DOCSLIB.ORG

PDF (V. 50:20, March 10, 1949)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RELAYS FINALS SATURDAY CIILlfORNl1I TECH AGAIN Ctllifflrnitl Institut, flf Tec/IHfllfllY Volume L. _________ Thursday, March 10, 1949 -------__________ No. 20 Snakes Sallg From Seclusion Caltech Plans Arts "Earth's Period Decreasing," To Stirring Sorb Spectacle ~4~~~c:~~l~~~: has announced its plans for an Gloria Murphy Stars, Other Thespians' Include all·Tech Arts and Crafts Show to Astronomer Ro~al Asserts Carl Fox, Carl Price, Jim Hendrickson, Sis Stabler be held on the campus April 6 Proving again that all Pasadena stage talent does not reside at through April 9. the Playhouse, our Cal tech thespians outdid themselmes again this Last Year year in their annual production, " Ma id in the Iceplant," presented Last year the Club sponsored Eagleson Prints ~ Nights Of Perpetual Full Moon Thursday and Friday evenings at Culbertson Hall, involved a fine arts show at which more Sorbian intrigue, brass corsets, bananas, and the coed system on than sixty professors, students, the roommate plan. <t------------- office workers and their families To Be Exhibited Will Be Result Of Tidal Friction Accel.ts Post exhibited paintings, sculpture, photographs and dra wings. This British and American Educational Systems Contrasted; It all started when Gen. Erd The extensive collection of Opportunities for Graduat'"s in Astronomy Mentioned gang von Graustark accompanied Pr811j Chosen In year the scope of the show has Japanese prints owned by Dr. By Bob Kurland by his daughter Annelida, ac been increased to include pot· Eagleson will be on exhibit at lery, weaving, cabinetmaking, "Atomic" clocks may soon replace the earth as a standard cepted the post of Regent of Blacker Elections the Pasadena ' Art Institute the Undergraduate Teapot at the metalwork and other handcra.fts. timekeeper, according to Sir Harold Spencer Jones, British Astron~ Monday's riot in Blacker was Many Eligible through March 28. In addition orner Royal. California Institute. Gen. von not a water fight with Ricketts. Graustal'k had traced the infa Entries will be accepted from to Dr. Eagleson's prints, the Art I nter view Elections were with us again! any students or employees con· Institute will also display its Sir Harold, in an interview after his Friday assembly talk, mous international criminal With twenty-two candidates run­ Gregori Meuhlenberg, who he nected with Caltech, Mt. Wilson own collection, recently aug­ "The Earth as a Clock," also gave his views on American and Bl'it~ ning for offices, the remainder of and Palomar Observatot'ies, Jet ish educational systems, post-graduate opportunities for Cal­ quested around the world to set mented by a gift from the estate the House was hard put to keep Propulsion Laboratory, Co-Oper­ .tech astronomy majors, and the tie a matter of Sorbian honor, to the Lounge sealed so that initia­ of Mrs. Ernaline Johnson. Also Pasadena. ative Wind Tunnel, and Hunt· British government's financial tin could be carried out. as usual. ington Library. Like last year, being exhibited are some excel­ policy regarding education and Upheaval Pres. DuBridge science. At the Institute, however, Run-otfs some professional work will be lent examples of Japa nese The main body of his talk, things were in upheaval due to After two run-off ballots the shown, but the large majority of swords ancl scabbards. however, co ncerned the slowing the proposal of Dr. Max Crock results were-President, Fred exhibits will be the creations of H il'oshlge Examples Guest Of Honor down of the earth's rotation pe­ for the coed system on the room Drury; Vice President, Frank amateurs and hobbyists. There riod and its effect on astronomi­ male plan. Dr. Drawbridge was Bumb; Treasurer, John Poindex­ will be no jury or awards. It's all Dl' .Eagleson's collection con­ cal observations and the moon's violently against the proposal ter; Secretary, Dick Bartlett; Li· just for fun. tains many examples of the Hi­ orbit. as he saw millions of dollars in brarian, Pete Mason; Pope, Dan AdviSOI"S roshige school (b 1797, d. 1858) . At ASCIT Formal endowments being thrown to Oxy Schuster, and Keeper of the Assisting the show committee Among them are some ·of the The President's Ball, held last Retardation as the result. The whole matter Cans, Gus Soux. in an advisory capacity are Miss well-known Chushingul'a series Saturday evening at the L. A. No need to reset yow' watches Abbie von Schlegell, President of though; the slowing down doesn't was to be decided by the Stu -that series illustrating episodes Breakfast Club proved very en­ '.rake-offs the Board of Trustees of the Pas­ amount to more than two-mil­ dent·Faculty Illicit Rela,tlons The new officers were not too in the famous Japanese