Hermeticism and Astrology MMYMA4DSS
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Astrological Plutos by David Faulks (Dаvіdј Faulks@Yahоο.Ca) March 3, 2016
Astrological Plutos by David Faulks (dаvіdј_faulks@yahоο.ca) March 3, 2016 !" #%&$BC+' () *,- 1. Introduction The purpose of this proposal is to request the addition to Unicode of 4 symbols used by some astrologers for the dwarf planet Pluto. Used in charts, listing, tables, and to a lesser extent, running text, these symbols are used in astrology alongside other planetary symbols already encoded like ♀, ♃, or ⛢ (which despite it's name, is widely used is astrology, just not in English). Separate codepoints are proposed (rather than variation selectors) in order to match the existing distinction between U+ 2645 ♅ URANUS and U+ 26E2 ⛢ ASTRONOMICAL SYMBOL FOR URANUS. It is proposed that these symbols be encoded in the Miscellaneous Symbols and Arrows block. after a gap (left for some additional astrological characters). The term ‘ASTROLOGICAL PLUTO’ is proposed because these symbols are used strictly for astrology, (unlike ♇, which is used by astronomers and astrologers), and because something like ASTROLOGICAL SYMBOL FOR PLUTO TYPE ONE is a bit too long. If the UTC disagrees with this, I will not dispute changing the names. The symbols with proposed codepoints and names are below: ! U+2BD4 ASTROLOGICAL PLUTO TYPE ONE # U+2BD5 ASTROLOGICAL PLUTO TYPE TWO ( U+2BD6 ASTROLOGICAL PLUTO TYPE THREE - U+2BD7 ASTROLOGICAL PLUTO TYPE FOUR The proposed ASTROLOGICAL PLUTO TYPE FOUR has some similarities to Crescent Moon characters in the block Miscellaneous Symbols and Pictographs, but this type of Pluto has variant glyphs (,*), is always ‘white’, and the symbol might be based on orbits, rather than anything related to the moon.1 1. Astrologers do not seem to be interested in answering email, or in the history of symbols. -
The Druze: Culture, History and Mission
The Druze A New Cultural and Historical Appreciation Abbas Halabi 2013 www.garnetpublishing.co.uk 1 The Druze Published by Garnet Publishing Limited 8 Southern Court South Street Reading RG1 4QS UK www.garnetpublishing.co.uk www.twitter.com/Garnetpub www.facebook.com/Garnetpub blog.garnetpublishing.co.uk Copyright © Abbas Halabi, 2013 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. First Edition 2013 ISBN: 9781859643532 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Jacket design by Garnet Publishing Typeset by Samantha Barden Printed and bound in Lebanon by International Press: [email protected] 2 To Karl-Abbas, my first grandson And the future generation of my family 3 Preface Foreword Introduction Chapter 1 Human geography Chapter 2 The history of the Druze, 1017–1943 Chapter 3 Communal and social organization Chapter 4 Traditional culture and the meaning of al-Adhā feast Chapter 5 Civil status law Chapter 6 The diaspora and cultural expansion Chapter 7 The political role of the Druze from independence to the present time Chapter 8 The Druze message: plurality and unity Summary and conclusion Appendix 1 The impact of European influences on the Druze community: “The new look” Appendix 2 Sheikh Halīm Taqī al-Dīn: a man of knowledge, -
Hermeticism Pt 1\374
"I wish to learn about the things that are, to understand their nature and to know God. How much I want to hear!" from [Discourse] of Hermes Trismegistus : Poimandres Hermeticism "The fifteen tractates of the Corpus Hermeticum, along with the Perfect Sermon or Asclepius, are the foundation documents of the Hermetic tradition. Written by unknown authors in Egypt sometime before the end of the third century C.E., they were part of a once substantial literature attributed to the mythic figure of Hermes Trismegistus, a Hellenistic fusion of the Greek god Hermes and the Egyptian god Thoth. This literature came out of the same religious and philosophical ferment that produced Neoplatonism, Christianity, and the diverse collection of teachings usually lumped together under the label "Gnosticism": a ferment which had its roots in the impact of Platonic thought on the older traditions of the Hellenized East. There are obvious connections and common themes linking each of these traditions, although each had its own answer to the major questions of the time." John Michael Greer : An Introduction to the Corpus Hermeticum "The Corpus Hermeticum landed like a well-aimed bomb amid the philosophical systems of late medieval Europe. Quotations from the Hermetic literature in the Church Fathers (who were never shy of leaning on pagan sources to prove a point) accepted a traditional chronology which dated "Hermes Trismegistus," as a historical figure, to the time of Moses. As a result, the Hermetic tractates' borrowings from Jewish scripture and Platonic philosophy were seen, in the Renaissance, as evidence that the Corpus Hermeticum had anticipated and influenced both. -
