Peterson Vita, 1982 Personal Correspondence
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Scottie Fitzgerald: the Ts Ewardship of Literary Memory University Libraries--University of South Carolina)
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-2007 Scottie Fitzgerald: The tS ewardship of Literary Memory University Libraries--University of South Carolina) Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Scottie Fitzgerald: The tS ewardship of Literary Memory, October-December, 2007". http://scholarcommons.sc.edu/rbsc_pubs/17/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Scottie Fitzgerald The Stewardship of Literary Memory Scottie at 6 Pleasant Avenue. Montgomery, Alabama. ca. 1977. It was the Sayre residence when F. Scott Fitzgerald courted Zelda Sayre in 1917. Scottie considered purchasing this house and restoring jt . Scottie Fitzgerald: The Stewardship of Literary Memory An exhibition from the Matthew J. & Arlyn Bruccoli Collection ofF. Scott Fitzgerald Thomas Cooper Library, University of South Carolina October-December 2007 Catalogue by Matthew J. Bruccoli Curated by Jeffrey Makala Columbia, S.C. 2007 Catalogue produced by University Publications and designed by Kimberley Massey. CD produced by Edwin C. Breland. Copyright © 2007 by The University of South Carolina and the Matthew J. and Arlyn Bruccoli Collection of F. Scon Fitzgerald 2 Compiler's Note Frances Scott Fitzgerald was utterly unexpected. It would be meaningless to claim that "She was like nobody else." She was a great lady and the most generous friend I ever had. -
Ken Magazine, the Consumer Market, and the Spanish Civil
The Pennsylvania State University The Graduate School Department of English POLITICS, THE PRESS, AND PERSUASIVE AESTHETICS: SHAPING THE SPANISH CIVIL WAR IN AMERICAN PERIODICALS A Dissertation in English by Gregory S. Baptista © 2009 Gregory S. Baptista Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2009 ii The dissertation of Gregory S. Baptista was reviewed and approved* by the following: Mark S. Morrisson Associate Professor of English Graduate Director Dissertation Advisor Chair of Committee Robin Schulze Professor of English Department Head Sandra Spanier Professor of English and Women’s Studies James L.W. West III Edwin Erle Sparks Professor of English Philip Jenkins Edwin Erle Sparks Professor of the Humanities *Signatures are on file in the Graduate School iii ABSTRACT This dissertation explores the presentation of the Spanish Civil War in selected American periodicals. Understanding how war-related works functioned (aesthetically and rhetorically) requires a nuanced view of the circumstances of their production and an awareness of their immediate cultural context. I consider means of creation and publication to examine the complex ways in which the goals of truth-seeking and truth-shaping interacted—and were acted upon by the institutional dynamics of periodical production. By focusing on three specific periodicals that occupied different points along a line leading outward from the mainstream of American culture, I examine the ways in which certain pro- Loyalist writers and editors attempted to shape the truth of the Spanish war for American readers within the contexts and inherent restrictions of periodical publication. I argue that responses to the war in these publications are products of a range of cultural and institutional forces that go beyond the political affiliations or ideological stances of particular writers. -
Book Reviews
135 Book reviews . Nancy L. Roberts, Book Review Editor ––––––––––––––––– Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi Reviewed by Jeff Sharlet 136 Exploring the Intersection of Literature and Journalism Literature and Journalism: Inspirations, Intersections, and Inventions from Ben Franklin to Stephen Colbert by Mark Canada Reviewed by Thomas B. Connery 140 What the Receptionist Knew about Joe Mitchell The Receptionist: An Education at The Neworker Y by Janet Groth Reviewed by Miles Maguire 143 How to: Learning the Craft You Can’t Make This tuffS Up: The Complete Guide to Writing Nonfiction from Memoir to Literary Journalism and Everything in Between By Lee Gutkind Reviewed by Nancy L. Roberts 146 The Fine Print: Uncovering the True Story of David Foster Wallace and the “Reality Boundary” Both Flesh and Not: Essays by David Foster Wallace Reviewed by Josh Roiland 147 Literary Journalism Studies Vol. 5, No. 2, Fall 2013 136 Literary Journalism Studies Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi. New York: W.W. Norton, 2012. Hardcover, 240 pp., $24.95. Reviewed by Jeff Sharlet, Dartmouth College, United States alfway through this subtle heartbreak of a book, HMuhammad Ashraf, the “free man” of the title, phones Aman Sethi—author and co-protagonist, at- tentive ego to Ashraf’s titanic id—to tell Sethi that Satish is sick. Who is Satish? The one who is sick, of course. Why must you ask so many questions, Aman bhai (brother). And just like that, Sethi’s profile of Ashraf changes direction for thirty pages, becoming an account of sick Satish, whom Ashraf expects Sethi to look after. -
