JULY 2011 Welcome to

THE GLOBE AT A GLANCE I am thrilled to welcome Hershey Felder back for The sixth-largest regional his third appearance at theatre in the country, The Old Globe! I hope you The Old Globe offers more were fortunate enough programming and a greater to see Hershey in George repertoire than any theatre Gershwin Alone and The of its size. Great American Songbook • • • earlier this summer. He has enchanted audiences As a not-for-profit theatre and critics around the with an annual budget world with his “Composer averaging $20 million, the J. KATARZYNA WORONOWICZ KATARZYNA J. Sonata,” theatrical journeys Globe earns $10 million in through the lives and music of the world’s great composers. His ticket sales and must raise an latest exploration, Maestro: The Art of Leonard Bernstein, tackles additional $10 million from one of America’s greatest musicians, a man whose multifaceted individual and institutional talent and unforgettable energy made him a legend and defined tax-deductible donations. 20th century American music. • • • It has been an exhilarating year at The Old Globe. This spring, The Globe provides more our acclaimed production of August: Osage County earned than 20 different community standing ovations and national attention. This summer, the and education programs 2011 Shakespeare Festival brings back Artistic Director Adrian to nearly 50,000 people Noble to build on last year’s success. The 2011 Festival features annually. two plays by Shakespeare – The Tempest and Much Ado About • • • Nothing – along with Peter Shaffer’s contemporary classic Amadeus. These incredible offerings would not be possible The Old Globe has sent 20 without your ongoing support – thank you for being a part of productions to Broadway our 2010-2011 season! since 1987. We have already begun work on a whole new adventure, a whole • • • new season of plays. With 10 dynamic productions, including In 1987, The Old Globe/ major musicals, daring revivals and five exciting world premieres, University of San Diego the 2011-2012 season is shaping up to be one of our best ever. Master of Fine Arts program You can see the full season lineup in this program on page 16. was established to provide I hope to see you there! the highest caliber in training of young classical actors.

Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE 1 PRESENTS

The Eighty-Eight Entertainment and Samantha F. Voxakis Production of HERSHEY FELDER IN MAESTRO: THE ART OF LEONARD BERNSTEIN

MUSIC AND LYRICS BY BOOK BY LEONARD BERNSTEIN HERSHEY FELDER & OTHERS

François-Pierre Couture Andrew Wilder Erik Carstensen SCENIC DESIGN/LIGHTING DESIGN/ PROJECTION DESIGN SOUND DESIGN PROJECTION DESIGN

Margaret Hartmann GiGi Garcia and Nate Genung LIGHTING DIRECTOR/ PRODUCTION STAGE MANAGERS ASSISTANT LIGHTING DESIGN

Jeffrey Kallberg, Ph.D. Matt Marsden PRODUCTION CONSULTANT PRODUCTION MANAGER/ TECHNICAL DIRECTOR

DIRECTED BY JOEL ZWICK

This Play is presented by permission of The Leonard Bernstein Office, Inc. The name and likeness of Leonard Bernstein are US-registered trademarks used under license from The Leonard Bernstein Office, Inc. ——————————————————

Donald and Darlene Shiley Stage OLD GLOBE THEATRE Conrad Prebys Theatre Center July 22 - August 28, 2011

2 PERFORMANCES MAGAZINE THE CAST LEONARD BERNSTEIN...... Hershey Felder

Production Stage Manager...... GiGi Garcia Production Stage Manager...... Nate Genung

There will be no intermission.

SPECIAL THANKS The Gershwin, Godowsky and Strunsky families, Roberta Korus, Elliot Brown, Ray White at the Library of Congress; Al and Kathy Checchi, Skip and Jon Victor, Peg and Rick Golden, Jerry and Judy Weisfogel, the Cotsen families, Marty and Susan Jannol, Brian Novack, Matthew Walley; Ken and Maria Cole, Mama and Papa Cole-Levine; Susan Myerberg. Jamie Bernstein Thomas, Humphrey Burton, Matthew Burton, Craig Urquhart, Marie Carter, Lola Kavonic, Henry and Frances Fogel, Eleanor Sandersky, Richard Ortner, Michael Lewin, Dan Gustin, Dr. Jeffrey Kallberg. Richard and Robin Colburn, Cindy and Rick Tennant, Alan and Gayle Heatherington, David Taylor, the Ars Viva Orchestra; Bruce Ramer and Madeline Peerce, David Renzer, Linda Newmark, Rob Saslow, Clark Germain; Steve Robinson, Beth Schenker, Eric Arunas, The WFMT Radio Network; Irv and Dena Schechter, Ory Shihor, Judith Haddon, James Gandre, Sheila and Doug Graves, Stacy Friedman, Susan Rowell, Milly Marmur, Cliff Chenfeld, Craig Balsam, and Razor & Tie Entertainment; Andrew Tenenbaum and MBST; Paula Holt; Jay Shields, David Ida, Thomas Zoells; Irene Wlodarski, and Steinway Pianos, New York; Evan Stein, Yvonne Mejia, and Crest Digital. Grosses bises à notre famille à Seine-Port— Pierre, Isa, Amandine et Aston. An important thank you to Lee and Claire Kaufman for their continued support and friendship. A particular and heartfelt thank you to my team of devoted artisans, many of whom have been with me through dozens of productions all over the world—Matt Marsden, GiGi Garcia, François-Pierre Couture, Nate Genung, Erik Carstensen, Nettie Wasowski, Brett Taylor, Rich Norwood, Yael Pardess, Michael Gilliam, Christopher Ash, Andrew Wilder, John Boesche, Larry Blumenthal, Guy Casper —without whom none of our work would be possible; Lou Spisto, Michael Murphy, and the entire staff of The Old Globe. A special thank you to Candice and Joel Zwick, and Joel Zwick “Alone.” A very special and personal thank you to my Greek family—Samantha, Mom, Dad, and Chris Voxakis. Without you, Eighty-Eight Entertainment would not exist. And many thanks to the rest of the auxiliary—Rosalinda, Sandy, and Cheryl. My father and stepmother Jack and Lea, my sister and brother-in-law Tammy and Kevin, and their dear children Avery and Kiley. And of course...Leo and Kim (XXOO).

The Actor and Stage Managers employed in this production are members of Actors' Equity Association, the union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PERFORMANCES MAGAZINE 3 Board of Directors

It’s summer in Balboa Park, and all three Globe theatres are in full swing presenting seven productions. Evening audiences, often swelling to 1,500 members, gaze at magnificent sets and marvel as talented actors perform their theatrical magic. As you settle in to enjoy your own share of this magic, you may not be aware of the enormity of the undertaking behind the scenes.

I was intrigued to learn from our Executive Producer the resources required to create these world-class productions. For months, the Costume, Scene and Prop Shops have hummed with activity to create and support seven mainstage shows. For this season’s Festival sets alone, 750 scaffolding planks were loaded in, 300 lights were hung and crew members averaged 80 hours per week during the technical rehearsal process. Our costumers created 225 costumes and 42 customized wigs, and the props team constructed more than 60 pieces of furniture.

Ticket revenue covers only about half the cost of this complex effort, almost all of which occurs right here in San Diego, led by talented artists whose skills rank at the very top of their crafts. Most of the rest of the cost is covered by the generosity of patrons like you. Your support as donors to our annual fund ensures the Globe’s status as a nationally recognized cultural icon and makes each of you a key investor in our success.

Thank you!

Sincerely,

Harold W. Fuson, Jr. Chair, Board of Directors

BOARD OF DIRECTORS Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* Chair Immediate Past Chair Vice Chair, Vice Chair, Nominating Secretary Finance & Treasurer

DIRECTORS Deni Jacobs Evelyn Mack Truitt Audrey Geisel Mary Beth Adderley Daphne Jameson Debra Turner Paul Harter Elizabeth Altman Jo Ann Kilty Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Joseph Benoit Mitzi Yates Lizarraga Crystal Watkins Dolly Poet (1921-2007) Pamela Cesak Susan Major Karin Winner Deborah Szekely Nicole A. Clay Paula Powers June Yoder Hon. Pete Wilson Peter J. Cooper* Conrad Prebys* Carolyn Yorston-Wellcome Valerie S. Cooper David Reagan Vicki Zeiger EMERITUS DIRECTORS Pamela A. Farr Sandra Redman* Garet B. Clark *Executive Committee Member Karen Fox Reneé Schatz J. Dallas Clark (1913–2005) Victor P. Gálvez Jean Shekhter HONORARY DIRECTORS Bea Epsten Jean-Marie Hamel, Ph.D. Louis G. Spisto* Mrs. Richard C. Adams Sally Furay, R.S.C.J. Kathryn Hattox* Ann Steck (1912–2005) Bernard Lipinsky (1914-2001) Elizabeth Helming Daniel L. Sullivan, Ph.D. Clair Burgener (1921-2006) Delza Martin (1915–2005) Nanci Hull Julie H. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Darlene Shiley Viviana Ibañez Dean Thorp Patsy Shumway

4 PERFORMANCES MAGAZINE LEADERSHIP Production Sponsors GIFTS

The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major Since the 1980s, California Bank & Trust has contributions have been designated been a Globe sponsor and corporate partner, for artistic, endowment and facilities providing volunteer and financial contributions. projects, and help The Old Globe Sandra Redman, Senior Vice President, Private remain one of our country’s great Banking Manager of the Rancho Santa Fe office, serves on the Globe’s Board theatre institutions. of Directors and Executive Committee. Sandra was instrumental in the Bank’s support of the Globe’s recent Capital and Endowment Campaign, as well as $20,000,000 or greater in the acquisition, renovation and financing of the Globe’s Technical Center in southeastern San Diego. She also served as a 2009 and 2010 Globe Gala Donald* and Darlene Shiley Co-Chair. The Bank has previously sponsored such plays as Boeing–Boeing, The First Wives Club, The Lady with All the Answers, Antony and Cleopatra, $10,000,000 or greater Julius Caesar, Pericles, Smash, Henry V and Floyd Collins. The Globe thanks Conrad Prebys California Bank & Trust for its unwavering support and enduring partnership.

