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Hollywood...Now What?
Welcome to Hollywood ...Now What? An inspiring collection of blogs by BRIAN MEDAVOY TESTIMONIALS: "If only more people were not afraid to show they are human and not have a need for yes men/women to constantly stroke you...those who walk alongside you into the storm, at every twist and turn of the tornado -come out fearless and a storm maker themselves..." "Honestly, just reading through your posts and reading the story of your rise and fall to going back up again reinvigorated my fire to keep going. This is a tough industry to navigate and for an ethnic minority like me it will probably continue to be tough. So for someone of your caliber taking the time to write blogs that help actors and creatives and going to speak at acting school(I watched the one where you spoke at Howard Fine)makes me feel that there are movers and shaker in the industry that are for the actors." "What drew me to writing this email is your website/blog. Not only is it rare for a manager like yourself to take the time to create content like you do, but the why behind it is the most inspiring. It's not to promote anything, it's not to attain something, it's not for financial gain. It's simply to connect & inspire. That alone tells me exactly the type of human being you are." "What I assumed would be a typical Q&A turned into a motivational, inspirational and humbling experience. I can't thank you enough not only for your supportive responses to our questions, but also for opening up your vulnerability and allowing the audience to experience your insecurities with you. -
Rg-Year201112.Pdf
+ = Rails Girls The year 2011-2012 at a glance railsgirls.com “I thought I was just going to a workshop where I would meet some people, score a SoundCloud shirt, and learn a few things about Rails. I had no idea I was stumbling right into a movement that was clearly set out to do something big! I think the entire attitude of the workshop is summed up with “Why the hell not!” Why shouldn’t I learn how to program? Why shouldn’t I make a career out of it? I think if any of us had doubts that we couldn’t do it, Rails Girls set us straight.” - Participant in Berlin Get excited and start things Rails Girls gives girls and women the first experience to building the Internet. We believe that coding is a craft much like any form of creation. Right now we have a lot more people using code than those who are influencing it. Technology is changing our society in profound ways and we don’t think these revolutions should be conducted by only the code- savvy. Introduction Rails Girls is a community that helps and encourages women to build their ideas by offering workshops all around the world. Founded originally in Finland in 2010 it quickly started spreading across the globe and to date we’ve conducted events in Shanghai, Singapore, Tallinn, Berlin, Krakow and Helsinki. A global volunteer community The two-day Rails Girls event is free and open to all enthusiastic girls and women. We are a fully non-profit operation with a small base-funding from Finnish Technology Industries Federation. -
HTTP Cookie - Wikipedia, the Free Encyclopedia 14/05/2014
HTTP cookie - Wikipedia, the free encyclopedia 14/05/2014 Create account Log in Article Talk Read Edit View history Search HTTP cookie From Wikipedia, the free encyclopedia Navigation A cookie, also known as an HTTP cookie, web cookie, or browser HTTP Main page cookie, is a small piece of data sent from a website and stored in a Persistence · Compression · HTTPS · Contents user's web browser while the user is browsing that website. Every time Request methods Featured content the user loads the website, the browser sends the cookie back to the OPTIONS · GET · HEAD · POST · PUT · Current events server to notify the website of the user's previous activity.[1] Cookies DELETE · TRACE · CONNECT · PATCH · Random article Donate to Wikipedia were designed to be a reliable mechanism for websites to remember Header fields Wikimedia Shop stateful information (such as items in a shopping cart) or to record the Cookie · ETag · Location · HTTP referer · DNT user's browsing activity (including clicking particular buttons, logging in, · X-Forwarded-For · Interaction or recording which pages were visited by the user as far back as months Status codes or years ago). 301 Moved Permanently · 302 Found · Help 303 See Other · 403 Forbidden · About Wikipedia Although cookies cannot carry viruses, and cannot install malware on 404 Not Found · [2] Community portal the host computer, tracking cookies and especially third-party v · t · e · Recent changes tracking cookies are commonly used as ways to compile long-term Contact page records of individuals' browsing histories—a potential privacy concern that prompted European[3] and U.S. -
