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Peterson Vita, 1982 Personal Correspondence
13/1/22 Communications Dean's Office Theodore B. Peterson Papers, 1933-2001 Box 1: Peterson Vita, 1982 Personal Correspondence (subject file) A, 1973-74, 1976-79 Arete American Dental Association, 1955 Dental journalism conference paper Arden House Conference, 1964 Technical & business publications editors Argosy: Court of Last Resort (2 folders) 1951-54 Administration of legal justice B, 1973-74, 1976-77 Edward Barrett, Sid Bernstein B, 1978-79 Broadcasting/Television, 1960-61 Jack Cranell & WILL C, 1976-79 Bart Cummings, CIES, Robert Corrigan CIBA Pharmaceutical Company, 1963 A.W. Custer 1973-79 D, 1975, 1977-79 E-F, 1973-74, 1976-79 Helene Foellinger Esquire and Arnold Gingrich, 1974-77 G, 1973, 1975-79 H, 1973-74, 1977-79 J-K, 1973-79 W. Alec Jordan L, 1973, 1977-79 Max Larsen, Lawrence Lasher M, 1973-74, 1976-79 Ray Doherty (Milwaukee) William Marsteller Magazine Publishers Association & American Society of Magazine Editors, 1973-75 Marsteller, Rickard, Gebhardt & Reed, Inc., 1955-56 N-O, 1977-79 P, 1973-75, 1977-79 R, 1974-79 Newsweek, 1973-79 S, 1973-79 Wilbur Schramm T-U, 1973-79 Russell Thackrey, Time V-Z, 1973-79 Robert Yoakum (2 folders), 1966-77 humor columnist Correspondence (Chronological) 1947-57 Frank L. Mott, Fred Siebert, Wilbur Schramm, Magazine Publication, journalism enrollments at Illinois 1958-63 Agricultural Editors Association, magazines 1964-67 Gilbert Seldes, A. Joseph Russell 1968-69 Conferences, speakers, James W. Young, Magazine Publishers Association 1970 1971 deans, editors 1972 Helen Hostetter Box 2: Correspondence (Chronological) 1973, Jan.- June Marvin Kitman, Fred Siebert, Bart Cummings, George Will 1973, June-Dec. -
Scottie Fitzgerald: the Ts Ewardship of Literary Memory University Libraries--University of South Carolina)
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-2007 Scottie Fitzgerald: The tS ewardship of Literary Memory University Libraries--University of South Carolina) Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Scottie Fitzgerald: The tS ewardship of Literary Memory, October-December, 2007". http://scholarcommons.sc.edu/rbsc_pubs/17/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Scottie Fitzgerald The Stewardship of Literary Memory Scottie at 6 Pleasant Avenue. Montgomery, Alabama. ca. 1977. It was the Sayre residence when F. Scott Fitzgerald courted Zelda Sayre in 1917. Scottie considered purchasing this house and restoring jt . Scottie Fitzgerald: The Stewardship of Literary Memory An exhibition from the Matthew J. & Arlyn Bruccoli Collection ofF. Scott Fitzgerald Thomas Cooper Library, University of South Carolina October-December 2007 Catalogue by Matthew J. Bruccoli Curated by Jeffrey Makala Columbia, S.C. 2007 Catalogue produced by University Publications and designed by Kimberley Massey. CD produced by Edwin C. Breland. Copyright © 2007 by The University of South Carolina and the Matthew J. and Arlyn Bruccoli Collection of F. Scon Fitzgerald 2 Compiler's Note Frances Scott Fitzgerald was utterly unexpected. It would be meaningless to claim that "She was like nobody else." She was a great lady and the most generous friend I ever had. -
Modern American Grotesque
Modern American Grotesque Goodwin_Final4Print.indb 1 7/31/2009 11:14:21 AM Goodwin_Final4Print.indb 2 7/31/2009 11:14:26 AM Modern American Grotesque LITERATURE AND PHOTOGRAPHY James Goodwin THEOHI O S T A T EUNIVER S I T YPRE ss / C O L U MB us Goodwin_Final4Print.indb 3 7/31/2009 11:14:27 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Goodwin, James, 1945– Modern American grotesque : Literature and photography / James Goodwin. p. cm. Includes bibliographical references and index. ISBN-13 : 978-0-8142-1108-3 (cloth : alk. paper) ISBN-10 : 0-8142-1108-9 (cloth : alk. paper) ISBN-13 : 978-0-8142-9205-1 (cd-rom) 1. American fiction—20th century—Histroy and criticism. 