1918 Austria) Hope II, 1907-1908, oil and gold paint on canvas, 111 x 111 cm © The Museum of Modern Art, New York MOMA- P2016

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Sculpture 85. Augustus Saint-Gaudens (1848-1907 US) The Puritan, 1883-1886, bronze, 77.5 x 47 x 33 cm Site: Boston, Photo © 2009 Thomas A. Heinz TAH-101

Sculpture 86./23-32 Auguste Rodin (1840-1917 France) The Walking Man, cast probably 1903, bronze, 85.1 x 59.8 x 26.5 cm © National Gallery of Art, Washington NGA-S0084

Sculpture 87./23-33 Auguste Rodin (1840-1917 France) The Burghers of Calais, 1884- 1886, bronze, 208 x 140 x 190 cm Site: Victoria Embankment, London, Photo © Davis Art Images 13475

Architecture and Decorative Art 88. Louis Comfort Tiffany (1848-1933 US) Favrile vase, opalescent glass, height: 29.21 cm © Museum of Fine Arts, Boston MFAB-514

Architecture and Decorative Arts 89. Antonio Gaudí (1852-1916 Spain) Casa Batilo, Barcelona, 1905-1906 Photo © Davis Art Images 15135

Architecture and Decorative Arts 90. Antonio Gaudí (1852-1916 Spain) Interior of Casa Batilo, Barcelona, 1905- 1906 Photo © Davis Art Images 15140

Architecture and Decorative Arts 91./23-40 Adler and Sullivan (1881-1895 Chicago) Guaranty Trust, Buffalo, NY, 1895-1896 Photo © 2009 Hartill Art Associates, Alec or Marlene Hartill HAR-217

Architecture and Decorative Arts 92./23-41 Louis Sullivan (1859-1924 US) Carson, Pirie, Scott and Company, Chicago, 1903-1904 Photo © Davis Art Images 29774

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Chapter 24 Europe and America, 1900 to 1945 Europe, 1900 to 1920: 93. (1869-1954 France) Woman Beside the Water, 1905, oil on canvas, 35.2 x 28.2 cm Photo © The Museum of Modern Art, New York MOMA-P2977

Europe, 1900 to 1920: Fauvism 94. André Derain (1880-1954 France) The Trees, c1906, oil on canvas, 59.37 x 72.39 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-162

Europe, 1900 to 1920: German Expressionism 95. Ernst Ludwig Kirchner (1880-1938 Germany) Sand Hills of Engadine, 1917- 1918, oil on canvas, 86 x 95 cm Photo © The Museum of Modern Art, New York MOMA-P2309

Europe, 1900 to 1920: German Expressionism 96. Emil Nolde (1867-1956 Germany) Christ Among the Children, 1910, oil on canvas, 86.8 x 106.4 cm Photo © The Museum of Modern Art, New York MOMA-P0024

Europe, 1900 to 1920: German Expressionism 97. Karl Schmidt-Rottluff (1884-1976 Germany) Pharisees, 1912, oil on canvas, 75.9 x 102.9 cm Photo © The Museum of Modern Art, New York MOMA-P2701

Europe, 1900 to 1920: German Expressionism 98. Vasily Kandinsky (1866-1944 Russia) Picture with an Archer, 1909, oil on canvas, 175 x 144.6 cm Photo © The Museum of Modern Art, New York MOMA-P1081

Europe, 1900 to 1920: German Expressionism 99. Franz Marc (1880-1916 Germany) The Wolves (Balkan War), 1913, oil on canvas, 70.80 x 139.7 cm © Albright-Knox Art Gallery, Buffalo, NY AK-287

Europe, 1900 to 1920: German Expressionism 100. Alexei von Jawlensky (1867-1941 Russia) Head, c1910, oil on canvas mounted on cardboard, 41 x 33 cm Photo © The Museum of Modern Art, New York MOMA-P2107

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Europe, 1900 to 1920: German Expressionism 101./24-9 Käthe Kollwitz (1867-1945 Germany) Woman with Dead Child, 1903, engraving and etching with black chalk, graphite and metallic gold paint on paper, 41.7 x 47.2 cm Photo © National Gallery of Art, Washington NGA- P0985

Europe, 1900 to 1920: German Expressionism 102./24-10 Wilhelm Lehmbruck (1881-1919 Germany) Seated Youth, 1917, composite tinted plaster, 103.2 x 76.2 x 115.5 cm © National Gallery of Art, Washington NGA-S0072