The New Journalism: the Unexpected Triumph of the Long-Form Narrative
PROPOSAL FOR MEDILL SCHOOL OF JOURNALISM SERIES: VISIONS OF THE AMERICAN PRESS I. Title: TheNew Journalism:The Unexpected Triumph of theLong-Form Narrative II. Author (name and contact info) John Pauly SaintLouis University Depaftmentof Communication 3733W. Pine Xavier300 St.Louis, MO 63108 Offi ce phone: 3 14-971-3192 Fax:314-977 -3195 E-mail:pauly @ slu.edu Home: 7651Carswold Drive St.Louis, MO 63105 31.4-725-4327 III. GeneralDescription of the Work TheNew Journalismwas born in controversy.Tom Wolfe's first manifestoon its behalfwas written in retrospectin 1970,after almosta decadeof work by talentednonfiction writers suchas JoanDidion, Norman Mailer, Hunter Thompson,and Michael Herr. The original inspirationfor Wolfe's defensemay havebeen an insult by the writer Dwight MacDonald. ReviewingWolfe's 1965book The Kandy-KoloredTangerine-Flake Streamline Baby, "parajournalism"-an MacDonaldlabeled the new style unreliablebastard form, full of cheaptrickery, the product of a veritablewriting machine.A year later RenataAdler skeweredWolfe forhis savagelyirreverent satire of the New Yorker,which spokeof the "tiny mummies" who hauntedthe magazine'shallowed coridors. A decadelater, cloaking himself in the authority of the past,John Hersey would condemnany contemporaryjournalist who blurredthe line dividing fact and fiction. Hersey(who himself had usedcomposite charactersin his World War II reporling)declared that the legendon thejournalist's license "None simplyread, of this was madeup." Newspaperreporters and editors,for their paft, often complainedthat the New Journalism violatedlong-held principles. They expressedoutrage over its apparentindifference to the profession',.unon. of objectivity.Even worse, Wolfe-ever the lightningrod for such controversies-proposedto reversethe moral polaritiesof the craft. What newspaper journalistsrevered-the seriouswork of political reporting-Wolfe mocked as dull, self- lmportant,and out of touch with the times.What newspaperjournalists had neglectedand trivialized-the featurestory-Wolfe glorified as the highestform of reporling. -
SMILING THROUGH the APOCALYPSE - Esquire in the Sixties
SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties A Documentary by Tom Hayes 98 min / 2013 / English / Digital (DCP & BluRay) FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] Synopsis: SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties traces the life of legendary Esquire Magazine Editor Harold Hayes. Twenty-five years after his father's passing, Hayes’ son Tom takes the viewer on a journey to understand how his father’s magazine became a galvanizing force in American culture, and the voice of an era. The film is a compelling story of challenge, triumph, and defeat, painting an explicit portrait of an era through a man who cultivated an extraordinary group of writers, photographers and artists, providing a vivid context for nothing less than the rebirth of American aesthetics. Featuring interviews with, Tom Wolfe, Gay Talese, Robert Benton, Peter Bogdanovich, Nora Ephron, Gore Vidal, Hugh Hefner and more. Director’s Bio: Born and raised in New York City, Tom Hayes is the son of the legendary magazine editor Harold Hayes and Broadway actress Suzette Meredith. After graduating from Wake Forest University in 1979, he assisted Academy Award nominated director Peter Bogdanovich on the film “They All Laughed” starring Audrey Hepburn. This on-set training earned him entre as an Associate Producer at CBS Cable for three years. Hayes then moved into independent television and film production, working on numerous news magazine stories, documentaries, TV movies and commercials. SMILING THROUGH THE APOCALYPSE - Esquire in the Sixties is his first feature film. -
1994-Vol20-No2web.Pdf
Books, Poetry, and An Esquire HIS IS AN EXCITING ISSUE we've studying and collecting older tackle. And as a note and apology, in the put together, rich, it seems, with In his poem "Why Should Not Old conversion of the final proofs of our Tpeople and books, fine writing Men Be Mad?" the great Irish poet W. B. Winter issue of The American Fly Fisher and poetry, old photographs and Yeats wrote, "Some have known a likely to the printed magazine, a naughty sketches. It will arrive during the heady lad1 That had a sound fly-fisher's wrist1 computer gremlin came in and mischie- rush to enjoy spring's divine gifts. Turn to a drunken journalist." Sounds vously swiped some type. The headline We are most pleased in this issue of as if he knew what he was talking about "Trustees" was dropped from the mast- The American Fly Fisher to introduce (the wrist, not the drunken journalist). head, and later on page 26 the name of our readers to member Warren Miller, Erudite member Gordon Wickstrom the object generously donated by trus- who is writing a biography of the color- chronicles for us Yeats's familiarity with tees Earl Worsham, Gardner Grant, and ful publishing and sporting figure our sport. The knowledge that Yeats fly Jim Taylor- a Billingshurst reel, 93.32.1 Arnold Gingrich. Gingrich, as most of fished will now inform my reading of -was inadvertently eliminated from the vou know., havvenedLA to be one of the his L,voetrv. list of 1993 donations to the collection. -
