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EDDIEKRAMERPHAZEVIBE EDDIEKRAMER HISLEGENDARYWORKISOURINSPIRATION! OlympicStudios,London1967 TheBeatles-RollingStones,JimiHendrix SmallFaces,Trafﬁc. TheRecordPlant,NewYork1968 JimiHendrix-LedZeppelin-JohnnyWinter Woodstock,NewYork1969 JimiHendrix‒Blood,SweatandTears‒JanisJoplin‒Jefferson Airplane‒TheWho‒JoeCocker-GratefulDead-Santana ‒Crosby,Stills,NashandYoungandmore. ElectricLadyStudios,NewYork1970-1980 JimiHendrix-LedZeppelin-RollingStones-PeterFrampton-Carly Simon-DionneWarwick-DavidBowie,KISS. Kramer has also engineered and/or produced records for other well-known artists in various genres. They include Anthrax,JoeCocker,Loudness,PeterFrampton,JohnMayall, Ten Years After, Mott the Hoople, John Sebastian, Carly Simon, Dionne Warwick, Small Faces, Sir Lord Baltimore and Whitesnake. ©Photo,CourtesyofEddieKramerArchives.AllRightReserved CongratulationsonyournewEddieKramerPHAZEVIBEPedalPlug-in! Thisplug-inwasmodeledafterthePhazeVibePedalbyF-Pedals aﬂexiblephasercapableofawiderangeofsoundpossibilities. Allofourplug-insareproudlycreatedaftercountlesshoursofresearch,dedicationandexperimentation. Wearedrivenbyanincrediblepassionformusicandfueledbyriversofcoffee! WetrulyhopethatthePhazeVibePedalwillinspireyoutocreateamazingmusic. FrancescoSondelli-EddieKramer-IgorNembrini PHAZEVIBEPEDALOVERVIEW MODE Selectsoneofthe3differentdistortionmodes TONE VOLUME Adjuststhebrightness/darknessofitschannel. Setstheoutputlevelofitschannel. SPEED Setsthespeedofthemodulation. FOOTSWITCH PedalBypassON/OFF ©F-Audio-NembriniAudio.AllRightsReserved PAGE1 EDDIEKRAMERPHAZEVIBEPEDAL USERʼSGUIDE THEPHAZEVIBEPEDALhas3differentModulationstypes,selectablethroughtheMODEslideswitch. The3differentmodulationsmodesareinspiredandaimtorecreate thesoundstylesandtechniquesusedbyEddieKramerformorethan50yearsofproducingandrecording. MODE1 ClassicPhaser/Leslie-sh MODE2 WhaPhaser/Auto-wah MODE3 Uni-vibePhaser/Uni-vibe ©F-Audio-NembriniAudio.AllRightsReserved PAGE2 EDDIEKRAMERPHAZEVIBEPEDAL TOOLBAR USERʼSGUIDE 1 2 3 4 1-DROPDOWNMENU UserʼsGuideandallPlug-inInfo 2-/+ BrowsePresets 3-UNDO/REDO UndoorRedothelatestparameterchange. 4-A/B Twoseparatebankstocomparetwodifferentsettingsinrealtimeorbyloadingtwo differentpresetsinthetwodifferentbanksA/B. Theredhighlightindicatesthecurrentlyselectedbankandwhatyouwillmodify/save. ©F-Audio-NembriniAudio.AllRightsReserved PAGE3 EDDIEKRAMERPHAZEVIBEPEDAL TOOLBAR USERʼSGUIDE 1 2 3 4 5 1-PRESETNAME Showstheactivepreset.Clickonthelabeltoseethepresetlist. 2SAVE Allowyoutooverridethecurrentselectedpreset. 3-SAVEAS Savesthecurrentselectedpresetasanewpresetwithanameofyourchoice. 4-TRASH Deletestheselectedpreset. 5-BYPASS Bypassestheplugininordertocompareyourprocessedandunprocessedsignal. ©F-Audio-NembriniAudio.AllRightsReserved PAGE4.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Robert Randolph & the Family Band
artist bio ROBERT RANDOLPH & THE FAMILY BAND When Robert Randolph talks about his new album, Lickety Split, a few words come up over and over—"joy," "freedom," "energy." Which is no surprise, really, because those are the same things that immediately spring into a listener's mind when these twelve tracks from the virtuoso pedal steel guitarist and his longtime accompanists, the Family Band, explode out of the speakers. "My thing is really upbeat, uptempo, with great guitar riffs," says Randolph, summarizing his musical ambitions, "but also catchy choruses and lyrics that someday will make this music into classic tunes." “Robert Randolph is an American Original," says Don Was, President of Randolph's new label, Blue Note Records. "He has mastered what is, arguably, the most complex instrument in the world and developed a unique voice that is equal parts street-corner church and Bonnaroo. This album finally captures the energy and excitement of his legendary live performances.” But for Randolph, the road to Lickety Split—his first studio recording in three years—wasn't an easy path. Though his distinctive mix of rock, funk, and rhythm & blues continued to earn a rapturous response from a fervent, international audience, he felt that he had lost some of the enthusiasm and intensity that had driven him to make music in the first place. "We just weren't being creative musically," he says. "Being on the road 280 days a year, you wind up playing too much and it isn't fun anymore. Soon, you stop being that concerned about how good you can be, how important it is to create and write.