Europe, 1900 to 1920: Primitivism and 103./24-12 (1881-1973 Spain) Les Demoiselles d’Avignon, 1907, oil on canvas, 243.9 x 233.7 cm Photo © The Museum of Modern Art, New York MOMA-P0104

Europe, 1900 to 1920: Primitivism and Cubism 104. (1882-1963 France) Man with a Guitar, 1911-1912, oil on canvas, 116 x 81 cm Photo © The Museum of Modern Art, New York MOMA-P0103

Europe, 1900 to 1920: Primitivism and Cubism 105. Robert Delaunay (1885-1941 France) Sun, Tower, Airplane, 1913, oil on canvas, 132.08 x 131.12 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-229

Europe, 1900 to 1920: Primitivism and Cubism 106. Pablo Picasso (1881-1973 Spain) Guitar, 1913, pasted paper, charcoal, ink and chalk on blue paper mounted on ragboard, 66.4 x 49.6 cm Photo © The Museum of Modern Art, New York MOMA-P2885

Europe, 1900 to 1920: Primitivism and Cubism 107. Georges Braque (1882-1963 France) with Glass and Letters, 1914, cut-and-pasted printed paper, charcoal, pastel and pencil on paper, 51.1 x 71.4 cm Photo © The Museum of Modern Art, New York MOMA-P1311

Europe, 1900 to 1920: Primitivism and Cubism 108./24-18 Pablo Picasso (1881-1973 Spain) Guitar, 1912-1913, sheet metal and wire, 77.5 x 35 x 19.3 cm Photo © The Museum of Modern Art, New York MOMA-S1215

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Europe, 1900 to 1920: Primitivism and Cubism 109. Jacques Lipchtz (1891-1973 Lithuania-US) Man with a Guitar, 1915, limestone, height: 97.2 cm Photo © The Museum of Modern Art, New York MOMA-S1002

Europe, 1900 to 1920: Primitivism and Cubism 110./24-20 Aleksandr Archipenko (1887-1964 Russia) Woman Combing Her Hair, 1914/1915, bronze, 35 x 8 x 8 cm Photo © The Museum of Modern Art, New York MOMA-S1002

Europe, 1900 to 1920: Primitivism and Cubism 111. Fernand Léger (1881-1955 France) Bargeman, 1918, oil on canvas, 45.8 x 55.5 cm Photo © The Museum of Modern Art, New York MOMA-P2824

Europe, 1900 to 1920: Futurism 112. Giacomo Balla (1871/1874-1958 Italy) Swifts: Paths of Movement and Dynamic Sequences, 1913, oil on canvas, 96.8 x 120 cm Photo © The Museum of Modern Art, New York MOMA-P0163

Europe, 1900 to 1920: Futurism 113./24-24 Umberto Boccioni (1882-1916 Italy) Unique Forms of Continuity in Space, 1913, bronze, 111.2 x 88.5 x 40 cm © The Museum of Modern Art, New York MOMA-S0028

Europe, 1900 to 1920: Futurism 114. Gino Severini (1883-1966 Italy) Dancer, 1912, pastel on paper, 49 x 32 cm Photo © The Museum of Modern Art, New York MOMA-P1871

Europe, 1900 to 1920: Dada 115. Hans (Jean) Arp (1887-1966 Alsace) Arrangement According to the Laws of Chance (Collage of Squares), 1916-1917, torn and pasted papers on paper, 49 x 35 cm Photo © The Museum of Modern Art, New York MOMA-P2501

Europe, 1900 to 1920: Dada 116. Marcel Duchamp (1887-1966 France-US) Bicycle Wheel, 1951 replica of 1913 original, assemblage of metal wheel and wooden stool, height: 128 cm Photo © The Museum of Modern Art, New York MOMA-S0999

Europe, 1900 to 1920: Dada 117. Hannah Höch (1889-1979 Germany) Indian Dancer; from an Ethnographic Museum, 1930, cut-and-pasted printed paper and metallic foil on paper, 25.7 x 22.4 cm Photo © The Museum of Modern art, New York MOMA-P1685

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Europe, 1900 to 1920: Dada 118. Kurt Schwitters (1887-1948 Germany) Little Dance, 1920, pencil on paper mounted on cardboard, 13.1 x 10.4 cm Photo © Cleveland Museum of Art CL-932

America, 1900 to 1930: Painting and Sculpture 119. John Sloan (1871-1951) Six O’Clock, Winter, 1912, oil on canvas, 66.3 x 81.4 cm Photo © The Phillips Collection, Washington PC-381

America, 1900 to 1930: Painting and Sculpture 120. Ernest Lawson (1873-1939) New York Street Scene, before 1910, oil on canvas, 81.6 x 60.96 cm Photo © Museum of Fine Arts, Boston MFAB-436

