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The Drawing Book Project [B] The Drawing Book Project [B] The home-page for the Drawing Book Project can be found here. A bibliography of United Kingdom published drawing books and related material for art instruction, from the 16th century to 1900. Books published 1900-1914 will form a later supplement. It includes instruction manuals on all forms of painting, drawing, engraving, colour theory, perspective, anatomy for artists, &c. I would welcome details of any rarer or unusual items, especially suites of the 17th century 'drawing books' which mainly exist only in fragmentary parts, or single plates. Also ancillary material such as prospectuses, subscription announcements, trade-cards, adverts, hand-bills which relate to the books, drawing academies, and drawing masters. Manuscript material also helps build this picture. As this is an on-line ‘working’ project, new material is being added constantly, so item numbers have not been added, as the bibliography is so to speak a moving feast. Please reference this bibliography if re-using any of the entries or descriptive text, and no unauthorised copying of the Ken Spelman catalogue entries please Found a mistake? Have some extra information? Please contact Tony Fothergill at [email protected] © Tony Fothergill, York, 2021 www.kenspelman.com Note: as this project was first started over 30 years ago, pre-internet, it was then thought impossible to gain information on the huge range of anonymous and ephemeral material published to aid students in drawing and painting. Then along came four children which side-lined it for a long time, and there was just not the time to devote to it. Lock-down and the internet has rekindled the idea, and although still a work in progress, it will now start appearing one letter, or small step, at a time. ESTC titles have been hyperlinked to their entry, so as to keep library locations up to date. British Museum & other Museum items have also been linked, to bring up images of material. Place of publication is ‘London’ unless otherwise specified. As this is being compiled from working notes kept over 30 years, much refinement is taking place as the project moves forward, and references &c., are not at present in a standardized form, and will later form a separate index on the website. The home-page for the Drawing Book Project can be found here. ‘B’ BACK, William H. Drawing Master. Royal Mathematical School. 26th Feb 1833 - London Courier. BACON, J[ohn]. The Theory of Colouring: being an analysis of the principles of contrast and harmony in the arrangement of colours, with their application to the study of nature, and hints on the composition of pictures. Geo. Rowney & co. 1866. small 8vo. viii, 51, [1], 40pp adverts., half-title., 17 figures on 6 coloured plates. First edition. Advertised as ‘just published’ on 6th October 1866. “In the next generation of British writers, one continues to feel a modern sense of color that is usually regarded as a prerogative of French impressionists. The manual by Bacon stresses binary and triadic color harmonies unencumbered by the long disquisitions on aesthetics that mark most French treatises, and its plates, although in rather conservative figurative imagery, show color directly opposed, and three color harmonies, that look forward to New-Impressionism and Fauvism.” Herbert, Robert. Yale Library Gazette, July 1974, p14. Birren Collection 23. Second edition, revised and enlarged. viii, 58pp, 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1872 Third edition, revised and enlarged. viii, 58pp, 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1872 Fourth edition, revised and enlarged. viii, 58, 20pp publishers adverts., 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1872 Fifth edition, revised and enlarged. vii, 70pp, 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1880 Eighth edition, revised and enlarged. vi, 70pp., 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1885 Tenth edition, revised and enlarged. vi, 70pp., 17 figures on 6 coloured plates. small 8vo. G. Rowney. 1887 Upto the 24th edition published in the 19th century. BACON, William. Coach, Sign and House-Painter, St Clement's Church-yard. 18th Oct 1783 - Norfolk Chronicle. BAGWELL. Trade card of Bagwell, Miniature Painter at No.14, Little Queen Street, Holborn, London; text in oval held by an angel who sits on clouds and rests her face on the oval to the right. 1782. Engraving and etching. 55mm x 68mm. BM: D,2.3186 BAIGENT, Francis Joseph., and RUSSELL, Charles James. A Practical Manual of Heraldry, and of Heraldic Illumination: with a glossary of the principal terms used in heraldry. George Rowney & Co.. 1864. 8vo. v, [2], 65pp, 22 pages advertisements 16 plates (some colour) BALDRY, Joshua. Drawing Master of Hatfield Wood Side, Herts, and formerly Cambridge, where he established his fame an artist. 