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The Bombay Presidency Radio Club Ltd
p E For Members Only Website: www.radioclub.in The Bombay Presidency Radio Club Ltd. 157, Arthur Bunder Road, Colaba, Mumbai: - 400 005. CIN NO: - U99999MH1928GAP001372 Tel: 22845025 / 71 / 75, 22845121 Email:[email protected], [email protected] ENTERTAINMENT NEWS FOR JAN. & FEB. 2020 THE MANAGEMENT WISHES ALL MEMBERS & THEIR FAMILIES “A HAPPY AND HEALTHY NEW YEAR” FROM THE PRESIDENT’S DESK DEAR MEMBERS, W.E.F. 1ST JANUARY 2020, MEMBER’S CHILDREN SHALL HAVE OPTION TO APPLY FOR MEMBERSHIP OF THE CLUB UNDER THE CATEGORY OF “MEMBER’S CHILDREN”, ANY TIME FROM THE AGE OF 18 YEARS TO AGE LESS THAN 40 YEARS. HOWEVER, ON ATTAINING THE AGE OF 21 YEARS, MEMBER’S SON SHALL CEASE TO BE A DEPENDENT MEMBER. AND, THE CURRENT PROVISION OF ARTICLE NO. 13 (1) (i) FOR UNMARRIED DAUGHTER SHALL REMAIN THE SAME. ALL APPLICATIONS ARE SUBJECT TO SCRUTINY BY THE OFFICE STAFF FOLLOWED BY THE APPROVAL OF THE MANAGING COMMITTEE / BALLOTING COMMITTEE AS SPECIFIED IN ARTICLE NO. 21 (B) OF ARTICLES OF ASSOCIATION OF THE CLUB. IT IS SUGGESTED THAT THE MEMBER’S SON / MARRIED DAUGHTER SHOULD APPLY BEFORE THEY ATTAIN THE AGE OF 21 YEARS TO CONTINUE ENJOYING THE PRIVILEGES OF THE CLUB. THE ABOVE WILL BENEFIT THE MEMBER’S CHILDREN WHO HAVE NOT BECOME INDEPENDENT MEMBERS OF THE CLUB BEFORE THE EARLIER CUT OFF AGE OF 26 YEARS. FOR THE BENEFIT OF OUR SENIOR MEMBERS W.E.F. 01/01/2020 NO SUBSCRIPTION WILL BE CHARGED TO MEMBERS AFTER ATTAINING THE AGE OF 60 YEARS. CREDIT NOTE TO THE ELIGIBLE MEMBERS WILL BE ISSUED IN THE MONTH OF JANUARY 2020. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Life Stories of the Sikh Saints
LIFE STORIES OF THE SIKH SAINTS HARBANS SINGH DOABIA Singh Brothers Antrlt•ar brr All rights of all kinds, including the rights of translation are reserved by Mrs . Harbans Singh Doabia ISBN 81-7205-143-3 First Edition February 1995 Second Edition 1998 Third Edition January 2004 Price : Rs. 80-00 Publishers : Singh Brothers • Bazar Mai Sewan, Amritsar -143 006 • S.C.O. 223-24, City Centre, Amritsar - 143 001 E-mail : [email protected] Website: www.singhbrothers.com Printers: PRINTWELL, 146, INDUSTRIAL FOCAL POINT, AMRITSAR. CONTENTS 1. LIFE STORY OF BABA NANO SINGH JI 1. Birth and Early Years 9 2. Meetings with Baba Harnam Singh Ji 10 3. Realisation 11 4. Baba Harnam Singh Ji of Bhucho 12 5. The Nanaksar Thaath (Gurdwara) 15 6. Supernatural Powers Served Baba Nand Singh Ji 17 7. Maya (Mammon) 18 8. God sends Food, Parshad and all necessary Commodities 19 9. Amrit Parchar-Khande Da Amrit 20 10. Sukhmani Sahib 21 11. Utmost Respect should be shown to Sri Guru Granth Sahib 21 12. Guru's Langar 22 13. Mandates of Gurbani 23 14. Sit in the Lap of Guru Nanak Dev Ji 26 15. Society of the True Saints and the True Sikhs 26 16. The Naam 27 17. The Portrait of Guru Nanak Dev Ji 28 18. Rosary 29 19. Pooranmashi and Gurpurabs 30 20. Offering Parshad (Sacred Food) to the Guru 32 21. Hukam Naamaa 34 22. Village Jhoraran 35 23. At Delhi 40 24. Other Places Visited by Baba Ji 41 25. Baba Ji's Spiritualism and Personality 43 26. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Peculiarities of Indian English As a Separate Language
