Choral Research : A Global Bibliography
Geisler, Ursula
2010
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Citation for published version (APA): Geisler, U. (2010). Choral Research : A Global Bibliography. Körcentrum Syd. http://www.korcentrumsyd.se/wp- content/uploads/Geisler-2010_Choral-Research_A-Global-Bibliography.pdf
Total number of authors: 1
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LUND UNIVERSITY
PO Box 117 221 00 Lund +46 46-222 00 00
Körforskning. En bibliografi Choral Research. A Global Bibliography
Lund/Malmö, Körcentrum Syd, 2010
Dr. Ursula Geisler
© Ursula Geisler 2 Choral Research. A Global Bibliography
KOMMENTAR
INLEDNING
Detta är en körforskningsbibliografi. Den har sammanställts på uppdrag av Körcentrum Syd i syfte att kartlägga körforskningen i Sverige och globalt. Eftersom ett mål med Körcentrum Syds verksamhet är att stärka körlivet och körforskningen regionalt och utveckla den nationellt, har ett behov av att kartlägga körforskningen och dess status quo formulerats. Detta bland annat på grund av att körsjungandet står starkt i Sverige, medan körforskningen är nästintill osynlig eller tycks gömma sig bakom andra forskningstematiska inriktningar (musikpedagogiska, vokalmusikaliska, (musik)sociologiska, akustiska etcetera).
En inventering ska kunna bidra till att uppmärksamma körforskningens brister och styrkor i Sverige och hjälpa till att positionera den i den globala diskursen om främst körhistoriska, körpedagogiska och körmusikaliska perspektiv. Därför är bibliografins kommentar också tänkt som en handledning i körforskningsfrågor för den som studerar eller forskar inom området. Bibliografidelen förtecknar cirka 5 000 titlar, varav största delen utgörs av artiklar och bidrag i vetenskapliga publikationer, minneskrifter samt monografier och avhandlingar från åren 1960-2010, men även äldre forskningslitteratur har förtecknats i den mån den anses ha relevans för dagens körforskning.
MUSIKPEDAGOGISK VERSUS MUSIKHISTORISK KÖRFORSKNING?
Bibliografin är inte tänkt att i sig vara en forskningspublikation på körforskningens område eftersom man ännu knappast kan tala om ett sådant. Det befinner sig ännu i sin linda både som akademiskt ämne och institutionellt.
I vilken utsträckning hittills framlagda körforskningsresultat har fått genomslag i det praktiska körsjungandet är svårt att bedöma. I Sverige tycks sångkörer och dess ledare generellt sett endast i mindre utsträckning ha tillvaratagit och nyttiggjort körforskningsrelaterade resultat.
Detta är en av de slutsatser man kan dra av Karin Johanssons, Musikhögskolan i Malmö, intervjustudie med ledande kördirigenter i Sverige. Intervjustudien fokuserar på ”körverksamhet som musikalisk och social interaktion” och behandlar framförallt musikaliska, pedagogiska och sociala frågor samt interaktionen i kören.
Här föreliggande bibliografi och intervjustudien är tänkta att komplettera varandra i inventeringen och kartläggningen av körforskningens status och behov i Sverige och internationellt, såväl ur vetenskapliga som praktiska perspektiv.
Att såväl humanistisk som pedagogisk forskning har ett intresse för körväsendet hänger inte minst ihop med ett antagande, som bland andra Ragnhild Sandberg Jurström har formulerat: ”Den sociala och kulturella gemenskap som finns i en kör har en specifik karaktär som inte är lik någon annan verksamhet”.1 Denna ”specifika karaktär” utgörs
1 Sandberg Jurström, Ragnhild (2004). ”Körforskning!” In: Informationsbladet Körledaren (2), 6.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 3 Choral Research. A Global Bibliography inte minst av ett samspel av musikaliska och sociala topoi i en kommunikativ situation. Samtidigt har människans röst och sång under lång tid laddats med egenskaper som inte anses finnas i instrumentalmusiken. Detta sammantaget med en föreställning om behovet av mänsklig gemenskap och vokalmusikaliska ritualer, har lagt grunden till körers och körsångens speciella status av att kombinera ”det estetiska” och ”det sociala”.
Att det i stor utsträckning världen över finns forskning om olika körfenomen med inriktning på pedagogiska, historiska, etnologiska, kulturella, psykologiska, akustiska, sociologiska, diskurs- och musikanalytiska, strukturella, organisatoriska, topografiska, uppförandepraktiska, genus- och tonsättarrelaterade och hälso- och klangrelaterade aspekter går inte att förneka. Men dessa forskningsperspektiv har inte i nämnvärd grad syntetiserats eller ens sammanställts på ett samlat bibliografiskt sätt. Den mest omfattande sammanställningen hittills är Avery T. Sharps och James Michael Floyds annoterade bibliografi Choral music: a research and information guide (2002), som fokuserar på körmusikforskning mellan 1960 och 2000 och förtecknar drygt 500 olika resurser.
Avsikten med denna bibliografi är därför inte minst att synliggöra den körrelaterade forskning som ej sällan utförts inom andra ämnesområden än de musikaliska och därför blivit förbisedda av körforskare och körledare med flera, och därmed hamnat utanför körforskningens diskurser.
Ett annat syfte är att ge en orientering om och i körforskningens mångfald över tid och rum samt att belysa problematiken kring den ofta framhållna skiljelinjen mellan musikpedagogiska och musikvetenskapliga körforskningsansatser. En grov förenkling hade varit att beskriva musikpedagogisk körforskning som körpraktiskt och musikvetenskaplig körforskning som körhistoriskt inriktad.
Även om det finns många exempel på en sådan uppdelning, pekar nyare forskning på att disciplingränserna håller på att förskjutas mot en mindre skarp dikotomisering. Tvärtemot tycks denna dikotomisering inte vara objektimmanent utan ett resultat av institutionernas och ämnenas olika metoder – som t.ex. intervjustudier och deltagande observation versus tolkning av historiska källor – och teorier som har fått genomslag i körforskningsfrågorna och -resultaten. Därför finns det skäl att undersöka om det är så, som Kia Hedell skriver, att ”den musikvetenskapliga körforskningen […] är ofta, med vissa undantag, deskriptiv snarare än problematiserande och reflekterande”.2
För att göra körforskningsbibliografin användbar, lättillgänglig och sökbar har pdf- formatet valts. Den saknar ett register vilket kompenseras av pdf-formatets sökfunktion. Den är långt ifrån fullständig, men öppnar i sin nuvarande form upp för möjligheten till fortlöpande komplettering beroende på behov och resurser.
Bibliografin får användas fritt i vetenskapliga sammanhang och studiesyften. Referens ska alltid anges, till exempel enligt följande:
Geisler, Ursula (2010). Körforskning. En bibliografi. Lund/Malmö: Körcentrum Syd.
2 Hedell, Kia (2007). ”Svenska körer sjunger svenskt?” Presentation av och reflektioner kring en kartläggning av svensk musik i fyra körers repertoar. Uppsala universitets körcentrum. Institutionen för musikvetenskap, 4.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 4 Choral Research. A Global Bibliography
KÖRFORSKNING: NÅGRA PERSPEKTIV
Vad innebär fältet ”körforskning” som här står i fokus?
Människors gemensamma sjungande i olika stämmor eller unisont kan dokumenteras långt tillbaka i tiden i både sakrala och sekulära sammanhang världen över. Föreställningar om och definitioner av vad ”kör” är har förändrats över tid och rum.
I upplysningstidens tillbakablick på och konstruktion av antiken på 1700-talet definierade Johann Georg Sulzer (1720-1779) i lexikonet Allgemeine Theorie der schönen Künste ”kör” huvudsakligen som en beteckning för tre olika men med varandra förknippade fenomen: 1) en grupp sjungande människor, 2) musiken som gruppen framförde, 3) platsen där gruppen framförde musiken.3
Dagens körbegrepp och föreställningarna om vad det innebär har fortfarande denna inriktning, och indelningen speglas fortfarande i dagens körforskning. Därför står (1) och (2) i fokus för bibliografin. Forskning om koret i kyrkan (3), det vill säga platsen där kyrkokören höll till, har däremot inte beaktats.4
I sammanställningen av bibliografin har det varit viktigare att belysa forskningen rörande olika gruppsångfenomen än att avgränsa fältet enligt en specifik kördefinition. Därför har ett mycket öppet och inkluderande körbegrepp valts som utgångspunkt. Det omfattar till exempel genrer som kantat, motett och madrigal, även om till exempel Armstrong i sin dissertation från 1968 uppmärksammade att madrigaler från tiden före 1800 oftast inte betecknades som körmusik av forskningen. Den rekonstruerade samtida sångpraktiken ger med dagens ögon ändå skäl till att klassificera madrigalsjungandet som en del av körväsendet.5 Ett långtidsperspektiv på det globala körlivet tjänar mer på att öppna upp körbegreppet semantiskt mot ”en i organiserad form sjungande grupp” än att begränsa det till ”en sångensemble med fyra stämmor där minst tre personer sjunger i samma stämma”, vilket ungefär kunde utgöra definitionen av en SATB-kör i en variant större än en dubbelkvartett.
Sulzers ovan nämnda indelning är användbar med hänsyn till definitionsfrågor eftersom den öppnar upp för en kördefinition som går utöver den icke-ackompanjerade, flerstämmiga, blandade körsången, som historiskt sett är en ganska ung företeelse.
3 Sulzer, Johann Georg (2002). Allgemeine Theorie der schönen Künste. Lexikon der Künste und der Ästhetik (1771/1774). Berlin: Directmedia Publ., 792: “Von den singenden Chören der Alten haben wir noch itzt die Benennungen, da wir durch das Wort Chor einen Trup Sänger, oder den von ihm abgesungenen Gesang, oder auch den Ort in den Kirchen, wo er stehet, bezeichnen.“ Se även Sulzers lexikon i fulltext:
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 5 Choral Research. A Global Bibliography
Karen Ahlquists kördefinition i inledningen till Chorus and Community (2006) pekar på att dagens kör-uppfattning kännetecknas av flera avgränsande markörer utan att vara entydigt definierat. Körkonstituerande element kan enligt henne till exempel vara
– ett mer eller mindre fast medlemskap – en åtskillnad mellan repetition och framförande – ett oftast specifikt repertoarval – en bekräftad respektive accepterad körledare – en sammanslutning av icke-professionella.6 Denna kördefinition beskriver ”kör” utifrån dess struktur, vilket kan anses vara ett traditionellt sätt att definiera samhälls- och musikformationer. Det som inte omfattas av en sådan definition är körers sociala, kommunikativa och rituella funktion. Även lyssnarperspektivet saknas i denna definition, och den är därför endast en möjlig utgångspunkt för körforskningens metodiska tillvägagångssätt.
KÖRFORSKNING I SVERIGE
Forskning om kör och körsång som fenomen har funnits i Sverige i varierande omfattning. Särskilt från och med mitten på 1980-talet uppmärksammades körsången och körlivet från flera håll, oftast av enskilda forskare med specialisering inom en specifik ämnesinriktning. Det är i stor utsträckning till den blandade körsången det refereras när svenska körfrågor och ”The Swedish choral miracle” behandlas. Enligt Lennart Reimers är det senare nära förknippat med en specifik körklang, och han har påpekat att ”detta ‟mirakel‟ inte var en plötslig händelse efter Andra Världskriget utan en sammansmältning av varierande historiska, kulturella och nationella traditioner som går tillbaka långt i tiden, framförallt till perioden mellan slutet på 1700- och början på 1900-talet”.7
I viss utsträckning har de av Reimers antydda ”historiska, kulturella och nationella traditioner” behandlats i svensk forskning. Från en icke-svensk forskningshorisont är ”miraklet” däremot fortfarande nära förknippat med körmusikens (a cappella-) utveckling och enskilda körledares inflytande efter Andra Världskriget.8 Kördirigenten Eric Ericson och komponister som Sven-Erik Bäck och Ingvar Lidholm anses i körmusikaliska studier representera en generation som hjälpte till att etablera och utveckla en specifik ”svensk körklang”.
Sedan år 2000 finns ett Körcentrum vid Uppsala universitet, som bland annat ”stimulerar, initierar och samordnar forskning om körsång”. Körsång beskrivs på
6 Ahlquist, Karen (ed.) (2006). Chorus and community. Urbana: University of Illinois Press, 3. Min översättning. 7 Reimers, Lennart (1993). A cappella: The story behind the Swedish "choral miracle". In: Reimers, Lennart; Wallner, Bo; Ericson, Eric; Leighton, David; Tanner, Roger (eds.). Choral music perspectives. Dedicated to Eric Ericson. Stockholm: Royal Swedish Academy of Music, 141: ”this ‚miracle„ was not a sudden event following the Second World War but a crystallization of various historical, cultural and national traditions which go back a long way in time, primarily to the period between the end of the 18th century and the beginning of the 20th.“ Min översättning. 8 Sparks, Richard (1998). The Swedish choral miracle: Swedish a capella music since 1945. Pittsboro: Blue Fire Productions.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 6 Choral Research. A Global Bibliography
Uppsala Körcentrums hemsida som ”en organiserad kulturverksamhet” vilket i sin tur leder till att en målsättning är att initiera ”forskning både om körsång som vokalt uttryck, om körkomponerande och om människorna i körerna i såväl ett historiskt som ett samtida perspektiv”.9
En utgångspunkt för här föreliggande bibliografis systematik har varit aspekter som: Vilka frågor ställer forskningen, och i vilket syfte? Vad skall åstadkommas med forskningen och hur ska det verkställas? Är forskningen konkret och resultatorienterad eller humanistisk och kulturvetenskaplig i allmän bemärkelse?
Dessa frågor är förknippade med forskningens metodiska och teoretiska utgångspunkter och tillvägagångssätt. Kravet på ”mätbarhet” kan till exempel anses vara en sådan metodisk-teoretisk utgångspunkt som, särskilt i USA, har fått genomslag i olika körforskningsinriktningar, inte bara körakustiken.10
KÖRAKUSTIK
En i Sverige numera etablerad forskningsriktning studerar körakustiska och -fysiologiska frågor, som förknippas med forskning om körklangen.11 Inom denna inriktning används främst naturvetenskapliga metoder och mätbara fenomen, till exempel av klangen. Ternström uttrycker det på följande sätt: ”Several aspects of sound can be measured objectively, and such results can be related to known properties of voices, rooms, ears, and musical scores“.12
Körforskning som använder sig av naturvetenskapliga metoder står delvis i kontrast till kulturvetenskaplig och historiskt inriktad körforskning.13 Medan den förra oftast fokuserar på frågor om körklangens uppkomst, sammansättning, karaktär, föränderlighet och variationsmöjligheter i det musikaliska ögonblicket, är den senare oftast mer koncentrerad på att kontextualisera körsång historiskt och på att beskriva körlivets uppkomst, förändring och roll i samhällen.
9
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 7 Choral Research. A Global Bibliography
KÖRHISTORIA
Körsångens förankring i både det sakrala och i det sekulära speglas både i musikhistoriska forskningsteman och i körmusikforskningen. Undersökningar om sång i kyrkan och i församlingen har bidragit med kunskap om körsångens och det gemensamma sjungandets funktion och inriktning. Hans Bernskiölds avhandling ”Sjung av hjärtat sjung“14 om församlingssång fokuserar på väckelse och samhället och Margareta Jersilds och Ingrid Åkessons Folklig koralsång lyfter bland annat fram sjungandets olika utformning och funktion, vilket till exempel ledde till att ”[f]örsamlingen som utövare kunde […] fungera både som en enhet och som en grupp med olika individuella deltagare”.15 I Karin Strinnholm Lagergrens avhandling om liturgisk sång i katolska kloster 2005-2007 framhävs det monastiska sångidealets specifika karaktär, i det att det ”eftersträvar en röst som är uppriktig och ärlig, en röst, som kommer från kroppen och det egna jaget”.16 En sådan sånguppfattning delas i sin tur med andra moderna körrörelser, där så kallade ”Alla-kan-sjunga-körer” uppmanar var och en till att delta i sång utifrån en uppfattning om att alla kan sjunga och delta i gemenskapen, oavsett de musikaliska förutsättningarna. Skillnaden mellan profana körers sångsätt och det monastiska sångsättet förklarar Strinnholm Lagergren bland annat med att det senare ”bärs […] upp av en rad föreskrifter som uppmuntrar små tunna röster med ideal om ödmjukhet och ‟lagomröster‟ som inte överröstar varandra”.17
Det profana körlivet i Sverige har sedan 1800-talet till stor del präglats av folkrörelserna och student- och manskörerna. När Inger Selander 1985 skrev att ”[d]e tre stora folkrörelserna, väckelse- och frikyrkorörelsen, nykterhetsrörelsen och arbetarrörelsen, är sjungande folkrörelser”18 menade hon med detta inte minst folkrörelsernas unisona och flerstämmiga körverksamhet i agitationssyfte mellan 1850- och 1920-talet. Studentsången stod i fokus för Leif Jonssons avhandling Ljusets Riddarvakt19 som syftade dels till att kartlägga studentsången i Sverige på 1800-talet, dels till att beskriva den utifrån dåtida politiska, sociala och kulturella faktorer. När Folke Bohlin i samband med körsångens i Sverige 200-årsfirande 2010 påpekade att ”all manskörsång under 1800-talet återgår på Uppsalasången och Uppsalasången återgår egentligen på en händelse den 24 oktober 1808”20 bekräftas att dagens sekulära och offentligt ritualiserade körsång och körliv i Sverige är en ganska ung företeelse som endast har några få århundraden på nacken. I det avseendet har den utvecklats parallellt med körlivet i andra europeiska länder.
Jonssons avhandling ingick i ett större forskningsprojekt (finansierat av Nordiska samarbetsnämnden för humanistisk forskning, NOS-H) med fokus på att kartlägga och
14 Bernskiöld, Hans (1986). “Sjung av hjärtat sjung“: Församlingssång och musikliv i Svenska Missionsförbundet fram till 1950-talet. Diss. Göteborg: Göteborgs Universitet. 15 Jersild, Margareta (2000). Folklig koralsång: en musiketnologisk undersökning av bakgrunden, bruket och musiken. Hedemora: Gidlund. I samarbete med Svenskt visarkiv (Skrifter utgivna av Svenskt visarkiv), 55. 16 Strinnholm Lagergren, Karin (2009). Ordet blev sång. Liturgisk sång i katolska kloster 2005-2007. Diss. Göteborgs Universitet, 321. 17 Ibid., 322. 18 Selander, Inger (1985). “Den unisona sången inom folkrörelserna i Sverige 1850-1920.” In: Gustavsson, Anders (ed.) Religiösa väckelserörelser i Norden under 1800- och 1900-talen: aktuell forskning presenterad vid ett symposium. Lund: Centrum för religionsetnologisk forskning (Skrifter utgivna av Etnologiska sällskapet i Lund), 191. 19 Jonsson, Leif (1990). Ljusets riddarvakt: 1800-talets studentsang utövad som offentlig samhällskonst. Diss. Uppsala universitet. 20
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 8 Choral Research. A Global Bibliography studera studentsångsrörelserna i Norden, förutom i Sverige, Norge21, Danmark22 och Finland23. Även en av de nyaste utkomna musikhistoriskt inriktade böckerna om körsång i Sverige behandlar frågor om studentsång och manskör.24
Studentsångrörelsen från 1800-talet har på flera sätt präglat dagens stereotyper om körsång i offentligheten. I Sverige används fortfarande ibland studentmössan som ett rituellt verktyg i körsammanhang. Det körvisuella har samtidigt formats och omförhandlats, inte minst genom mediernas inflytande. Bilden av den uniformerade, närmast stillastående körsångaren som tittar stelt i en riktning – mot körledaren/dirigenten – har kompletterats eller ersatts av scenarier där körer använder sig av koreografiska inslag, dans, gungning, individuellt klädval och annat som traditionellt inte förknippas med den nyss nämnda uniforma helhetsbilden. Den musikaliska körrepertoaren har utvecklats och förändrats och delvis anpassats till samtida behov. Samtidigt bevarar de stora sakrala och sekulära körverken från 1700- och 1800-talen25 och en del ”manskörsklassiker” fortfarande sina platser på dagens repertoarlista, inte minst i samband med offentliga ritualer som högtider och jubileer.
Liksom det kan vara lämpligt att dikotomisera ”det sakrala” och ”det sekulära” i syfte att närma sig körväsendets roll i samhällen kan det vara meningsfullt att skilja på ett tonsättar- och ett lyssnarperspektiv. Inte endast körmusiken befinner sig i detta spänningsförhållande mellan produktion och reception.
I sin bibliografiska kartläggning av amatörkulturen i Norden i anslutning till ett UNESCO-symposium om samma ämne 2002 förtecknade Eyolf Østrem i allt 51 av 122 titlar under olika körrubriker.26 Detta antyder att körsång anses vara en utbredd och integrerad del av befolkningens fritidssysselsättning. Det står i kontrast till mängden djupgående forskningsstudier kring körväsendet i stort. Amatörkulturen, alltså den icke- professionella kulturen, beskrev Østrem utifrån en jämförelse med det professionella och med rådande konstbegrepp. Perspektiv på amatörkulturen kunde enligt honom bland annat visa på uppfattningar om ”kvalitet, kunskaps- och utbildningsnivå, förhållande till personlig utveckling, och samhällsnytta”27, områden som utöver det vokalmusikaliska spelar roll för körmusikens och körers position inte bara i Sverige.
Körsång i Sverige har endast i marginell utsträckning studerats med fokus på internationella och transnationella förutsättningar och samband.28 Intresset för den
21 Kydland Lysdahl, Anne Jorunn (1995). Sangen har lysning. Studentersang i Norge på 1800-tallet. Oslo: Solum- Forlag (Studentersangen i Norden, 2). 22 Ørbæk Jensen, Anne (1996). Hellige Flamme. Studentersang i Danmark i 1800-tallet. København: Engstrøm Sødring (Studentersang i Norden, 3). 23 Kvist Dahlstedt, Barbro (2001). Suomis sång: kollektiva identiteter i den finländska studentsången 1819-1917. Diss. Göteborgs universitet: Institutionen för musikvetenskap (Skrifter från Institutionen för musikvetenskap, 65). 24 Larsén, Carlhåkan (ed.) (2009). Sångare! En bok om svensk manskörssång och Svenska Sångarförbundet. Stockholm: Gehrmans musikförlag. 25 Till exempel mässor, passioner, requiemer och körverken av Johann Sebastian Bach, Ludvig van Beethoven, Johannes Brahms, Joseph Haydn, Georg Friedrich Händel, Wolfgang Amadeus Mozart och andra. 26 Østrem, Eyolf (2003). Kartläggning av nordisk amatörkulturforskning. Stockholm: Svenska unescorådet (Svenska unescorådets skriftserie, 2002:1). 27 Ibid., 8. 28 Reimers, Lennart; Wallner, Bo; Ericson, Eric, et al. (eds.) (1993). Choral music perspectives. Dedicated to Eric Ericson. Stockholm: Royal Swedish Academy of Music; Bohlin, Folke (1993). ”Internationell körforskning: En studiegrupp under bildande.” In: Nordisk musikkforskerkongress, Oslo 24.-27. juni 1992, 440–442;
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 9 Choral Research. A Global Bibliography svenska körklangen och kulturella konstruktioner av sångföreställningar i Sverige har delvis fått nedslag i internationell forskning.29
Åtskillig forskning om körsång och kör som fenomen i Sverige i ett transnationellt perspektiv återstår. Det finns förvånansvärt lite historiskt inriktad grundforskning utifrån befintligt arkiv- och biblioteksmaterial om körlivet i Sverige från 1900-talets början fram till idag. Det faktum att Sveriges anseende som ”körnation” konstrueras främst under 1900-talets andra hälft hade kunnat ge upphov till djupgående studier om kör som fenomen och till en vetenskaplig debatt om den moderna människan och hennes uppenbara behov av gemenskapsfrämjande och -bekräftande sångritualer. Enstaka bidrag till diskursen om ”den svenska körklangen” efter 1945 har gjorts.30 Jämförande transnationella långtidsstudier, där Sverige ingår som ett case study, lyser med sin frånvaro även om den europeiska kulturen sedan antiken på olika plan starkt har präglats av offentliga sångritualer.
KÖRFORSKNING KONTINENTALT OCH GLOBALT
Mångfalden av körforskningsperspektiv globalt gör det nära nog omöjligt att ge en sammanfattande beskrivning av körforskningens huvuddrag. Därför berörs i det följande några aspekter, utan att detta ska anses vara en fullständig beskrivning av körforskningens nuläge världen över. Detta påpekande gäller också själva bibliografidelen, där de förtecknade omkring 5 500 titlarna inte är en fullständig förteckning över körforskningslitteraturen åren 1960-2010, utan endast speglar vissa specifika delområden av den globala forskningen om körfenomen.
Körforskningsbibliografin har inte minst begränsningar av språklig karaktär. Mycket litteratur på olika språk fattas på grund av författarens språkliga begränsningar och det är därför när det gäller flera länder ovisst om och hur mycket relevant forskning som över huvudtaget har utförts på körområdet. Av samma skäl får tyskspråkiga publikationer mycket utrymme i bibliografin, vilket möjligtvis kan uppfattas som ett ensidigt perspektiv med hänsyn till körforskningen i Europa. Samtidigt har det varierade tyska vetenskapslandskapet avsatt sina spår också på körforskningsområdet och bidragit till att det finns diverse vetenskapliga publikationer med inriktning på körsociologiska, körhistoriska, köretnologiska, körpedagogiska, körakustiska och körmusikaliska teman, som är värda att uppmärksammas.
Varken studentsångsrörelsen eller manskörstraditionen är genuint svenska fenomen. Särskilt i Tyskland har forskningen kunnat påvisa ett nära samband mellan
Gustafsson, Jonas (2000). Så ska det låta. Studier av det musikpedagogiska fältets framväxt i Sverige 1900-1965. Diss. Uppsala: Uppsala universitet (Acta Universitatis Upsaliensis, 91); Geisler, Ursula (2008). Voicing Communities. Northern European and Continental Choirs in Comparison. ”Den 15. nordiske musikkforskerkongress 2008”. Oslo. 29 Sparks 1998; Seeman, Rebecca (1998). The Swedish women's choir: An overwiev of its history and repertoire. Santz Cruz: Univ. of California; Geisler, Ursula (2001). Gesang und nationale Gemeinschaft. Zur kulturellen Konstruktion von schwedischem ”folksång" und deutscher "Nationalhymne". Diss. Baden-Baden: Nomos (Die kulturelle Konstruktion von Gemeinschaften im Modernisierungsprozeß, 3). 30 Reimers, Lennart (1993). Finns det ett svenskt kör-sound?” In: Larsen, Holger (ed.) Svenskhet i musiken. Stockholm: Stockholms universitet, 121–136; Hedell, Kia (2009). ”Klang i kör. Uppfattningar om körsång och klang i efterkrigstidens Sverige.” In: STM-Online (12).
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 10 Choral Research. A Global Bibliography nationaliseringsprocesser sedan början av 1800-talet och offentliga sångritualer.31 Att humanistisk forskning oftast utförs enligt ”nationella” diskurser är dock inte ett fenomen som är specifikt för körforskning, utan ett allmänt resultat av institutionernas och diskursernas uppkomst och utveckling.
Detta försvårar dock att likheter och skillnader i till exempel europeiska körtraditioner blir belysta och satta i ett större sammanhang. Icke desto mindre formulerades följande frågor vid ett internationellt symposium om körforskningsfrågor i Lund 2009:
”• Is choir still a representation of society? What does choir represent in today‟s society? • Is there a European choir sound? • Is choir music a representation of or a metaphor for European culture? Should choir music be seen as an example of the crisis of European culture in a postcolonial and postmodern world? • How does choir or choral music express national traditions and the conflicts inherent in a culture through individuals? • Why do we need to have choir(s)?”32
Trots att transnationella körforskningsämnen hör till det sällsynta har senare års litteratur i kölvattnet av både the linguistic och the cultural turn bidragit med studier kring körväsendets olika aspekter utifrån nya perspektiv på bland annat föreningslivet och, inte minst, på sambandet mellan musikaliska, emotionella, gemenskapsstiftande och sociala fenomen i förändring över tid och rum.
Kulturantropologin har upptäckt frågor om föreningslivet som markör på moderna samhällens sammanhållande kitt. Sångfester och körrörelser av olika slag och karaktär har i detta sammanhang beaktats, undersökts och placerats inom en större historisk kontext. Enligt Eva-Maria Auch är körsång ett kraftfullt verktyg i studiet av samhälleliga förändringsprocesser och hon liknar föreningslivet och körsjungandet vid ett förstoringsglas.33
Också antologier som Chorus and Community34 och Chorgesang als Medium von Interkulturalität35 uppvisar en metodpluralism med hänsyn till körforskningsteman.
31 Brusniak, Friedhelm (1995). “Männerchorwesen und Konfession von 1800 bis in den Vormärz.” In: Brusniak, Friedhelm; Klenke, Dietmar (eds.) “Heil deutschem Wort und Sang!“ Nationalidentität und Gesangskultur in der deutschen Geschichte - Tagungsbericht Feuchtwangen 1994. Augsburg: Wißner (Feuchtwanger Beiträge zur Musikforschung), 123–140; Klenke, Dietmar (1998). Der singende “deutsche Mann“: Gesangvereine und deutsches Nationalbewußtsein von Napoleon bis Hitler. Münster: Waxmann; Konrad, Ulrich (ed.) (1998). Musikpflege und "Musikwissenschaft" in Würzburg um 1800. Symposiumsbericht Würzburg 1997. Tutzing: Schneider. 32 Geisler, Ursula; Johansson, Karin (eds.) (2010). Choir in Focus 2010. Göteborg: Bo Ejeby, 152. 33 Auch, Eva-Maria (2007). “Chorgesang im historischen Kontext von kulturellen Topographien, von Schichten der Identitätsstiftung und Entwicklungsproblemen der Zivilgesellschaft – Die Sicht der Osteuropäischen Geschichte.” In: Fischer, Erich; Kürsten, Annelie (eds.). Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse. Stuttgart: Steiner (Berichte des interkulturellen Forschungsprojekts ”Deutsche Musikkultur im östlichen Europa”, 3), 370. 34 Ahlquist, Karen (ed.) (2006). Chorus and community. Urbana: University of Illinois Press. 35 Fischer, Erich; Kürsten, Annelie (eds.) (2007). Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse. Stuttgart: Steiner (Berichte des interkulturellen Forschungsprojekts ”Deutsche Musikkultur im östlichen Europa”, 3).
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KÖRPRAKTIK
Även framförandeaspekten är ett bra exempel på hur olika forskningstraditioner med skilda metoder kan möts i gemensamma perspektiv. När Anton Bierl problematiserar den senare forskningens reception av kören i det antika dramat, är det framförallt framförandeaspekternas styvmoderliga behandling han kritiserar.36 Enligt honom är ”kören det centrala elementet i det antika dramat som Gesamtkunstwerk”37 och han fortsätter med att påpeka bristerna i traditionell textforskning, som inte tar hänsyn till kören som en ritualiserad praktik med dess visuella, rytmiska och icke-verbala element.38
Just dessa visuella och icke-verbala element i körpraktiken står i centrum för viss nyare körpedagogisk forskning, där kör ses som ett semantiskt fält och där det kommunikativa förhållandet mellan körledare och körsångare studeras.39 Ett exempel på detta framförande- och identitetsperspektiv är Liz Garnetts Choral conducting and the construction of meaning. Gesture, voice, identity (2009) där hon menar att ”the gestural languages of choral conducting, and their choirs‟ associated body languages and styles of vocal production, are integral to the way that musicians understand both the music they perform and […] their own identities as performing musicians”.40
VÄSTERLÄNDSKA SÅNGTRADITIONER
Körsång i dagens mening är nära förknippad med västerländska sångtraditioner och - ritualer, samt överhuvudtaget med samhällsutvecklingen sedan upplysningstiden och föreningslivets uppkomst. En viktig aspekt i detta sammanhang är idén om nationens bildningsuppdrag – i motsats eller som komplement till det kyrkliga. Inte bara Voltaires (1694-1778) och Jean-Jacques Rousseaus (1712-1778) filosofiska och pedagogiska idéer och de La Chalotais (1701-1785) Essai d'éducation nationale ou plan d'études pour la jeunesse (1763) hade ett stort inflytande på den musikpedagogiska utvecklingen i Frankrike och hela Europa. Musik- och sångundervisningen blev efter Johann Heinrich Pestalozzis (1746-1827) och Hans Georg Nägelis (1773-1836) koncept en integrerad del av folkbildningen från och med början på 1800-talet. Filosofer och uppfostrare som till exempel den tyske Johann Gottlieb Fichte (1762-1814) uppmanade till användning av Pestalozzis konkreta folkbildningsidéer med deras teoretiska utgångspunkt i människans inneboende krafter. Musiken och speciellt sången ansågs i detta sammanhang vara ett uppfostrande och bildande medel, som kunde hjälpa till att utveckla människan och hennes konstsinne och självgestaltningsförmågor och på så sätt påverka samhället i positiv riktning. Pestalozzis ”körsångskola” (Chorgesangschule) från 1829 var andra delen i hans ”sångbildningslära” (1810) (Gesangsbildungslehre) som präglade folkbildningens
36 Bierl, Anton (2001). Der Chor in der alten Komödie. Ritual und Performativität unter besonderer Berücksichtigung von Aristophanes' "Thesmophoriazusen" und der Phalloslieder fr. 851 PMG. München: Saur (Beiträge zur Altertumskunde, 126), 13. 37 Ibid., 11. Min översättning. 38 Ibid., 13, 17, 21f. 39 Sandberg Jurström, Ragnhild (2009). Att ge form åt musikaliska gestaltningar. En socialsemiotisk studie av körledares multimodala kommunikation i kör. Diss. Göteborg: Högskolan för scen och musik, Göteborgs universitet. 40 Garnett, Liz (2009). Choral conducting and the construction of meaning. Gesture, voice, identity. Farnham: Ashgate, 2.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 12 Choral Research. A Global Bibliography sångundervisning under flera decennier i 1800-talets Europa.41
I Sverige pekar antalet föreskrivna lärotimmar i ämnet ”Musik och Sång” i ”Kongl. Maj:ts nådiga Reglemente för Folkskolelärare-Seminarierna i Riket“ åren 1862 och reviderad 1865 i samma riktning med en ökning från 3 till 4 obligatoriska timmar per vecka, vilket till och med överträffade ”Geometri och Räknekonst“ och ”Historia och Geografi“. Innehållsligt lades särskilt vikt på ”[ö]fningar till winnande af färdighet och renhet i tonträffning; koralsång, såwäl en- som flerstämmig; figuralsång, förnämligast af stycken på kyrkomusikens område och af fosterländskt innehåll“.42 Det musik- och sångpedagogiska fältets framväxt i Sverige är nära förknippat med kontinentala processer.43 Det som kan anses vara europeiska likheter med avseende på sångundervisningen och körväsendet sedan upplysningen har samtidigt gett upphov till skillnader. Till exempel har de europeiska ländernas mycket olika politiska förhållanden lett till att offentlig gemensam sång, inte minst körsång, har laddats med mycket olika värderingar över tid.
Den tyska manskörsrörelsen fram till 1871 kan inte separeras från nationaliseringssträvanden, på samma sätt som Theodor W. Adornos (1903-1969) kritik från 1950-talet mot ungdomsmusikrörelsens ”Musikantentum” och sång som självändamål44 inte kan separeras från nationalsocialisternas tolkning och funktionalisering av ”sång”, ”folkmusik” och ”gemenskap” på 1930- och 1940-talen.
Sångens intåg i det offentliga rummet på 1800-talet kan i stor utsträckning tolkas som politisk och symbolisk representation. Körsång har sedan dess utöver det vokalestetiska laddats med framförallt sociala förväntningar. Den ansågs bland annat strukturellt kunna representera samhället i det lilla. Diskussionen om arbetarsången och den blandade körsången på 1920- och 1930-talen anslöt exempelvis tydligt till en diskurs om att förbättra samhället och göra det mera rättvist. Kvinnorösternas uteslutning från körsång (i till exempel manskör) tolkades i detta sammanhang som förlegat och odemokratiskt.
Denna demokrati- och deltagandetanke fick också betydelse för tolkningen av internationella föregångare till kontinentala sångaspekter på 1900-talet, som till exempel community singing i USA. När Peter Dykema 1916 skrev, att ”[t]he community music movement […] is giving the opportunity to every man and woman for free and frequent participation in music, especially in choral singing with great groups of singing”45 så uttrycktes i detta flera aspekter som än i dag i större eller mindre utsträckning förknippas med körsång som fritidssysselsättning:
• tillgång för alla
• gratis tillträde
• regelbunden verksamhet
41 Gruhn, Wilfried (2003). Geschichte der Musikerziehung. Eine Kultur- und Sozialgeschichte der Aufklärungspädagogik zu ästhetisch-kultureller Bildung. 2 ed. Hofheim: Wolke, 53ff. 42 Hall, B. Rud. (1934). Årsböcker i svensk undervisningshistoria 41. Pedagogiska källskrifter XII. Seminarierna. Lund: Aktiebolaget Skånska Centraltryckeriet, 74–84, 99–115. 43 Gustafsson 2000, 158ff. 44 Adorno, Theodor W. (1956). Dissonanzen: Musik in der verwalteten Welt. Göttingen, 75. 45 Dykema, Peter W. (1916). ”The Spread of the Community Music Idea.” In: Annals of the American Academy of Political and Social Science (67), 222f.
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Samtidigt pekar Dykemas uttalande om ”stora sånggrupper” på fenomenet massjungandet, som har präglat det politiskt ritualiserade körlivet i många länder. När omkring 140 000 tyska körsångare möttes i Wien ”Schubert-året” 1928 skulle med detta ges ett tydligt nationalpolitiskt förebud om den senare österrikiska ”Anschluss” till det tyska riket.46 Körsång med mer än 10 000 sångare framfördes i den stora festhallen och Europa protesterade mot denna musikaliska symbolisering av pangermanskt tankegods.
I samband med de baltiska ländernas demonstrationer för statlig oavhängighet på det sena 1980-talet präglades uttrycket den ”sjungande revolutionen”. Även här användes gemensam sång som politiskt medel, om än med helt andra förtecken än på 1930-talet.
Sådana mer långsiktiga körhistoriska perspektiv har i olika stor utsträckning studerats i olika länder.47 Dessa studier har i sin tur inte jämförts från ett transnationellt perspektiv, även om just körsång med sin förankring i det sakrala och det sekulära, samt i det transcendentala och det sociala är väl lämpad att ställa frågor om kulturella processer under en längre period. Detta gäller med hänsyn till musikaliska, politiska, rituella och samhällsvetenskapliga aspekter och inte minst med fokus på pedagogiken och framföranden.
Andra exempel är körpedagogiska lärometoder som Tonika-Sol-Fa-metodens spridning i Europa48 eller sambandet mellan kör- och sångrörelsernas utveckling och olika föreställningar om andningens och sångens positiva hälsoeffekter. De musik- och sångpedagogiska debatterna efter 1918 präglades av nyckelbegrepp som musikalisk ”odling”, ”fostran” och ”bildning”. Parallellt till ungdomsmusikrörelsen ledde dessa på 1920-talet - inte minst i Tyskland - till en reform av skolans musik- och sångundervisning med utgångspunkt i Leo Kestenbergs (1882-1962) musikpedagogiska ansatser.
Enskilda aktörer som kantor Alfred Stier (1880-1967) i Dresden framhöll i samband med detta sångens förmåga att värna människan mot negativa samhällstendenser.49 Här spåras dagens idéer om sångens välgörande effekter inåt och utåt vilket pekar på att även denna föreställning om körsångens bildnings- och hälsoeffekter inte är en ny företeelse utan har historiska rötter långt tillbaka.
KÖRLEDNING
Att körforskning och musikforskning i allmänhet kan behövas för att gynna det praktiska musiklivet och körsjungandet beror enligt Hans Michael Beuerle, som syftar tillbaka på Alfred Lorenzers språkforskning, på ett speciellt språk-musik-förhållande, där språket
46 Holzer, Andreas (1995). Dokumente des Musiklebens. Katalog und Regestenheft zur Ausstellung "Österreich-Ideologie in der Musik". Aus dem Archiv des Instituts für Musikgeschichte, 18. 47 Till exempel Pritz, A. (1977). Ukrainian cultural traditions in Canada: Theatre, choral music and dance, 1891- 1967. M.A. University of Ottawa; Morosan, Walter Vladimir (1984). Choral Performance in Pre-revolutionary Russia. D.M.A. Urbana-Champaign: University of Illinois; Engelson, Robert Allen (1994). A history of adult community choirs in Charlotte, North Carolina: 1865-1918. D.M.A. Arizona State University; Gruhn 2003; Tripold, D. (2006). The development and role of choirs in the worship and culture of the Dutch Reformed Church in America, 1785-1860. Ph.D. New Jersey: Drew University. 48 Glover, Sarah Ann (1838). Guide to Sol-fa-ing; containing German Canons, also Psalm Tunes, according with all the measures employed by Brady & Tate. Norwich: Jarrold and Sons. 49 Stier, Alfred (1927). “Sinn der musikalischen Erneuerung.” In: Vötterle, Karl (ed.) Bärenreiter Jahrbuch 1927 Dritte Folge. Augsburg: Bärenreiter, 17–23.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 14 Choral Research. A Global Bibliography kan bidra till ett medvetandegörande av musikens estetiska realitet.50 En del av körforskningen rör sådana frågor om text-musik-förhållandet och det vokalestetiska. De är delvis av körpraktisk karaktär och studeras till exempel i samband med körers användning av internationell repertoar.