America, 1900 to 1930: Painting and Sculpture 121./24-33 Man Ray (1890-1976) Cadeau (Gift), c1958 replice of 1921 original, painted flatiron with tacks, 15 x 9 x 11 cm Photo © The Museum of Modern Art, New York MOMA-S1040

America, 1900 to 1930: Painting and Sculpture 122. Marsden Hartley (1877-1943) Movement No. 1 (Provincetown), 1916, oil on beaverboard, 51 x 40 cm © Philadelphia Museum of Art PMA-2805

America, 1900 to 1930: Painting and Sculpture 123. Stuart Davis (1892-1964) Egg Beater No. 4, 1928, oil on canvas, 68.7 x 97.2 cm The Phillips Collection, Washington, © Estate of Stuart Davis / Licensed by VAGA, New York PC-73dvvg

America, 1900 to 1930: Painting and Sculpture 124. Aaron Douglas (1899-1979) Untitled male figure, illustration for the poem Feet O’ Jesus, from Opportunity magazine, 1926, photolithograph Photo © Spencer Museum of Art, University of Kansas, Lawrence SMA-21

America, 1900 to 1930: Painting and Sculpture 125. Charles Demuth (1883-1935) Red-Roofed Houses, 1917, watercolor, 15 x 36 cm Photo © Philadelphia Museum of Art PMA-501

America, 1900 to 1930: Painting and Sculpture 126. Georgia O’Keeffe (1887-1986) Lake George Window, 1929, oil on canvas, 101.6 x 76.2 cm Photo © The Museum of Modern Art, New York MOMA-P2181

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America, 1900 to 1930: Photography 127. Alfred Stieglitz (1864-1946) Winter on Fifth Avenue, 1909, photogravure, 22 x 15 cm Photo: Davis Art Images 20845

America, 1900 to 1930: Photography 128. Consuelo Kanaga (1894-1978) Malnutrition, New York, 1928, gelatin silver print, 11.1 x 7.9 cm Photo © Brooklyn Museum of Art BMA-1445

Europe, 1920 to 1945: Picasso in the 1930s 129. Pablo Picasso (1881-1973 Spain) Girl Before a Mirror, 1932, oil on canvas, 162.3 x 130.2 cm Photo © The Museum of Modern Art, New York MOMA- P0045

Europe, 1920 to 1945: Neue Sachlichkeit 130. George Grosz (1893-1959 Germany) Republican Automatons, 1920, watercolor, 60 x 47.3 cm The Museum of Modern Art, New York, © 2009 Estate of George Grosz / Licensed by VAGA, New York MOMA-P2633ggvg

Europe, 1920 to 1945: Neue Sachlichkeit 131. Max Beckmann (1884-1950 Germany) Family Picture, 1920, oil on canvas, 65 x 101 cm Photo © The Museum of Modern Art, New York MOMA-P0417

Europe, 1920 to 1945: Neue Sachlichkeit 132. Otto Dix (1891-1969 Germany) War Cripples, 1920, drypoint, 25.9 x 39.4 cm Photo © The Museum of Modern Art, New York MOMA-P1634

Europe, 1920 to 1945: Neue Sachlichkeit 133./24-45 Ernst Barlach (1870-1938 Germany) War Monument, 1927, bronze, Cathedral, Güstrow, Germany, Photo: Davis Art Images 3049

Europe, 1920 to 1945: Surrealism 134. Giorgio de Chirico (1888-1978 Italy) The Nostalgia of the Infinite, 1913- 1914, oil on canvas, 135.2 x 64.8 cm Photo © The Museum of Modern Art, New York MOMA-P0046

Europe, 1920 to 1945: Surrealism 135. Max Ernst (1891-1976 Germany) Rendezvous with Friends – Friends Become Flowers, 1928, oil on canvas, 129.8 x 161.9 cm Photo © The Museum of Modern Art, New York MOMA-P2890

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Europe, 1920 to 1945: Surrealism 136./24-49 Salvador Dalí (1904-1989 Spain) Persistence of Memory, 1931, oil on canvas, 24.1 x 33 cm Photo © The Museum of Modern Art, New York MOMA-P0174

Europe, 1920 to 1945: Surrealism 137. René Magritte (1898-1967 Belgium) The Menaced Assassin, 1928, oil on canvas, 150.4 x 195.2 cm Photo © The Museum of Modern Art, New York MOMA-P1999