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Waves Unveils the Eddie Kramer Collection
PRESS RELEASE Contact: Clyne Media, Inc. Tel: (615) 662-1616 Fax: (615) 662-1636 FOR IMMEDIATE RELEASE WAVES UNVEILS THE EDDIE KRAMER COLLECTION — Legendary producer/engineer collaborates with Waves to create five Application-Specific Audio Plug-ins — TEL AVIV, ISRAEL, August 18, 2009 — Waves Audio announces the latest entry in the Waves Signature Series, The Eddie Kramer Collection. These five application-specific plug-ins, with dedicated tools for guitar, drums, vocals, bass and effects, are the result of close collaboration between Waves’ R&D team and legendary producer/engineer Eddie Kramer. Over the course of a production and engineering career that spans more than four decades, Eddie Kramer was the man behind the board for some of the biggest names in music history, including Jimi Hendrix, Led Zeppelin, Kiss, The Beatles, David Bowie and many more. Now, with the Waves Eddie Kramer Collection, producers and engineers around the world have access to Kramer’s personalized processing chains. The only tools of their kind, the Signature Series is Waves’ exclusive line of Application-Specific Audio Processors, created in collaboration with the world’s top producers, engineers and mixing engineers. Each and every Signature Series plug-in has been precision-crafted to capture the artist’s distinct sound and production style, using custom multi-effect processing chains designed by the artists themselves. For experienced and aspiring audio professionals alike, the Waves Signature Series streamlines the mixing process, delivering high- quality results, instantly. The Eddie Kramer Collection plug-ins feature intuitive graphic interfaces, a retro- modern look, and optimized control ranges that deliver Kramer’s distinctive, unmistakable sound.
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Download Manual Rack
EDDIEKRAMERPHAZEVIBE EDDIEKRAMER HISLEGENDARYWORKISOURINSPIRATION! OlympicStudios,London1967 TheBeatles-RollingStones,JimiHendrix SmallFaces,Trafﬁc. TheRecordPlant,NewYork1968 JimiHendrix-LedZeppelin-JohnnyWinter Woodstock,NewYork1969 JimiHendrix‒Blood,SweatandTears‒JanisJoplin‒Jefferson Airplane‒TheWho‒JoeCocker-GratefulDead-Santana ‒Crosby,Stills,NashandYoungandmore. ElectricLadyStudios,NewYork1970-1980 JimiHendrix-LedZeppelin-RollingStones-PeterFrampton-Carly Simon-DionneWarwick-DavidBowie,KISS. Kramer has also engineered and/or produced records for other well-known artists in various genres. They include Anthrax,JoeCocker,Loudness,PeterFrampton,JohnMayall, Ten Years After, Mott the Hoople, John Sebastian, Carly Simon, Dionne Warwick, Small Faces, Sir Lord Baltimore and Whitesnake. ©Photo,CourtesyofEddieKramerArchives.AllRightReserved Congratulationsonyournew EddieKramerPhazevibeRackPlug-in! WehavecreatedthePhazevibeRackwithproducersandengineersinmindandourgoalistobring somepurevintagevibeandanalogfeeltoyourDAW,withuncompromisingsonicquality. Allofourplug-insareproudlycreatedaftercountlesshoursofresearch,dedicationandexperimentation. Wearedrivenbyanincrediblepassionformusicandfueledbyriversofcoffee! WetrulyhopethatthePhazevibeRackwillinspireyoutocreateamazingmusic. FrancescoSondelli-EddieKramer-IgorNembrini PHAZEVIBERACKOVERVIEW MODULATION MASTER CONTROLPANEL SECTION ©F-Audio-NembriniAudio.AllRightsReserved PAGE1 EDDIEKRAMERPHAZEVIBERACK CONTROLPANEL2 USERʼSGUIDE MODESELECT ANALOGLINK Selectsoneofthe3PhazevibeModes. WhentoggleswitchissettoON,
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Resolution Magazine
