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The Broons': Scotland's Happy Family
Jackie Kay's Representation of 'The Broons': Scotland's Happy Family Author(s): Mª del Coral Calvo Maturana Source: eSharp , Special Issue: Spinning Scotland: Exploring Literary and Cultural Perspectives (2009), pp. 109-143 URL: http://www.gla.ac.uk/esharp ISSN: 1742-4542 Copyright in this work remains with the author. _______________________________________________________ eSharp is an international online journal for postgraduate research in the arts, humanities, social sciences and education. Based at the University of Glasgow and run by graduate students, it aims to provide a critical but supportive entry to academic publishing for emerging academics, including postgraduates and recent postdoctoral students. [email protected] eSharp Special Issue: Spinning Scotland Jackie Kay’s Representation of ‘The Broons’: Scotland’s Happy Family Mª del Coral Calvo Maturana (Universidad de Granada) 1. Introduction This paper focuses on the contemporary Scottish poet Jackie Kay and the comic strip ‘The Broons’ by studying Jackie Kay’s representation of this family in contrast to its characterisation in the comic strip. 1 This study presents a brief introduction to Jackie Kay and ‘The Broons’ and pays attention to Kay’s referential portrayal of this Scottish family in five of her poems: ‘Maw Broon Visits a Therapist’ (2006a, p.46-47), ‘Paw Broon on the Starr Report’ (2006a, p.57), ‘The Broon’s Bairn’s Black’ (2006a, p.61), ‘There’s Trouble for Maw Broon’ (2005, p.13-14) and ‘Maw Broon goes for colonic irrigation’ (unpublished). 2 Each of the poems will be approached stylistically by using the advantages offered by corpus linguistics methodology; in particular, the program Wordsmith Tools 3.0. -
FOR IMMEDIATE RELEASE Contact
FOR IMMEDIATE RELEASE Contact: Cary Goldstein, Simon & Schuster, 212-698-1122, [email protected] Sarah Reidy, Simon & Schuster, 212-698-7008, [email protected] SIMON & SCHUSTER AND POCKET BOOKS TO PUBLISH #1 NEW YORK TIMES BESTSELLING AUTHOR NELSON DEMILLE New York, N.Y., June 4, 2014 – #1 New York Times bestselling author Nelson DeMille has signed a six book deal with Simon & Schuster and Pocket Books, with the first book scheduled for publication in 2017. Details were released in a joint announcement made today by Jonathan Karp, President and Publisher of Simon & Schuster; Marysue Rucci, Vice-President and Editor-in-Chief of Simon & Schuster; and Louise Burke, President and Publisher of Pocket Books. Rucci acquired North American and audio rights from Jennifer Joel and Sloan Harris of ICM Partners and will edit Mr. DeMille. The deal includes three books Mr. DeMille will write alone and three books he will write with a collaborator. Pocket Books will be the paperback publisher of all six books, which will also be available from Simon & Schuster Audio. “At the risk of violating one of the Ten Commandments, many readers at Simon & Schuster have coveted Nelson DeMille for a long time,” said Karp. “His books are always captivating. We look forward to being in his thrall for a long time.” Burke added, “It is always a thrill to work with an author you have read and enjoyed for years. Nelson DeMille makes a perfect addition to Pocket Books’ strong list of bestselling authors and I look forward to working with him.” Rucci said, “Nelson DeMille is in a class by himself. -
New Children's Books Too Good to Miss
as New Children’s Books Too Good To Miss BABIES - TEENS Prairie Lights Books Iowa City’s Independent Bookstore Since 1978 BOARD BOOKS: Baker, Keith. 