$5,000,000 or greater Valerie and Harry Cooper

Sheryl and Harvey White Valerie Cooper has served on the Globe Board of Directors for many years, including Kathryn Hattox as Secretary and member of the Executive Committee. Valerie and her husband, Harry, Karen and Donald Cohn have played many other important roles at the Globe and both have co-chaired extremely $2,000,000 or greater successful Globe Galas (Valerie in 2004, 2006 Viterbi Family Foundation and 2010 and Harry in 2005). The Coopers’ previous sponsorships have included The Women and the world premieres of $1,000,000 or greater A Catered Affair and Cornelia, in addition to several others. Valerie and Harry are active throughout the San Diego community, supporting the Museum of California Cultural and Contemporary Art San Diego, San Diego Museum of Art, Vista Hill Foundation, Historical Endowment San Diego Opera, Planned Parenthood and Patrons of the Prado. Estate of Dorothy S. Prough Sheryl and Harvey White The Rivkin Family Over their long association with The Old Globe, Estate of Beatrice Lynds Sheryl and Harvey White have played many leadership roles at the Globe, each serving terms Audrey S. Geisel/ as Chair of the Board of Directors, with Harvey San Diego Foundation serving as Co-Chair of the Globe’s recently Dr. Seuss Fund completed $75 million Capital and Endowment Mr. and Mrs. Victor H.* Ottenstein Campaign. Sheryl holds the distinction of co- chairing five successful Globe Galas and this year Mrs. Helen Edison* once again steps into the esteemed Co-Chair position. The Whites have been The Stephen & Season Sponsors for the past 10 years, previously sponsoring plays such as Mary Birch Foundation The Times They Are A-Changin’ and the world-premiere musicals Dancing in the Dark, The First Wives Club and Lost in Yonkers, the inaugural production of The Kresge Foundation the new arena theatre that bears their name in recognition of their significant *In Memoriam $6 million Capital Campaign gift. (continued on p. 20)

PERFORMANCES MAGAZINE 5 6 PERFORMANCES MAGAZINE MICHAEL LAMONT HERSHEY FELDER — ON — BERNSTEIN

Just as I was beginning rehearsals for Maestro, I got an email from a friend on the classical side of the music business. “Lenny’s been dead for only 20 years. Even I met him. Why him? He hasn’t really been dead long enough. What gives?” At first, I gave a silly answer – something to do with “…theatre directors, patrons… they’ve been asking me to portray this character even before I began the Gershwin project more than 15 years ago. So here we are.” But the truth is that my friend's question must be addressed seriously. I think there is an important story to tell. As with Gershwin, Chopin and Beethoven, Bernstein’s story is one of a creative artist and his struggle. But what’s different about him is that, because he has only been gone for 20 years, time hasn’t yet confirmed for us whether as a composer he is a Beethoven, Chopin or Gershwin. Or not. Since Bernstein spent his life studying the immortals and sharing with us what in fact makes them so, it is very interesting to try and understand his point of view and how his understanding of great music affects his perception of his own place in the pantheon of the greats. In another 20 years, we’ll probably know where he belongs – but, at the moment, not knowing gives us something to ponder. I welcome you to the presentation of this new work, and I look forward to our being together again as the stories and music continue on.

Musical Selections “Somewhere” (from West Side Story; music by Leonard Bernstein, lyrics by Stephen Sondheim); “Carried Away” (from On the Town; music by Leonard Bernstein, book and lyrics by Betty Comden and Adolph Green, additional lyrics by Leonard Bernstein); Piano Sonata (music by Leonard Bernstein); “Variations 1 and 9” from Piano Variations (music by Aaron Copland); “A Little Bit in Love” (from Wonderful Town; music by Leonard Bernstein, book and lyrics by Betty Comden and Adolph Green); “I Hate Music” (music and lyrics by Leonard Bernstein); Lamentations (from Symphony No. 1: Jeremiah, music by Leonard Bernstein); Greeting (from Arias and Barcarolles; music by Leonard Bernstein); “Glitter and Be Gay” (from Candide; music by Leonard Bernstein, lyrics by Richard Wilbur); “Maria” (from West Side Story; music by Leonard Bernstein, lyrics by Stephen Sondheim). “A Little Bit in Love” is used by arrangement with Warner/Chappell Music, Inc. “Variations 1 and 9” are used by arrangement with Boosey & Hawkes, Inc. on behalf of The Aaron Copland Fund for Music, Inc., copyright owner. The remaining songs listed above are used by arrangement with Boosey & Hawkes, Inc., Sole Agent for Leonard Bernstein Music Publishing Company LLC, publisher. PERFORMANCES MAGAZINE 7 COMPOSING BERNSTEIN HOW HERSHEY FELDER BUILDS A PLAY BY AMY LEVINSON

Each time Hershey Felder has set out to create a show, he has done so with a vast musical library at his fingertips. These musical scores helped to shape the stories he was choosing to tell. With Gershwin he embraced the songbook not only to tell the moving and poignant tale about genius cut down too early, but also of the magic that exists in a perfect artistic partnership such as the one between George and Ira. For Beethoven he utilized the composer’s haunting compositions to deconstruct an enigmatic soul whom we all revere. And he uncovered Chopin’s genius through the keys of his piano, recounting a life of a troubled man who expressed himself though his compositions. In each case, music was at the center of these men’s lives,

8 PERFORMANCES MAGAZINE and so it is the case with Leonard Bernstein. There is one distinct difference, though. In Bernstein’s own mind, he never wrote a definitive composition. He even believed that the best elements of West Side Story were removed for dramatic necessity. He wanted to live long enough to write the piece that would canonize him as a musical genius. He would claim that piece was never written. He is, however, remembered as one of the greatest musical minds of the last century and for that reason, he is the subject of Felder’s newest play, Hershey Felder in Maestro: The Art of Leonard Bernstein.

Felder discovered early on in the process that Bernstein was going to be a difficult subject to convey. Being as beloved as Bernstein was, Felder was able to draw from those who knew him best. In addition, he could embrace such research tools as YouTube videos of Bernstein for his physical characterizations—a luxury Felder hasn’t had on previous shows. But what Felder noted immediately was that this was going to be a story that focused on a lack of the quintessential composition—at least Bernstein’s composition—as opposed to an abundance of them. As Felder’s writing process began and the story unfolded, his focus switched to Bernstein the teacher and conductor and less the composer.

Through Omnibus – the legendary public arts show hosted by Alistair Cooke and featuring programming about science, the arts and the humanities – as well as the legendary Young People’s Concerts, Bernstein became a household name. His lectures on the great composers were a powerful tool for bringing a greater understanding of compositions to the masses. Felder incorporates these lessons into Maestro elegantly, Bernstein didn’t think West Side Story was worthwhile; allowing the audience to experience Bernstein as he simply did not want it to be the pinnacle of his musicologist, as conductor and as teacher. But this career—and it was, at least as far as compositions go. was also Bernstein’s struggle. Felder believes that part of what inhibited Bernstein’s ability to break through But there is the other side of Bernstein that Felder as a composer was that his understanding of music uncovers here, and it is impossible not to draw a parallel was so great and such a part of his thinking that his between the art of Bernstein and the art of Felder compositions couldn’t help but be derivative. But himself. Bernstein excelled at making music—the most while Bernstein may have believed that he did not difficult and complex music—accessible to all. It is not leave behind his greatest work, theatre academics and dissimilar to what Felder does when he creates rich musicologists readily disagree. characters from the lives of these composers. And that speaks volumes to Bernstein’s legacy—audiences crave To some, West Side Story is the greatest piece ever to delve into and understand the art that goes into written for the American stage. Joel Zwick, Felder’s composing Beethoven’s Fifth Symphony, Gershwin’s longtime director and friend, points out that at the “Rhapsody in Blue,” Chopin’s “Nocturne” and the score time that Arthur Laurents, Jerome Robbins, Stephen to West Side Story. Like Bernstein before him, Felder Sondheim and Leonard Bernstein created West brings the audience into the world of the composer, Side Story, only Robbins was well known. Imagine making our connection to their music ever more the lightning in that bottle. But what this show did to satisfying. enhance and change the face of American musical theatre cannot be underestimated, even while Bernstein Amy Levinson is Literary Manager/Dramaturg craved something more substantial for his repertoire. at the Geffen Playhouse. Felder is sure to be clear on this point. It isn’t that

