EDDIE KRAMER KRAMER Communication
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Robert Randolph & the Family Band
artist bio ROBERT RANDOLPH & THE FAMILY BAND When Robert Randolph talks about his new album, Lickety Split, a few words come up over and over—"joy," "freedom," "energy." Which is no surprise, really, because those are the same things that immediately spring into a listener's mind when these twelve tracks from the virtuoso pedal steel guitarist and his longtime accompanists, the Family Band, explode out of the speakers. "My thing is really upbeat, uptempo, with great guitar riffs," says Randolph, summarizing his musical ambitions, "but also catchy choruses and lyrics that someday will make this music into classic tunes." “Robert Randolph is an American Original," says Don Was, President of Randolph's new label, Blue Note Records. "He has mastered what is, arguably, the most complex instrument in the world and developed a unique voice that is equal parts street-corner church and Bonnaroo. This album finally captures the energy and excitement of his legendary live performances.” But for Randolph, the road to Lickety Split—his first studio recording in three years—wasn't an easy path. Though his distinctive mix of rock, funk, and rhythm & blues continued to earn a rapturous response from a fervent, international audience, he felt that he had lost some of the enthusiasm and intensity that had driven him to make music in the first place. "We just weren't being creative musically," he says. "Being on the road 280 days a year, you wind up playing too much and it isn't fun anymore. Soon, you stop being that concerned about how good you can be, how important it is to create and write. -
Waves Unveils the Eddie Kramer Collection
PRESS RELEASE Contact: Clyne Media, Inc. Tel: (615) 662-1616 Fax: (615) 662-1636 FOR IMMEDIATE RELEASE WAVES UNVEILS THE EDDIE KRAMER COLLECTION — Legendary producer/engineer collaborates with Waves to create five Application-Specific Audio Plug-ins — TEL AVIV, ISRAEL, August 18, 2009 — Waves Audio announces the latest entry in the Waves Signature Series, The Eddie Kramer Collection. These five application-specific plug-ins, with dedicated tools for guitar, drums, vocals, bass and effects, are the result of close collaboration between Waves’ R&D team and legendary producer/engineer Eddie Kramer. Over the course of a production and engineering career that spans more than four decades, Eddie Kramer was the man behind the board for some of the biggest names in music history, including Jimi Hendrix, Led Zeppelin, Kiss, The Beatles, David Bowie and many more. Now, with the Waves Eddie Kramer Collection, producers and engineers around the world have access to Kramer’s personalized processing chains. The only tools of their kind, the Signature Series is Waves’ exclusive line of Application-Specific Audio Processors, created in collaboration with the world’s top producers, engineers and mixing engineers. Each and every Signature Series plug-in has been precision-crafted to capture the artist’s distinct sound and production style, using custom multi-effect processing chains designed by the artists themselves. For experienced and aspiring audio professionals alike, the Waves Signature Series streamlines the mixing process, delivering high- quality results, instantly. The Eddie Kramer Collection plug-ins feature intuitive graphic interfaces, a retro- modern look, and optimized control ranges that deliver Kramer’s distinctive, unmistakable sound. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Download Manual Rack
EDDIEKRAMERPHAZEVIBE EDDIEKRAMER HISLEGENDARYWORKISOURINSPIRATION! OlympicStudios,London1967 TheBeatles-RollingStones,JimiHendrix SmallFaces,Traffic. TheRecordPlant,NewYork1968 JimiHendrix-LedZeppelin-JohnnyWinter Woodstock,NewYork1969 JimiHendrix‒Blood,SweatandTears‒JanisJoplin‒Jefferson Airplane‒TheWho‒JoeCocker-GratefulDead-Santana ‒Crosby,Stills,NashandYoungandmore. ElectricLadyStudios,NewYork1970-1980 JimiHendrix-LedZeppelin-RollingStones-PeterFrampton-Carly Simon-DionneWarwick-DavidBowie,KISS. Kramer has also engineered and/or produced records for other well-known artists in various genres. They include Anthrax,JoeCocker,Loudness,PeterFrampton,JohnMayall, Ten Years After, Mott the Hoople, John Sebastian, Carly Simon, Dionne Warwick, Small Faces, Sir Lord Baltimore and Whitesnake. ©Photo,CourtesyofEddieKramerArchives.AllRightReserved Congratulationsonyournew EddieKramerPhazevibeRackPlug-in! WehavecreatedthePhazevibeRackwithproducersandengineersinmindandourgoalistobring somepurevintagevibeandanalogfeeltoyourDAW,withuncompromisingsonicquality. Allofourplug-insareproudlycreatedaftercountlesshoursofresearch,dedicationandexperimentation. Wearedrivenbyanincrediblepassionformusicandfueledbyriversofcoffee! WetrulyhopethatthePhazevibeRackwillinspireyoutocreateamazingmusic. FrancescoSondelli-EddieKramer-IgorNembrini PHAZEVIBERACKOVERVIEW MODULATION MASTER CONTROLPANEL SECTION ©F-Audio-NembriniAudio.AllRightsReserved PAGE1 EDDIEKRAMERPHAZEVIBERACK CONTROLPANEL2 USERʼSGUIDE MODESELECT ANALOGLINK Selectsoneofthe3PhazevibeModes. WhentoggleswitchissettoON, -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
