Independent Film Series: John Sayles
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Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Gus Van Sant Regis Dialogue Formatted
Gus Van Sant Regis Dialogue with Scott Macaulay, 2003 Scott Macaulay: We're here at the Walker Art Center for Regis dialogue with American filmmaker Gus Van Sant. He'll be discussing the unique artistic vision that runs through his entire body of work. Gus was first recognized for a trilogy of films that dealt with street hustlers, Mala Noche, Drugstore Cowboy, My Own Private Idaho. He then went on to experiment with forum and a number of other films including To Die For, Psycho and even Cowgirls Get the Blues. Gus is perhaps best known for his films, Goodwill Hunting and Finding Forrester, but all of his work including his latest film, Gerry, has his own unique touch. We'll be discussing Gus' films today during this Regis dialogue. I'm Scott Macaulay, producer and editor of Filmmaker Magazine. I'll be your guide through Gus' work today in this Regis dialogue. Thanks. Gus Van Sant: Thank you. Scott Macaulay: It's a real pleasure to be here with Gus Van Sant on this retrospective ... Which is called on the road again. I guess there are a lot of different illusions in that title, a lot of very obvious ones because a lot of Gus' movies deal with travel and change and people going different places, both locations within America but also in their lives. But another interesting implication of the title is that this retrospective is occurring on the eve of the release here and also nationwide of Gerry, which is really one of Gus' best and most moving films but it's also yet sort of another new direction for Gus as a filmmaker. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Introduction 1 Mimesis and Film Languages
Notes Introduction 1. The English translation is that provided in the subtitles to the UK Region 2 DVD release of the film. 2. The rewarding of Christoph Waltz for his polyglot performance as Hans Landa at the 2010 Academy Awards recalls other Oscar- winning multilin- gual performances such as those by Robert de Niro in The Godfather Part II (Coppola, 1974) and Meryl Streep in Sophie’s Choice (Pakula, 1982). 3. T h is u nder st a nd i ng of f i l m go es bac k to t he era of si lent f i l m, to D.W. Gr i f f it h’s famous affirmation of film as the universal language. For a useful account of the semiotic understanding of film as language, see Monaco (2000: 152–227). 4. I speak here of film and not of television for the sake of convenience only. This is not to undervalue the relevance of these questions to television, and indeed vice versa. The large volume of studies in existence on the audiovisual translation of television texts attests to the applicability of these issues to television too. From a mimetic standpoint, television addresses many of the same issues of language representation. Although the bulk of the exempli- fication in this study will be drawn from the cinema, reference will also be made where applicable to television usage. 1 Mimesis and Film Languages 1. There are, of course, examples of ‘intralingual’ translation where films are post-synchronised with more easily comprehensible accents (e.g. Mad Max for the American market). -
SENATE JANUARY 30 by Mr
1046 CONGRESSIONAL RECORD-SENATE JANUARY 30 By Mr. SIMPSON of Pennsylvania: 1754. By Mr. POLK: Petition of Rev. W. the world's store cf good will, and may H. R. 7025. A bill allowing a credit against Eudell Milby, pastor, Bethel Church of the their words be for the healing of the the additional estate tax for inheritance, Nazarene, Clermont County, Ohio, and resi nations. We ask it in the dear Redeem estate, legacy, or succession taxes paid to any dents of Bethel, for the enactment of legis State;· to the Committee on Ways and Means. lation to prohibit the transportation of al er's name. Amen. By Mr. WHEELER: coholic-beverage advertising in interstate ATTENDANCE OF A SENATOR H. R. 7026. A bill to provide for the collec commerce and the broadcasting of alcoholic tion and publicatlon ·or statistics . on and beverage advertising over the radio; to the DENNIS CHAVEZ, a Senator from the establishing standards, grades, and classifi Committee on Interstate and Foreign Com State of New Mexico, appeared in his cations o! naval stores and an inspection merce. seat today. service therefor, preventing deception in · 1755. Also, petition of Mrs. Lucy Meranda, THE JOURNAL transactions in naval stores •. regulating traf president of Bethel Woman's Christian Tem fic. therein, and for other purposes; to the. perance Union, and many residents of Brown On request of Mr. LlJCAS, and by unani Committee on Agriculture. and Clermont Counties, Ohio, for the enact mous consent, the reading of the Journal By Mr. DAVIS of Georgia: ment of legislation to prohibit the transpor of the proceedings of Thursday, January H. -
Hillbillies Emerge from the Woods: an Unsociological Moment* in John Sayles’S Matewan by Jimmy Dean Smith