A Sporting Way: a Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1974 A Sporting Way: A Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway Frances Luckett Musick College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Musick, Frances Luckett, "A Sporting Way: A Study of Hunting and Fishing in Some of the Writing of Ernest Hemingway" (1974). Dissertations, Theses, and Masters Projects. Paper 1539624861. https://dx.doi.org/doi:10.21220/s2-tdtx-8c93 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. A SPORTING WAY; A STUDY OF HUNTING AND FISHING IN SOME OF THE WRITING OF ERNEST HEMINGWAY A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Frances Musick 1974 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Approved, May 197** Scott Donaldson William P. Davis ^ Walter P* Wenska ii ABSTRACT The purpose of this paper is to trace the develop ment of hunting and fishing as themes over a thirty year period in some of the writing of Ernest Hemingway and to analyze his protagonists* attitudes in terms of the American Indian and British traditions of hunting and fishing* In the writing during the 1920s, the Hemingway protagonist engages in an Indian-like preparation for the fishing trip, displays respect for animals, accepts responsibility for his actions, yet shows a British concern for the method by which the fish are caught. -
Television and the Decline of Fiction in Magazines
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2009 From Page to Screen: Television and the Decline of Fiction in Magazines Mirel Ketchiff Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Journalism Studies Commons, and the Other Communication Commons Recommended Citation Ketchiff, Mirel, "From Page to Screen: Television and the Decline of Fiction in Magazines" (2009). Syracuse University Honors Program Capstone Projects. 486. https://surface.syr.edu/honors_capstone/486 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. From Page to Screen: Television and the Decline of Fiction in Magazines A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Mirel Ketchiff Candidate for B.S. Degree and Renée Crown University Honors May/2009 Honors Capstone Project in magazine journalism Capstone Project Advisor: __________________________ Professor William Glavin Honors Reader:__________________________________ Professor Harriet Brown Honors Director: __________________________________ Samuel Gorovitz Date: ___________________________________________ Abstract: My Capstone project explores how the rise of television contributed to the decline of fiction in magazines and the decline of general interest magazines in America. I argue that television appealed more to advertisers as a mass-market medium than general interest magazines. Magazines had to find a new way to appeal to advertisers, and they did so by becoming niche publications that could offer advertisers a specific type of audience, rather than just a huge amount of readers. -
Negotiating the “Lavender Whiff”: Gay and Straight Masculinities in Men's
Negotiating the “Lavender Whiff”: Gay and Straight Masculinities in Men’s Lifestyle Magazines, 1990-2010 by James Draper, Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Anne C. Herrmann Assistant Professor Aswin Punathambekar © James Draper, Jr. 2012 In loving memory Tommy Draper 1980-2010 ii Acknowledgements Throughout the past few years it became a running joke among some of my friends how much Speed, a 1994 movie about a bus that will blow up if it dips below 50 miles per hour, marked my dissertation process. Since I cannot write in silence but am easily distracted when working in public spaces, I frequently wrote at home while that DVD played—looped two, even three times in a row—and have now seen it literally hundreds of times. Its three-act structure functioned perfectly as background noise, so familiar that I did not bother to pay close attention but fast paced enough that it seemed to help keep me alert and motivated. Perhaps unsurprisingly, then, I often felt like Sandra Bullock’s character when sitting at my desk, trying to move the dissertation forward as quickly as possible even as my productivity occasionally seemed on the verge of slowing to the point of explosive failure. So I owe an enormous debt of gratitude to the many people who—as the collective Keanu Reeves figure in this Speed-themed anecdote—helped me succeed with their advice, guidance, encouragement, and friendship. -
Playboy Magazine Collection an Inventory