mario­ joyable. I t was a formal dance C.ommittee. To complicate mat adena Art Institute; Roger Hay­ nette play later played upon the Ii-seconds per day over a period gently ca,rted to the Physics Pond honol'ing Dr. DuBridge, Presi­ ters Gregori Meuhlenberg was a ward, Pasadena a rchitect and art­ regular stage by Japan's fore­ of a century. via every mud puddle between ist, and Jarvis Barlow, Assistant dent of the Institute. He and This gradual retardation will, member of the committee, hav­ Blacker and Guggenheim, where most dramatists, Chikamatsu Director of the Modern Museum some of the faculty were there in a few mil1ion years, lengthen Ing tied to Pasadena and now they were able to wash them­ Morza-Yeman and Tokedo Tzu­ posing an an R. A. named Charles of Art in Beverly Hllls. mo. The play was first given at the day to 47 of our present days. selves thoroughly. As of Monday in addition to the many student Ottersprach. He had a corner on r--------------, Yedo in 1748. The length of a, day will then be night, Blacker's new President a nd alumni couples. equal to a lunar month. the international corset cartel, had a single-in Blacker Dabney MclUaney Prize Other Prints At the intermission Ralph Lov­ .Moon Spirals and saw coeds as the wedge to court, while Dan Schuster was Open to Seniors ~md Jun­ Other prints from Dr. Eagle­ berg presented Dr. DuBridge The earth will then always move in on the American cor alone with foul' walls-no more! • iors set business. son are some of the Great To­ with a gift from the student present the same face to the Since it will take a week to re­ Pal)el"S d ue Aln'n 18 body. Hal Lomen's band pro· Seduction • kaido and others fl"Om the vari­ moon, just as the moon shows cover from this night of terror, See Pl'IlL l\'l,acI\li.no, 212 duced some very fine music dur­ The resulting plot between ous stations of the Kiso Kaido only one face to the earth now. the new officers will not take of· • Dabney, fOl' details ing the evening, and everyone Gregori and Annelida to seduce series, the Seasons, together The moon a lso is spiralling five fi ce until early in the third term. with several scenes from the seemed to spend most of the i r one of the Frosh on the commit feet further away from the earth Hundred Views of Yedo, the time danCing. There was a very tee to approving coeds and thus each century, due to the sam e Provinces, and two of the un· good tUl'nout, a.nd all events pro­ swinging the spUt vote, was the force causing the lengthening of Tile Caltecll Metl/f)' usual size known as Harimaze ceeded without mishap. high point of the play. the day. I t is very seldo m t hat t he California Tech pr ints articles with used for figures and floral This is the first dance of this Coeds Approved 'ridal B l'ake no imm ediate n ews value. articles w h ich treat with subjects sprays as a rule. type to be held here in some In the end the committee ap The most likely cause for tWs beyond the ordinary range of of news reporting. time, and a pparently it was a proved. coeds, and reunited Gen lengthening of the day, explained A week 0 1' so ago, Bernm-d Sh ol'c brought us an essay which very successful idea. We might von Gl'austark and Annelida with Third Term Registration Sir Harold, is the tidal friction h e had written and wh leh he felt dcscl'ved whim" JJUblication, look forward to such dances in Ernst, his son, and Veda, his Registration for the third between the oceans and sea bot­ Altel' we read it, we agl'eed w ith h im. It should be of vital in ~ the futu,·e. The L.A. Breakfast wife. They had been missing term will be on Monday, toms. The sea., in such shallow terest to evel'Y stu(l mlt a nd faculty mC mbel" of the Instit ute, CJub was formerly Tom Bren· for martY years because of March 28. The first day of bodies of water as ocean shores, a naman's place, and is a very Sorbian revolution over the ac In the hope t hat this article will In'Ovoke some comment, classes will be Tuesday, the Bering and Irish seas, acts as beautlful spot, complete with cepted manure theory. In addi· w e give he."e the enth'e essay which Bernard 8 hol'e has written. March 29. a brake on the spinning of the bar. earth. tlon a $500,000;000 endowment AN EVALUATION OF THJj1 CALTECH ME'fHOD was given to the Institute for With the ASCIT play this ends l1'rel)idatton the improvement of Schnapps, By Bm'nal'd Sh ore an ASCIT weekend of entertain­ Trepidation, the astronomical and Gregori was found out and T h ere is m tmpr essh'e u nunis lity about the primary purpose of Twentg-Four Hour ment which has proved to be a effect of other small irregular shot.
Recommended publications
  • Myra Hess Had to Wait for Her Ultimate Breakthrough in Her English Homeland; for This Reason, She Initially Had to Earn Her Living by Teaching

