Airwaves (1981-03)
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Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Journal for Waldorf/Rudolf Steiner Education
for Waldorf/Rudolf Steiner Education Volume 10.1 January , 2008 ISSN 1178-136X Contents Boro Baski Santal (India) Tribal Education pg 27 Marek Chodkiewicz Salutogenisis Effects of Music pg 11 Robyn Hewetson Drama as a Source of Wellness pg 5 Diederic Ruarus The Mind Body Problem pg 22 Christof Wiechert Towards the world Conference 2008 pg 2 John Wright Towards an Economics Curriculum in Class Twelve pg 16 Reports on Bothmer gymnastics, The Asia Pacific Conference in Thailand, May 2007, Biodynamics in Vietnam..... Editor and distribution: Neil Carter [email protected] Co-editor: Peter Glasby [email protected] Peer reviewers: Robin Bacchus - New Zealand Hannelore Henning - New Zealand Van James - Hawai’i Alduino Mazzone - Australia Diederic Ruarus - New Zealand Ineke van Florenstein Mulder - New Zealand Layout and printing by: Angus Donaldson, Christchurch [email protected] Published by: The Initiative Circles of the Education (Pedagogical) Section in Australia, Hawai’i and New Zealand www.anthroposophy.org.nz/Sections/Education millenialchild Hard copy : order from : [email protected] All prices inclusive of packing/postage/delivery: please pay by a cheque/check in the currency For the past decade, millenialchild.com has of your country .Clear instructions as to mailing served as an important resource for Waldorf teachers, parents, and home schoolers. Its address will be included in the invoice when you home page is a gateway to numerous down- receive your copies. ie USD/AUD or NZD- (orders loadable articles by Eugene Schwartz in from other countries by negotiation) Waldorf methodology and its anthroposophical foundations, as well as ‘virtual exhibits’ of 1-9 copies $10.00 each Waldorf Student work. -
ART FARMER NEA Jazz Master (1999)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right. -
SCARLET – German/English Hardrock Band Formed 1986 in Reutlingen
SCARLET – German/English hardrock band formed 1986 in Reutlingen Steve Ellis, vocals Steve Ellis (born Stephen John Ellis, 7 April 1950, Edgware, Middlesex) is an English rock / pop singer, who now lives in Brighton. His biggest success was with the band, Love Affair. They and he are most well known for the songs "Everlasting Love", "A Day Without Love", "Rainbow Valley" and "Bringing On Back the Good Times". Ellis later felt that Love Affair had run its course, and he left in December 1969 for a solo career: "We never really made it big anywhere but Britain and I think that if we had started to happen in America, I wouldn't have left". In the early 70s he formed the band "Ellis", a short lived partnership with keyboardist Zoot Money. Other members included ex-Peter Bardens guitarist Andy Gee; ex-Fat Mattress bassist Jimmy Leverton, later replaced by Nick South; and drummer Dave Lutton. The group released two albums, Riding on the Crest of a Slump in 1972, and Why Not? the following year. In 1976 one of the most popular Serbian and ex- Yugoslav bands, Smak, covered his song "El Doomo" under the title "El dumo", and achieved great success with it. Ellis subsequently had limited chart success with the rock band Widowmaker, releasing the album Widowmaker in 1976. He also sang on the soundtrack of Loot, a 1970 film based on the Joe Orton's play, directed by Silvio Narizzano. Ellis was performing live with The New Amen Corner throughout 2013 and has a solo album out on Decon Records, entitled The Best of Days TERRY HENDERSON, guitars studio ace living in Germany; co-owner of MARQUEE STUDIOS in Reutlingen; founder and leader of the band Martin Connolly, bass Dumpy's Rusty Nuts are a biker rock band in every sense of the term -- not only do they play the sort of loud, heavy, riff-driven bar boogie you'd expect, but singer and lead guitarist Graham "Dumpy" Dunnell actually started out as a motorcycle mechanic before making the switch to rock & roll. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Jazz Birthdays