2. Grotesque in lit- erature. 3. Grotesque in art. 4. Photography—United States—20th century. I. Title. PS374.G78G66 2009 813.009'1—dc22 2009004573 This book is available in the following editions: Cloth (ISBN 978-0-8142-1108-3) CD-ROM (ISBN 978-0-8142-9205-1) Cover design by Dan O’Dair Text design by Jennifer Shoffey Forsythe Typeset in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Goodwin_Final4Print.indb 4 7/31/2009 11:14:28 AM For my children Christopher and Kathleen, who already possess a fine sense of irony and for whom I wish in time stoic wisdom as well Goodwin_Final4Print.indb 5 7/31/2009 -
Ken Magazine, the Consumer Market, and the Spanish Civil
The Pennsylvania State University The Graduate School Department of English POLITICS, THE PRESS, AND PERSUASIVE AESTHETICS: SHAPING THE SPANISH CIVIL WAR IN AMERICAN PERIODICALS A Dissertation in English by Gregory S. Baptista © 2009 Gregory S. Baptista Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2009 ii The dissertation of Gregory S. Baptista was reviewed and approved* by the following: Mark S. Morrisson Associate Professor of English Graduate Director Dissertation Advisor Chair of Committee Robin Schulze Professor of English Department Head Sandra Spanier Professor of English and Women’s Studies James L.W. West III Edwin Erle Sparks Professor of English Philip Jenkins Edwin Erle Sparks Professor of the Humanities *Signatures are on file in the Graduate School iii ABSTRACT This dissertation explores the presentation of the Spanish Civil War in selected American periodicals. Understanding how war-related works functioned (aesthetically and rhetorically) requires a nuanced view of the circumstances of their production and an awareness of their immediate cultural context. I consider means of creation and publication to examine the complex ways in which the goals of truth-seeking and truth-shaping interacted—and were acted upon by the institutional dynamics of periodical production. By focusing on three specific periodicals that occupied different points along a line leading outward from the mainstream of American culture, I examine the ways in which certain pro- Loyalist writers and editors attempted to shape the truth of the Spanish war for American readers within the contexts and inherent restrictions of periodical publication. I argue that responses to the war in these publications are products of a range of cultural and institutional forces that go beyond the political affiliations or ideological stances of particular writers. -
The Inventory of the John Sack Collection #1121
The Inventory of the John Sack Collection #1121 Howard Gotlieb Archival Research Center BOSTON UNIVERSITY Sack, John #1121 2/19/76; 2/27/76; 3/12/76; 4/6/76; 9/24/80; 1/7/81; 6/29/83; 3/14/89 Preliminary Listing I. Professional Materials. A. Office Files; may include manuscripts; correspondence; printed materials; research materials; financial materials; legal materials; photographs; notebooks; manuscripts by others. Box 1 1. ”ADS Afloat,” n.d. [F. 1] 2. “Africa,” n.d. 3. “After Army,” n.d. 4. “After Mylai,” n.d. 5. “Afterwards: Medlo’s Foot,” n.d. 6. “Afterwards: Night,” n.d. 7. “Afterwards: Nurse,” n.d. 8. “Afterwards: Return,” n.d. 9. “Airplanes (Shoot Down),” 1964. 10. “Album,” 1963-1964. 11. “All are VC,” n.d. 12. “All are VC: Duties,” n.d. 13. “All are VC (Higher HQ),” n.d. 14. “All are VC: Kill Them,” n.d. 15. “All are VC: Kill them (Higher HQ),” n.d. [F. 2] 16. “All are VC: No,” n.d. 17. “America and Vietnam,” n.d. 18. “America and Vietnam: What to Do,” n.d. 19. “Ancient Scripts,” 1962. 20. “Animals,” n.d. 21. “Apartments in East Europe,” n.d. 22. “Army Philosophy,” n.d. 23. “Arrival in Vietnam,” n.d. 24. “Artillery,” n.d. 25. “Attitude on Arrival in Vietnam,” n.d. 26. “Auto Junkyards,” 1956-1965. 27. “Baby Count Stories,” n.d. [F. 3] 28. “Baldness Cure,” n.d. 29. “Big Ear,” 1964-1965. 30. “Biographs,” n.d. 31. “Bobby,” 1964. 32. “Book Count,” n.d. 33. “Bottles and Boats,” 1964. -