Magazines Such As "Sassy," Which Theymaintain Are Not Sassy at All but Sexist and Oppressive in Theirideas About Who Women Should Be
DOCUMENT RESUME ED 376 510 CS 214 644 AUTHOR Livingston-Webber, Joan TITLE How Sassy Are Grrrl Zines? PUB DATE 17 Mar 94 NOTE 13p.; Paper presented at the AnnualMeeting of the Conference on College Composition andCommunication (45th, Nashville, TN, March 16-19, 1994). Project supported in part by a grant from theUniversity of Nebraska at Omaha Committee on Research. PUB TYPE Viewpoints (Opinion/Position Papers, Essays,etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS Audience Awareness; *Creative Writing; Females; *Feminism; Higher Education; Language Role;*Literary Genres; *Periodicals; *Popular Culture;*Sex Role; Writing Instruction IDENTIFIERS Empowerment; *Zines ABSTRACT According to Lawrence Chua, "zines" are"xeroxed broadsides" which "make marginality theirstarting point, empowering voices excluded from the slickerjournals." According to "Ms," they are "downsized stapledrags...often defiantly tasteless." A subgenre of zines, "Grrrl zines" are thosewritten, produced, and distributed by young women, usually those of the20-something generation and younger. Swearing, obscenities,scandalous, provocative language are important elements in the arsenal the grrrlzines throw at the mainstream window from their fringe. Theirstatements of purpose say, in essence, that they exist to give young women avoice, to find others, to build community, to reassure andbe reassured. Exhorting women to "do something?"is an element of almost all the grrrlzines. Feminist in their orientation, zines are verycritical -
CBS Corporation [email protected]
March 1, 2016 Kimberly D. Pittman CBS Corporation [email protected] Re: CBS Corporation Incoming letter dated January 26, 2016 Dear Ms. Pittman: This is in response to your letter dated January 26, 2016 concerning the shareholder proposal submitted to CBS by the Province of St. Joseph of the Capuchin Order. We also have received a letter on the proponent’s behalf dated February 25, 2016. Copies of all of the correspondence on which this response is based will be made available on our website at http://www.sec.gov/divisions/corpfin/cf-noaction/14a-8.shtml. For your reference, a brief discussion of the Division’s informal procedures regarding shareholder proposals is also available at the same website address. Sincerely, Matt S. McNair Senior Special Counsel Enclosure cc: Paul M. Neuhauser [email protected] March 1, 2016 Response of the Office of Chief Counsel Division of Corporation Finance Re: CBS Corporation Incoming letter dated January 26, 2016 The proposal requests that CBS adopt time-bound quantitative, company-wide goals, taking into consideration the most recent Intergovernmental Panel on Climate Change guidance for reducing total greenhouse gas emissions, and issue a report on its plans to achieve these goals. We are unable to concur in your view that CBS may exclude the proposal under rule 14a-8(i)(7). In our view, the proposal focuses on reducing greenhouse gas emissions and does not seek to micromanage the company to such a degree that exclusion of the proposal would be appropriate. Accordingly, we do not believe that CBS may omit the proposal from its proxy materials in reliance on rule 14a-8(i)(7). -
Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation
Intellectual Property Brief Volume 8 Issue 2 Article 1 2016 Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation Mynda Rae Krato George Washington University Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Krato, Mynda Rae (2016) "Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 FICTITIOUS FLATTERY: FAIR USE, FANFICTION, AND THE BUSINESS OF IMITATION Mynda Rae Krato INTRODUCTION ............. 92 L Background............................................................. 94 A. Foundational Statutory and Case Law..................................94 B. Fanfiction Case Law..............................................96 C. Popular Culture and the Power of Fandoms ............................. -
Plans Book 2012