PERFORMANCES MAGAZINE 9 Profiles

HERSHEY FELDER JOEL ZWICK (Director) directed My Big Lost. He was also nominated for an Ovation (Leonard Bernstein/ Fat Greek Wedding, the highest-grossing Award for his scenic design of A Picasso at Playwright) Broadway, romantic comedy of all time, produced the Geffen Playhouse, received a Garland London’s West End: George by Tom Hanks, Rita Wilson and Gary Award for the scenery of The Quality of Gershwin Alone (Helen Goetzman. Recent films includeFat Albert Life also at the Geffen Playhouse and was Hayes Theatre, Duchess (with Bill Cosby) and Elvis Has Left the nominated for best scenic design at the Theatre). Regional and Building starring John Corbett and Kim 2010 LA Weekly Awards for Stranger at international appearances of the Basinger. Mr. Zwick directed the Broadway the Bootleg and received a Ticket Holder “Composers Sonata” 1999 - 2011 – production of George Gershwin Alone at Award for best lighting design for Solitude George Gershwin Alone, Monsieur Chopin, the Helen Hayes Theatre as well as all other at the LATC. Other productions he has Beethoven, As I Knew Him and Maestro: The productions. Mr. Zwick began his theatrical designed include: Scenery for 1951-2006 Art of Leonard Bernstein – include The Old career at La Mama E.T.C. as director of written and directed by Donald Freed at the Globe, Asolo Repertory Theatre, Arizona the La Mama Plexus. He has directed on LATC; lighting for Dementia at the LATC; Theatre Company, Geffen Playhouse, Broadway, Off Broadway and Broadway scenery for Beethoven, As I Knew Him at Laguna Playhouse, Ford’s Theatre, touring companies. Currently, Mr. Zwick The Old Globe, Geffen Playhouse, Chicago Cleveland Play House, Pasadena Playhouse, is recognized as one of Hollywood’s most Water Tower; lighting for Porphyrion’s American Repertory Theater, Hartford prolific directors of episodic television, Revenge at Highways Performance Space; Stage, Ravinia Festival, Chicago’s Royal having the direction of more than 525 scenery and lighting for KLÜB at The Actor’s George Theatre, Prince Music Theatre episodes to his credit. These include Gang Theatre; scenery and lighting for (Philadelphia), The Gilmore International having directed 21 pilots that have gone Wounded, Spring Awakening and Survived Keyboard Festival, Uijeongbu Theatre on to become regular series. Television at the Power House Theatre. Festival (South Korea) and many others. shows include “Laverne & Shirley,” “Mork Command Performance of Monsieur & Mindy,” “Bosom Buddies,” “Webster,” MARGARET HARTMANN (Lighting Chopin for the Polish Ambassador to the “Perfect Strangers,” “Full House,” “Step Director/Assistant Lighting Design) has United States, Polish Embassy, Washington. by Step,” “Family Matters,” “It’s a Living,” been designing in Chicago for seven years. Winner of 2007 Los Angeles Ovation “The Wayans Bros.,” “Joanie Loves Chachi,” She is a member of Plasticene Theatre Awards, Best Musical and Best Actor for “The Jamie Foxx Show,” “Kirk,” “The Parent Company and Big Picture Group Theatre George Gershwin Alone. Compositions ’Hood,” “Angie,” “On Our Own,” “Two Company and has designed at the Royal include Aliyah, Concerto for Piano and of a Kind,” “Love Boat: The Next Wave,” George Theatre, Provision Theatre Orchestra; Fairytale, a musical; Les Anges “Hangin’ with Mr. Cooper,” etc. Previous Company, The Chicago Hip Hop Festival, de Paris, Suite for Violin and Piano; Song New York productions have included Bailiwick Theatre and CIRCA Theatre Settings, poetry by Vachel Lindsay; Dance with Me (Tony Award nomination), Company. She has also associate designed Saltimbanques for Piano and Orchestra; Shenandoah (Broadway National Tour), Almost, Maine at Milwaukee Repertory’s Etudes Thematiques for Piano; An American Oklahoma (National Tour) and Cold Stiemke Theater and assisted designers Story for actor and orchestra. Recordings Storage (American Place Theater). He at Goodman Theatre, Writers’ Theatre, include Love Songs of the Yiddish Theatre, acted in the original New York production Marriott Lincolnshire Theatre and Chicago Back from Broadway, George Gershwin of MacBird. He directed Esther (Promenade Shakespeare Theater. Alone and Monsieur Chopin for the WFMT Theater, NY), Merry-Go-Round (Chicago ANDREW WILDER (Projection Design) Radio Network Recordings label, and Las Vegas) and Last Chance Saloon and is the kind of guy who likes to wear a lot Beethoven, As I Knew Him and An American Woycek (West End, London). Mr. Zwick has of hats. His experience in lighting design, Story for the Eighty-Eight Entertainment taught drama at Yale University, Brooklyn photography and all things computerized label. Worldwide live broadcasts, George College, Queens College, Wheaton College have led him to the world of projection and Gershwin Alone, July 2005 and May 2011. and the University of Southern California. media design. He is thrilled to be working Current projects include a new musical, An He is a graduate (B.A., M.A.) of Brooklyn with the Eighty-Eight Entertainment team American Story, which had its world College. He is currently in pre-production once again, after having had such a great premiere in Los Angeles in November 2009. on Sleepless in Seattle – the Musical and time designing for Beethoven, As I Knew It was recorded with the Ars Viva Serrano. He recently directed Jamaica Him. When not working in a theatre, Symphony Orchestra, comprised of Farewell for Garry Marshall’s Falcon Andrew spends his time writing about diet members of the Chicago Symphony and Theater and is busy directing TV shows for and nutrition at www.eatingrules.com. Chicago Lyric Opera Orchestras and It’s a Laugh Productions. conducted by Alan Heatherington. Mr. ERIK CARSTENSEN (Sound Design) FRANÇOIS-PIERRE COUTURE (Scenic Felder has been a Scholar in Residence at Master Sound Technician at The Old Globe Design/Lighting Design/Projection Design) Harvard University’s Department of Music since 1997. Production Engineer on over moved from Montréal to UCLA to complete and is married to Kim Campbell, former 60 productions at the Globe, including his Master’s degree in scenic and lighting Prime Minister of Canada. Floyd Collins, Dr. Seuss’ How the Grinch design in 2006. He then joined The Actors’ Stole Christmas!, The Full Monty, Dirty Gang Theatre and designed the scenery Blonde, Dirty Rotten Scoundrels, Chita and lighting for the critically acclaimed Rivera—A Dancers Life, Hershey Felder’s production of Shakespeare’s Love’s Labour’s

