A Tentative Curriculum Guide for English 7-12, Basic, Regular, STS, [Advanced], Junior High Speech a & B, Speech I and II, Drama I and II, and Journalism I and II

Total Page:16

File Type:pdf, Size:1020Kb

A Tentative Curriculum Guide for English 7-12, Basic, Regular, STS, [Advanced], Junior High Speech a & B, Speech I and II, Drama I and II, and Journalism I and II DOCUMENT RESUME ED 094 378 CS 201 285 TITLE Communication Arts: A Tentative Curriculum Guide for English 7-12, Basic, Regular, STS, [Advanced], Junior High Speech A & B, Speech I and II, Drama I and II, and Journalism I and II. INSTITUTION Irving Independent School District, Tex. PUB DATE 73 NOTE 384p. EDRS PRICE MF-$0.75 HC-$18.60 PLUS POSTAGE DESCRIPTORS *Communication Skills; *Curriculum*Guides; Drama; *English Instruction; Journalism; Junior High Schools; Secondary Grades; Speech; *Teaching Techniques ABSTRACT This guide is intended to be used for instruction in communication skills from the seventh grade through the twelfth. Each section of the guide is identified by grade level and includes instructional objectives, suggestions for introducing and motivating the unit, required material, suggested activities, audiovisual aids, resource materials, and evaluation procedures. The instructional units include "English (grades 8-12, Advanced)," which provides units of study on the short story, poetry, novel, drama, transformational grammar, composition, language usage and skills, library, mythology, romanticism, American language and dialects, the term paper, and prose fiction; "Regular English (Grades 7-12)," which provides units of study on paragraph writing, science fiction, basic sentence patterns, sentence expansion, rhetoric, modern plays, romantic literature, and novelettes; "Junior High Speech," which includes units on listening, formal speaking, storytelling, bodily action, and discussion; "Speech 1 and 2," which includes units on listening, debate, bodily action, and parliamentary procedure; "Drama 1and 2," which includes units on the theater, stagecraft, and directing; and "Journalism 1 and 2," which includes units on the newspaper, graphics, interviews, amusements, and sports writing.(WR) U 5 DEPARTNAF.NICA HEALTH. EDUCATION Pt WELFARE NATIONAL INSTITUTE OF EDUCATION O0rUYEN ut 7" 7' ,C71 qrl .1 pF np npopiNuy, 77.naNO' I N' Vt r'CIA: NATIONAL INSTITR,TE oT poL R iklk.X15& C,00 COMMUNICATION ARTS A TENTATIVE CURRICULUM GUIDE FOR ENGLISH 7-12 BASIC, REGULAR, STS JUNIOR HIGH SPEECH A & B SPEECH I, II DRAMA I, II JOURNALISM I, II IRVING INDEPENDENT SCHOOL DISTRICT IRVING, TEXAS 1973 IRVING PUBLIC SCHOOLS BOARD OF EDUCATION Mr. John W. Stipes President Richard D. Bates Vice President Mr. Frank Maykus Secretary Mr. G. M. "Chuck" Dykes Dr. Richard L. Banowsky Mr. Troy W. Kelley Mr. Robert C. McWherter Dr. John F. Townley Superintendent Dr. Joe Cassel Assistant Superintendent for Instruction Mr. Wayne Wilson Director of Curriculum Mrs. Ginna L. Rhodes English Consultant ii IRVING PUBLIC SCHOOLS PHILOSOPHY OF EDUCATION Tn Tr.iing Schools are committed to the general philosophy that education (K-12) should provide appropriate learning experiences for every chld in the district. These experiences should be designed to mv..-L.73: and assist each child in the attainment of his maximum potential intellectually, physically, socially, economically and morally. curriculum should place emphasis upon the needs of the child as he grows and develops into adulthood. It should provide a challenging pr-)gram for the gifted, the average and the slow achiever in each of the r<=quired academic disciplines and should also provide opportunities for the individual to expand his proficiencies in appropriate electives. The method of instruction should reflect recognition of individual differences in students rather than group conformity and should be democratic in procedure. Instruction should provide the student with knowledge of how and where to obtain needed information and should instill an appreciation of our American heritage, respect for authority and a devotion to our American way of life. The school should cooperate with the home, the church and the community in educating for the prevention of juvenile delinquency and dissatisfied, neurotic adults. Joint efforts for full use of all community resources in the prevention of crime and social degeneration should be encouraged. The schools should provide a staff of well trained teachers, counselors and supervisory and administrative personnel who take pride in their professional obligation to the intellectual, social and moral develop- ment of the citizenry. Staff development should be a continuous and ongoing involvement of all personnel. The school plant should be well planned to house the educational program of the students to be served. The building should be functional and flexible in design to allow for various types of instructional arrangements. --o0o-- ACKNOWLEDGEMENTS written by teachers, for teachers. Sincere appreciation is e:ccended :everyone who took part in the development of the new _Arts of the and the revision of the other sections.A special