26th Dec 1828 - Stamford Mercury. BALL, Dinah. A Grammar of Drawing for the Use of Beginners. [with illustrative Engravings and Rules for Drawing Heads and Landscapes, in Water Colours.] Harvey & Darton. 1824. 4to. 16pp., 3 unnumbered leaves of plates: illustrations, portrait. Worldcat: BL, Cambridge, St Andrews; Wisconsin. Advertised in the Bibliographical Register; Or Monthly List Of English Publications, Sept 1824. Price 7s 6d. in boards, or 10s 6d half bound. BALL, Edward. Inventive Drawing; a Practical Development of Elementary Design. R. Hardwicke. 1864. 4to. 22pp., the plates are all repeating patterns, i. e., they consist of one basic design element that is repeated. BL, V & A, NLS; Lyon. The author was Master of the Church the Saviour School, Birmingham. “We have rarely seen a better educational book than this of Inventive Drawing. It is in every respect excellent.. Price 6s.” 9th January 1865, Birmingham Gazette. BALLANTINE, James. A Treatise on Painted Glass, shewing its applicability to every style of architecture. Chapman and Hall. 1845. 8vo. [iv], 51pp., 8 plates of which 3 engraved and 5 chromolithograph and 32 hand coloured text illustrations. The plates are lithographed by F. Schenck. Waddleton 1845.57; CBW III, presentation copy (1995) BALLANTINE, James. Essay on Ornamental Art, as applicable to trade and manufactures. W.S. Orr & Co., Paternoser Row, 1847. 4to. 36pp., 40 unnumbered lithograph plates and a lithograph title-page. BALLANTINE, James. Essay on Ornamental Art, as applicable to trade and manufactures. G. Virtue. 1848. 4to. 36pp., 40 unnumbered lithograph plates and a lithograph title-page. BALLARD, James. fl. 1766-1792. He was a pupil in the Dublin Society's schools and obtained prizes there in 1753, 1754 and 1756. He exhibited miniatures at the Society of Artists in William Street from 1766 to 1777, and was a teacher of drawing of some repute for many years. In 1766 he was living in Bull Lane, and from 1767 to 1777 in Mary's Abbey. He died in 1792. A miniature of a lady, signed and dated 1768, is in the National Museum, Kildare Street. The frontispiece of the “Hibernian Magazine” for 1775 was engraved by W. Esdall from a drawing by him. James Basire engraved “the portrait of Dean Swift drawn by Mr. Ballard”; and a similar one of Dr. Parnell; both were in the exhibition of the Society of Artists in London in 1775. Ref: Dictionary of Irish Artists, 1911. Relation of John Ballard, of Dublin, "Gauging Unmask'd, 1783"? see ESTC. BALME, John. Drawing Master. Marriage to Elisabeth, youngest daughter of the late Mr. John Gill, manufacturer, of that place. [Huddersfield]. 28th May 1831 - Leeds Patriot. BANCROFT, Edward. Facts and explanations. Addressed to the Manufacturers of Great Britain. [London. s.n. 1785]. 8vo. 16pp., drop-head title. Dated at end: London, October 1, 1785. ESTC T209421 National Library Wales. BANCROFT, Edward. Facts and Observations, in support of an intended application to Parliament. [London. 1792]. 8vo. 10pp. ESTC N9639, Rutgers. BANCROFT, Edward. Experimental Researches Concerning the Philosophy of Permanent Colours. Volume I (all published). T. Cadell, Jun. and W. Davies. 1794. 8vo. First edition. xlvii, [1], 456pp., half-title. ESTC t078907 BANCROFT, Edward. Facts and Observations, briefly stated, in support of an intended application to Parliament. [London] 1798. 8vo. 23 + (i)pp. ESTC t078908. BL; Dt; DLC; ICN; MH-BA; MnoanMV. BANCROFT, Edward. Uber den Gebrauch der Quercitron-Rinde. Ein Auszug aus dem ersten bande eine englischen werks, betitelt: On the philosophy of permanent colours; and the best means of producing them by dying, callico printing &c. Von Edw. Bancroft. London. gedruckt bey C. Hetdinger. 1795. 8vo. [4], 131, [1])pp. ESTC t149148 GOT. BANCROFT, Edward. Experimental Researches Concerning the Philosophy of Permanent Colours; and the best means of producing them. T. Cadell and W. Davies. 1813. 8vo. Two volumes. lxi, [3], 542pp; [4], 518pp. Published in 1794, the first edition completely sold out and the author in his preface to the second edition notes that second-hand copies "were currently sold...for six times their original price". The new edition is greatly expanded including Bancroft's numerous discoveries made during voyages to the North, and to South America. Opening with a discussion of Newtonian theory, and a criticism of his "Observations concerning...the colours of thin transparent bodies", Bancroft proceeds with an invaluable investigation into the discovery and preparation of individual colours. He was himself the inventor of a preparation of yellow lake from the quercitron bark, of which Eastlake speaks most highly. (Materials for a History of Oil Painting, p441, 1847). Field finds it "more durable than the common yellow lakes, but...useless in tints". (Chromatography, 1835). BANKES, Henry. Lithography, or, the Art of making drawings on stone for the purpose of being multiplied by printing. Bath, Printed by Wood & Co. at the City Printing-Office and sold by the Booksellers of Bath, Cheltenham, &c., 1813.
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