10 PERFORMANCES MAGAZINE George Gershwin Alone, Monsieur Chopin, Beethoven, As I Knew Him and Maestro: in Warsaw, Poland. In 2005, the Palmer Beethoven, As I Knew Him (sound design), A The Art of Leonard Bernstein. Resolution Theological Seminary called upon Kallberg Catered Affair and Robin and the 7 Hoods. Productions has also been part of the to identify and authenticate an autographed Erik is a member of IATSE Local 122. teams for Chicago Children’s Theatre and manuscript of Beethoven's Grosse Fuge Criterion Productions’ festival management that was discovered in their library. The GIGI GARCIA (Production Stage Manager) in Chicago. Mr. Marsden’s career has manuscript, one of the last that Beethoven is one of the original stage managers for included working for Olympic City at completed, preserves fascinating George Gershwin Alone and has called the 1996 Olympic Games in Atlanta. As evidence of his compositional thinking; its close to 1,000 performances for Eighty- a Project Manager for Chicago’s Becker reappearance after some 115 years caused Eight Entertainment. For 14 years, she has Studios, he has worked on feature film considerable excitement across the musical been a resident artist at A Noise Within PR campaigns, national conventions and world. In December 2005, the manuscript where she has worked as a production trade shows and retail environments. In the sold at auction for nearly $1.9 million. manager, stage manager and assistant theatre, he worked to open Chicago’s Drury director. Other theatres include The Lane Theatre (at Water Tower Place) and LEE KAUFMAN (Associate Producer) is a Old Globe, Pasadena Playhouse, Geffen production managed their inaugural show business entrepreneur with an interest in Playhouse, Cleveland Play House, Arizona The Full Monty and then Mornings at Seven classical music that extends from Gregorian Theatre Company, Laguna Playhouse, The starring Katherine Helmond. He more chants in the Middle Ages through to Kennedy Center, The Hollywood Bowl, recently managed Million Dollar Quartet’s the modern composers. In the St. Louis Drury Lane Water Tower Place – Chicago, Chicago production for AWA Management, community college system, he teaches a Cuillo Center for the Performing Arts, Don’t Dress For Dinner in Chicago for The classical music listening course as well as L.A. Theatre Works, Tiffany Theatres, British Stage Company and White Noise one dealing with the role of music in the Occidental Theatre Festival, Bottom’s co-produced by Whoopi Goldberg. Thanks movies. He also teaches at the Chautauqua Dream, Eclectic Theatre Company, to all who make show biz fun, but especially Institution in New York and Washington Virginia Avenue Project and Scottsdale my fantastic wife, Nettie. University in St. Louis, continuing education. Conservatory Theatre. Ms. Garcia currently leads the Drama Ministry for Montrose JEFFREY KALLBERG (Musical History SAMANTHA F. VOXAKIS (General Church where she has produced and Production Consultant; Ph.D., University Manager) is a proud native of Baltimore, directed several plays and films. of Chicago; Associate Dean for Arts and MD where her 12 years with the Baltimore Letters and Professor of Music History, Orioles included a number of extraordinary NATE GENUNG (Production Stage University of Pennsylvania) is a specialist events, including the opening of Camden Manager) Mark Taper Forum: Harps in music of the 19th and 20th centuries, Yards and Cal Ripken, Jr.’s 2131st game. and Angels, The Subject Was Roses and editorial theory critical theory and gender She now keeps busy with the day-to-day Pippin. Reprise: Gigi, How to Succeed..., An studies. Kallberg has published widely on operations of Eighty-Eight LLC and with Evening with Sutton Foster and A Party with the music and cultural contexts of Chopin, playing proud den mother on the road. Marty. Other L.A.: Equivocation (Geffen most notably in his book, Chopin at the Although there was a time she took great Playhouse), Summer of Love (Musical Boundaries: Sex, History, and Musical pleasure in playing the piano, she has given Theatre West), Medea (UCLA Live), Ring Genre (Harvard University Press). His it up as comparisons to her boss are simply of Fire (McCoy Rigby), The Kathy & Mo critical edition of Luisa Miller, for The Works too painful. With special thanks to her Show with Kathy Najimy and Mo Gaffney of Giuseppe Verdi, has been performed ever-supportive family, the auxiliary and, of (Palm Springs Convention Center), world throughout the U.S. and internationally. course, Mr. Felder. premieres of Life Could Be a Dream His current projects include a book on EIGHTY-EIGHT, LLC (Producer) Eighty- (Hudson Theatre), Norman’s Ark (Ford Chopin and the culture of the nocturne, Eight Entertainment was created in Amphitheatre) and Dawn’s Light (East West an examination of the convergences of 2001 by Hershey Felder and is devoted Players). B.A. in Theater and Economics sex and music around 1800, and a study to the creation of new works of musical from Occidental College. Love you, M & M. of Scandinavian song in the first half of the theatre. Eighty-Eight’s projects include 20th century. Kallberg was elected Vice MATT MARSDEN (Production Manager/ the “Composer Sonata” featuring the President of the American Musicological Technical Director) is Owner/President of lives and work of George Gershwin: Society for the term 2004-2006. He served Resolution Productions. While Production George Gershwin Alone, Fryderyk Chopin: as Review Editor of the Journal of American Manager at the Royal George Chicago, Monsieur Chopin, Ludwig van Beethoven: Musicological Society and is presently he was part of the production teams for Beethoven, As I Knew Him and Leonard general editor of New Perspectives in HATS! The Musical, Forbidden Broadway: Bernstein: Maestro. Current projects Music History and Criticism (Cambridge SVU, I Love You, You’re Perfect, Now include An American Story, a new musical University Press). He has won numerous Change, Bleacher Bums, Graham Norton: based on a little-known story about awards for publications and received Red Handed and The Flying Karamazov President Lincoln’s final day. All members of fellowships from the National Endowment Brothers. Working on his own for Resolution Eighty-Eight LLC productions are creative for the Humanities and the John Simon Productions, he has been part of the artists in their own right, and all members Guggenheim Memorial Foundation. He Eighty-Eight LLC production team for the are asked to advise and contribute on all has also twice been guest-of-honor at the World Premieres of Monsieur Chopin, aspects of production. International Fryderyk Chopin Competition

PERFORMANCES MAGAZINE 11 Profiles

LOUIS G. SPISTO (Executive Producer) Pride’s Crossing, The Little Foxes, Hapgood Distinction Award; and a combined tribute directs both the artistic and administrative (Lucille Lortel Award for Direction, 1995), from the Public Arts Advisory Council and activities of The Old Globe. During his Damn Yankees (Tony nomination Best the San Diego County Board of Supervisors. tenure, Mr. Spisto spearheaded the return Musical Revival), Two Shakespearean Mr. Noel was particularly proud of the of the Shakespeare Repertory Company, Actors (Tony nominations: Best Director following three honors representing revitalized the Globe’s new works program, and Play), Porgy and Bess for Houston education and theatre: Honorary Doctorate resulting in 12 world premiere plays Grand Opera and Broadway (Tony Award), of Humane Letters, University of San Diego, and 10 world premiere musicals, and as well as Radio City Music Hall, Il Trittico, Honorary Doctorate in Fine Arts, San Diego produced more than 100 productions. Metropolitan Opera. RECENT AWARDS: State University and the annual Awards for Under Mr. Spisto’s leadership, ticket 2008 Theatre Hall of Fame Inductee, 2004 Excellence in Theatre named in his honor sales and contributions have increased Thomas Degaetani Award (USITT), 2002 by the San Diego Theatre Critics Circle. In substantially, and the fiscal health of the “Mr. Abbott” Award (SDCF), 2001 Joan 2007, he received the National Medal of organization has been strengthened to Cullman Award for Extraordinary Creativity, Arts – the nation’s highest honor for artistic support the expanded artistic vision. Mr. 2001 Joe A. Callaway Award (SDCF), the excellence – in a ceremony at the White Spisto has successfully led the Globe’s $75 Drama League’s Julia Hansen Award for House. Craig Noel died on April 3, 2010 at million Capital Campaign and managed Excellence in Directing, 2001. Honorary the age of 94. the development of the Conrad Prebys Doctorate, University of Michigan. Honorary Theatre Center, which includes a state- Doctor of Humane Letters, University of of-the-art arena theatre and education San Diego. Recipient of ArtServe Michigan’s center. An advocate of arts education, Mr. 2008 International Achievement Award. Spisto created a number of new programs Mr. O’Brien is a member of the College of that serve tens of thousands of young San Fellows of the American Theatre. Diegans each year. These programs include a summer Shakespeare intensive, a major CRAIG NOEL (Founding Director) was initiative in southeastern San Diego which first appointed director in 1939, directing includes the development of new works for 15 productions prior to World War II. Since younger and more diverse audiences, and then he directed more than 200 plays free student matinees of the Globe’s regular of all styles and periods and produced productions. Mr. Spisto holds a Master’s an additional 270 productions. His degree from the University of Wisconsin vision for The Old Globe resulted in the and a Bachelor’s degree from the University establishment of the Shakespeare Festival of Notre Dame. He has served as chief and the San Diego Junior Theatre in the executive for the Pacific Symphony, Detroit late ‘40s, the expansion to two theatres in Symphony and American Ballet Theatre. the ‘50s, Globe Educational Tours in the ‘70s and Teatro Meta and the Old Globe/ JACK O’BRIEN (Artistic Director University of San Diego MFA program in the Emeritus) served as the Artistic Director of ‘80s. During the 1940s, Mr. Noel served as The Old Globe from 1982 through 2007. dialogue director for the 20th Century Fox Recent Globe productions: Dirty Rotten Studios and was the former director of the Scoundrels, Imaginary Friends, Twelfth Ernie Pyle Theatre in Tokyo. Described by Night, The Full Monty, The Seagull, The Variety as the eminence grise of San Diego Magic Fire, Dr. Seuss’ How the Grinch Stole theatre, Mr. Noel is one of the few San Christmas! West End: Love Never Dies Diegans to have had an entire year (1987) (sequel to Andrew Lloyd Webber’s The proclaimed in his honor, and to be named

Phantom of the Opera), Hairspray (Olivier one of San Diego’s “Living Treasures.” He This theatre operates under an agreement Award for Best Musical, Best Director was a founder of the California Theatre between the League of Resident Theatres and Actors’ Equity Association, the union of nomination). Broadway: Catch Me If You Council and a former vice president of the professional actors and stage managers in the Can, Impressionism (Creator/ Supervisor), California Confederation of the Arts. His United States. Dr. Seuss’ How the Grinch Stole Christmas!, numerous honors include The San Diego The Coast of Utopia (2007 Tony Award for Union-Tribune list of 25 persons who shaped The Directors are members of the Society of Stage Directors and Choreographers, an Best Direction of a Play, which won a total the city’s history; the Governor’s Award independent national labor union. of seven Tony Awards, including Best Play), for the Arts; University of Arizona Alumni Dirty Rotten Scoundrels (Tony nominations: Association’s Outstanding Citizen, for his This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Best Director and Musical), Henry IV (Tony contribution to their Fine Arts department; Employees Local No. 122. Award), Hairspray (Tony Award), The San Diego State University’s Outstanding Invention of Love (Tony nominations: Best Alumnus; Conservator of American Arts Director and Play), The Full Monty (Tony Award from American Conservatory The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by nominations: Best Director and Musical), Theater; the San Diego Press Club United Scenic Artists Local USA-826, IATSE. More to Love, Labor Day, St. Louis Woman, Headliner Award; San Diego Gentleman of