Designing for the Ears As Well As for the Eyes
Inspicio architecture 26 Sushi & Tapas restaurant, Surfside, Florida, 2015. Photo: WSDG Designing for the Ears as Well as for the Eyes By Howard Sherman orris J. Kaplan is a very hands-on businessman. A successful real estate developer and innovative res- M taurateur/entrepreneur, his career track is marked by imaginative ventures. Last year, Kaplan and his wife Sandra began laying the groundwork for a new Miami-area restaurant. A longtime fan of master chef Fernando Chang’s culinary tal- ents, Kaplan was confident there would be a strong demand for Chef Chang’s specialty—Kosher sushi and Peruvian dishes. Kaplan invested considerable time collaborating on the bill of fare and the interior design of his new restaurant. In addition to the menu, one of his primary concerns was acoustics. An avid “foodie,” Kaplan had long avoided dining in restaurants with noise levels so high they intruded on his guests’ ability to enjoy a simple conversation along with their meal. Kaplan made a promise to himself. Diners at his new restaurant would be able to discuss their food (and other topics) without having to shout at the top of their lungs. Coincidentally, as he formulated his plans for what was to be- come “26 Sushi & Tapas” in Surfside, Florida, Kaplan was also involved in building two new Miami area synagogues. During the course of a series of visits to those construction sites, he became aware of an unusually quiet ambience. Building sites are typically noisy environments and neither of these work sites would ever be mistaken for a library, but Kaplan discovered a sound clarity that was unusual enough to spark an investiga- tion. -
Resolution Magazine
Craft Rest; recorded Florence Welch for Florence and The Machine’s ‘Wish That You Were Here’ song Phil Joly for the Tim Burton film Miss Peregrine’s Home for Peculiar Children and recorded The Kills’ Ash & Ice release. Resolution Magazine caught up RUSSELL COTTIER talks to the Grammy-winning with Joly in amongst the hustle and bustle of SXSW Austen, Texas to talk studios, mics and Electric Lady man management. hil Joly has recently broken out as a producer/mixer, but he has a wealth of experience and more major label artist P credits than you could shake a stick at. The Strokes, Lana Del Rey, Daft Punk, John Legend and The Rolling Stones to name a few. With nine years under his belt at the world- famous Electric Lady Studios, working his way up to Chief Engineer, Joly certainly has the chops and a fresh take on how larger studios fit into the modern workflow. In 2017, Phil won both a Latin Grammy and a Grammy for recording Residente’s self-titled album in the Best Urban Album category and in the Best Latin Rock, Alternative or Urban Album respectively. Most recently, Joly has been engineering with August Greene (a ‘supergroup’ composed of rapper Common, jazz pianist Robert Glasper and drummer Karriem Riggins). He also mixed Gabriel Garzón-Montano Golden Wings, mixed five songs on Coyle Girelli’s Love Kills; recorded Paul McCartney for the Charlotte Gainsbourg album / ‘If I sit under this Chic album cover, one day I’ll get to record Nile Rogers…’ 34 / April 2019 I worked for Electric Lady for nine years You had built up a good credits list by this total, I was chief engineer for five. -
Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings. -
Al & Janie Hendrix: La Famiglia Di Un Mito