En kvantitativt mycket större andel av den globala körforskningen rör körledningsfrågor och den musikaliska och icke-verbala kommunikationen mellan körledare och körsångare. Här studeras bland annat körledningens utveckling och filosofi51 och körledarens möjligheter att utveckla och förbättra körsången. Denna forskning rör sig ibland mellan det deskriptiva och det normativa och utmynnar inte sällan i konkreta anvisningar och handledningar för körledare. Trots detta har en stor del av denna forskning tagits upp under rubriken ”Körpedagogik Körledning” inte minst i syfte att visa på körforskningens bredd och vita fält.
BIBLIOGRAFIN: UPPBYGGNAD, METODER, KATALOGER OCH DATABASER
UPPBYGGNAD För att ringa in vilka ämnen och teman forskningen om olika körfenomen behandlar används i denna bibliografi en induktiv urvalsmetod i systematiseringen av forskningslitteraturen. Med detta menas att sökresultaten till viss del har genererat kategorierna och inte omvänt. En fördel med detta är att vissa förment självklara kategoriseringar har kunnat ifrågasättas och att körforskningsbibliografin därmed inte principiellt utesluter vissa titlar utifrån i förväg fastlagda kategorier.
Dewey-decimal-klassifikationen, som allt mer används i den svenska biblioteksvärlden, hade inneburit merarbete, dock utan ett specifikt mervärde för den tänkta läsekretsen. Den nu valda bibliografistrukturen utgår ifrån de fem tematiskt kategoriserade huvudrubrikerna
1 Kör allmänt 2 Körhistoria och körsociologi 3 Körpedagogik 4 Körmusik 5 Kör och drama, litteratur och film, som i sin tur delas upp i underkategorier.
Generellt gäller att den litteratur som förtecknas under en huvudrubrik behandlar själva kategoritemat respektive -inriktning på ett mer allmänt eller övergripande plan än litteraturen i de specificerade underkategorierna.
50 Beuerle, Hans Michael (1987). Johannes Brahms: Untersuchungen zu den A-cappella-Kompositionen: ein Beitrag zur Geschichte der Chormusik. Hamburg: Wagner, 43. 51 Hart, Steven Robert (1996). Evolution of thought and recurrent ideas in choral conducting books and secondary music education texts published from 1939 to 1995. Ph.D. Boulder: University of Colorado; Durrant, Colin (2003). Choral conducting. Philosophy and practice. New York: Routledge; Gibala-Maharidge, Muriel (2005). The evolution of the choral conducting profession in the twentieth-century: Conducting methods as written testimonies. D.M.A. Santa Barbara: University of California.
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Under rubriken ”Kör allmänt” samlas tematiskt övergripande körforskningslitteratur och allmänna körforskningsresurser som tidskrifter.
Avdelningen ”Kör och drama, litteratur och film” förtecknar forskningslitteratur, där kör relateras till andra medier. Att underrubrikerna ”Antiken” och ”Kör och opera” jämfört med ”Kör och film/litteratur/teater” samlar de flesta forskningstitlarna är ett tecken på dessa två områdens starkare institutionella förankring.
Forskningslitteraturen under rubrikerna ”Körhistoria och körsociologi”, ”Körpedagogik” och ”Körmusik” utgör kvantitativt huvuddelen av bibliografin med över 1 000 titlar vardera.
Att subsumera den största delen av forskningslitteraturen under dessa tre rubriker känns meningsfullt, eftersom dessa är de globalt sett mest representerade forskningsperspektiven.
KÖRHISTORIA OCH -SOCIOLOGI
”Körhistoria och -sociologi” omfattar sådan forskning som på ett eller annat sätt har ett historiskt och sociologiskt perspektiv på körväsendets förändring.
Denna bibliografidel är samtidigt den som mest entydigt är organiserad efter ett nationsperspektiv, eftersom det oftast är en fråga om att studera och analysera ”nationella” körförhållanden. Det kan handla om ett specifikt land52, en region53, en grupp54, en organisation55 eller en tid56. Här finns också samhällsvetenskaplig litteratur som på ett mer allmänt plan sysslar med körsociologiska fenomen57.
Underrubriker till ”Körsociologi” är ” Körpsykologi, -perception, -kognition och -reception” samt ”Kör och genus”.
Även om minnes- och festskrifter som skildrar till exempel enskilda körer, sångföreningar och körorganisationer inte omedelbart kan sägas tillhöra forskningslitteraturen, utgör de dock i många fall ett viktigt källmaterial, som försvarar deras plats i en bibliografi som denna.
52 Alarcón Díaz, Víctor (1995). “Situación actual de los coros en Chile.“ In: Carrasco, Eduardo; Rodríguez, Mili (eds.). Situación de la música clásica en Chile. Santiago de Chile: Universidad de Chile; Goluboff, Sascha Leigh (1999). Jewish multi-ethnicities in post-Soviet Russia: An eventful ethnography of the Moscow Choral Synagogue. Ph.D. Urbana-Champaign: University of Illinois; Olwage, Grant (2002). ”Scriptions of the Choral: The Historiography of Black South African Choralism.” In: South African Journal of Musicology (22), 29–45. 53 Cardoso, José Maria Pedrosa (1986). “Papel social de um coro amador da área de Lisboa.“ In: Boletim da Associação Portuguesa de Educação Musical (48), 47; Liang, Maochun (2001). “Guotongqu de „minzhu geyong yundong„.” In: Liang, Maochun (ed.) Bai nian yin yue zhi sheng. Beijing: Zhongguo jing ji chu ban she (Bai nian Zhongguo), 249–252. 54 Bartel, Lee (1986). ”The tradition of the Amish in music.” In: The hymn: A journal of congregational song (37:4), 20; Klymasz, Robert B. (1993). ”Tracking the „living book„: Doukhobor song in Canada since 1899.” In: Canadian folk music journal (21), 40. 55 Bernskiöld, Hans (1986). “Sjung av hjärtat sjung“: Församlingssång och musikliv i Svenska Missionsförbundet fram till 1950-talet. Diss. Göteborg: Göteborgs Universitet. 56 Lespinard, Bernadette (2000). “Le chant choral dans les années trente: Art d‟élite, art populaire ou „Dis- moi ce que tu chantes.” In: Pistone, Danièle (ed.). Musiques et musiciens à Paris dans les années trente. Paris: Champion (Musique - musicologie, 30/31), 205–222. 57 Ahlquist 2006.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 16 Choral Research. A Global Bibliography
• Körhistoria och -sociologi
– Nationer – Körer, sångföreningar och körorganisationer – Körsociologi – Körpsykologi, -perception, -kognition och -reception – Kör och genus
KÖRPEDAGOGIK
Körforskning som studerar, analyserar och ställer frågor av pedagogisk, körteknisk eller akustisk karaktär har samlats under rubriken ”Körpedagogik”. Kategorin tar upp forskningslitteratur som i vid bemärkelse rör allmänna eller specifika pedagogiska körfrågor och fenomen kring ”att lära ut” och ”att lära in” körsång och förutsättningarna för det. Rubriken ska inte förstås som att den enbart representerar litteratur inom det svenska utbildningsämnet körpedagogik. Det innebär att det exempelvis finns underrubriker som ”Körledning”, ”Körteknik och -akustik”, ”Körpraxis” och ”Kör och hälsa”.
• Körpedagogik – Körledning – Enskilda körledare och pedagoger – Körsjungande – Körteknik och -akustik – Fysiologi – Rösten – Tonbildning och intonation – Andning- – Körakustik och körklang – Körrepetition – Notläsning – Körrepertoar – Kör och text – Interpretation – Tonic Sol-fa – Körpraxis – Uppförandepraxis – Kör och skola – Barnkör – Kör och hälsa
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 17 Choral Research. A Global Bibliography
KÖRMUSIK Körforskningen har i stor utsträckning tagit sig an frågor om körmusikproduktion, vilket tydligt kan ses i bibliografins kategori ”Körmusik”. Där samlas litteratur som fokuserar på körmusiken utifrån ett genre-, tonsättar- eller nationsperspektiv. Den utgår oftast från körverkens egna musikaliska och innehållsliga dynamik och sätter tonsättaren och musikens struktur i centrum. I undersökningarna fokuseras främst på kompositionstekniska detaljer och på körmusikens förändring inom ett genretänkande. Dikotomin vokalmusik – instrumentalmusik upprätthålls och tas som utgångspunkt för argumentationen och det musikvetenskapliga ställningstagandet.58 Även litteratur om sångböcker och körmanuskript har förtecknats under rubriken. • Körmusik – Bibliografier och kataloger – Körkomposition och köranalys – Kör- och körmusikgenrer – Blandad kör – Damkör – Manskör och studentsång – Talkör – A cappella – Gospel – Jazz – Kantat – Madrigal – Spiritual – Kyrko- och församlingssång, liturgi – Tonsättare – Nationer – Sångböcker, manuskript
METODER Bibliografin grundas huvudsakligen på en systematisk sökning efter begreppen ”kör*”, ”chor*”, ”kor*”, ”choir*”, ”chœur*“ och ”cor*” i nedanstående kataloger och databaser. En del av katalogen och databaserna är inte fritt tillgängliga, utan förutsätter en registrering eller tillgång via en bibliotekskatalog, som till exempel via universitetsbiblioteken, vilka också hjälper till med litteratursökningar. Härutöver har tips och litteraturförslag influtit från kolleger, inte minst inom det internationella körforskningsnätverket ”Choir in Focus”, och som på ett värdefullt sätt har berikat bibliografin. Referenshanteringsprogrammet Citavi59 har använts för att samla, spara och sortera den bibliografiska informationen.
58 Poos, Heinrich (ed.) (1989). Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik. Mainz: Schott. 59
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 18 Choral Research. A Global Bibliography
KATALOGER OCH DATABASER
BMSonline: www.musikbibliographie.de BMSonline är en fritt användbar internationell och interaktiv musikvetenskaplig bibliografi. Den utges av Statliga institutet för musikforskning i Berlin som fortsättning på den tryckta bibliografi som gavs ut fram till 1988. I nuläget förtecknar BMS över 270 000 skrifter sedan 1950. ViFaMusik: www.vifamusik.de/ Det virtuella ämnesbiblioteket Musik är en virtuell ingång till musikalisk och musikvetenskaplig information.
DVM: www.dvm.nu Det Virtuelle Musikbibliotek tillhör och administreras av Danmarks elektroniske forskningsbibliotek.
JSTOR: www.jstor.org JSTOR erbjuder texter från fler än 1 000 olika vetenskapliga tidskrifter i deras ursprungliga form.
KB: www.kb.dk Det Kongelige Bibliotek i Danmark KVK: www.ubka.uni-karlsruhe.de/kvk.html Karlsruher Virtueller Katalog är en meta-katalog som kan leta upp över 500 miljoner böcker och tidskrifter i biblioteks- och bokhandelskataloger världen över. Den har ingen egen databas, men fungerar som en guide till sökbara kataloger. LIBRIS: libris.kb.se LIBRIS är en nationell söktjänst med information om titlar på svenska universitets-, högskole- och forskningsbibliotek samt ett tjugotal folkbibliotek. Här finns böcker, tidskrifter, artiklar, kartor, affischer, noter, elektroniskt publicerat material m.m. LIBRIS är de svenska forskningsbibliotekens gemensamma katalog och uppdateras dagligen. För närvarande finns 6,5 miljoner titlar i databasen.60 SMHB: libris.kb.se/form_extended.jsp?f=smhb (se också
60 Information från LIBRIS hemsida 61 Information från LIBRIS hemsida
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 19 Choral Research. A Global Bibliography
MLA: www.mla.org/bibliography Modern Language Associations internationella bibliografi bidrar med en detaljerad indexering av artiklar, böcker och dissertationer. Den elektroniska bibliografin förtecknar titlar tillbaka till 1920-talet och innehåller fler än två miljoner citeringar från över 4 400 tidskrifter och 1 000 förlag.
PQDT: www.proquest.com/en-US/catalogs/databases/detail/pqdt.shtml ProQuests Dissertations & Theses (tidigare Digital Dissertations) innehåller information om doktorsavhandlingar från mer än 1000 universitet. Alla stora amerikanska universitet liksom de flesta europeiska (1988-) finns representerade. Från och med 1980 innehåller de bibliografiska posterna abstracts skrivna av författaren. Fulltext finns tillgänglig från 1997 och kan beställas online mot avgift i microform, papper eller elektroniskt format. De första 24 sidorna är fritt tillgängliga.62 RILM: www.rilm.org Répertoire International de Littérature Musicale är en omfattande och fortlöpande aktualiserad orientering om musikpublikationer världen över. RILM inkluderar över 600 000 poster och över 33 000 nya poster tillkommer varje år. Alla dokumenttyper noteras: artiklar, böcker, bibliografier, kataloger, dissertationer, festskrifter, ikonografier, kritiska kommentarer, etnografiska inspelningar, konferensbidrag, elektroniska medier, recensioner m.m. SwePub: www.swepub.se SwePub innehåller referenser till de forskningspublikationer som finns registrerade i för närvarande ett trettiotal svenska lärosätens publiceringsdatabaser. Endast publicerade arbeten tas med och samma publikation kan förekomma i olika versioner till exempel både som konferensbidrag och som tidskriftsartikel. För att underlätta forskning och berika LIBRIS söktjänst kommer SwePub:s innehåll på sikt integreras i LIBRIS söktjänst.63
WorldCat: www.worldcat.org WorldCat är världens största söknätverk för biblioteksinnehåll, som böcker, tidsskrifter, CD:s och videos.64
62 Information från LibHub:s hemsida 63 Information från SwePub:s hemsida. 64 Informstion från WorldCat:s hemsida.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 20 Choral Research. A Global Bibliography
COMMENTARY
INTRODUCTION
This is a choral research bibliography. It has been compiled on commission from Körcentrum Syd with the aim of mapping choral research in Sweden and globally. Since one of the goals of Körcentrum Syd's activity is to strengthen choral vitality and choral research in the region as well as to develop these on a national level, a need to map choral research and its status quo has been formulated. This is partly because choral singing is an activity that is full of life in Sweden, whereas choral research is more or less invisible or seems to hide behind other research thematic orientations (music pedagogical, vocal musical, (music) sociological, acoustical etc.).
An inventory would help to draw attention to the weaknesses and strengths of choral research in Sweden and to position it in the global discourse of, above all, choral historical, choral pedagogical and choral musical perspectives. Therefore the commentary to the bibliography is also intended to function as a guide to questions regarding choral research for those who are studying or doing research in the field. The bibliography section lists approximately 5,500 titles, of which the greatest part is comprised of articles and contributions in scientific journals, memorial publications as well as monographs and theses from the years 1960-2010; but also older research literature has been listed to the extent that it has been deemed relevant for the choral research of today.
MUSIC PEDAGOGICAL VERSUS MUSIC HISTORICAL CHORAL RESEARCH?
The bibliography as such is not intended to be a research publication in the field of choral research since one cannot, as yet, really speak of such a field of research. It is still in its infancy both as an academic subject and institutionally.
It is difficult to assess to what extent hitherto expounded results of choral research have had an impact on practical choral singing. It would seem that choruses and their leaders in Sweden have only taken advantage, and made use, of choral research results to a very small extent.
This is one of the conclusions that can be drawn from Karin Johansson's, Musikhögskolan i Malmö (Malmö Academy of Music), interview study with leading choirmasters in Sweden. The interview study is focused on ”choral activity as musical and social interaction” and primarily takes up musical, pedagogical and social issues as well as interaction within the chorus.
The present bibliography and the interview study are intended to complement each other in the drawing up of an inventory and in mapping the status and needs of choral research in Sweden and internationally, both from a scientific and from a practical perspective.
The idea that the choral domain is of interest for research within both the humanities and educational science is particularly expressed in a supposition formulated by, among others, Ragnhild Sandberg Jurström: ”The social and cultural fellowship that is to be
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 21 Choral Research. A Global Bibliography found in a choir is of a specific character that is unlike that of any other activity.”65 This ”specific character” consists, not least, of an interplay of musical and social topoi in a communicative situation. At the same time, human voice and song have, for a long time, been suffused with characteristics that are not assumed to exist within instrumental music. This situation, taken together with an idea of the need for human fellowship and vocal musical rituals, has laid the foundation for the special status of choruses and choral singers when it comes to combining ”the aesthetic” and ”the social”.
The fact that there is an extensive amount of research all around the world about various choral phenomena based on pedagogical, historical, ethnological, cultural, psychological, acoustical, sociological, discourse and music analytical, performance practical, genus and composer related as well as health and sound related aspects, cannot be denied. However, these research perspectives have not, to any appreciable extent, been synthesised or even compiled in a collected bibliographical way. The most comprehensive compilation so far is the annotated bibliography by Avery T. Sharp and James Michael Floyd Choral music: a research and information guide (2002), that focuses on choral music research between 1960 and 2000 and which lists just over 500 various resources.
The aim of this bibliography is thus, not least, to make visible and bring to the fore choral related research that has not seldom been carried out within research areas other than musical ones and that has thus been overlooked by choral researchers and choirmasters, thereby landing up outside the discourses of choral research.
Another aim has been to provide an orientation about, and within, the diversity of choral research through time and space as well as to illustrate the complex of problems surrounding the often proposed line of division between music pedagogical and musicological choral research initiatives. A rough simplification would be to describe music pedagogical choral research as being about the practice of choral singing and musicological choral research as being about choral history.
Even though there are many examples of such a division, newer research points to the divisions between the disciplines being diverted towards a less sharp dichotomisation. On the contrary this dichotomisation does not seem to be inherent in the object of study but rather a result of the different methods of the departments and subjects - such as, for example, interview studies and participatory observation versus the interpretation of historical sources - and theories that have had an impact on choral research issues and results. Thus there is reason to investigate whether it is, as Kia Hedell writes, that ”the musicological choral research […] is often, with certain exceptions, descriptive rather than problematising and reflective”.66
In order to make the choral research bibliography useful, easily accessible and searchable, the pdf-format has been chosen. It lacks an index which is compensated for by the search function of the pdf-format. It is far from complete, but opens up, in its present form, for the possibility of continuous complementary additions depending on the needs and resources.
65 Sandberg Jurström, Ragnhild (2004). ”Körforskning!” In: Informationsbladet Körledaren (2), 6. 66 Hedell, Kia (2007). ”Svenska körer sjunger svenskt?” Presentation av och reflektioner kring en kartläggning av svensk musik i fyra körers repertoar. Uppsala universitets körcentrum. Institutionen för musikvetenskap, 4.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 22 Choral Research. A Global Bibliography
The bibliography may be used freely within scientific contexts and for study purposes. Reference must always be given, for example as follows:
Geisler, Ursula (2010). Choral Research. A Global Bibliography. Lund/Malmö: Southern Choral Centre.
CHORAL RESEARCH: SOME PERSPECTIVES
What is meant by the area of ”choral research” which is in focus here? The singing together, in various parts or in unison, of human beings is documented way back in time within both sacred and secular contexts all around the world. The idea, and the definitions, of what the terms ”choir/chorus/choral” mean have changed over space and time.
In the retrospective view, and construction, of classical antiquity of the Enlightenment of the 18th century, Johann Georg Sulzer (1720-1779) defined “choir” in the lexicon Allgemeine Theorie der schönen Künste as primarily being a name for three different, but with each other associated, phenomena: 1) a group of people singing, 2) the music performed by the group, and 3) the place in which the group performed the music.67
Today's concept of choir/chorus/choral and the idea of what is meant by the above still have this orientation, and the division is still reflected in today's research. This is why (1) and (2) are in focus in the bibliography. Research on the chancel in the church (3), that is, the area in the church where the church choir was found has, however, not been taken into account.68
In the compilation of the bibliography it has been more important to illustrate the research concerning various group singing phenomena than to delimit the area in accordance with a specific choral definition. Thus a very open and inclusive choral concept has been chosen as a point of departure. It includes, for example, genres such as cantata, motet, and madrigal, even though it is brought to our attention by, for example, Armstrong in his dissertation from 1968 that madrigals from the time before 1800 were most often not called choral music by researchers. The reconstructed contemporary singing praxis is cause enough, seen from today's perspective, to nonetheless classify madrigal singing as a part of the choral domain.69 A long-term perspective on global
67 Sulzer, Johann Georg (2002). Allgemeine Theorie der schönen Künste. Lexikon der Künste und der Ästhetik (1771/1774). Berlin: Directmedia Publ., 792: “Von den singenden Chören der Alten haben wir noch itzt die Benennungen, da wir durch das Wort Chor einen Trup Sänger, oder den von ihm abgesungenen Gesang, oder auch den Ort in den Kirchen, wo er stehet, bezeichnen.“ See also Sulzer's lexicon in full text:
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 23 Choral Research. A Global Bibliography choral singing would seem to gain more from semantically opening up the concept of chorus/choir towards ”a singing group in organised form” than to limit it to ”a song ensemble with four parts in which at least three people sing in the same part”, which could, more or less, define an SATB-choir in a variant larger than a double-quartet.
The above-mentioned division by Sulzer is useful with regard to issues of definition since it opens up for a choral definition that goes beyond that of the unaccompanied, polyphonic, mixed chorus song that, historically speaking, is quite a young phenomenon.
Karen Ahlquist's definition of chorus, in the introduction to Chorus and Community (2006), points to the fact that the idea of chorus prevalent today is characterised by several adjacent markers without being clearly defined. According to her, chorus constituting elements can, for example be
– a more or less fixed membership – a distinction between preparation and a culminating musical event – a chosen repertoire – an acknowledged musical leader – that the members are not soloists – that sounds are produced by an aggregate of voices, either in sections or by the chorus as a whole.70 This definition of “chorus” describes it according to its structure, which can be regarded as a traditional way of defining societal- and musical formations. What is not covered by such a definition is the social, communicative and ritual function of a chorus. The listener perspective too, is missing in this definition, so it is thus only one possible point of departure for a methodological approach in choral research.
CHORAL RESEARCH IN SWEDEN
The scope of research that has been conducted on the phenomenon of choruses and choral singing in Sweden has been varied. Since the middle of the 1980s in particular, choral singing and choral activity has been given a good deal of attention from several different directions, often by individual researchers with a specialisation within a specific subject orientation. It is, to a large extent, to the mixed choir song one refers when taking up Swedish choral issues and ”The Swedish choral miracle”. According to Lennart Reimers the latter is closely associated with a specific choral 'sound', and he has pointed out that ”this „miracle‟ was not a sudden event following the Second World War but a crystallization of various historical, cultural and national traditions which go back a long way in time, primarily to the period between the end of the 18th and the beginning of the 20th centuries“71.
These ”historical, cultural and national traditions” suggested by Reimers have, to a
70 Ahlquist, Karen (ed.) (2006). Chorus and community. Urbana: University of Illinois Press, 3. 71 Reimers, Lennart (1993). A cappella: The story behind the Swedish "choral miracle". In: Reimers, Lennart; Wallner, Bo; Ericson, Eric; Leighton, David; Tanner, Roger (eds.). Choral music perspectives. Dedicated to Eric Ericson. Stockholm: Royal Swedish Academy of Music, 141.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 24 Choral Research. A Global Bibliography certain extent, been studied in Swedish research. However, from a non-Swedish research horizon the ”miracle” is still closely associated with the development of choral music (a cappella) and with the influence of individual choirmasters since the Second World War.72 The chorus conductor Eric Ericson and the composers Sven-Erik Bäck and Ingvar Lidholm are regarded, in choral music studies, to represent a generation that helped establish and develop a specific ”Swedish choral sound”.
Since the year 2000 there is a Choral Centre (Körcentrum) at Uppsala University that, among other things, ”stimulates, initiates and coordinates research and choral singing”. Choral singing is described on Uppsala University's Choral Centre's homepage as ”an organised cultural activity” which, in turn, leads to one of the goals being to initiate ”the conduction of research, both about choral singing as a form of vocal expression and about choral composing as well as about the people in the choirs from a historical and a contemporary perspective”.73
A point of departure for the systematic of the present bibliography has been to take into account aspects such as: What are the questions posed by the research, and for what purpose? What is intended to be accomplished by the research and how shall it be put into practice? Is the research concrete and result-oriented or could it be said to be research within the humanities and cultural studies in a more general sense?
These questions are linked to the methodological and theoretical perspectives and approaches of the research. The requirement of ”measurability” can, for example, be regarded as such a methodological-theoretical perspective, which, in the USA in particular, has made a breakthrough within various choral research orientations, not only with regard to acoustics.74
CHORAL ACOUSTICS One research orientation that has now been established in Sweden focuses on choral acoustic and physiological issues that are related to the research on choral sound.75 Within this orientation the methods used are primarily those of the natural sciences and the phenomena studied are primarily measurable, such as, for example, aspects of the sound. Ternström puts this into the following words: ”Several aspects of sound can be measured objectively, and such results can be related to known properties of voices,
72 Sparks, Richard (1998). The Swedish choral miracle: Swedish a capella music since 1945. Pittsboro: Blue Fire Productions. 73
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 25 Choral Research. A Global Bibliography rooms, ears, and musical scores“.76
Choral research that makes use of methods from the natural sciences stands partly in contrast to culturally and historically oriented research.77 While the former focuses on questions about the origin, composition, character, variability and possible variations of the choral sound in the musical moment, the latter is more often concentrated on contextualising choral singing historically and on describing the origin, change and role of choral life in societies.
CHORAL HISTORY The roots of choral singing in both the sacred and the secular are reflected in the topics of research in musical history as well as in choral music research. Research about singing in churches and in congregations has contributed with knowledge about choral singing and the function and orientation of collective choral singing. Hans Bernskiöld's thesis ”Sjung av hjärtat sjung”78 (“Sing to your heart‟s content”) about congregational singing, is focused on religious revival and the society, and Margareta Jersild‟s and Ingrid Åkesson's Folklig koralsång (Popular Chorale Singing) draws our attention to the various forms and functions of singing that, for example, have led to the fact that ”[t]he congregation as a performer could […] function both as an entity and as a group with different individual participants”.79 In Karin Strinnholm Lagergren's thesis about liturgical song in Catholic monasteries, 2005-2007, the specific character of the monastic singing ideal is emphasised, in that it ”strives after a voice that is sincere and honest, a voice that comes from the body and from one's own self”.80 A singing ideal such as this one is, in turn, shared with other modern choral movements, in which so-called ”Everyone-can-sing- choirs” encourage each and every person to participate in the singing based on the idea that everyone can sing and take part in the spirit of community, irrespective of his/her musical endowment. The difference between the kind of singing of a profane chorus and that of a monastic choir is, among other things, Strinnholm Lagergren explains, that the latter ”is borne up by a number of instructions that encourage small, thin voices, with ideals of humility and 'moderate voices' that do not shout each other down”.81
The profane choral life in Sweden has, to a large extent, been characterised by the folk movements and by students' and men's choruses. When Inger Selander wrote in 1985 that ”[t]he three major popular movements in Sweden, the religious revival and Free Churchist movement, the temperance movement and the Labour movement, are popular movements of song”82, she was referring, in particular, to the unisonic and polyphonic
76 Ternström, Sten (2003). ”Choir Acoustics: An Overview of Scientific Research Published to Date.” In: International Journal of Research in Choral Singing (1:1), 3. 77 Dobszay, László (2003). Concerning a Chronology for Chant.” In: Gallagher, Sean; Haar, James; Nádas, John; Striplin, Timothy (eds.). Western plainchant in the first millennium. Studies in the medieval liturgy and its music. Aldershot, Hants, England, Burlington, VT: Ashgate, 227. 78 Bernskiöld, Hans (1986). “Sjung av hjärtat sjung“: Församlingssång och musikliv i Svenska Missionsförbundet fram till 1950-talet. Diss. Göteborg: Göteborgs Universitet. 79 Jersild, Margareta (2000). Folklig koralsång: en musiketnologisk undersökning av bakgrunden, bruket och musiken. Hedemora: Gidlund. I samarbete med Svenskt visarkiv (Skrifter utgivna av Svenskt visarkiv), 55. 80 Strinnholm Lagergren, Karin (2009). Ordet blev sång. Liturgisk sång i katolska kloster 2005-2007. Diss. Göteborgs Universitet, 321. 81 Ibid., 322. 82 Selander, Inger (1985). “Den unisona sången inom folkrörelserna i Sverige 1850-1920.” In: Gustavsson, Anders (ed.) Religiösa väckelserörelser i Norden under 1800- och 1900-talen: aktuell forskning presenterad vid ett
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 26 Choral Research. A Global Bibliography choral activity for propaganda purposes between the 1850s and the 1920s. The student choral society was in focus in Leif Jonsson's thesis Ljusets riddarvakt83 (Knight Watch of the Light) in which the objective was partly to map the activity of the student choral society in Sweden in the 19th century, and partly to describe it from the perspective of political, social and cultural factors of that period. When Folke Bohlin, in connection with the 202-year jubilee of choral singing in Sweden in 2010, points out that ”all male choral singing during the 19th century goes back to the Uppsala song, and [that] the Uppsala song actually goes back to an event on the 24 October 1808”84, he confirms that the secular and officially ritualised choral singing and choral life of Sweden today is a relatively young phenomenon that is not more than a few centuries old. In this sense it has developed on a parallel with choral activities in other European countries.
Jonsson's thesis was included in a larger research project (financed by the Joint Committee for Nordic research councils for the Humanities and Social Sciences - NOS- H) that focused on mapping and studying the student choral movements in the Nordic countries, apart from in Sweden, also in Norway85, Denmark86 and Finland87. Also one of the most recently published books with an orientation in the history of music that is about choral singing in Sweden brings up issues regarding student choral singing and male choirs.88
The student choral singing movement from the 19th century has in many ways characterised public choral singing. In Sweden the student's cap is still sometimes used as a ritual marker in choral circumstances. At the same time the visual choral image has been shaped and renegotiated, not least through the influence of the media. The image of the uniformed, virtually immobile choral singer who looks stiffly in one direction - towards the choirmaster/conductor - has been complemented or replaced by scenarios in which choruses make use of choreographic features, dancing, swinging, individual choice of attire and other aspects that are traditionally not associated with the uniformed overall impression just mentioned. The musical repertoire of the chorus has developed and changed as well as been partly adapted to contemporary needs. At the same time, the great sacred and secular works from the 18th and 19th centuries89 and certain ”men's choral classics” still hold their ground on the repertoire lists of today, especially in connection with public rituals such as festivals and jubilees.
In the same way as it can be appropriate to dichotomise ”the sacred” and “the secular”
symposium. Lund: Centrum för religionsetnologisk forskning (Skrifter utgivna av Etnologiska sällskapet i Lund), 191. 83 Jonsson, Leif (1990). Ljusets riddarvakt: 1800-talets studentsang utövad som offentlig samhällskonst. Diss. Uppsala universitet. 84
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 27 Choral Research. A Global Bibliography with the purpose of approaching the role of the nature of choral singing in societies, it can also be meaningful to separate a composer perspective from a listener perspective. It is not only choral music that finds itself in this state of tension between production and reception.
In his bibliographical mapping of amateur culture in the Nordic countries in connection with a UNESCO-symposium on the same subject in 2002, Eyolf Østrem listed all-in-all 51 of 122 titles under various choral headings.90 This intimates that choral singing is considered to be a widely spread and integrated part of the leisure time activities of the population. This stands in contrast to the multitude of in-depth research studies revolving around the nature of choral singing at large. Østrem described amateur culture, that is, non-professional culture, from the perspective of a comparison with professional culture and with prevailing art concepts. According to him, perspectives from amateur culture could, among other things, reveal ideas about ”quality, levels of knowledge and education, relations to personal development, and public welfare”91, areas that apart from their role in vocal music are important for the status of choral music and choirs, also beyond the borders of Sweden. Choral singing in Sweden has only to a marginal extent been studied with a focus on international and transnational circumstances and contexts.92 The interest in the Swedish choral sound and cultural constructions of singing performances in Sweden has, in part, made an impact on international research.93 A great deal of research on the phenomena of choral singing and choruses in Sweden seen from a transnational perspective remains to be done. There is a surprisingly small amount of historically oriented basic research that has been done using the existing archival and library material about choral activity in Sweden from the beginning of the 20th century up until today. The fact that Sweden's reputation as a ”choral singing nation” has mainly been built up during the second half of the 20th century could have been expected to give rise to in-depth studies of the phenomenon of choral singing and to a scientific debate on the obvious needs of modern people for community- enhancing and -affirmative singing rituals. The occasional contribution to the discourse on ”the Swedish choral sound” has been made since 1945.94 Comparative transnational long-term studies, where Sweden is included as a case study, are conspicuous by their absence in spite of the fact that European culture has ever since antiquity been characterised, on various levels, by public singing rituals.
90 Østrem, Eyolf (2003). Kartläggning av nordisk amatörkulturforskning. Stockholm: Svenska unescorådet (Svenska unescorådets skriftserie, 2002:1). 91 Ibid., 8. 92 Reimers, Lennart; Wallner, Bo; Ericson, Eric, et al. (eds.) (1993). Choral music perspectives. Dedicated to Eric Ericson. Stockholm: Royal Swedish Academy of Music; Bohlin, Folke (1993). ”Internationell körforskning: En studiegrupp under bildande.” In: Nordisk musikkforskerkongress, Oslo 24.-27. juni 1992, 440–442; Gustafsson, Jonas (2000). Så ska det låta. Studier av det musikpedagogiska fältets framväxt i Sverige 1900-1965. Diss. Uppsala: Uppsala universitet (Acta Universitatis Upsaliensis, 91); Geisler, Ursula (2008). Voicing Communities. Northern European and Continental Choirs in Comparison. ”Den 15. nordiske musikkforskerkongress 2008”. Oslo. 93 Sparks 1998; Seeman, Rebecca (1998). The Swedish women's choir: An overwiev of its history and repertoire. Santz Cruz: Univ. of California; Geisler, Ursula (2001). Gesang und nationale Gemeinschaft. Zur kulturellen Konstruktion von schwedischem ”folksång" und deutscher "Nationalhymne". Diss. Baden-Baden: Nomos (Die kulturelle Konstruktion von Gemeinschaften im Modernisierungsprozeß, 3). 94 Reimers, Lennart (1993). Finns det ett svenskt kör-sound?” In: Larsen, Holger (ed.) Svenskhet i musiken. Stockholm: Stockholms universitet, 121–136; Hedell, Kia (2009). ”Klang i kör. Uppfattningar om körsång och klang i efterkrigstidens Sverige.” In: STM-Online (12).
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CHORAL RESEARCH ON THE CONTINENT AND GLOBALLY
The diversity of choral research perspectives in a global context makes it virtually impossible to provide any conclusive description of the primary features of choral research. Therefore, a few aspects will be treated in the following text, without this meaning that it is to be seen as a complete description of the state of choral research the world over at the present time. This comment also applies to the actual bibliography section, in which the approximately 5,500 entered titles do not constitute a complete list of the choral research literature in the years 1960-2010, but rather merely reflect certain specific sub-sections of the global research about choral phenomena.
The limitations of the choral research bibliography are, not least, of a linguistic nature. Much of the literature in different languages is missing due to the authors' foreign language limitations and it is thus uncertain, in the case of several countries, just how much relevant research has been carried out within the area of choral research. For the same reasons, German language publications are given a great deal of space in the bibliography, which can, perhaps, be perceived to be a one-sided perspective considering the choral research carried out in Europe. At the same time the varied German scientific landscape has also left its mark on the area of choral research and contributed to the diversity of scientific publications with orientations in choral sociological, choral historical, choral ethnological, choral educational, choral acoustical and choral musical themes, that are worth drawing attention to.
Neither the student choral singing movement nor the male chorus tradition is a genuinely Swedish phenomenon. In Germany especially, research has been able to point to a close connection between nationalisation processes since the beginning of the 19th century and public singing rituals.95 The fact that research in the humanities is most often carried out according to ”national” discourses is, however, not a phenomenon that is peculiar to choral research, but rather a general result of the origin and development of the departments and their discourses.
However, this makes it difficult to throw any light on, and to place in a broader perspective, the similarities and differences between, for example, European choral traditions. Nonetheless, the following questions were formulated at an international symposium on choral research issues in Lund in 2009:
”• Is choir still a representation of society? What does choir represent in today‟s society?
• Is there a European choir sound?
• Is choir music a representation of, or a metaphor for, European culture? Should choir music be seen as an example of the crisis of European culture in a postcolonial and postmodern world?
• How does choir or choral music express national traditions and the conflicts inherent in
95 Brusniak, Friedhelm (1995). “Männerchorwesen und Konfession von 1800 bis in den Vormärz.” In: Brusniak, Friedhelm; Klenke, Dietmar (eds.) “Heil deutschem Wort und Sang!“ Nationalidentität und Gesangskultur in der deutschen Geschichte - Tagungsbericht Feuchtwangen 1994. Augsburg: Wißner (Feuchtwanger Beiträge zur Musikforschung), 123–140; Klenke, Dietmar (1998). Der singende “deutsche Mann“: Gesangvereine und deutsches Nationalbewußtsein von Napoleon bis Hitler. Münster: Waxmann; Konrad, Ulrich (ed.) (1998). Musikpflege und "Musikwissenschaft" in Würzburg um 1800. Symposiumsbericht Würzburg 1997. Tutzing: Schneider.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 29 Choral Research. A Global Bibliography a culture through individuals?
• Why do we need to have choir(s)?”96
In spite of the fact that transnational choral research subjects are few and far between, in recent years literature, in the wake of both the linguistic and the cultural turn, has contributed with studies on various aspects of the nature of choirs and choruses seen from new perspectives on, for example, participation in associations, and the various connections between musical, community creating and social phenomena over time and space.
Cultural anthropology has discovered that questions regarding participation in associations can be a sign of the adhesive paste of modern society. Singing festivals and choral movements of different kinds and character have, in this context, been observed and investigated, as well as placed within a larger historical context. According to Eva- Maria Auch, choral singing is a potent tool for the studying of processes of social change.97
Anthologies such as Chorus and Community98 and Chorgesang als Medium von Interkulturalität99 also display a pluralism of method with regard to choral research themes.
CHORAL PRACTICE
The performance aspect too, is a good example of how various research traditions with different methods can meet within common perspectives. When Anton Bierl problematises the reception by recent research of the chorus in antique drama, it is the unfair treatment of the performance aspects that he criticizes.100 According to him ”the chorus is the essential element of the antique drama as Gesamtkunstwerk”101 and he goes on to point out the lacking of traditional text research, that does not take the chorus into consideration as a ritualized practice with its visual, rhythmical and non-verbal elements.102
It is precisely these visual and non-verbal elements of choral practice that are at the centre of some of the latest choral pedagogical research, in which the chorus is seen as a semantic space and in which the communicative relationship between choral conductors
96 Geisler, Ursula; Johansson, Karin (eds.) (2010). Choir in Focus 2010. Göteborg: Bo Ejeby, 152. 97 Auch, Eva-Maria (2007). “Chorgesang im historischen Kontext von kulturellen Topographien, von Schichten der Identitätsstiftung und Entwicklungsproblemen der Zivilgesellschaft – Die Sicht der Osteuropäischen Geschichte.” In: Fischer, Erich; Kürsten, Annelie (eds.). Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse. Stuttgart: Steiner (Berichte des interkulturellen Forschungsprojekts ”Deutsche Musikkultur im östlichen Europa”, 3), 370. 98 Ahlquist, Karen (ed.) (2006). Chorus and community. Urbana: University of Illinois Press. 99 Fischer, Erich; Kürsten, Annelie (eds.) (2007). Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse. Stuttgart: Steiner (Berichte des interkulturellen Forschungsprojekts ”Deutsche Musikkultur im östlichen Europa”, 3). 100 Bierl, Anton (2001). Der Chor in der alten Komödie. Ritual und Performativität unter besonderer Berücksichtigung von Aristophanes' "Thesmophoriazusen" und der Phalloslieder fr. 851 PMG. München: Saur (Beiträge zur Altertumskunde, 126), 13. 101 Ibid., 11. 102 Ibid., 13, 17, 21f.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 30 Choral Research. A Global Bibliography and choral singers is studied.103 One example of this performance and identity perspective is that of Liz Garnett's Choral conducting and the construction of meaning. Gesture, voice, identity (2009) in which she maintains that ”the gestural languages of choral conducting, and their choirs‟ associated body languages and styles of vocal production, are integral to the way that musicians understand both the music they perform and […] their own identities as performing musicians”.104
WESTERN SONG TRADITIONS
Choral singing in the modern sense is closely related to Western song traditions and rituals, as well as with the development of society as a whole since the Age of Enlightenment and the origin of voluntary associations. An important aspect in this context is the idea of the formative and educative function of a nation - in contrast with, or as a supplement to, that of the church. It was not only Voltaire's (1694-1778) and Jean-Jacques Rousseau's (1712-1778) philosophical and pedagogical ideas and de La Chalotais' (1701-1785) Essai d'éducation nationale ou plan d'études pour la jeunesse (1763) that had a great influence on the development of music education in France and the whole of Europe. Music and singing education became, according to Johann Heinrich Pestalozzis (1746-1827) and Hans Georg Nägelis (1773-1836) concept, an integrated part of popular education from the beginning of the 19th century and onward. Philosophers and educators such as, for example, the German, Johann Gottlieb Fichte (1762-1814), strongly recommended the use of Pestalozzi's concrete ideas of popular education with their theoretical point of departure in the inherent powers of the human being. Music and especially song was viewed in this context as a formative and educative instrument that could help develop people and their appreciation of art as well as their ability to form their own characters, thereby influencing society in a positive direction. Pestalozzi's Chorgesangschule (“School of choral singing”) from 1829 was the second part of his Gesangsbildungslehre (“Principles of song education”) from 1810 that characterised the singing instruction of popular education for several decades in the Europe of the 19th century.105
In Sweden the number of prescribed hours of instruction for the subject of “Music and Song” in the “Kongl. Maj:ts nådiga Reglemente för Folkskolelärare-Seminarierna i Riket” (“His Royal Majesty the King's gracious Statute for the Public Schools Teachers' Training Colleges in the Kingdom of Sweden”) in the year 1862 and revised in 1865 points in the same direction with an increase from 3 to 4 compulsory hours of instruction per week, which even surpassed “Geometry and Calculation” and ”History and Geography”.