12 PERFORMANCES MAGAZINE The Old Globe is deeply grateful to its Sponsors, each of whom has made an annual donation of $50,000 or greater. 75th Anniversary Sponsors Mary Ann Blair Karen and Donald Cohn Conrad Prebys and Debra Turner Donald* and Darlene Shiley

Season Sponsors

Mary Beth Adderley and Elizabeth & Ryan Williams The Legler Benbough Foundation John A. Berol Peter Cooper and Norman Blachford The Family of Mary and Dallas Clark Valerie and Harry Cooper David C. Copley The County of San Diego Audrey S. Geisel Lonnie Gettman — Designer Fabric Globe Guilders Kathryn Hattox Joan and Irwin Jacobs Elaine Lipinsky Family Foundation Patrons of the Prado Sheryl and Harvey White

*In Memoriam For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 13 Education TALENT COMPETITION FOR HIGH SCHOOL STUDENTS

he Old Globe opened its arms to the theatre artists of the future at the third annual Globe HonorsT awards event. Some 75 brave young actors and singers auditioned for our judges, who selected 12 finalists to go on and perform their songs or monologues for a panel of professional casting agents, a director and a university professor. Six students also competed for the Technical Theatre category. The winners of the 2011 Globe Honors were Michael Mahady (Lead Actor in a Musical), Nicole Elledge (Lead Actress in a Musical), Dylan Hoffinger (Musical Theatre, Male), Megan Neubauer (Musical Theatre, Female), A.J. Foggiano (Spoken Theatre, Male), Lila Gavares (Spoken Theatre, Female) and Dillon Evans (Technical Theatre and Stage Management). The winners of the Musical Theatre, Spoken Theatre and Technical Theatre categories received a $1,000 scholarship to further their studies, and the winners of Leading Role in a Musical received a $500 scholarship and an all-expense-paid trip to New York to compete in the National High School Musical Theatre Awards. Congratulations to all of the exceptional teens who participated in this competition!

(top l.) Nicole Elledge, who won in the category of Outstanding Achievement, Lead Actress in a Musical; (top r.) Dylan Hoffinger, who won in the category of Outstanding Achievement in Musical Theatre, Male; (center) Michael Mahady, who won in the category of Outstanding Achievement, Lead Actor in a Musical, with Executive Producer Lou Spisto; (bottom) The semi-finalists of the 2011 Globe Honors. Photos by J. Katarzyna Woronowicz.

14 PERFORMANCES MAGAZINE BACKSTAGE TOURS

Have you ever wondered what it looks like underneath the Globe Theatre stage? Pondered where our amazing costumes are constructed? Been curious about the Green Room? Join us on a Behind the Scenes tour for stories about the history and fables of The Old Globe, plus amazing facts about how we do our work. Our tour groups are for anyone with a healthy curiosity about the work of creating art. Individuals and small groups can also join one of our Walk-Up tours conducted on Saturdays and Sundays at 10:30 a.m. And for school groups who want to brush up their Shakespeare we have our Follow the Bard tour. Children hunt for props and costumes from many of our productions, and our docents use these items to enlighten the children about the plots and characters in the plays.

For more information about Behind the Scenes and Follow the Bard tours, please email [email protected] or call (619) 231-1941 x2145. PERFORMANCES MAGAZINE 15 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Audrey S. Geisel/The San Diego The Parker Foundation Arts & Culture Foundation Dr. Seuss Fund (Gerald & Inez Grant Parker) The County of San Diego Globe Guilders Donald* & Darlene Shiley The James Irvine Foundation The Shubert Foundation

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Continental Airlines Joan & Irwin Jacobs Fund of the Elizabeth & Ryan Williams Peter Cooper & Norman Blachford Jewish Community Foundation The Legler Benbough Foundation Advised Fund at the San Diego Las Patronas John A. Berol Human Dignity Foundation Elaine Lipinsky Family Foundation Mary Ann Blair Valerie & Harry Cooper Patrons of the Prado California Bank & Trust David C. Copley Conrad Prebys & Debra Turner The Family of Mary & Dallas Clark Lonnie Gettman - Designer Fabric Qualcomm, Inc. Karen & Donald Cohn Kathryn & John Hattox U.S. Bank Cohn Restaurant Group/ William Randolph Hearst Foundation Wells Fargo Prado Restaurant HM Electronics, Inc. Sheryl & Harvey White Foundation

Production Sponsors ($25,000 to $49,999) Bank of America Higgs Fletcher & Mack, LLP SDG&E Alan Benaroya Leonard & Elaine Hirsch Sheraton San Diego Hotel & Marina Richard & Kathy Binford Jo Ann Kilty Mickey Stern Arthur & Sophie Brody Fund of the Barbara Kjos Gillian & Tony Thornley Jewish Community Foundation National Corporate Theatre Fund Union Bank Elaine & Dave Darwin Brian & Paula Powers Erna & Andrew Viterbi Mr. & Mrs. Brian Devine The San Diego Foundation, Mandell Weiss Charitable Trust Pamela A. Farr a grant made possible by the Pamela & Marty Wygod Danah H. Fayman Ariel W. Coggeshall Fund June E. Yoder

Director Circle ($10,000 to $24,999) Jane Smisor Bastien The Hull Family Price Family Charitable Fund BJH Foundation Deni & Jeff Jacobs Reneé Schatz Pamela & Jerry Cesak Daphne H. & James D. Jameson Jean & Gary Shekhter The Helen K. and Dr. Ronald & Mrs. Ruth Leonardi Patsy & Forrest Shumway James S. Copley Foundation Jeffrey & Sheila Lipinsky Ms. Jeanette Stevens Nina & Robert Doede Family Foundation Anne Taubman & David Boyle Hal & Pam Fuson Sue & John Major Evelyn Mack Truitt Robert Gleason & Marc Matys National Endowment for the Arts Brent V. Woods & Laurie C. Mitchell Lee & Frank Goldberg Rafael & Marina Pastor Carolyn Yorston-Wellcome Jean-Marie Hamel, Ph.D. Allison & Robert Price