    Myra Hess Had to Wait for Her Ultimate Breakthrough in Her English Homeland; for This Reason, She Initially Had to Earn Her Living by Teaching

    Hess, Myra Irene Scharrer. However, Myra Hess had to wait for her ultimate breakthrough in her English homeland; for this reason, she initially had to earn her living by teaching. Her first major success abroad was her debut in Amster- dam, where she performed Schumann's Piano Concerto in A minor, Op. 54 with the Concertgebouw Orchestra un- der Willem Mengelberg in 1912. In 1922 followed her de- but in New York, where she was celebrated with equal en- thusiasm. Her career advanced rapidly from that point onwards, and she rose to the position of one of the most successful pianists in her homeland during the ensuing years. During the 1930s, she undertook extended concert tours throughout all of Europe, including the Scandinavi- an countries, Czechoslovakia, Hungary, Rumania, Tur- key, Yugoslavia, Germany, France and Holland. At the be- ginning of the Second World War, when all of London's concert halls were closed, she founded the legendary "Lunchtime Recitals" at the National Gallery, offering the London public a broad spectrum of high-quality pro- grammes with both young and established musicians. She herself performed at the National Gallery 146 times. The concerts were held without interruption until 10 Ap- Die Pianistin Myra Hess ril 1946. In 1941 Myra Hess was honoured with the title "Dame Commander of the Order of the British Empire" Myra Hess for her special efforts on behalf of musical life in her ho- meland. After the Second World War, the meanwhile fa- * 25 February 1890 in Hampstead (im heutigen mous pianist regularly gave concerts in her native count- Londoner Stadtbezirk Camden), England ry and in the USA, where she enjoyed great popularity.
  • Vol. 17, No. 4 April 2012

    Vol. 17, No. 4 April 2012

    Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this.
  • MAHANI TEAVE Concert Pianist  Educator  Environmental Activist

    MAHANI TEAVE Concert Pianist  Educator  Environmental Activist

    MAHANI TEAVE concert pianist educator environmental activist ABOUT MAHANI Award-winning pianist and humanitarian Mahani Teave is a pioneering artist who bridges the creative world with education and environmental activism. The only professional classical musician on her native Easter Island, she is an important cultural ambassador to this legendary, cloistered area of Chile. Her debut album, Rapa Nui Odyssey, launched as number one on the Classical Billboard charts and received raves from critics, including BBC Music Magazine, which noted her “natural pianism” and “magnificent artistry.” Believing in the profound, healing power of music, she has performed globally, from the stages of the world’s foremost concert halls on six continents, to hospitals, schools, jails, and low-income areas. Twice distinguished as one of the 100 Women Leaders of Chile, she has performed for its five past presidents and in its Embassy, along with those in Germany, Indonesia, Mexico, China, Japan, Ecuador, Korea, Mexico, and symbolic places including Berlin’s Brandenburg Gate, Chile’s Palacio de La Moneda, and Chilean Congress. Her passion for classical music, her local culture, and her Island’s environment, along with an intense commitment to high-quality music education for children, inspired Mahani to set aside her burgeoning career at the age of 30 and return to her Island to found the non-profit organization Toki Rapa Nui with Enrique Icka, creating the first School of Music and the Arts of Easter Island. A self-sustaining ecological wonder, the school offers both classical and traditional Polynesian lessons in various instruments to over 100 children. Toki Rapa Nui offers not only musical, but cultural, social and ecological support for its students and the area.
  • Melbourne Symphony Orchestra Sir Andrew Davis