1 Playboy Magazine Collection An Inventory Creator: Hefner, Hugh (1926-2017) Title: Playboy Magazine Collection Dates: 1955-2018, bulk 1955-1979. Abstract: This collection consists of issues of Playboy and OUI magazines ranging from December 1955-June 2018. Playboy is unique among other erotic magazines of its time for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. The bulk of the collection dates from the 1960s-1970s and includes articles and interviews related to political debates such as the Cold War, Communism, Vietnam, the Civil Rights Movement, second-wave feminism, LGBTQ rights, and the depiction and consumption of the body. Researchers studying American Culture in the 1960s/70s, Gender & Sexuality, History of Advertising, and History of Photography will find this material of particular interest. Extent: 16 boxes, 6.6 linear feet Language: English Repository: Drew University Library, Madison NJ Biographical and History Note: Hugh Hefner, (April 9, 1926 – September 27, 2017), the founder and editor-in-chief of Playboy magazine, was known as a free speech activist, philanthropist, and proponent of sexual freedom. He founded Playboy magazine in 1953 with $1,000 seed money provided by his mother, Grace Hefner, a devout Methodist. The magazine quickly became known for its subversive visual, literary, and political content. Playboy is unique among other erotic magazines of the same time period for its role as a purveyor of culture through political commentary, literature, and interviews with prominent activists, politicians, authors, and artists. As a lifestyle magazine, Playboy curated and commodified the image of the modern bachelor of leisure. -
ESQUIRE and the PROBLEM of the MALE CONSUMER. Stefan K
ABSTRACT Title of Document: THE LINEAMENTS OF PERSONALITY: ESQUIRE AND THE PROBLEM OF THE MALE CONSUMER. Stefan K. Cieply, Doctor of Philosophy, 2006 Directed By: Professor James B. Gilbert, History The male consumer has proven problematic for historians of consumer culture and gender. By approaching consumption as the expression or by-product of gender identity, historians and other commentators on gender fail to account for consumer culture as an important site where difference is itself constituted through the goods we purchase, the items we desire and the worlds we imagine. To this end, the male consumer becomes problematic when prevailing historiographic models construct him solely as a rational, goal-oriented purchaser of goods or as an amoral libertine who rejects responsibility for fleeting pleasures. Both approaches are untenable since they rely upon a problematic rhetoric of gender essentialism. What I argue for instead is an approach that places consumption within the unsettled discursive practice of gender. In this sense, the problem of the male consumer speaks in part to a larger issue in historiography, namely how we historicize pleasure and desire. My work on Esquire in the period from 1945-1965 attempts to address this gap by examining the role of cultural intermediaries in developing a discourse on socially legitimate forms of consumption. Against the background of the misogynistic “Masculinity Crisis” rhetoric, the postwar mass culture debates and a nascent counterculture, Esquire transformed itself from a crude men’s magazine to one of America’s premier periodicals. Between 1956 and 1963, Esquire published work by such distinguished figures as Richard Rovere, Arthur Schlesinger, Jr., Norman Mailer, Saul Bellow, Dwight Macdonald, Paul Goodman, Diana Trilling, Terry Southern, and Nat Hentoff. -
Paul Hendrickson, Hemingway's Boat
BOOK REVIEWS Paul Hendrickson, Hemingway’s Boat: Everything He Loved in Life and Lost, 1934-1961. New York: Knopf, 2011. 544 pp.1 FOR BOTH HIS mastery of elliptical English prose and his flamboyant persona, Ernest Hemingway may well be the most influential American author of the 20th century. “I almost wouldn’t trust a young novelist — I won’t speak for the women here, but for a male novelist — who doesn’t imitate Hemingway in his youth,” declared the 84-year-old Norman Mailer in the Paris Review. Mailer’s great friend William Kennedy gives us one such imitator in his latest novel, Changó’s Beads and Two-Tone Shoes. After reading The Sun Also Rises, Daniel Quinn quits his job as a reporter for the Miami Herald and, intent on following Hemingway’s trajectory from journalism to fiction, heads for Cuba. In Havana’s Floridita bar, he is befriended by Papa himself, a brawling boozer at war with the world and his own prodigious talents. Challenged to a duel, Kennedy’s Hemingway responds portentously: “Tell him if I wanted to die I wouldn’t let him do it, I’d do it myself.” And when Quinn tracks Fidel down for an interview in the wooded Oriente mountains, El Comandante embellishes the Yankee writer’s legend. “I like the way he writes, how he has conversations with himself,” the Cuban guerrilla says about Hemingway. “His novel on the Spanish civil war can teach you about battle.” The outsized life of Hemingway — furloughed from World War I for an enigmatic wound; expatriate in literary Paris; author of In Our Time, The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and much else, boxer, bullfight aficionado, big-game hunter, deep-sea fisherman, marriage recidivist, Nobel laureate, suicide — provides one of the most enduring narratives of American literary history.