18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Samuel I. & John Henry Fox Mrs. Charlotte Rees Leo S. Guthman Fund ($5,000 to $9,999) Foundation at Roger & Christine Roberts Kaaren Henderson Lawrence G. Alldredge & Dawn Moore Union Bank of California Nancy J. Robertson Kenneth & Marilyn Jones The Louis Yager Cantwell Chuck Freebern Carole Sachs Louis & Mary Beth Kelly Private Foundation Charles & Millicent Froehlich Warren & Beverly Sanborn Jerome & Gayle Klusky Nikki & Ben Clay Deede Gales Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Clifford & Carolyn Colwell Elaine & Murray Galinson Fund at the Rancho Santa Fe Courtney & Raymond Liddy Ms. Heidi Conlan/The Sahan Victor & Jill Galvez Foundation Don & Mary Jane Lincoln Daywi Foundation Barbara & Albert Garlinghouse Dee E. Silver, M.D. Dr. Robert & Marcia Malkus R. Patrick & Sharon Connell Bill & Judy Garrett Elene & Herb Solomon Jasna Markovac & Gary Miller Bernard J. Eggertsen & Drs. Thomas & Jane Gawronski Nancy & Alan Spector and Family Marcia Mattson Florence Nemkov Nancy Reed Gibson Nancy Steinhart & Valorie McClelland Marion Eggertsen Wendy Gillespie Rebecca Goodpasture Holly McGrath & David Bruce Barbara & Dick Enberg Mark & Hanna Gleiberman Eugene & Hannah Step Dr. & Mrs. M. Joseph McGreevy Dr. & Mrs. Robert Epsten Tom & Sheila Gorey Pat & Jack Thomas Virginia Oliver Carol Spielman-Ewan & Joel Ewan Dr. & Mrs. William Gott Cherie Halladay Tirschwell Ben & Joan Pollard Diane & Elliot Feuerstein Walter & Lola Green Carol Vassiliadis Dr. Julie Prazich & Dr. Sara Rosenthal Martha & George Gafford Tim Haidinger Doris & Lou Vettese Robert & Doris Reed Mary Ann & Arnold Ginnow Ms. Cheryl Haimsohn Mary R. Warkentin Jeffrey & Vivien Ressler Diana Glimm Norm Hapke & Valerie Jacobs Hapke Zelda J. Waxenberg The Ralph B. Rogers Foundation Alexa Kirkwood Hirsch Patricia & Richard Harmetz Jan Harden Webster & Raul Ortega Dr. Joseph & Carol Sabatini Dr. & Mrs. Harry F. Hixson, Jr. Gordon & Phyllis Harris The Patricia and Christopher Weil Marilies Schoepflin, PhD. William Karatz Drs. Patrick Harrison & Eleanor Lynch Family Foundation Nancy & George Stassinopoulos Carol & George Lattimer Susan & Dr. Ronald Heller Dr. Steve & Lynne Wheeler Jack & Louise Strecker Peter Manes & Yoko Sakaguchi Dr. & Mrs. Peter K. Hellwig James & Kathryn Whistler Celeste & Gene Trepte Paul I. & Margaret W. Meyer Rhonda Heth & Thomas Mabie Christian Winther Stan & Anita Ulrich Money/Arenz Foundation, Inc. Richard & Janet Hunter Alice M. Young David & Irene Weinrieb Harle Garth Montgomery* Hutcheson Family Fund at Brendan M. & Kaye I. Wynne Rebecca Moores The San Diego Foundation ($1,500 to $2,499) M.J. Zahnle Tom & Lisa Pierce Andrew & Sonia Israel Fund of the Anita Busquets & William Ladd Christy & Howard Zatkin John & Marcia Price Jewish Community Foundation Lisa & David Casey Family Foundation Jerri-Ann & Gary Jacobs Devora & Ron Eisenberg GOLD James E. Riley Trust Al* & Pat JaCoby of Great News! ($500 to $999) Rivkin Family Fund I at Mary & Russell Johnson Joy & Dr. Fred Frye Elaine & Bob Algeo The San Diego Foundation Jackie Johnston Gary & Carrie Huckell Anonymous (6) Paul Scott Silvera & Todd Schultz Katleman Family Fund of the William & Edythe Kenton George Amerault Julie & Bob Sullivan Jewish Community Foundation Sherry & Larry Kline Drs. Michael & Gabriela Antos Deborah Szekely Bob* & Gladys King Robin J. Lipman & Miro Stano Earl Asbury Dixie & Ken Unruh Ken & Sheryl King Akiko Charlene Morimoto & Alicia Atun & Elaine Rendon* Jordine Skoff Von Wantoch Webster & Helen Kinnaird Hubert Frank Hamilton, Jr. The Backman Family Judy & Jack White Cindy & John Klinedinst Nancy & James Mullen Richard & Linda Basinger Jane & Ray Klofkorn In Memory of Dolly & Jim Poet Deron & Toni Bear CRAIG NOEL CIRCLE Curt & Nancy Koch Marie & Don Prisby Bruce & Patricia Becker ($2,500 to $4,999) Brooke & Dan Koehler Marisa SorBello & Peter Czipott Amnon & Lee Ben-Yehuda Dr. & Mrs. Wayne Akeson Betty & Leonard Kornreich Pamela J. Wagner Bob & Joyce Blumberg Gail, John & Jennifer Andrade Rosalie Kostanzer & Michael Keefe James & Ellen Weil Ruth Mary Picard Campbell Anonymous (2) Regina Kurtz & Al Isenberg Shirli Fabbri Weiss Greg & Loretta Cass Mr. & Mrs. Richard Baldwin Bob & Laura Kyle Dr. Steve & Lynne Wheeler Luc Cayet & Anne Marie Pleska Bobbie Ball Peter Landin & Michelle Cardinal Lynne Champagne & Wilfred Kearse Diana J. Barliant & Nowell Wisch Dr. Eric Lasley & Judith Bachner DIAMOND Alan L. & Frances E. Cornell Melissa Garfield Bartell & Tadd S. Lazarus, M.D. ($1,500 to $2,499) Ken Crouch Michael Bartell Terry & Mary Lehr Anonymous Ronald D. Culbertson Joan & Jeremy Berg Ms. Sherrill Leist Jeff & Donna Applestein Sam Dolnick in memory of Linda Birch James & Pamela Lester Mrs. Lazare F. Bernhard Edith Dolnick Charlotte & Charles Bird Jerry Lester, M.D./Rosarito, Mexico Steve G. Bjorg Dr. Donald & Eilene Dose Paul Black Levinson Family Fund of the Dr. & Mrs. Robert M. Callicott Jackie & Stan Drosch Dr. Herman & Irene Boschken Jewish Community Foundation Jane Cowgill Elisabeth K. Ecke The Brigantine Family of Restaurants Barbara & Mathew Loonin Enid & Martin Gleich Bill Eiffert & Leslie Hodge Dr. & Mrs. Edgar D. Canada Merriel F. Mandell, Ph.D. Joy & Ronald Mankoff Pauline Forman & Jack Burke George & Ellen Casey Charlie & Jackie Mann Elspeth & Jim Myer Susan & Steven Garfin Rudy & Carol Ceseña Elizabeth & Edward McIntyre Parker & Crosland LLP Arthur Getis Carol & Jeff Chang Harold O. McNeil, Esq. Margery & John Swanson Norman & Patricia Gillespie Garet & Wendy Clark Elizabeth Meyer WD-40 Company Louise & Doug Goodman Richard & Stephanie Coutts Scott & Grace Miller Edry & Robert Goot Susan B. Cowell Mr. & Mrs. David Mulliken PLATINUM Drs. Barbara & Leonard Gosink Gigi & Ed Cramer Ruth & Jim* Mulvaney ($1,000 to $1,499) Chris Graham & Michael Albo John* & Ann Davies Joyce & Martin Nash Edward Anderson Carol & Don Green Darlene G. Davies in memory Arthur & Marilyn Neumann Anonymous George C. Guerra of Lowell Davies Lawrence Newmark Sondra & Robert Berk Fund of the Richard & Candace Haden Pat & Dan Derbes Matthew & Judith Pollack Jewish Community Foundation Mrs. Helen M. Hammond Mrs. Philip H. Dickinson Mo & Bill Popp Gary & Barbara Blake Family Fund of Mr. & Mrs. Arnold Hess Jim & Sally Ditto Daniel Porte Jr., M.D. the Jewish Community Foundation Stephen Hopkins & Dr. Carey Pratt Mr. & Mrs. Ira S. Epstein Joanne Powers Nancy Brock Dr. & Mrs. Clyde W. Jones Carol Fink The Arthur & Jeanette Pratt Mary-Kay Butler Kathy & Rob Jones Mary & David Fitz Memorial Fund Sandra & Harry Carter Mr. & Mrs. Henry P. Kagey Susanna & Michael Flaster Joseph & Jane Rascoff Ms. Dorothy R. Dring Patricia & Alexander Kelley Jean & Sid Fox Sarah B. Marsh-Rebelo & Paul & Clare Friedman Bill & Linda Kolb Karen Fox & Harvey Ruben John G. Rebelo Mr. & Mrs. Arthur A. Greenberg Marvin Kripps, M.D.

PERFORMANCES MAGAZINE 19 (Production Sponsors continued) Annual Fund Donors In addition to the featured Sponsors of Maestro: The Art of Leonard Bernstein, the Globe wishes (continued) Linda J. Seifert to thank Elaine Lipinsky for her support of The Great Mr. & Mrs. Randall Silvia American Songbook and George Gershwin Alone. LABS, Inc./Silvia Dreyfuss Mr. William D. Smith & Dr. Carol Harter Sherry & Rick Levin Dave & Phyllis Snyder Marshall & Judy Lewis Fund of the Susan Steele & Mike Conley Elaine Lipinsky Jewish Community Foundation Helga & Sam Strong Mrs. Victor Y. Lindblade Ron & Susan Styn Elaine is the daughter of the late Dorris and Bernard Edward & Nancy Lyon Clifford & Kay Sweet Carl Maguire & Margaret Sheehan Linda Terramagra Lipinsky and is honored to have been a part of The Sally & Luis Maizel Dr. & Mrs. Charles B. Tesar Old Globe family for many years. The Lipinsky family’s Steve & Yvonne Maloney Gertrude Trebon Jeanne Maltese Jeffrey & Sheila Truesdell tradition of generous support to the Globe began in Drs. Betty Joan Maly & John Meyers Natalie C. Venezia & Paul A. Sager the 1950s, and it is important to Elaine that this Ron & Mercy Mandelbaum Katherine White Russell Mangerie Dennis & Carol Wilson tradition be continued through her own foundation Martin & Joanne Marugg Dr. Dolores Wozniak Rev. Stephen J. Mather because of her parents’ love of the Globe and its *In Memoriam Ron McCaskill & Robyn Rogers service to the community through its dedication to Charles & Billie McKnight This list current as of June 15, 2011 Carole S. Miller theatrical excellence and arts education. Elaine also As announced in July 2008, the names of Charles & Susan Muha supports the M.F.A. Musical Theatre Program at SDSU, Shirley Mulcahy Annual Fund donors at the Silver level Marsha J. Netzer are published semi-annually, once in the Vista Hill, Seacrest Village, Mama’s Kitchen, various Katherine Newton Shakespeare Festival program and again in Mark Niblack a winter Globe program. other theatres in San Diego and other charities too Rod & Barbara Orth For additional information on how you may numerous to mention. Julius J. Pearl Fund at support The Old Globe’s artistic, education The San Diego Foundation and community programs, please visit our In Memory of Margaret Peninger website at www.TheOldGlobe.org Meet the Artist Dr. Ken Pischel & or contact Rachel Plummer, Development Dr. Katherine Ozanich Manager, Individual Annual Giving, at Meet and mingle with talented Globe actors, directors Drs. Paul & Katherine Ponganis (619) 231-1941 x2317 or and artists at exclusive events for Globe donors. Simon & Ruth Sayre [email protected]. Each year, The Old Globe hosts a special “Meet the Artist” series to thank Annual Fund donors, whose gifts support our artistic and education programs. These special behind-the-scenes events are reserved for Globe donors Public Support of $500 or more, and attendees enjoy pre- and post-event receptions and have the opportunity to interact with talented Globe artists, who later regale the attendees with personal and professional stories during a candid interview with the Globe’s Executive Producer, Lou Spisto. The remaining artist for the 2011 series will be: MILES ANDERSON – appearing as Prospero in The Tempest and Salieri in Amadeus during the 2011 Shakespeare Festival.

