Autocratic Rule and Social Capital
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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
William T. Rowe
Bao Shichen: An Early Nineteenth-Century Chinese Agrarian Reformer William T. Rowe Johns Hopkins University Prefatory note to the Agrarian Studies Program: I was greatly flattered to receive an invitation from Jim Scott to present to this exalted group, and could not refuse. I’m also a bit embarrassed, however, because I’m not working on anything these days that falls significantly within your arena of interest. I am studying in general a reformist scholar of the early nineteenth century, named Bao Shichen. The contexts in which I have tended to view him (and around which I organized panels for the Association for Asian Studies Annual Meetings in 2007 and 2009) have been (1) the broader reformist currents of his era, spawned by a deepening sense of dynastic crisis after ca. 1800, and (2) an enduring Qing political “counter discourse” beginning in the mid-seventeenth century and continuing down to, and likely through, the Republican Revolution of 1911. Neither of these rubrics are directly concerned with “agrarian studies.” Bao did, however, have quite a bit to say in passing about agriculture, village life, and especially local rural governance. In this paper I have tried to draw together some of this material, but I fear it is as yet none too neat. In my defense, I would add that previously in my career I have done a fair amount of work on what legitimately is agrarian history, and indeed have taught courses on that subject (students are less interested in such offerings now than they used to be, in my observation). -
Did the Imperially Commissioned Manchu Rites for Sacrifices to The
religions Article Did the Imperially Commissioned Manchu Rites for Sacrifices to the Spirits and to Heaven Standardize Manchu Shamanism? Xiaoli Jiang Department of History and Culture, Jilin Normal University, Siping 136000, China; [email protected] Received: 26 October 2018; Accepted: 4 December 2018; Published: 5 December 2018 Abstract: The Imperially Commissioned Manchu Rites for Sacrifices to the Spirits and to Heaven (Manzhou jishen jitian dianli), the only canon on shamanism compiled under the auspices of the Qing dynasty, has attracted considerable attention from a number of scholars. One view that is held by a vast majority of these scholars is that the promulgation of the Manchu Rites by the Qing court helped standardize shamanic rituals, which resulted in a decline of wild ritual practiced then and brought about a similarity of domestic rituals. However, an in-depth analysis of the textual context of the Manchu Rites, as well as a close inspection of its various editions reveal that the Qing court had no intention to formalize shamanism and did not enforce the Manchu Rites nationwide. In fact, the decline of the Manchu wild ritual can be traced to the preconquest period, while the domestic ritual had been formed before the Manchu Rites was prepared and were not unified even at the end of the Qing dynasty. With regard to the ritual differences among the various Manchu clans, the Qing rulers took a more benign view and it was unnecessary to standardize them. The incorporation of the Chinese version of the Manchu Rites into Siku quanshu demonstrates the Qing court’s struggles to promote its cultural status and legitimize its rule of China. -
Ming-Qing Transition
Ming-Qing Transition In the mid-17th century, the Manchus, originating from today’s northeastern China, crossed the Great Wall and defeated the Ming and other competing forces. While resistance to the invaders lasted for decades, the Manchu- founded Qing dynasty eventually consolidated its rule over the entirety of China. Kangxi was the second emperor of the Qing dynasty after the Manchus moved their capital to Beijing. He was born in 1654 and enthroned at age of seven. He ruled China for 61 years, making him the longest-reigning emperor in Chinese history. 1 Early Career Before Kangxi was enthroned, the court was administered by four courtiers, Sonin, Suksaha, Ebilun, and Oboi. Kangxi ruled only in name. As a teenager, Kangxi eliminated these powerful courtiers and centralized power in his own hands. The arrest of Oboi took place in the audience chamber, where young wrestlers jumped upon the minister from their hiding place behind the throne, subduing him. Political and Military Achievements Kangxi was soon confronted by the challenge posed by three vassal kings in Southern China. The three kings, Wu Sangui of Yunnan, Shang Kexi of Guangdong, and Geng Jimao of Fujian, had previously assisted the Manchu army in their conquest of China. Since 1673, however, Kangxi had taken measures to deprive the three kings of their military capabilities, prompting Wu Sangui to rebel. This started the civil war known as the “Revolt of the Three Feudatories”. Kangxi’s military genius and political skills helped him to triumph over Wu. In 1681, the Qing army entered the capital city of Yunnan, ending the war against the rebels. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Case of Smallpox and the Manchus (1613-1795