Extra Symbols from Uranian Astrology by David Faulks (Dаvіdј Faulks@Yahоο.Ca) March 6, 2016
Extra Symbols from Uranian Astrology by David Faulks (dаvіdј_faulks@yahоο.ca) March 6, 2016 0 1 2 3 4 5 6 7 1. Introduction The purpose of this proposal is to request the addition to Unicode of 8 symbols used by some astrologers. These symbols represent ‘Hypothetical’ planets beyond the normal ones used in western astrologers, and although other such ‘astrological planets’ exist1, the 8 here are part of a well-defined set (known as the ‘TransNeptunians’ or ‘Uranian Planets’.2), and are more commonly used than other ‘hypotheticals’.3 It is proposed that these symbols be encoded in the Miscellaneous Symbols and Arrows block, after a gap (left for some additional astrological characters). The term ‘ASTROLOGICAL PLANET’ is proposed because these symbols are used strictly for astrology, and have no relation to Greek Mythology, asteroids, or anything else that might be suggested by the names. The symbols with proposed codepoints and names are below: 0 U+2BE0 ASTROLOGICAL PLANET CUPIDO 1 U+2BE1 ASTROLOGICAL PLANET HADES 2 U+2BE2 ASTROLOGICAL PLANET ZEUS 3 U+2BE3 ASTROLOGICAL PLANET KRONOS 4 U+2BE4 ASTROLOGICAL PLANET APOLLON 5 U+2BE5 ASTROLOGICAL PLANET ADMETOS 6 U+2BE6 ASTROLOGICAL PLANET VULCANUS 7 U+2BE7 ASTROLOGICAL PLANET POSEIDON The proposed ASTROLOGICAL PLANET POSEIDON resembles U+2D63 TIFINAGH LETTER YAZ, 1 See The Solar System: What is a Planet in Astrology? for most of these. 2 A summary can be found at the site of Arlene Krame r – Uranian Astrologer. 3 A Google search for "astrology" "cupido" "admetos" delivers around 8 times the results of "astrology" "transpluto". -
Short and Sweet List of Astrological Symbols and the Best Place to Get Your Chart Online
Short and sweet list of astrological symbols and the best place to get your chart online • Go to astro.com. • Click on “My Astro” (upper right, in the menu bar) • Sign up for a free account (recommended if you want to look up more than one chart). • Enter your birth details (birth time must be accurate!), the system will save your chart under “Stored Astro Data”. • Click on your chart, and you’ll land on a page with lots of free (and paid) horoscope report. • As a newbie, I suggest your start with “Astro Click Portrait”. You are able to click on different points of your chart and get immediate interpretations (see screen shot below). • Remember that this is what’s called “Cookbook Astrology”, meaning that each sign or planet in a house is interpreted in isolation, which can seem contradictory at times (i.e. if you have Moon in Cancer and Venus in Aquarius). This means that there are different aspects that are part of your personality. A conversation with an astrologer would be a starting point to figure out how uniquely (for you!) this is being expressed in your daily life. Also, side note - the glyph for Pluto can be written in two ways - as you see below. ARIES TAURUS GEMINI CANCER LEO VIRGO Fire Earth Air Water Fire Earth Cardinal Fixed Mutable Cardinal Fixed Mutable a b c d e f LIBRA SCORPIO SAGITTARIUS CAPRICORN AQUARIUS PISCES Air Water Fire Earth Air Water Cardinal Fixed Mutable Cardinal Fixed Mutable g h i j k L www.karinvolppgardela.com @karinvolppgardela www.karinvolppgardela.com @karinvolppgardela . -
The Jupiter Project