Globe donors who attended the first event in this year’s series were able to meet Sam Gold, the director of the Globe’s 2011 critically-acclaimed production of Tracy Letts’ August: Osage County. Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego.

Stay Connected with The Old Globe NOWELL WISCH NOWELL Director Sam Gold mingles with guests during the reception. For more information on how you can support The Old Globe’s Annual Fund and participate in these and other exclusive events, please Visit us online at www.TheOldGlobe.org contact Rachel Plummer, Development Manager, Individual Annual Giving, at (619) 231-1941 x2317 or [email protected].

20 PERFORMANCES MAGAZINE Globe Ambassadors

Globe Ambassadors are generous supporters Bernard J. Eggertsen & Florence Nemkov◆ Donald* & Darlene Shiley◆ of The Old Globe who contribute a minimum Carol Spielman-Ewan & Joel Ewan Ms. Jeanette Stevens◆ of $3,500 to the Annual Fund, attend special Danah H. Fayman◆ Evelyn Mack Truitt Globe meetings and activities and serve as Susanna & Michael Flaster Dixie & Ken Unruh advocates in the community for the Globe’s Mary Ann & Arnold Ginnow Doris & Lou Vettese◆ mission and goals. As a group, Ambassadors Alexa Kirkwood Hirsch◆ Pamela J. Wagner◆ sponsor one Globe production each season. Leonard & Elaine Hirsch◆ Jordine Von Wantoch◆ Pat Jacoby Lawrence G. Alldredge & Dawn Moore *In Memoriam Mary & Russell Johnson◆ Paul Black◆ Bob* & Gladys King◆ ◆Denotes increased giving in 2010 & 2011 Dr. & Mrs. Edgar D. Canada Bob & Laura Kyle Carol & Rudy Ceseña For additional information on how you may Tadd S. Lazarus, M.D. Steven J. Cologne become a Globe Ambassador, please contact James & Pamela Lester◆ R. Patrick & Sharon Connell Marilyn McAvoy Bergman, Major Gifts Director, at Dr. Jerry Lester◆ Susan B. Cowell (619) 231-1941 x2309 or Merriel F. Mandell, Ph.D.◆ Gigi & Ed Cramer◆ [email protected]. Peter Manes & Yoko Sakaguchi Elaine & Dave Darwin◆ Paul I. & Margaret W. Meyer Darlene G. Davies◆ David & Noreen Mulliken Mrs. Philip H. Dickinson Arthur & Marilyn Neumann Nina & Robert Doede Joanne C. Powers Marion Eggertsen◆ Jeannie & Arthur Rivkin

Corporate Donors

SEASON SPONSORS ($50,000 or more) DIRECTOR CIRCLE ($10,000 - $24,999) City National Bank KPMG, LLP Neiman Marcus ResMed Foundation Torrey Pines Bank The Westgate Hotel

FOUNDER CIRCLE ($5,000 - $9,999) Hyatt Regency La Jolla Take A Break Service

CRAIG NOEL CIRCLE ($2,500 - $4,999) Break-Away Tours Cubic Corporation Goldman, Sachs & Co. Ladeki Restaurant Group – Roppongi Restaurant PRA Destination Management

National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF:

($10,000 or more) Bank of America Morgan Stanley PRODUCTION SPONSORS ($25,000 - $49,999) Bloomberg NBC/Saturday Night Live BNY Mellon Wealth Management Pfizer, Inc. Steven Bunson Karen Pritzker & Michael Vlock Christopher Campbell/ RBC Wealth Management Palace Production Center RVM/Vincent Brunetti Cisco Systems, Inc. Salesforce.com Citi Sharp Electronics Data cert, Inc. George S. Smith, Jr. Dorsey & Whitney Foundation The McGraw-Hill Companies Ernst & Young James S. Turley Goldman, Sachs & Co. UBS Marsh & McLennan Companies USA Today McCarter & English LLP Vernalis Systems The McGraw-Hill Companies Wells Fargo MetLife Willkie Farr & Gallagher LLP

Corporate Partners enjoy benefits and recognition, including the opportunity to entertain clients and employees with exclusive receptions at the Theatre, behind- the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE 21 A Planned Gift Ensures a Strong Tomorrow for The Old Globe

Craig Noel League Members What is the Craig Noel League? Anonymous (17) Founded in 2000 and named for the Globe’s Founding Diana Barliant Director, the League is a planned giving society for the Nancine Belfiore Alan Benaroya Globe comprised of individuals who have included The Ronald Brown Old Globe in their estate plans. Through their generosity, Dr. & Mrs. Edgar D. Canada these supporters of the Theatre are helping to ensure Garet & Wendy Clark a long and bright future for San Diego’s leading cultural R. Patrick & Sharon Connell Patricia W. Crigler. Ph. D., CAPT/USN/Ret. landmark. Carlos & Patricia Cuellar Mrs. Philip H. Dickinson What is a Planned Gift? Doug Druley & Becky Young Planned giving is simply a way to support The Old Globe NOEL,CRAIG 1957 Dr. & Mrs. Robert Epsten Frank A. Frye, III through your estate plans by establishing an irrevocable bequest of property, stock Mr. Alan Gary & Ms. Joanee Udelf or cash; a charitable trust; a living estate; or some other deferred giving instrument. Nancy Reed Gibson In your estate plans, you have the ability to designate the specific use of the funds Robert Gleason & Marc Matys Marcy Goldstone given to the Globe, and to help guide your decision, The Old Globe Board of Carol & Don Green Directors has established specific giving areas that you may choose from, including Kathryn Hattox classical theatre and Shakespeare, education programs and new works. David & Debbie Hawkins Jill Denison Holmes How do I make a Planned Gift? Craig & Mary Hunter Bob Jacobs Simply call the Globe and schedule an appointment for a confidential meeting, Grace Johnston or visit with your estate planner or attorney. You may also attend one of several Gladys H. King seminars held throughout the year to become more acquainted with estate Marilyn Kneeland Jean & David Laing planning. Jerry Lester Foundation Heather Manion How can a Planned Gift help me? Chris & Jill Metcalf A planned gift can reduce your income tax, increase your yearly income, help you Paul I. & Margaret W. Meyer Steve Miller avoid capital gains tax, distribute your assets to family members at a reduced tax Dr. Robert W. Miner rate and, most importantly, support an organization you love! You will also have the Shirley Mulcahy satisfaction of knowing your gift will impact generations of future theatregoers and Laurie Dale Munday Stanley Nadel & Cecilia Carrick that The Old Globe will remain a leader in the theatre arts for decades to come! Alice B. Nesnow To become a member of the Craig Noel League or to tell us of a gift you Arthur & Marilyn Neumann Ronald J. Newell have already made, please contact Bridget Cantu Wear, Associate Director Greg & Polly Noel of Development, Planned Giving, at (619) 231-1941 x2312 or PACEM (Pacific Academy of Ecclesiastical Music) [email protected]. Sarah B. Marsh-Rebelo & John Rebelo Darlene Shiley Join us and become a part of our active community with a variety of exciting Patsy & Forrest Shumway B. Sy & Ruth Ann Silver events like our Annual Member Event on Thursday, August 25, in the Craig Noel Stephen M. Silverman Garden followed by a theatre performance. Attend one of our monthly Roberta Simpson lunches – “Food for Thought” – and meet a Globe artist or attend one of the Dolores & Rod Smith Marisa SorBello & Peter Czipott many Opening Night receptions held throughout the year. John & Cindy Sorensen Nancy A. Spector & Alan R. Spector Jeanette Stevens Eric Leighton Swenson Anne C. Taubman Cherie Halladay Tirschwell Evelyn Mack Truitt New Craig Noel Ginny Unanue League members Carol & Lawrence Veit and longtime Jordine Von Wantoch theatre volunteers Merle Wahl Carol and Don Holly J. B. Ward Green visit with the Sheryl & Harvey P. White lead of The Tempest Mrs. Jack Galen Whitney and Amadeus, Miles Julie Meier Wright Anderson, at the Carolyn Yorston-Wellcome monthly luncheon series “Food for Thought.”