Copyright © 2002 Oxford University Press. All rights reserved. Journal of the History of Medicine and Allied Sciences 57.2 (2002) 177-197 [Access article in PDF] Disease And its Impact on Politics, Diplomacy, and the Military: The Case of Smallpox and the Manchus (1613–1795) Chia-Feng Chang One of the most dramatic events in Chinese history was the rise of the Qing dynasty in 1644. Scholars have suggested various reasons why the Manchus successfully conquered Ming China, but one important reason has long been neglected. An infectious disease, smallpox, played a key role in the story. Smallpox might have served as a barrier, preventing the success of the susceptible Manchus, both during the time of military conquest and in the years that followed. In this essay I explore how the Manchus responded to the danger of smallpox and how smallpox shaped the Manchu military, political, and diplomatic structures during the conquest and the first half of the Qing dynasty (1644–1911). In the late Ming dynasty (1368–1644) smallpox was rare among the peoples who lived beyond the northern borders of China, including the Manchus. For example, Zhang Jiebin (1563–1640), an eminent physician, stated that the northern peoples did not develop the disease. 1 A government official of the time, Xie Zhaozhe, also remarked that the Tartars did not suffer from smallpox. 2 As late as the Qing [End Page 177] dynasty, Zhu Chungu (1634–1718?), who was appointed to practice variolation amongst the Mongols during the Kangxi period (1662–1722), asserted that it was their nomadic lifestyle which protected them. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba. -
The Literary Inquisition: the Persecution of Intellectuals and Human Capital Accumulation in China
Munich Personal RePEc Archive The Literary Inquisition: The Persecution of Intellectuals and Human Capital Accumulation in China Koyama, Mark and Xue, Melanie Meng George Mason University 11 February 2015 Online at https://mpra.ub.uni-muenchen.de/62103/ MPRA Paper No. 62103, posted 15 Feb 2015 14:10 UTC The Literary Inquisition: The Persecution of Intellectuals and Human Capital Accumulation in China∗ Mark Koyama‡ and Melanie Meng Xue§ George Mason University February 12, 2015 Abstract Imperial China used an empire-wide system of examinations to select civil ser- vants. Using a semiparametric matching-based difference-in-differences estimator, we show that the persecution of scholar-officials led to a decline in the number of examinees at the provincial and prefectural level. To explore the long-run impact of literary inquisitions we employ a model to show that persecutions could reduce the provision of basic education and have a lasting effect on human capital accu- mulation. Using the 1982 census we find that literary inquisitions reduced literacy by between 2.25 and 4 percentage points at a prefectural level in the early 20th cen- tury. This corresponds to a 69% increase in the probability of an individual being illiterate. Prefectures affected by the literary inquisition had a higher proportion of workers in agriculture until the 1990s. Keywords: China, Human Capital, Institutions, Persecutions, Persistence JEL Codes: N45, K42, I2 ∗We are grateful for discussions with Tyler Cowen, Mark Dincecco, James Fenske, Saumitra Jha, Noel Johnson, Dan Klein, Jared Rubin, Tuan-Hwee Sng, and audience members at the Adam Smith workshop, George Mason University, the Washington Area Economic History and Development Workshop. -
The Art Process of the Development of Chinese Literary Painting
2019 3rd International Conference on Art Design, Language, and Humanities (ADLH 2019) The Art Process of the Development of Chinese Literary Painting Xiang Li*, and Xudong Fan 1211, 12th Floor, Xueyan Building, Beijing Forestry University, 35 Qinghua East Road, Haidian District, Beijing * Corresponding author: [email protected] Keywords: Literati painting does not seek self-entertainment; Poetry; Calligraphy and painting in one Abstract: The development of Chinese literary painting has gone through more than a thousand years of changes, but always occupies an important place in Chinese painting. As early as the Han Dynasty, Cai Yong, famous for literature and calligraphy, had a painting name; in the Tang Dynasty, Wang Wei, a poet, had a solid foundation for the formation and development of literati landscape paintings with Wanchuan as the theme, and established the thread of literati painting. Then in the Song, Yuan, Ming and Qing dynasties of more than 900 years, countless literati painters borrowed landscapes, flowers and birds, plum orchids, bamboo and chrysanthemum and other subjects to flaunt their escape in their breasts, or to express their spirits or to build their beliefs in life. Literati painting has formed a painting style which attaches great importance to the interest of brush and ink, pursues self-entertainment and pays equal attention to both poetry, calligraphy and painting cultivation. It is unique with its "talent, knowledge and cultivation". 1. Introduction The development of Chinese literary painting sprouted in the Tang Dynasty, flourished in the Song and Yuan Dynasties, and then reached its peak in the Ming and Qing Dynasties. In traditional paintings, literati paintings mainly consist of ink and wash, which integrates poetry, calligraphy and painting, and expresses literati painters' sentiment and ambition. -
Song Haoyan Ar a Ereira Visit E Omás P