The development of the area of music and song education in Sweden is closely associated with continental processes.106 What can be seen as European similarities with regard to singing instruction and choral activity since the Age of Enlightenment has, at the same time, given rise to differences. For example, the greatly varying political
103 Sandberg Jurström, Ragnhild (2009). Att ge form åt musikaliska gestaltningar. En socialsemiotisk studie av körledares multimodala kommunikation i kör. Diss. Göteborg: Högskolan för scen och musik, Göteborgs universitet. 104 Garnett, Liz (2009). Choral conducting and the construction of meaning. Gesture, voice, identity. Farnham: Ashgate, 2. 105 Gruhn, Wilfried (2003). Geschichte der Musikerziehung. Eine Kultur- und Sozialgeschichte der Aufklärungspädagogik zu ästhetisch-kultureller Bildung. 2 ed. Hofheim: Wolke, 53ff. 106 Gustafsson 2000, 158ff.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 31 Choral Research. A Global Bibliography conditions in the European countries have led to the fact that public collective singing, especially choral singing, has been charged with very different values over time.
The German male choir movement up until 1871 cannot be separated from the strivings towards nationalisation, in the same way as Theodor W. Adorno's (1903-1969) criticism from the 1950s of the youth music movement's ”Musikantentum” (“Minstrelsy”) and singing for the sake of singing107 cannot be separated from the National Socialists' interpretation and functionalisation of ”song”, ”folk music” and ”community spirit” in the 1930s and 1940s.
The entry of singing into the public sphere in the 19th century can, to a great extent, be interpreted as political and symbolic representation. Since then choral singing has, over and above vocal aesthetics, also been suffused with social expectations in particular. It was seen, among other things, as a possible representation of society on a small scale. The discussion concerning working class songs and mixed choral singing in the 1920s and 1930s concurred, for example, with a discourse on improving society and making it fairer. The exclusion of female voices from choral singing (in, for example, male choruses) was interpreted in this context as being obsolete and undemocratic.
This idea of democracy and participation was also significant for the interpretation of international precursors to continental singing aspects in the 20th century, such as, for example, community singing in the US. When Peter Dykema wrote in 1916, that ”[t]he community music movement […] is giving the opportunity to every man and woman for free and frequent participation in music, especially in choral singing with great groups of singing”108 he gave expression, in this way, to several aspects that still today, to a greater or lesser extent, are associated with choral singing as a leisure time activity:
• Accessibility for all
• Free admission
• Regular activity
At the same time, Dykemas' statement about ”great groups of singing” points in the direction of the phenomenon of mass singing, that has characterised the politically ritualised choral activity in many countries. With the meeting up of 140,000 German choral singers in Vienna in the ”Schubert year” of 1928 came an unmistakable national political presage of the subsequent Austrian ”Anschluss” to the German Third Reich.109 Choral singing with more than 10,000 singers was performed in the great banqueting hall and Europe protested against this musical symbolisation of Pan-German thought matter.
In connection with the demonstrations of the Baltic countries for national independence in the late 1980s, the expression ”the singing revolution” was coined. Here too, collective singing was used as a political instrument, although with altogether different overtones than during the 1930s.
107 Adorno, Theodor W. (1956). Dissonanzen: Musik in der verwalteten Welt. Göttingen, 75. 108 Dykema, Peter W. (1916). ”The Spread of the Community Music Idea.” In: Annals of the American Academy of Political and Social Science (67), 222f. 109 Holzer, Andreas (1995). Dokumente des Musiklebens. Katalog und Regestenheft zur Ausstellung "Österreich- Ideologie in der Musik". Aus dem Archiv des Instituts für Musikgeschichte, 18.
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More long-term choral historical perspectives such as these have, to a greater or lesser extent, been studied in different countries.110 These studies have, in turn, not been compared from a transnational perspective even though choral singing per se with its roots in the sacred and the secular, as well as in the transcendental and the social, is well- suited for the posing of questions about cultural processes during a lengthy period of time. This applies, not only to musical, political, ritual and social scientific aspects, but also, and especially, with a focus on pedagogical and performance aspects.
Other examples are choral teaching methods such as the spreading of the tonic sol-fa method in Europe111 or the connection between the development of the choral and singing movements and various conceptions about the positive effects of breathing and singing on one's health. The musical and song pedagogical debates after 1918 were characterised by key concepts such as musical ”cultivation”, ”upbringing” and ”cultural formation”. On a parallel with the youth music movement these led, in the 1920s, especially in Germany, to a reform of the music and singing instruction in the schools based on the music pedagogical promptings of Leo Kestenberg (1882-1962).
Individual persons involved, such as the cantor Alfred Stier (1880-1967) in Dresden, emphasised, in connection with this, the ability of song to protect man from negative social tendencies.112 In this one can trace the idea of the beneficial effects of song, both inwards and outwards, which points to the fact that also this conception of the formative and health conducive effects of choral singing is not a new phenomenon but has historical roots way back in time.
CHORAL LEADERSHIP
According to Hans Michael Beuerle, who refers back to Alfred Lorenzer's linguistic research, the idea that choral research and musical research on the whole can be needed for the benefit of practical musical activity and choral singing, is due to the very specific relation between language and music, in which language can contribute to an increased awareness of the aesthetic reality of music.113 One part of choral research takes up such issues as the relation between text and music and vocal aesthetic aspects. These issues are partially of a choral practical nature and are, for example, studied when choirs are using an international repertoire.
A quantitatively far greater portion of global choral research is about choral leadership issues and the musical and non-verbal communication between choirmaster and choir singers. In this research, studies include the development and philosophy of choral
110 For example Pritz, A. (1977). Ukrainian cultural traditions in Canada: Theatre, choral music and dance, 1891- 1967. M.A. University of Ottawa; Morosan, Walter Vladimir (1984). Choral Performance in Pre-revolutionary Russia. D.M.A. Urbana-Champaign: University of Illinois; Engelson, Robert Allen (1994). A history of adult community choirs in Charlotte, North Carolina: 1865-1918. D.M.A. Arizona State University; Gruhn 2003; Tripold, D. (2006). The development and role of choirs in the worship and culture of the Dutch Reformed Church in America, 1785-1860. Ph.D. New Jersey: Drew University. 111 Glover, Sarah Ann (1838). Guide to Sol-fa-ing; containing German Canons, also Psalm Tunes, according with all the measures employed by Brady & Tate. Norwich: Jarrold and Sons. 112 Stier, Alfred (1927). “Sinn der musikalischen Erneuerung.” In: Vötterle, Karl (ed.) Bärenreiter Jahrbuch 1927 Dritte Folge. Augsburg: Bärenreiter, 17–23. 113 Beuerle, Hans Michael (1987). Johannes Brahms: Untersuchungen zu den A-cappella-Kompositionen: ein Beitrag zur Geschichte der Chormusik. Hamburg: Wagner, 43.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 33 Choral Research. A Global Bibliography leadership114 and the choirmaster's potential to develop and improve the choral singing. This type of research sometimes moves between the descriptive and the normative and often results in concrete instructions and guidance for choirmasters. In spite of this a large proportion of the research described above has been brought up under the heading of ”Choral pedagogy Choral leadership” not least with the aim of drawing attention to the breadth and unresearched areas of choral research.
THE BIBLIOGRAPHY: ORGANISATION, METHODS, CATALOGUES AND DATABASES
ORGANISATION
In this bibliography an inductive method of selection is used in the systematisation of research literature in order to narrow down the range of subjects and themes that are studied by researchers of various choral phenomena. This means that the search results are, to a certain extent, generated by the categories and not vice versa. One advantage of this is that one has been able to question certain supposedly self-evident categorisations and that the choral research bibliography therefore does not, out of principle, exclude certain titles on the basis of pre-determined categories.
The Dewey-decimal-classification that is increasingly used in the world of Swedish libraries would have entailed extra work, yet without any specific increase of value for the prospective readership. The now chosen structure of the bibliography is based on the five thematically categorised main headings.
1 Choir in general 2 Choral history and choral sociology 3 Choral education 4 Choral music 5 Choir and drama, literature and film These, in turn, are divided into sub-categories.
What applies in general is that the literature that is listed under a main heading takes up the actual theme and orientation of the category respectively in a more general or overall plan than does the literature in the specified sub-categories.
Under the heading ”Choir in general” thematically comprehensive choral research literature and general choral research resources such as periodicals are gathered.
The section ”Choir and drama, literature and film” is a register of research literature in which choir is related to other media. The fact that the sub-headings ”Antiquity” and
114 Hart, Steven Robert (1996). Evolution of thought and recurrent ideas in choral conducting books and secondary music education texts published from 1939 to 1995. Ph.D. Boulder: University of Colorado; Durrant, Colin (2003). Choral conducting. Philosophy and practice. New York: Routledge; Gibala-Maharidge, Muriel (2005). The evolution of the choral conducting profession in the twentieth-century: Conducting methods as written testimonies. D.M.A. Santa Barbara: University of California.
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”Choir and opera” as compared to ”Choir and film/literature/theatre” assemble the greatest number of research titles is a sign of the stronger departmental support for these two areas.
The research literature found under the headings ”Choral history and sociology”, ”Choral education” and ”Choral music”, make up the major part of the bibliography with more than 1,000 titles each.
It feels right to subsume the greatest part of the research literature under these three headings since these are, globally speaking, the most widely represented research perspectives.
CHORAL HISTORY AND CHORAL SOCIOLOGY
”Choral history and choral sociology” is comprised of such research that, in one way or another, has a historical and sociological perspective on the changes in choral life.
At the same time it is this part of the bibliography that is the most unequivocally organised according to a national perspective, since it is often a case of studying and analysing ”national” choral circumstances. It might be about a specific country115, a region116, a group117, an organisation118 or a time period119. Here one can also find social science literature that in a more general sense takes up choral sociological phenomena120.
Sub-headings to ”Choral sociology” are ”Choral psychology, perception, cognition, and reception” and ”Choir and gender”.
Even though commemoration and miscellany publications that portray a picture of, for example, individual choruses, singing groups and choral organisations cannot immediately be said to belong in the sphere of research literature, they nonetheless provide important source material that justifies their place in a bibliography such as this one.
115 Alarcón Díaz, Víctor (1995). “Situación actual de los coros en Chile.“ In: Carrasco, Eduardo; Rodríguez, Mili (eds.). Situación de la música clásica en Chile. Santiago de Chile: Universidad de Chile; Goluboff, Sascha Leigh (1999). Jewish multi-ethnicities in post-Soviet Russia: An eventful ethnography of the Moscow Choral Synagogue. Ph.D. Urbana-Champaign: University of Illinois; Olwage, Grant (2002). ”Scriptions of the Choral: The Historiography of Black South African Choralism.” In: South African Journal of Musicology (22), 29–45. 116 Cardoso, José Maria Pedrosa (1986). “Papel social de um coro amador da área de Lisboa.“ In: Boletim da Associação Portuguesa de Educação Musical (48), 47; Liang, Maochun (2001). “Guotongqu de „minzhu geyong yundong„.” In: Liang, Maochun (ed.) Bai nian yin yue zhi sheng. Beijing: Zhongguo jing ji chu ban she (Bai nian Zhongguo), 249–252. 117 Bartel, Lee (1986). ”The tradition of the Amish in music.” In: The hymn: A journal of congregational song (37:4), 20; Klymasz, Robert B. (1993). ”Tracking the „living book„: Doukhobor song in Canada since 1899.” In: Canadian folk music journal (21), 40. 118 Bernskiöld, Hans (1986). “Sjung av hjärtat sjung“: Församlingssång och musikliv i Svenska Missionsförbundet fram till 1950-talet. Diss. Göteborg: Göteborgs Universitet. 119 Lespinard, Bernadette (2000). “Le chant choral dans les années trente: Art d‟élite, art populaire ou „Dis- moi ce que tu chantes.” In: Pistone, Danièle (ed.). Musiques et musiciens à Paris dans les années trente. Paris: Champion (Musique - musicologie, 30/31), 205–222. 120 Ahlquist 2006.
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• Choral history and choral sociology
– Countries – Choirs, singing societies and choral organisations – Choral sociology – Choral psychology, perception, cognition, and reception – Choir and gender
CHORAL EDUCATION
Choral research that studies, analyses and poses questions of a pedagogical, choral technical or acoustic nature have been gathered under the heading of ”Choral education”. This category takes up research literature that in a broader sense is concerned with general or specific pedagogical choral issues and phenomena about ”teaching” and ”learning” about choral singing and the conditions required for this. The heading is not to be understood as only representing literature within the Swedish educational subject choral pedagogy. This implies that, for example, there are sub-headings such as ”Choral leadership”, ”Choral technique and acoustics”, ”Choral practice” and ”Choir and health”.
• Choral education – Choral leadership/conducting – Individual choirmasters and educators – Choral singing – Choral technique and acoustics – Breathing – Physiology – The voice – Tone formation-Intonation – Breathing – Choral acoustics and sound – Sight singing – Choral repertoire – Choir and text – Interpretation – Tonic sol-fa – Choral practice – Choral performance/practice – Choir and school – Children's choir – Choir and health
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 36 Choral Research. A Global Bibliography
CHORAL MUSIC
Choral research has, to a great extent, taken up the questions of choral music production, which can be seen clearly in the bibliography's category of ”Choral music”. Here literature is gathered that focuses on the choral music from a genre, composer or nation perspective. It is also seen from the perspective of the intrinsic dynamics of the music and content of the choral work and places the composer and the structure of the music in the centre of focus. In the studies focus is primarily on technical details of composition and on changes in choral music within the line of thought of a specific genre. The dichotomy of vocal music - instrumental music is maintained and taken as a point of departure for the argumentation and the musicological standpoint.121 Literature referring to song books and choral manuscripts has also been added under this heading.
• Choral music – Bibliographies and catalogues – Choral composition and choral analysis – Choir and choral music genres – Mixed choirs – Women's choirs – Men's choirs and student choirs – Speaking choir – A cappella – Gospel – Jazz – Cantata – Madrigal – Spiritual – Church and Congregational music, liturgy – Composers – Countries – Choir books, manuscripts
METHODS
The bibliography is primarily based on a systematic search for the concepts of ”kör*”, ”chor*”, ”kor*”,”choir*”,”choeur*” and ”cor*” in the catalogues and databases listed below. Some of the catalogues and databases are not freely accessible, but rather require registration or access via a library catalogue, such as, for example, via the university libraries that also assist in literature searches.
In addition to this, tips and literature suggestions have flowed in from colleagues, especially from those belonging to the international choral research network ”Choir in Focus”, and who, in a valuable way have enriched the bibliography.
121 Poos, Heinrich (ed.) (1989). Chormusik und Analyse: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik. Mainz: Schott.
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The reference handling program Citavi122 has been used in order to gather, save and sort out bibliographical information.
The bibliography is sorted by the Swedish terms, and the special characters ä, å, ö, ø and ü are sorted as if they were a, o and u.
CATALOGUES AND DATABASES
BMSonline: www.musikbibliographie.de The Bibliography of Music Literature on-line is an international and interactive bibliography of literature on music. This bibliographic reference tool is edited by the Staatliches Institut für Musikforschung Preußischer Kulturbesitz, Berlin, and may be used free of charge. It is the continuation of the printed BMS and records more than 270,000 volumes since 1950. ViFaMusik: www.vifamusik.de/ The virtual library is a German subject gateway for music research and musicological information. DVM: www.dvm.nu DVM is the Online Music Research Library of Denmark. It is a pilot project for the humanities area under the auspices of Denmark's Electronic Research Library. JSTOR: www.jstor.org JSTOR provides primary texts from more than a thousand academic journals. KB: www.kb.dk The Royal Library of Denmark. KVK: www.ubka.uni-karlsruhe.de/kvk.html The Karlsruher Virtueller Katalog is a meta-catalogue that can find more than 500 million books and magazines in catalogues from libraries and book shops all around the world. It does not have a database of its own but functions as a guide to searchable catalogues. LIBRIS: libris.kb.se LIBRIS is a national search service providing information on titles held by Swedish university and research libraries, as well as about twenty public libraries. Here you can find books, periodicals, articles, maps, posters, printed music, electronic resources, etc. LIBRIS is the joint catalogue of the Swedish academic and research libraries and is updated on a daily basis. At present the LIBRIS database contains 6.5 million titles. SMHB: libris.kb.se/form_extended.jsp?f=smhb (see also
122
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Moreover, the Bibliography contains a selection of references to reviews, more detailed comments on recordings, and song texts accompanying music recordings (in Swedish). The Bibliography has been and is continually updated with titles published from 1991 and onwards. This database is produced by the Archives and Documentation Division of the Music Library of Sweden. MLA: www.mla.org/bibliography The MLA International Bibliography provides a subject index for articles, books and dissertations. The electronic format includes material published from the 1920‟s to the present. MLA contains over two million records from more than 4,400 journals and 1,000 publishers. PQDT: www.proquest.com/en-US/catalogs/databases/detail/pqdt.shtml ProQuest Dissertations & Theses, formerly known as Digital Dissertations, provides information about doctoral dissertations and master's theses from more than 1000 Universities. All major North American universities are included as well as many European Universities (1988-). Dissertations published from 1980 and forward, and theses published from 1988 and forward, include abstracts written by the author. Full text is available from 1997 and can be purchased in microform, paper or electronic formats. The first 24 pages are available for free.123 RILM: www.rilm.org Répertoire International de Littérature Musicale is a comprehensive bibliography of writings on music serving the global music research community. Today RILM has over 600,000 records in 214 languages from 151 countries on traditional music, popular music, and classical music. Coverage of all document types begins in 1967. Coverage of Conference Proceedings goes back to 1835.124 SwePub: www.swepub.se SwePub currently contains references to research publications registered in at present approximately thirty of the Swedish university publication databases. Only published works are included. The same publication may exist in different versions e.g. both as a conference paper and as an article. In order to facilitate research and enrich the LIBRIS search service, the aim is to eventually integrate the content of SwePub in LIBRIS.125 WorldCat: www.worldcat.org WorldCat is the world's largest network of library services and content, like books, journals, music CDs and videos.126
Translation: Christina Nilsson-Posada
123 Information from the PQDT‟s homepage. 124 Information from RILM‟s homepage. 125 Information from SwePub‟s homepage. 126 Information from WorldCat‟s homepage.
© Ursula Geisler (2010) Körforskning. En bibliografi Phillips, Peter (2007). “In defense of Bibliografi singing”. Sacred music 134:3. Potter, John (Ed.) (2000). The Cambridge IBLIOGRAPHY companion to singing. Cambridge: B Cambridge University Press. Roberts, Brian A.; Rose, Andrea (Eds.) 1 Kör allmänt CHOIR IN (2000). Sharing the voices: The phenomenon of singing. St. John‟s: Memorial University GENERAL of Newfoundland. Barras, Marie-Cécile; Gouiffès, Anne- Rose, Andrea M.; Adams, Ki; Marie (2008). ”The reception of Chisholm, Leon (Eds.) (2002). Sharing overtone singing by uninformed the voices: The phenomenon of singing. III. St. listeners”. Journal of interdisciplinary music John‟s: Memorial University of studies 2:1–2. Newfoundland. Demereau-Serfass, Beatrice (2000). Le Rudérus, Jan (1995). “Kördemokrati”. chant choral. Moyen d‟acces a la musique pour In: Lindström, Anki (Ed.). Den le choriste amateur adulte. Diss. Université oumbärliga sången. Hisings Backa: Sveriges de Pau et des Pays de l‟Adour. kyrkosångsförbundet. Kaelin, Pierre (1987). L‟Art choral: le Smith, W. Stephen; Chipman, Michael choriste, le chef de choeur, le pédagogue, la vie (2008). “The naked voice: A wholistic du choeur, l‟écriture chorale, l‟accopagnement approach to singing”. Music educators instrumental, la musique chorale liturgique, les journal 94:5. choeurs d‟enfants. Paris: Editios Berger- Tomenko-Lytle, Elvina (2008). Levrault. Transcendence, the numinous and the sublime Klusen, Ernst (1989). Singen: Materialien in the communal experience of music. Ph.D. zu einer Theorie. Regensburg: Gustav California: Fuller Theological Seminary. Bosse (Perspektiven zur Yan, Baolin (2004). “Hechang duchang Musikpädagogik und de jihe”. [Chorus singing is not a Musikwissenschaft). congregation of solo singers]. Jiaoxiang: Larsson, Rolf (1995). “Kören i Xi‟an Yinyue Xueyuan xuebao 23:1:103. gudstjänsten”. In: Lindström, Anki (Ed.). Den oumbärliga sången. Hisings Backa: Sveriges kyrkosångsförbundet. ○ KÖRFORSKNING CHORAL RESEARCH Lawrence, W.J. (1915). “The delights of chorussing”. The Musical Quarterly 1:1. Balsnes, Anne Haugland (2010). “Choir Liimola, Heikki (2000). “Some notes on research – A Norwegian perspective”. choral singing”. In: Potter, John (Ed.). In: Geisler, Ursula; Johansson, Karin The Cambridge companion to singing. Bd. 12. (Eds.). Choir in Focus 2010. Göteborg: Bo Cambridge: Cambridge University Press. Ejeby. Lindström, Anki (Ed.) (1995). Den Barrett, Janet R. (2007). “The oumbärliga sången. Hisings Backa: Sveriges researcher as instrument: Learning to kyrkosångsförbundet. conduct qualitative research through analyzing and interpreting a choral Nørsett, Bodil Kvernenes (2003). Kva er rehearsal”. Music education research 9:3. eit godt kor? tankar og haldningar kring vurderingskriterier i internasjonale Bohlin, Folke (1993). “A study group korkonkurransar. Oslo: B.K. Nørsett. for choral research”. Actas del XV © Ursula Geisler 40 Choral Research. A Global Bibliography congreso de la Sociedad internacional de Johansson, Karin (Eds.). Choir in Focus musicología. Vol. 2. [Special sessions]. 2010. Göteborg: Bo Ejeby. Bohlin, Folke (1993). “Internationell Geisler, Ursula; Johansson, Karin körforskning: En studiegrupp under (Eds.) (2010). Choir in Focus 2010. bildande”. In: Nordisk Göteborg: Bo Ejeby. musikkforskerkongress, Oslo 24.–27. juni Gembris, Heiner (1997). Singen als 1992. Oslo: Institutt for musikk og Gegenstand der Grundlagenforschung. teater. Augsburg: Wißner (Forum Brusniak, Friedhelm (Ed.) (2003). Chor Musikpädagogik, 27). – Visionen in Musik. Essener Thesen zum Gerow, Maurice (1966). “A Basis for Chorsingen im 21. Jahrhundert. Kassel: Determining Structural Interest in Bärenreiter. choral music”. Bulletin of the Council for Brusniak, Friedhelm (2010). “„Blick Research in Music Education 8. zurück nach vorn‟. Chorwissenschaft- Gjertsen, Ingrid (1985). Religiøs folkesong liche Forschung im Zeichen der 150. – folkemusikkomgrepet i forskning och Wiederkehr der Gründung des praksis. Bergen. Deutschen Sängerbundes 1862”. In: Geisler, Ursula; Johansson, Karin (Eds.). Gonzo, C.L. (1973). ”Research in choral Choir in Focus 2010. Göteborg: Bo Ejeby. music: A perspective”. Bulletin of the Council for Research in Music Education 33. Durrant, Colin (2010). “Choir in Focus Network. Draft Collaborative Research Grant, Joe W.; Norris, Charles (1998). Proposal. Concepts and Practices of “Choral music education: A survey of Leadership in choir Culture within research 1982–1995”. Bulletin of the Europe”. In: Geisler, Ursula; Johansson, Council for Research in Music Education 135. Karin (Eds.). Choir in Focus 2010. Harrison, Frank Llewellyn (1972). Göteborg: Bo Ejeby. “Music and cult: The functions of music Durrant, Colin; Welch, Graham (2010). in social and religious systems”. In: “Research into choirs and choral Brook, Barry S.; Downes, Edward; van education at the Institute of Education, Solkema, Sherman (Eds.). Perspectives in University of London”. In: Geisler, musicology. The inaugural lectures of the Ph.D. Ursula; Johansson, Karin (Eds.). Choir in program in music at the City University of Focus 2010. Göteborg: Bo Ejeby. New York. New York: W.W. Norton. Fagius, Gunnel (2002). Hart, Steven Robert (1996). Evolution of “Körforskning”. Körledaren 2. thought and recurrent ideas in choral conducting books and secondary music education texts Fagius, Gunnel (2010). “Sweden – A published from 1939 to 1995. Ph.D. National Perspective”. In: Geisler, Boulder: University of Colorado. Ursula; Johansson, Karin (Eds.). Choir in Focus 2010. Göteborg: Bo Ejeby. Hylton, J. (1983). ”A survey of choral education research: 1972-1981”. Bulletin Freer, Patrick Kenneth (2010). ”Two of the Council for Research in Music Education decades of research on possible selves 75. and the „missing males‟ problem in choral music”. International journal of music Johansson, Karin (2010). “Practice- education 28. related studies of choir: music education and artistic research perspectives”. In: Geisler, Ursula (2010). ”Choral Geisler, Ursula; Johansson, Karin (Eds.). research: remarks to a global Choir in Focus 2010. Göteborg: Bo Ejeby. bibliography”. In: Geisler, Ursula;
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Keden, Helmke Jan (2010). “„Soldiers of Turcott, Amber (2003). Choral music German song‟ and „singing revolutions‟ education: A survey of research 1996-2002. – fields of ideology-critical „choir M.A. University of South Florida. research‟”. In: Geisler, Ursula; Vötterle, Karl (1972). “Begegnung mit Johansson, Karin (Eds.). Choir in Focus der Musikwissenschaft”. In: Schiørring, 2010. Göteborg: Bo Ejeby. Nils; Glahn, Henrik; Hatting, Carsten E. Keden, Helmke Jan (2010). “Choir (Eds.). Festskrift Jens Peter Larsen. 1902– research in Europe – perspectives for a 14. VI–1972. Studier udgivet af comparative research approach”. In: Musikvidenskabeligt Institut ved Kobenhavns Geisler, Ursula; Johansson, Karin (Eds.). Universitet. København: Edition Wilhelm Choir in Focus 2010. Göteborg: Bo Ejeby. Hansen. Klusen, Ernst (1986). “The group song Yarbrough, Cornelia (2003). “Multiple as object”. In: Lixfeld, Hannjost; Dow, methods of research: Possibilities for the James R. (Eds.). German Volkskunde: A study of music teaching and learning”. decade of theoretical confrontation, debate, and Research Studies in Music Education 21. reorientation (1967–1977). Bloomington: Indiana University Press. ► Arkiv, bibliotek, kataloger, Mangan, John Richard (2005). Divided choirs: Musicologists, music performers, and the referenser ARCHIVES, course of music study in American higher LIBRARIES, CATALOGUES, education. Ph.D. New York: Columbia REFERENCES University. 30 Jahre Arbeiterliedarchiv: Sammlung, Nissen, Peter (2010). “Danish choir Erforschung und Auswertung von Zeugnissen research traditions”. In: Geisler, Ursula; proletarischer Musikkultur (1984). Berlin: Johansson, Karin (Eds.). Choir in Focus Akademie der Künste. 2010. Göteborg: Bo Ejeby. Demaria, Enrico; Bouquet-Boyer, Østrem, Eyolf (2003). Kartläggning av Marie-Thérèse (2001). Il fondo musicale nordisk amatörkulturforskning. Stockholm: della cappella dei cantori del Duomo di Torino. Svenska unescorådet (Svenska Lucca: Libreria Editrice Musicale unescorådets skriftserie, 2002:1). (Collana di cataloghi di fondi musicali Reimers, Lennart; Wallner, Bo; piemontesi). Ericson, Eric, et al. (Eds.) (1993). Choral Harder, Klaus (2010). “Ein Denkmal music perspectives. Dedicated to Eric Ericson. der Chorgeschichte: Quellen zur Stockholm: Royal Swedish Academy of örtlichen Chorbewegung dem Music. Großenhainer Stadtarchiv übergeben”. Sandberg Jurström, Ragnhild (2004). Forum Musikbibliothek: Beiträge und “Körforskning!”. Informationsbladet Informationen aus der musikbibliothekarischen Körledaren 2. Praxis 31:1. Spies, B. (1998). “Verrekening van die Hawkins, Margaret (1976). An postmoderne invloed op musiek”. Acta Annotated Inventory of Distinctive choral Academica 30:3. Literature for performance at the high school Stenbäck, Helena (1995). “Tankar kring Level. Lawton, Oklahoma: American svensk körforskning”. In: Ödman, Per- Choral Directors Association. Johan (Ed.). Musikpedagogik och historia. Holzer, Andreas (1995). Dokumente des Stockholm: Centrum för Musiklebens. Katalog und Regestenheft zur musikpedagogisk forskning. Ausstellung “Österreich-Ideologie in der
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Musik”. Wien: Institut für Tuksar, Stanislav (1992). “Music Musikgeschichte. research libraries, archives and Hughes, Andrew (1993). “Chantword collections in Croatia”. International indexes: A tool for plainsong research”. Review of the Aesthetics and Sociology of Music In: Laird, Paul R. (Ed.). Words and music. 23:2. Binghamton: State University of New van Reijen, Paul (1973). York. “Koorbibliotheeken”. Open 5:3. Hughes, Andrew (1996). Late medieval Wilson, Charles R. (2008). The choral liturgical Offices: Resources for electronic library of the Boys Town Sacred Music research – Sources and chants. Toronto: Collection at Duquesne University: A research Pontifical Institute of Mediaeval Studies project. M.M. Duquesne University. (Subsidia mediaevalia). Ingle, Gary Luther (1988). An annotated ► Tidskrifter PERIODICALS bibliography of books, articles, theses, and dissertations related to the training of the choral American choral review: journal of the ensemble, 1959–1984. D.M.A. Kentucky: American Choral Foundation. Washington The Southern Baptist Theological 1961–2009 Seminary. Choir. Cincinnati 1899–1922 Karjalainen, Kauko (1993). “The music library of the Finnish Broadcasting The choir journal. Boston 1899–1908 Company”. Fontes artis musicae 40:1. Choir & organ. London 1993– Luzzi, Cecilia; Ward-Perkins, Hugh Chor aktuell: österreichisches Chormagazin. (2001). ”Monodic and polyphonic vocal Wien 1979– repertoires in musical and musicological journals: Index of bibliographical Chor und Konzert: Zeitschrift des Verbandes information. I”. Polifonie: Storia e teoria Deutscher Konzertchöre. Weimar 1966– della coralità 1:1. The choral advocate and singing class journal. Ornes, Rafael (2008). “Choral public New York 1850–1873 domain library”. Notes: Quarterly journal of The choral journal: official journal of the the Music Library Association 64:4. American Choral Directors Association. Rawls, Julie Jean (1998). Youth choir Lawton 1959– periodicals published by the Southern Baptist Dorsey, Scott W. Dorsey (1993). The Convention: 1966–1995. Ph.D. The choral journal: A brief history (1959–1992) University of Oklahoma. and an index to volumes 19–32. D.M.A. Schering, Arnold (1919). “Die alte University of Iowa. Chorbibliothek der Thomasschule in Hammett, Thomas Foster (1985). Leipzig”. Archiv für Musikwissenschaft 1:2. ”The choral journal”: An annotated index to Sharp, Avery T.; Floyd, James Michael volumes 19–24 and a comparison of subject (2002). Choral music: A research and material published in volumes 1–18 and information guide. New York: Routledge volumes 19–24. Ed.D. The Florida State (Routledge music bibliographies). University. Sulzer, Johann Georg (2002). Allgemeine Paine, Gordon (1978). The choral Theorie der schönen Künste. Lexikon der journal: An index to volumes 1–18. Lawton, Künste und der Ästhetik (1771/1774). Oklahoma: American Choral Directors Berlin: Directmedia Publ. Association.
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Piper, Robert Neil (1972). An International journal of community music. evaluation of the ACDA Choral Journal. Bristol 2008– Ed.D. Urbana-Champaign: University of International Journal of Research in Choral Illinois. Singing. 2003– The choral scholar the online journal of the Journal of voice: official journal of the Voice National Collegiate Choral Organization. Foundation. New York 1987– 2009– Der Kirchenchor. Dayton 1897–1930 Der Chorgesang: Zeitschrift für die gesamten Interessen der Sangeskunst mit besonderer KMT/KSF: organ för Kyrkomusikernas Berücksichtung der gemischten Chöre, Männer- riksförbund, KMR och Sveriges und Frauen-Gesangvereine. Leipzig 1885– kyrkosångsförbund, SKSF. Vagnhärad 1901 1967–1969 Chorister. New York 1859–1865 Korbladet. Oslo 1987– Choristes. Lyon 1965–1996 Körbladet: medlemstidning. Flyinge 1989– Der Chormeister: Zeitschrift für alle Fragen des Körlivet. Stockholm 1994–1995 Chorgesanges. Berlin 1927–1932 KÖRSAM information. Tyresö 1970–1986 Der Chormeister: Monatsschrift für unsere KÖRSAMs tidning. Johanneshov 1987 Dirigenten: herausgegeben vom Christlichen Sängerbund. Stuttgart 1925–1943[?] Svensk körsång: KÖRSAMs tidning. Södertälje 1988–1990 Chorus news. Narrogin 2009– Kuskbocken: medlemsblad för Västernorrlands Das Chorwerk. Wolfenbüttel 1929– körsällskap. Västerbrån 1991– Church Choir: A Monthly Magazine Devoted Kyrkokörjournalen: tidning för Svenska to Church Music. New York 1897–1920 kyrkans körer. Karlstad 1990– Der deutsche Chorgesang. Zeitschrift zur Pflege Kyrkomusik och skolsång: facktidning för des Gemischten Chores, des Frauenchores und kyrkomusici och sånglärare. Göteborg der Schulmusik. Heidelberg 1929/1930 1907–1910 Der Deutsche Chorgesang: Deutsche Kyrko-musikern: organ för kyrkomusikalisk Gesangsverein-Zeitung; Wegweiser durch die verksamhet, kyrkomusikerkårens ekonomiska Chorgesangliteratur; Ratgeber für och rättsliga frågor, skol- och körsång. Gesangvereine und Dirigenten. Köln Kramfors 1939–1941 1899/1900–1913/14 Kyrkosångsförbundet: organ för Sveriges Deutsche Sängerbundeszeitung: Zeitschrift für kyrkosångsförbund. Linköping 1924–1956. das gesamte Chorwesen: amtliches Organ des Deutschen Sängerbundes. Mönchen- Lied & Chor: Zeitschrift für das Chorwesen. Gladbach 1909–1957 Köln 1958–2005 Eutonia: eine hauptsächlich pädagogische The Musical Times and Singing Class Musik-Zeitschrift für alle, welche die Musik in Circular. London 1844–1902 Schulen zu lehren oder in Kirchen zu leiten Musik-kultur: tidskrift för Sverges haben, oder sich auf ein solches Amt bildningsälskande musikvänner: organ för vorbereiten. Breslau 1829–1837 Sverges musikpedagogiska förbund. Geistliche Chormusik. Stuttgart- Stockholm 1926–1929. Hohenheim 1955–1963 The organist and choirmaster: a mid-monthly Informationsbladet Körledaren (1987). musical journal. London 1893–1920. Stockholm 1987–1998
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Polifonie: Storia e teoria della coralità. Arezzo Musiklivet: vår sång. Stockholm 1955– 2001– 1995 Ridå: tidning för folklig scenkonst. Tidningen Körsång. Stockholm 1996– Stockholm 1931–1938 The voice of Chorus America. Washington Rösträtt. Stämband för Stockholms 1991– körförbunds medlemmar. Stockholm 1977– Sången: organ för Svenska baptisternas YMNOLOGY sångarförbund. Eskilstuna 1921–1969. ► Hymnologi H Sångarbladet: organ för Svenska Ameln, Konrad; Marti, Andreas (1990). missionsförbundets sångarförbund. Stockholm “Literaturbericht zur Hymnologie”. 1928–1969. Jahrbuch für Liturgik und Hymnologie 33. Sångartidningen: organ för Svenska Demović, Miho (1970). “Die sångarförbundet. Stockholm 1922–1991. hymnologische Forschung in Kroatien”. Sångaren: svenska sångarförbundets tidning. Jahrbuch für Liturgik und Hymnologie 15. Tyresö 1992–1995 Fekete, Csaba (1999). “A korai Schwäbische Sängerzeitung: Zeitschrift für das protestáns gyülekezeti ének kutatásának gesamte Chorwesen. Stuttgart 1921–1951 története”. [The history of research on early Protestant congregational singing]. Schwäbische Sängerzeitung: Zeitschrift für den Magyar egyházzene 7:4. Chorgesang. Trossingen 1969–2006 Ferenczi, Ilona (2001). Sjungikör: medlemstidning Ungikör. Jörlanda “Literaturbericht zur Hymnologie: 2002– Ungarn 1995–1997”. Jahrbuch für Liturgik Studentsångaren i Lund: tidskrift för Lunds und Hymnologie 40. studentsångförening: organ för Lunds Kjærgaard, Jørgen (2001). “Dansk studentsångförening. Lund 1957–1960 hymnologi ved årtusindskiftet: Studentsångaren. Lund 1961–1969 Hymnologisk forskning og salmearbejde i Danmark 1990–2000”. Hymnologiske Svenska sångarförbundet: tidning för svenska meddelelser 30:1. sångare. Stockholm 1915–1922 Koski, Suvi-Päivi (1997). The Singing People: An Advocate for “Literaturbericht zur Hymnologie: Congregational Singing. New York 1869– Finnland 1985–1996”. Jahrbuch für 1871 Liturgik und Hymnologie 36. Tidskriften KFUM-sången: medlemsblad Lipphardt, Walther (1974). “Die Sveriges KFUM:s sångarförbund. Stockholm Bedeutung der handschriftlichen 1958– Uberlieferung für die Hymnologie”. In: Die Tonkunst: illustrierte Zeitschrift für Schuhmacher, Gerhard (Ed.). Traditionen Männer-Gesangsvereine und gemischte Chöre; und Reformen in der Kirchenmusik. Festschrift deutsche Sängerzeitung. Berlin 1897–1943 für Konrad Ameln zum 75. Geburtstag am 6. Juli 1974. Kassel: Bärenreiter. Vår sång: tidskrift för det folkliga musiklivet: organ för Sveriges körförbund. Stockholm Luth, Jan R. (1997). “Literaturbericht 1928–1949 zur Hymnologie: Niederlande 1993– 1996”. Jahrbuch für Liturgik und Tidskrift för det folkliga musiklivet: vår Hymnologie 36. sång. Stockholm 1950–1954 Marti, Andreas (2002). “Das Kirchenlied als Ort kritischer
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Begegnung: Ziele und Methoden der Länder 2006”. Jahrbuch für Liturgik und Hymnologie im 21. Jahrhundert”. In: Hymnologie 46. Ratzmann, Wolfgang; Schulz, Frieder (Eds.). Grenzen überschreiten. Profile und Perspektiven der Liturgiewissenschaft. Leipzig: 2 KÖRHISTORIA OCH Evang. Verlags-Anstalt (Beiträge zu Liturgie und Spiritualität, 9). KÖRSOCIOLOGI Marti, Andreas (2007). “Literaturbericht CHORAL HISTORY AND zur Hymnologie: Deutschsprachige CHORAL SOCIOLOGY Länder (2004, 2005) 2006”. Jahrbuch für Liturgik und Hymnologie 46. Ahlquist, Karen (Ed.) (2006). Chorus and Richardson, Paul A. (1995). Community. Urbana: University of Illinois “Hymnology: A crucial intersection”. Press. The hymn: A journal of congregational song Alcalá, César (1987). “El dilema 46:1. professional-amateur”. Catalunya música Richardson, Paul A. (2008). 38. “Literaturbericht zur Hymnologie: Gottwald, Clytus (1984). “Auf den Englischsprachige Dissertationen und Flügeln des Gesanges: Zur Arbeiten 1997–2006”. Jahrbuch für Vergangenheit, Gegenwart und Zukunft Liturgik und Hymnologie 47. des Chorgesanges”. Österreichische Ruńčin, Peter (2005). “Hymnológia a Musikzeitschrift 39:3–4. slovenská hudobná historiografia v 20. Gruhn, Wilfried (1991). “Lowell storoĉí”. [Hymnology and Slovak music Mason‟s Briefe einer musikalischen historiography in the 20th century]. Reise. Eine Studie zum Chor- und Slovenská hudba: Revue pre hudobnú kultúru Schulgesang im 19. Jahrhundert”. In: 31:2. Kraemer, Rudolf-Dieter (Ed.). Skille, Øystein (2001). “Samisk Musikpädagogik. Unterricht – Forschung – hymnologi”. Hymnologiske meddelelser 30:4. Ausbildung. Mainz: Schott. Suojanen, Päivikki (1983). “„I varje Heacox, Arthur E. (1895). Graded studies socken sjunger man med en egen in choral singing. Oberlin, Ohio: E. J. melodi‟: forskningsmetodologi vid Goodrich. studiet av andlig sång i Finland”. Sumlen. Jerold, Beverly (2006). “Choral singing Weber, Édith (1995). “Hymnologie, before the era of recording”. The musical hymnodie et sciences auxiliaires”. In: times 147:1895. Saulnier, Daniel; Claire, Jean (Eds.). Kirkman, Andrew (2008). “The Seeds Requirentes modos musicos. Mélanges offerts à of Medieval music: Choirboys and Dom Jean Claire, à l‟occasion de son 75e musical Training in a Late-Medieval anniversaire, de ses 50 ans de profession Maîtrise”. In: Boynton, Susan; Rice, Eric monastique et de ses 25 ans comme Maître de N. (Eds.). Young Choristers, 650–1700. choeur à Solesmes. Solesmes: Éditions de Woodbridge: Boydell Press (Studies in Solesmes. medieval and Renaissance music, 7). Weber, Édith (2001). La recherche Kramer, Ursula; Birtel, Wolfgang; hymnologique. Paris: Beauchesne (Guides Mahling, Christoph-Hellmut (Eds.) musicologiques, 5). (2009). Chöre und Chorisches Singen. Weber, Édith (2007). “Literaturbericht Festschrift für Christoph-Hellmut Mahling zur Hymnologie: Französischsprachige zum 75. Geburtstag. Mainz: Are-Musik-
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Prichard, Sheila Grace (1995). Kidula, Jean (2004). “The arrogation of International Federation for Choral Music: African folk and spirit songs as English Background, beginnings and first decade, anthems for academic and church use”. 1982–1992, with indexed interviews of the In: Niles, Don; et al. (Eds.). 37th world leadership. (Volumes I and II). D.M.A. conference of the International Council for Massachusetts: Boston University. Traditional Music: Conference contributions –
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Abstracts. Fuzhou: International Council Hammond, Nicol (2004). “Singing for Traditional Music. South Africanness: The construction of identity among South African youth choirs”. Journal of the Musical Arts in ♦ Moçambique MOZAMBIQUE Africa 1:1.