DRIVEN TOGETHER OWNER’S MANUAL For success, read carefully and keep top of mind. DRAKE UNIVERSITY Blue, Inc. TABLE OF CONTENTS Navigating Your Vehicle GETTING TO KNOW YOUR VEHICLE Executive Summary 2 PRE-OPERATION CHECKS Research Overview 3 History & Methods 4 Insights 5 A Community of Forward Thinkers 6 Auto Trends 7 FEATURES & CONTROLS Media Overview 8 Consumer Profiles 9 Target Markets 10 Overall Strategy 12 2013–2014 Nissan Media Schedule 16 DRIVING YOUR VEHICLE Marketing Overview 17 SWOT Analysis & Share of Voice 18 Budget 19 Promotions 20 Experience 22 Designer Interiors 23 Social Media 24 APPEARANCE & CARE Creative Overview 25 Outdoor 26 Print 27 72 Hour Urban Action 28 Ambient Advertising 29 Internet Advertising 30 Television 31 Measures of Success 32 Table of Contents 1 Blue, Inc. Blue, Inc. EXECUTIVE SUMMARY PRE-OPERATION CHECKS The Problem & Our Solution Research Overview THE PROBLEM OUR INTERACTIVE SOLUTION: To build awareness and create lasting favorability for THE DRIVEN TOGETHER CAMPAIGN To best represent the target market, we explored their the Nissan brand among African American, Hispanic, Blue, Inc. will present Nissan with a fully integrated and Chinese Millennials, Nissan will challenge marketing campaign that represents the core values lifestyles and cultural values. The Driven Together consumers to take charge of their futures by engaging of our Multicultural Millennial target market. The campaign represents how the target market thinks and with their communities to create positive change. Driven Together campaign will demonstrate that Nissan Blue, Inc. will accomplish this by: understands and embraces the importance of family, acts, and seeks vehicle information. Through research, a community, and cultural expression. -
Representations and Reality: Defining the Ongoing Relationship Between Anime and Otaku Cultures By: Priscilla Pham
Representations and Reality: Defining the Ongoing Relationship between Anime and Otaku Cultures By: Priscilla Pham Submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Arts in Contemporary Art, Design, and New Media Art Histories Toronto, Ontario, Canada, April 2021 © Priscilla Pham, 2021 Abstract This major research paper investigates the ongoing relationship between anime and otaku culture through four case studies; each study considers a single situation that demonstrates how this relationship changes through different interactions with representation. The first case study considers the early transmedia interventions that began to engage fans. The second uses Takashi Murakami’s theory of Superflat to connect the origins of the otaku with the interactions otaku have with representation. The third examines the shifting role of the otaku from that of consumer to producer by means of engagement with the hierarchies of perception, multiple identities, and displays of sexualities in the production of fan-created works. The final case study reflects on the 2.5D phenomenon, through which 2D representations are brought to 3D environments. Together, these case studies reveal the drivers of the otaku evolution and that the anime–otaku relationship exists on a spectrum that teeters between reality and representation. i Acknowledgements I would like to express my deepest gratitude to my primary advisor, Ala Roushan, for her continued support and confidence in my writing throughout this paper’s development. Her constructive advice, constant guidance, and critical insights helped me form this paper. Thank you to Dr. David McIntosh, my secondary reader, for his knowledge on anime and the otaku world, which allowed me to change my perspective of a world that I am constantly lost in. -
REQUEST for QUOTATION (RFQ) Translation Services
REQUEST FOR QUOTATION (RFQ) Translation Services UNDP Libya based at Tunis Immeuble SILAC, 6 rue des lacs mazuries, les Berges du DATE: December 9, 2016 Lac,1053 REFERENCE: UNDP/RFQ/12-Transaltion Services/2017 Dear Sir / Madam: We kindly request you to submit your quotation for Translation and interpretation Services, as detailed in Annex 1 of this RFQ. When preparing your quotation, please be guided by the form attached hereto as Annex 2. Quotations may be submitted on or before December 19, 2016and via ☒e-mail, ☒courier mail to the address below: United Nations Development Programme UNDP Libya based at Tunis Immeuble SILAC, 6 rue des lacs mazuries, les Berges du Lac,1053 Email: [email protected] Quotations submitted by email must be limited to a maximum of 04 MB, virus-free email transmissions. They must be free from any form of virus or corrupted contents, or the quotations shall be rejected. It shall remain your responsibility to ensure that your quotation will reach the address above on or before the deadline. Quotations that are received by UNDP after the deadline indicated above, for whatever reason, shall not be considered for evaluation. If you are submitting your quotation by email, kindly ensure that they are signed and in the .pdf format, and free from any virus or corrupted files. Please take note of the following requirements and conditions pertaining to the supply of the abovementioned required services; 1 Delivery Terms N/A [INCOTERMS 2010] Exact Address/es of Delivery N/A Location/s (identify all, if multiple) -
Contributing to Mozilla Websites