123 Jimmy Dean Smith Hillbillies Emerge from the Woods: An Unsociological Moment* in John Sayles’s Matewan by Jimmy Dean Smith John Sayles’s 1987 film Matewan depicts a signal event in labor, social, and Ap- palachian history and thus the viewer feels the gravitational pull and satisfaction of a familiar trope—the myth enbodied in a familiar liberal morality tale. The movie can and does do good, but it resists that impulse at the same time. Good is not all it does, since Sayles takes a worthwhile chance on alienating his core audience. While the aesthetic precepts of social justice often limit the range of approaches an engaged but bourgeois artist can bring to politically and socially charged material, Sayles offers a scenario that toys with liberal good taste and questions whether politics that assumes a pre-fabricated response has the guts to recognize the tantalizing power of subversive mythology. Here are “the bare bones of the history [Sayles] started with” (Sayles 16): In 1920 the minefields in eastern Kentucky and southwestern West Virginia are totally nonunion . The United Mine Workers . target . several counties to be organized. The mine owners . hold Mingo and Logan counties in West Virginia in a military grip—controlling political officials and police, posting armed guards . sending spies into the midst of the miners and creating a “judicious mixture” of native miners, blacks and recent immigrants who they believe can never rise above their basic differences to resist collectively. A strike begins near the town of Matewan . The mayor and chief of police of the town, Cabell Testerman and Sid Hatfield, refuse a bribe offered by agents from the Baldwin-Felts Detective Agency, which functions as the enforcing arm of the state’s coal operators. -
Download PDF of Press Kit Here
PRESS CONTACT Ellen Brodsky [email protected] 34 Sherman St. www.25texans.org Cambridge, MA 02138 https://www.facebook.com/25Texans/ (617) 407-9170 www.ellenbrodskyfilms.com STILLS For higher resolution images please go to the website: www.25Texans.org © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 © Ellen Brodsky Films 2019 ONE SENTENCE SYNOPSIS Join the quest of 25 history students, mostly Mexican American, who drive 2,000 miles from the Alamo in Texas to a Springfield, Illinois museum asking to repatriate General Santa Anna’s prosthetic leg and honoring Lincoln with a Day of the Dead altar. OVERVIEW Join the quest of 25 history students, mostly Mexican American, who drive 2,000 miles from the Alamo in Texas to a Springfield, Illinois museum asking to repatriate General Santa Anna’s prosthetic leg and honoring Lincoln with a Day of the Dead altar. With humor, humility, and animated history lessons, these students raise questions of identity, borders, museum ethics, and collective memory. LONGER SYNOPSIS “A beautiful, stirring, and redemptive story about learning and especially about teaching. A history lesson, and more.” -Jill Lepore, Harvard University, author of “These Truths: A History of the United States” Join the quest of 25 history students, mostly Mexican American, who drive 2,000 miles from the Alamo in Texas to a Springfield, Illinois museum asking to repatriate General Santa Anna’s prosthetic leg and honoring Abe Lincoln’s support of Mexico with a Day of the Dead altar. -
Mediaguide 2021 Duke Baseb
2021 DUKE BASEBALL MEDIA GUIDE QUICK FACTS 1889 TABLE OF CONTENTS FIRST YEAR OF PROGRAM All-Time Program Record ...................... 2,135-1,800-34 SCHEDULE & GAME DAY GUIDE Most Victories in a Season............................. 45 (2018) 3 ROSTER & PRONUNCIATION GUIDE 4-5 BY THE NUMBERS 105 All-ACC Honorees HEAD COACH CHRIS POLLARD & STAFF 6 81 MLB Draft Selections 43 MLB Alumni 13 All-Americans 2020 REVIEW 7 8 NCAA Tournament Appearances 3 College World Series Appearances ANNUAL LEDGER 8-9 DUKE UNIVERSITY ALL-TIME LETTERWINNERS & CAPTAINS 10-16 Location ........................................................Durham, N.C. Founded ......................................1838 as Trinity College ACC CHAMPIONSHIP HISTORY 17 Enrollment .................................................................6,994 Colors ..............................Duke Blue (PMS 287) & White Nickname ......................................................... Blue Devils NCAA CHAMPIONSHIP HISTORY 18 Conference ...................................................................ACC President ...............................................Dr. Vincent Price Athletic Director ................................Dr. Kevin M. White OPPONENT SUMMARY 19-23 CHRIS POLLARD SERIES RESULTS 24-43 HEAD COACH 630-495-3 245-177 96-114 ANNUAL RESULTS All-Time At Duke ACC 44-69 Associate Head Coach ............................. Josh Jordan Assistant Coach ......................................... Jason Stein ALL-TIME STATISTICS 70-73 Pitching Coach .........................................Chris -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
AUGUST, 1920 25 CENTS in This Issue
AUGUST, 1920 25 CENTS Drawn by Cornelia Barns In this Issue: The "Wars of "West Virginia - By Robert Minor The fOllowiJJg advertisenlent w"Ub check for one hundred and ., fltty - s lx dollars was declined by tbe N e w York Time s : Robt. AmerlCa s For the first time we dare to adver tise this book! For the first time we can meet the w or ld' s eye and say, Come on with your orders-no matter how many, G. Mightiest we M'e r eady! Ingersoll THINKER "The Brass Check" A Study of American Journalism I By UPTON SINCLAIR i Read the record of this book to date: Published irl February ; first edition, 23,000 paper-bound copies, sold in two weeks. Second edition, 21,000 papbr-bound, sold before it could be put to press. Third edition 18,00011 just r eady, nearly all sold; fourth edition, 12,000, print,,1 ing; paper for fifth edition, 110,000, just shipped fronil the mill. The third and fourth editions are printed on' Ing ~ rsoll 18 not only America's mlg bt lest Intell<>ct but among tbe inlellec "number one news"; the fifth will be printed on a car tuals of all tbe w orld from Greece a nd load of lightweight brown wrapping paper-all we could R ome d own thru tbe centuries to the get in a hurry! pr ~se nt da y Inger s oll's 'Vorks Stand Like a Glllllt The first cloth edition, 16,500 copies, all sold; a car-' among tbe greatest writers of tlle load of paper for the second edition, 40,000 copies, has world.