    Melbourne Symphony Orchestra Sir Andrew Davis

    MAHLER 9 16, 17 & 19 MARCH 2018 CONCERT PROGRAM MELBOURNE SYMPHONY ORCHESTRA Aspiring to the sublime: Mahler 9 And in ceasing, we lose it all. But in letting go, we have gained everything.’ ‘Wohin ich geh'? Ich geh', ich wand're in die Berge. Ich suche Ruhe für mein einsam Herz.’ Almost at the end of MSO’s Mahler cycle (Where do I go? I go, I wander in the of Symphonies, the Ninth aspires to the mountains. I seek peace for my lonely heart.) sublime, and to what lies beyond. Mahler’s Ninth Symphony continues where Ronald Vermeulen Der Abschied, the last movement from his Director of Artistic Planning Lied von der Erde, ends. A similar feeling of farewell and resignation permeates most of this Symphony. Is it a coincidence that the first movement opens with a motif that For further listening we recommend: alludes to Beethoven’s Piano Sonata No.26 On 7–8 June, conductor Andrea Molino Les Adieux? Beethoven wrote the word will lead the MSO in a Mahler rarity: the ‘Le-be-wohl’ (Farewell) above the three tone poem Totenfeier. This work became Melbourne Symphony Orchestra descending chords that Mahler quotes the basis for the first movement of in his Symphony. Mahler’s Second Symphony. But even after Sir Andrew Davis conductor The two middle movements are an the Symphony’s premiere, Mahler kept emotional rollercoaster, with an angelic performing Totenfeier as a separate piece. trumpet melody in the Rondo Burlesque In the same concert, Mahler-baritone par pointing at the sublime serenity of the excellence, Thomas Hampson will perform Mahler Symphony No.9 Adagio that concludes the Symphony.
  • The Blake Collection in Memory of Nancy M

    The Blake Collection in Memory of Nancy M

    The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
  • Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy

    Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy

    METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
  • ARSC Journal

    ARSC Journal

    THE ART OF DINU LIPATTI - and a cautionary tale THE ART OF DINU LIPATTI. RECORD 1: BACH Partita No. 1 in B flat, BWV 825; Chorale Preludes: Nun Komm', der Heiden Reiland, BWV 599, Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (arr. Busoni); Jesu, joy of man's desiring (Cantata 147) (arr. Hess); Siciliana (Flute Sonata No. 2) (arr. Kempff) MOZART Piano Sonata No. 8 in A minor, K 310 RECORD 2: SCARLATTI Sonatas in E, KK 380, and D minor, KK 9 CHOPIN Barcorolle in F sharp, Op. 60 LISZT Sonetto del Petrarca No. 104 RAVEL Alborada del Gracioso ('Miroirs' No. 4) CHOPIN Piano Sonata No. 3 in B minor, Op. 58 RECORD 3: CHOPIN Piano Concerto No. 1 in E minor, Op. 11 (with Zurich Tonhalle Orchestra conducted by Otto Ackermann); Etudes in E minor, Op. 25 No. 5 and Op. 10 No. 5; Nocturne No. 8 in D flat, Op. 27 No. 2; Mazurka in C sharp minor, Op. 50 No. 3; Waltz in A flat, Op. 34 No. 1 RECORD 4: MOZART Piano Concerto No. 21 in C, K 467 (with Lucerne Festival Orchestra conducted by Herbert von Karajan) ENESCO Piano Sonata No. 3 in D, Op.24. (recorded 1943-1950) Not a note of Lipatti is unconsidered, nor yet is there one which does not sound utterly spontaneous and beautiful; not a phrase does not lift itself in a life-enhancing way yet remain precisely calculated in re­ lation to the next and to the whole. But, alas, almost every comment to be made about these, for the most part, well-known recordings must by now be a cliche.
  • DINU LIPATTI • the Last Recital 8.111366 Time 78:39 Playing Waltz in a Flat, Op