CONTRIBUTING TO MOZILLA WEBSITES Mozcamp EU Warsaw, Poland - September 9 2012 Sunday, 9 September, 12 Web development can be confusing. •But it’s pretty easy to get started, that’s one of the things that makes the Web great. •I’m going to give you the tools to start working on our sites. Sunday, 9 September, 12 A QUICK TUTORIAL • Editing CSS requires almost no setup. • Lots of tutorials on the web. • w3schools.com sucks. • http://reference.sitepoint.com/css is pretty good. • Use http://developer.mozilla.org • http://www.google.com/reviews/t Sunday, 9 September, 12 Lets talk about Mozilla.org •Mozilla.org has been around a long time. •Historically, it’s PHP. •The current PHP site is a frankenstein monstrosity •Mix of three original sites: mozilla.org, .com, and mozillamessaging.com Sunday, 9 September, 12 • Code is at https://svn.mozilla.org/projects/mozilla.org/trunk • It’s also at https://svn.mozilla.org/projects/mozilla.com/trunk • You don’t need to set up the whole thing, you can just set up the piece(mozilla.com, .org, or mozilla.org/thunderbird) that you want to work on. • There’s currently a rewrite of mozilla.org in Python happening called Bedrock. • Trivia: The full checkout of both these sites is roughly 1.5GB. Mozilla.org & Thunderbird are nearly 1GB alone. Sunday, 9 September, 12 Lets Setup Mozilla.org! • We’re going to use Ubuntu. • I’ve installed Ubuntu in a VM for demonstration purposes. • If you’re on Windows, VMWare Player is free and works well. Bit painful to install locally on Windows, but it’s possible. -
Open Forum on Decency Open Forum Committee On
S. PRT. 109–42 OPEN FORUM ON DECENCY OPEN FORUM BEFORE THE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS FIRST SESSION NOVEMBER 29, 2005 Printed for the use of the Committee on Commerce, Science, and Transportation ( U.S. GOVERNMENT PRINTING OFFICE 25–225 PDF WASHINGTON : 2006 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF SENATE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION ONE HUNDRED NINTH CONGRESS FIRST SESSION TED STEVENS, Alaska, Chairman JOHN MCCAIN, Arizona DANIEL K. INOUYE, Hawaii, Co-Chairman CONRAD BURNS, Montana JOHN D. ROCKEFELLER IV, West Virginia TRENT LOTT, Mississippi JOHN F. KERRY, Massachusetts KAY BAILEY HUTCHISON, Texas BYRON L. DORGAN, North Dakota OLYMPIA J. SNOWE, Maine BARBARA BOXER, California GORDON H. SMITH, Oregon BILL NELSON, Florida JOHN ENSIGN, Nevada MARIA CANTWELL, Washington GEORGE ALLEN, Virginia FRANK R. LAUTENBERG, New Jersey JOHN E. SUNUNU, New Hampshire E. BENJAMIN NELSON, Nebraska JIM DEMINT, South Carolina MARK PRYOR, Arkansas DAVID VITTER, Louisiana LISA J. SUTHERLAND, Republican Staff Director CHRISTINE DRAGER KURTH, Republican Deputy Staff Director DAVID RUSSELL, Republican Chief Counsel MARGARET L. CUMMISKY, Democratic Staff Director and Chief Counsel SAMUEL E. WHITEHORN, Democratic Deputy Staff Director and General Counsel LILA HARPER HELMS, Democratic Policy Director (II) VerDate 0ct 09 2002 10:40 Jan 05, 2006 Jkt 025225 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\WPSHR\GPO\DOCS\25225.TXT JACK PsN: JACKF C O N T E N T S Page Open Forum held on November 29, 2005 ............................................................. -
How NBC and CBS Are Using Psas As Promos
How NBC and CBS Are Using PSAs as Promos 04.09.2020 As the coronavirus pandemic quickly escalated last month, networks pivoted their marketing strategies away from normal promos and into special, supportive messaging for its viewers. "Broadcasting is the great unifier… We have the ability to bring people together and that is what we are trying to do right now," said Garen Van de Beek, executive vice president and creative director at CBS Marketing Group. "They're turning to us to both learn about what's going on in the world, but also to connect with [us]... That's a really powerful relationship and something that we have a great amount of respect for. As things affect our audience, we need to change and adapt to get the message out to them in ways that resonate," said Steven Rummer, senior vice president, strategy and creative partnerships at NBCUniversal, on Thursday. Both marketing execs joined president and CEO of Promax, Steve Kazanjian, during the entertainment marketing association's live webinar, "Marketing for Networks: PSAs to Promos During a Pandemic," where they discussed their networks' recent messaging, spots and campaigns in response to COVID-19. NBC partnered with the Centers for Disease Control (CDC) on a new "The More You Know" campaign, which reveals talent such as Mario Lopez, Savannah Guthrie and Carson Daly addressing viewers in light of the coronavirus pandemic. As soon as NBCUniversal received their work-from-home orders, the company worked with the Ad Council and the CDC to develop an informational campaign within 48 hours, Rummer said.