Carvalho, João Soeiro de (1999). Huskisson, Yvonne (1969). Music of the ”Makwayela: Choral performance and Bantu. Sovenga: University College of nation building in Mozambique”. the North Sovenga (Publications of the Horizontes antropológicos 5:11. University College of the North. Series B). Jorritsma, Marie R. (2006). Sonic spaces: ♦ Nigeria Inscribing ”coloured” voices in the Karoo, South Africa. Ph.D. University of Pennsylvania. Agu, Daniel C. (1992). “Vocal music in West Africa: Its Creation and as an Art Olwage, Grant (2002). “Scriptions of Form among the Igbo of Nigeria”. the choral: The Historiography of Black International journal of music education 19. South African choralism”. South African Journal of Musicology 22. Idọlor, Emurobọmẹ G. (2002). “Ókpè disco: Its emergence and performance Olwage, Grant (2003). Music and practice”. SAMUS: South African journal (post)colonialism: The dialectics of choral of musicology 22. culture on a South African frontier. Ph.D. Rhodes University. Sadoh, Godwin (2005). “A historical survey of congregational singing and Olwage, Grant (2010). “Singing in the hymnody in Nigeria”. The hymn: A journal Victorian world: Tonic sol-fa and of congregational song 56:3. discourses of religion, science and Empire in the Cape Colony”. Muziki: Journal of music research in Africa 7:2. ♦ Sydafrika SOUTH AFRICA Seroff, Doug (1986). “The Zulu choirs: A Brief Introduction”. Keskidee 1. Barrett, Michael (2007). The Value of choral singing in a Multi-Cultural South van Niekerk, Hanlie (1989). Die Africa. M.Mus. University of Pretoria. geskiedenis van koorverenigings in Kaapstad. M.M. University of Stellenbosch. Boonzaaier, Neels (2005). “Die Koorakademie, Suid-Afrika”. Musicus Wessels, E.M. (1997). Die rol van 33:2. gemeentesang in die liturgiese vernuwingsproses in die Nederduitse Gereformeerde Kerk. Erlmann, Veit (1994). “„Africa B.Mus. Potchefstroom University for Civilised, Africa Uncivilised‟: Local Christian Higher Education. Culture, World System and South African music”. Journal of Southern African Wolff, Unita Liberta (2002). Choral unit Studies 20:2. standards and support material for primary schools in South America. D.Mus. Erlmann, Veit (1999). Music, modernity, University of Pretoria. and the global imagination: South Africa and the West. New York: Oxford University Press. ► Amerika AMERICA Gunner, Elizabeth (2006). “Zulu choral music – Performing Identities in a New Armetta, Anne Reisner (1994). Aspects of State”. Research in African Literatures 37:2. musical experience of African-American and Mexican-American choral ensembles with
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 48 Choral Research. A Global Bibliography implications for choral music education. Ph.D. nacionalismo, a educação musical e o Illinois: Northwestern University. canto orfeônico em Villa-Lobos”. Revista electrónica Complutense de investigación en educación musical 5:2. ♦ Latinamerika LATIN Figueiredo, Carlos Alberto (2006). AMERICA “Uma abordagem crítica do canto orfeônico?”. Brasiliana 23. Couve, Alicia C. Dal Pino Claudia de (1999). “Historical panorama of music Freitas e Castro, Enio de (1938). “Uma education in Latin America: music escola brasileira de canto”. In: Anais do training institutions”. International journal Primeiro Congresso da Língua Nacional of music education 34. Cantada. São Paulo: Departamento Municipal de Cultura. Mazin, Oscar (2003). “La musique des cathédrales de Nouvelle-Espagne: La Junker, David Bretanha (1990). Brazilian maîtrise de Valladolid du Michoacán, choral directors‟ rehearsal conditions and 17e–18e siècles.” In: Escoffier, Georges attitudes toward choral methodology: Survey (Ed.). Maîtrises et chapelles aux XVIIe et analysis and recommendations. Ph.D. XVIIIe siècles: Des institutions musicales au Columbia: University of Missouri. service de Dieu. Clermont-Ferrand: Presses Lisboa, Alessandra Coutinho (2005). Universitaires Blaise Pascal (Histoires Villa-Lobos e o canto orfeônico: Música, croisées). nacionalismo e ideal civilizador. Universidade Estadual Paulista Júlio de Mesquita Filho. ● Argentina Pajares, Vânia Sanches (1996). Fabiano Croce, Cecilia María (1992). “La Lozano e o início da pedagogia vocal no Brasil. actividad coral en la ciudad de Córdoba Universidade de Campinas. desde los años „40 hasta nuestros días”. Paz, Ermelinda Azevedo (1999). “As In: VII Jornadas Argentinas de Musicología. concentrações orfeônicas e a presença Buenos Aires: Instituto Nacional de de músicos populares”. Brasiliana 3. Musicología Carlos Vega. Salles, Vicente (2008). “Canto orfeônico no Pará”. Música em contexto: ▫ Körer, sångföreningar och Revista do Programa de Pós-Graduação em körorganisationer CHOIRS, Música da Universidade de Brasília 1:1. SINGING SOCIETIES AND CHORAL ORGANISATIONS ● Chile
Roig, Elisabeth (1992). “El coro Alarcón Díaz, Víctor (1995). “Situación Chelaalapí: Un bolsón aislado de música actual de los coros en Chile”. In: toba „tradicional‟”. In: VII Jornadas Carrasco, Eduardo; Rodríguez, Mili Argentinas de Musicología. Buenos Aires: (Eds.). Situación de la música clásica en Chile. Instituto Nacional de Musicología Santiago de Chile: Universidad de Chile. Carlos Vega. Aránguiz Thompson, Waldo (2000). ”Presencia coral de Chile en América ● Brasilien BRAZIL Latina”. Revista musical chilena 54:194. Minoletti Scaramelli, Guido (2000). Amato, Rita Cássia Fucci de (2008). “Una visión de la vida coral en Chile”. “Momento brasileiro: Reflexões sobre o Revista musical chilena 54:194.
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▫ Körer, sångföreningar och ● Körer, sångföreningar och körorganisationer CHOIRS, körorganisationer CHOIRS, SINGING SOCIETIES AND CHORAL SINGING SOCIETIES AND CHORAL ORGANISATIONS ORGANISATIONS
Coddou Espejo, Gabriel (2000). “El Bradley, Deborah Gail (2006). Global coro de los niños huilliches de Chiloé”. song, global citizens? Multicultural choral Revista musical chilena 54:194. music education and the community youth choir: Constituting the multicultural human subject. Ottawa. ♦ Kanada CANADA Feyen, J. (2007). “Drawn into the awesome Berg, Wesley (1985). From Russia with presence of God”: The Toronto Mass Choir. music: A study of the Mennonite choral singing M.A. York University. tradition in Canada. Winnipeg: Hyperion. Lock, William Rowland (1972). Ontario Cousens, Mary Annette (1997). The Church choirs and choral Societies, 1819– influence of choral works by Canadian women 1918. D.M.A. University of Southern on senior female secondary students in Ontario. California. M.A. University of Toronto. McIntosh, Robert Dale (1992). One Dunsmore, Douglas Allen (1994). The hundred years of singing: The Arion Male effect of Newfoundland government policy on Voice Choir of Victoria, British Columbia, choral music education: Voices and opinions Canada: 1892–1992. Victoria, B.C.: about the past, present and future. Ph.D. Beach Holme Publishers. Madison: The University of Wisconsin. Rice, Kelly S. (1991). Joseph Gould and the Farquharson, Dorothy H. (1983). „O, Montreal Mendelssohn Choir. M.A. McGill for a thousand tongues to sing‟: A history of University. singing schools in early Canada. Waterdown, Wolters-Fredlund, Benita (2002). Ontario: D.H. Farquharson. “Leftist, Jewish, and Canadian Identities Harris, Carol E. (1984). The evaluation of Voiced in the Repertoire of the Toronto choral performance in Newfoundland. M.Ed. Jewish Folk Choir, 1939–1959”. Memorial University of Newfoundland. Canadian Journal for Traditional Music 29. Pritz, A. (1977). Ukrainian cultural Wolters-Fredlund, Benita (2005). ”We traditions in Canada: Theatre, choral music shall go forward with our songs into the fight for and dance, 1891–1967. M.A. University of better life”: Identity and musical meaning in the Ottawa. history of the Toronto Jewish Folk Choir, 1925–1959. Ph.D. University of Sarkissian, Margaret (1990). “The Toronto. Politics of music: Armenian Community choirs in Toronto”. In: Witmer, Robert (Ed.). Ethnomusicology in Canada. Toronto: ♦ Kuba CUBA Institute for Canadian Music (CanMus Documents, 5). Cherry, Constance M. (1999). “Current hymn singing practices in Cuba: Some observations”. The hymn: A journal of congregational song 50:4.
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♦ Mexiko MEXICO Brown, Lois (2002). “Out of the Mouths of Babes: The Abolitionist Bowers, Theresa (2000). “The golden Campaign of Susan Paul and the age of choral music in the cathedrals of Juvenile Choir of Boston”. New England colonial Mexico”. The choral journal 40:9. Quarterly: A Historical Review of New England Life and Letters 75:1. Moore, Lawrence Elliot (1985). Mexico‟s Instituto Nacional de Bellas Artes: An Buechner, Alan Clark (1960). Yankee Assessment of Governmental Impact on singing schools and the golden age of choral Programming as Exemplified by the Coro de music in New England, 1760–1800. Ph.D. Camara de Bellas Artes. Ph.D. Illinois: Massachusetts: Harvard University. Northwestern University. Bullock, Valerie Kadow (1991). The use of a cappella singing in colleges and universities ♦ USA of the United States. Ed.D. The Florida State University. Adkins, Kathy Forester (2003). The Chorus America (2003). America‟s singing schools of New Salem, Georgia. Ed.D. performing art: A study of choruses, choral The University of Tennessee. singers, and their impact: Chorus impact study Anderson, T. Jeffrey (1983). A study of report on findings. Washington DC: the opinions of students, parents, teachers, and Chorus America. administrators regarding objectives of choral Christensen, Tara Dawn (2002). Choirs music education in Kansas city, Kansas high vs. praise teams: A historical and descriptive schools. D.M.A. Kansas City: University account of worship practices in large Evangelical of Missouri. Protestant churches in America. M.M.E. Bartel, Lee (1986). “The tradition of the Kansas City: University of Missouri. Amish in music”. The hymn: A journal of Criswell, Paul Douglas (1987). The congregational song 37:4. Episcopal Choir School and choir of men and Bergler, Thomas E. (2004). “„I found boys in the United States: Its Anglican my thrill‟: The Youth for Christ tradition, its American past and present. movement and American congregational Ph.D. College Park: University of singing, 1940–1970”. In: Mouw, Richard Maryland. J.; Noll, Mark A. (Eds.). Wonderful words Dargan, William Thomas (1995). of life: Hymns in American Protestant history “Congregational singing traditions in and theology. Grand Rapids: William B. South Carolina”. Black music research Eerdmans (Calvin Institute of Christian journal 15:1. Worship liturgical studies). Dawson, Decosta A. (1986). African- Bradley, Charles Randall (1988). The American gospel choirs and student attitudes at influence of Frances W. Winters on the seven selected College and University campuses. development and philosophy of the graded choir Ed.D. New Brunswick. Rutgers The movement in the Southern Baptist Convention. State University of New Jersey. D.M.A. Texas: Southwestern Baptist Drummond, R. Paul (1989). A portion Theological Seminary. for the singers: A history of music among Britton, Allen P. (1961). “The singing Primitive Baptists since 1800. Atwood: school movement in the United States”. Christian Baptists Library. In: LaRue, Jan (Ed.). Report of the Eighth Dykema, Peter W. (1916). “The Spread Congress of the International Musicological of the Community music Idea”. Annals Society. I: Papers. Kassel: Bärenreiter. of the American Academy of Political and Social Science 67.
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Ellinwood, Leonard (1970). The history of 1933”. Journal of historical research in music American church music. New York: Da education 31:2. Capo Press (Da Capo Press Music Howle, Mary Jeanette McGregor Reprint Series). (1999). Seven community children‟s choirs in Elrod, Pamela Gail (2001). Vocal music at Florida: Function in the community, Hull-House, 1889–1942: An overview of organizational patterns, and conductors‟ choral and singing class events and a study of theories and practices. Ph.D. University of the life and works of Eleanor Smith, founder of Florida. the Hull-House Music School. A.Mus.D. Huff, Michael D. (2002). The school chorus Urbana-Champaign: University of and commercial music festivals: A case study. Illinois. D.M.A. Arizona State University. Fuller, Charles Lee (1989). Factors related Jacobson, Marion S. (2006). “From to success at all-region and all-state choir Communism to Yiddishism: The auditions in Texas. D.M.A. Arizona State reinvention of the Jewish People‟s University. Philharmonic Chorus of New York Gee, Albert L. (1981). The impact of City”. In: Ahlquist, Karen (Ed.). Chorus organizing a youth choir in Jeffries Cross and Community. Urbana: University of Babtist Church in Burlington, North Carolina. Illinois Press. D.Min. Columbia: Howard University. Johnson, David Lee (1987). The Grace, Harvey (1929). A handbook for Contributions of William L. Dawson to the choralists. London; New York: Novello School of Music at Tuskegee Institute and to and Co. The H.W. Gray Co (Novello‟s choral music. Ed.D. Urbana-Champaign: music primers and educational series, University of Illinois. 104). Jones, Jeremy D. (2010). The development Graves, Dan (1993). “Singing out of the of collegiate male glee clubs in America: An silence: A survey of Quaker choral historical overview. D.M.A. University of music”. The choral journal 34:5. Cincinnati. Gruber, Rebecca C. (2008). The history of Jordan, John Mark (1999). “Sacred choral music activity at the University of praise”: Thomas Hastings and the reform of Nebraska-Lincoln 1885–1978. D.M.A. sacred music in nineteenth-century America. Lincoln: The University of Nebraska. Ph.D. Texas: Southwestern Baptist Guice, Merrin (2009). Make them hear Theological Seminary. you; an investigation into regional choral sound Kaptain, Laurence D. (1989). traditions on American university campuses. “Dreieinhalb Jahrhunderte Chorgesang D.M.A. Madison: The University of in Nordamerika”. Musikerziehung: Wisconsin. Zeitschrift der Musikerzieher Österreichs 43:2. Heintze, James R. (1994). American Kellermeyer, David Mathias (1964). The musical life in context and practice to 1865. Organization and Development of the Adult New York: Garland (Garland reference choir in Congregations of the United Church of library of the humanities, 1583). Christ Located in the State of Ohio: Survey Hicks, Michael (1989). Mormonism and and Recommendations. Ed.D. New York: music: A history. Urbana: University of Columbia University. Illinois Press (Music in American life). Kempton, Randall Scott (2002). Music, Holdhusen, David (2010). “A history family, mission and meaning: A qualitative of the choral music activities at study of the Ricks College choral experience. Gustavus Adolphus College from 1862– D.M.A. Arizona State University.
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Klassen, Roy Leon (1990). The influences Morrow, Phillip Jeffery (1993). The of Mennonite college choral curricula upon influence of the Robert Shaw Chorale, the music practices in American Mennonite Roger Wagner Chorale and the Gregg Smith churches. D.M.A. Arizona State Singers on the professional chorus in the United University. States. D.M.A. Kentucky: The Southern Knudsen, Alf Lunder (1989). The Baptist Theological Seminary. Norwegian male chorus movement in America: Music, David W.; Richardson, Paul A. A study. Seattle: University of (2008). „I will sing the wondrous story‟: A Washington. history of Baptist hymnody in North America. Kroeger, Karl (1979). “The Moravian Macon: Mercer University Press. choral tradition: Yesterday and today”. Naddeo, Merry Angela (1992). The New Choral journal 19:5. Life Singers: A discourse analysis of street kids Ljunggren, Christian (1987). “Tre och ”doing” a choir rehearsal. Ed.D. New York: ett halvt århundrade med körsång i Columbia University Teachers College. Nord-Amerika”. Informationsbladet Neve, Paul Edmund (1967). The Körledaren 4. contribution of the Lutheran College choirs to Lyall, Jack (1952). The adult volunteer choir music in America. S.M.D. New York: in churches having primarily non-liturgical Union Theological Seminary. services. Ph.D. New York: Columbia Oliver, Sylvester Walker (1995). African- University. American music traditions in Northeast McCord, G. Dawn Harmon (2003). Mississippi. Ph.D. Tennessee: The Choral all-state policies and practices: A University of Memphis. survey-based analysis and critique. D.M.A. Oppenheim, J. (2006). Overview of University of Georgia. America‟s professional choirs: Considerations McDaniel, Stanley Robert (1983). for establishing, maintaining and succeeding in Church song and the cultivated tradition in creating a professional or community choir in New England and New York. D.M.A. the United States. D.M.A. University of University of Southern California. North Texas. McGee, Isaiah R. (2007). The origin and Osborne, William (1994). American historical development of prominent professional singing societies and their partsongs: Ten black choirs in the United States. Ph.D. The prominent American composers of the genre Florida State University. (1860–1940) and the seminal singing societies that performed the repertory. Lawton: McGrath, Daniel James (2005). The choir American Choral Directors Association. school in the American church: A study of the choir school and other current chorister training Otte, Anne (2008). Kansas rural high school models in Episcopal and Anglican parishes. choral teachers: Demographics, program D.M.A. Santa Barbara: University of characteristics, and job satisfaction. M.M.E. California. University of Kansas. Melton, William Everett (1984). The Paine, Gordon; Swan, Howard (Eds.) status of choral music programs in the public (1988). Five centuries of choral music. Essays high schools of Tennessee. Ed.D. The in honor of Howard Swan. Stuyvesant, NY: University of Tennessee. Pendragon Press (Festschrift series, 6). Miller, Alan Wayne (1992). Choral Parker, David (1988). Discipline, recordings as history: A study of the recording perfection, and beauty: A history of choral techniques of five choral organizations. Ph.D. music at Furman University and Greenville The Florida State University. Women‟s College, 1900–1987. Greenville: A Press.
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Petrauskaitė, Danutė; Gintilas, Irena forming of a tradition. Ph.D. New York (2006). “American Lithuanian Church University. choirs – Nurturers of National Identity”. Roma, Catherine (2010). “Re-sounding: Lituanus 52:2. Refuge and reprise in a prison choral Pisciotta, Eva Mae (1992). The history of community”. International journal of jazz choir in the United States. D.M.A. community music 3:1. Kansas City: University of Missouri. Schank, Stephen P. (2007). Performing a Pohly, Linda Louise (1989). Welsh choral mission: Purposes and meaning in Latter-Day music in America in the nineteenth century. Saint institute choir tours. D.M.A. Arizona Ph.D. The Ohio State University. State University. Polman, Bertus Frederick (1981). Schisler, Charles Harvey (1976). A Church Music & Liturgy in the Christian History of Westminster Choir College, 1926– Reformed Church of North America. Ph.D. 1973. Ph.D. Indiana University. University of Minnesota. Slade, Peter (1998). “Singing a New Potter, Heather Williams (2005). Song: The Formation of the Black Perspectives on the American Children‟s choir: Student Union Choir at the University Comparing the ideas of Jean Ashworth Bartle, of Mississippi”. MiFo 31:1. Helen Kemp, Henry Leck, and Doreen Rao. Smucker, David Rempel (2004). D.M.A. Greensboro: The University of “Lifting the joists with music: The North Carolina. hymnological transition from German Price, Madalin Olivia Trigg (1995). to English for North American “Wings Over Jordan” and American radio: Mennonites, 1840–1940”. In: 1937–1947. Ph.D. The University of Blumhofer, Edith L.; Noll, Mark A. Southern Mississippi. (Eds.). Singing the Lord‟s song in a strange Reagan, A. Bakamjiann. N. (1980). Art land. Hymnody in the history of North music in Milwaukee in the late ninteenth American Protestantism. Tuscaloosa, century, 1850–1900. Ph.D. Madison: The Alabama: University of Alabama Press University of Wisconsin. (Religion and American culture). Reagon, Bernice Johnson (1991). Snyder, Suzanne Gail (1991). The “African-American congregational songs „Maennerchor‟ tradition in the United States: and singing traditions”. In: Music A historical analysis of its contribution to Educators National Conference (Ed.). American musical culture. Ph.D. The Teaching music with a multicultural approach. University of Iowa. Reston Va.: Music Educators National Steese, Ruth Zimmerman (1934). Choral Conference. music in the American colleges. Ph.D. Reid, Robert Addison (1983). Russian Rochester: University of Rochester sacred choral music and its assimilation into (Eastman School of Music studies, 1). and impact on the American a cappella choir Tarsi, Boaz (2002). “Voices in the movement. D.M.A. Austin: The University sanctuary: Musical practices of the of Texas. American synagogue”. Conservative Rhoden, Dewey Clinton (1972). The Judaism 55:1. community-oriented boy-choir in the United Tipps, James W. (1992). Profile States. Ph.D. The Florida State characteristics and musical backgrounds of University. community chorus participants in the Robertson, Patricia L. (1996). The role of southeastern United States. Ph.D. The singing in the Christian Science Church: The Florida State University.
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Tobias, Sheila; Leader, Shelah (1999). journal devoted to all aspects of American “Vox populi to music”. The journal of music and music in America 17:1. American culture 22:4. Yizar, Terrye Barron (1984). Afro- Tripold, D. (2006). The development and American music in North America before role of choirs in the worship and culture of the 1865: A study of ”The first of August Dutch Reformed Church in America, 1785– celebration” in the United States. Ph.D. 1860. Ph.D. New Jersey: Drew Berkeley: University of California. University. Zielke, Steven M. (1996). The Turley, Philip William (1988). Activities contributions of the Music Educators National and philosophical principles employed in selected Conference to the development of vocal music Indiana high school choral departments. Ph.D. education from 1907 through 1940. Ph.D. Muncie, Ind. Ball State University. The Florida State University. Va, Laura Ley (1995). Music in the Maranatha Pentecostal Church: Observations ● Körer, sångföreningar och of choir rehearsal and worship services. M.A. California: San Jose State University. körorganisationer CHOIRS, SINGING SOCIETIES AND CHORAL VanWeelden, Kimberly (2003). ORGANISATIONS “Demographic study of choral programs and conductors in four-year institutions Ackerley, Julian Michael (1983). Tuscon in the United States”. Bulletin of the council Arizona Boys Chorus: A history. A.Mus.D. for research in music education 156. The University of Arizona. Vincent, Phyllis M. (1997). A study of Anderson, Toni Passmore (1997). The community choruses in Kentucky and Fisk Jubilee Singers: Performing ambassadors implications for music education. Ph.D. for the survival of an American treasure, University of Kentucky. 1871–1878. Ph.D. Georgia State Vinson, Duncan (2010). “Liberal University. religion, artistic autonomy, and the Bauer, David Arlan (1985). The influence culture of secular choral societies”. of the ACDA upon choral music in the decade Journal of the society for American music 4:3. of the 1970s. Ed.D. Arizona State Wallace, James A. (1998). The choral University. tradition at historically Black colleges and Beck, Joseph G. (1996). “Westminster universities in Alabama, 1880–1940. Choir: Recordings as history”. The choral D.M.A. Ohio: University of Cincinnati. journal 37:4. Winterton, Bonnie Jean Moesser Blejwas, Stanislaus A. (2004). The Polish (1986). A study of the choral program: Singers Alliance of America, 1888–1998: University of Utah music department. Ph.D. Choral patriotism. Rochester, NY: The University of Utah. University of Rochester Press. Witucki, Nancy Kay Stepp (1995). The Blejwas, Stanlislaus A. (1999). “„To sing history and development of choral and out the future of our beloved instrumental music education in the Lansing, fatherland‟: Choral nationalism and the Michigan Public Schools. Ph.D. Michigan Polish Singers Alliance of America, State University. 1889–1939”. Journal of American ethnic Yardley, Anne Bagnall (1999). “Choirs history 19:1. in the Methodist Episcopal Church, Bucker, William Robert (1991). A history 1800–1860”. American music: A quarterly of Chorus America – association of professional
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 55 Choral Research. A Global Bibliography vocal ensembles. D.M.A. Kansas City: Chorale of Dallas, Texas. Ph.D. The University of Missouri. Florida State University. Buechner, Alan C. (1998). “Thomas Hamm, John (1976). The Chattanooga Walter and the Society for Promoting Civic Chorus, 1930–1957. Tallahassee: Regular singing in the Worship of God: Florida State University. Boston, 1720–1723”. Annual proceedings of Hendricks, Steven Edward (2003). The the Dublin Seminar for New England Folklife Washington National Cathedral boy choir: 21. Musical, spiritual, and academic training of the Cornwall, J. (1958). A century of singing. choristers through the twentieth century. D.A. The Salt Lake Mormon Tabernacle Choir. Indiana: Ball State University. Salt Lake City: Deseret Book Co. Hendricksen, David Alan (1988). Drayson, Susan K. (2003). A study of the Twentieth century choral music programming by transmission of Welsh traditional dance, music, Concordia, Luther, and St. Olaf College and song in North America: Recapturing Choirs, 1950–1986. D.A. Indiana: Ball Welsh tradition through Kodaly studies. State University. M.Mus. University of Calgary. Hill, Paul (1980). “The professional Duerksen, Carol (1995). We sing that choir in America. A history and a report others may live: The history of the Kansas on present day activity”. Choral journal Mennonite Men‟s Chorus, 1969–1994, 25th 20:8. anniversary. [S.l.]: Kansas Mennonite Hinkle, Leroy Bommer (1987). The Men‟s Chorus. meaning of choral experience to the adult Engelson, Robert Allen (1994). A membership of the German singing societies history of adult community choirs in Charlotte, comprising the United Singers Federation of North Carolina: 1865–1918. D.M.A. Pennsylvania. D.Ed. The Pennsylvania Arizona State University. State University. Fenton, Kevin A. (1994). Friends Holdhusen, J. David (2007). The University‟s Singing Quakers: The development Gustavus Choir: A 75 year commitment to of a tradition. Ph.D. The Florida State musical excellence. Ph.D. The Florida State University. University. Fisher, Roland (2009). The history of the Johnson, Ruth; Peterson, Elna (1983). Indiana University Singing Hoosiers choral “The Swedish Women‟s Chorus of ensemble. Ph.D. The Florida State Seattle”. Swedish-American historical University. quarterly 34:4. Giger, Jerry Eugene (1991). Music Jones, Perry (1994). “The Bethlehem selection and concert programming practices of Bach Choir approaches its centennial”. the Christian College Coalition touring choirs. The choral journal 34:9. D.M.A. Arizona State University. Lahann, Jon Clifford (1997). The Greenlee, David Wayne (1982). A study Minnesota Chorale: The growth of a symphonic of the Indiana State Choral Festival chorus, 1972–1997. Ph.D. University of Association and its contribution to secondary Minnesota. choral music programs. D.M.E. Indiana Lane, Kevin Anthony (1997). The University. University of Georgia Men‟s Glee Club: Its Gregory, Craig Allen (2009). Attributes of history and development as a musical and United States community chorus‟ success and educational organization. D.M.A. University longevity: A case study with the Turtle Creek of Georgia.
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Lawlor, Mark F. (2009). The fifty-year Tabernacle Choir, 1949–1992. Ph.D. history of the Phoenix Bach Choir: From Chapel Hill: The University of North amateur to professional. D.M.A. Arizona Carolina. State University. Porcaro, Mark David (2009). “„We Livengood, Stanley Graham (2001). A Have Something Really Going Between history of the Chicago Symphony Chorus, Us Now”: Columbia Record‟s Influence 1957–2000. D.M.A. University of on the Repertoire of the Mormon Oklahoma. Tabernacle Choir, 1949–1992”. The Mathis, Russell (1994). “To feed the Choral Scholar. The Online Journal of the soul: A selective history of the ACDA‟s National Collegiate Choral Organization 1:1. first thirty-six years”. The choral journal Poultney Area St. David’s Society 34:8. (2001). The Poultney Welsh Male Chorus, Mathis, Russell (1999). “ACDA‟s forty- 1930–1955: A Welsh heritage memory, the year journey”. The choral journal 40:4. history. Poultney Vt: Journal Press. McAnally, Elizabeth Ann (2002). Preus, J.C.K. (1961). The history of the “Singing to serve: A community choir Choral Union of the Evangelical Lutheran makes connections”. Teaching music 10:2. Church 1847–1960. Minneapolis: Augsburg. Medvedeva, Irina Aleksandrovna (2005). “Golos Rossii v Amerike: K Schenbeck, Lawrence (2005). jubileju Russkogo kamernogo hora Nju- “Representing America, instructing Jorka”. [The voice of Russia in America: Europe: The Hampton Choir tours For the anniversary of the Russian Europe”. Black music research journal 25:1– Chamber Chorus of New York]. 2. Muzejnyj listok: Priloženie k „Rossijskoj Shaffer, Richard Edward (1992). History muzykal‟noj gazete‟ 49. of the Phoenix Boys Choir: From 1947 Messer, Susan Kitts (1988). The Southern through 1989. D.M.A. Arizona State Baptist children‟s choir curricula from 1941 University. through 1985 and influences of major music Sharp, Timothy W (2009). American education trends upon the curricula. Ph.D. Choral Directors Association. Chicago IL: Louisiana State University and Arcadia Pub. Inc. Agricultural & Mechanical College. Shaw, Joseph M. (1997). The St. Olaf New England Conservatory of Music Choir: a narrative. Northfield, Minn.: St. (1960). The New England Conservatory Olaf College. Chorus, 1947–1959: an historical review. Shields, A. (1960). The Casper College Boston. Women‟s Choir: With implications for the Peters, Renae Joi Schmidt (2009). The initial organization and continuous functioning Bethel College Concert Choir: A Mennonite of community-choral groups. M.A. University voice in choral music from 1932 to 2008. of Wyoming. M.M. Kansas City: University of Smith, Vernon Leon (1985). The Missouri. Hampton Institute Choir, 1873–1973. Poovey, Gena E (2001). The Pfeiffer Ph.D. The Florida State University. College Concert Choir under the direction of Snyder, Robert (1988). “The Paterson Richard Harding Brewer 1962–1987. Jewish Folk Chorus: Politics, ethnicity, D.M.A. University of South Carolina. and musical culture”. Journal of synagogue Porcaro, Mark David (2006). The music 18:1. secularization of the repertoire of the Mormon
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Speer, Randall Craig (2001). The Trinidad. D.M.M. Kentucky: The American Composers Forum and its impact on Southern Baptist Theological Seminary. choral music in the United States. D.M.A. Ohio: University of Cincinnati. ► Asia Svela, Hilde (2002). Jeg tror – derfor synger jeg. Jeg tror – altså lever jeg! Brooklyn Tabernacle Choir – en undersøkelse av et kors ♦ China funksjon i en multikulturell menighet i New York. Oslo: Universitetet i Oslo. Ermey, William (1979). “The choral Thomas, Dwight W. (1985). “The scene in China 1979: An observation”. Singing Servants Chorus: An expression Choral journal 20:4. of Mennonite identity”. Pennsylvania Liang, Maochun (2001). “Guotongqu Mennonite heritage 8:2. de „minzhu geyong yundong‟” [The Thompson, Sandra D. (2008). A history „democratic singing movement‟ in the of Canterbury Choral Society, 1969–2007. Guomindang areas]. In: Liang, Maochun D.M.A. The University of Oklahoma. (Ed.). Bai nian yin yue zhi sheng. Beijing: Zhongguo jing ji chu ban she (Bai nian Trusler, Ivan H. (1956). A plan for Zhongguo). developing a closer relationsship between the high school choral organization and church Liang, Maochun (2001). “Yan‟an choirs. Ph.D. New York: Columbia geyong yundong he hechang chuangzuo University. gaochao”. [The singing movement in Yan‟an and the surge in choral Vail, Leland Sanford (1976). The composition]. In: Liang, Maochun (Ed.). California State University, Long Beach Sight- Bai nian yin yue zhi sheng. Beijing: Singing Honor Choir for advanced high school Zhongguo jing ji chu ban she (Bai nian music students. M.A. Long Beach: Zhongguo). California State University. Ma, Go-shun (1985). “Choral music in Vinson, Laurence Duncan III (2004). the Peoples‟ Republic of China society”. An ethnomusicological study of the Chorus of Choral journal 25:9. Westerly, an amateur/volunteer chorus in Rhode Island. Ph.D. Brown University. Meng, Chaomei (2004). “Hechang biaoyan yishu xin ganian”. [The new Whitehurst, Virginia A. (1980). The concept of the chorus]. Tianjin Yinyue development of the East-Central Indiana Xueyuan xuebao (Tianlai)/Journal of Tianjin Community Singers, Incorporated: The Conservatory of Music (Sounds of nature) director‟s perspective, 1978–80. D.A. 4:79. Indiana: Ball State University. Qiao, Xinjian (2003). “Zhongguo Yoder, Ivan E (1994). Big Valley Men‟s hunsheng changfa de chuangjian yu Chorus, 1944–1994: 50th anniversary tezheng”. [The origin and character of celebration, June 25 & 26, 1994, Belleville, mixed choral singing in China]. Pennsylvania. Belleville PA: Big Valley Huangzhong: Zhongguo Wuhan Yinyue Men‟s Chorus. Xueyuan xuebao/Huangzhong: Journal of Wuhan Conservatory of Music 2:66. ♦ Trinidad och Tobago Southcott, Jane E.; Lee, Angela Hao- TRINIDAD AND TOBAGO chun (2008). “Missionaries and Tonic Sol-fa music pedagogy in 19th-century Hostetler, Harold Rutherford (1994). China”. International journal of music The establishment of a United Baptist choir in education 26.