th9_nk -.)u is offered to the individual chairmen of each of the sections for the hours they spent in organizing and articulating the contents. T those who labored many hours pulling together and creating new ideas techniqu to be included, your professionalism will be appreciated by ever;; teacher who uses it. iv FOREWORD This tenta1,I,:e guide is the result of the cooperative efforts of a slectLd trout: of teachers and members of the curriculum and admin- lst.:aLive .vtaffLI. The ^ontent anu glrpose of the material within this guide have been !leigned to serve as a frame of reference to which classroom instruction is related. No guide should be followed slavishly but should be used to Ineet the individual and group needs within the classroom. It would be imcr.,Letical, if not impossible, to expect each teacher to cover all the n...,:r-ested activities. Neither is the guide intended to limit the classroom teacher just to its materials and activities. The teacher should feel free to add her own creative thinking to better meet the ::eeds, interests, and abilities of the children within her classroom. The basic skills of learning as presented in this guide should be stressed by the teacher. It is important that the child develop these skills to the best of his ability, but the teacher is encouraged to develop and extend methods of presentation which she finds effective. In this way, all Irving students will have a common background of learning skills, materials and activities; but the amount of content used and learned will depend upon the needs and abilities of the children in each particular classroom. Since this guide has been purposely designed as a tentative one, revisions will be made from time to time in accordance with the demands of changing times and as improvements are envisioned. Each teacher is encouraged to evaluate this guide and to participate in its revision by making her suggestions and recommendations known. Sincere gratitude is extended to all those who contributed to the development of this guide. Joe W. Cassel, Ed.D. Assistant Superintendent for Instruction IRVING PUBLIC SCHOOLS INTRODUCTION C(Iumnnicat-al Art.:. curriculum is only a map; it takes a conscientious, ehthe7iastie, iraginative, and well-prepared teacher to use the map to planning and directing a worthwhile academic journey for students. The sugestiens inclued in this guide were provided by teachers from their cw1-1 experience in actual classroom situations. It is hoped that the rece=lendations and procedures will give the teacher assistance in planni:le a ve.riety of activities to involve the students in. Certainly each inetrctor should feel free to adapt any of the activities or teehnie es to the needs of the individual student, a particular class, or to hie; own style of teaching. This lije does not attempt to cover or to explore every aspect of la1lgea6e instruction. Cnanges and additions to individual units are encr)erage(:; if these prove successful, write them in the margin of the guide to be compiled at the end of each year and added as supplementary suggestions the following year.A broader variety of suggestions for evaluation should also be added as every teacher is aware that there are many methods of evaluation. The broader the variety we include, the better we will be able to meet the needs of the indivi_dual student. In this guide an attempt has been made to articulate instruction in communication skills from the seventh grade through the twelfth. Each course is built upon knowledge and skills attained in earlier years. Two years of English are required in the junior high school. In addition, Speech is offered as an elective. Four years of English (Courses I, II, III, IV) are required for graduation from high school; Speech, Drama, and Journalism courses are offered as electives. Organization for English instruction is based on homogeneous grouping of students; therefore, there are three levels of English instruction. It is recommended that the following criteria be used for placement of students into one of these three tracks of the English program. I. Average of Total Reading and Total Language Arts local percentiles Weight 90 - 100 6 8o - 89 5 6o - 79 4 4o - 59 3 20 - 39 2 1 - 19 1 II. Teacher Recommendation STS 6 ?,cr erline STS 5 Regular 4 Borderline Basic 2 Basic 0 vi .:...!ont total 7.Q. score (or averages of I.Q. on file) 1:20 & above 110 - 119 5 100 - 109 4 9r; 99 Below 90 0 %7,7:Jr:riol average in English for three previous semesters A - (90 - 100) 6 - - 89) 4 - Ylo 79) 2 below 0 STS 19-24 Regular 18- 8 Basic 7- 0 VT. It .4,:! further recommended that: .A11 ..:TS students MUST maintain a minimum of an 80 average. .STc", students be transferred to a regular class at the end of the first six weeks period and at the end of the first semester if their averages are consistnetly below 80, and they are recommended for transfer by the teacher. .Basic students, by request or recommendation of the teacher, should be considered for transfer to a regular class. .10 student be allowed to enroll in either Basic or STS unless he meets the criteria in I through IV.