1-2-3 PEAS; LMNO PEAS. Simon & Schuster, 2014. Ehlert, Lois. LOTS OF SPOTS. Little Simon, 2014. Laden, Nina. PEEK-A ZOO! Chronicle Books, 2014. Patricelli, Leslie. TICKLE. Candlewick Press, 2014. Sutton, Sally. DEMOLITION; DEMOLICIÓN. Candlewick Press, 2014. POETRY, SONGS & MOTHER GOOSE: Brown, Margaret Wise. GOODNIGHT SONGS. Sterling Children’s Books, 2014. book & cd Florian, Douglas. POEM DEPOT: AISLES OF SMILES. Dial Books for Young Readers, 2014. Janeczko, Paul. FIREFLY JULY: A YEAR OF VERY SHORT POEMS. Candlewick, 2014. Van Hout, Mies. TWINKLE, TWINKLE, LITTLE STAR. Lemniscaat, 2014. book & cd TRADITIONAL: Elya, Susan Middleton. LITTLE ROJA RIDING HOOD. G.P. Putnam’s Sons, 2014. Emberley, Rebecca. THE CROCODILE AND THE SCORPION. Roaring Brook Press, 2013. Hoberman, Mary. YOU READ TO ME, I’LL READ TO YOU: VERY SHORT TALL TALES TO READ TOGETHER. Little, 2014. PICTURE BOOKS: Blackall, Sophie. THE BABY TREE. Nancy Paulson, 2014. Burningham, John. PICNIC. Candlewick, 2014. Edwards, Michelle. MAX MAKES A CAKE. Random House, 2014. Fleming, Denise. TIPPY-TIPPY-TIPPY, SPLASH. Atheneum Books for Young Readers, 2014. Hall, Michael. IT’S AN ORANGE AARDVARK! Greenwillow, 2014. Hancocks, Helen. PENGUIN IN PERIL. Templar Books, 2014. Hills, Tad. DUCK & GOOSE GO TO THE BEACH. Schwartz & Wade, 2014. Koehler, Fred. HOW TO CHEER UP DAD. Dial Books for Young Readers, 2014. Kuhlmann, Torben. LINDBERGH: THE TALE OF A FLYING MOUSE. North South, 2014. Nelson, Kadir. BABY BEAR. Balzer & Bray, 2014. Reagan, Jean. HOW TO BABYSIT A GRANDMA. -
Notable Social Studies Trade Books for Young People 2019 Preview
Notable Social Studies Trade Books for Young People 2019 Preview Please note that this is a preview of the 2019 Notable Social Studies Trade Books list. The final list will include annotations for each title, as well as connections to the National Standards for Social Studies. The final list will be published by the NCSS in a 16-page illustrated pullout in the May-June 2019 issue of Social Education. KINDERGARTEN TO SECOND GRADE The ABCs of What I Can Be, written and illustrated by Caitlin McDonagh (Holiday House) Alabama Spitfire: The Story of Harper Lee and To Kill a Mockingbird, by Bethany Hegedus; illustrated by Erin McGuire (HarperCollins / Balzer+Bray) Alma and How She Got Her Name, written and illustrated by Juana Martinez-Neal (Candlewick Press) Bloom: A Story of Fashion Designer Elsa Schiaparelli, by Kyo Maclear; illustrated by Julie Morstad (HarperCollins) Carmela Full Of Wishes, by Matt De La Peña; illustrated by Christian Robinson (Penguin Young Readers / G.P. Putnam’s Sons BFYR) Counting on Katherine: How Katherine Johnson Saved Apollo 13, by Helaine Becker; illustrated by Dow Phumiruk (Macmillan Children’s Publishing Group / Henry Holt and Co. BYR) Crescent Moons and Pointed Minarets: A Muslim Book of Shapes, by Hena Khan; illustrated by Mehrdokht Amini (Chronicle Books) The Dam, by David Almond; illustrated by Levi Pinfold (Candlewick Press) Diwali, by Hannah Eliot; illustrated by Archana Sreenivasan (Simon & Schuster / Little Simon) Dreamers / Soñadores, written and illustrated by Yuyi Morales (Holiday House / Neal Porter -
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VIACOMCBS INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): November 24, 2020 VIACOMCBS INC. (Exact name of registrant as specified in its charter) Delaware 001-09553 04-2949533 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification incorporation) Number) 1515 Broadway New York, New York 10036 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 258-6000 Not Applicable (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions: ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbols Name of each exchange on which registered Class A Common Stock, $0.001 par value VIACA The Nasdaq Stock Market LLC Class B Common Stock, $0.001 par value VIAC The Nasdaq Stock Market LLC Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
Fudge the Elf
1 Fudge The Elf Ken Reid The Laura Maguire collection Published October 2019 All Rights Reserved Sometime in the late nineteen nineties, my daughter Laura, started collecting Fudge books, the creation of the highly individual Ken Reid. The books, the daily strip in 'The Manchester Evening News, had been a part of my childhood. Laura and her brother Adam avidly read the few dog eared volumes I had managed to retain over the years. In 2004 I created a 'Fudge The Elf' website. This brought in many contacts, collectors, individuals trying to find copies of the books, Ken's Son, the illustrator and colourist John Ridgeway, et al. For various reasons I have decided to take the existing website off-line. The PDF faithfully reflects the entire contents of the original