Craft Rest; recorded Florence Welch for Florence and The Machine’s ‘Wish That You Were Here’ song Phil Joly for the Tim Burton film Miss Peregrine’s Home for Peculiar Children and recorded The Kills’ Ash & Ice release. Resolution Magazine caught up RUSSELL COTTIER talks to the Grammy-winning with Joly in amongst the hustle and bustle of SXSW Austen, Texas to talk studios, mics and Electric Lady man management. hil Joly has recently broken out as a producer/mixer, but he has a wealth of experience and more major label artist P credits than you could shake a stick at. The Strokes, Lana Del Rey, Daft Punk, John Legend and The Rolling Stones to name a few. With nine years under his belt at the world- famous Electric Lady Studios, working his way up to Chief Engineer, Joly certainly has the chops and a fresh take on how larger studios fit into the modern workflow. In 2017, Phil won both a Latin Grammy and a Grammy for recording Residente’s self-titled album in the Best Urban Album category and in the Best Latin Rock, Alternative or Urban Album respectively. Most recently, Joly has been engineering with August Greene (a ‘supergroup’ composed of rapper Common, jazz pianist Robert Glasper and drummer Karriem Riggins). He also mixed Gabriel Garzón-Montano Golden Wings, mixed five songs on Coyle Girelli’s Love Kills; recorded Paul McCartney for the Charlotte Gainsbourg album / ‘If I sit under this Chic album cover, one day I’ll get to record Nile Rogers…’ 34 / April 2019 I worked for Electric Lady for nine years You had built up a good credits list by this total, I was chief engineer for five.
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Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
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Al & Janie Hendrix: La Famiglia Di Un Mito
AL & JANIE HENDRIX: LA FAMIGLIA DI UN MITO Francesco Rampichini – CHITARRE 1997 Nel settembre del 1970 a soli 27 anni moriva tragicamente Jimi Hendrix. A noi chitarristi che per ragioni anagrafiche non abbiamo potuto conoscerlo, il tempo non ha tolto il desiderio di un contatto più diretto con il mondo di questo mito della scena rock anni ‘60, che a trent’anni dall’uscita delle prime copie clandestine di “Are you Experienced?” non accenna a spegnersi. L’occasione arriva inattesa con la presentazione in anteprima assoluta a Milano di “SOUTH SATURN DELTA”, l’album inedito in uscita il 14 ottobre ‘97, e del volume “LA GRANDE STORIA DI JIMI HENDRIX” (Giunti, ’97) edizione italiana di “Jimi Hendrix Sessions” di John McDermott, Billy Cox e Eddie Kramer. “SOUTH SATURN DELTA” contiene brani mai pubblicati prima (eccetto uno) ed è stato prodotto agli “Electric Lady Studios” di New York da Janie Hendrix, sorella di Jimi e Presidente della “Experience Hendrix” di cui ci parla nell’intervista, da John McDermott, Manager del catalogo della società, e da Eddie Kramer, ingegnere del suono di Hendrix. Jimi incise per cinque anni soltanto - dal ‘66 al ‘70 -, ma il “cannibalismo” sulla sua musica è una storia durata fino all’inizio degli anni ‘90 quando, dopo controversie legali inimmaginabili, il catalogo è tornato nelle mani della famiglia che ne ha ridiscusso con una nuova casa discografica - la Universal - i termini della pubblicazione. Un passo importante, perché Hendrix è sempre stato oggetto di speculazioni di dubbio gusto, per non dire macabre: session a dieci o vent’anni di distanza con intere parti originali sostituite, come nell’album “Two Great Experiences Together” del ‘71 dove, oltre ad aggiungere abbondanti dosi di eco in brani come “Wipe The Sweat”, altri vennero ritoccati con sovraincisioni stereofoniche di un patetico imitatore di Jimi.