    DINU LIPATTI • the Last Recital 8.111366 Time 78:39 Playing Waltz in a Flat, Op

    8.111366 rr Lipatti_EU:8.111366 rr Lipatti_EU 17-12-2010 18:13 Pagina 1 NAXOS Historical NAXOS Historical NAXOS 8.111366 DINU LIPATTI Playing Time ADD The Last Recital 78:39 ൿ of this compact disc prohibited. and copying broadcasting Unauthorised public performance, texts and translations reserved. artwork, All rights in this sound recording, Besançon, 16th September 1950 & Ꭿ 1 Applause and arpeggios 0:33 It is not surprising that Lipatti achieved cult 2011 Naxos Rights International Ltd. Made in Germany 2011 Naxos Rights International Ltd. Johann Sebastian BACH: Partita No. 1 in B flat minor, BWV 825 17:20 2 Praeludium 1:51 status in the years following his death at the 3 Allemande 2:33 4 Courante 2:52 age of 33. He was an extremely sensitive 5 Sarabande 4:41 musician and a man whose approach to the 6 Menuet 1; Menuet 2 2:51 DINU LIPATTI • The Last Recital 7 Gigue 2:32 piano was one of utter fastidiousness, DINU LIPATTI • The Last Recital 8 Applause and arpeggios 0:26 Wolfgang Amadeus MOZART: Sonata No. 8 in A minor, K. 310 14:10 always striving for perfection in every 9 Allegro maestoso 5:20 0 Andante cantabile 5:56 aspect of his interpretation and ! Presto 2:54 performance. Throughout this Besançon Franz SCHUBERT: Impromptus, Op. 90, D. 899 @ No. 3 in G flat major 5:06 recital there is a clarity of sound, evenness # No. 2 in E flat major 4:10 Fryderyk CHOPIN: Waltzes of attack and scrupulous attention to $ No. 5 in A flat major, Op.
  • Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host

    Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host

    Founded in 1964 Volume 31, Number 2 An officiAl publicAtion of the AmericAn liszt society, inc. 2016 Festival: "Liszt and Russia" TABLE OF CONTENTS by Dmitry Rachmanov, host The theme of the American Liszt Society’s 2016 festival and conference is “Liszt and Russia.” The festival is being presented by the Department of Music at California State 1 "Liszt and Russia" University, Northridge, June 2 - 5. 2016 ALS Festival/Conference, The genesis of the festival theme goes back to Liszt’s tours of Russia in the 1840s by Dmitry Rachmanov and his contacts with Russian musicians. Liszt’s influence and support of music and musicians in Russia lasted throughout his mature life. This opens a fertile ground of 2 President's Message exploration of Franz Liszt’s legacy and lasting mark on Russian musical culture and musicians. Liszt’s impact on Russian music history and its development is hard to overestimate; during his heyday as the world's preeminent piano virtuoso, he made 3 Letter from the Editor three tours of Russia (1842 - 1847), leaving an indelible and powerful impression in all circles of Russian society. Subsequently, many Russian musicians made their pilgrimage to visit Liszt in Weimar and other places where he resided. On his part, 4 2016 ALS Festival Schedule Liszt encouraged and supported many Russian composers by performing their music, making piano transcriptions of their works, and popularizing them in other ways. The festival will feature eclectic and stimulating programming. Special events 5 A Conversation with include solo recitals by the most recent Van Cliburn Gold Medalist, Vadym Dmitry Rachmanov Kholodenko, with works by Liszt and Scriabin; the Italian pianist Antonio Pompa- Baldi, one of ALS's regular featured artists, performing works by Liszt and Anton Rubinstein; and a senior professor of the Moscow Conservatory, Mikhail Voskresensky, 8 In Memoriam: Maurice Hinson, presenting music by Liszt, Borodin, Glinka-Balakirev, Tchaikovsky, Medtner, and by Wesley Roberts Prokofiev.
  • A Summer of Concerts Live on WFMT