Propósitos y Representaciones Jan. 2021, Vol. 9, SPE(1), e913 ISSN 2307-7999 Special Number: Educational practices and teacher training e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE1.913 RESEARCH ARTICLES Peculiarities of Indian English as a separate language Características del inglés indio como idioma independiente Elizaveta Georgievna Grishechko Candidate of philological sciences, Assistant Professor in the Department of Foreign Languages, Faculty of Economics, RUDN University, Moscow, Russia. ORCID: https://orcid.org/0000-0002-0799-1471 Gaurav Sharma Ph.D. student, Assistant Professor in the Department of Foreign Languages, Faculty of Economics, RUDN University, Moscow, Russia. ORCID: https://orcid.org/0000-0002-3627-7859 Kristina Yaroslavovna Zheleznova Ph.D. student, Assistant Professor in the Department of Foreign Languages, Faculty of Economics, RUDN University, Moscow, Russia. ORCID: https://orcid.org/0000-0002-8053-703X Received 02-12-20 Revised 04-25-20 Accepted 01-13-21 On line 01-21-21 *Correspondence Cite as: Email: [email protected] Grishechko, E., Sharma, G., Zheleznova, K. (2021). Peculiarities of Indian English as a separate language. Propósitos y Representaciones, 9 (SPE1), e913. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE1.913 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Peculiarities of Indian English as a separate language Summary The following paper will reveal the varieties of English pronunciation in India, its features and characteristics. This research helped us to consider the history of occurrence of English in India, the influence of local languages on it, the birth of its own unique English, which is used in India now. -
Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
Introduction to Bengali, Part I
R E F O R T R E S U M E S ED 012 811 48 AA 000 171 INTRODUCTION TO BENGALI, PART I. BY- DIMOCK, EDWARD, JR. AND OTHERS CHICAGO UNIV., ILL., SOUTH ASIALANG. AND AREA CTR REPORT NUMBER NDEA.--VI--153 PUB DATE 64 EDRS PRICE MF -$1.50 HC$16.04 401P. DESCRIPTORS-- *BENGALI, GRAMMAR, PHONOLOGY, *LANGUAGE INSTRUCTION, FHONOTAPE RECORDINGS, *PATTERN DRILLS (LANGUAGE), *LANGUAGE AIDS, *SPEECHINSTRUCTION, THE MATERIALS FOR A BASIC COURSE IN SPOKENBENGALI PRESENTED IN THIS BOOK WERE PREPARED BYREVISION OF AN EARLIER WORK DATED 1959. THE REVISIONWAS BASED ON EXPERIENCE GAINED FROM 2 YEARS OF CLASSROOMWORK WITH THE INITIAL COURSE MATERIALS AND ON ADVICE AND COMMENTS RECEIVEDFROM THOSE TO WHOM THE FIRST DRAFT WAS SENT FOR CRITICISM.THE AUTHORS OF THIS COURSE ACKNOWLEDGE THE BENEFITS THIS REVISIONHAS GAINED FROM ANOTHER COURSE, "SPOKEN BENGALI,"ALSO WRITTEN IN 1959, BY FERGUSON AND SATTERWAITE, BUT THEY POINTOUT THAT THE EMPHASIS OF THE OTHER COURSE IS DIFFERENTFROM THAT OF THE "INTRODUCTION TO BENGALI." FOR THIS COURSE, CONVERSATIONAND DRILLS ARE