Recommended publications
  • Red Hat Enterprise Linux 6 Developer Guide
    Red Hat Enterprise Linux 6 Developer Guide An introduction to application development tools in Red Hat Enterprise Linux 6 Dave Brolley William Cohen Roland Grunberg Aldy Hernandez Karsten Hopp Jakub Jelinek Developer Guide Jeff Johnston Benjamin Kosnik Aleksander Kurtakov Chris Moller Phil Muldoon Andrew Overholt Charley Wang Kent Sebastian Red Hat Enterprise Linux 6 Developer Guide An introduction to application development tools in Red Hat Enterprise Linux 6 Edition 0 Author Dave Brolley [email protected] Author William Cohen [email protected] Author Roland Grunberg [email protected] Author Aldy Hernandez [email protected] Author Karsten Hopp [email protected] Author Jakub Jelinek [email protected] Author Jeff Johnston [email protected] Author Benjamin Kosnik [email protected] Author Aleksander Kurtakov [email protected] Author Chris Moller [email protected] Author Phil Muldoon [email protected] Author Andrew Overholt [email protected] Author Charley Wang [email protected] Author Kent Sebastian [email protected] Editor Don Domingo [email protected] Editor Jacquelynn East [email protected] Copyright © 2010 Red Hat, Inc. and others. The text of and illustrations in this document are licensed by Red Hat under a Creative Commons Attribution–Share Alike 3.0 Unported license ("CC-BY-SA"). An explanation of CC-BY-SA is available at http://creativecommons.org/licenses/by-sa/3.0/. In accordance with CC-BY-SA, if you distribute this document or an adaptation of it, you must provide the URL for the original version. Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law.
    [Show full text]
  • Developer Guide
    Red Hat Enterprise Linux 6 Developer Guide An introduction to application development tools in Red Hat Enterprise Linux 6 Last Updated: 2017-10-20 Red Hat Enterprise Linux 6 Developer Guide An introduction to application development tools in Red Hat Enterprise Linux 6 Robert Krátký Red Hat Customer Content Services [email protected] Don Domingo Red Hat Customer Content Services Jacquelynn East Red Hat Customer Content Services Legal Notice Copyright © 2016 Red Hat, Inc. and others. This document is licensed by Red Hat under the Creative Commons Attribution-ShareAlike 3.0 Unported License. If you distribute this document, or a modified version of it, you must provide attribution to Red Hat, Inc. and provide a link to the original. If the document is modified, all Red Hat trademarks must be removed. Red Hat, as the licensor of this document, waives the right to enforce, and agrees not to assert, Section 4d of CC-BY-SA to the fullest extent permitted by applicable law. Red Hat, Red Hat Enterprise Linux, the Shadowman logo, JBoss, OpenShift, Fedora, the Infinity logo, and RHCE are trademarks of Red Hat, Inc., registered in the United States and other countries. Linux ® is the registered trademark of Linus Torvalds in the United States and other countries. Java ® is a registered trademark of Oracle and/or its affiliates. XFS ® is a trademark of Silicon Graphics International Corp. or its subsidiaries in the United States and/or other countries. MySQL ® is a registered trademark of MySQL AB in the United States, the European Union and other countries. Node.js ® is an official trademark of Joyent.