Europe, 1920 to 1945: Surrealism 138./24-51 Meret Oppenheim (1913-1985 Switzerland) Object, 1936, fur- covered cup, saucer and spoon, cup diameter: 10.9 cm; saucer diameter: 23.7cm, spoon length: 20.2 cm Photo © The Museum of Modern Art, New York MOMA-S0108

Europe, 1920 to 1945: Surrealism 139. Joan Miró (1893-1983 Spain) Hirondelle Amour, 1933-1934, oil on canvas, 199.3 x 247.6 cm Photo © The Museum of Modern Art, New York MOMA- P1816

Europe, 1920 to 1945: Surrealism 140. Paul Klee (1879-1940 Switzerland) Figure of the Oriental Theater, 1934, oil on fabric mounted on plywood, 52 x 39.3 cm Photo © The Phillips Collection, Washington PC-193

Europe, 1920 to 1945: Surrealism 141. Kazimir Malevich (1879-1935 Russia) Suprematist Element: Circle, 1923, pencil on paper, 47 x 36.5 cm Photo © The Museum of Modern Art, New York MOMA-P1814

Europe, 1920 to 1945: Sculpture 142./24-57 Constantin Brancusi (1876-1957 Romania-France) Bird in Space, 1928, bronze, 137.2 x 21.6 x 16.5 cm Photo © The Museum of Modern Art, New York MOMA-S0103

Europe, 1920 to 1945: Sculpture 143. Barbara Hepworth (1903-1975 England) Disks in Echelon, 1935, padouk wood, 31.1 x 49.1 x 22.5 cm Photo © The Museum of Modern Art, New York MOMA-S1064

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Europe, 1920 to 1945: Sculpture 144. Henry Moore (1898-1986 England) Mother and Child, 1938, elm wood, 77 x 35 x 39 cm Photo © The Museum of Modern Art, New York MOMA-S1143

America, 1930 to 1945: Sculpture and Photography 145. Alexander Calder (1898-1976) A Universe, 1934, painted iron pipe, wire, motor and wood with string, height: 102.9 cm Photo © The Museum of Modern Art, New York MOMA-S0543

America, 1930 to 1945: Sculpture and Photography 146. Dorothea Lange (1895-1965) White Angel Bread Line, San Francisco, 1933, gelatin silver print, 27.3 x 22.6 cm Photo © The Museum of Modern Art, New York MOMA-P0147

America, 1930 to 1945: Painting 147. Ben Shahn (1898-1969) Father and Child, 1946, tempera on cardboard, 101.5 x 76.2 cm The Museum of Modern Art, New York, © 2010 Estate of Ben Shahn /Licensed by VAGA, New York MOMA-P2729shvg

America, 1930 to 1945: Painting 148. Edward Hopper (1882-1967) Gas, 1940, oil on canvas, 66.7 x 102.2 cm Photo © The Museum of Modern Art, New York MOMA-P1689

America, 1930 to 1945: Painting 149./24-64 Jacob Lawrence (1917-2000) The migrants soon learned that segregation was not confined to the South, #49 from Migration of the Negro series, 1940-1941, tempera on composition board, 45.7 x 30.5 cm Photo © The Phillips Collection, Washington PC-242

America, 1930 to 1945: Painting 150. Grant Wood (1892-1942) Haying, 1939, oil on canvas on paper board mounted on hardboard, 32.8 x 37.7 cm National Gallery of Art, Washington, © 2010 Estate of Grant Wood / Licensed by VAGA, New York NGA-P0702wovg

America, 1930 to 1945: Painting 151. Thomas Hart Benton (1889-1975) Homestead, 1934, tempera and oil on composition board, 64 x 86 cm The Museum of Modern Art, New York, © 2010 the Thomas Hart Benton Trust / Licensed by VAGA, New York MOMA-P2295bovg

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America, 1930 to 1945: Painting 152. José Clemente Orozco (1883-1949 Mexico) Barricade, 1931, oil on canvas, 139.7 x 114.3 cm Photo © The Museum of Modern Art, New York MOMA-P2296

America, 1930 to 1945: Painting 153. Diego Rivera (1886-1957 Mexico) Flower Festival: Feast of Santa Anita, 1931, encaustic on canvas, 199 x 163 cm Photo © The Museum of Modern Art, New York MOMA-P2375

America, 1930 to 1945: Painting 154. Frida Kahlo (1907-1954 Mexico) Self-Portrait with Monkey, 1938, oil on Masonite, 40.64 x 30.48 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-314

Architecture: Europe 155./24-71 Gerrit Rietveld (1888-1964 Netherlands) Schroeder House, Utrecht, Netherlands, 1923-1924 Photo: James Coberle, image © Davis Art Images 28413

