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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds. -
We Offer Thanks to the Artists Who've Played the Nighttown Stage
www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
For Immediate Release Baby Grand Jazz Kicks Off 14Th Season at Hartford Public Library
CONTACT: Donna Larcen Communications Specialist Cell: 860-692-8955 [email protected] For Immediate Release Baby Grand Jazz Kicks Off 14th Season at Hartford Public Library December 8, 2016 — The 14th Annual Baby Grand Jazz Series, sponsored by The Charles H. Kaman Charitable Foundation, opens Jan. 8 and runs through April 30. The free, hour-long concerts are held Sundays, 3 pm, in the Center for Contemporary Culture on the main floor of the Downtown Library at 500 Main St. The concerts are presented in partnership with the Hartford Jazz Society and WWUH 91.3 FM. The concerts will be held this year in the Center for Contemporary Culture in the Downtown Library, 500 Main St. (No concert on Easter Sunday, April 16.) The CCC has a seating capacity of 240. When the auditorium is full the doors will close. The CCC will open at 1 pm. HPL will livestream the concerts and post them for later viewing on its website, www.hplct.org. The James Weidman Apertuistic Trio , Jan. 8 Pianist James Weidman was playing organ at age 14 in his father’s jazz band in Youngstown, Ohio. He earned a degree in classical music from Youngstown State University, earning his keep behind the keyboard, heeding his father’s advice: “Keep the time, stay out of the way, and tell a story.” He has worked with Abbey Lincoln, Cassandra Wilson, Kevin Mahogany, and Joe Lovano. Weidman’s trio includes Harvie S and drummer Steve Williams, who make up the Aperturistic Trio. Sherry Winston Band, Jan. 15 Connecticut’s Sherry Winston is a jazz flutist who has led her own jazz fusion band for almost 30 years. -
“NJPAC Is Like My Laboratory, Open to Whatever I Want to Do…”
Volume 35 • Issue 11 December 2007 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “NJPAC is like my laboratory, open to whatever I want to do…” N’ Orleans in Newark Irvin Mayfield at NJPAC By Sandy Ingham t’s tough to live here in New Jersey yet be addicted to INew Orleans music, particularly its exuberant jazz. Fortunately for us, many of that city’s artists hit the road regularly in order to make a living, spreading the news around the world that while much of New Orleans may still be mired in a post- Katrina funk, the music is as high-spirited as ever. Irvin Mayfield photos courtesy of the artist. right: NJPAC at night, photo by Esto. Trumpeter Irvin Mayfield embodiment of the old Jelly Roll brought his new sextet, the Morton maxim that “the Hombres, to the New Jersey Spanish tinge” is a necessary Performing Arts Center in ingredient in jazz. Newark on Sunday, October 28. The band has assimilated music The Hombres, a direct from all over the Caribbean in descendant of Los Hombres earlier visits to Haiti, Trinidad, Caliente but minus percussion master Bill Summers, are the continued on page 24 ARTICLES REVIEWS EVENTS Whiskey Café. 13 in this issue: Classic Stine. 9 L.A. Jazz Big Band Showcase . 30 ’Round Jersey: Bridgewater, CTS Images . 15 NEW JERSEY JAZZ SOCIETY Morris, Ocean . 44 Salt Creek Grille. 17 Pres Sez/NJJS Calendar Jazz U: College Jazz Scene . 14 CDs: Compact Views/ Institute of Jazz Studies/ Centenary College. 19 & Bulletin Board. -
2000-01 Dec-Feb
Boston Classical Guitar Society ❄ www.bostonguitar.org Volume 8, Number 2 newsletterDecember 2000/February 2001 Letter to Members Dangerous Curves: Dear Members, Art of the Guitar, in Review From December 6 through February 25 there will be a number By Charles Carrano of guitar concerts, lectures, and demonstrations at the Museum As you’ve probably heard by now, the Museum of Fine Arts, of Fine Arts in Boston, in celebration of their new exhibit, Boston is currently showcasing an exhibit entitled, “Dangerous “Dangerous Curves: Art of the Guitar.” The guitar concerts Curves: Art of the Guitar,” celebrating the guitar and chroni- will take place every other