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Alcohol at the Phi Bers Flew in from California Kappa Tau (PKT) Fraternity and Went Directly to the Hospi- House
New Direction 8 The student newspaper of the Rider community since 1930 Volume 77, Issue XVIII - Friday, March 30, 2007 FRESHMAN IN CRITICAL CONDITION PKT members living in the ‘Possible house, who are not a part of the University meal plan, were given access to meals for the hazing day. In sharp contrast to a resort-like exuberance that incident’ greeted the season’s first warm By Mike Caputo afternoons earlier this week, a stunned quiet prevailed across the Lawrenceville campus yes- A student remained in crit- terday. Throughout the day, ical condition last night after students could be seen gather- what was deemed by the Mercer ing in small groups, talking County Prosecutor’s office to about DeVercelly. be a “possible hazing incident” DeVercelly’s family mem- involving alcohol at the Phi bers flew in from California Kappa Tau (PKT) fraternity and went directly to the hospi- house. tal yesterday afternoon, where Gary DeVercelly, an 18-year- they met with Rozanski and old freshman from Long Beach, Campbell, the dean of students Calif., was found unconscious said. Members of Greek organi- after suffering cardiac arrest. zations gathered in Gill Chapel He was resuscitated through for an 8 p.m. prayer service. CPR by EMTs, according to Photo By Karly Hamburg “Tonight we come togeth- officials. DeVercelly was rushed The Phi Kappa Tau fraternity on the Lawrenceville campus was off limits after freshman Gary er for a different reason,” said to Capital Health System, Fuld Father Bruno Ugliano, who Campus, in Trenton, where he DeVercelly, of Long Beach, Calif., became seriously ill after consuming too much alcohol.
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TTC Interview
TAPE: A1210705 [SHOW: 1 A ] [AIRDTE: 0 7 / 0 5 / 2 1 ] [AIRTME: 10:00 - 12:00] [HOST: JENN WHITE] [STORY: RED, WHITE AND THE BLUES ] [CONTENT: EMILY ATKIN, DANIEL SWAIN, SAMANTHA MONTANO] 12:00:00 DISCLAIMER Transcripts of WAMU programs are available for personal use. Transcripts are provided "As Is" without warranties of any kind, either express or implied. WAMU does not warrant that the transcript is error-free. For all WAMU programs, the broadcast audio should be considered the authoritative version. Transcripts are owned by WAMU 88.5 FM American University Radio and are protected by laws in both the United States and international law. You may not sell or modify transcripts or reproduce, display, distribute, or otherwise use the transcript, in whole or in part, in any way for any public or commercial purpose without the express written permission of WAMU. All requests for uses beyond personal and noncommercial use should be referred to (202)885-1200. 00:00:08 JENN WHITE This is 1A. I'm Jenn White in Washington and today we celebrate Independence Day with a one hour tribute to an original American art form. We call it Red, White and The Blues. Blues music arose from the African American experience in the South. On the farms and in fields, enslaved Black people sang to keep their spirits up, spread the news and sometimes to relay secret messages. In church, they sang gospel music. At work, the blues. Blues music went on to become the basic DNA for jazz, R&B, rock and roll, rap and most every manner of modern music.
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Whole Lotta Love (1969) Led Zeppelin
MUSC-21600: The Art of Rock Music Prof. Freeze Whole Lotta Love (1969) Led Zeppelin LISTEN FOR • Elements of electric blues and psychedelia • Sophisticated stereo scheme (“shadowy” back right) • Short verse-chorus vs. long, improvisatory middle section • Blatant sexual content of lyrics and music CREATION Songwriters John Bonham, John Paul Jones, Jimmy Page, Robert Plant, Willie Dixon Album Led Zeppelin II Label Atlantic 2690 (US single) Musicians Robert Plant (vocals), Jimmy Page (rhythm and lead guitars, backing vocals, theremin), John Paul Jones (bass guitar), John Bonham (drums) Producer Jimmy Page Engineer Eddie Kramer Recording Olympic Studios (London); November 1969; stereo Charts Pop 4 MUSIC Genre Hard rock Form Compound AABA Key E minor Meter 12/8 MUSC-21600 Listening Guide Freeze “Whole Lotta Love” (Led Zeppelin, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4) • Two-bar blues-derived riff played by distorted guitar. Bass joins on repetition of riff. • A left-to-right stereo movement casts a sonic “shadow” in the back far right of the stereo field. 0:11 A Verse 1 (9) “You need coolin’” • Lead vocal enters overtop riff in guitar and bass. 0:35 Chorus (4) “Got a whole lotta love” • Drums enter as backup vocals provide vocal hook. • In call-and-response to vocals, stereophonic guitar slide, which disappears in the shadowing back right. 0:47 A Verse 2 (9) “You been learnin’” • As before, but with addition of drums, which continue from previous section. 1:10 Chorus (4) “Got a whole lotta love” • As before, but bar 4 serves also serves as the first bar of the next section.