ORIENTED MORE TOWARDCULTURAL CONCEPTS THAN TOWARD PRACTICAL SITUATIONS. THIS APPROACHAIMS AT A COMPROMISE BETWEEN PURELY STRUCTURAL AND PURELYCULTURAL ORIENTATION. TAPE RECORDINGS HAVE BEEN PREPAREDOF THE MATERIALS IN THIS BOOK WITH THE EXCEPTION OF THEEXPLANATORY SECTIONS AND TRANSLATION DRILLS. THIS BOOK HAS BEEN PLANNEDTO BE USED IN CONJUNCTION WITH THOSE RECORDINGS.EARLY LESSONS PLACE MUCH STRESS ON INTONATION WHIM: MUST BEHEARD TO BE UNDERSTOOD. PATTERN DRILLS OF ENGLISH TO BENGALIARE GIVEN IN THE TEXT, BUT BENGALI TO ENGLISH DRILLS WERE LEFTTO THE CLASSROOM INSTRUCTOR TO PREPARE. SUCH DRILLS WERE INCLUDED,HOWEVER, ON THE TAPES. -
The Sikh Prayer)
Acknowledgements My sincere thanks to: Professor Emeritus Dr. Darshan Singh and Prof Parkash Kaur (Chandigarh), S. Gurvinder Singh Shampura (member S.G.P.C.), Mrs Panninder Kaur Sandhu (nee Pammy Sidhu), Dr Gurnam Singh (p.U. Patiala), S. Bhag Singh Ankhi (Chief Khalsa Diwan, Amritsar), Dr. Gurbachan Singh Bachan, Jathedar Principal Dalbir Singh Sattowal (Ghuman), S. Dilbir Singh and S. Awtar Singh (Sikh Forum, Kolkata), S. Ravinder Singh Khalsa Mohali, Jathedar Jasbinder Singh Dubai (Bhai Lalo Foundation), S. Hardarshan Singh Mejie (H.S.Mejie), S. Jaswant Singh Mann (Former President AISSF), S. Gurinderpal Singh Dhanaula (Miri-Piri Da! & Amritsar Akali Dal), S. Satnam Singh Paonta Sahib and Sarbjit Singh Ghuman (Dal Khalsa), S. Amllljit Singh Dhawan, Dr Kulwinder Singh Bajwa (p.U. Patiala), Khoji Kafir (Canada), Jathedar Amllljit Singh Chandi (Uttrancbal), Jathedar Kamaljit Singh Kundal (Sikh missionary), Jathedar Pritam Singh Matwani (Sikh missionary), Dr Amllljit Kaur Ibben Kalan, Ms Jagmohan Kaur Bassi Pathanan, Ms Gurdeep Kaur Deepi, Ms. Sarbjit Kaur. S. Surjeet Singh Chhadauri (Belgium), S Kulwinder Singh (Spain), S, Nachhatar Singh Bains (Norway), S Bhupinder Singh (Holland), S. Jageer Singh Hamdard (Birmingham), Mrs Balwinder Kaur Chahal (Sourball), S. Gurinder Singh Sacha, S.Arvinder Singh Khalsa and S. Inder Singh Jammu Mayor (ali from south-east London), S.Tejinder Singh Hounslow, S Ravinder Singh Kundra (BBC), S Jameet Singh, S Jawinder Singh, Satchit Singh, Jasbir Singh Ikkolaha and Mohinder Singh (all from Bristol), Pritam Singh 'Lala' Hounslow (all from England). Dr Awatar Singh Sekhon, S. Joginder Singh (Winnipeg, Canada), S. Balkaran Singh, S. Raghbir Singh Samagh, S. Manjit Singh Mangat, S. -
2021-2022 Faith-Based and Cultural Celebrations Calendar ■ Typically Begins at Sundown the Day Before This Date
Forest Hills Public Schools 2021-2022 Faith-based and Cultural Celebrations Calendar ■ typically begins at sundown the day before this date. grey highlight indicates highly observed July/August/September 2021 March 2022 ■ July 20 .....................................Eid al-Adha – Islamic ■ 2 .............................................. Ash Wednesday – Christian ■ August 10 ................................Al-Hijira – Islamic ■ 2-20 ......................................... Nineteen Day Fast – Baha’i ■ August 19 ................................Ashura – Islamic 7 .............................................. Great Lent Begins – Orthodox Christian ■ Sept. 7-8 .................................Rosh Hashanah – Judaism ■ 17 ............................................ Purim – Judaism ■ Sept. 14 ...................................Radha Ashtami – Hinduism 17 ............................................ St. Patrick’s Day (CHoliday) ■ Sept. 16 ...................................Yom Kippur - Judaism 18 ............................................ Holi – Hinduism ■ Sept. 21-27 .............................Sukkot – Judaism 18 ............................................ Hola Mohalla – Sikh ■ Sept. 28-29 .............................Sh’mini Atzeret – Judaism ■ 19 ............................................ Lailat al Bara’ah – Islam ■ Sept. 29 ...................................Simchat Torah – Judaism ■ 21 ............................................ Naw Ruz – Baha’i 25 ............................................ Annunciation Blessed Virgin – Catholic -
Santosh 2021-22 S-Colourrr.P65
OK C Om Namah Shivaya Maharaj Santosh Mahesh. Sharma PERFORMS ALL KINDS OF Poojas Computerised Janam Rudra Abhishekam Kundali & Astrology Navagraha Shanti Pooja Vastu Matrimonial Stone Prediction Address : Flat 204, Amrut Apts., D.V. Colony, Minister Road, Secunderabad - 500 003. Cell : 98493 23975, 7013771307 9490233907 (Tripti Sharma) 6300653327 (Bharti Sharma) E-mail : [email protected] Website : www.santoshmaharaj.com 2 OK C ÃÁt∫ å™å §¿÷¬yå Àƒ. uúoÁ úÊ åÁ∫ÁÆm ∆™Á| Àƒ. ™ÁoÁ »y™oy ∆ÁÊoy tzƒy Àƒ. ú. ™Ï∫Á∫y åÁ∫ÁÆm ∆™Á| Àƒ. ú. ™“z∆ åÁ∫ÁÆm ∆™Á| ÃzƒÁ ™ı (™“Á∫Á\) ∆ÊN˛∫ ∆™Á|, ∫Á\Á ∆™Á|, ÃÊoÁz ™“z∆ ∆™Á|, EuƒåÁ∆ ™Ï∫Á∫y ∆™Á|, åuƒå ∆ÊN˛∫ ∆™Á|, oåÆ EuƒåÁ∆ ∆™Á|, Àƒ. ú. ÃÏåy¬ ™Ï∫Á∫y ∆™Á| Eqo ÃÊoÁz ∆™Á| ƒ ÃÊúÓm| úu∫ƒÁ∫ 3 C FESTIVALS 2021- 2022 APRIL 16 Lal Jo Chaliyo (Starts) 13 Chetichand, Navratri 20 Dev Shayani Ekadashi 20 Durga Astami 24 Guru Poornima 21 Ramnavami 27 Ganesh Choth M.R.9:37 pm 23 Kamda Ekadashi AUGUST 27 Hanuman Jayanti, 04 Kamika Ekadashi Vrit Poornima 08 Amavasya 30 Ganesh Choth, M.R. 10:15 pm 09 Chomaso Starts, MAY Small Thadidi 07 Varuthini Ekadashi Vrit 10 Chand 11 Amavasya 13 Nag Panchami 13 Chand 15 Independence Day 14 Akhan Teej 18 Pavitra Ekadashi 23 Mohini Ekadashi 22 Poornima, 25 Narsimha Jayanti Raksha Bandhan 26 Poornima, 24 Lal Jo Chaliyo Ends Kurma Jayanti 25 Teejri M.R. 8:45 pm 29 Ganesh Choth M.R.22:02 pm 25 Ganesh Choth 8:45 p.m. JUNE 29 Big Tadri 05 Apara Ekadashi 30 Krishna Janmashtmi 10 Amavasya, SEPTEMBER Shani Jayanthi 02 Aja Ekadashi Vrit 11 Chand 06 Amavasya 21 Nirjala Ekadashi Vrat 08 Chand 24 Poornima 09 Varaha Jayanti 27 Ganesh Choth M.R.9:36 pm 10 Ganesh Stapna JULY 14 Radha Ashtami, 05 Yogini Ekadashi Vrat Maha Laxmi sagra 10 Amavasya to be tied 11 Chand 17 Padmaja Jhulini Vrit 12 Jagannath Rath Yatra Ekadashi 4 ok C 18 Vaman Jayanti 23 Ganesh Choth, M.R. -
Census of India 2011 Punjab