Universidade do Minho Instituto de Letras e Ciências Humanas Song Haoyan ar a ereira visit e omás P O "ser português" e o "outro": Revisitar a História de Portugal no Diálogo Com a tugal no Diálogo Com a or Civilização Chinesa - O caso Tomás Pereira tuguês" e o "outro": R tória de P O "ser por His Civilização Chinesa - O caso T yan Song Hao 5 1 UMinho|20 julho de 2015 Universidade do Minho Instituto de Letras e Ciências Humanas Song Haoyan O "ser português" e o "outro": Revisitar a História de Portugal no Diálogo Com a Civilização Chinesa - O caso Tomás Pereira Tese de Doutoramento em Ciências da Cultura Especialidade em Culturas do Extremo Oriente Trabalho efetuado sob a orientação do Professor Doutor Manuel Rosa Gonçalves Gama e da Professora Doutora Sun Lam julho de 2015 DECLARAÇÃO DE INTEGRIDADE Declaro ter atuado com integridade na elaboração da presente tese. Confirmo que em todo o trabalho conducente à sua elaboração não recorri à prática de plágio ou a qualquer forma de falsificação de resultados. Mais declaro que tomei conhecimento integral do Código de Conduta Ética da Universidade do Minho. Universidade do Minho, 29 de julho de 2015 Nome completo: SONG HAOYAN Assinatura: __________________________________________________________________ iii iv Aos meus pais que merecem este trabalho v vi Agradecimentos Um agradecimento profundo ao Professor Doutor Manuel Rosa Gonçalves e à Professora Doutora Sun Lam, pela orientação cuidadosa, pelas sugestões e comentários e, em particular, pela amizade. Ao Diretor da Faculdade Internacional da Universidade de Ciência e Tecnologia de Macau, Professor Doutor Sun Jianrong, pela oportunidade que me deu de trabalhar em Macau, pelo seu empenhado apoio, tanto no estudo como na vida. -
Chinax Course Notes
Part 6: The Manchus and the Qing 23: The Qing Vision of Empire Professor Mark Elliot taught most of this section, allowing us to benefit from his personal focus on the Qing and the Manchus. Professor Bol stepped in for one week to teach The Scholars and Prosperous Suzhou, which must have been his special interest. It was one of the most fascinating weeks of the course129 and by far the toughest. Historical Overview The origins of the Qing dynasty date back to the 1630s with a peasant rebellion led by Li Zicheng, a former postal official. Indeed, this may be the first recorded instance of an individual 'going postal.' 130 Li's rebellion spread through central China, drawing upon the anger of farmers, clerks, and soldiers who were devastated by, among other things, the inflation of copper currency against the silver required for tax payments.131 By the 1640s, the rebel army was moving toward Beijing. Meanwhile, the Manchus, descendents of the Jurchens of the Jin dynasty, were uniting tribal groups northeast of China, forging alliances with the eastern Mongols and raiding the Ming, all under the leadership of Nurhaci. By the late 1620s, the Ming had lost control of the northeast. Hong Taiji, Nurhaci's son and successor, re-organized and strengthened the Jin state, and in the 1630s conquered Korea, bolstering Manchu security and prestige. In 1636, Hong renamed his dynasty the Great Qing (da qing). In 1644, Li's rebels captured Beijing, leading the Ming emperor to hang himself. Shortly after that, the Ming general Wu Sangui, who was guarding the Great Wall at the Shanhai Pass, allied with the Manchus against Li Zicheng, deciding that he preferred the organized armies of the Manchus to the pillaging forces of the rebellion. -
Communication, Empire, and Authority in the Qing Gazette
COMMUNICATION, EMPIRE, AND AUTHORITY IN THE QING GAZETTE by Emily Carr Mokros A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland June, 2016 © 2016 Emily Carr Mokros All rights Reserved Abstract This dissertation studies the political and cultural roles of official information and political news in late imperial China. Using a wide-ranging selection of archival, library, and digitized sources from libraries and archives in East Asia, Europe, and the United States, this project investigates the production, regulation, and reading of the Peking Gazette (dibao, jingbao), a distinctive communications channel and news publication of the Qing Empire (1644-1912). Although court gazettes were composed of official documents and communications, the Qing state frequently contracted with commercial copyists and printers in publishing and distributing them. As this dissertation shows, even as the Qing state viewed information control and dissemination as a strategic concern, it also permitted the free circulation of a huge variety of timely political news. Readers including both officials and non-officials used the gazette in order to compare judicial rulings, assess military campaigns, and follow court politics and scandals. As the first full-length study of the Qing gazette, this project shows concretely that the gazette was a powerful factor in late imperial Chinese politics and culture, and analyzes the close relationship between information and imperial practice in the Qing Empire. By arguing that the ubiquitous gazette was the most important link between the Qing state and the densely connected information society of late imperial China, this project overturns assumptions that underestimate the importance of court gazettes and the extent of popular interest in political news in Chinese history.