    [Show full text]
  • A Zahlensysteme
    A Zahlensysteme Außer dem Dezimalsystem sind das Dual-,dasOktal- und das Hexadezimalsystem gebräuchlich. Ferner spielt das Binär codierte Dezimalsystem (BCD) bei manchen Anwendungen eine Rolle. Bei diesem sind die einzelnen Dezimalstellen für sich dual dargestellt. Die folgende Tabelle enthält die Werte von 0 bis dezimal 255. Be- quemlichkeitshalber sind auch die zugeordneten ASCII-Zeichen aufgeführt. dezimal dual oktal hex BCD ASCII 0 0 0 0 0 nul 11111soh 2102210stx 3113311etx 4 100 4 4 100 eot 5 101 5 5 101 enq 6 110 6 6 110 ack 7 111 7 7 111 bel 8 1000 10 8 1000 bs 9 1001 11 9 1001 ht 10 1010 12 a 1.0 lf 11 101 13 b 1.1 vt 12 1100 14 c 1.10 ff 13 1101 15 d 1.11 cr 14 1110 16 e 1.100 so 15 1111 17 f 1.101 si 16 10000 20 10 1.110 dle 17 10001 21 11 1.111 dc1 18 10010 22 12 1.1000 dc2 19 10011 23 13 1.1001 dc3 20 10100 24 14 10.0 dc4 21 10101 25 15 10.1 nak 22 10110 26 16 10.10 syn 430 A Zahlensysteme 23 10111 27 17 10.11 etb 24 11000 30 18 10.100 can 25 11001 31 19 10.101 em 26 11010 32 1a 10.110 sub 27 11011 33 1b 10.111 esc 28 11100 34 1c 10.1000 fs 29 11101 35 1d 10.1001 gs 30 11110 36 1e 11.0 rs 31 11111 37 1f 11.1 us 32 100000 40 20 11.10 space 33 100001 41 21 11.11 ! 34 100010 42 22 11.100 ” 35 100011 43 23 11.101 # 36 100100 44 24 11.110 $ 37 100101 45 25 11.111 % 38 100110 46 26 11.1000 & 39 100111 47 27 11.1001 ’ 40 101000 50 28 100.0 ( 41 101001 51 29 100.1 ) 42 101010 52 2a 100.10 * 43 101011 53 2b 100.11 + 44 101100 54 2c 100.100 , 45 101101 55 2d 100.101 - 46 101110 56 2e 100.110 .
    [Show full text]
  • Why Be a KDE Project? Martin Klapetek David Edmundson
    Why be a KDE Project? Martin Klapetek David Edmundson What is KDE? KDE is not a desktop, it's a community „Community of technologists, designers, writers and advocates who work to ensure freedom for all people through our software“ --The KDE Manifesto What is a KDE Project? Project needs more than just good code What will you get as a KDE Project? Git repository Git repository plus „scratch repos“ (your personal playground) Creating a scratch repo git push –all kde:scratch/username/reponame Git repository plus web interface (using GitPHP) Git repository plus migration from Gitorious.org Bugzilla (the slightly prettier version) Review Board Integration of git with Bugzilla and Review Board Integration of git with Bugzilla and Review Board Using server-side commit hooks ● BUG: 24578 ● CCBUG: 29456 ● REVIEW: 100345 ● CCMAIL: [email protected] Communication tools Mailing lists Wiki pages Forums Single sign-on to all services Official IRC channels #kde-xxxxx (on Freenode) IRC cloak me@kde/developer/mklapetek [email protected] email address Support from sysadmin team Community support Development support Translations (71 translation teams) Testing support (Active Jenkins and EBN servers, plus Quality Team) Project continuation (when you stop developing it) KDE e.V. support Financial and organizational help Trademark security Project's licence defense via FLA Promo support Stories in official KDE News site (Got the Dot?) Your blog aggregated at Planet KDE Promo through social channels Web hosting under kde.org domain Association with one of the best
    [Show full text]
  • Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 P.M
    DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Central Skagit Rural Partial County Library District Regular Board Meeting Agenda April 15, 2021 7:00 p.m. Via Zoom Meeting Platform 1. Call to Order 2. Public Comment 3. Approval of Agenda 4. Consent Agenda Items Approval of March 18, 2021 Regular Meeting Minutes Approval of March 2021 Payroll in the amount of $38,975.80 Approval of March 2021 Vouchers in the amount of $76,398.04 Treasury Reports for March 2021 Balance Sheet for March 2021 (if available) Deletion List – 5116 Items 5. Conflict of Interest 5. Communications 6. Director’s Report 7. Unfinished Business A. Library Opening Update B. Art Policy (N or D) 8. New Business A. Meeting Room Policy (N) B. Election of Officers 9. Other Business 10. Adjournment There may be an Executive Session at any time during the meeting or following the regular meeting. DocuSign Envelope ID: 533650C8-034C-420C-9465-10DDB23A06F3 Legend: E = Explore Topic N = Narrow Options D = Decision Information = Informational items and updates on projects Parking Lot = Items tabled for a later discussion Current Parking Lot Items: 1. Grand Opening Trustee Lead 2. New Library Public Use Room Naming Jeanne Williams is inviting you to a scheduled Zoom meeting. Topic: Board Meeting Time: Mar 18, 2021 07:00 PM Pacific Time (US and Canada) Every month on the Third Thu, until Jan 20, 2022, 11 occurrence(s) Mar 18, 2021 07:00 PM Apr 15, 2021 07:00 PM May 20, 2021 07:00 PM Jun 17, 2021 07:00 PM Jul 15, 2021 07:00 PM Aug 19, 2021 07:00 PM Sep 16, 2021 07:00 PM Oct 21, 2021 07:00 PM Nov 18, 2021 07:00 PM Dec 16, 2021 07:00 PM Jan 20, 2022 07:00 PM Please download and import the following iCalendar (.ics) files to your calendar system.