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Zhang, Xin (2007). “Lun Ma Geshun ● Körer, sångföreningar och jiaoshoude hechang zhihui sixiang”. körorganisationer CHOIRS, [The choral music conducting ideas of SINGING SOCIETIES AND CHORAL Professor Ma Geshun]. Xinghai Yinyue Xueyuan xuebao 1:106. ORGANISATIONS Tsutsumi, Mihoko (2007). A history of ● Körer, sångföreningar och the Japan Choral Association. Ph.D. The Florida State University. körorganisationer CHOIRS, SINGING SOCIETIES AND CHORAL ORGANISATIONS ♦ Taiwan
Ya, Wen (2003). “Liping Dongzu Weng, Chia-Fen (1995). The development Minjian Hechangtuan dui Dongzu dage and growth of choral music in Taiwan (1624– fazhan de lishixing gongxian”. [The 1994). D.M.A. Austin: The University of historical contribution of the Liping Texas. Dongzu Minjian Hechangtuan to the development of Dong galao]. In: Zhang, Zhongxiao; Yang, Fanggang; He, ► Australien, Oceanien, Guangyu (Eds.). Dongzu dage yanjiu Polynesien, Nya Zeeland wushinian. [Fifty years of research on the AUSTRALIA, OCEANIA, galao of Dong people]. Guizhou: POLYNESIA, NEW ZEALAND Guizhou Minzu Chubanshe Guiyang. Bridges, T. (2009). “Singing Locally; Thinking Globally: Why Community
♦ Japan Choirs Matter”. Illawarra Unity – Journal Hode, Yoriyuki (2002). “Utagoe Undō of the Illawarra Branch of the Australian no rekishiteki tenkai: 1946 nen kara Society for the study of Labour History 9:1. 1960 nen o chūshin ni”. [The history of Brown, Michael (2008). “Let‟s all sing! the Utagoe movement: Focusing on the The community singing movement in period from 1946 to 1960]. Erizabeto New Zealand and its publications”. Ongaku Daigaku kenkyū kiyō 22. Crescendo: Bulletin of the International Larson, David (1980). “The choral Association of Music Libraries (New Zealand scene in Japan – some observations”. Branch) 79. Choral journal 21:2. Campbell, Peter (1996). Limestone plains- song. An historical survey of choral music in Mizutamari, Mayumi (2008). ”1950 nendai ni okeru tankō rōdōsha no Canberra, 1913–1993. Diss. Australian utagoe undō”. The Hokkaido University National University. Annual Report on Cultural Sciences 126:11. Gardner, Andrew (2009). “A tale of 12 Palmer, Anthony J. (1986). “Choral choristers: The story behind an organ music in Japan”. Choral journal 27:4. stop”. Organ Australia 5:1. Hawn, C. Michael (2006). “Congregational singing from down under: Experiencing hillsong‟s „Shout the Lord‟”. The hymn: A journal of congregational song 57:2. Letts, Richard; Clingan, Judith; Leek, Stephen; Ancell, Noel; Gerner, Richard;
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Dreyfus, George (1998). “Begin with Gibb, Alex; Loader, Meagan (1997). the children: Creating the Australian “Displaced a cappella: The Bulgarian choral tradition”. In: Macarthur, Sally choral tradition and Sydney‟s Martenitsa (Ed.). The composer speaks. III. Sydney: Choir”. Perfect beat: The Pacific journal of Australian Music Centre. research into contemporary music and popular Radic, Mareen Thérèse (2005). “Major culture 3:2. choral organizations in late nineteenth- Manning, Geoffrey H. (Ed.) (1996). 50 century Melbourne”. Nineteenth-century years of singing: chorales, carols and community music review 2:2. service. A history of The Adelaide Harmony Rickwood, Julie Ann (1997). Liberating Choir Inc. Eastwood S. Aust: Adelaide voices. Towards an ethnography of women‟s Harmony Choir. community a cappella choirs in Australia. Simpson, Adrienne (2005). Hallelujahs M.A. Australian National University. & history. Auckland Choral, 1855–2005. Stillman, Amy Ku‟uleialoha (1991). Auckland N.Z.: Auckland Choral. Himene Tahiti: Ethnoscientific and Simpson, Jacqui; Grylls, Karen (1998). ethnohistorical perspectives on choral singing “„This is our story, this is our song‟: The and Protestant hymnody in the Society Islands, New Zealand National Youth Choir”. French Polynesia. Ph.D. Massachusetts: Music in the air: Song & spirituality 5. Harvard University. Southcott, Jane; Dawn, Joseph (2010). Tiemeyer-Schütte, Meike (2000). Das “Sharing community through singing: deutsche Sängerwesen in Südaustralien vor The Bosnian Behar Choir in Victoria, Ausbruch des Ersten Weltkrieges zwischen Australia”. E-Journal of studies in music Bewahrung von Deutschtum und education 8:2. Anglikanisierung. Münster: Lit Tubby, Gerald (2009). Fifty years choral (Musikwissenschaft, 7). singing in New Plymouth: City Sounds New Plymouth City Choir Inc. New Plymouth ♦ Körer, föreningar och [N.Z.]: City Sounds New Plymouth City Choir. organisationer CHOIRS, SOCIETIES AND ORGANISATIONS ► Europa EUROPE Allcott, Lisa (2006). “Behind the scenes on the new history of Auckland Choral, Anzenberger-Ramminger, Elisabeth launched on Sunday, 6 November (1996). “Das Ehrenhonorar des Wiener 2005”. Crescendo: Bulletin of the International Männergesang-Vereines: „Tantiemen‟ für Association of Music Libraries (New Zealand Chorkompositionen im 19. Branch) 74. Jahrhundert”. Neues musikwissenschaftliches Almond, Gerry (1990). The role of the Jahrbuch 5. choir in the celebration of the Liturgy at St. Auch, Eva-Maria (2007). “Chorgesang Francis Church, Lonsdale St. Melbourne: and im historischen Kontext von kulturellen the changes brought about both in repertoire and Topographien, von Schichten der the composition of the choir itself by various Identitätsstiftung und liturgical and music decrees, 1841–1974. Entwicklungsproblemen der Australian Catholic University. Zivilgesellschaft – Die Sicht der Clauson, Lorna (2000). Sweet singing in Osteuropäischen Geschichte”. In: the choir: The story of the South Auckland Fischer, Erich; Kürsten, Annelie (Eds.). Choral Society and music-making in South Chorgesang als Medium von Interkulturalität: Auckland, 1930–2000. South Auckland. Formen, Kanäle, Diskurse. Stuttgart:
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Steiner (Berichte des interkulturellen Gottwald, Clytus (2009). Hörgeschichte der Forschungsprojekts ”Deutsche Chormusik des 20. Jahrhunderts: 1950– Musikkultur im östlichen Europa”, 3). 2000. Stuttgart: Carus. Bödeker, Hans Erich; Veit, Patrice Gousset, Bruno (2003). “Le chant (Eds.) (2007). Les sociétés de musique en choral amateur dans les relations franco- Europe 1700–1920. Structures, pratiques allemandes depuis 1950”. In: Frobenius, musicales, sociabilités. Berlin: Berliner Wolf (Ed.). Wie die Zeit vergeht. Beiträge Wissenschafts-Verlag (Musical life in über “Zeit in der neueren Musik” und Europe 1600–1900, 5). “Deutsch-Französische Musikbeziehungen seit Boynton, Susan (2008). “Boy singers in 1950”. Saarbrücken: Pfau. Medieval Monasteries and Cathedrals”. Hackmann, Jörg (2009). Vereinskultur In: Boynton, Susan; Rice, Eric N. (Eds.). und Zivilgesellschaft in Nordosteuropa. Young Choristers, 650–1700. Woodbridge: Regionale Spezifik und europäische Boydell Press (Studies in medieval and Zusammenhänge. Köln: Böhlau (Quellen Renaissance music, 7). und Studien zur baltischen Geschichte, Boynton, Susan; Rice, Eric N. (Eds.) 20). (2008). Young Choristers, 650–1700. Haid, Gerlinde; Sulz, Josef (Eds.) Woodbridge: Boydell Press (Studies in (1997). Das Volkslied im Chor: Zur medieval and Renaissance music, 7). Funktionalität volkshaften Singens der Chöre Eyerly, Sarah Justina (2007). “Singing in den Alpenländern. Salzburg: Otto Müller from the heart”: Memorization and (Innsbrucker Hochschulschriften. B: improvisation in an eighteenth-century utopian Musikethnologie). community. Ph.D. Davis: University of Jacobson, Marion S. (2004). With song to California. the struggle: An ethnographic and historical Fellerer, Karl Gustav (1979). Kirchenchor study of the Yiddish folk chorus. Ph.D. New und öffentliches Musikleben. Rottenburg, York University. Stuttgart (Kirchenmusik, eine geistig- Kaden, Werner (2007). “Musik der geistliche Disziplin, 2). Deutschen im böhmischen Erzgebirge: Fischer, Erich; Kürsten, Annelie (Eds.) Die Sängerbewegung”. In: Hiekel, Jörn (2007). Chorgesang als Medium von Peter (Ed.). Musikkulturelle Interkulturalität: Formen, Kanäle, Diskurse. Wechselbeziehungen zwischen Böhmen und Stuttgart: Steiner (Berichte des Sachsen. Saarbrücken: Pfau-Verlag. interkulturellen Forschungsprojekts Kaulfürstowa, Jadwiga (2007). “Der ”Deutsche Musikkultur im östlichen sorbische Sängerbund im Spannungsfeld Europa”, 3). zwischen der deutschen und Geisler, Ursula (2001). Gesang und tschechischen Chorbewegung in den nationale Gemeinschaft. Zur kulturellen Jahren 1918 bis 1937”. In: Fischer, Konstruktion von schwedischem “folksång” und Erich; Kürsten, Annelie (Eds.). deutscher “Nationalhymne”. Diss. Baden- Chorgesang als Medium von Interkulturalität: Baden: Nomos (Die kulturelle Formen, Kanäle, Diskurse. Stuttgart: Konstruktion von Gemeinschaften im Steiner (Berichte des interkulturellen Modernisierungsprozeß, 3). Forschungsprojekts “Deutsche Musikkultur im östlichen Europa”, 3). Gondolatsch, Max (1925). Die schlesischen Musikfeste und ihre Vorläufer. King, Jeremy Rupert Nicholas (1998). Görlitz: Hoffmann & Reiber. Loyalty and polity, nation and state. A town in Habsburg Central Europe, 1848–1948. Ph.D. New York: Columbia University.
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Schwab, Heinrich W.; Hönscheidt, aktuelle vilkår i Danmark. Århus: Frauke (1996). “La musique scandinave Videncenter for unge stemmer. et les Expositions Universelles Kongsted, Ole (2008). “„Til Guds pris, parisiennes”. In: Herresthal, Harald Majestætens ære og Rigets gavn‟: Om (Ed.). Grieg et Paris. Romantisme, Matz Hack og hans virke som kongelig symbolisme et modernisme franco-norvégiens. sangmester ved Christian IIIs hof”. In: Caen: Office franco-norvégien Bisgaard, Lars (Ed.). Renæssancen i svøb. Université de Caen (Collection Dansk renæssance i europæisk belysning nordique). 1450–1550. Odense: Syddansk Sørensen, Søren (Ed.) (1990). Universitets-Forlag (University of Studentsången i Norden. Samnordiska Southern Denmark studies in history forskningsprojektet. Uppsala: Uppsala and social sciences, 374). Universitet. Lewis, M. (2008). The diffusion of Black gospel music in postmodern Denmark: With implications for evangelization, meaning ● Danmark DENMARK construction, and Christian identity. Ph.D. Arnholtz, Arthur (1951). Lille dansk Kentucky: Asbury Theological sangleksikon: oversigtslister til dansk Seminary. sanghistorie. København. Lindholm, Steen (1995). “Danish Arnholtz, Arthur (1971). Vers og sang: choral music since 1900”. Nordic sounds festskrift til Arthur Arnholtz, 28.11.1971. 3. København: Akademisk forlag. Mogensen, J.C. (1937). “Mandskor Bak, Kirsten Sass (2005). “Fællessang contra blandet Kor”. Maanedsskrift for og danskhed”. In: Koudal, Jens Henrik Amatørmusik-Kultur 3. (Ed.). Musik og danskhed. Fem faglige bidrag Nielsen, C. (1922). Korsang og Tonelære: til debatten om nationalitet. Copenhagen: C. en Oversigt over Korsangens Historie og Reitzels (Folkemindesamlingens Forhold samt en Vejledning til dens kulturstudier, 6). Forbedring. Odense. Berg, Arne (1999). “Om den klassiske Nissen, Peter E. (2008). “ „Igennem en korsang i en dansk skole og kor”. In: ren og lys Ungdomstid toner der glade Munk, Ebbe; Palsmar, Henrik (Eds.). Sange‟: Fællessang og sangbøger i Københavns Drengekor, Det Kongelige Kantori Københavns KFUM i de første årtier af 75 år. Valby: Sankt Annæ Gymnasium. det 20. århundrede”. Hymnologi 37:1. Bonde, Lars Ole (1983). “Amatør- Ørbæk Jensen, Anne (1996). Hellige korsangen i bevægelse”. Modspil 5:20. Flamme. Studentersang i Danmark i 1800- Hamburger, Povl (1937). “Kor og tallet. København: Engstrøm Sødring orgel i protestantisk liturgi”. Dansk (Studentersang i Norden, 3). Musik Tidsskrift 8. Palsmar, Henrik (Ed.) (2004). For Skolen Hansen, Otto Laust (1995). “Children og for Livet: Om korsang, dannelse og and music: Voluntary music education in læreprocesser – Festskrift 75 år. Sangskolen på Denmark”. Fontes artis musicae 42:1. Sankt Annæ Gymnasium. København: Danmarks Pædagogiske Universitets Jakobsen, Jens Peter (1963). “Kammer- Forlag. musikken, korene og kirkemusikken”. Dansk Musik Tidsskrift 1. Palsmar, Henrik (Ed.) (2007). På elverskud. Strejftog i dansk kormusik. Jensen, Julie Smed; Pedersen, Linda Festskrift DR Radiokoret 75 år. Kaul (2007). KOR|VID – korlivets København: DR.
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Jonsson, Leif (1997). “Körsången Körsången i Sverige. [Norrland] (1946). spränger gränserna”. In: Andersson, Uppsala: Nyblom. Greger (Ed.). Musik i Norden. Körstämning: en körantologi med Kjell Lönnå Stockholm: Musikaliska akademin (1986). Stockholm: Brevskolan. (Kungl. Musikaliska akademiens skriftserie, 85). Krstic, Sasa (2007). “Oh hur härlig balkansol ler” – En svensk manskörs möte Jonsson, Leif (1998). Offentlig musik i med arrangemang från en genre utöver det Uppsala 1747–1854. Från representativ till vanliga. Kandidatuppsats. Lunds borgerlig konsert. Stockholm: Statens universitet/Musikhögskolan i Malmö. musikbibliotek. Larsen, Holger (Ed.) (1993). Svenskhet i Jonsson, Leif (2001). “Chorgesang musiken. Stockholm: Stockholms überwindet Grenzen”. In: Andersson, universitet. Greger (Ed.). Musikgeschichte Nordeuropas. Dänemark, Finnland, Island, Norwegen, Larsén, Carlhåkan (Ed.) (2009). Sångare! Schweden. Stuttgart: Metzler. En bok om svensk manskörssång och Svenska Sångarförbundet. Stockholm: Gehrmans Jonsson, Leif (2009). “Stå stark, du musikförlag. ljusets riddarvakt! Folkets enande röst – manskörens roll på 1800-talet”. In: Laurell, Inger (1991). “Blygsamma Larsén, Carlhåkan (Ed.). Sångare! En bok körbidrag från landstingen – Göteborg om svensk manskörssång och Svenska undantaget”. Musiklivet: Vår sång 64:2. Sångarförbundet. Stockholm: Gehrmans Lidén, Anders (2004). “Uppsala musikförlag. Körforum 2007: för barnens sångande Jonsson, Leif; Åstrand, Hans; Nilsson, framtid”. Tidningen Körsång 1. Anne-Marie; Andersson, Greger (1994). Liljas, Juvas Marianne (2001). Skolkörens Musiken i Sverige. Stockholm: Fischer framväxt i Sverige. Aspekter på skolkörens (Kungl. Musikaliska akademiens nutida betydelse. Magisteruppsats. Kungl. skriftserie, 74). Musikhögskolan i Stockholm. Jonsson, Leif; Reimers, Lennart; Lindberg, Boel Anna Martha (1997). Tegen, Martin (1992). “Körmusiken”. Mellan provins och parnass: John Fernström i In: Jonsson, Leif (Ed.). Musiken i Sverige svenskt musikliv. Diss. Lunds universitet. III. Stockholm: Fischer. Linden, Hans; Lindberg, Boel (2010). Kämsby, Karin (2006). “Här finns “Växjö – en stad med körtraditioner”. Fångarnas kör”. Tidningen Körsång 4. In: Lindberg, Boel; Gustafsson, Magnus Karlsson, Gösta (1989). Körsången och (Eds.). Från Sigfridsmässa till The Ark. musiken i Larsmo: historik 1906–1988. Musiken i Växjö. Olofström: Växjö Larsmo: Larsmo sångkör. kommun och Smålands Musikarkiv/Musik i Syd. Karlsson, Henrik (2007). “Kör, vad vill du mig? Reflektioner om den blandade Lindström, Anki (1992). “Körstyrelse körsångens framtid”. In: Aldskogius, obekväm eller ett stöd?”. Maj (Ed.). “kunn‟ I dock så wackert låta”. Kyrkokörjournalen 3:2. Uppsala akademiska kammarkör 50 år. Lindström, Anki (1994). “Det här med Uppsala: Acta Universitatis Upsaliensis kör är min grej”. Kyrkokörjournalen 5:4. (Skrifter rörande Uppsala universitet. C. Organisation och historia, 80). Lindström, Anki (1995). ”Andligt och musikaliskt: körens dubbla uppdrag”. Kollberg, Kersti (2006). Det sjunger på Kyrkokörjournalen 6:6. ängen: de 25 första åren med körstämman i Skinnskatteberg. Täby: Lilla förlaget.
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Lindström, Anki (1997). “„Jag är det Modin, Alvar (1985). Studentsången i verkliga beviset – se på mig‟: kör i Lund på Otto Lindblads tid: En studie av den cirkel”. Mixturen 1. aldsta lundensiska studentsången 1831–1846. Lindström, Anki (2001). “Levande Lunds universitet. körrörelse”. In: Kyrkomusikernas Möller, Bert (1931). Lundensisk riksförbund: 1901–2001. Stockholm: studentsång under ett sekel. Lund: Gleerup. Kyrkomusikernas riksförbund. Möller, Birger (1992). “Musikliv i Lindström, Nils-Ivar (1995). “Ett baptistförsamlingarna: körsångskris – skapande 20-tal”. Rösträtt 1. men explosiv musikundervisning”. Ljunggren, Christian (1993). Mixturen 6. “Körsångens djupaste rötter”. Mörck, Erkki (2002). “Kyrko- Informationsbladet Körledaren 2. musikaliskt perspektiv: körens och Ljunggren, Christian (1995). “Om orglarnas placering, körens roll i radions körverksamhet och dess gudstjänsten, etc”. In: Ahrén, Per-Olov betydelse för svenskt körliv: samtal med (Ed.). Från S:t Olof till S:ta Anna: Eric Ericson”. Informationsbladet kyrkobyggande i Lunds stift under senare Körledaren 1. hälften av 1900-talet. Lund: Arcus (Årsbok/Stiftshistorika sällskapet i Ljunggren, Christian (1996). “Den Lunds stift, 2002). skapande männsiskan: reflektioner kring vad det egentligen handlar om – det där Mosaiska församlingen (1925). vi håller på med vecka ut och vecka in”. Betänkande med förslag i fråga om Mosaiska Informationsbladet Körledaren 1. församlingens i Stockholm körfråga. Stockholm. Ljunggren, Christian (1997). “Kör och amatör: några reflexioner över ett inte Myers, Margaret (1997). “„De svenska helt oproblematiskt begreppspar”. näktergalarne‟: täcka figurer och Informationsbladet Körledaren 1. stormande applåder: resande svenska damvokalensembler 1870–1920”. In: Ljunggren, Christian (2001). Norén, Kerstin (Ed.) Vad menar dom “Strömmar ur eviga källor: tankar om egentligen? från bondejargong till forskarretorik. körsången i Svenska kyrkan under 100 Göteborgs universitet. år”. In: Kyrkomusikernas riksförbund: 1901–2001. Stockholm: Myers, Margaret (1999). “„Våra Kyrkomusikernas riksförbund. sångfoglar”: svenska damvokal- ensembler 1870–1920”. Evterpe 3/4. Löfcrantz, Vigo (2004). “En liten körhistoria om våren”. Wendelavisan 25. Netterstad, Märta (1982). Så sjöng barnen förr: textmaterialet i de svenska Löfgren Hägglund, Rose-Marie (1993). skolsångböckerna 1842–1972. Diss. ”Ombudsmötet i Lilla Paris gick i Stockholm: Rabén & Sjögren. sångens tecken”. Musiklivet: Vår sång 66:3. Nilsson, Curt (1996). “Skinnskatteberg och körstämman”. In: Svensson, Alvar; Månsson, Ingemar (2006). Kung Lundberg, Kerstin (Eds.). Kultur som Liljekonvalje: essäer om körmusik. Slite: resurs. Om den lokala kulturpolitikens Wessmans musikförlag. möjligheter. Stockholm: Svenska Milveden, Ingmar (1973). “Sjungen kommunförbundet. ödmjukhet”. In: Lindblom, Andreas Nordström, Harald (1940). “Den (Ed.). Vadstena klosters öden: Till 600- svenska sången”. Röster i radio 46. årsminnet av Birgittas död. Finspång: Finspångs bokhandel.
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Björling, Sture (1996). “Grafiska kören: Edwardsson, Kerstin (2005). ”Trotsiga Grafiska fackföreningens sångkör i kören: Oscars Kyrkokör trotsar Stockholm”. Samklang 38:2. ålderskrämporna och fortsätter att Björling, Sture (1997). Grafiska kören i sjunga”. Tidningen Körsång 2. Stockholm 150 år (1846–1996). Ejeby, Bo (Ed.) (1988). Göteborgs Stockholm: Grafiska fackföreningen. kammarkör 1963–1988. Göteborg: Björling, Sture (2006). “Grafiska kören: Kören. en av de äldsta i landet”. Samklang 48:4. Emche, Aron; Lundgren, Olle (1956). Blomé, Christine (1993). “Jubelaurentii i Hjärtats nyckel heter sång: en programskrift Berwaldhallen: Eller historien om en vid KFUM-körens i Stockholm konserter körmodell som fungerar”. 1956 inför den förestående Amerikaturnén. Stockholm: KFUM-kören i Stockholm. Kyrkomusikernas tidning 59:15. Bohlin, Folke (1978). “När blev OD Engström, Bengt Olof (2009). Evergreen: OD?”. In: Hellström, Sten-Gunnar berättelsen om en seniorkör i solna under 38 (Ed.). Annorlunda manskör. Uppsala: år. Solna: Evergreen. Sångsällskapet Orphei drängar. Eriksson, Göte (1968). Betelkören, Borås orkesterförening 1912–1917: Örebro, etthundra år: några bilder från Musikfesten 20–22 april 1917 (1917). körarbetet i Örebro första baptistförsamling Borås. åren 1868–1968. Örebro. Brahe djäknar 1962–1967: en översikt av Eriksson, Gunnar (1997). 25 år med studentkören Brahe djäknars verksamhet under Nordanstigs manskör: 1972–1997. Bergsjö: 5 år (1967). Åbo: Kören. Kören. Claesson, Christina (2008). Sånger vid Ett blandat sällskap: Allmänna sången 150 havet: Malmö akademiska kör och orkester. år (1980). Uppsala: Allmänna sången. Malmö: Malmö högskola. Falkenbergs manskör 90 år: jubileum (1996). Colldén, Anders (1996). “10 år med Falkenberg: Kören. FSK! En tillbackablick”. Informations- Festskrift utg. vid Stockholms kommunal- bladet Körledaren 3. arbetares sångkörs 25-årsjubileum 24/3 Colldén, Anders (2006). “Körverk- 1946. (1946). Stockholm: Förenade samhet i Oscars församling 1956–2006”. tryckerier. In: Rengmyr Lövgren, Birgitta; Friedner, Calle (2008). Hör klangen: Forsberg, Katarina (Eds.). Oscars Stockholms gosskör 70 år. Stockholm: församling 100 år: minnesskrift 1956–2006. Stockholms gosskör. Stockholm: Oscars församling. Fröberg, Margareta (2006). “Aringsås Corlin, Eva (2006). ”Härlig gemenskap i sångkör – Alvesta kyrkokör: berättelsen Älvkarleby Gospel”. Kyrkokörjournalen 2. om en 100-årig kör och dess ledare”. Cox, Roland (1993). “„Happy gays are Värendsbygder 78. here again‟”. Sångaren 80:1. From sea to shining sea: KFUM-kören i Cox, Roland (1994). “Samsång räddar Stockholm: USA 1956 (1957). Stockholm: småkörerna: jämtarna som inte ger sig”. KFUM. Sångaren 81:4. Gammelstads manskör 1911–1971. (1971). Crona, Ann-Marie (1956). Lunds Gammelstad: Kören. studentsångförening 125 år. Lund: Gleerup. Girardet, Veronique (2006). Konstnärlig process och måluppfyllelse i Lunds Vokalensemble – “…en lite sån magisk
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 86 Choral Research. A Global Bibliography upplevelse”. Kandidatuppsats. Lunds Höjbrandt, Bengt (Ed.). (1995). En universitet/Musikhögskolan i Malmö. körhistoria: 1862–1995. Stockholm: Göteborgs allmänna körförbund: 60 år 1985 Stockholms allmänna sångfören. (1985). Göteborg: Förbundet. Holmgren-Norrman, Judit (1996). Gotlands körförbund: 1926–1996: ”Norrbomska ungdomskören”. jubileumsskrift (1996). Visby: Förbundet. Kirunatidningen 4. Gottvall, Otto (1944). “Medelpads Hult, Elisabeth Lill (1985). Körliv under körförbund 40 år”. Medelpads 60 år. Sveriges körförbund 1925–1985. hembygdsförbunds årsbok 3. Stockholm: Sveriges körförbund. Granér, Gabriel (1933). Berättelse över Hult, Elisabeth Lill (1992). Sveriges körförbunds verksamhet under tre- “Akademiska kören i Stockholm: årsperioden 1930–1932. Stockholm: Sveriges första blandade studentkör – 60 Sveriges körförbund. år”. Musiklivet: Vår sång 651. Green, Claes (1970). Chalmers sångkör Husums manskör: jubileumsskrift 1917– 1870–1970: en historisk sammanställning 1967 (1967). Husum: Kören. med anledning av 100-årsjubileet den 14 Jämtlands läns körförbund 1926–1976: november 1970. Göteborg: Kören. jubileumsskrift (1976). Östersund: Hagman, Björn (1981). Vasa Förbundet. kammarkör. Vasa: Kören. Johansson, Bror (1997). KFUM-kören Halmstad manskör 50 år: 1943–1993: Örebro 100 år: 1897–1997: jubileumsskrift. jubileumsskrift (1993). Halmstad: Kören. Örebro: KFUM-kören. Johnson, Anna (Ed.) (1977). Halvorsen, Tord; Axelsson, Rolf (1968). KFUM-kören, 1950–1965. Akademiska kapellet i Uppsala under 350 Stockholm: KFUM. år. En översikt – från chorus musicus till symfonisk samverkan. Uppsala universitet Hardemo kyrkokör 1878–1978: en historik (Acta Universitatis Uppsaliensis). (1978). Kumla: Kören. Jonsson, Leif (2005). “Fisk Jubilee Härnösands allmänna sångförening Singers Sverigeturné 1895”. In: (1954). Festskrift: Härnösands allmänna Björnberg, Alf (Ed.). Frispel: Festskrift till sångförenings 50-års jubileum: 1904–1954. Olle Edström. Göteborgs universitet. Härnösand. Karlsson, Åke (1969). Sandgrenska Hedblom, Anders Im. (1963). Ludvika manskören, Karlskrona, 1909 8/11 1969: missionskyrkokör: en kör historia. Ludvika. 60-årsjubileum. Karlskrona: Kören. Hedlund, Oscar (1995). “En god knipa Körsång & scenshow: ABF-kören Babords kallad Radiokören”. Musik 8. halsar 1944–2004: 60 år (2003). Hellström, Sten-Gunnar (Ed.) (1978). Nynäshamn: Babords halsar. Annorlunda manskör. Uppsala: Kyrkomusikernas riksförbund: 1901–2001 Sångsällskapet Orphei drängar. (2001). Stockholm: Kyrkomusikernas Hemberg, Eskil (1997). “The Opera riksförbund. Chorus and its repertoire in 400 years”. Längbro kyrkokör – Örebro körsällskap: The international choral bulletin 17:1. 1920–1970 (1970). Örebro: Örebro Hjelmqvist, Nils Fredrik (2008). körsällskap. ”Körjubileum 1928–2008”. Larbring, Harry (1972). Ett körförbund: Hemmesjöbygden: meddelande från Hemmesjö en studie över Göteborgs allmänna körförbund. hembygdsförening 32:2. Göteborg.
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Larsén, Carlhåkan; Lund, Per-Olof Melin, Olle (2009). Sandgrenska (2009). “Vi äro muntra musikanter. manskören: nedslag i körens 100-åriga historia Svenska Sångarförbundets hundra år”. 1909–2009. Karlskrona: Sandgrenska In: Larsén, Carlhåkan (Ed.). Sångare! En manskören. bok om svensk manskörssång och Svenska MF-kören 25 år (1958). Arvika. Sångarförbundet. Stockholm: Gehrmans musikförlag. Munkfors missionsförsamlings blandade kör 100 år: 1875–1975 (1975). Munkfors. Laudamus: minnesskrift vid Linköpings domkyrkokörs 100-årsjubileum (1987). Nedre Ulleruds kyrkokör 1943–1993. Linköping: Kören. (1993). Deje: Kören. Laurentii gosskör 10 år : [jubileumsskrift] Norberg, Gerd (1996). Norakören 1896– (1983). Sollentuna: Föreningen 1996: 100 år med sång och musik. Utvik: G. Sollentuna kyrkas körer. Norberg. Limberg, Lennart (1969). Akademiska Nordin, Katharina (1996). “Korallerna, kören i Göteborg 50 år: en historik. mer än kyrkans barnkör”. Ärkestiftet 82. Uddevalla. Olsson, Erik (1964). Leksands kyrko- och Lindström, Jonatan (2006). “Födde: en hembygdskör sjuttiofem år: Siljansbygdens nationell ungdomskör”. Kyrkokörjournalen körförbund sextio år: minnesskrift. Leksand: 6. Leksands kyrko- och hembygdskör. Ljungberger, Erik (1922). Med Olsson, Lars (1967). Göteborgs Antwerpenkören till 7:e olympiaden 1920: konserthuskör 1917–1967. Göteborg: några korta anteckningar om en svensk Kören. sångarskaras långa segertåg. Stockholm: Orden av Runebergs sångarförbunds Finlands- Stadsingeniör G. Hultquist. kör: Juni 1930 (1930). Tacoma: Puget Lunds akademiska kör 1927–1948– Sound Publishing Co. 1987/88: jubileumsskrift (1988). Lund: Österholm, Lars-Henrik; Lång, Börje Kören. (1972). Studentkören Brahe djäknar r.f. Manskören Frihetsbröderna 1905–1965 1967–1972: en översikt av körens verksamhet (1965). Helsingfors: Kören. under fem år. Åbo: Kören. Manskören Iris 75 år (1976). Arvika: Ovikens manskör 130 år: jubileumsskrift Kören. 1995 (1995). Oviken: Kören. Manskören Lorelei 60 år (1987). Örebro: På fredlig vikingafärd: Svenska K.F.U.M.- Kören. körens sångarfärd till Amerika 1906 (1907). Stockholm: Palmquist. Martling, Carl Henrik (1967). Uppsala domkyrkokör 100 år. Uppsala: Kören. Petersén, Gunilla (1997). “Bra sångröst, teknik, kondition och minne krävs av en Mattson, Ernst; Emche, Aron (Eds.) heltidsanställd operakorist”. Operan. (1950). KFUM-kören i Stockholm 25 år: 98:4. några minnesbilder tillägnade KFUM, sångarbröderna och körens vänner. PGL-kören: 1953–1968 (1968). Stockholm: KFUM-kören. Göteborg. Medelpads allmänna körförbund 1903–1922 Plym Forshell, Pernilla; Åkerström, (1922). Sundsvall. Kerstin (1992). Uppsala domkyrkokör 125 år: en krönika i ord och bild från 1967– Medelpads allmänna körförbund 50 år: 1992. Uppsala: Kören. Historik. Program. Texter (1953). Sundsvall.
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Postmannakören, Göteborg: 35-årsjubileum: Toner i Vemmenhög: en liten skrift om 1927 6/10 1962 (1962). Göteborg: Vemmenhögs sångkör 1954–2004 (2004). Kören. Vemmenhög: Vemmenhögs sångkör. Rodriguez, Kiki (1998). Uddevallavarvets sångkör: historien om en kör “Näktergalningarna: en teaterkör i (1996). Uddevalla: Kören. Skarpnäck”. Rösträtt 4. Uti vår hage: Uppsala akademiska Rosén, Erik (1933). Düringska kören: Ett kammarkör 25 år (1982). Uppsala. blad ur Norrköpings musikliv 1882–1933. Västmanlands körförbund 40 år: 1928–1968 Norrköping. (1968). Västerås. Rudén, Jan Olof (2004). “Amerikakören Vettergren, Janna (2007). “Årets kör 1938”. Alfvéniana 3/4. satsar på samarbete med tonsättare”. Schött, Harald (1931). Linköpings Kongl. Tidningen Körsång 4. gymnasii sångsällskap genom tiderna: Historik Wall, Sara (2002). The Real Group. på sällskapets 100-års-jubileum den 7 mars Evolution of sound. C-uppsats. Uppsala 1931. Linköping: Östgöta Corresp. universitet. Sibbo sångarbröder 1938–1978. (1978). Westerberg, Arnold (1962). Nickby. Smedjebackens manskör 50 år: 1912–1962. Sjuhäradsbygdens körförbund 1924–1954: Morgårdshammar. kyrkosångshögtiden i Borås 30–31 oktober Westman, Sven (1993). “Hacksta 1954 (1954). Borås. kammarkör 20 år”. Rösträtt 2. Starrkärrs kyrkokör hundra år: 1897–1997 Wrangel, Ewert (1931). Lundasångens (1997). Nol: Kören. hundraårsjubileum: minnesskrift på uppdrag av Stenberg, Ingeborg (1972). “Ett Lunds studentsångförening. Lund: Borelius. sångarjubileum: Överkalix sångkör Ytterlännäs kyrkokör (1967). Sång- och 1922–1972”. Överkalix. musikutövning i Ytterlännäs under 120 år: Stockholms körförbunds festskrift (1930). Ytterlännäs kyrkokör 1847–1967, Bollsta- Stockholm. Väja musikkår 1897–1967, Bollsta-Väja Storkyrkans kör 30 år (1997). Stockholm: manskör 1907–1967. Jubileumsskrift 1967. Domkyrkoförsamling. Bollstabruk. Sundström, Einar (1929). Till Par Zettergren, Nils Gustaf (1966). Malmö Bricole-körens historia. Stockholm: Par Par Bricoles sångkör genom tiderna: 1878– Bricole. 1966: från protokoll och program. Malmö: Kören. Svalöfs sångsällskap 1921–1946 (1946). Arlöv: Perfekta-tr. Zions harpa: 100 år med Immanuelskyrkans körer i Norrköping (1974). Norrköping: Svenska K.F.U.M-kören 1894–1919 Immanuelskyrkan. (1919). Stockholm: K. boktr. Norstedt. Svensson, Henry (1998). “Felicitas: ett eko från Höganäs”. Kullabygd 71. ♦ Österrike AUSTRIA Sveriges körförbund. Handlingar 1922–1975, Burkhart, Franz (1969). 71 vol. Stockholm: Riksarkivet. ”Laienchorsingen in Österreich”. Tapper, Tage (1978). Hardemo kyrkokör Österreichische Musikzeitschrift 24:2. 1878–1978: en historik. Hardemo: Kören. Chorverband Salzburg; Tiroler Volksliedarchiv. (2007). Vokalmusik zur
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● Körer, föreningar och Gesangverein Leoben, Deutscher Akademischer organisationer CHOIRS, Gesangverein Leoben. Chronik 1862–1901. Graz: Verlag des Altherrenverbandes SOCIETIES AND ORGANISATIONS der Akademischen Sängerschaft Gothia Boehm, August (1908). Geschichte des (Mitteilungen der Akademischen Singvereines der Gesellschaft der Musikfreunde Sängerschaft Gothia zu Graz und ihres in Wien. Festschrift zum fünfzigjährigen Altherrenverbandes, 53). Singvereins-Jubiläum von Prof. Dr. August Schilder, Rudolf (1983). 1883–1983. Böhm Edlen v. Böhmersheim. Wien: 100 Jahre Männergesangverein „Sängerbund‟ Holzhausen. Deutsch-Wagram. Deutsch-Wagram: Fürst, Paul Walter (Ed.) (1994). Zur Männergesangsverein „Sängerbund‟. Situation der Musiker in Österreich: Referate der Musik-Symposien im Schloß Schloßhof ○ ► ♦ Polen POLAND 1989–1993. Wien (Schriftenreihe des Instituts für Wiener Klangstil, 2). Barszczewska, Krystyna (1975). “Z Krones, Hartmut (2004). “Zur dziejów amatorskiego ruchu Frühgeschichte des österreichischen spiewaczego w Zabrzu (1848–1939)”. Arbeitersängerbundes, 1867–1901– [History of the amateur singing 1914”. In: Kuret, Primoţ (Ed.). movement in Zabrze (1848–1939)]. Zborovska glasba i pevska društva ter njihov Kroniki miasta Zabrza 8. pomen v razvoju nacionalnih glasbenih kultur. Bystrzonowska, Anna (1967). “Chóry [Choral music and choral societies, and krajowe i zagraniczne na estradzie their role in the development of the Filharmonii Poznanskiej w latach od national musical cultures]. Ljubljana: 1947 do 1959/60”. [Polish and foreign Festival. choirs in the Poznan Philharmonic in Meyer, Xaver (1993). “Vom Heumarkt the years 1947–1959/60]. Kronika Miasta bis Japan – 150 Jahre Männergesang- Poznania 35:4. Verein: Über Geschichte und Buch des Domańska-Maćkowiak, Krystyna Chores”. Österreichische Musikzeitschrift (1992). “Rozwój amatorskiego ruchu 48:10–11. śpiewaczego i instrumentalnego w Meyer, Xaver (2001). Wiener ramach Polskiego Związku Chórów i Madrigalchor: Eine Chronik über 50 Jahre Orkiestr (1970–1990)”. [The Chorgeschichte. Wien: Wiener development of amateur singing and Madrigalchor. instrumental playing through the Polski Peschke, Fritz (1994). “Der Alltag eines Związek Chórów i Orkiestr, 1970– Berufschorsängers am Beispiel des 1990]. In: Hellwig, Jan (Ed.). Wiener Staatsopernchores”. In: Fürst, Zorganizowany amatorski ruch chóralny w Paul Walter (Ed.). Zur Situation der Wielkopolsce: 1892–1992. [The united Musiker in Österreich: Referate der Musik- amateur choir movement in greater Symposien im Schloß Schloßhof 1989–1993. Poland: 1892–1992]. Poznań: Wien (Schriftenreihe des Instituts für Wielkopolski Związek Chórów i Wiener Klangstil, 2). Orkiestr. Reiber, Joachim (2007). Wiener Singverein Domańska-Maćkowiak, Krystyna – Menschen, Stimmen, Götterfunken. St. (2000). “Związki Akademii Muzycznej z Pölten: Residenz-Verlag. ruchem śpiewaczym w Poznaniu do roku 1939”. [Relations of the Akademia Reimann, Reinhold (1977). Akademische Muzyczna with the singing movement in Liedertafel Leoben, Akademischer Poznań up to 1939]. In: Akademia
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Muzyczna im. I.J. Paderewskiego (Ed.). during the time of the plebiscites]. Homines, Ars et Scientia: Praca zbiorowa Kwartalnik opolski 27:2. dedykowana Akademii Muzycznej im. I.J. Szajek, Stanisław (1992). Paderewskiego w Poznaniu z okazji jej “Wychowawcze wartości osiemdziesięciolecia (1920–2000). Poznań. Wszechsłowiańskiego Zjazdu Flam, Gila (1992). Singing for survival: Śpiewaczego w Poznaniu w 1929 roku”. Songs of the Lodz ghetto, 1940–45. Urbana: [The educational role of the pan-Slavic University of Illinois Press. singing movement in Poznań, 1929]. In: Gancarczyk, Paweł (1999). “Cantus Hellwig, Jan (Ed.). Zorganizowany planus multiplex: Polifonia chorałowa w amatorski ruch chóralny w Wielkopolsce: Polsce XIII–XVI wieku”. In: 1892–1992. [The united amateur choir Witkowska-Zaremba, Elżbieta (Ed.). movement in greater Poland: 1892– Notae musicae artis. Notacja muzyczna w 1992]. Poznań: Wielkopolski Związek źródłach polskich XI–XVI wieku. [Notae Chórów i Orkiestr. musicae artis: Musical notation in Polish Winowicz, Krystyna (1982). Narodowe i sources, 11th–16th century]. Kraków: patriotyczne idee wielkopolskiego ruchu Musica Iagellonica. spiewaczego. [The national and patriotic Hellwig, Jan (Ed.) (1992). Zorganizowany ideas of the singing movement in amatorski ruch chóralny w Wielkopolsce: Wielkopolska]. Poznań: Krajowa 1892–1992”. [The united amateur choir Agencja Wydawnicza. movement in greater Poland: 1892– Wiśniowski, Jerzy; Pałubicki, Konrad 1992]. Poznań: Wielkopolski Związek (Eds.) (1981). Spoleczny ruch muzyczny na Chórów i Orkiestr. Pomorzu. [The social musical life in Pomerania]. Bydgoszcz: Wyższa Szkoła Loos, Helmut (2000). “Deutsches Männerchorwesen in Danzig”. In: Pedagogiczna (Prace wydzialu nauk Popinigis, Danuta (Ed.). Musica Baltica. humanistycznych. Prace komisji sztuki). Danzig und die Musikkultur Europas. Witkowski, Leon (1970). ”Dzieje Gdansk. polskiego amatorskiego ruchu Michalak, Jerzy Marian (2007). “„Es ist spiewaczego w Grudziadzu”. [A history itzt eyn ander wellt, vnd gehet anders of the Polish amateur singing movement zu‟. Evangelische Kantoren und in Grudziadz]. Rocznik grudziadzki 5–6. Kantorate im Danzig des 18. Witkowski, Leon (1981). “Zarys Jahrhunderts”. In: Kremer, Joachim; dziejów polskiego ruchu śpiewaczego na Werbeck, Walter (Eds.). Das Kantorat des Pomorzu do roku 1939”. [An outline Ostseeraums im 18. Jahrhundert. Bewahrung, history of the Polish singing movement Ausweitung und Auflösung eines in Pomerania up to 1939]. In: kirchenmusikalischen Amtes. Berlin: Frank Wiśniowski, Jerzy; Pałubicki, Konrad & Timme (Greifswalder Beiträge zur (Eds.). Prace komisji sztuki. D/4. Musikwissenschaft, 15). Wydawnictwo Muzyczne Bydgoszcz. Poźniak, Piotr (1999). Repertuar polskiej Zakrzewska-Nikiporczyk, Barbara muzyki wokalnej w epoce Renesansu. Studium (1979). “Z dziejów polskiego swieckiego kontekstualno-analityczne. Kraków: Musica ruchu spiewaczego w Wielkim Ksiestwie Iagellonica (Acta musicologica Poznanskim (lata 1870–1892)”. [The Universitatis Cracoviensis, 6). history of the secular choral movement Świerc, Piotr (1981). “Ruch spiewaczy in the Great Duchy of Poznan (1870– na Górnym Slasku w dobie plebiscytu”. 92)]. Muzyka: Kwartalnik poświęcony historii [The singing movement in Upper Silesia i teorii muzyki 24:2.