Sunday afternoon and an occasional cling its evolution over the past four hundred years. Thanks to Wednesday night. I would like to remind you that current the generous gift of a ticket from a fellow BCGS member and BCGS members receive a 20% discount to all six Sunday con- good friend, Ramón Alonzo, I was able to attend an advance certs ($16 instead of $20). Don’t forget to renew your member- screening of the exhibit in time to share these comments with ship if you haven’t already. our membership. During the week of November 15-19 the classical guitar took The moment I entered the museum it became clear that this was center stage in Boston with ten concerts, lectures and a master- more than a guitar exhibit—it was a guitar invasion. Each win- class presented by Northeastern University and the MFA. On dow in the lobby and gift shop adorned a guitar, as well as behalf of the BCGS Board and our members I want to extend a the glass doors of the Gund Gallery hosting the guitar special thanks to Tanya Contos of the MFA and Robert Ward of exhibit. -
Download Program
Winnipeg Wind Ensemble Special Thanks The 50-member Winnipeg Wind Ensemble was formed in the fall of 1985 by band directors and other professional musicians dedicated to bringing wind band The Winnipeg Wind Ensemble would like to extend our sincerest music of the highest quality to Winnipeg audiences. The ensemble has been a thanks to all those who contribute to the success of our guest on the Prairie Performances concert series, the International Music Camp performance: Summer Concerts, and the Optimist International Band Festival, in addition to the presentation of an annual concert series. • Rehearsal facilities and percussion In concert, the Winnipeg Wind Ensemble regularly includes soloists and St John’s Ravenscourt chamber groups from within its talented ranks. They have also had the pleasure of featuring special guest artists, such as trumpet legend Armando Ghitalla, • Performance venue Rami Oren from the Israel Philharmonic and many soloists from within the MBCI and Andrew Klassen ensemble. The ensemble has performed alongside the Winnipeg Philharmonic Choir, the University of Manitoba Wind Ensemble, the Manitoba Senior Honour • Equipment transportation and set-up Band and other Winnipeg groups. Susanne Weber, Donna Tugby and Nanette Lonis WWE Librarian • Lesley Morris Meunier What is a Wind Ensemble? Poster and program cover design A wind ensemble is similar to a concert band or symphonic band in that each of • Steven Goetze the ensembles include parts for woodwinds, brass, string bass and percussion. The difference between them is their size. A concert or symphonic band can often reach a size of 75 or more, with many players on the same part in each Winnipeg Wind Ensemble Board section, whereas a wind ensemble employs little or no doubling. -
Notre Dame Collegiate Jazz Festival Program, 2001
Archives of the University of Notre Dame Archives of the University of Notre Dame University of Notre Dame Collegiate Jazz Festival Festival Schedule WEDNESDAY, FEBRUARY 28th Festival Director: Preview Night - LaFortune Ballroom: Paul J. Krivickas 7:30 Univeristy of Notre Dame Jazz II First Assistant to the Festival Director: Jane S. Kulm FRIDAY, MARCH 2nd Evening concert block - Washington Hall: Second Assistant to the Festival Director: 7:30 Central Michigan University Jazz Lab I Lauren E. Fowler Rob Smith, Director 8:15 Boise State University Jazz Ensemble Festival Graphic Designer: Ritchard Maynard, Director Maureen Whitaker 9:00 Southern Illinois University Special Projects Ensemble CONTENTS Brett Stamps, Director Faculty Advisor to the Festival Director: 9:45 Lawrence University Jazz Quintet Ken Schaphorst, Director Rev. George Wiskirchen, CSC 2 Festival Schedule 10:30 University ofTexas-Brownsville Jazz Band I Student Union Advisor to the Festival Director: Terry Tomlin, Director Peggy Hnatusko 3 Welcome from the Festival Director 11:15 Judges' Jam Lew Tabackin (flute & saxophone) 4 About Washington Hall Conte Candoli (trumpet) Joanne Brackeen (piano) Richard Davis (bass) Special Thanks To: 5 Jazz Festival History Becky Hagelin, Student Union Board Manager Terri Lyne Carrington (drums) Liz Efta, Director of Programming Dave Clark, Director of Creativity 7 This year's Judges SATURDAY, MARCH 3rd Kelly Stocker, Special Events Commissioner Clinic - Notre Dame Band Building: Katie Leicht, Director of Operations 12 This year's Bands 2-3:00 Meet in main rehearsal room. Nancy Walsh, Adm inistrative Assistant Candis Wilkinson, Chief Controller Evening concert block - Washington Hall: 7:30 University of Notre Dame Big Band Rev. -