The Jupiter Project Investigating Ways to Connect to the Symbolism of Planet Jupiter Ben Rovers, Canterbury, MA Myth, Cosmology & the Sacred, 8 May 2015 Abstract The Jupiter project was set up to experientially investigate the symbolism of Jupiter by connecting myself in different ways to this planet. To this end a range of creative, imaginal, symbolical and cognitive activities was carried out. The webpage http://astrozolder.nl/category/the-jupiter-project/ shows these activities and the products that came out of it. In this essay the background, set up and main results of the project are described. The results are theoretically reviewed. De dynamic between Jupiter and Saturn is discussed in the light of Jung’s concept of enantiodromia. The nature of the connection to Jupiter is discussed, particularly the role of transpersonal consciousness in experiencing the symbolism coming to life. Spangler’s ideas on personal and pure (soul) will are used to explain the different ways in which the connection is established. It is concluded that pure will opens up the possibility of a vivid connection to the symbolism. Personal will seems to work in the opposite direction: it closes the gateway to this experience. Introduction In astrology planets represent symbolical realities. As any astrologer I experience some of these realities more lively than others. The realities represented by the planet Jupiter are not the ones I feel most strongly connected to. The Jupiter project was set up to experientially investigate this (lack of) connection. Theoretically the project was inspired by examples of renaissance (astrological) magic in which the power of Jupiter is invoked by acts of alignment at the proper times, using symbols and conducting rituals. -
Astrolabe Font 1
Astrolabe Font 1 is designed for use in word processing, page makeup and graphics programs, where it can be selected just as you would select an ordinary font like Times New Roman or Arial. Astrolabe Font 1 contains an unusually complete set of serif-style astrological symbols. These are proportionally spaced so that they will look good when inserted in text along with other proportionally spaced fonts containing the usual letters and numbers. For ease in typing, all the ordinary astrological symbols are located on the regular number and letter keys on your keyboard. Additional symbols are accessible by pressing the Alt key and typing a number sequence on your numeric keypad. Because Astrolabe Font 1 is proportionally spaced and has the main astrological symbols placed on the regular keyboard, it is not suitable for use within Solar Fire or most other astrological calculation programs. When you install Astrolabe Font 1, both TrueType and PostScript (Adobe Type 1) versions of this font are copied into the usual font folders on your hard disk. • The font file of the TrueType version is named Ast1sps.ttf . It is added to your \Windows\Fonts folder. • The multiple font files used for the PostScript version have the filenames Assp___.afm , Assp___.cfg , etc. These are added to your \Windows\Psfonts folder. Both versions of this font will show up in the regular font menu of your word processor under the name —Astrolabe 1.“ or —Astrolabe 1SP.“ The TrueType version, which may have a blue —TT“ next to it, will suffice for most purposes, though in special cases you might want to use the PostScript version. -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
Hermeticism in Sweden 189
Hermeticism in Sweden 189 Chapter 24 Hermeticism in Sweden Hermeticism in Sweden Susanna Åkerman The fragmentary sources for tracing Hermeticism in Sweden stem from the seventeenth and eighteenth centuries, when these texts still formed a basis for cosmological thinking. The Corpus Hermeticum was often associated with another Hermetic text, the Tabula smaragdina or Emerald Tablet. Translated into Latin from the Arabic in the twelfth century, the text was particularly pop- ular among German alchemists, who rarely read the Corpus Hermeticum but instead based their understanding of Hermeticism on the short sentences from the Emerald Tablet. The Emerald Tablet was furthermore used to present alchemy in a simple but enigmatic form. The Tablet formulated the kernel of Hermeticism in a widely spread maxim on the parallels between the cosmo- logical macrocosm and the human microcosm: “As above, so below”. This figure of thought had a great influence on Hermeticism in Sweden. Swedenborg, for example, reformulated it to treat of correspondences between the natural, the spiritual, and the heavenly realms. Hermetic philosophy likewise influenced three other currents: mysticism, alchemy, and Rosicrucianism. Seventeenth-Century Metaphysics Hermeticism began to be an important current in Sweden with Johan Skytte (1577–1645), who was the Chancellor of Uppsala University. In the 1640s Skytte delivered an oration in which he praised King Gustavus II Adolphus for having opened the doors for “Theophrastus [Paracelsus] and [Hermes] Trismegistos” to the Swedish universities. This was a clear signal that the older pagan phi- losophy was compatible with Christian beliefs. In the same spirit, the Finnish natural philosopher Sigfrid Aron Forsius (1560–1624) edited several almanacs to be used for astrological purposes. -