    [Show full text]
  • Multi Software Product Lines in the Wild
    AperTO - Archivio Istituzionale Open Access dell'Università di Torino Multi software product lines in the wild This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/1667454 since 2020-07-06T10:51:50Z Publisher: Association for Computing Machinery Published version: DOI:10.1145/3168365.3170425 Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 27 September 2021 Multi Software Product Lines in the Wild Michael Lienhardt Ferruccio Damiani [email protected] [email protected] Università di Torino Università di Torino Italy Italy Simone Donetti Luca Paolini [email protected] [email protected] Università di Torino Università di Torino Italy Italy ABSTRACT 1 INTRODUCTION Modern software systems are often built from customizable and A Software Product Line (SPL) is a set of similar programs, called inter-dependent components. Such customizations usually define variants, with a common code base and well documented variabil- which features are offered by the components, and may depend ity [1, 6, 19]. Modern software systems are often built as complex on backend components being configured in a specific way. As assemblages of customizable components that out-grow the expres- such system become very large, with a huge number of possible siveness of SPLs.
    [Show full text]
  • University Microfilms International 300 N
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • Corpses, Coasts, and Carriages: Gothic Cornwall, 1840-1913
    Corpses, Coasts, and Carriages: Gothic Cornwall, 1840-1913 Submitted by Joan Passey to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in September 2019 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Joan Passey Signature: ………………………………………………………….. Words: 91,425 1 Abstract While there are defined Irish, Welsh, and Scottish Gothic traditions, there has been a notable critical absence of a Cornish Gothic tradition, despite multiple canonical and less-canonical authors penning Gothic stories set in Cornwall throughout the long nineteenth century. This critical oversight is part of a longer tradition of eliding Cornwall from literary and cultural histories—even from those to which it has particular relevance, such as histories of the industrial revolution (in which its mining industry was a major contributor), and the birth of the tourist industry, which has shaped the county and its economy through to the present day. This thesis will rectify this gap in criticism to propose a Cornish Gothic tradition. It will investigate Gothic texts set in Cornwall in the long nineteenth century to establish a distinct and particular tradition entrenched in Cornwall’s own quest for particularity from other Celtic nations and English regions. It will demonstrate how the boom in Cornish Gothic texts was spurred by major changes occurring in the county in the period, including being the last county to be connected to the national rail network, the death of the mining industry, the birth of the tourist industry, large-scale maritime disaster on its coasts, and the resituating of the legendary King Arthur in Tintagel with the publication of Tennyson’s Idylls of the King.
    [Show full text]
  • Exemplar Texts for Grades
    COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band.
    [Show full text]
  • Teatro Do Mundo • Da Página À Cena Da Cena À Página Do Mundo • Da Página À Cena Teatro Nuno Pinto Ribeiro Da Página À Cena Da Cena À Página
    Da Página à Cena, da Cena à Página Nuno Pinto Ribeiro Do esplendor do Verbo à necessária queda. Teatro J. M. Costa Macedo Tiff any Stern, ‘Repatching the Play’ Tiff any Stern Du texte à la représentation : dire le vers au XVIIIe siècle. do Sabine Chaouche L’action de la comédie-vaudeville en France petites causes et grands eff ets Violaine Heyraud Mundo FÍGADOS DE TIGRE de Francisco Gomes de Amorim um país chamado absurdo Cristina Marinho Sabina, Salomé no Algarve Armando Nascimento Rosa The author as an actor. Karl Kraus and the scene of writing António Sousa Ribeiro O SALTO DO TIGRE A CÉU ABERTO Sobre Os Dias Levantados, de Manuel Gusmão Miguel Ramalhete Gomes Arquitectura e Artes Cénicas: A Arquitectura como tradução da dramaturgia João Mendes Ribeiro Esfumando Fronteiras: As Performances de Jon Prichard Maria Clara Paulino Conversas com o silêncio Jorge Palinhos Dramaturgos e demiurgos – uma linha quase invisível Renata Portas La Princesse de Clèves après Manoel de Oliveira Pedro Gonçalves Rodrigues Os Autos de Camões e a Comédia de Shakespeare: a Negociação do Espaço de Autonomia das Figuras Femininas (Refl exões acerca da tipicidade de motivos e da recorrência de situações) Teatro do Mundo • da página à cena da cena à página do Mundo • da página à cena Teatro Nuno Pinto Ribeiro da página à cena da cena à página CETUP, 2012 Foto de Laurencine Lot Paris Teatro do Mundo da Página à Cena da Cena à PáginaPágina COMISSÃO CIENTÍFICA: Annabela Rita UL Armando Nascimento Rosa ESTCL Cristina Marinho UP Fernando Cristovão UL Jorge Croce Rivera UE Nuno Pinto Ribeiro UP Organizadores Cristina Marinho Nuno Pinto Ribeiro Do esplendor do Verbo à necessária queda Da Página à Cena, da Cena à Página Nuno Pinto Ribeiro Universidade do Porto/C.