Bertoncini-Musicians-List.Pdf
MUSICIANS WHO HAVE RECORDED WITH GENE BERTONCINI A Sing-able Roster Chet Baker, Bette Midler, Ethel Ennis, Chuck Rainey, Derek Smith, Willie Dennis, George Benson, Doc Cheatham, Hugh McCracken, Bill Charlap, Dick Hyman, Lew Tabackin, Jiggs Whiggam, Eric Gale, Joe Wilder, Ralph Casale, Idris Muhammed, Paul and Merv Griffin, George Mraz, Ike Sturm, Hank Jones, Al Klink, Lalo Schiffrin, Johnny Smith, a couple of Desmonds (Trudy and Paul), Wynton Marsalis, Ted Rosenthal, Billy Taylor, Dave Bailey, Duke Pearson, Clay Jenkins, Bob Haggart, Charles McPherson, Gary Burton, Jack Wilkins, Dick Lieb, Jerome Richardson, Rufus Reid, Ed Shaughnessy, Ed Laub, Danny Pucillo, Astrude Gilberto from Rio, Airto, Cecil McBee, Al Cohn, Carmen McRae, Bobby Hutcherson, Warren Vache, Bob McCoy, Napua Devoy, Johnny “Hammond” Smith, Jackie and Roy, Bobbi Rogers, Ray Armando, Jimmy Maxwell, Sonny Costanzo, Eddie Gomez, Carol Hall, Ernie Royal, Ahmad Jamal, Buddy Morrow, Carole Sloan, Bobbi Humphrey, Bob James, Vic Damone, Jeff Hamilton, Chuck Wayne, Don Rafell, Hymie Schertzer, Dennis Mackrel, Jay Berliner, Earl Coleman, Fred Hass, Jay Leonhart, the Canadian Brahss, Terell Stafford, Romeo Penque, Sonny Stitt, Benny Goodman (“the ray”), Tony Bennett, Marlena Shaw, Seldon Powell, Luiz Bonfa, Suzannah McCorkle, Gabor Szabo, Ron Carter, Sam Most, Edison Machado, Silvia Sims, and also Zoot, J.J. Johnson, Ben Webster (“the brute”), Thad Jones, Johnny Coles, Herbie Mann, the Tonight Show Band, Phil Bodner, Louis Bellson, Bill Crow, Snooky Young, The junior Grover Washington, -
Earl Macdonald – CV
Earl MacDonald Director of Jazz Studies, University of Connecticut Pianist - Composer - Arranger - Conductor - Educator University of Connecticut, Dept. of Music 1295 Storrs Road, Unit 1012 Storrs, CT 06269-1012 telephone: (860) 786-8545 e-mail: [email protected] www.earlmacdonald.com CURRENT POSITION: 08/2000 - present DIRECTOR OF JAZZ STUDIES Department of Music, University of Connecticut, Storrs, CT Ø promoted to Professor in 2016. Ø tenure & promotion to Associate Professor granted in 2005. • administer the university jazz program. • conduct the university jazz ensembles. • teach jazz improvisation, arranging and applied study. • oversee adjunct faculty in jazz. • participate in departmental recruitment and outreach programs. 09/2009 – 09/2010 ASSOCIATE DEPARTMENT HEAD Department of Music, University of Connecticut, Storrs, CT • organized departmental activities and initiatives including open house recruitment events and the annual concerto competition. • oversaw and documented the implementation of the department’s Strategic Plan • served on the Executive Committee (and other ad hoc committees) • advised undergraduate students. EMPLOYMENT HISTORY: 08/1998 - 06/2000 MUSICAL DIRECTOR, KEYBOARDIST, ARRANGER Maynard FerGuson Music USA, Inc. • performed across North America, Europe and Asia with Maynard Ferguson and his Big Bop Nouveau band. • rehearsed the band, and determined what music was performed nightly. • composed and arranged new repertoire. • critiqued, lectured, and instructed students in clinics at universities, colleges, and high schools across North America and abroad. • reviewed audition tapes and made recommendations pertaining to personnel. 08/1997 - 05/1998 VISITING ASSISTANT PROFESSOR OF JAZZ BowlinG Green State University, Bowling Green, Ohio • directed a jazz lab band, coached a jazz combo, taught jazz history, survey of jazz styles, jazz piano fundamentals, applied jazz piano, and commercial music industry practices.