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Cernusenko, Vladislav (1982). “Pervyj Metuchen, N.J.: Scarecrow Press russkij hor”. [The first Russian choir]. (Studies in liturgical musicology, 1). In: Levando, Petr Petroviĉ (Ed.). Sekiguchi, Hiroko (2001). “H.G. Stanovlenie i razvitie nacional‟nyh tradicij v Nēgeri to Suisu no dansei gasshō undō: russkom horovom iskusstve (tvorcestvo, 19-seiki zenki Suisu ni okeru ongaku ispolnitel‟stvo, obrazovanie). [The formation shakai no ichi sokumen”. [H.G. Nägeli and development of national traditions and the men‟s chorus movement in in Russian choral singing (repertory, Switzerland: An aspect of music and performance practice, education)]. society in Switzerland in the first half of Leningrad: Leningradskaia gos. the 19th century]. Ongakugaku 47:1. konservatoriia im. N.A. Rimskogo- Korsakova. Zahnd, Urs Martin (1996). “Chordienst und Schule in eidgenössischen Städten Dunlop, Carolyn C. (2000). The Russian des Spätmittelalters: Eine Untersuchung court chapel choir, 1796–1917. Amsterdam: auf Grund der Verhältnisse in Bern, Harwood Academic Publishers. Freiburg, Luzern und Solothurn”. In: Kahnberg, Peter (1991/92). “Logos: Kintzinger, Martin (Ed.). Schule und kammarkören från Moskvas första Schüler im Mittelalter. Beiträge zur baptistförsamling”. Mixturen 22:2. europäischen Bildungsgeschichte des 9. bis 15. Ritchie, Carolyn Cairns (1994). The Jahrhunderts. Köln: Böhlau (Beihefte zum Russian Court Chapel Choir, 1796–1917. Archiv für Kulturgeschichte, 42). Ph.D. University of Glasgow. Smith, Susannah Lockwood (1997). ♦ Serbien SERBIA Soviet arts policy, folk music, and national identity: The Piatnitskii State Russian Folk Lazić, Milisav (1987). “Sto pedeset Choir, 1927–1945. Ph.D. University of godina organizovanog horskog pevaštva Minnesota. u Vojvodini”. [150 years of organized choral singing in Vojvodina]. In: Proleće na čenejskim salašima. Pčesa ‟87. ♦ Schweiz SWITZERLAND [Springtime at the Ĉenej fields. Pĉesa ‟87]. Novi Sad: Vojvođansko Društvo za Briner, Andres (1991). “Die Musikstadt Poljoprivrednu Tehniku. und die Schweiz: Zürich als Wiege des Chorgesangs”. Schweizer Monatshefte 71. Marković, Tatjana (1994). “Crkvene kompozicije na repertoaru srpskih Gordon, Bruce (2003). “Zwingli and pevaĉkih društava do 1914. godine”. church music: Another look”. Church [Sacred compositions in the repertoires music quarterly 7. of Serbian singing societies before Hauri-Karrer, Antoinette (2001). Hab 1914]. Zbornik Matice Srpske za scenske oft im Kreise der Lieben …: Dättwil und seine umetnosti i muziku 15. Chortraditionen. Dättwil: Chronikgruppe Marković, Tatjana (1995). “Serbian Dättwil. choral music of the 19th century in Jenny, Markus (1994). “Der Engadiner cooperation with poetry: Comparative Kirchengesang im 17. und 18. research”. New sound: International Jahrhundert: Ein kulturhistorisches magazine for music 6. Unikum”. In: Brouwer, Frans; Leaver, Marković, Tatjana (1995). Srpska horska Robin A.; Honders, Casper (Eds.). Ars et muzika XIX veka u sadejstvu sa poezijom”. musica in liturgia. Essays presented to Casper [Serbian choral music of the 19th Honders on his seventieth birthday.
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 96 Choral Research. A Global Bibliography century and its relationship to poetry]. Banat (Panĉevo and Veliki Beĉkerek) in M.A. Beograd: Muziĉke Umetnosti. the 19th century”. New sound: International Marković, Tatjana (2007). “Horska magazine for music 28. muzika”. In: Kneţević-Ţuborski, Lenka Marković, Tatjana; Korić, Vesna (Ed.). Istorija srpske muzike. Srpska muzika (1997). “Collegium Musicum: The 25th i evropsko muzicko nasleðe. Beograd: Zavod anniversary of the academic female za Udzbenike. choir from Belgrade”. New sound: Pejović, Roksanda (2006). “Horovi u International magazine for music 9. beogradskom muziĉkom ţivotu prvih Perković Radak, Ivana (2008). Od godina po završetku drugog svetskog anđeoskog pojanja do horske umetnosti: Srpska rata (1944–1950)”. In: Veselinović- horska crkvena muzika u periodu romantizma Hofman, Mirjana (Ed.). Novi zvuk: (do 1914. godine). Beograd: Fakultet Internacionalni časopis za muziku. 28 (2006): Muziĉke Umetnosti (Muzikološke Horsko stvaralaštvo jugoistočne Evrope. studije: Disertacije). Beograd: Savez Organizacija Kompozitora Jugoslavije. ♦ Slovakien SLOVAKIA Zulić, Miradet (2006). “Srpska pjevaĉka društva u Tuzli i Bijeljini do 1914. Lengová, Jana (2004). “Die Slowakische godine”. [Serbian choral societies in Chorbewegung in der zweiten Hälfte des Tuzla and Bijeljina until 1914]. In: 19. Jahrhunderts”. In: Kuret, Primoţ Veselinović-Hofman, Mirjana (Ed.). (Ed.). Zborovska glasba i pevska društva ter Novi zvuk: Internacionalni časopis za njihov pomen v razvoju nacionalnih glasbenih muziku. 28 (2006): Horsko stvaralaštvo kultur. [Choral music and choral jugoistočne Evrope. Beograd: Savez societies, and their role in the Organizacija Kompozitora Jugoslavije. development of the national musical cultures]. Ljubljana: Festival. ● Körer, föreningar och Lengová, Jana (2007). “Kúĉová rola organisationer CHOIRS, zbormajstrov vo vývoji slovenského zborového hnutia (1860–1918)”. [The SOCIETIES AND ORGANISATIONS key role of choral masters in the Marković, Tatjana (1997). “Collegium development of the Slovak choral Musicum: 25 godina rada akademskog movement (1860–1918)]. In: Chalupka, ţenskog hora iz Beograda”. [Collegium Ľubomír (Ed.). K pocte Alexandra Mozyesa Musicum: The 25th anniversary of the a Ľudovíta Rajtera. Bratislava: academic female choir from Belgrade]. Stimul/Filozofická Fakulta Univerzity Novi zvuk: Internacionalni časopis za muziku Komenského. 9. Marković, Tatjana (2003). “Choral ♦ Slovenien SLOVENIA society as a signifier of Serbian culture: Marking the 150th anniversary of the Ferenčak, Štefan Alojzij (2002). First Belgrade Choral Society (1853– ”Cerkvena pesem in narodna istovetnost 2003)”. New sound: International magazine na Slovenskem”. [Church hymns and for music 22. national identity in Slovenia]. Cerkveni Marković, Tatjana (2006). “The specific glasbenik: Revija za cerkveno glasbo 95:3–4. nature of the activities of choral Gorńe, Martin; Kernel, Leon (2005). societies in a multi-ethnic context: A “Cerkveno ljudsko petje”. [Traditional case study of Serbian choral societies in church singing]. Cerkveni glasbenik 98:2.
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Granda, Stane (2006). “Najlepši je svetovno vojno”. In: Kuret, Primoţ ĉloveški glas, v katerem (ĉlovek) poje in (Ed.). Zborovska glasba i pevska društva ter govori, ţaluje in se veseli”. [The most njihov pomen v razvoju nacionalnih glasbenih beautiful is human voice, with who (the kultur. [Choral music and choral man) sings and talks, morn and is societies, and their role in the joyful]. In: Kert, Joţko (Ed.). Slomšek in development of the national musical glasbena vzgoja mladih: Zbornik predavanj. cultures]. Ljubljana: Festival. Prevalje: Kulturno Društvo Mohorjan. Logar, Engelbert (1990). “Volkslied und Granda, Stane (2006). “Vloga glasbe, Kunstlied bei den Kärntner Slovenen zlasti petja, v rasti slovenske narodne unter besonderer Berücksichtigung der zavesti (do leta 1848)”. [The role of Entwicklung des slowenischen music, especially singing, in the growth Chorwesens in Kärnten”. In: Kuret, of Slovenian national consciousness (up Primoţ; Strajnar, Julijan (Eds.). Ljudska to 1848)]. Muzikološki zbornik 42:2. in umetna glasba v 20. stoletju v Evropi. Kernel, Leon (1989). “Organisti in Ljubljana: Festival. pevovodje na Pivki”. [Organists and Rijavec, Andrej (1979). ”Omladinska choral directors in Pivka]. Cerkveni horska muzika”. Zvuk: Jugoslavenska glasbenik 82:1–3. muzička revija 1. Kernel, Leon (2003). “Zborovske Ńkulj, Edo (2002). “Franc Kimovec, pesmarice in pomlajevanje pevskih pospeševalec ljudskega petja”. [Franc zborov”. [Choral hymnals and renewal Kimovec, a promotor of congregational of choirs]. Cerkveni glasbenik: Revija za singing]. In: Škulj, Edo (Ed.). Festival cerkveno glasbo 96:5–6. Slovenske Cerkvene Glasbe: Zbornik kolokvijev. Ljubljana: Druţina. Kernel, Leon (2004). “Ljudsko petje”. [Singing]. Cerkveni glasbenik 97:1. Smolik, Marijan (1982). “Slomškova Kernel, Leon (2009). “Cerkveno ljudsko skrb za cerkveno ljudsko pesem”. petje nekoĉ in danes”. [Traditional [Slomšek‟s care for traditional church singing in past and present]. congregational singing]. Cerkveni glasbenik Cerkveni glasbenik: Revija za cerkveno glasbo 75:10–12. 102:2. Klemenc, Maria Kristina Arko (2004). ● Körer, föreningar och Arranging the nation: Slovenian choral singing organisationer CHOIRS, and folk song arrangements. Ph.D. Berkeley: SOCIETIES AND ORGANISATIONS University of California. Kralj Bervar, Sonja (2004). Hvala Koritnik, Rezika (2001). „Mi smo pa od slovenstva vam ne izostane. ljubljanska tam doma‟: Spomini na desetletno delovanje delavska pevska drustva do prve svetovne vojne. mladinskega pevskega zbora Trboveljski [The Slovenian people will not fail to Slavček. [„Our home is over there‟: give you a gratitude: Worker‟s choral Memories on the youth choir societies in Ljubljana before World War Trboveljski Slavĉek during the ten II]. Ljubljana: Nova Revija. years]. Izlake: Grafex. Kuret, Primoţ (Ed.) (2004). Choral music Kuret, Primoţ (2007). “Arbeiterchöre in and choral societies, and their role in the Ljubljana vor dem Ersten Weltkrieg”. development of the national musical cultures. In: Fischer, Erich; Kürsten, Annelie Symposium. Ljubljana: Festival. (Eds.). Chorgesang als Medium von Interkulturalität: Formen, Kanäle, Diskurse. Kuret, Primoţ (2004). “Delavska pevska Stuttgart: Steiner (Berichte des društva na slovenskem pred prvo
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 98 Choral Research. A Global Bibliography interkulturellen Forschungsprojekts Ralle, Michel (1994). “L‟orphéonisme ”Deutsche Musikkultur im östlichen socialiste dans la zone de Bilbao (1890– Europa”, 3). 1910)”. Bulletin d‟histoire contemporaine de l‟Espagne 20. Trenc Ballester, Elisée (1994). “La ♦ Spanien SPAIN „Renaixença‟ et l‟implantation du chant Aviñoa, Xosé (2009). “Choral singing in coral a Lérida”. Bulletin d‟histoire the 19th and 20th centuries”. Catalan contemporaine de l‟Espagne 20. Historical Review 2. Vera, Alejandro (2002). Música vocal Borgerding, Todd M. (2006). profana en el Madrid de Felipe IV. Lleida: ”Imagining the sacred body: choirboys, Inst. d‟Estudis Ilerdencs (Col·lecció their voices, and corpus Christi in early Emili Pujol, 1). modern Seville”. In: Boynton, Susan; Kok, Roe-Min (Eds.). Musical childhoods and the cultures of youth. Middletown, CT: ● Körer, föreningar och Wesleyan University Press. organisationer CHOIRS, SOCIETIES AND ORGANISATIONS Carbonell i Guberna, Jaume (1994). “Los „Coros de Clavé‟: Un ejemplo de Gregori i Cifré, Josep María (1988). música en sociedad”. Bulletin d‟histoire “Els escolans cantors de la Seu de contemporaine de l‟Espagne 20. Barcelona, 1459–1589”. Recerca Company Puges, Alícia (1987). El cant musicològica 8. coral al Prat. Barcelona: Rúbrica.
Forrester, Donald W. (1974). ♦ Storbritannien GREAT “Conducting practice in the Spanish RITAIN polyphonic choral tradition”. Choral B journal 15:2. Alldis, John (2001). “British choirs and González Valle, José Vicente (1992). British music”. La tradición del canto litúrgico de la Pasion en Antcliffe, Herbert (1920). ”The effect España: Estudio sobre las composiciones of the war on English choral music”. monódicas y polifónicas del „cantus passionis‟ en The Musical Quarterly 6:3. las catedrales de Aragón y Castilla. Barcelona: Consejo Superior de Baker, Martin (2008). “The role of the Investigaciones Científicas choir in the celebration of the liturgy: (Monumentos de la música española). Notes on the experience at Westminster Cathedral”. Sacred music 135:4. Jiménez, Juan Ruiz (2008). “From Mozos de Coro towards Seises: Boys in Bowers, Roger (1975). Choral institutions the musical life of Seville cathedral in within the English Church: Their constitution the fifteenth and sixteenth centuries”. and development 1340–1500. Ph.D. In: Boynton, Susan; Rice, Eric N. (Eds.). University of East Anglia. Young Choristers, 650–1700. Woodbridge: Brown, Donald C. (1998). “Thomas Boydell Press (Studies in medieval and Cotterill and hymn singing in the Renaissance music, 7). Church of England”. In: Music, David Lluch, Diego Ramón (1996). “El canto W. (Ed.). We‟ll shout and sing Hosanna: coral como actividad cotidiana”. Eufonía: Essays on church music in honor of William J. Didáctica de la música 2:5. Reynolds. Fort Worth: Southwestern Baptist Theological Seminary.
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Carnes, James Patrick (1984). The famous Hogwood, Christopher; Luckett, Mr. Keach: Benjamin Keach and his influence Richard (Eds.) (1983). Music in eighteenth- on congregational singing in seventeeth-century century England: Essays in memory of Charles England. M.A. North Texas State Cudworth. Cambridge: Cambridge University. University Press. Decker, Harold A. (1973). “Choral Hughes, Andrew (1988). “Antiphons singing in England”. Choral journal 13:9. and acclamations: The politics of music Dexter, K. J. (2000). The provision of choral in the coronation service of Edward II, music at St George‟s chapel, Windsor Castle, 1308”. The journal of musicology: A quarterly and Eton College, c. 1640–1733. Diss. review of music history, criticism, analysis, and London: Royal Holloway and Bedford performance practice 6:2. New College. Le Huray, Peter (1967). Music and the Dexter, Keri (2002). „A good quire of Reformation in England. 1549–1660. New voices‟. The provision of choral music at St York: Oxford University Press (Studies George‟s Chapel, Windsor Castle, and Eton in church music). College, c. 1640–1733. Aldershot: Lee-De Amici, Beth Anne (1999). Ad Ashgate. sustentacionem fidei Christiani: Sacred music Flynn, Jane (1995). “The education of and ceremony in medieval Oxford. Ph.D. choristers in England during the University of Pennsylvania. sixteenth century”. In: Morehen, John Millard, James Elwin Rev (1848). (Ed.). English choral practice 1400–1650. Historical Notices of the Office of Choristers. Cambridge: Cambridge University Press London: Joseph Masters. (Cambridge Studies in performance Morehen, John (Ed.) (1995). English practice, 5). choral practice 1400–1650. Cambridge: Givens, Jimmy McGrath (2004). “„And Cambridge University Press (Cambridge they sung a new song‟: The theology of Studies in performance practice, 5). Benjamin Keach and the introduction of Mould, Alan (2007). The English chorister. congregational hymn-singing to English A history. London: Hambledon worship”. American Baptist quarterly 22:4. Continuum. Goldring, Malcom (1998). “Il coro di Muir, Thomas (2007). “„Old wine in voci bianche nel Regno Unito”. La new bottles‟: Renaissance polyphony in cartellina: Musica corale e didattica 22:114. the English catholic church during the Green, Andrew (1996). “Who will fill nineteenth and early twentieth centu- the choir stalls?”. BBC music magazine. ries”. Nineteenth-century music review 4:1. Special issue 18. Phillips, Peter (1980). “The golden age Hawkins, Cynthia Susan (1985). Aspects regained”. Early music 8:1. of the musical education of choristers in Church Rainbow, Bernarr (2001). The choral of England choir schools. M.A. McGill revival in the Anglican church (1839–1872). University. Woodbridge; Rochester: Boydell Press Herbert, Trevor (2000). “Popular (Studies in church music). nationalism: Griffith Rhys Jones Rubin, Emanuel (2003). The English glee („Caradog‟) and the Welsh choral in the reign of George III. Warren: tradition”. In: Bashford, Christina; Harmonie Park Press (Detroit Ehrlich, Cyril (Eds.). Music and British monographs in musicology, studies in culture, 1785–1914. Essays in honour of music, 38). Cyril Ehrlich. Oxford: Oxford University Press.
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 143 Choral Research. A Global Bibliography rollen som körledare. C-uppsats. Göteborgs Smit, Daniel Johannes (1984). Koorleiding universitet. op sekondêre skoolvlak. [Choir practice at Sandberg Jurström, Ragnhild (2009). the secondary level]. M.M. University of Att ge form åt musikaliska gestaltningar. En Cape Town. socialsemiotisk studie av körledares Stauch, Thomas John (1986). An multimodala kommunikation i kör. Diss. examination of nonverbal communication Göteborgs universitet. behaviors of selected collegiate choral directors. Sandberg Jurström, Ragnhild (2010). D.M.A. Arizona State University. “Shaping musical performances – A Stewart, Brett Howard (2006). Choral social semiotic study of choir composers and conductors Evan Stephens and conductors‟ multimodal communication Mack Wilberg: Their influence on music in the in choir”. In: Geisler, Ursula; Johansson, Latter-Day Saints Church. M.M. Long Karin (Eds.). Choir in Focus 2010. Beach: California State University. Göteborg: Bo Ejeby. Strauser, Matthew Lynn (2008). The Saunders, Alan T. (2005). The role of classification of language of high school choral motivation in the choral setting: teacher beliefs directors. D.M.A. University of Oregon. and their impact on choral conductor behavior Sutherland, Kim (2001). Glasshouses built and choral student motivation. Ph.D. The to scale: Conducting a youth choir and University of Utah. commissioning Australian choral music for Schäfer, Wolfgang (1996). Der ideale young people. M.C.A. University of Chordirigent – eine Utopie? Frankfurt a.M.: Newcastle. Peters. Szabo, Charles Elmer (1992). A profile of Schmidt, Michael S. (2008). The impact of ten high school choral directors and their vocal pedagogy on the preparation of a choral activities during one week. Ph.D. Ohio: conductor: A case study of two conductors. Kent State University. M.A.T. Rider University. Tamte-Horan, Michael William (1989). Seighman, Gary B. (2009). Expanding The development of instructional materials for the choral conductor‟s horizon: The application training beginning choral conducting students to of selected literary theories to the process of evaluate tone quality in high school choral music choral score study. D.M.A. College Park: performance. Ed.D. Urbana-Champaign: University of Maryland. University of Illinois. Sharlow, David Lee (2006). Building Taylor, Beverly (2009). “Conducting the common ground: An investigation of choral choral-orchestral work”. In: Conlon, conductors‟ definition of community within a Joan Catoni (Ed.). Wisdom, wit and will. choral ensemble. Ph.D. Kansas City: Women choral conductors on their art. University of Missouri. Chicago: GIA Publications. Simons, Stephen Paul (1984). An Thomas, Kurt (1935). Lehrbuch der investigation of the relationship of self concept to Chorleitung. Wiesbaden: Breitkopf & selected communication skills of choral Härtel. conductors. Ph.D. University of North Tunving, Katarina (2005). Att leda ett Texas. levande instrument: kördirigenters tankar om Skadsem, Julie Ann (1995). The effect of ledarrollen, auktoriteten och mötet i musiken. conductor verbalization, dynamic markings, Examensarbete. Stockholm: Stockholms conductor gesture, and choir dynamic level on universitet. individual singers‟ dynamic responses. Ph.D. Kansas City: University of Missouri.
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Uggla, Madeleine (1983). For kor: (shang)”. [On melodic arrangement in håndbok for kordirigenter og korsangere. choral conducting: I]. Zhongyang Yinyue Tromsø: Nordnorsk musikkforlag. Xueyuan xuebao 3:108. van der Horst, Agnes (2005). “Harry Yarbrough, Cornelia (1973). The effect of Christophers leert koordirigeren in magnitude of conductor behavior on Stimu-workshop: De fijne kneepjes van performance, attentiveness, and attitude of Byrd”. Tijdschrift oude muziek 20:4. students in selected mixed choruses. Ph.D. Volbach, Fritz (1931). Der Chormeister. Florida State University. Ein praktisches Handbuch für Chordirigenten Yarbrough, Cornelia; Orman, Evelyn mit besonderer Berücksichtigung des K.; Neill, Sheri L. (2007). “Time usage Männerchors. Mainz: Schott. by choral directors prior to in sight- singing adjudication”. Update: Walders, Patrick Michael (2005). Vocal pedagogy and applications for conductors not Applications of research in music education trained in singing. D.M.A. College Park: 25:2. University of Maryland. Younker, Betty Anne (2002). “Student Wallin Rundqvist, Inger (2006). Hur choral conductors as reflective påverkar ledarskapet resultatet i kören? musicians: Examining the pedagogy”. Specialarbete i körpedagogik. Göteborg. In: Rose, Andrea M.; Adams, Ki; Höskolan för scen och musik. Chisholm, Leon (Eds.). Sharing the voices: The phenomenon of singing. III. St. John‟s: Watkinson, Gerd (1970). Singleitung: eine Memorial University of Newfoundland. Werkstattlehre. Heidelberg: Quelle & Meyer (Musikpädagogische Bibliothek). Yu, Sheng-hwa (1999). Conductor leadership style as a force for choral ensemble Werlé, Heinrich (1932). Der Männerchor- success. Ph.D. Pennsylvania: Temple Dirigent im Volkslied. Leipzig: Kistner & University. Siegel. Zecchi, Adone (1965). Il direttore di coro: Willis, Dawn Olmstead (1989). The teoria e pratica. Milano: Ricordi (Manuali nature and value of preprofessional experience di didattica musicale). in the development of choral conductors. D.M.A. Arizona State University. Zielke, Gregory David (1996). An investigation of leadership styles, professional Wine, Thomas R. (1994). A pedagogy for and musical background, role, duties, and work choral conducting based on score environment of adult church choir directors in miniaturization. Ph.D. The Florida State mid-American Protestant churches. D.M.A. University. Kansas City: University of Missouri. Woodgate, Leslie (1944). The chorus master. [S.l.]: Ascherberg Hopwood and Crew Ltd. ► Enskilda körledare och pedagoger INDIVIDUAL Woodgate, Leslie (1949). The choral CHOIRMASTERS AND EDUCATORS conductor. New York: Chappell. Wright, William B. (2001). A study of the Knight, Gerald R. (2006). The music choral conductor‟s ear-training process, and the philosophies, choral concepts, and rehearsal development of an ear-training workbook for practices of two African American choral choral conductors. D.M.A. Greensboro: conductors. Ph.D. The Florida State The University of North Carolina. University. Yang, Li (2007). “Lun hechang zhihui dui xuanlv yindiao cengci buju de chuli
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Lebrecht, Norman (1991). The maestro gruppen enda sättet att få relation till myth. Great conductors in pursuit of power. varje sångare”. Kyrkomusikernas tidning London: Simon & Schuster. 69:1. Ruthardt, Adolf (1890). Chormeister- Büchlein: Eine Sammlung 41 kurzgefasster ♦ B Biographien. Leipzig: Verlag von Gebrüder Hug. Bocev, Bonco (1970). “Working with Tobin, Henrik (2007). “Sing until you the children‟s voices of the Bodra die!”. Kyrkomusikernas tidning 73:9. Smjana Chorus”. Hudezestvena Samodejnost 19:9. Whittemore, Joan (2009). “Biographies of selected American women choral Joiner, James Richard; Battaille, conductors”. In: Conlon, Joan Catoni Charles Amable (1998). Charles Amable (Ed.). Wisdom, wit and will. Women choral Battaille. Pioneer in vocal science and the conductors on their art. Chicago: GIA teaching of singing. Lanham, Md.: Publications. Scarecrow Press. Patterson, G. (2007). George W. Bragg ♦ A and his techniques for training the preadolescent boy‟s voice as demonstrated through the Texas Boberg, Georg (2002). “Carl-Bertil Boys Choir: 1946–1975. D.M.A. Urbana- Agnestig: Musikpedagog-körledare”. Champaign: University of Illinois. Årsskrift/Byarums hembygdsförening. Zamer, Craig (2007). Gene Brooks and his Jenwald, Arne (2001). contributions to the American Choral Directors Association. Ph.D. The Florida State “Musikpedagogen, körledaren och kompositören Carl-Bertil Agnestig”. University. Nackaboken 37. Källgård-Samuelsson, Marie (1994). ♦ C Barnklangen är så vacker: man måste vara rädd om den: en porträttstudie av Carl-Bertil King, Deborah Simpkin (1981). Caro Agnestigs körpedagogik för och med barn- och Carapetyan: His choral beliefs and practices. ungdomskörer. C-uppsats. Stockholm: M.M. University of North Texas. Kungl. Musikhögskolan. O’Neal, Melinda (2009). “Passion and ♦ D authenticity: A conversation with Marin Alsop”. In: Conlon, Joan Catoni (Ed.). Gilbert, Nina (1995). “Choral advocacy, Wisdom, wit and will. Women choral 1926: Advice from Archibald T. conductors on their art. Chicago: GIA Davison”. The choral journal 36:4. Publications. Latimer, Marvin E. (2007). Harold A. van Smits Waesberghe, Joseph (1954). Decker (1914–2003): American choral music “Guido von Arezzo als Musikerzieher educator. Ph.D. University of Kansas. und Musiktheoretiker”. In: Brennecke, Wilfried; Kahl, Willi; Steglich, Rudolf Räisänen, Juhani (1997). “Suomen (Eds.). Bericht über den Internationalen kuorolaulun laiskanläksy: Thérese musikwissenschaftlichen Kongress. Kassel: Decker”. [More homework for the Bärenreiter. enthusiasts of Finnish choir singing: Thérese Decker]. Synkooppi 19:1–2. Wilson, Carl-Johan (2003). “Anita Andersson, Tomelilla gosskör: Små
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♦ E Ph.D. Louisiana State University and Agricultural & Mechanical College. Åhlén, Carl-Gunnar (1996). “Eric Stephenson, J.C. (2004). Portrait of a life‟s Ericson and the Swedish choral work: George Howell Guest and the choir of tradition”. The classical music of the Nordic Saint John‟s College, Cambridge University, and Baltic countries. 1951–1991. Ph.D. Greensboro: The Con, Adam Jonathan (2002). The life and University of North Carolina. philosophy of choral conductor Rodney Eichenberger, including a detailed analysis and application of his conductor-singer gestures. ♦ F Ph.D. The Florida State University. Bockstiegel, Heiko (2000). Ein Hedlund, Oscar (1988). Körkarlen Eric Oberpfälzer als Botschafter Berliner Geistes Ericson. Höganäs: Bra böcker. und Musiklebens. Karl Forster (1904–1963) Neiman, Torbjörn (1990). Eric Ericson: und der Chor der St.-Hedwigs-Kathedrale pedagogen, interpreten, kormästaren. Berlin. Quakenbrück: Thoben. Examensarbete. Stockholms universitet.
Osterfinke, Ingrun; Stockhecke, ♦ H Kerstin (1999). Mit Posaune, Chor und Taktstock: Wilhelm Ehmann (1904–1989) Nilsson, Tomas (1995). “Grabbarna tar und die Kirchenmusik. Bielefeld: Verlag für sig ton”. Fotnoten 1. Regionalgeschichte (Schriften des Landeskirchlichen Archivs der Pierce, Edward Eugene (1988). Julius Evangelischen Kirche von Westfalen). Herford: His life, teaching, and influence on the choral art in the United States. D.A. Peterson, Hans-Gunnar (1997). “Eric University of Northern Colorado. Ericson 50 år med Kammarkören: en intervju”. The Art bin 12. Tylöskog, Åke (1997). Daniel Helldén: tonsättare, pedagog, körledare. Robinson, Ray (1984). “Wilhelm Magisteruppsats. Stockholm: Ehmann: His contribution to the choral Stockholms universitet. art”. Choral journal 25:3. Segeren, Ellen (2007). “„Ik ben een echt koorbeest‟: Richard Egarr en de ♦ I Matthäus”. Tijdschrift oude muziek 22:1. Pitman, Walter (2008). Elmer Iseler: Tobin, Henrik (1995). “Möte en face Choral visionary. Toronto: Dundurn med körprofil”. Kyrkomusikernas tidning Press. 61:1.
♦ K ♦ G Chandler, Deborah Lynn (2004). Colleen Gates, J. Terry (1988). “Samuel Gerrish, Jean Kirk (1918–2004): Her life, career and publisher to the Regular Singing her influence on American choral music Movement in 1720s New England”. education. Ph.D. The Florida State Notes: Quarterly journal of the Music Library University. Association 45:1. Fontaine, Susanne; Mahlert, Ulrich; Shields, Ronald Eugene (1983). Marjorie Schenk, Dietmar, et al. (Eds.) (2008). Gullan: Speech teacher, Lecturer, Public Leo Kestenberg: Musikpädagoge und Reader, and Pioneer in Choral Speaking.
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Musikpolitiker in Berlin, Prag und Tel Aviv. Stellenbosch. M.M. University of Freiburg im Breisgau: Rombach Stellenbosch. (Rombach-Wissenschaften: Reihe Leyman Hofsten, Kerstin (2005). “En Litterae). sökande konstnär: porträttet: Ingemar Meindl, W. (1983). “Chorleiter Månsson”. Tidningen Körsång 1. Komzák”. Chor aktuell 2. Nylén, Conny (2006). “Ingemar Mihkelson, Immo (1993). “Koor maa Månsson: Sveriges snabbaste körledare”. ja taeva vahel”. [A choir between heaven Kyrkokörjournalen 4. and earth]. Teater. Muusika. Kino 6. Samuel, Christopher Bagby (1998). A Połczyński, Romuald (1986). biography of Warren Martin: Westminster “[Koszewski] Traktuje chór jako Choir College‟s professor of music. D.M.A. orkiestre glosów ludzkich”. [I treat the Arizona State University. choir like an orchestra of human voices]. Ruch muzyczny 30:8. ♦ N Ruuth, Gustaf (1997). “Farbror Karlberg i Ljungarum: en vän av barn Hunziger, R. (1938). Hans Georg Nägeli. och sång”. Gudmundsgillets årsbok 53. Zürich. Tobin, Henrik (2006). “Gospel och ♦ J tulpanlökar: möt Maria Nordenback”. Kyrkomusikernas tidning 72:3. Schneider, Reinhard (1988). “Jödes musikphilosophische Anschauungen”. In: Krützfeldt-Junker, Hildegard (Ed.). ♦ O Fritz Jöde – ein Beitrag zur Geschichte der Musikpädagogik des 20. Jahrhunderts. Lesle, Lutz (2006). “Zeitgenössisch und Kassel. überkonfessionell Māris Ošlejs, Chordirektor und Festivalmanager aus Wilson, Doris Louise Jones (1989). Eva Riga”. Musik und Kirche 76:3. Jessye: Afro-American choral director. Ed.D. Missouri: Washington University. Singer, Kurt (1933). Siegfried Ochs, der Begründer des Philharmonischen Chors. Berlin: Im Werk-Verlag (Schriften zur ♦ L Musik, III).