    [Show full text]
  • Major Prof Es Or Minor Profe
    REMARKS AND REFLECTIONS ON FRENCH RECITATIVE: AN INQUIRY INTO PERFORMANCE PRACTICE BASED ON THE OBSERVATIONS OF BENIGNE DE BACILLY, JEAN-LEONOR DE GRIMAREST, AND JEAN-BAPTISTE DUBOS APPROVED: Major Prof es or Minor Profe s r Dean o the School of Music Dean o the Gra ate School ~19 REMARKS AND REFLECTIONS ON FRENCH RECITATIVE: AN INQUIRY INTO PERFORMANCE PRACTICE BASED ON THE OBSERVATIONS OF BENIGNE DE BACILLY, JEAN-LEONOR DE GRIMAREST, AND JEAN-BAPTISTE DUBOS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Michael Alan Reid, B.M. Denton, Texas August, 1985 Copyright by Michael Alan Reid 1985 iii Reid, Michael A., Remarks and Reflections on French Reci- tative: an Inquiry into Performance Practice Based on the Observations of Benigne de Bacilly, Jean-Leonor de Grimarest, and Jean-Baptiste Dubos. Master of Music (Musicology), August 1985, 177 pp., 6 figures, 11 musical examples, bibliography, 86 titles. This study concerns the declaimed performance of recita- tive in early French opera. Because the dramatic use of the voice was crucial to the opera genre, this investigation begins with a survey of historical definitions of declamation. Once the topic has been described, the thesis proceeds to thoroughly study three treatises dealing with sung recitation: Bacilly's Remarques curieuses, Grimarest's Traits de recitatif, and Dubos' Reflexions critiques. Principles from these sources are then applied to representative scenes from the literature. The pa- per closes with a commentary on the relationship between spoken and sung delivery and on the development of different declama- tory styles.
    [Show full text]
  • Extending Qt5 with Open Source
    !Reinvent Extending Qt5 with Open Source Qt Developer Days 2013 Carl Symons Background Transitions Details What's in it for you Carl Symons Large and small tech companies Start-ups; frugal Free/open user & contributor Grassroots LinuxFest KDE News; MWG KDE Technology Platform KDE Flat, lean Democratic Well known & respected Innovative Regular people Largest Participant 20% retention 1 /3 KDE & Qt Part of KDE from the beginning Qt (5/95), KDE (1 0/96) KDE Free Qt Foundation (1 998) Early & largest external Qt user Fill gaps in Qt framework Committed to Qt So ... Sustainable development in a thriving, venerable community Reliable legal backing Quality (extensive use and testing) Permissive licensing Business friendly Transitions The Qt Project (open governance) Qt5 / KDE Frameworks 5 Frameworks 5 Monolithic > Modular Whatcom Sehome Bellingham Fairhaven Incremental Consolidation Frameworks 5 Each function is distinct Move KDE capabilities to Qt Mostly transparent to users Soft Stuff As important as technical Easy to understand and work on More people can contribute Shared responsibility Available to all Qt developers Recruiting value Tiers Refer to link-time dependencies Tier 1 depend only on Qt official frameworks or system libraries Tiers 2 and 3 can depend on same level or lower tiers Types Functional Qt Addons no runtime dependencies; drop-in functionality KArchive—file compression/extraction Threadweaver—multi-threaded code KPlotting—simple plotting KConfig—configuration settings Types Integration Qt Addons optional runtime dependencies;
    [Show full text]