JazzWeek with airplay data powered by jazzweek.com • December 26, 2011 Volume 8, Number 5 • $7.95 Jazz Album No. 1: Houston Person, So Nice Smooth Album No. 1: Acoustic Alchemy, (HighNote) Roseland (Heads Up) World Music No. 1: Bela Fleck & The Smooth Single No. 1: Acoustic Alchemy, Flecktones, Rocket Science (eOne) “Marrakesh” (Heads Up) Jazz Album Charts .................... 3 Jazz Add Dates ....................... 7 Smooth Jazz Album Charts .............4 Jazz Radio Currents ................... 8 Smooth Singles Charts ................. 5 Jazz Radio Panel .................... 11 World Music Album Charts .............. 6 Smooth Jazz Current Tracks............ 13 Smooth Jazz Station Panel............. 14 Jazz Birthdays December 26 January 3 January 12 Monty Budwig (1929) John Jenkins (1931) Trummy Young (1912) John Scofield (1951) James Carter (1969) Jay McShann (1916) Cassandra Wilson (1955) January 4 Ronald Shannon Jackson (1940) December 27 Frankie Newton (1906) Olu Dara (1941) Bunk Johnson (1889) Slim Gaillard (1916) George Duke (1946) Booty Wood (1919) Frank Wess (1922) January 13 Walter Norris (1931) John McLaughlin (1942) Danny Barker (1909) December 28 Eugene Chadbourne (1954) Quentin Jackson (1909) Earl “Fatha” Hines (1903) January 5 Melba Liston (1926) Ed Thigpen (1930) Wild Bill Davison (1906) Joe Pass (1929) Lonnie Liston Smith (1940) Dizzy Reece (1931) January 14 Michel Petrucciani (1962) Jerry Gonzalez (1949) Billy Butterfield (1917) David Berkman (1964) January 6 Kenny Wheeler (1930) December 29 Barry Altschul (1943) Grady -
MOTORCYCLE JAMBOREE 2019 – Altes Lager Bei Jüterbog – Text Und
UFO – Support: VANJA SKY – Kulturhaus Neuruppin – 02.08.2019 - Text: Mike Kempf - Fotos: Holger Ott Hinter dem Slogan 'Last Orders – 50th Anniversary Tour' steht keine geringe Band, als die legendäre britische Hard-Rock- Kapelle UFO. Etliche Millionen der 22 Studioalben von den 'Außerirdischen' flogen über die Ladentheke, darunter Songs wie „Doctor, Doctor“, „Rock Bottom“ oder „Only You Can Rock Me“, um nur einige zu nennen, verankerten sich unlöschbar in die Rockgeschichte und dürfte so ziemlich jedem Rockmusikfan bekannt sein. Das sie nun am 2. August in Neuruppin eines ihrer letzten Konzerte überhaupt bestreiten sollen, lässt bei uns, HOLGER und mir, keine zwei Meinungen aufkommen und ehe wir uns versehen, befinden wir uns im gut gefüllten Saal des Kulturhauses der FONTANE-Stadt. Doch bevor die 1969 gegründete Band ihr Konzert eröffneten, enterte gegen 20:00 Uhr die junge Kroatin VANJA SKY die Bühne, die uns vor ihrem Soundcheck noch für ein Interview zur Verfügung stand. Mit dem Tieftonspezialisten ARTJOM FELDSTER, dem Hau-Drauf-Experten HANS JAKOB SCHÜLER und dem 'Zweitgitarristen' ROBERT WENDT wusste VANJA spitzen-mäßige Begleitmusiker an ihrer Seite. Darauf aufbauend bekamen die Fans eine völlig losgelöste Frontfrau geboten, die sich zu meiner Überraschung mehr als Rhythmusgitarristin, dafür aber erwartungsgemäß als ausdrucksstarke Sängerin in Szene setzte. Somit avancierte der mir bis dato ebenfalls noch unbekannte WENDT nicht als 'Zweit-', sondern eher als erstklassiger Sologitarrist. Er und Drummer HANS SCHÜLER mussten in ihrer Jugend viel vom Woodstock-Feeling aufgesogen haben, denn sowohl von ihrem optischen Outfit, Schlaghose und Retro-Shirt, als auch aus rein musikalischer Sicht, bewegten sie sich viel im Stil der glorreichen 60/70-ziger Rockepoche. -
Nuclear and Coal in the Postwar US Dissertation Presented in Partial
Power From the Valley: Nuclear and Coal in the Postwar U.S. Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Megan Lenore Chew, M.A. Graduate Program in History The Ohio State University 2014 Dissertation Committee: Steven Conn, Advisor Randolph Roth David Steigerwald Copyright by Megan Lenore Chew 2014 Abstract In the years after World War II, small towns, villages, and cities in the Ohio River Valley region of Ohio and Indiana experienced a high level of industrialization not seen since the region’s commercial peak in the mid-19th century. The development of industries related to nuclear and coal technologies—including nuclear energy, uranium enrichment, and coal-fired energy—changed the social and physical environments of the Ohio Valley at the time. This industrial growth was part of a movement to decentralize industry from major cities after World War II, involved the efforts of private corporations to sell “free enterprise” in the 1950s, was in some cases related to U.S. national defense in the Cold War, and brought some of the largest industrial complexes in the U.S. to sparsely populated places in the Ohio Valley. In these small cities and villages— including Madison, Indiana, Cheshire, Ohio, Piketon, Ohio, and Waverly, Ohio—the changes brought by nuclear and coal meant modern, enormous industry was taking the place of farms and cornfields. These places had been left behind by the growth seen in major metropolitan areas, and they saw the potential for economic growth in these power plants and related industries. -
BENNY GOLSON NEA Jazz Master (1996)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th.