Carter, Julie Lane (1993). Norman Luboff: His life, career, and professional choir. ♦ P D.M.A. Arizona State University. Le Pelletier, Sébastien (2006). Histoire de Sébastien Le Pelletier. Prêtre ligueur et maître ♦ M de grammaire des enfants de chœur de la cathédrale de Chartres pendant les guerres de la Hawn, C. Michael (2005). Ligue (1579–1592). Genève: Droz “Congregational singing from down (Travaux d‟humanisme et renaissance). under: An interview with Australian Næslund, Kella (2002). “Årets Robin Mann”. The hymn: A journal of körledare: Stefan Parkman: en congregational song 56:4. telefonintervju”. Informationsbladet Jankowitz, Hendrika Johanna (1990). Körledaren 3/4. Philip McLachlan en die Universiteitskoor
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Pabst, Reinhard (1981). Ad multos annos: ♦ S Festschrift für Anton-Josef Pabst, zum 25jährigen Chordirigentenjubiläum 1981. Ballweg, David Brent (1987). The choral Camberg: R. Pabst (Aufsätze zur artistry of Paul Salamunovich: An emphasis on Vokalmusik). stylistic philosophies and rehearsal techniques Simons, John Edward (1999). Euell regarding the interpretation and performance of Porter, profile of a choral musician: An renaissance choral music by the mixed choir. analysis of his musical philosophies, techniques D.M.A. University of Missouri. and leadership style. D.M.A. Greensboro: Dyer, Joseph (1980). “A thirteenth- The University of North Carolina. century choirmaster: The Scientia artis Stevens, Robin S. (2000). “Emily musicae of Elias Salomon”. The Musical Patton: An Australian pioneer of Tonic Quarterly 66:1. sol-fa in Japan”. Research Studies in Music Petersén, Gunilla (1998). “„Man måste Education 14:1. lita och tro på sina korister‟”. Tidningen Woods, Timothy Erickson (1998). Körsång 71:1. Leonard de Paur‟s arrangements of spirituals, Sagvik, Stellan (2000). “„Endast Sverige work songs, and African songs as contributions svenska körer har!‟”. Tidningen Körsång to choral music: A black choral musician in the 732. mid-twentieth century. D.M.A. The Schmidt-Görg, Joseph (1971). University of Arizona. “Aachener Musikleben des Vormärz. Beethovens Sekretär Anton Schindler, Städtischer Musikdirektor 1835–1840”. ♦ R Zeitschrift des Aachener Geschichtsverein 81. Carpenter, Simon (1996). The beat is Segarre, Irreneu (1979). “Meine Arbeit irrelevant: Barry Rose and the early years of mit dem Knabenchor und dem Chor der Guildford Cathedral Choir. Guildford: Mönche des Klosters Montserrat”. Neue Guildford Cathedral Old Choristers‟ Zeitschrift für Musik 140:2. Association. Stark Hesselgren, Monica (1992). Duchez, Marie-Elisabeth (1991). “Jean- “Körledaren i Västerås domkyrka: ”Vi Jacques Rousseau, historien de la ska inte erbjuda jippon i kyrkan!‟”. musique”. In: Fauquet, Joël-Marie; Kyrkomusikernas tidning 59:8. Dufourt, Hugues (Eds.). La musique du théorique au politique. Paris: Aux Amateurs Svensson, Bo (2007). “Bo Svensson de Livres (Domaine musicologique, 7). minns från sina 35 år som kantor i Lenhovda”. Lenhovdakrönikan. Everett, Mary Elizabeth (2007). Ray Robinson: An analysis of his contributions to Tobin, Henrik (1997). “En körsångens choral music as educator, scholar, and president konsul”. Kyrkomusikernas tidning 63:8. of Westminster Choir College from 1969 to 1987. D.M.A. The University of ♦ T Southern Mississippi. Moulton-Gertig, Suzanne C. LeRoy Musketa, Konstanze (2002). “Daniel (2007). The life and works of Emil Nikolaus Gottlob Türk als Direktor des von Reznicek, 1860–1945. Ph.D. Boulder: Stadtsingechores”. In: Eberl, Kathrin; University of Colorado. Traxdorf, Götz; Ruf, Wolfgang; Türk, Daniel Gottlob (Eds.). Daniel Gottlob Strydom, Frikkie (2008). “Petrus Türk. Theoretiker, Komponist, Pädagoge und (Pieter) Roos”. Musicus 36:1. Musiker. Halle an der Saale: Händel-
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 169 Choral Research. A Global Bibliography læring av noter i et vanlig blandakor. Potgieter, Paul Stephanus (2004). South Trondheim. African unit standards for sight-singing, Lescat, Philippe (1988). “De la main realised in a multiple-media study package. harmonique au solfège: L‟apprentissage D.Mus. University of Pretoria. de la lecture chantée”. Vibrations 6. Prasso, Nina Marlene (1997). An Lucas, Keitha Victoria (1991). The effect examination of the effect of writing melodies, of contextual condition on the sight singing using a computer-based song-writing program, achievement of middle school choral music on high school students‟ individual learning of students. Ph.D. Florida: University of sight-singing skills. Ed.D. New York: Miami. Columbia University Teachers College. Mosher, Raymond Mylar (1972). A study Ross, Margaret Ann (1990). The development, implementation and evaluation of of the group method of measurement of sight- singing. New York: AMS Press a program to develop vocal music reading skills (Columbia university. Teachers college. in the college choral ensemble. Ph.D. Contributions to education, 194). Pennsylvania: University of Pittsburgh. Munn, Vivian Carole (1990). A sequence Scofield, William Rodney (1980). The of materials for developing sight-singing skills in construction and validation of a method for the high school choirs. D.M.A. The University measurement of the sight-singing abilities of high of Oklahoma. school and college students. Ph.D. Michigan State University. Myers, Gerald C. (2008). Sight-singing instruction in the undergraduate choral Scott, Tina Bull (1996). The construction of ensembles of colleges and universities in the a holistic, criterion-referenced sight-singing test Southern Division of the American Choral for high school sopranos based on the voluntary Directors Association: Teacher preparation, national standards for music education. Ph.D. pedagogical practices and assessed results. Urbana-Champaign: University of D.M.A. Greensboro: The University of Illinois. North Carolina. Smith, Susan April (1998). Sight singing in Nolker, David Brett (2001). Individual the high school choral rehearsal: Pedagogical sight-singing success: Effects of testing condition, practices, teacher attitudes and university large ensemble sight-singing rating, school size, preparation. Ph.D. The Florida State and selected background factors. Ph.D. University. Columbia: University of Missouri. Snider, Mark Timothy (2007). Choral Norris, Charles E. (2004). “A sightsinging strategies in 1A, 3A, 4A, and nationwide overview of sight-singing 6A Kansas high schools: Instructional time allotted, teacher strategies, and materials used. requirements in large-group choral festivals”. Journal of research in music M.M. Kansas: Emporia State University. education 52:1. Stewart, Erin E. (2007). The effect of Parker, Nancy Reimers (2007). A team- awareness and practice of phonemic elements on based learning model to improve sight-singing in individual sight-singing at the junior high level. the choral music classroom. Ph.D. University M.M.E. University of Kansas. of Minnesota. Sunderland, Martin R. (1994). A Platte, Jay Daniel (1981). The effects of a description of selected Ohio secondary choral microcomputer-assisted instructional program on ensembles with particular attention to the ability of college choral ensemble members to sightreading skills. (Volumes I and II). sing melodic configurations at sight. D.A. D.M.E. Ohio: University of Cincinnati. Indiana: Ball State University. White, Adam G. (2009). Relationships among high school choir teachers‟ self described
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 170 Choral Research. A Global Bibliography teaching practices and sight-singing scores from a contests. Ph.D. Ohio: Kent State district/all-state audition event. M.M.E. University. University of Kansas. Diddle, Laura Dawn (2005). The Winnick, William (1987). “Hybrid repertoire selection practices and skills of methods in sight singing”. Choral journal beginning choral music educators. Ph.D. 28:1. University of South Carolina. Yarbrough, Cornelia; Orman, Evelyn Dobbs, Jack P. B. (1952). “Choir K.; Neill, Sheri L. (2007). “Time usage training and repertory”. In: Routley, by choral directors prior to in sight- Erik (Ed.). The organist and the congregation: singing adjudication”. Update: Lectures and a sermon delivered at the first Applications of research in music education conference of congregational organists. London: 25:2. Independent Press. Yarbrough, Cornelia; Orman, Evelyn Forbes, Guy Wayne (1998). The repertoire K.; Neill, Sheri L.; Whitaker, Jennifer selection practices of public high school choral A. (2007). “Time usage of middle and directors in Florida, Georgia, South Carolina, high school band directors in sight- North Carolina, and Virginia. Ph.D. reading adjudication”. Update: University of Florida. Applications of research in music education Gerow, Maurice (1964). “Criteria of 25:2. choral concert program building as related to an analysis of the elements of musical structure”. Journal of research in ► Körrepertoar CHORAL music education 12:2. REPERTOIRE Hammar, Russell Alfred (1961). The Bolt, Gerald Roger (1983). Choral principles and practices in developing a volunteer repertoire selection competency development in church choir program. Ph.D. New York: undergraduate music education curricula. Columbia University. Ed.D. Arizona State University. Høybye, John (2004). “Pædagogisk Brusniak, Friedhelm (2003). kormusik”. In: Palsmar, Henrik (Ed.). “Repertoirebildung und -pflege bei For Skolen og for Livet: Om korsang, dannelse Chorvereinen”. In: Brusniak, Friedhelm og læreprocesser – Festskrift 75 år. Sangskolen (Ed.). Chor – Visionen in Musik. Essener på Sankt Annæ Gymnasium. København: Thesen zum Chorsingen im 21. Jahrhundert. Danmarks Pædagogiske Universitets Kassel: Bärenreiter. Forlag. Canfield, Jennifer Leigh Kirkland Hunsaker, Tracy Caldwell (2007). (2009). Middle and junior high school choral Processes and criteria of nationally recognized repertoire: Directors‟ criteria for selection, high school choral directors in the selection of quality, and appropriateness. Ph.D. performance literature. Ph.D. University of Alabama: Auburn University. Florida. Dahlman, Henry Nicholas (1991). The Krones, Hartmut (2003). effect of choral program size, teacher experience, “Gesangsvereine und Neue Musik”. In: and teacher education level on the selection of Brusniak, Friedhelm (Ed.). Chor – high school choral music literature. D.M.A. Visionen in Musik. Essener Thesen zum University of Missouri. Chorsingen im 21. Jahrhundert. Kassel: Bärenreiter. Devore, Deborah Marko (1989). Choral music repertoire selection in the Ohio Music Patton, Patrick E.K. (1993). Differentiated Education Association Large group high school preferences for choral program order among choral directors, choir participants, and choir
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 171 Choral Research. A Global Bibliography nonparticipants. D.M.A. Kansas City: a standardized approach to English diction in University of Missouri. choral performance. Ph.D. University of Raspberry, James Roland (1985). A Kansas. dimensional approach to twentieth century Jeffers, Ron; Paine, Gordon (1988). choral literature for the high school choral Translations and annotations of choral director. Ed.D. Missouri: Washington repertoire. Corvallis, Or.: Earthsongs. University. Leclair, Francois-Hugues (2002). Parole Reames, Rebecca R. (2001). “High et musique: Une exploration de leurs relations school choral directors‟ description of multiples dans la composition de trois oeuvres. appropriate literature for beginning high D.Mus. Université de Montreal. school choirs”. Journal of research in music Lewin, David (2006). Studies in music with education 49:2. text. Oxford: Oxford University Press Shrock, Dennis (2009). Choral repertoire. (Oxford studies in music theory). Oxford: Oxford University Press. Marsh Chase, Shannon Maxine (2002). Secondary choral music educators‟ training, experience and current teaching practice ► Kör och text CHOIR AND concerning foreign language diction and world TEXT musics repertoire. Ph.D. The Florida State University. Ambrazevičius, Rytis; Leskauskaitė, Asta (2008). “The effect of the spoken Peterson, Craig Charles (2005). dialect on the singing dialect: The Translations and transliterations of nineteenth- example of Lithuanian”. Journal of and twentieth-century choral literature with interdisciplinary music studies 2:1–2. French texts. D.M.A. Arizona State University. Blackstone, Dara Ellen (1996). A perceptual examination of the effect of select Simons, Harriet (1972). “The demise of languages on the pronunciation of sung Latin. the text in modern choral music”. Choral Ph.D. The University of Connecticut. journal 13:4. Ellis, Wendy Annette (2009). The impact Uggla, Madeleine (1991). “Ord och ton of C-PEP (choral reading, partner reading, – en helhet”. Musiklivet: Vår sång 64:2. echo reading, and performance of text) on third grade fluency and comprehension development. Ed.D. Tennessee: The University of ► Interpretation Memphis. Bartels, William H. (1972). “Problems Epp, Garrett Wayne (1993). Relationships of choral interpretation and technique”. among selected director characteristics and Choral journal 13:1. secondary choral directors‟ use of non-English texts. D.M.A. Kansas City: University of Berger, Jean (1967). “Interpretation of Missouri. 20th-century choral music”. Choral journal 7:4. Fabbri, Franco (1998). “„Don‟t bore us – Get to the chorus‟: Serve la noia alle Bermingham, Gudrun A. (2006). canzoni?”. In: Stefani, Gino (Ed.). La Teaching choral music by German-Austrian significazione musicale, tra retorica e 18th and 19th century composers: Standard- pragmatica. Bologna: CLUEB (Acta based lessons and materials for seven pieces of semiotica Fennica, 6). the high school repertoire. Ph.D. University of Florida. Fisher, Robert Edward (1989). Development of a rationale and methodology for
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Brown, Deloris Wallace Bennett (2006). Farrior, Christine Bordeaux (1993). The founding and evolution of a school for the Body, mind, spirit, voice: Helen Kemp and the Boys Choir of Harlem: Choir Academy of development of the children‟s choir movement. Harlem. Ed.D. Fordham University. Ed.D. Greensboro: The University of Brünger, Peter (2003). North Carolina. “Forschungsprojekt: Singen im Fernández Poncela, Anna M. (2005). Kindergarten”. In: Brusniak, Friedhelm Canción infantil, discurso y mensajes. (Ed.). Chor – Visionen in Musik. Essener Barcelona: Anthropos. Thesen zum Chorsingen im 21. Jahrhundert. Freudenhammer, Wibke; Kreutz, Kassel: Bärenreiter. Gunter (2009). “Development of vocal Cassidy, Jane W.; Sims, Wendy L. performance in 5th grade children: A (1991). “Effects of special education longitudinal study of choral class labels on peers‟ and adults‟ evaluations singing”. In: Louhivuori, Jukka; Eerola, of a handicapped youth choir”. Journal of Tuomas; Saarikallio, Suri; Himberg, research in music education 39:1. Tommi; Eerola, Päivi-Sisko (Eds.). Enevold, Margrete; Marstal, Inge Proceedings of the 7th Triennial Conference of (1990). Vejviser til børnekor. København: European Society for the Cognitive Sciences of Wilhelm Hansen. Music (ESCOM 2009). Jyväskylä. Ernsteen, Evy (1990). Vi starter Granum, Doris Greer Rightmyer barnekor. Oslo: Landslaget (Landslaget (2000). A study of selected community Musikk i skolens musikkpedagogiske children‟s choruses. Ed.D. University of serie, 4). Georgia. Eyck, Stephen Gary ten (1984). The effect Grindland, Berit (1998). “Det komme‟ of programmed materials on the vocal bare dettane øve‟ meg”: humorskaping i development of selected children‟s choruses. pedagogisk ledelse av barnekor. Trondheim: Ph.D. The Florida State University. B. Grindland. Fagius, Gunnel (2001). Hur sjunger Hedden, Debra Gordon; Daugherty, barnen i barnkören? sångsätt, repertoar och James F. (2009). “Community-based pedagogisk avsikt i inspelningar med en children‟s choirs: Selected literature and barnkör 1953 under ledning av John material culture in printed programs”. Norrman. D-uppsats. Uppsala universitet Bulletin of the Council for Research in Music (Musikvetenskapliga serien). Education 179. Fagius, Gunnel (2003). “Hur sjunger Hertz, Odette (1959). “Pour que tous barnen i barnkören?”. In: Svenska nos enfants apprennent à l‟école comment chanter à l‟église”. In: unescorådet (Ed.). Amatörkultur. Vetenskap och verklighet: seminarierapport. Perspectives de la musique sacrée à la lumière de Stockholm: Svenska unescorådet l‟encyclique Musicae sacrae disciplina. Paris: (Svenska unescorådets skriftserie, Editions du Congrès. 2002:1:I). Hoffman, Nan (1989). “Making music Fagius, Gunnel; Larsson, Eva- for kids, with kids: The rationale and Katharina (1990). Barn i kör: idéer och logistics of using a sixty-voice children‟s metoder för barnkörledare. Stockholm: chorus in recording an album for Verbum. children”. Echology 3. Fagius, Gunnel (Ed.) (2007). Barn och Høimyr, Guro Cornelia Almenningen sång: om rösten, sångerna och vägen dit. Lund: (2009). “Vær åpen!” Om å inkludere barn Studentlitteratur. med spesielle behov i kor. Oslo: G.C. Almenningen Høimyr.
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Jacobs, Ruth Krehbiel (1958). The Meligkopoulou, Maria E. (2009). Ī children‟s choir. Rock Island. paidikī scholikī chorōdia sto systīma mousikīs Kerley, Marilyn Alicia (1995). An ekpaideusīs mesa sto plaisio tīs Ellīnikīs investigation of the decision-making processes, pragmatikotītas: Sygchrones taseis kai the leadership style and behavior, and the apotelesmatikes efarmoges. [The school musicality of two master teachers of elementary- children choir within the music aged children‟s choirs. Ph.D. Canada. education system in the context of University of Alberta. Greek practicalities: Modern tendencies and effective implementations]. Ph.D. Krämer, Gotthold (1995). “Der Ionio Panepistīmio: Tmīma Mousikōn Kinderchor in der Kirchenmusiker- Spoudōn. ausbildung”. In: Völkl, Helmut (Ed.). Kirchenmusik als Erbe und Auftrag: Meyer-Tödten, Friedrich (1958). Festschrift zum 50jährigen Bestehen der “Wider die Kinderchorromantik”. In: Hochschule für Kirchenmusik Esslingen der Alf, Julius (Ed.). 112. Niederrheinisches Evangelischen Landeskirche in Württemberg. Musikfest Duisburg. Jahrbuch 1958. Stuttgart: Carus. Duisburg: Kuratorium des Niederrheinischen Musikfestes. Krause, Dennis Warren (1983). The positive use of conducting stance and motion to Mizener, Charlotte Lynn Pearson affect vocal production and to assist musicality (1990). Attitudes of third- through sixth-grade in the training of children‟s choirs. D.M.A. children toward singing and choir participation University of Southern California. and assessed singing skill. Ph.D. Austin: The University of Texas. Langness, Anna Peter (1992). A descriptive study of teacher responses during the Moody, Charles H. (1923). The choir-boy in the making. A practical and concise treatise teaching of singing to children. Ph.D. Boulder: University of Colorado. on the training of choristers. London & New York: H. Milford/Oxford University Larsson-Westin, Eva (2005). Vad Press. händer med barnkörerna? Enkätundersökning riktad till kyrkomusikerna i Uppsala stift. C- Münden, Gerd-Peter (2000). uppsats. Uppsala universitet. “Kinderchorarbeit als Beitrag zur Gemeindeentwicklung in einer säkularen Laufer, Daniela (1995). “Pueri cantores Gesellschaft”. Musik und Kirche 70:2. – Der Kinder- und Jugendchor: Das Musikerleben beim Kinde. Nydal, Rut Solveig (1983). Barnekor. Konsequenzen für die Stavanger: Høgskolen. Kinderchorarbeit”. Musica sacra: Cäcilien- Ottobre, Alfonso (1995). “Il coro di Verbands-Organ Deutschen Diözesen im voci bianche e la musica del Dienste des kirchenmusikalischen Apostolats Novecento”. Nuova rivista musicale italiana 115:5. 29:2. Liao, Mei-Ying (2008). “The effects of Porter, Cecelia H. (1996). “Gosskör i ett gesture use on young children‟s pitch historiskt perspektiv”. Kyrkomusikernas accuracy for singing tonal patterns”. tidning 62:17. International journal of music education 26:3. Redko, A.M. (2010). “Horovoj detskij Lindholm, Steen (2003). ”Children‟s teatr”. [Choral children‟s theater]. choir: A serious medium”. Nordic sounds Muzyka i vremâ: Ežemesâčnyj naučnyj 4. kritiko-publicističeskij žurnal 3. Martin, G. C. (2001). Art of training choir Rieker, Martin (2001). “Von Martin bis boys. [S.l.]: Best Books. Nikolaus: Was man mit Heiligen im
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Ekelund, Rolf (1971). Körbeats för körer, Jahre Männergesang in Regensburg. studiecirklar och skolor. Stockholm. Liederverein Regensburg-Stadtamhof von 1848 Garretson, Robert L. (1993). Choral e.V. Heimatverein ”Statt am Hoff”. music. History, style, and performance practice. Regensburg: Manz. Englewood Cliffs N.J.: Prentice Hall. Luhring, Alan (1990). “A mnemonic Gruber, Gernot; Schmidhofer, August; for nineteenth-century concerted choral Weber, Michael (Eds.) (2005). music”. The choral journal 31:1. Mehrstimmigkeit und Heterophonie: Bericht Mabry, Sharon (2002). Exploring zur Tagung in Wien, 11. bis 12. Dezember twentieth-century vocal music. A practical guide 1999. Frankfurt a.M.: Lang to innovations in performance and repertoire. (Vergleichende Musikwissenschaft). Oxford: Oxford University Press. Halaburda, Maria (1999). Fortuna in Paduano, Andrea (2007). “Sutartines, weltlichen mehrstimmigen Kompositionen des polifonie lontane”. Polifonie: Storia e teoria 14. und frühen 15. Jahrhunderts. Diss. della coralità 7:1. Holzgerlingen: Hänssler. Sternfeld, Frederick W. (1973). Music Honegger, Marc; Prévost, Paul (1998). from the Middle Ages to the Renaissance. Dictionnaire de la musique vocale. Paris: New York: Praeger. Larousse. Unger, Melvin Peter (2010). Historical Hrčková, Nada (2003). Dejiny hudby. I: dictionary of choral music. Lanham, Md: Európsky stredovek. [History of music. I: Scarecrow Press (Historical dictionaries European Middle Ages]. Bratislava: of literature and the arts, 40). ORMAN. White, Robert T. (1909). “The Jacobs, Arthur (1966). Choral music: A difficulties of modern choral music”. The symposium. Harmondsworth: Penguin musical times 50:800. Books. Young, Percy Marshall (1962). The choral Jacobs, Arthur (Ed.) (1978). Choral tradition. An historical and analytical survey music: A symposium. Harmondsworth: from the sixteenth century to the present day. Penguin. M.A. New York: Norton. Jacobs, Arthur; Martín Triana, José Zimmermann, Heinz Werner (2005). María (1986). La música coral. Madrid: “Stilistische Entwicklungen in der Taurus. Chormusik des 20. Jahrhunderts”. In: Jumeau-Lafond, Jean-David (1997). Zimmermann, Heinz Werner; Brusniak, “Le chœur sans paroles, ou Les voix du Friedhelm (Eds.). Komposition und Reflexion. Neue Überlegungen und sublime”. Revue de musicologie 83:2. Untersuchungen zu Musikästhetik und Kelley, Carolyn Joan (1996). Post-1960 Musiktheorie. Tutzing: Schneider. music for treble voices using avant-garde and unconventional musical, vocal and choral techniques. Ph.D. Ann Arbor: UMI. ○ BIBLIOGRAFIER OCH Kenyon, Nicholas (2004). The BBC KATALOGER BIBLIOGRAPHIES Proms guide to great choral works. London: AND CATALOGUES Faber and Faber. Alexander, Brent J. (2007). An annotated Libbert, Jürgen (1998). “Die Gitarre in bibliography of selected choral works set to the der Chormusik: Notate zu einer text of Robert Frost. D.M.A. West Virginia musikalischen Gegenkultur in University. Geschichte und Gegenwart”. In: 150
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Anderson, Michael J. (1990). A classified Henzel, Christoph (2002). “Die index of American doctoral dissertations and Musikalien der Sing-Akademie zu Berlin dissertation projects on choral music completed und die Berliner Graun-Überlieferung”. or currently in progress through 1989. Jahrbuch des Staatlichen Instituts für Lawton, Oklahoma: American Choral Musikforschung Preußischer Kulturbesitz 60. Directors Association. Hooper, William John (1988). An Brown, Teddye Jayne (1993). An analytical annotation of twentieth century choral annotated bibliography of treble chorus music on works selected from ACDA national Grade V University Interscholastic League of convention programs. D.M.A. Arizona State Texas Prescribed music List. M.A. Texas University. Woman‟s University. Jacobson, Joshua R. (1979). “A Fallows, David (1999). A catalogue of selective list of choral music in polyphonic songs, 1415–1480. Oxford: Hebrew”. Choral journal 20:2. Oxford University Press. Jennemann, Gerhard (Ed.) (2001). Fuller, Jeanne Christina (1994). An Texte zur Chormusik: Festschrift zum annotated bibliography of suggested repertoire zehnjährigen Jubiläum des Internationalen for high school treble chorus. M.A. Texas Chor Forums ICF. Stuttgart: Carus. Woman‟s University. Jones, William Darryl (1988). An index Garcia, William Burres (1974). “Church of choral music performed during National music by black composers: A Conventions of the American Choral Directors bibliography of choral music”. The black Association (1960–1987). Ph.D. The perspective in music 2. Florida State University. Gebhard, Hans (Ed.) (1999). Harenberg- Kinder, Keith; Ticheli, Frank (2005). Chormusikführer: vom Kammerchor bis zum Best music for chorus and winds. Brooklyn: Oratorium. Dortmund: Harenberg. Manhattan Beach Music. Green, Franklin Pasco (2000). Choral Klusen, Ernst; Weiler, Klaus (1968). music performed at Northwest Division Rheinische Volkslieder in mehrstimmigen Conventions of the American Choral Directors Sätzen. Eine Zusammenstellung von Association (1976–1998): An index with an Volksliedbearbeitungen. Köln: Rheinischer annotated bibliography of selected works. Heimatbund (Schriftenreihe des D.M.A. University of Georgia. Rheinischen Heimatbundes). Grundy Fanelli, Jean (1998). A Laster, James H. (1983). Catalogue of chronology of operas, oratorios, operettas, choral music arranged in Biblical order. cantatas and miscellaneous stage works with Metuchen, N.J.: Scarecrow Press. music performed in Pistoia 1606–1943. Lütolf, Max (2004). Die geistlichen Gesänge Bologna: Ed. Pendragon. des deutschen Mittelalters: Melodien und Texte Harris, Jerry Weseley (1966). An handschriftlicher Überlieferung bis um 1530. analytical inventory of selected contemporary VI: Kritischer Bericht zu Gesänge A–H (Nr. S.A.T.B. choral compositions for high school 1–330). Kassel: Bärenreiter (Das choirs (Volumes I and II). D.Ed. University Deutsche Kirchenlied: Kritische of Oregon. Gesamtausgabe der Melodien, 2). Helms, Siegmund; Schneider, May, James D. (1977). Avant-garde choral Reinhard (1994). Große Chorwerke. music: An annotated selected bibliography. Kassel: Bosse (Bosse-Musik-Paperback, Metuchen, N.J.: Scarecrow Press. 52).
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Nardone, Thomas R.; Nye, James H. Summer, Robert J. (2007). Choral (1974). Choral music in print. Philadelphia: masterworks from Bach to Britten: Reflections Musicdata. of a conductor. Lanham, Md: Scarecrow Ochs, Michael (1970). An index to Das Press. Chorwerk, v. 1–110. Ann Arbor: Music Tortolano, William (1981). Original music Library Association. for men‟s voices: a selected bibliography. Oehlmann, Werner (1965). Metuchen, N.J.: Scarecrow Press. Chormusikführer. Stuttgart: Reclam Tovey, Donald Francis (1981). Essays in (Reclams Universal-Bibliothek). musical analysis. Concertos and choral works. Oliver, Ronald Dale (1996). An anthology London. of Renaissance vocal literature suitable for high Ulrich, Homer (1973). A survey of choral school choirs. Ph.D. Texas Tech music. New York: Harcourt Brace University. Jovanovich. Robinson, Ray (Ed.) (1978). Choral Valentin, Erich (1953). Handbuch der music. A Norton historical anthology. New Chormusik. Regensburg: Bosse. York: W.W. Norton. Wasson, Weyburn; Bloesch, Richard J. Roman Catholic Church (1985). (1997). Twentieth-century choral music: An Éneklő egyház: Római katolikus népénektár annotated bibliography of music appropriate for liturgikus énekekkel és imádságokkal”. college and university choirs. Lawton, [Singing church: An anthology of Oklahoma: American Choral Directors Roman Catholic traditional chant with Association. liturgical songs and prayers]. Budapest: White, Evelyn Davidson (1981). Choral Szent István Társulat. music by Afro-American composers. A selected, Romza, Patricia-Andrea (1997). Female- annotated bibliography. Metuchen, N.J.: choir music by French composers: An annotated Scarecrow Press. bibliography of selected works. D.M.A. White, J. Perry (21990). Twentieth-century University of Georgia. choral music. An annotated bibliography of Rosewall, Michael (2007). Directory of music suitable for use by high school choirs. choral-orchestral music. New York: Metuchen, N.J.: Scarecrow. Routledge. Whitten, Lynn (1982). A classified Sharp, Avery T. (1990). Choral music annotated bibliography of articles related to reviews index, 1986–1988. New York: choral music in five major periodicals through General Music Publishing Co. 1980. Lawton, Oklahoma: American Choral Directors Association. Snyder, Robert E. (1984). “An annotated inventory of easy choral Young, Percy M. (1969). Choral music of music of the Classical period”. Choral the world. London: Abelard-Schuman. journal 24:10. Young, Percy M. (1971). The choral Steinberg, Michael (2005). Choral tradition: An historical and analytical survey masterworks: A listener‟s guide. New York: from the sixteenth century to the present day. Oxford University Press. New York: W.W. Norton. Strimple, Nick (2002). Choral music in the Zemp, Hugo (1996). Les voix du monde: twentieth century. Portland, Or.: Amadeus Une anthologie des expressions vocales. Paris: Press. Musée de l‟Homme (Collection CNRS). Strimple, Nick (2008). Choral music in the nineteenth century. New York: Amadeus.
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○ KÖRKOMPOSITION OCH Davis, Charles Kirk (1985). A study of KÖRANALYS CHORAL choral compositions by the author and selected composers from the renaissance through the COMPOSITION AND CHORAL twentieth century: A conductor‟s perspective. ANALYSIS M.A. Long Beach: California State University. Ades, Hawley (1983). Choral arranging. Delaware Water Gap, Pa.: Shawnee Davison, Archibald T. (1945). The press. technique of choral composition. Cambridge, Mass.: Harvard University Press. Beery, Lon Scott (1994). Establishing and utilizing criteria for selecting and composing Entsminger, Deen Edward (1987). appropriate choral literature for middle school Development and evaluation of programmed mixed ensembles. Ph.D. The Ohio State instructional materials designed to teach University. fundamentals of choral arranging. Ph.D. The Florida State University. Boursy, Richard (1994). Historicism and composition: Giuseppe Baini, the Sistine Evgrafov, Jurij A. (2005). Chorovaja Chapel Choir, and stile antico music in the first muzyka kompozitorov Moskvy. Moskva: half of the nineteenth century. Ph.D. Kompozitor. Connecticut: Yale University. Hines, Robert Stephan (2001). Choral Bower, David Norman (2008). composition: A handbook for composers, Constructivism in music education technology: arrangers, conductors, and singers. Westport, Creating an environment for choral composition Conn.: Greenwood Press. in the fourth and fifth grades. Ph.D. New Hopkins, Stephen Morris (1992). Choral York University. notation: An expanded notational system Christy, Van Ambrose (1948). dealing with the articulations of expressive Evaluation of choral music. Methods of choral singing in English. D.M.A. Austin: appraising the practical value of choral The University of Texas. compositions with reference to music generally Illing, Carl-Heinz (1936). Zur Technik der available in the United States. New York: Magnificat-Komposition des 16. Jahrhunderts. Columbia University. Diss. Wolfenbüttel: Kallmeyer (Kieler Dai, Mingyu (1992). “Lun xiandai Beiträge zur Musikwissenschaft. hechang yinyue de chuangzuo wenti”. Schriften des Musikwissenschaftlichen [Talking about modern choral Instituts der Universität Kiel, 3). composition]. Jiaoxiang: Xi‟an Yinyue Imig, Warner Louis (1942). A study of Xueyuan xuebao/Jiaoxiang: Journal of the choral technique for the secondary school choir Xi‟an Conservatory of Music 1. including a catalogue of two hundred twenty-five Dailey, William Albert (1965). Techniques choral numbers of varied schools of composition: of composition used in contemporary works for Yankton College. chorus and orchestra on religious texts as Jacobson, Joshua R. (1984). Choral important representative works of the period compositions in the ”Eastern Mediterranean” from 1952 through 1962. The following works style. D.M.A. Ohio: University of will be considered: „Canticum Sacrum‟ – Cincinnati. Stravinsky; „Prayers of Kierkegaard‟ – Barber; „Magnificat‟ – Hovhaness. Ph.D. Columbia: Jones, Ann Howard (2009). “Analysing The Catholic University of America. the choral-orchestral score”. In: Conlon, 2 Joan Catoni (Ed.). Wisdom, wit and will. Daniel, Thomas ( 2002). Kontrapunkt. Women choral conductors on their art. Eine Satzlehre zur Vokalpolyphonie des 16. Chicago: GIA Publications. Jahrhunderts. Köln: Dohr.
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Kaschub, Michele E. (1997). Shore, S. Royle (1919). “A new form of “Composition in the choral rehearsal”. choral composition”. The musical times Music educators journal 84:1. 60:916. Kopytman, Mark (1971). Chorovoe pismo: Siltman, Bobby (1978). “Arranging for uceb. posobie dlja kompozitorskich fak. i the boys‟ chorus: Only half the dirizersko-chorovych odt-nij vuzov. Moskau: challenge”. Choral journal 19:4. Sov. kompozitor. Turner, Michael Wayne (1981). The two- Larson, Brook Carter (2000). The part framework in selected choral works as a application of Schenkerian analysis to choral harmonic and stylistic determinant. M.M. performance. D.M.A. Arizona State University of North Texas. University. Umanec, B. A. (1971). Pesennoe i chorovoe Martin, Edward Lee (1987). A tvorčestvo ukrainskich sovetskich comparative study of non-traditional vocal kompozitorov: Massovye pesni, chory malych compositional techniques which have been form. Diss. Kiev. incorporated into selected dramatic choral works Walker, Robert (1997). “Visual by composers of the United States of America. metaphors as music notation for sung D.M.A. Kansas City: University of vowel spectra in different cultures”. Missouri. Journal of new music research 26:4. Moerk, Alice (1975). “The musicologist Wine, Tom (2007). Composers on looks at style in the interpretation of composing for choir. Chicago: GIA choral music”. Choral journal 15:1. Publications. Pooler, Frank; Pierce, Brent (1973). Zimmermann, Heinz Werner; New choral notation (a handbook). New Brusniak, Friedhelm (Eds.) (2005). York: Walton Music. Komposition und Reflexion. Neue Poos, Heinrich (Ed.) (1997). Chormusik Überlegungen und Untersuchungen zu und Analyse: Beiträge zur Formanalyse und Musikästhetik und Musiktheorie. Tutzing: Interpretation mehrstimmiger Vokalmusik. Schneider. Mainz: Schott. Riemann, Hugo (31921). Handbuch der ○ KÖR- OCH KÖRMUSIKGENRER Gesangskomposition. Lied, Chorlied, Duett, Motette usw. Berlin: Max Hesses Verlag CHOIR AND CHORAL MUSIC (Max Hesses illustrierte Handbücher, GENRES 20). Ammann, Raymond (1993). “Pic- Schalk, Carl (1996). “Some thoughts on eine‟rkin: Throat singing on the Chukchi the writing of hymn tunes”. Cross accent: Peninsula”. Études inuit 17:2. Journal of the Association of Lutheran Church Musicians 7. Anderberg, Karin (1992). “Personalkör med goda förutsättningar”. Musiklivet: Schröder, Gesine (2002). “Chorsätze Vår sång 65:4. für Frauen und für Männer: Kompositionstechnisch-ästhetische Braw, Anna (2005). “Musik för Marginalien zu den Gattungen”. In: diskantkör: arvet från Venedigs Grotjahn, Rebecca; Hoffmann, Freia flickvirtuoser”. Tidig musik 1. (Eds.). Geschlechterpolaritäten in der Dusella, Reinhold (1997). “Die Musikgeschichte des 18. bis 20. Jahrhunderts. Chorballade „Die Walpurgisnacht‟ op. 25 Herbolzheim: Centaurus-Verlag und die Kantate „Die Hochzeit der (Beiträge zur Kultur- und Thetis‟ op. 120a als mögliche Sozialgeschichte der Musik, 3).
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Gattungsbindeglieder von Solo-Ballade ”Mehrstimmige Gesaenge” of Joseph Haydn. und Oratorium, nebst Anmerkungen D.M.A. The University of Alabama. zum Begriff „balladisches Oratorium‟ bei Routley, Erik (1958). The English carol. Philipp Spitta”. In: Musketa, Konstanze London. (Ed.). Carl Loewe 1796–1869. Bericht über die wissenschaftliche Konferenz anläßlich seines Rusconi, Angelo (2003). “La polifonia 200. Geburtstages vom 26. bis 28. September semplice: Alcune osservazioni”. Musica e 1996 im Händel-Haus Halle. Halle an der storia 11:1. Saale: Händel-Haus (Schriften des Studwell, William Emmett (1985). Händel-Hauses in Halle, 13). Christmas carols. A reference guide. New Geck, Martin (1967). Die York: Garland. Wiederentdeckung der Matthäuspassion im 19. Jahrhundert. Die zeitgenössischen Dokumente und ihre ideengeschichtliche Deutung. ► Blandad kör MIXED CHOIRS Regensburg: Bosse (Studien zur Musikgeschichte des 19. Jahrhunderts, Alme, Kristofer (1947). Blanda kor. 9). Sogndal: O.J. Skjeldestad. Gottwald, Clytus (1993). “Choral music Hanken, Kåre (2005). Norwegian choral and the avant-garde”. In: Reimers, music: 1905–2005. A selection of famous Lennart; Wallner, Bo; Ericson, Eric; choral pieces for mixed choir. Oslo: Norsk Leighton, David; Tanner, Roger (Eds.). Musikforlag. Choral music perspectives. Dedicated to Eric Hofer, Samuel (51874). Pilgerharfe oder Ericson. Stockholm: Royal Swedish christlicher Glaube in Liedern für gemischten Academy of Music. Chor. Basel. Jarczyk, Michael (1978). Die Chorballade Lamb, Christina Gail (1997). A study of im 19. Jahrhundert: Studien zu ihrer Form, the collegiate non-auditioned, mixed choral Entstehung und Verbreitung. München, ensemble: Its purpose, its peculiarities, and its Salzburg: Musikverlag Katzbichler. potential. D.A. Indiana: Ball State Kelly, Thomas Forrest (1992). Plainsong University. in the age of polyphony. Cambridge: Nystedt, Knut (2005). Sacred choral music: Cambridge University Press (Cambridge A selection of famous sacred choral pieces for Studies in performance practice, 2). mixed choir. Oslo: Norsk Musikforlag. Malinowski, Władysław; Hirszenberg, Beatrysa (1991). “Zum Problem der Form in der mehrchörigen Musik: Ein ► Damkör WOMEN’S CHOIR Beitrag zur Analyse von Musik des 16. und 17. Jahrhunderts”. Musiktheorie 6:1. Armstrong, Donald Jan (1968). A study of some important twentieth century secular Nilsson, Anders (1985). “Den „vokala compositions for women‟s chorus with a orkestern‟: Finns den?”. Nutida musik 3. preliminary discussion of secular choral music Parchomenko, Lju (1969). “Ţanrovi from a historical and philosophical viewpoint. riznovydy chorovych tvoriv (sproba Ph.D. Austin: University of Texas. systematyzaziï ta klasyfikaziï)”. In: Burnsworth, Charles C. (1968). Choral Problemy ukraïns‟koï radjans‟koï muzyky. music for women‟s voices. An annotated Kiev. bibliography of recommended works. Poss, Leslie Sue (1996). The development of Metuchen, NJ: The Scarecrow Press. the European partsong genre beginning in the Crews, Thomas Leonard (1987). sixteenth century and culminating with the American choral music for women‟s chorus
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 190 Choral Research. A Global Bibliography since 1960. D.M.A. University of Examensarbete. Piteå: Luleå tekniska Washington. universitet. Meredith, Victoria (1997). “The pivotal Hölcke, Theodor (1990). Vom deutschen role of Brahms and Schubert in the Studentenlied. Gießen: Selbstverlag der development of the women‟s choir”. The Studentengeschichtlichen Vereinigung choral journal 37:7. (Historia academica: Schriftenreihe der Petersén, Gunilla (1998). “Kvinnlig Studentengeschichtlichen Vereinigung körsång: kvinnokören ett lika originellt des CC, 29/30). instrument som manskören”. Tidningen J., H.M.; Callaway, W.F. (1872). Körsång 71:3. “Comment on songs for men‟s voices”. Wahl, Shelbie L. (2009). By women, for The Musical Times and Singing Class Circular 15:353. women: Choral works for women‟s voices composed and texted by women, with an Lang, Raimund (2001). “800 Jahre annotated repertoire list. D.A. Indiana: Ball studentischer Gesang: Geschichte in State University. Liedern – Lieder in der Geschichte”. In: Lang, Raimund (Ed.). Ergo cantemus! Texte und Materialien zum Studentenlied. ► Manskör och studentsång Köln: SH-Verlag (GDS-Archiv für MALE CHOIRS AND STUDENT Hochschul- und Studentengeschichte: CHOIRS Beiheft). Lang, Raimund (2001). “Student und Bobéth, Marek (2002). “Heinrich Poos Wein: Eine Betrachtung über den Wein und der Männerchor: Anmerkungen aus im studentischen Lied und Ritual”. In: der Sicht des Interpreten”. In: Fürbeth, Lang, Raimund (Ed.). Ergo cantemus! Oliver; Poos, Heinrich (Eds.). Texte und Materialien zum Studentenlied. Musikalische Struktur und Geschichte. Zum Köln: SH-Verlag (GDS-Archiv für Werk des Komponisten und Hochschul- und Studentengeschichte: Musikwissenschaflers Heinrich Poos. Mainz: Beiheft). Schott (Beiträge zur mittelrheinischen Musikgeschichte, 37). Larsén, Carlhåkan (2009). “Låt oss en visa sjunga! Intervju med Robert Sund Bohlin, Folke (1993). En “folklig” om manskörsrepertoarens utveckling”. manskörskoral från 1800-talet”. In: In: Larsén, Carlhåkan (Ed.). Sångare! En Andersson, Greger (Ed.). Koral i Norden: bok om svensk manskörssång och Svenska 10 koralexperter från ett symposium i Sångarförbundet. Stockholm: Gehrmans anslutning till Harald Göranssons disputation musikförlag. om 1697 års koralpsalmbok söndagen den 17 maj 1992. Uppsala universitet. Lippus, Urve (Ed.) (2007). Meeskoor ja meestelaul. [Men‟s choir and men‟s song]. Coyle, Patrick O. (2006). Significant male Tallinn: Eesti Muusika – ja Teatriakadee- voice repertory commissioned by American gay mia (Eesti muusikaloo toimetised). men‟s choruses. D.M.A. Ohio: University of Cincinnati. Lundberg, John William (1976). Twentieth century male choral music suitable Eckhardt, Andreas (1977). Männerchor, for protestant worship. D.M.A. University Organisation und Chorliteratur nach 1945. of Southern California. Mainz. Schott. Mälhammar, Åsa (1996). “Manskör”. Harborg, Martin (1997). Manskör: Tidningen Körsång 69:1. Pånyttfödelsen: några ideer och tankar. Reimann, Reinhold (2001). “„Hinaus, mein Herz, in freie Luft!‟: Das
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Studentenlied – ein „Pflegefall‟ für die Vad den är och vill. En handbok för den Sängerschaft?”. In: Lang, Raimund finlandssvenska talkören (1934). Borgå (Ed.). Ergo cantemus! Texte und Materialien (Borgåbladets teaterbibliotek, 48). zum Studentenlied. Köln: SH-Verlag (GDS-Archiv für Hochschul- und Studentengeschichte: Beiheft). ► A cappella
Reimers, Lennart (1991). “Manskörens Clark, J. Bunker (1969). “The a cappella egenart värd att bevara”. Sångartidningen myth”. Choral journal 9:4. 78:3. Grainger, Percy (1999). “The Roberts, Kenneth Creighton (1970). A culturizing possibilities of the checklist of twentieth-century choral music for instrumentally supplemented „a cappella‟ male voices. Detroit: Information choir”. In: Gillies, Malcolm (Ed.). Coordinators. Grainger on music. Oxford: Oxford Trame, Richard H. (1993). “The male University Press. chorus, medium of art and Handschin, Jacques (1929). entertainment: Its history and literature”. “Grundlagen des A-cappella-Stils”. In: In: Belan, William (Ed.). Choral essays: A Häusermann, Hans; Jelmoli, Hans tribute to Roger Wagner. San Carlos: (Eds.). Hans Häusermann und der Thomas House. Häusermannsche Privatchor. Zürich: Hug. Wolf-Watz, Jan (1969). Svensk Jerold, Beverly (2000). “Why most a manskörsång 1808–1833: en repertoarstudie. cappella music could not have been Examensarbete. Uppsala universitet. sung unaccompanied”. The choral journal 40:7. ► Talkör SPEAKING CHOIR Kegerreis, Richard Irl (1964). History of the high school A capella choir. Ph.D. ABF:s teaterkommitté (Ed.) (1932). University of Michigan. Talkören. Stockholm: Bonnier. Kroyer, Theodor (1934). “Das A- Bergman, A. Gunnar (1932). cappella-Ideal”. Acta musicologica 6. “Talkören. Ett genmäle till Sven Stål”. Maes, Francis (1993). Onbegeleide Ridå: tidning för folklig scenkonst 2:1. koorkompositie als bijzondere kompositorische Bergman, Gösta M. (1932). Något om problematiek sedert de 19de eeuw: Een talkören. Stockholm. genrestudie van de onbegeleide koormuziek Bergman, Gösta M. (1932). “Talkören”. vanaf de 19de eeuw aan de hand van haar Arbetarteatern. geschiedenis in Midden-Europa. Ph.D. Universiteit Gent. Bergman, Gösta M. (1932). “Talkören”. Studiekamraten 14:23/24. Mann, Alfred (1991). “The twentieth- century renewal of Protestant a cappella Fjellander, Sture (1935). “Talkören och art”. American choral review 33:2. ungdomskretsen”. Sveriges ungdom 32. Mohr, Clemens (1996). Schwedische a Johanneson, Adolf (1931). “Talkören”. capella Chormusik nach 1945: Überblick und Ridå: tidning för folklig scenkonst 1:1. Vertiefung anhand ausgewählter Beispiele. Reiner, Karel (1970). “O voicebandu”. Köln: Musikhochschule Köln. [The „voice band‟]. Hudební věda 7:1. Ryner, Elin (1998). Okonventionell notation: en studie av okonventionell notation i svensk körmusik a capella under andra hälften
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 192 Choral Research. A Global Bibliography av 1900-talet. C-uppsats. Stockholm: Lindqvist, Mattias (1994). Gospelns lilla Stockholms universitet. röda. Examensarbete. Piteå: Slutsky, Corey Brian (2005). Music Musikhögskolan. without instruments: The growth and explosion Lorenz, Ellen Jane (1994). “Chorus, of a cappella music over the last 10 to 15 years. refrain, burden”. The hymn: A journal of M.A. University of Southern California. congregational song 45:1. Wallner, Bo (1987). “Körlivet: ett Mallory, Lloyd Benjamin (2006). The obearbetat forskningsområde. [Del 2], choral singing of the Negro spiritual versus the De stora a capellasatserna”. singing of contemporary gospel without harming Informationsbladet Körledaren 2/3. the vocal apparatus: A choral concept. D.M.A. Wallner, Bo (1993). “The great Los Angeles: University of California. unaccompanied choral setting”. In: McNair, D. (2007). Memphis gospel choir Reimers, Lennart; Wallner, Bo; Ericson, music, 1990–2006. Ph.D. Tennessee: The Eric; Leighton, David; Tanner, Roger University of Memphis. (Eds.). Choral music perspectives. Dedicated to Nerdal, Arvid (2001). Tre svenska Eric Ericson. Stockholm: Royal Swedish gospelkörers sound och uttryckssätt i Academy of Music. förhållande till den afro-amerikanska gospeltraditionen. C-uppsats. Uppsala universitet. ► Gospel Ojo, Matthews (1998). “Indigenous Ahrens, Petra-Angela (2009). gospel music and social reconstruction BeGeisterung durch Gospelsingen: Erste in modern Nigeria”. Missionalia 26. bundesweite Befragung von Gospelchören. Powell, William Clayton (1993). Hannover: Evangelische Kirche in Performance and literature of African Deutschland. American gospel music as observed in gospel Allgood, B. Dexter (1984). A study of choirs of universities and four-year colleges in selected black gospel choirs in the Metropolitan Alabama, Florida, and Georgia. Ph.D. The New York area. Ph.D. New York Florida State University. University. Turner, Patrice E. (2008). “Getting Butts-Bhanji, Baomi (2005). “Kicking gospel going”. Music educators journal 95:2. Up Dust”: Black women and gospel music. Ph.D. Ohio: Union Institute and University. ► Jazz
Doering, Wolfgang (1999). Gospel. Becker, Matthias (1992). Chormusik im Musik der Guten Nachricht und Musik der Jazz. Diss. Idstein: Schulz-Kirchner Hoffnung. Neukirchen-Vluyn: Aussaat- (Wissenschaftliche Schriften. Reihe 13, Verlag. Musikwissenschaftliche Beiträge, 101). Holmes, Michael (1998). The music of the Cruse, Susan Rhea (1999). The status of St. Brigid Catholic Church Choir: African- vocal jazz ensembles in Texas high schools and American gospel in a Catholic liturgy. Ph.D. the impact of vocal jazz instruction on the Los Angeles: University of California. overall choral program. D.M.A. Texas: Kinchen, James Benjamin (1986). University of Houston. “Black gospel music and its impact on Regin, James Edward Hamilton (2003). traditional choral singing at historically Toward a more comprehensive textbook on black institutions of higher learning”. choral jazz arranging. M.A. California: San Choral journal 27:1. Jose State University.