AL & JANIE HENDRIX: LA FAMIGLIA DI UN MITO Francesco Rampichini – CHITARRE 1997 Nel settembre del 1970 a soli 27 anni moriva tragicamente Jimi Hendrix. A noi chitarristi che per ragioni anagrafiche non abbiamo potuto conoscerlo, il tempo non ha tolto il desiderio di un contatto più diretto con il mondo di questo mito della scena rock anni ‘60, che a trent’anni dall’uscita delle prime copie clandestine di “Are you Experienced?” non accenna a spegnersi. L’occasione arriva inattesa con la presentazione in anteprima assoluta a Milano di “SOUTH SATURN DELTA”, l’album inedito in uscita il 14 ottobre ‘97, e del volume “LA GRANDE STORIA DI JIMI HENDRIX” (Giunti, ’97) edizione italiana di “Jimi Hendrix Sessions” di John McDermott, Billy Cox e Eddie Kramer. “SOUTH SATURN DELTA” contiene brani mai pubblicati prima (eccetto uno) ed è stato prodotto agli “Electric Lady Studios” di New York da Janie Hendrix, sorella di Jimi e Presidente della “Experience Hendrix” di cui ci parla nell’intervista, da John McDermott, Manager del catalogo della società, e da Eddie Kramer, ingegnere del suono di Hendrix. Jimi incise per cinque anni soltanto - dal ‘66 al ‘70 -, ma il “cannibalismo” sulla sua musica è una storia durata fino all’inizio degli anni ‘90 quando, dopo controversie legali inimmaginabili, il catalogo è tornato nelle mani della famiglia che ne ha ridiscusso con una nuova casa discografica - la Universal - i termini della pubblicazione. Un passo importante, perché Hendrix è sempre stato oggetto di speculazioni di dubbio gusto, per non dire macabre: session a dieci o vent’anni di distanza con intere parti originali sostituite, come nell’album “Two Great Experiences Together” del ‘71 dove, oltre ad aggiungere abbondanti dosi di eco in brani come “Wipe The Sweat”, altri vennero ritoccati con sovraincisioni stereofoniche di un patetico imitatore di Jimi. -
T 15 Tips for Career Success in the New Music Industry
t 15 Tips for Career Success in the New Music Industry CHAPTER ONE Pursuing a Career in the New Music Industry 15 Tips for Career Success “The music business is a cruel and shallow money trench; a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.” —Hunter S. Thompson Let there be no mistake—pursuing a career in the music industry in the 2020s may look easy, but its highly competitive. The successful musicians you see today in the media—getting millions of hits on YouTube, performing before large audiences at the coolest music festivals, or getting streamed on popular playlists— represent only a minuscule percentage of all the musicians in, or trying to break into, the music business today. Knowing these odds, why would anyone continue to pursue a career in the music business? The love of playing music, the tools and technology of the digital age, and the success stories of hardworking artists inspire plenty of people to try. After all, why can’t you be one of the lucky ones who achieves tremendous success, or at least makes ends meet, doing what you love as an independent musician? You’re talented, you’re smart, and you’re reading this book to better understand the inner workings of the music industry. You’ve already got a lot going in your favor! While there are no rules or set guidelines that can guarantee a prosperous and long-lasting career, I’ve outlined 15 general tips for career success—from visualizing your dreams to being proactive. -
Alcohol at the Phi Bers Flew in from California Kappa Tau (PKT) Fraternity and Went Directly to the Hospi- House
New Direction 8 The student newspaper of the Rider community since 1930 Volume 77, Issue XVIII - Friday, March 30, 2007 FRESHMAN IN CRITICAL CONDITION PKT members living in the ‘Possible house, who are not a part of the University meal plan, were given access to meals for the hazing day. In sharp contrast to a resort-like exuberance that incident’ greeted the season’s first warm By Mike Caputo afternoons earlier this week, a stunned quiet prevailed across the Lawrenceville campus yes- A student remained in crit- terday. Throughout the day, ical condition last night after students could be seen gather- what was deemed by the Mercer ing in small groups, talking County Prosecutor’s office to about DeVercelly. be a “possible hazing incident” DeVercelly’s family mem- involving alcohol at the Phi bers flew in from California Kappa Tau (PKT) fraternity and went directly to the hospi- house. tal yesterday afternoon, where Gary DeVercelly, an 18-year- they met with Rozanski and old freshman from Long Beach, Campbell, the dean of students Calif., was found unconscious said. Members of Greek organi- after suffering cardiac arrest. zations gathered in Gill Chapel He was resuscitated through for an 8 p.m. prayer service. CPR by EMTs, according to Photo By Karly Hamburg “Tonight we come togeth- officials. DeVercelly was rushed The Phi Kappa Tau fraternity on the Lawrenceville campus was off limits after freshman Gary er for a different reason,” said to Capital Health System, Fuld Father Bruno Ugliano, who Campus, in Trenton, where he DeVercelly, of Long Beach, Calif., became seriously ill after consuming too much alcohol.