Diane Arbus: Documenting the Abnormal
Hollins University Hollins Digital Commons Art History Senior Papers Art Spring 2021 Diane Arbus: Documenting the Abnormal Lyla Cornman Follow this and additional works at: https://digitalcommons.hollins.edu/art_history_senior_papers Part of the Contemporary Art Commons Lyla Cornman Art History Senior Paper Diane Arbus: Documenting the Abnormal The late Diane Arbus once said, “Everybody has that thing where they need to look one way but they come out looking another way and that’s what people observe. You see someone on the street and essentially what you notice about them is the flaw…there’s a point between what you want people to know about you and what you can’t help people knowing about you.”1 Arbus was aware that no one is exempt from others’ gaze, including herself, a theme repeated throughout her work. In this essay, I will be examining the work of Diane Arbus that showed intimate snippets of the lives of those that would be labeled as “freaks”, “disabled”, “handicapped”, “grotesque”, and other terms that were often used to be degrading or dehumanizing. I will be specifically focusing on her photographs that depict subjects with visual bodily ‘abnormalities’ as well as disabled bodies. Diane Arbus, according to her critics, is one of the first key figures to have focused her work on people with such visual differences, living their daily life, through the evidential medium of photography. I argue that the criticisms Diane Arbus faced from art critics, institutions, and the public for her work were unfair. Those who criticized Arbus did so unjustly, for they compared the people Arbus photographed to a traditional standard of beauty found in art. -
Adman About Town New York
*+ ,-%. *'-, George Lois Profile Celebrated adman George Lois created some of the 20th century’s most iconic advertisements. The lifelong New Yorker produced cutting- edge campaigns that went on to define the golden age of advertising. Lois was also Adman about town controversial; many of his more than 90 Esquire covers New York critiqued the contentious issues of the 1960s, including civil rights, feminism and the Preface Vietnam War. Quick-witted adman George Lois shares his philosophy on Venue advertising, creative sustenance and the perfect last meal. The Four Seasons Opened in 1959, New York’s Writer only landmarked restaurant is Sahar Khan housed in the city’s sole Mies van der Rohe-designed build- Photographer ing. Award-winning and locally Dustin Aksland sourced American Nouveau 01 cuisine is crafted by executive “At lunch this place usually has five or chef Pecko Zantilaveevan. six billionaires. This room [Grill Room] is where the ‘power lunch’ happens. I Menu coined that phrase while working with Joe Baum. Restaurant Associates was a net- To eat: Risotto with white truffle work of restaurants that Jo opened in the shavings. late !"#$s and early !"%$s. He was lead- Sautéed Dover sole topped ing a personal crusade to elevate eating with parsley and key lime in America to a spectacular, theatrical sauce. experience. He hired me in !"%$ to do Chocolate velvet cake. the advertising for The Four Seasons but To drink: I immediately realised he was creating Chassagne Montrachet, restaurants so I became creative direc- Marquis de Laguiche, 2009. tor. I did that for The Four Seasons from !"%$ to &$$$. -
Book Reviews