The Corpus Hermeticum: a Mirror for the Evolution of Christian Orthodoxy
THE CORPUS HERMETICUM: A MIRROR FOR THE EVOLUTION OF CHRISTIAN ORTHODOXY By CHARLES FLOWERS A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2008 Charles Flowers 2 ACKNOWLEDGMENTS Even an activity as solitary as researching history is never accomplished without the ongoing support and encouragement of others. To begin my foray into history, Sandy and Jimmy Pozzetta, Dr. Fred Gregory, and Dr. Jeff Needell were all instrumental in helping me move from one career to enter an entirely new one. Without their confidence, I could not have taken my initial steps. For the hard part of writing history--from analysis and understanding, to forming my own voice and gaining confidence in my own opinion--I am completely in debt to Dr. Andrea Sterk, Dr. Nina Caputo, and Dr. Howard Louthan. They have shared their time, skills, and opinions to make me a better historian and in the process, I have gained not only colleagues, but friends. Without their encouragement, I would never have succeeded along this journey. But my greatest thanks go to my wife Nikkie. The experience of extracting ideas from my head and having them appear coherent on the written page has not always been a pleasant one. She has endured many days in which my doubts threatened to overcome my progress. Throughout, she has always supported me and helped me to take the next step. Without her love, my success would have no meaning. 3 TABLE OF CONTENTS page ACKNOWLEDGMENTS -
Hermeticism and Alchemy
Hermeticism and Alchemy Terence McKenna New York 1992 Today's thing is sort of a return to a more orthodox educational kind of mode, hopefully not to such a degree that it's boring. The agenda is to talk about Hermeticism and alchemy; the way in which this tradition | which is counter- intuitive and heterodox, if not heretical from the point of view of Christianity | what it can mean for the present, what it means for the psychedelic experience, what it means for the notion of the end of history and how the loss of this point of view has probably done us a certain amount of damage. The great tension in the late Middle Ages was between the magical schema, the magical view of human beings, and the Christian view. The Christian view is very strongly marked by the idea of man's fall, that we screwed up early on and somehow then, by virtue of that, were forced into a secondary position in the cosmic drama. We are doing penance as we speak, the world is a vale of tears, the lot of human beings is to till hard land and we are cursed unto the nineteenth generation by the fall of our first parents. We can be redeemed through Christ, but we don't deserve it; if you are saved it is because there is a kind of hand extended to you from a merciful God who is willing to overlook your wormy nature and draw you up in spite of yourself. This is deep in us; you may not think you've bought in because you're black or Chinese, but it's just in the air we breath. -
Hermeticism and the Metaphysics of Goodness in the Novels of Charles Williams
Volume 24 Number 3 Article 2 4-15-2006 Hermeticism and the Metaphysics of Goodness in the Novels of Charles Williams Scott McLaren York University, Ontario Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation McLaren, Scott (2006) "Hermeticism and the Metaphysics of Goodness in the Novels of Charles Williams," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 24 : No. 3 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol24/iss3/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines metaphysical symbols in three novels by Charles Williams: the Holy Grail in War in Heaven, the Stone of King Solomon in Many Dimensions, and the Tarot deck in The Greater Trumps. Additional Keywords Grail as symbol in literature; Stone of King Solomon; Tarot in literature; Williams, Charles—Symbolism; Williams, Charles.