    A Summer of Concerts Live on WFMT

    A summer of concerts live on WFMT Thomas Wilkins conducts the Grant Park Music Festival from the South Shore Cultural Center Friday, July 29, 6:30 pm Air Check Dear Member, The Guide Greetings! Summer in Chicago is a time to get out and about, and both WTTW and WFMT are out in The Member Magazine for WTTW and WFMT the community during these warmer months. We’re bringing PBS Kids walk-around character Nature Renée Crown Public Media Center Cat outdoors to engage with kids around the city and suburbs, encouraging them to discover the 5400 North Saint Louis Avenue natural world in their own back yards; and we recently launched a new Chicago Loop app, which you Chicago, Illinois 60625 can download to join Geoffrey Baer and explore our great city and its architectural wonders like never Main Switchboard before. And on musical front, WFMT is proud to bring you live summer (773) 583-5000 concerts from the Ravinia and Grant Park festivals; this month, in a first Member and Viewer Services for the station, we will be bringing you a special Grant Park concert from (773) 509-1111 x 6 the South Shore Cultural Center with the Grant Park Orchestra led by WFMT Radio Networks (773) 279-2000 guest conductor Thomas Wilkins. Remember that you can take all of this Chicago Production Center content with you on your phone. Go to iTunes to download the WTTW/ (773) 583-5000 PBS Video app, the new WTTW Chicago’s Loop app, and the WFMT app for Apple and Android.
  • Dinu Lipatti Concerto in a Minor Op. 54 Mp3, Flac, Wma

    Dinu Lipatti Concerto in a Minor Op. 54 Mp3, Flac, Wma

    Dinu Lipatti Concerto In A Minor Op. 54 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Concerto In A Minor Op. 54 Country: Netherlands Style: Romantic MP3 version RAR size: 1123 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1224 mb Rating: 4.1 Votes: 243 Other Formats: AIFF AUD DTS ASF RA MIDI APE Tracklist Concerto In A Minor (Schumann - Op. 54) A First Movement -- Allegro Affettuoso (First Part) B First Movement -- Allegro Affettuoso (Second Part) C First Movement -- Allegro Affettuoso (Third Part) D First Movement -- Allegro Affettuoso - Cadenza - Allegro Molto (Conclusion) E Second Movement -- Intermezzo. Andantino Grazioso F Third Movement -- Allegro Vivace (First Part) G Third Movement -- Allegro Vivace (Second Part) H Third Movement -- Allegro Vivace (Conclusion) Credits Composed By – Schumann* Conductor – Herbert von Karajan Orchestra – The Philharmonia Orchestra* Piano – Dinu Lipatti Notes Recorded 9 & 10 April 1948 Other versions Category Artist Title (Format) Label Category Country Year Schumann* - Dinu Schumann* - Dinu Lipatti And The Lipatti And The Philharmonia Philharmonia 33C1001, Orchestra* Conducted Columbia, 33C1001, Orchestra* UK Unknown 33 C 1001 By Herbert von Columbia 33 C 1001 Conducted By Karajan - Pianoforte Herbert von Concerto In A Minor Karajan (10") Schumann* - Pian : Dinu Lipatti / Schumann* - Pian : Orchestra Dinu Lipatti / "Philharmonia" - Orchestra ECD 67, Londra* ● Dirijor : Electrecord, ECD 67, "Philharmonia" - Romania 1958 ECD - 67 Herbert von Karajan - Electrecord ECD -
  • John Mccabe Composer, Pianist, Conductor Symphony No

    John Mccabe Composer, Pianist, Conductor Symphony No

    John McCABE Composer, Pianist, Conductor Symphony No. 1 ‘Elegy’ • Liszt Fantasy • Studies • Tuning London Philharmonic Orchestra • John Snashall National Youth Orchestra of Scotland • John McCabe John McCabe (b. 1939) on D. But from the options, cellos outline an are strong, including basic tonalities, but they are not Composer, Pianist, Conductor unaccompanied theme, harmonically uncertain, and insisted upon. But what is striking is that, here as in most eventually a contrapuntal texture unfurls, reinforced by of McCabe’s music, his dissonances act on the ear almost A group of studies by various authors of the music of John Several immediate variants of this theme appear, second and first violins, the tapestry building to reveal like consonances, and although Liszt provided the motive McCabe was brought together and published in 2008, forming the broad first part of the exposition, before a brass alone, heralding livelier woodwinds, who recall power for the work, in that its material is drawn from the edited by George Odam, under the collective title second main subject arrives, followed by what we elements of the Dance and the Prelude. theme of augmented triads which opens the Faust Landscapes of the Mind. The book’s title was the perceive as the second subject. Thus the development Once again, the 5/4 Tempo primo is heard, now Symphony, it is Beethoven who is strongly suggested. In composer’s own, which we may take as a pointer regarding has begun before the ‘classical’ exposition has finished – pianissimo, con sordino, from which string orchestral the quieter introduction, the fierce Allegro main idea, the what he himself feels to be the emanation of his music.