135 Book reviews . Nancy L. Roberts, Book Review Editor ––––––––––––––––– Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi Reviewed by Jeff Sharlet 136 Exploring the Intersection of Literature and Journalism Literature and Journalism: Inspirations, Intersections, and Inventions from Ben Franklin to Stephen Colbert by Mark Canada Reviewed by Thomas B. Connery 140 What the Receptionist Knew about Joe Mitchell The Receptionist: An Education at The Neworker Y by Janet Groth Reviewed by Miles Maguire 143 How to: Learning the Craft You Can’t Make This tuffS Up: The Complete Guide to Writing Nonfiction from Memoir to Literary Journalism and Everything in Between By Lee Gutkind Reviewed by Nancy L. Roberts 146 The Fine Print: Uncovering the True Story of David Foster Wallace and the “Reality Boundary” Both Flesh and Not: Essays by David Foster Wallace Reviewed by Josh Roiland 147 Literary Journalism Studies Vol. 5, No. 2, Fall 2013 136 Literary Journalism Studies Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi. New York: W.W. Norton, 2012. Hardcover, 240 pp., $24.95. Reviewed by Jeff Sharlet, Dartmouth College, United States alfway through this subtle heartbreak of a book, HMuhammad Ashraf, the “free man” of the title, phones Aman Sethi—author and co-protagonist, at- tentive ego to Ashraf’s titanic id—to tell Sethi that Satish is sick. Who is Satish? The one who is sick, of course. Why must you ask so many questions, Aman bhai (brother). And just like that, Sethi’s profile of Ashraf changes direction for thirty pages, becoming an account of sick Satish, whom Ashraf expects Sethi to look after. -
The New Journalism: the Unexpected Triumph of the Long-Form Narrative
PROPOSAL FOR MEDILL SCHOOL OF JOURNALISM SERIES: VISIONS OF THE AMERICAN PRESS I. Title: TheNew Journalism:The Unexpected Triumph of theLong-Form Narrative II. Author (name and contact info) John Pauly SaintLouis University Depaftmentof Communication 3733W. Pine Xavier300 St.Louis, MO 63108 Offi ce phone: 3 14-971-3192 Fax:314-977 -3195 E-mail:pauly @ slu.edu Home: 7651Carswold Drive St.Louis, MO 63105 31.4-725-4327 III. GeneralDescription of the Work TheNew Journalismwas born in controversy.Tom Wolfe's first manifestoon its behalfwas written in retrospectin 1970,after almosta decadeof work by talentednonfiction writers suchas JoanDidion, Norman Mailer, Hunter Thompson,and Michael Herr. The original inspirationfor Wolfe's defensemay havebeen an insult by the writer Dwight MacDonald. ReviewingWolfe's 1965book The Kandy-KoloredTangerine-Flake Streamline Baby, "parajournalism"-an MacDonaldlabeled the new style unreliablebastard form, full of cheaptrickery, the product of a veritablewriting machine.A year later RenataAdler skeweredWolfe forhis savagelyirreverent satire of the New Yorker,which spokeof the "tiny mummies" who hauntedthe magazine'shallowed coridors. A decadelater, cloaking himself in the authority of the past,John Hersey would condemnany contemporaryjournalist who blurredthe line dividing fact and fiction. Hersey(who himself had usedcomposite charactersin his World War II reporling)declared that the legendon thejournalist's license "None simplyread, of this was madeup." Newspaperreporters and editors,for their paft, often complainedthat the New Journalism violatedlong-held principles. They expressedoutrage over its apparentindifference to the profession',.unon. of objectivity.Even worse, Wolfe-ever the lightningrod for such controversies-proposedto reversethe moral polaritiesof the craft. What newspaper journalistsrevered-the seriouswork of political reporting-Wolfe mocked as dull, self- lmportant,and out of touch with the times.What newspaperjournalists had neglectedand trivialized-the featurestory-Wolfe glorified as the highestform of reporling. -
SMILING THROUGH the APOCALYPSE - Esquire in the Sixties
SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties A Documentary by Tom Hayes 98 min / 2013 / English / Digital (DCP & BluRay) FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] Synopsis: SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties traces the life of legendary Esquire Magazine Editor Harold Hayes. Twenty-five years after his father's passing, Hayes’ son Tom takes the viewer on a journey to understand how his father’s magazine became a galvanizing force in American culture, and the voice of an era. The film is a compelling story of challenge, triumph, and defeat, painting