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32.-Brown-2013-Little-Wing.Pdf
Understanding Rock This page intentionally left blank Understanding Rock ESSAYS IN MUSICAL ANALYSIS Edited by JOHN COVACH & GRAEME M. BOONE New York Oxford Oxford University Press 1997 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1997 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Understanding rock : essays in musical analysis / edited by John Covach and Graeme M. Boone. p. cm. Includes index. Contents: Progressive rock, "Close to the edge," and the boundaries of style / John Covach — After sundown : the Beach Boys' experimental music / Daniel Harrison — Blues transformations in the music of Cream / Dave Headlam — "Joanie" get angry: k. d. lang's feminist revision / Lori Burns — Swallowed by a song: Paul Simon's crisis of chromaticism / Walter Everett — Little wing: a study in musical cognition / Matthew Brown — Tonal and expressive ambiguity in "Dark star" / Graeme M. Boone. ISBN 0-19-510004-2; ISBN 0-19-510005-0 (pbk.) 1. Rock music—History and criticism. 2. Rock music—Analysis, appreciation.
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Backstage Auctions, Inc. Proudly Presents the 2004 Classic Rock Auction Featuring the Private Collection of Eddie Kramer End of Auction Summary
Backstage Auctions, Inc. Proudly Presents The 2004 Classic Rock Auction Featuring the private collection of Eddie Kramer End of Auction Summary Lot # Realized Price Title 1 $462.00 JIMI HENDRIX 1970 "DOLLY DAGGER"/"NIGHT BIRD FLYING" ACETATE 2 $333.96 JIMI HENDRIX "DOLLY DAGGER" VERSION 1 ACETATE 3 $338.06 JIMI HENDRIX "DOLLY DAGGER" VERSION 2 ACETATE WITH FADE 4 $258.00 JIMI HENDRIX "DOLLY DAGGER" MONO DJ ACETATE 5 $366.02 JIMI HENDRIX "JOHNNY B. GOODE" MONO-STEREO ACETATE 6 $366.02 JIMI HENDRIX "LOVER MAN" STEREO ACETATE 7 $700.00 JIMI HENDRIX "LAUGHING SAM" ACETATE WITH B-SIDE 8 $400.01 JIMI HENDRIX "STAR SPANGLED BANNER" STUDIO VERSION ACETATE 9 $360.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" ALBUM ACETATE 10 $200.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" B-SIDE ACETATE 11 $300.00 JIMI HENDRIX 1971 "RAINBOW BRIDGE" ALBUM ACETATE 12 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 1 13 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 2 15 $275.00 JIMI HENDRIX 1996 "FIRST RAYS" ALBUM 'MASTER' PLATE 17 $100.00 JIMI HENDRIX 1997 "FIRST RAYS" SET OF 4 TEST PRESSING RECORDS 18 $401.72 JIMI HENDRIX 1997 "AXIS: BOLD AS LOVE" SET OF 8 TEST PRESSINGS 19 $250.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 12 TEST PRESSINGS 20 $152.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 4 TEST PRESSINGS 21 $175.00 JIMI HENDRIX 1997 "ARE YOU EXPERIENCED" SET OF 7 TEST PRESSINGS 22 $225.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 6 TEST PRESSINGS 23 $100.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 2 TEST PRESSINGS 25 $150.00 JIMI HENDRIX 1998 "BBC SESSIONS" SET OF 6 TEST PRESSING RECORDS 26 $200.00 JIMI HENDRIX 1998 "FILMORE EAST" SET OF 8 TEST PRESSINGS 27 $200.00 JIMI HENDRIX 2000 "JIMI HENDRIX EXPERIENCE" 8 TEST PRESSINGS 28 $50.00 JIMI HENDRIX 2002 "SMASH HITS" SET OF 2 TEST PRESSINGS 29 $150.00 JIMI HENDRIX 2002 "BLUE WILD ANGEL" SET OF 6 TEST PRESSINGS 32 $175.00 JIMI HENDRIX COLLECTORS DREAM: 11 SEALED LTD.
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