lR;eso t;rs CENSUS OF INDIA 2011 PUNJAB SERIES-04 PART XII-A DISTRICT CENSUS HANDBOOK MUKTSAR VILLAGE AND TOWN DIRECTORY DIRECTORATE OF CENSUS OPERATIONS PUNJAB CENSUS OF INDIA 2011 PUNJAB SERIES – 4 Part XII-A DISTRICT CENSUS HANDBOOK MUKTSAR PART-A VILLAGE AND TOWN DIRECTORY Directorate of Census Operations, Punjab ii INDIA PUNJAB DISTRICT MUKTSAR F R R U G O P U M Z 2011 R U D O I S IR KILOMETRES H F A T R O R 5 0 5 10 15 20 S T A I H A I C R T U F OT DK RI F A FA R TAHSIL BARIWALA TO OM J P (N.P.)G AL MUKTSAR R AL A ! BA Z D A )E G6 I UDE KARAN SARAI NAGA MUKTSAR E D (M.Cl.) )M ) 6 ! O RS PR ! ! BARI HARI K BALLAMGARH FR BHAGSAR G THANDEWALA OM LEKHEWALI ! F ! G C.D.BLOCKS AZ O ILK A 6 R ! 1 G ! RUPANA T A - MUKTSAR H ! MALLAN S 6 ! KAUNI T I G O CHAK CHIBRANWALI JAITU B - KOT BHAI DODA G ! BHANGCHARI G C - MALOUT G B KOTLI ABLU F C SUKHA ABLU ! F ROM PANIWALA FATTA C FA TAHSIL ! BHALAIANA D - LAMBI ZILK A G A GIDDERBAHA JOHAR D ! ALAMWALA G ! C ! N ! I T GURUSAR ^_ C B MADHIR KOT BHAI H SARAWAN G ! MALOUT(Rural) HUSNAR T C ! ! 6 TO BATHINDA A MALOUT 5 RS I 1 R NH (M.Cl.)! R G B 6 G ! !CHHAPIANWALI GIDDERBAHA (M.Cl.) ABO HAR FROM BURJ SIDHWAN )E T R LAL BAI G C ABUL KHURANA ! I T G R MAHNI D LAMBI KHERA ! ! BADAL MEHMUD N T S PHULU KHERA H ^_ KHERA CHANNU G 1 6 DISTRICT HEADQUARTERS IS ALSO TAHSIL G 0 G S AND C.D. -
Justice Qayyum's Report
PART I BACKGROUND TO INQUIRY 1. Cricket has always put itself forth as a gentleman’s game. However, this aspect of the game has come under strain time and again, sadly with increasing regularity. From BodyLine to Trevor Chappel bowling under-arm, from sledging to ball tampering, instances of gamesmanship have been on the rise. Instances of sportsmanship like Courtney Walsh refusing to run out a Pakistani batsman for backing up too soon in a crucial match of the 1987 World Cup; Imran Khan, as Captain calling back his counterpart Kris Srikanth to bat again after the latter was annoyed with the decision of the umpire; batsmen like Majid Khan walking if they knew they were out; are becoming rarer yet. Now, with the massive influx of money and sheer increase in number of matches played, cricket has become big business. Now like other sports before it (Baseball (the Chicago ‘Black-Sox’ against the Cincinnati Reds in the 1919 World Series), Football (allegations against Bruce Grobelar; lights going out at the Valley, home of Charlton Football club)) Cricket Inquiry Report Page 1 Cricket faces the threat of match-fixing, the most serious threat the game has faced in its life. 2. Match-fixing is an international threat. It is quite possibly an international reality too. Donald Topley, a former county cricketer, wrote in the Sunday Mirror in 1994 that in a county match between Essex and Lancashire in 1991 Season, both the teams were heavily paid to fix the match. Time and again, former and present cricketers (e.g. Manoj Prabhakar going into pre-mature retirement and alleging match-fixing against the Indian team; the Indian Team refusing to play against Pakistan at Sharjah after their loss in the Wills Trophy 1991 claiming matches there were fixed) accused different teams of match-fixing.