an explicit portrait of an era through a man who cultivated an extraordinary group of writers, photographers and artists, providing a vivid context for nothing less than the rebirth of American aesthetics. Featuring interviews with, Tom Wolfe, Gay Talese, Robert Benton, Peter Bogdanovich, Nora Ephron, Gore Vidal, Hugh Hefner and more. Director’s Bio: Born and raised in New York City, Tom Hayes is the son of the legendary magazine editor Harold Hayes and Broadway actress Suzette Meredith. After graduating from Wake Forest University in 1979, he assisted Academy Award nominated director Peter Bogdanovich on the film “They All Laughed” starring Audrey Hepburn. This on-set training earned him entre as an Associate Producer at CBS Cable for three years. Hayes then moved into independent television and film production, working on numerous news magazine stories, documentaries, TV movies and commercials. SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties is his first feature film. -
A Sporting Way: a Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1974 A Sporting Way: A Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway Frances Luckett Musick College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Musick, Frances Luckett, "A Sporting Way: A Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway" (1974). Dissertations, Theses, and Masters Projects. Paper 1539624861. https://dx.doi.org/doi:10.21220/s2-tdtx-8c93 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A SPORTING WAY; A STUDY OF HUNTING AND FISHING IN SOME OF THE WRITING OF ERNEST HEMINGWAY A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Frances Musick 1974 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Approved, May 197** Scott Donaldson William P. Davis ^ Walter P* Wenska ii ABSTRACT The purpose of this paper is to trace the develop ment of hunting and fishing as themes over a thirty year period in some of the writing of Ernest Hemingway and to analyze his protagonists* attitudes in terms of the American Indian and British traditions of hunting and fishing* In the writing during the 1920s, the Hemingway protagonist engages in an Indian-like preparation for the fishing trip, displays respect for animals, accepts responsibility for his actions, yet shows a British concern for the method by which the fish are caught. -
Television and the Decline of Fiction in Magazines
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2009 From Page to Screen: Television and the Decline of Fiction in Magazines Mirel Ketchiff Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Journalism Studies Commons, and the Other Communication Commons Recommended Citation Ketchiff, Mirel, "From Page to Screen: Television and the Decline of Fiction in Magazines" (2009). Syracuse University Honors Program Capstone Projects. 486. https://surface.syr.edu/honors_capstone/486 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. From Page to Screen: Television and the Decline of Fiction in Magazines A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Mirel Ketchiff Candidate for B.S. Degree and Renée Crown University Honors May/2009 Honors Capstone Project in magazine journalism Capstone Project Advisor: __________________________ Professor William Glavin Honors Reader:__________________________________ Professor Harriet Brown Honors Director: __________________________________ Samuel Gorovitz Date: ___________________________________________ Abstract: My Capstone project explores how the rise of television contributed to the decline of fiction in magazines and the decline of general interest magazines in America. I argue that television appealed more to advertisers as a mass-market medium than general interest magazines. Magazines had to find a new way to appeal to advertisers, and they did so by becoming niche publications that could offer advertisers a specific type of audience, rather than just a huge amount of readers.