Architecture: Europe 156./24-72 Walter Gropius (1883-1969 Germany) Bauhaus, Dessau, Germany, 1925-1926 Photo © 2009 Oliver Radford RAD-33

Architecture: Europe 157. Marcel Breuer (1902-1981 Hungary-US) Lounge Chair, 1928-1929, chrome- plated tubular steel and canvas, 80 x 61 x 80 cm Photo © The Museum of Modern Art, New York MOMA-D0064

Architecture: Europe 158. Ludwig Mies van der Rohe (1886-1969 Germany-US) Perspective drawing for Friedrichstraße Office Building, Berlin, 1921, charcoal and pencil on brown paper Mounted on board, 174 x 122 cm Photo © The Museum of Modern Art, New York MOMA-D0015

Architecture: Europe 159./24-75 Le Corbusier (1887-1965 Switzerland) Villa Savoye, Poissy, France, 1928-1930 Photo © Davis Art Images 15083

Architecture: America 160./24-76 William Van Alen (1883-1954) Chrysler Building, New York, 1928- 1930 Photo © 2009 Oliver Radford RAD-111

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Architecture: America 161./24-77 Frank Lloyd Wright (1867-1959) Robie House, Chicago, 1909 Photo © 2009 Thomas A. Heinz TAH-24

Architecture: America 162./24-79 Frank Lloyd Wright (1867-1959) Kaufmann House, Bear Run, PA, 1935-1937 Photo © 2009 Thomas A. Heinz TAH-4

Chapter 25 Europe and America After 1945 Painting and Sculpture, 1945 to 1970: Postwar Expressionism in Europe 163. Alberto Giacometti (1901-1966 Switzerland) Head of a Man on a Rod, 1947, bronze, height including base: 59.7 cm Photo © The Museum of Modern Art, New York MOMA-S0683

Painting and Sculpture, 1945 to 1970: Postwar Expressionism in Europe 164. Jean Dubuffet (1901-1985 France) Portrait of Henri Michaux, 1946, oil and mixed-media on wood, 107.95 x 88.9 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-193

Painting and Sculpture, 1945 to 1970: Abstract Expressionism 165. Jackson Pollock (1912-1956 US) Free Form, 1946, oil on canvas, 48.9 x 35.5 cm Photo © The Museum of Modern Art, New York MOMA-P2830

Painting and Sculpture, 1945 to 1970: Abstract Expressionism 166. Hans Namuth (1915-1990 Germany-US) Jackson Pollock Painting One and Lee Krasner, 1950, gelatin silver print, 27.94 x 27.3 cm Photo © Albright- Knox Art Gallery, Buffalo, NY AK-166

Painting and Sculpture, 1945 to 1970: Abstract Expressionism 167. Willem de Kooning (1904-1997 Netherlands-US) Woman, II, 1952, oil on canvas, 149.9 x 109.3 cm Photo © The Museum of Modern Art, New York MOMA-P0155

Painting and Sculpture, 1945 to 1970: Abstract Expressionism 168. Barnett Newman (1905-1970 US) Onement III, 1949, oil on canvas, 182.5 x 84.9 cm Photo © The Museum of Modern art, New York MOMA-P1673

Painting and Sculpture, 1945 to 1970: Abstract Expressionism 169. Mark Rothko (1903-1970 US) Orange and Yellow, 1956, oil on canvas, 237.5 x 186.7 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-448

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Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction 170. Ellsworth Kelly (born 1923 US) Spectrum Colors Arranged by Chance II, 1951, cut-and-pasted color-coated paper and pencil on four sheets of paper, 97.2 x 97.2 cm Photo © The Museum of Modern Art, New York MOMA-P1648

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction 171. Frank Stella (born 1936 US) Empress of India, 1965, metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cm Photo © The Museum of Modern Art, New York MOMA-P2230

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction 172. Helen Frankenthaler (born 1928 US) Trojan Gates, 1955, oil and enamel on canvas, 183 x 124 cm Photo © The Museum of Modern Art, New York MOMA-P2293

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction 173. Morris Louis (1912-1962 US) Purple Fill, 1962, synthetic polymer paint on unprimed canvas, 221 x 69.9 cm Photo © The Museum of Modern Art, New York MOMA-P1799

Painting and Sculpture, 1945 to 1970: Post-Painterly Abstraction 174. Clyfford Still (1904-1980 US) Painting, 1951, oil on unprimed canvas, 238.8 x 203.8 cm Photo © The Museum of Modern Art, New York MOMA-P2690