website. Should you wish to get in touch with me: [email protected] Best Regards, Peter Maguire, Brussels 2019 2 CONTENTS 4. Ken Reid (1919–1987) 5. Why This Website - Introduction 2004 6. Adventures of Fudge 8. Frolics With Fudge 10. Fudge's Trip To The Moon 12. Fudge And The Dragon 14. Fudge In Bubbleville 16. Fudge In Toffee Town 18. Fudge Turns Detective Savoy Books Editions 20. Fudge And The Dragon 22. Fudge In Bubbleville The Brockhampton Press Ltd 24. The Adventures Of Dilly Duckling Collectors 25. Arthur Gilbert 35. Peter Hansen 36. Anne Wilikinson 37. Les Speakman Colourist And Illustrator 38. John Ridgeway Appendix 39. Ken Reid-The Comic Genius 3 Ken Reid (1919–1987) Ken Reid enjoyed a career as a children's illustrator for more than forty years. -
A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion
ABSTRACT Rejecting the Definitive: A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion Ethan Gjerset Quillen, B.A., M.A., M.A. Mentor: T. Michael Parrish, Ph.D. The trouble with “definitions” is they leave no room for evolution. When a word is concretely defined, it is done so in a particular time and place. Contextual interpretations permit a better understanding of certain heavy words; Atheism as a prime example. In the post-modern world Atheism has become more accepted and popular, especially as a reaction to global terrorism. However, the current definition of Atheism is terribly inaccurate. It cannot be stated properly that pagan Atheism is the same as New Atheism. By interpreting the Atheisms from four stages in the term‟s history a clearer picture of its meaning will come out, hopefully alleviating the stereotypical biases weighed upon it. In the interpretation of the Atheisms from Pagan Antiquity, the Enlightenment, the New Atheist Movement, and the American Judicial and Civil Religious system, a defense of the theory of elastic contextual interpretations, rather than concrete definitions, shall be made. Rejecting the Definitive: A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion by Ethan Gjerset Quillen, B.A., M.A. A Thesis Approved by the J.M. Dawson Institute of Church-State Studies ___________________________________ Robyn L. Driskell, Ph.D., Interim Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ T. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
The Atom Bomb and the Press
PERIODICALS chant-farmer Hardy Bell, and St. Louis to- former slaves, and viewing the formerly bacconist William Deaderick. dominant class with suspicion and skepti- The Civil War ruined many of the Deep cism," Schweninger writes, "they could South's prosperous blacks, just as it did more easily build on their past experiences many white plantation owners. The Upper during the postwar era to advance not only South's black elite prospered. "More self- their own cause but the cause of freedmen confident, able to mix more easily with as well." PRESS & TELEVISION The Atom Bomb "The Office of Censorship's Attempt to Control Press Coverage of the Atomic Bomb During World War 11" by Patrick S. And the Press Washbum, in Journalism Monographs (~pril1990), 1621 COL . lege St., Univ. of S.C., Columbia, S.C. 29208-0251. A month after the first atomic bomb fell on tarily) to avoid all mention even of the Hiroshima on August 6, 1945, Gen. H. H. element uranium. Almost immediately. Arnold of the Army Air Force wrote a problems appeared. On Halloween D& glowing letter to the head of the U.S. Office for example, the Washington Post ran a of Censorship thanking him for suppress- lighthearted feature story which began: "A ing "any mention" of the new weapon in young fellow who has been studying much the press until it was used. Arnold wrote of his life on the matter of blowing up na- that it "shall go down in history as the best- tions with an atom would like to get a kept secret of any war." wage increase from the War Labor What is interesting, notes Washburn, a Board." In December, the Cleveland Press professor of journalism at Ohio University, published a vague story about the "Forbid- is not the fact that Arnold was wrong but den City" at Los Alamos, New Mexico. -
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