22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow* Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown* Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger* Robert Wojewodski Wayland Capwell* Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am - 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of our hard of hearing and hearing- impaired, The Old Globe has an Assistive Listening System ORDERING TICKETS/CHANGE OF ADDRESS in both the Sheryl and Harvey White Theatre and the The Old Globe accepts Visa, Discover, MasterCard, or Old Globe Theatre. A limited number of the lightweight American Express. Phone orders for non-subscribers headsets, as well as induction neck loops, may be obtained are subject to a $3.50 per ticket service charge. Ticket from the house manager prior to performances. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Saturdays and Sundays at 10:30am. Groups by reservation. [email protected]. $5 adults; $3 seniors and students. Phone (619) 238-0043 x2145 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information and a RESTROOMS description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre, the lobby of the White Theatre and adjacent to the premises. the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., SEATING OF LATECOMERS are available upon request. Please ask an usher. Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE 23 Staff

Louis G. Spisto...... Executive Producer David Medina...... Properties Buyer Donor Services Michael G. Murphy...... General Manager Trevor Hay...... Property Master, Globe Lee Conavay, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing and Communications David Buess...... Property Master, Festival Pamela Malone, Richard Navarro, Stephanie Reed, Todd Schultz...... Director of Development Kristi Hummel-Rosen...... Prop Assistant Judy Zimmerman...... Suite Concierges Mark Somers...... Director of Finance Richard Seer...... Director of Professional Training Lighting MARKETING Robert Drake...... Director of Production Nate Parde...... Lighting Director Jeffrey Weiser...... Public Relations Director Roberta Wells-Famula...... Director of Education Shawna Cadence...... Lighting Assistant Mike Hausberg...... Public Relations Associate Tonnie Ficken...... Master Electrician, Globe Kelly Boyle...... Digital and Print Publications Coordinator ARTISTIC Jim Dodd...... Master Electrician, White Marissa Haywood...... Marketing Assistant Adrian Noble...... Shakespeare Festival Artistic Director Kevin Liddell...... Master Electrician, Festival Monica Jorgensen, Susie Virgilio...... Marketing/Events Assistants Matthew Lopez...... Playwright-in-Residence Kristen Flores, Danielle Mages Amato...... Literary Manager/Dramaturg Steve Schmitz...... Followspot Operators, Festival Subscription Sales Samantha Barrie...... Casting Director Jason Bieber, Areta MacKelvie, Scott Cooke...... Subscription Sales Manager Bernadette Hanson...... Artistic Associate Rafael Vallejo, Amanda Zieve...... Electricians Anna Bowen-Davies, Arthur Faro, Andy Fink, Snehal Desai...... Drama League Directing Fellow Sound Janet Kavin, Pamela Malone, Yolanda Moore, Jessica Morrow, Keith Perkins, Ken Seper, Paul Peterson...... Sound Director PRODUCTION Cassandra Shepard, Jerome Tullmann, Erik Carstensen...... Master Sound Technician, Globe Debra Pratt Ballard...... Associate Director of Production Grant Walpole...... Subscription Sales Representatives Ron Cooling...... Company Manager Jeremy Siebert...... Master Sound Technician, White Carol Donahue...... Production Coordinator Jeremy Nelson...... Master Sound Technician, Festival Ticket Services Dana Pickop...... Mic Runner, Festival Bob Coddington...... Ticket Services Manager Stage Management Marsi Fisher...... Ticket Operations Manager ADMINISTRATION Leila Knox...... Production Stage Manager Dani Meister...... Group Sales Manager Brian Franko...... Assistant General Manager Tony Dixon, Technical Bryan Scott...... Executive Assistant Rob Novak...... Lead Ticket Services Representatives Benjamin Thoron...... Technical Director Brian Abraham, Kari Archer, Brittany Bailey, Wendy Berzansky...... Associate Technical Director Information Technology Sarah Ditges, Merri Fitzpatrick, Stephen Greenhalgh, Tramaine Berryhill...... Assistant Technical Director Dean Yager...... Information Technology Manager Tyler Jones, Angela Juby, Hanako Justice, Cassie Lopez, Sean Fanning...... Resident Design Assistant Thad Steffen...... Information Technology Assistant Manager Caryn Morgan, Christopher Smith, Diana Steffen, Rico Zamora...... Ticket Services Representatives Eliza Korshin...... Technical Assistant/Buyer John Ralston...... Information Technology Assistant Christian Thorsen...... Stage Carpenter/Flyman, Globe Carole Payette...... Charge Scenic Artist Human Resources PATRON SERVICES Mike Callaway...... Theatre Manager W. Adam Bernard...... Scenic Artist Sandra Parde...... Human Resources Director Brian Davis, Jessica Talmadge...... House Managers Gillian Kelleher...... Master Carpenter A. Samantha Beckhart...... Front of House Assistant Andrew Recker...... Master Carpenter, Festival Maintenance Elaine Gingery...... Food and Beverage Manager Andrew Young...... Charge Carpenter, White Randy McWilliams...... Facilities Manager Timothy Acosta, June Owatari, Paige Plihal, Laura McEntyre...... Automation Coordinator Violanda Corona, Ismael Delgado, Miguel Gaspar, Amanda Rhoades, Michelle Thorsen, Fernando Avita, Chris Chauvet, Jason Chohon, Roberto Gonzalez, Reyna Huerta, Jose Morales, Michelle R. Witmer...... Pub Staff Robert Dougherty, Thomas Hawkins, Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Rose Espiritu, Jasmine Morgan, Jack Hernandez, Josh Letton...... Carpenters Leonardo Rodriguez ...... Building Staff Stephanie Rakowski...... Gift Shop Supervisors Eszter Julian, Jeremy Luce...... Deck Crew, Festival PROFESSIONAL TRAINING Security/Parking Services Costumes Llance Bower...... Program Coordinator Rachel “Beahr” Garcia...... Security Supervisor Stacy Sutton...... Costume Director Maria Carrera, Cynthia Caywood, Ray Chambers, Gerhard Gessner, Jan Gist, Fred Robinson, Dallas Chang, Sherisa Eselin, Charlotte Devaux Shields...... Resident Design Associate Liz Shipman, Abraham Stoll, George Yé...... MFA Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Maureen Mac Niallais...... Assistant to the Director Patricia Ceja, Andre Holmes, Shelly Williams...... Design Assistant/Shopper EDUCATION Alberto Holloway, Jeff Howell...... Parking Lot Attendants Michelle Souza...... Design Assistant Kim Montelibano Heil...... Education Associate Norman Ramos, Danny Wilcox...... V.I.P. Valet Attendants Erin Cass...... Draper Carol Green...... Speakers Bureau Coordinator Wendy Miller...... Tailor David Carson, Amanda Cooley Davis, James Cota, Annie Glidden Grace, Babs Behling...... Assistant Cutters Marisela De la Parra, Jo Anne Glover, Brian Hammond, Jack O’Brien...... Artistic Director Emeritus Mary Miller...... Costume Assistant Sarah Price-Keating, Jennifer Barclay Newsham, Craig Noel...... Founding Director Joanna Stypulkowska...... Stitcher Radhika Rao...... Teaching Artists Erin Carignan...... Craft Supervisor Molly O’Connor...... Wig and Makeup Supervisor FINANCE Kim Parker...... Assistant to Wig and Makeup Supervisor Carly Bennett...... Senior Accountant Danielle Griffith...... Wig and Makeup Assistant Trish Guidi...... Accounts Payable/Accounting Assistant Beverly Boyd...... Wardrobe Supervisor Adam Latham...... Payroll Coordinator/Accounting Assistant Beth Merriman...... Crew Chief Globe Tim Cole...... Receptionist Anna MacDonald...... Crew Chief White Kristin Bongiovanni, Erin Dodd, Sunny Haines, Suzanne DEVELOPMENT Noll, Suzanne Notarangelo-Arnson, Noelle van Wyk, Marilyn McAvoy Bergman...... Major Gifts Director Christiana Jo Nguyen...... Wardrobe Crew Festival Annamarie Maricle...... Associate Director, Institutional Grants Marie Jezbera...... Rental Agent Bridget Cantu Wear...... Associate Director, Planned Giving Eileen Prisby...... Events Manager Properties Rachel Plummer...... Development Manager, Neil A. Holmes...... Properties Director Individual Annual Giving Kristin Steva Campbell...... Assistant to the Director Diane Addis...... Membership Administrator M.H. Schrenkeisen...... Shop Foreman Kacie Bluhm...... Development Assistant Rory Murphy...... Lead Craftsman Katie Dupont...... VIP Donor Ticketing Josh Camp, Patricia Rutter, Rebecca Schlabach, Molly Thuot...... Craftspersons

24 PERFORMANCES MAGAZINE