Painting and Sculpture, 1945 to 1970: Sculpture 175. David Smith (1906-1965 US) Cubi XVI, 1963, stainless steel, 335.28 x 152.4 x 83.82 cm Albright-Knox Art Gallery, Buffalo, NY, © 2010 Estate of David Smith / Licensed by VAGA, New York AK-86smvg

Painting and Sculpture, 1945 to 1970: Sculpture 176. Tony Smith (1912-1980 US) Cigarette, 1961-1967, Cor-Ten steel, 457.2 x 548.64 x 792.48 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-87

Painting and Sculpture, 1945 to 1970: Sculpture 177. Donald Judd (1928-1994 US) Untitled, 1967, stainless steel, 15.5 x 91.6 x 66.2 cm The Museum of Modern Art, New York, © 2010 Estate of Donald Judd / Licensed by VAGA, New York MOMA-S1090jdvg

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Painting and Sculpture, 1945 to 1970: Sculpture 178. Louise Nevelson (1900-1988 US) Royal Game I, 1961, wood painted, 175.26 x 130.81 x 20.95 cm Photo © Albright-Knox Art Gallery, Buffalo, NY AK-488

Painting and Sculpture, 1945 to 1970: Sculpture 179. Louise Bourgeois (born 1911 US) Quarantania I, 1947-1953, painted wood, height: 206 cm The Museum of Modern Art, New York, © 2010 Louise Bourgeois / Licensed by VAGA, New York MOMA-S0160brvg

Painting and Sculpture, 1945 to 1970: Sculpture 180. Eva Hesse (1936-1970 US) Untitled, 1970, fiberglass over wire mesh, latex over cloth over wire, 30.5 x 22.9 x 11.4 cm; cord 198.1 cm long Photo © Albright-Knox Art Gallery, Buffalo, NY AK-108

Painting and Sculpture, 1945 to 1970: Pop Art 181. Richard Hamilton (born 1922 England) Glorious Techniculture, 1961-1964, oil and collage on panel, 122.9 x 122.9 cm Photo © The Museum of Modern Art, New York MOMA-P1113

Painting and Sculpture, 1945 to 1970: Pop Art 182./25-21 Jasper Johns (born 1930 US) Flag, 1954-1955, encaustic, oil and collage on fabric mounted on plywood, 107 x 154 cm The Museum of Modern Art, New York, © 2010 Jasper Johns / Licensed by VAGA, New York MOMA-P2012jovg

Painting and Sculpture, 1945 to 1970: Pop Art 183. Robert Rauschenberg (1925-2008 US) First Landing Jump, 1961, cloth, metal, leather, electric fixture, cable, oil paint on composition board; auto tire and wood plank, 226.3 x 182.8 x 22.5 cm The Museum of Modern Art, New York, © 2010 Robert Rauschenberg / Licensed by VAGA, New York MOMA-P2889ruvg

Painting and Sculpture, 1945 to 1970: Pop Art 184 Roy Lichtenstein (1923-1997 US) Drowning Girl, 1963, oil and synthetic polymer paint on canvas, 171.6 x 169.5 cm Photo © The Museum of Modern Art, New York MOMA-P0818

Painting and Sculpture, 1945 to 1970: Pop Art 185. Andy Warhol (1928-1987 US) Marilyn (Factory Additions), 1968, color screenprint, 15.2 x 15.2 cm Photo © The Museum of Modern Art, New York MOMA-P3066

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Painting and Sculpture, 1945 to 1970: Pop Art 186./25-26 Claes Oldenburg (born 1929 US) Floor Cake, 1963, painted canvas and foam, length: 288 cm Photo © The Museum of Modern Art, New York MOMA-S1089

Painting and Sculpture Since 1970: Superrealism 187. Audrey Flack (born 1931 US) Leonardo’s Lady, 1975, oil and acrylic on canvas, 188 x 203 cm The Museum of Modern Art, New York, © 2010 Audrey Flack MOMA-P2075

Painting and Sculpture Since 1970: Superrealism 188. Chuck Close (born 1940 US) Robert / 104,072, 1973-1974, synthetic polymer paint and ink with graphite on canvas, 274.4 x 213.4 cm The Museum of Modern Art, New York, © 2010 Chuck Close MOMA-P1020

Painting and Sculpture since 1970: Neo-Expressionism 189. Susan Rothenberg (born 1945 US) Untitled Drawing No. 41, 1977, synthetic polymer paint, gouache, pencil and crayon on paper, 57.5 x 76.3 cm The Museum of Modern Art, New York, © 2010 Susan Rothenberg MOMA-P0296

Painting and Sculpture since 1970: Neo-Expressionism 190. Anselm Kiefer (born 1945 Germany) Ride to Vistula, 1980, oil on canvas, 130 x 170 cm The Museum of Modern Art, New York, © 2010 Anselm Kiefer MOMA-P2115

Painting and Sculpture Since 1970: Feminist Art 191. Barbara Kruger (born 1945 US) Untitled (You Invest in the Divinity of the Masterpiece), 1982, Photostat on paper, 182.2 x 115.8 cm The Museum of Modern Art, New York, © 2010 Barbara Kruger MOMA-P2971

Painting and Sculpture Since 1970: Feminist Art 192. Yong Soon Min (born 1953 Korea) Talking Herstory, 1990, photolithograph and collage, 76 x 56 cm The Museum of Modern Art, New York, © 2010 Yong Soon Min MOMA-P2423

Painting and Sculpture Since 1970: Feminist Art 193. Sue Coe (born 1951 US) Woman Walks Into Bar – Is Raped by Four Men on Pool Table – While 20 Watch, 1983, mixed-media, 232.7 x 287.7 cm The Museum of Modern Art, New York, © 2010 Sue Coe MOMA-P1837

Painting and Sculpture Since 1970: Other Social and Political Art 194. Kiki Smith (born 1954 US) King Kong, 2002, bronze, 51 x 53 x 20 cm Photo courtesy Pace Wildenstein, © 2010 Kiki Smith ART21KS-77

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Painting and Sculpture Since 1970: Other Social and Political Art 195. Lorna Simpson (born 1960 US) Counting, 1991, photogravure with silkscreen, 187.32 x 96.52 cm Albright-Knox Art Gallery, Buffalo, NY, © 2009 Lorna Simpson AK-173

Painting and Sculpture Since 1970: Other Social and Political Ar 196. David Hammons (born 1943 US) High Falutin’, 1990, metal, oil on wood, glass, rubber, velvet, plastic, and electric light bulbs, 396 x 122 x 77.5 cm The Museum of Modern Art, New York, © 2010 David Hammons MOMA-S0676

Painting and Sculpture Since 1970: Other Social and Political Ar 197. David Wojnarowicz (1954-1992 US) Fire, 1987, synthetic polymer paint and pasted paper on plywood, two panels, 182.9 x 243.8 cm The Museum of Modern Art, New York MOMA-P1487

Painting and Sculpture Since 1970: Other Social and Political Ar 198. Kyzysztof Wodiczko (born 1943 Poland-US) The Hiroshima Projection, A Bomb Dome, Hiroshima, Japan, August 7-8, 1999 Courtesy the artist and Galerie Lelong, New York, © 2010 Kyzysztof Wodiczko ART21WO-157

Painting and Sculpture Since 1970: Other Social and Political Ar 199./25-51 Jeff Koons (born 1955 US) Pink Panther, 1988, porcelain, 104.1 x 52 x 48.2 cm The Museum of Modern Art, New York, © 2009 Jeff Koons MOMA-S1034

Painting and Sculpture Since 1970: Other Social and Political Ar 200./25-52 Robert Arneson (1930-1992 US) California Artist, 1982, glazed ceramic, height: 198 cm Photo courtesy of the artist, © 2009 Estate of Robert Arneson / Licensed by VAGA, New York 27697arvg

Painting and Sculpture Since 1970: Other Social and Political Art 201. Mark Tansey (born 1949 US) Robbe-Grillet Cleansing Every Object in Sight, 1981, oil on canvas with crayon, 182.9 x 183.4 cm The Museum of Modern Art, New York, © 2010 Mark Tansey MOMA-P1332

Painting and Sculpture Since 1970: Other Social and Political Art 202. Kara Walker (born 1969 US) African/American, 1998, linoleum cut, 93 x 106.7 cm The Museum of Modern Art, New York, © 2010 Kara Walker MOMA-P1796

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Painting and Sculpture Since 1970: Other Social and Political Art 203. Chéri Samba (born 1956 Congo) Condemnatio Without Judgment, 1989- 1990, synthetic polymer paint on canvas, 148.3 x 200.7 cm The Museum of Modern Art, New York, © 2010 Chéri Samba MOMA-P3137

Painting and Sculpture Since 1970: Other Social and Political Art 204. Sue Coe (born 1951 England) Doctor Giving Massage to an AIDS Patient, 1993, linoleum cut and monotype with ink additions The Museum of Modern Art, New York, © 2010 Sue Coe MOMA-P2562

Painting and Sculpture Since 1970: Other Social and Political Art 205. Alfredo Jaar (born 1956 Chile) Rwanda, Rwanda, 1994, photolithograph, 158 x 111.1 cm The Museum of Modern Art, New York, © 2010 Alfredo Jaar MOMA-P0986

Painting and Sculpture Since 1970: Other Social and Political Art 206. Betye Saar (born 1926 US) The Differences Between, 1989, mixed-media, 41.9 x 33 x 3.8 cm Museum of Fine Arts, Boston, © 2010 Betye Saar MFAB-685

Architecture and Site-Specific Art: Modernism 207./25-55 Frank Lloyd Wright (1867-1959 US) Guggenheim Museum, New York, 1943-1959 Photo © Frank Lloyd Wright Foundation, Scottsdale, AZ W409

Architecture and Site-Specific Art: Modernism 208./25-56 Le Corbusier (1887-1965 Switzerland) Notre-Dame-du-Haut, Ronchamp, FR, 1950-1954 Photo © Davis Art Images 15093

Architecture and Site-Specific Art: Modernism 209./25-57 Le Corbusier (1887-1965 Switzerland) Interior of Notre-Dame-du- Haut, Ronchamp, FR, 1950-1954 Photo © 2009 Oliver Radford RAD-41

Architecture and Site-Specific Art: Modernism 210. Eero Saarinen (1910-1961 Finland-US) Dulles Airport, Washington, 1960- 1961 Photo © Davis Art Images 14761

Architecture and Site-Specific Art: Modernism 211./25-60 Ludwig Mies van der Rohe (1887-1969 Germany-US) and Philip Johnson (1906-2005 US) Seagram Building, New York, 1954-1958 Photo © Davis Art Images 15281

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Architecture and Site-Specific Art: Modernism 212./25-61 Skidmore, Owings and Merrill (1936 to present, Chicago) Sears Tower, Chicago, 1970-1974 Photo © Davis Art Images 16181

Architecture and Site-Specific Art: Modernism 213./25-62 Maya Lin (born 1960 US) Vietnam War Memorial, Washington, 1980-1982 Photo © Davis Art Images 29744

Architecture and Site-Specific Art: Modernism 214./25-64 Johnson and Burgee (1968-1982 US) AT and T Building, New York, 1983 Photo © 2009 Oliver Radford RAD-107

Architecture and Site-Specific Art: Modernism 215. Michael Graves (born 1934 US) Public Library, San Juan Capistrano, CA, 1983 Photo © Davis Art Images 29822

Architecture and Site-Specific Art: Modernism 216./25-67 Renzo Piano (born 1937 Italy) and Richard Rogers (born 1933 Italy/England) Centre Georges Pompidou, Paris, 1971-1977 Photo © Davis Art Images 25982

Architecture and Site-Specific Art: Deconstructivism 217./25-69 Frank Gehry (born 1929 US) Guggenheim Museum, Bilbao, SP, 1991-1997 Photo © Davis Art Images 29748

Architecture and Site-Specific Art: Deconstructivism 218. Frank Gehry (born 1929 US) Walt Disney Concert Hall, Los Angeles, 1999- 2003 Photo © Davis Art Images 29824

Architecture and Site-Specific Art: Environmental and Site-Specific Art 219./25-74 Richard Serra (born 1939 US) Tilted Arc, New York, 1981, destroyed 1989, Cor-Ten steel, 365 x 3660 cm Photo: Davis Art Images, © 2010 Richard Serra 27831

Architecture and Site-Specific Art: Environmental and Site-Specific Art 220. Cathey Billian (US) Two Towers (Bound Bundles), 1981, hemlock, pine, lava, copper and sand, 1500 x 2700 x 400 cm Photo: Davis Art Images, © 2010 Cathey Billian 27719

Performance and Conceptual Art and New Media: Conceptual Art 221. John Baldessari (born 1931 US) What is Painting?, 1968, synthetic polymer on canvas, 172 x 144 cm The Museum of Modern Art, New York, © 2010 John Baldessari MOMA-P2039

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Performance and Conceptual Art and New Media: Conceptual Art 222. Bruce Nauman (born 1941 US) Human / Need / Desire, 1983, neon tubing and wire with glass tubing suspension frames, 239.8 x 179 x 65.4 cm The Museum of Modern Art, New York, © 2010 Bruce Nauman MOMA-S0577

Performance and Conceptual Art and New Media: New Media 223. Nam June Paik (1932-2006 Korea-US) Piano Piece, 1993, close-circuit video, 304.8 x 213.36 x 121.92 cm Albright-Knox Art Gallery, Buffalo, NY AK-396

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