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 197 Choral Research. A Global Bibliography piyyûṭ genres]. Yuval: Studies of the Jewish Gozzi, Marco (2002). “Repertori Music Research Center 3. trascurati di canto liturgico”. Polifonie: Storia e teoria della coralità 2:1. Ford, Clifford (1989). “Sacred choral music. II”. American music: A quarterly Gray, Judith (2006). “„When in our journal devoted to all aspects of American music God is glorified‟: Singing and music and music in America 7:2. singing about singing in a congregational church.” In: Marty, Martin E. (Ed.). Foy, Janice Ann (1990). Croatian sacred Music in American religious experience. New musical tradition in Los Angeles: History, York: Oxford University Press. style, and meaning. Ph.D. Los Angeles: University of California. Gross, Werner (1996). “Der katholische Gemeindegesang.” In: Nägele, Reiner; Friedman, Allan Mitchell (2005). The Zwink, Eberhard (Eds.). „…das heilige sacred choral works of three composers of the St. Evangelion in Schwang zu bringen‟: Das Petersburg Society for Jewish Folk Music: Gesangbuch – Geschichte, Gestalt, Gebrauch. Theoretical analysis and historical context. Stuttgart: Württembergische D.M.A. Massachusetts: Boston Landesbibliothek. University. Hambraeus, Bengt; Bäck, Sven-Erik Fubini, Enrico (1997). “Is there such a (1971). “Fragment ur ett samtal om thing as Jewish polyphony?”. In: Belkin, kyrkomusik”. Svenska musik perspektiv. Ahuva (Ed.). Leone de‟ Sommi and the performing arts. Tel-‛abyb: Tel Aviv Howe, Mark (1996). “„Join the great University. throng‟: Populism, elitism and choral music in the liturgy”. Journal of the Galindo Garcia, Angel (Ed.) (1992). La Association of Anglican Musicians 5:6. música en la iglesia: De ayer a hoy. Salamanca: Universidad Pontificia Hsieh, Fang-Lan; Runnels, Jason M. Salamanca, Spain (Biblioteca (2003). An annotated bibliography of church salmanticensis). music. Lewiston, N.Y.: Edwin Mellen Press. Galles, Duane L. C. M. (2000). “The question of a choral Sanctus after Hume, Paul (1957). Catholic Church Vatican II: A canon lawyer‟s opinion”. music. New York: Dodd, Mead & Co. Sacred music 127:3. Kaelin, Pierre (1959). “Qualité musicale Gelineau, Joseph (1959). “La valeur et chant populaire”. In: Perspectives de la catéchétique du chant populaire”. In: musique sacrée à la lumière de l‟encyclique Perspectives de la musique sacrée à la lumière de Musicae sacrae disciplina. Paris: Editions du l‟encyclique Musicae sacrae disciplina. Paris: Congrès. Editions du Congrès. Kernel, Leon (2002). “Cerkveni pevski Gelineau, Joseph (1962). Chant et zbor. I”. [Church choir. I]. Cerkveni musique dans le culte chrétien. Principes, lois et glasbenik: Revija za cerkveno glasbo 95:9–12. applications. Paris: Éd. Fleurus. Kernel, Leon (2002). “Maša in jaz”. Göller, Gottfried (1967). Cerkveni glasbenik 95:3–4. “Strukturprobleme der missa cantata”. Kernel, Leon (2003). ”Cerkveni pevski Musica sacra 88:5. zbori in duhovnost”. [Church choirs and Gottwald, Clytus (1996). “Chormusik spirituality]. Cerkveni glasbenik 96. seit 1970”. Württembergische Blätter für Kim, Patricia Costa (1997). Kirchenmusik 63:1; 2 (1/2; 3/4). “Transmission of music in the Hebrew tradition: Learning from the songs of
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Mohn, Barbara (2000). Das englische Chapel Hill: University of North Oratorium im 19. Jahrhundert. Quellen, Carolina Press. Traditionen, Entwicklungen. Diss. Speck, Christian (2003). Das italienische Paderborn: Schöningh (Beiträge zur Oratorium 1625–1665. Turnhout: Brepols Geschichte der Kirchenmusik/Görres- (Specvlvm mvsicae: publications of the Gesellschaft zur Pflege der Pietro Antonio Locatelli Foundation, 9). Wissenschaft, 9). Walker, Gayle Ann (1996). The use of Nohl, Paul-Gerhard (2001). Geistliche chorus in the Roman oratorio, ca. 1620–ca. Oratorientexte. Entstehung – Kommentar – 1650. D.A. University of Northern Interpretation. Der Messias, Die Schöpfung, Colorado. Elias, Ein deutsches Requiem. Kassel: Bärenreiter. Zöllner, Eva (2002). English oratorio after Handel. The London oratorio series and its Pahlen, Kurt (1990). The world of the repertory, 1760–1800. Marburg: Tectum- oratorio. Oratorio, mass, requiem, te deum, Verlag. stabat mater and large cantatas. Aldershot Hampshire: Scolar Press. Scheideler, Ullrich; Jacobshagen, ♦ Motett MOTET Arnold; Brand, Helmut; Schröder, Ulrike; Krawinkel, Guido; Aske, Arn; Abetini, Ivano (2001). Begriffs- und et al. (1998). “Jenseits des Repertoires: Gattungsgeschichte der Motette im 13. Vergessene Oratorien und Vokalwerke Jahrhundert. Hauptseminararbeit. des 19. Jahrhunderts”. Musik und Kirche Tübingen: Eberhard-Karls Universität. 68:2. Apfel, Ernst (1970). Anlage und Struktur Scheitler, Irmgard (2005). der Motetten im Codex Montpellier. Deutschsprachige Oratorienlibretti. Von den Heidelberg: Winter (Annales Anfängen bis 1730. Paderborn: Schöningh Universitatis Saraviensis: Philosophische (Beiträge zur Geschichte der Fakultät). Kirchenmusik/Görres-Gesellschaft zur Boetticher, Wolfgang (22000). Geschichte Pflege der Wissenschaft, 12). der Motette. Wilhelmshaven: Noetzel Schmalzriedt, Siegfried (Ed.) (2002). (Taschenbücher zur Musikwissenschaft, Ausdrucksformen der Musik des Barock : 139). Passionsoratorium – Serenata – Rezitativ : Clarkson, G. Austin Elliott (1970). On Bericht über die Symposien der Internationalen the nature of medieval song: the declamation of Händel-Akademie Karlsruhe 1998 bis 2000. plainchant and the lyric structure of the Laaber: Laaber-Verlag fourteenth-century motet. Ph.D. Columbia (Veröffentlichungen der Internationalen University. Händel-Akademie Karlsruhe, 7). Cooper, Timothy Gene (1986). “Two Slesinger, Susan Elizabeth (2008). The neglected aspects of Renaissance motet Diving Bell and the Butterfly [and] British performance practice”. Choral journal rock oratorios of the late 1960s and early 27:4. 1970s. D.M.A. California: The Claremont Graduate University. Cumming, Julie Emelyn (1999). The motet in the age of Du Fay. Cambridge: Smither, Howard E. (1977). A history of Cambridge University Press. the oratorio. Chapel Hill: University of North Carolina Press. Decobert, Laurence (1994). “Les chœurs dans les grands motets de Henry Smither, Howard E. (2000). The oratorio Du Mont (1610–1684)”. Revue de in the nineteenth and twentieth centuries. musicologie 80:1.
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Dunning, Albert (1970). Die Im Dienst der Quellen zur Musik. Festschrift Staatsmotette 1480–1555. Utrecht: Gertraut Haberkamp zum 65. Geburtstag. Oosthoek. Tutzing: Schneider. Erviti, Manuel Gustavo (1997). The motet Leconte, Thomas (2008). “Le petit as a representation of sociocultural value circa chœur dans les grands motets pour la 1500. Ph.D. Urbana-Champaign: première Chapelle de Louis XIV (1660– University of Illinois. 1683)”. In: Duron, Jean (Ed.). La Handschin, Jacques (1925). “Über den naissance du style français (1650–1673). Ursprung der Motette”. In: Bericht über Wavre: Mardaga. den musikwissenschaftlichen Kongreß in Basel. Lefferts, Peter Martin (1979). “The Leipzig: Breitkopf & Härtel. motet in England in the 14th century”. Current musicology 28. Harrison, Frank Llewellyn (Ed.) (1968). Motets of French provenance. Les Remparts: Lefferts, Peter Martin (1981). “Two L‟Oiseau-Lyre (Polyphonic music of the English motets on Simon de Montfort”. fourteenth century). Early music history: Studies in medieval and Hocking, Joe Cook (1995). A survey of early modern music 1. Latin choral motets from the classical era. Lefferts, Peter Martin (1983). The motet D.M.A. The University of Oklahoma. in England in the fourteenth century. Ph.D. Kirsch, Winfried (1969). “Musica Dei New York: Columbia University. Donum Optimi. Zu einigen weltlichen Lefferts, Peter Martin (1992). “Text and Motetten des 16. Jahrhunderts”. In: context in the fourteenth-century Stauder, Wilhelm; Aarburg, Ursula; English motet”. In: Cattin, Giulio; Dalla Cahn, Peter (Eds.). Frankfurter Vecchia, Patrizia; Fischer, Kurt von musikhistorische Studien. Helmuth Osthoff zu (Eds.). L‟ars nova italiana del Trecento. VI. seinem siebzigsten Geburtstag uberreicht von Certaldo: Polis. Kollegen, Mitarbeitern und Schülern. Tutzing: Leichtentritt, Hugo (1908). Geschichte Hans Schneider. der Motette. Leipzig: Breitkopf & Härtel Kirsch, Winfried (1970). “Zu Verhältnis (Kleine Handbücher der von Motettenstil und liturgisch- Musikgeschichte nach Gattungen, 2). musikalischer Praxis im 16. Lengová, Jana (2001). “Moteto v Jahrhundert”. In: Dahlhaus, Carl; Kluge, duchovnej hudbe 19. storoĉia na Reiner; Meyer, Ernst Hermann; Wiora, Slovensku”. [The motet in religious Walter (Eds.). Gesellschaft für music of the 19th century in Slovakia]. Musikforschung. Bericht uber den In: Lengová, Jana (Ed.). Duchovná hudba v Internationalen Musikwissenschaftlichen premenách casu. Hudobné druhy a zánre. Kongress, Leipzig 1966. Kassel: Zborník príspevkov z muzikologickej Bärenreiter. konferencie. Presov: Súzvuk (Vedecké Kirsch, Winfried (1971). Die Motetten des spisy o hudbe, 2). Andreas de Silva. Studien zur Geschichte der Mathiassen, Finn (1966). The style of the Motette im 16. Jahrhundert. Diss. Frankfurt early motet (c. 1200–1250): An investigation a.M.: Johann Wolfgang Goethe- of the old corpus of the Montpellier manuscript. Universität. København: Dan Fog Musikforlag. Kirsch, Winfried (2002). “Zitat, Muess, Claude-Rémy (1985). “Le motet Imitation, Variation und Paraphrase: Zu de la réformation à Bach”. Silences 2. den Parodiemessen des 16. Jahrhunderts über Motetten des Andreas de Silva”. In: Mai, Paul; Haberkamp, Gertraut (Eds.).
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Noblitt, Thomas Lee (1964). The motetti Benson, Louis FitzGerald (1915). The missales of the late fifteenth century. Ph.D. English hymn: its development and use in University of Texas. worship. Princeton Theological Seminary Noblitt, Thomas Lee (1968). “The Library. Ambrosian Motetti Missales repertory”. Bird, Cindy M. (1995). A thousand Musica disciplina: A yearbook of the history of tongues: Singers as narrators in communal music 22. performance of Christian hymns. M.A. Noske, Frits (1989). Music bridging divided University of Regina. religions: The motet in the seventeenth-century Cook, Warren Edward (1993). The Dutch republic. Vol. 2, Catalogue of extant anthem in the twentieth-century English motets, masses and litanies, transcription of Renaissance. D.M.A. Columbia: selected motets. Wilhelmshaven: Noetzel University of South Carolina. (Paperbacks on musicology, 11). Dumitrescu, Gabriel (2009). The making Pesce, Dolores (1987). “A revised view of the hymnal, ”Imnuri Crestine 2006”, in the of the thirteenth-century Latin double context of a century-old Seventh-day Adventist motet”. Journal of the American hymnological tradition in Romania. D.M.A. Musicological Society 40:3. University of Washington. Pesce, Dolores (Ed.) (1997). Hearing the Foster, Myles Birket (1980). Anthems and motet: Essays on the motet of the Middle Ages anthem composers. Hildesheim: Olms. and Renaissance. Oxford University Press. Gerlach, Bruce Alan (1992). A critical Phillips, Peter (1982). “Laboravi in study of selected anthems, published 1961– gemitu meo: Morley or Rogier?”. Music 1991, by twentieth-century American and & letters 63:1–2. British composers. D.M.A. Kentucky: The Picker, Martin (1997). “Hearing (and Southern Baptist Theological Seminary. reading) the motet: New perspectives”. James, Mary Anne (1991). Choral American choral review 39:2. anthems in English: A representative survey for Schmidt-Beste, Thomas (2003). the church musician. M.A. California: San Textdeklamation in der Motette des 15. Jose State University. Jahrhunderts. Habilitation. Turnhout: Louhivuori, Jukka; Lebaka, Edward Brepols. (2004). “Lutheran hymn singing in two Schneider, Herbert; Winkler, Heinz- different cultural contexts, African and Jürgen (Eds.) (1991). Die Motette: Beiträge Finnish: A comparative analysis of the zu ihrer Gattungsgeschichte. Mainz: Schott influence of culture in hymn singing”. Musik International. In: Niles, Don (Ed.). 37th world conference of the International Council for Traditional Music: Conference contributions – Abstracts. ♦ Hymne HYMN, ANTHEM Fuzhou: International Council for Traditional Music. Ameln, Konrad (1986). Merrick, Paul; Bősze, Ádám (1993). “Kirchenliedmelodien der Reformation “Az angol anthem: Rövid kalauz egy im Gemeindegesang des 16. und 17. gazdag repertoárhoz, egyházi kórusok Jahrhunderts”. In: Kuret, Primoţ (Ed.). számára”. [The English anthem: Concise Vprašanja in opredlitve ustvarjalnosti ter njene guide to a rich repertoire, for church vloge v razvoju glasbene kulture. [Creativity choirs]. Magyar egyházzene 1:2. and its meaning for the development of musical culture]. Ljubljana: Festival. Morehen, John (1992). “The English anthem text, 1549–1660”. Journal of the Royal Musical Association 117:1.
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Mouw, Richard J.; Noll, Mark A. (Eds.) conductor and church musician: propers of the (2004). Wonderful words of life: Hymns in Mass. Westport, Conn.: Greenwood American Protestant history and theology. Press. Grand Rapids: William B. Eerdmans Brothers, Lester (1973). The hexachord (Calvin Institute of Christian Worship Mass, 1600–1720. Ph.D. Los Angeles: liturgical studies). University of California. Pannebaker, Jeffrey Roy (1998). Early Georgiades, Thrasybulos (161954). Lutheran music in America: The hymnody of Musik und Sprache. Das Werden der the General Synod. Ph.D. Pennsylvania: abendländischen Musik dargestellt an der University of Pittsburgh. Vertonung der Messe. Berlin: Springer Schwab, Heinrich W. (2002). “Die (Verständliche Wissenschaft). Gattung „Hymne‟ um 1800: Eine Josephson, Nors S. (1973). “Die Andachtsmusik für Kirche, Konzertsaal Entstehung und Entwicklung der Missa und Freiluftbühne”. In: Niemöller, de beata Virgine”. Kirchenmusikalisches Klaus Wolfgang; Loos, Helmut; Koch, Jahrbuch 57. Klaus-Peter (Eds.). Musikgeschichte zwischen Ost- und Westeuropa: Kirchenmusik, Kobak Glimskär, Monika (2007). geistliche Musik, religiöse Musik. Bericht der “Mässan – ordet som blev musik”. Tidig Konferenz Chemnitz 28.–30. Oktober 1999 musik 3. anlässlich des 70. Geburtstages von Klaus Ludwig, Friedrich (1926). Die Wolfgang Niemöller. Sinzig: Studio. mehrstimmige Messe des 14. Jahrhunderts”. Sydnor, James Rawlings (1962). In: Bericht über den I. musikwissenschaftlichen “Twentieth-century hymnody in the Kongress der Deutschen Musikgesellschaft in United States”. In: Sydnor, James Leipzig. Wiesbaden: Breitkopf & Härtel. Rawlings (Ed.). Addresses at the Lütolf, Max (1967). Die mehrstimmigen International Hymnological Conference. New Ordinarium missae-Sätze vom ausgehenden 11. York: Hymn Society of America. bis zur Wende des 13. Zum 14. Jahrhundert. Titon, Jeff Todd; Cornett, Elwood; I: Studien zu den Quellen und Darstellung der Wallhausser, John (2003). Songs of the Sätze. II: Übertragungen. Bern: Paul Haupt. Old Regular Baptists: Lined-out hymnody from Lütolf, Max (1976). “Wczesne southeastern Kentucky. II. Washington, wieloglosowe opracowania ordinarium D.C.: Smithsonian Institution. missae”. [Early polyphonic settings of Tucker, Robert Lee (2001). A historical the Ordinary of the Mass]. Muzyka: examination of the hymn tune ”Ein Feste Kwartalnik poświęcony historii i teorii muzyki Burg” and its treatment in selected twentieth- 21:4. century concert band literature. Ph.D. Texas Podstenńek, Matej (2003). “Glasba pri Tech University. maši”. [Music during the Mass]. Cerkveni van Biezen, Jan; Schulte Nordholt, J. glasbenik 95:1–2. W. (1967). Hymnen, een bloemlezing met Reaney, Gilbert (1984). “The social muziek uit de vroeg-christelijke en implications of polyphonic Mass music middeluuewse gezngen van de Latijnse en in fourteenth-century England”. Musica Griekse kerk. Doornik: Desclée. disciplina: A yearbook of the history of music 38. ♦ Mässa MASS Rifkin, Joshua (2007). “A song Mass in Siena”. The journal of musicology: A quarterly Bausano, William (1998). Sacred Latin review of music history, criticism, analysis, and texts and English translations for the choral performance practice 24:4.
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Roeckle, Charles Albert (1978). in ceremonial music since 1600. Ph.D. The Eighteenth-century Neapolitan settings of the University of Iowa. Requiem Mass: structure and style. Ph.D. Kirkendall, Charlotte Nawrocki (1989). Austin: University of Texas. Techniques of choral and orchestral writing in Schmidt-Görg, Joseph (Ed.) (1967). Die the „Te Deum‟ settings of Berlioz, Bizet, Messe. Köln: Arno Volk (Das Bruckner, Dvorak, and Verdi. D.M.A. Musikwerk). Ohio: University of Cincinnati. Schulze, Willi (1940). Die mehrstimmige McGowan, John Bailey (1967). Messe im frühprotestantischen Gottesdienst. Sixteenth-century polyphonic settings of the Diss. Wolfenbüttel: Kallmeyer (Kieler Latin hymn Te deum laudamus. Ph.D. Beiträge zur Musikwissenschaft: University of Iowa. Schriften des Musikwissenschaftlichen Instituts der Universität Kiel, 8). ♦ Passion Vantine, Bruce Lynn (1982). Four Twentieth-Century Masses: An Analytical Čikeń, Jozo (Ed.) (2003). Pasionska Comparison of Style and Compositional baština: Muka kao nepresušno nadahnuće technique. D.M.A. Urbana-Champaign: kulture III”. [Passion heritage: Passion as University of Illinois. an unlimited inspiration of culture. III]. Zagreb: Pasionska Baština. ♦ Magnificat Demović, Miho. (2003). “Pasionske popijevke u hrvatskim puĉkim Dougherty, Michael P. (2008). Exegesis pjesmaricama s napjevom, tiskanim prije and eisegesis: The choral composer as scriptural II. Vatikanskog Sabora”. [Passion songs interpreter with special reference to settings of in Croatian congregational hymnals ”The Magnificat”. D.M.A. Greensboro: published before Vatican II]. In: Ĉikeš, The University of North Carolina. Jozo (Ed.). Pasionska baština: Muka kao Johnson, Axie Allen (1968). Choral nepresušno nadahnuće kulture. III. Zagreb: settings of the magnificat by selected twentieth Pasionska Baština. century American composers. Ph.D. Schulze, Hans-Joachim (Ed.) (1995). University of Southern California. Passionsmusiken im Umfeld Johann Sebastian McCray, James Elwin (1968). The British Bachs. Bericht über die wissenschaftliche Magnificat in the twentieth century. The Konferenz anlässlich des 69. Bachfestes der University of Iowa. Neuen Bachgesellschaft, Leipzig, 29. und 30. März 1994. Hildesheim: Olms (Leipziger McCray, James Elwin (1988). “A survey Beiträge zur Bach-Forschung, 1). of published Magnificats for treble voices”. The choral journal 28:8. Schulze, Hans-Joachim (2001). “Hamburger Passionsmusiken in der Bibliothek der Sing-Akademie zu Berlin: ♦ Te Deum Ein vorläufiger Nachtrag zu Heinrich Miesners Philipp Emanuel Bach in Andrews, Jane Ellen (1997). British Te Hamburg”. In: Ristow, Nicole; Deums of the twentieth century. D.M.A. Sandberger, Wolfgang; Schröder, Kansas City: University of Missouri. Dorothea; Marx, Hans Joachim (Eds.). “Critica musica”. Studien zum 17. und 18. Davis, Oma Grier (1967). A selected, Jahrhundert. Festschrift Hans Joachim Marx annotated bibliography of “Te Deums” in the zum 65. Geburtstag. Stuttgart: Metzler (M- library of congress, and a history of this hymn
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&-P-Schriftenreihe für Wissenschaft Carroll, Lucy Ellen (1982). Three und Forschung Musik). Centuries of Song: Pennsylvania‟s choral Smallman, Basil (21970). The background Composers 1681 to 1981. D.M.A. of Passion music. J. S. Bach and his Pennsylvania. Combs College of Music. predecessors. New York: Dover Cleveland, Scott Douglas (1983). ”Not Publications. by sight”: A suite of choral settings of sonnets Wolff, Lisa Yvonne (2007). A view of by George MacDonald. M.M. University of German passion music through the lens of Massachusetts Lowell. parallel Biblical motets: A comparative analysis Cooper, Timothy Gene (1989). Church of setting of Furwahr er trug unsere Krankheit music in nineteenth century Canada as (Surely he has borne our griefs). D.M.A. represented by the choral compositions of John Massachusetts: Boston University. Medley. D.M.A. University of Georgia. Foundation SUISA Pour la Musique (Ed.) (1999). Schweizer Chor-Komponisten. ♦ Requiem Zürich: Hug. Fitzgibbon, Katherine Lenore (2008). Hansler, George E. (1958). Stylistic Historicism and nationalism in the German characteristics and trends in the choral music of Requiems of Brahms, Reger, and Distler. five twentieth-century British composers a study D.M.A. Massachusetts: Boston of the choral works of Benjamin Britten, University. Gerald Finzi, Constant Lambert, Michael Kovalenko, Susan Chaffins (1971). The Tippett and William Walton. Ph.D. New twentieth-century Requiem: An emerging York University. concept. Ph.D. St. Louis: Washington Harris, Carl G. (1974). “Three schools University. of Black choral composers and arrangers Robertson, Alec (1967). Requiem: Music 1900–1970”. Choral journal 14:8. of mourning and consecration. London: Hines, Robert Stephan (1980). The Cassell. composer‟s point of view. Essays on twentieth- century choral music by those who wrote it. Westpoint, Conn.: Greenwood Press. ○ TONSÄTTARE COMPOSERS Hollfelder, Waldram; Schreck, Hans 5 Breidenstein, Helmut (2004; 2005). ( 1995). 9000 Chor-Komponisten: “Das Tempo in Mozarts und Haydns Lebensdaten als Arbeitshilfe zur Chorwerken”. CHOR und KONZERT. Programmgestaltung. Hammelburg: Saaleck. Informationen des Verbandes Deutscher Hugo, John William (1987). Relationships KonzertChöre 3. between text and musical setting in selected Brookhart, Charles Edward (1960). The choral works by Debussy, Ravel, Poulenc, and choral music of Aaron Copland, Roy Harris, Bonheur. D.M.A. Arizona State and Randall Thompson. Ph.D. Tennessee: University. Peabody College for teachers of Jacobson, Joshua R. (1993). “East Vanderbilt University. meets West: Choral composers of the Byun, John J. (2005). “When David Eastern Mediterranean school”. The Heard”: A study of the choral settings of choral journal 33:10. Thomas Tomkins and Eric Whitacre. M.M. Johnson, Albert Rykken (1973). The Long Beach: California State University. Christiansen choral tradition: F. Melius Carlsson, Mikael (2007). “Västanfläkt i Christiansen, Olaf C. Christiansen, and Paul körmusiken”. Tidningen Körsång 1. J. Christiansen. Ph.D. University of Iowa.
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Joubert, Johannes (1939). “Musiek vir Hill, Nelson W. (1999). The sacred choral die jeug”. Die Brandwag (1937–65) 3:117. works of Samuel Adler: A study and Moe, Charlette Lucille (2008). Women‟s interpretive analysis of selected compositions. choral music: The compositional styles and D.M.A. Ohio: University of Cincinnati. significance of four contemporary female composers. D.M.A. North Dakota State ► AGUIAR, ERNANI University. Nash, Ethan Daniel (2007). Jewish choral Farah, Mariana (2008). Beyond “Salmo music: A conductor‟s guide to Bloch‟s 150”: The a cappella choral music of Ernani “Avodath Hakodesh”, Bernstein‟s “Chichester Aguiar. D.M.A. Kansas City: University Psalms” and other works. D.M.A. of Missouri. Connecticut: University of Hartford. Owen, Kenneth Lee (2008). Stylistic traits ► ALFVÉN, HUGO in the choral works of Lauridsen, Whitacre, and Clausen (1995–2005). D.M.A. Grundström, Jörgen (1990). Uti vår hage: Arizona State University. en jämförelse mellan Hugo Alfvéns Roma, Catherine (1989). The choral music folkvisearrangemang för blandad kör och of twentieth century composers Elisabeth manskör. Uppsala universitet. Lutyens, Elizabeth Maconchy, and Thea Grundström, Jörgen (1993). Fagra små Musgrave. D.M.A. Ohio: University of blommor. Hugo Alfvéns folkvisearrangemang, Cincinnati. en bortglömd bukett. C/D-uppsats. Sadoh, Godwin (2007). “Twentieth- Uppsala universitet. century Nigerian composers”. Choral Hedwall, Lennart (1995). “Herrans journal 47:10. bön: några tankar kring Alfvéns Sparks, Elise Eskew (2010). Toward an oratorium”. Alfvéniana 3. integrated theory of musical worth and Hedwall, Lennart (2003). “Kantat vid pedagogical value: An analysis of commissioned reformationsfesten i Uppsala och Kantat choral works and personal perspectives of vid Uppsala universitetsjubileum”. In: Emma Lou Diemer and Alice Parker. Ph.D. Ternhag, Gunnar; Rudén, Jan Olof Georgia State University. (Eds.). Hugo Alfvén: en vägvisare. Hedemora: Gidlund. ► ABRIL, ANTON GARCIA Hedwall, Lennart (2003). “Manskörskompositioner”. In: Ternhag, Brill, Daniel Edward (1997). A study of Gunnar; Rudén, Jan Olof (Eds.). Hugo the style of Anton Garcia Abril in his choral Alfvén: en vägvisare. Hedemora: Gidlund. works. D.M.A. Ohio: University of Hedwall, Lennart (2009). Cincinnati. “Mångdubbelt eko kring nejden far. Legenden Hugo Alfvén”. In: Larsén, Carlhåkan (Ed.). Sångare! En bok om ► ADLER, SAMUEL svensk manskörssång och Svenska Brown, Rebecca (1999). Remembering Sångarförbundet. Stockholm: Gehrmans Kristallnacht: A historical investigation and musikförlag. descriptive analysis of, and performance Jonsson, Leif (1994). “Alfvén och den preparation guide for Samuel Adler’s seglivade manskörsrepertoaren”. chamber cantata “Stars in the Dust”. D.M.A. Alfvéniana 3. The University of Southern Mississippi.
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Leaf, Nathan Joel (2006). Hugo Alfven ► BABIĆ, KONSTANTIN and his a cappella choral music. D.M.A. Austin: The University of Texas. Marković, Tatjana; Zatkalik, Miloš Rudén, Jan Olof (2004). “Hugo Alfvén (1997). “Poetica comico: Choral works som kördirigent”. Alfvéniana 3/4. by Konstantin Babić?”. New sound: International magazine for music 10. Ternhag, Gunnar; Rudén, Jan Olof (Eds.) (2003). Hugo Alfvén: en vägvisare. Hedemora: Gidlund. ► BACH, CARL PHILIPP EMANUEL
Clark, Stephen Lewis (1984). The ► ALLEN, WILLIAM occasional choral works of C.P.E. Bach. Ph.D. New Jersey: Princeton University. White, Danny Lloyd (1991). The choral music of William Allen. Ph.D. Texas Tech University. ► BACH, JOHANN CHRISTIAN
Vos, Marie Ann Heiberg (1968/69). The ► ARCHER, VIOLET liturgical choral works of Johann Christian Bach. Diss. St. Louis: Washington Huiner, Harvey Don (1980). The choral University. music of Violet Archer. Ph.D. The University of Iowa. ► BACH, JOHANN MICHAEL
► ARGENTO, DOMINICK Castle, Conan (1984). “The motets of Johann Michael Bach”. Choral journal Ellefson, Deborah Preble (1990). The 24:10. choral music of Dominick Argento. D.M.A. Arizona State University. Hanson, Lisa B. (2001). Dominick ► BACH, JOHANN SEBASTIAN ’ Argento s “Jonah and the Whale”: A study Ambrose, Z. Philip; Matsumura, of the oratorio and comparison to representative Mitsuko (2002.). “Bahha no sezoku twentieth-century oratorios. D.M.A. Ohio: kantāta ni okeru koten shinwa to University of Cincinnati. atarashii shinwa”. [Classical and new Vars, Dianne (1991). The choral music of myths in Bach‟s secular cantatas]. In: Dominick Argento. D.M.A. University of Wolff, Christoph; Koopman, Ton Washington. (Eds.). Bahha-kantāta no sekai 2: Sezoku kantāta. [The world of Bach‟s cantatas. II: Secular cantatas]. Tōkyō: Shoseki. ► AVSHALOMOV, JACOB Armstrong, Thomas (1950). “Bach and Wyatt, Larry D. (1999). “Jacob the English choralist”. The musical times Avshalomov‟s choral works with 91:1289. concertante instrument”. The choral Beisswenger, Kirsten (2004). “Der journal 40:1. Chorsatz als Zentrum – Form und Besetzung in ausgewählten Kantaten”. In: Bartels, Ulrich; Wolf, Uwe; Hofmann, Klaus (Eds.). Vom Klang der Zeit. Besetzung, Bearbeitung und
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Aufführungspraxis bei Johann Sebastian Bach. Glöckner, Andreas (1985). “Zur Klaus Hofmann zum 65. Geburtstag. Chronologie der Weimarer Kantaten Wiesbaden: Breitkopf & Härtel. Johann Sebastian Bachs”. Bach-Jahrbuch Böhmer, Karl (2009). “„Dein Alter sei 71. wie deine Jugend”. Zur mehrchörigen Glöckner, Andreas (1988). Aufstellung in frühen Chorwerken “Überlegungen zu Bachs Bachs und Händels”. In: Kramer, Kantatenschaffen nach 1730”. In: Wolff, Ursula; Birtel, Wolfgang; Mahling, Christoph (Ed.). Johann Sebastian Bachs Christoph-Hellmut (Eds.). Chöre und Spätwerk und dessen Umfeld. Perspektiven Chorisches Singen. Festschrift für Christoph- und Probleme. Bericht über das Hellmut Mahling zm 75. Geburtstag. Mainz: wissenschaftliche Symposion anlässlich des 61. Are-Musik-Verlag (Schriften zur Bachfestes der Neuen Bachgesellschaft, Musikwissenschaft, 16). Duisburg, 28.–30. Mai 1986. Kassel, Bossard, Rudolf (2000). “The essential Basel, London, New York: Bärenreiter. Bach choir: Zu Andrew Parrotts Glöckner, Andreas (2004). “Zelter und Konzept der Chorbesetzung bei Johann Mendelssohn: Zur „Wiederentdeckung‟ Sebastian Bach”. In: Singer, Erich (Ed.). der Matthäus-Passion im Jahre 1829”. Metamorphosen. Buch zum Festival Bach-Jahrbuch 90. Internationale Musikfestwochen Luzern 2000. Hannaford, Kenneth Dale (1984). The Wabern-Bern: Benteli. motets of J. S. Bach: A guide to performance. Butt, John (1997). The sacred choral music D.M.A. Arizona State University. of J.S. Bach: A handbook. Brewster, Mass.: Hengelbrock, Matthias (1999). Paraclete Press. “Diskussion: Das Problem der Curtis, John (1999). “Bach and solistischen Besetzung von Bachs Graupner: The audition cantatas”. The Chören”. Musik und Kirche 69:4. choral journal 39:7. Higuchi, Ryūichi; Schulze, Hans- Daw, Stephen (1981). The music of Johann Joachim (1996). “Bahha no motetto o Sebastian Bach: the choral works. meguru kōsatsu: Seiritsushi, kashi to Rutherford: Fairleigh Dickinson keishiki, ensō no dentō”. In: Miyake, University Press. Yukio (Ed.). Misa to junankyoku. I. Deppert, Inge (1987). “Einige Tōkyō: Shōgakukan (Bahha zenshū, 7). Anmerkungen zu Johann Sebastian Hindermann, Walter F. (1973). Die Bachs vierstimmigen Choralgesängen”. Nachoesterlichen Kantaten des Bachschen In: Berke, Dietrich; Hanemann, Choralkantatenjahrgangs. Versuch einer Dorothee (Eds.). Alte Musik als ästhetische Genesisdeutung mit synoptischen Tabellen und Gegenwart. Bach, Händel, Schütz; Bericht vergleichenden Notenbeispielen. Hofheim am über den internationalen Taunus: Hofmeister. musikwissenschaftlichen Kongreß, Stuttgart Hoekstra, Thomas Earl (1978). Tempo 1985. Kassel: Bärenreiter. considerations in the choral music of Johann Dürr, Alfred (61995). Die Kantaten von Sebastian Bach. Ph.D. University of Iowa. Johann Sebastian Bach. München: Dt. Hoffmann, Winfried (1985). “Was hat Taschenbuch-Verlag. Johann Sebastian Bach dem Foelber, Paul Frederick (1961). Bach‟s Arbeitersänger zu sagen? – Zur treatment of death in his choral music: A Bachrezeption der dissertation. Washington: Catholic Arbeitersängerbewegung in der Weimar University of America Press. Republik”. Beiträge zur Bachforschung 4.
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Holmes, Robert William (1960). The use music. Ph.D. Pennsylvania: University of of contrafacta in the large choral works of J.S. Pittsburgh. Bach. Ph.D. Massachusetts: Boston Lv, Changle (2005). “Bahe matai University. shounanyue kuangjiaxing hechang de Jones, Gordon (2009). Bach‟s choral yunyong”. [The use of framing chorus in music: a listener‟s guide. New York: Bach‟s St. Matthew Passion]. Journal of Amadeus Press (Unlocking the masters Tianjin Conservatory of Music (Sounds of series, 20). nature). Joyce, Elizabeth B. (2009). Representation Marshall, Robert L. (1968). “Musical of “the world” in the church cantatas of Johann sketches in J. S. Bach‟s cantata Sebastian Bach. Ph.D. Massachusetts: autographs”. In: Powers, Harold S. Brandeis University. (Ed.). Studies in music history: Essays for Koopman, Ton (1998). Bachs koor en Oliver Strunk. Princeton: Princeton orkest.” In: Koopman, Ton; van der University Press. Zwan, Wim (Eds.). De wereld van de Bach Marshall, Robert L. (1970). “How J.S. cantates. III: Johann Sebastian Bachs Bach composed four-part chorales”. The kerkelijke cantates uit Leipzig. Abcoude: Musical Quarterly 56:2. Uniepers. Marshall, Robert L. (1982). “Bach‟s Koopman, Ton; Cy, Triple (1995). De „choruses‟ reconstituted”. High wereld van de Bach cantates. I: Johann fidelity/Musical America 32:10. Sebastian Bachs geestelijke cantates – Van Marshall, Robert L. (1983). “Bach‟s Arnstadt tot Köthen. Abcoude: Uniepers. chorus: a preliminary reply to Joshua Koopman, Ton; van der Zwan, Wim Rifkin”. The musical times 124:1679. (1998). De wereld van de Bach cantates. III: McGahie, Paul D. (2006). The choral Johann Sebastian Bachs kerkelijke cantates uit fugue: A comparative study of style and Leipzig. Abcoude: Uniepers. procedure in works by J. S. Bach and W. A. Korn, Michael (1986). “Musical and Mozart. D.M.A. Ohio: University of numerical symbolism in the large choral Cincinnati. works: Bach’s secret code”. In: McKelvy, James M. (1957). A study of the Heckscher, Martin A. (Ed.). The universal Double-choir Motets of Johann Sebastian Bach Bach: Lectures celebrating the tercentenary of in relations to their performance. Ph.D. Bach‟s birthday. Philadelphia: American University of Southern California. philosophical society. Melamed, Daniel Richard (1989). J. S. Krummacher, Friedhelm (2001). Bach and the German motet. Ph.D. “Chronologie und Interpretation: Massachusetts: Harvard University. Chorsätze in Bachs erstem Kantatenjahrgang”. In: Staehelin, Melamed, Daniel Richard (1993). Martin; Dürr, Alfred (Eds.). “Die Zeit, die “Mehr zur Chronologie von Bachs Tag und Jahre macht”. Zur Chronologie des Weimarer Kantaten”. Bach-Jahrbuch 79. Schaffens von Johann Sebastian Bach. Melamed, Daniel Richard (2004). “The Göttingen: Vandenhoeck & Ruprecht Double Chorus in J. S. Bach‟s St. (Abhandlungen der Akademie der Matthew Passion BWV 244”. Journal of Wissenschaften zu Göttingen. the American Musicological Society 57:1. Philologisch-Historische Klasse, 3; 240). Meredith, Sarah (1997). “Wie schön Lee, Kayoung (2005). The role of the 12/8 leuchtet der Morgenstern in the chorale time signature in J. S. Bach‟s sacred vocal cantatas of J.S. Bach”. The choral journal 38:5.
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Metzler, Patrizia (2007). Aria forms and Platen, Emil (1991). Die Matthäus-Passion chorus textures in Bach‟s early cantatas: The von Johann Sebastian Bach: Entstehung, influences of Neumeister, Telemann, and Werkbeschreibung, Rezeption. München: Rosenmüller. D.M.A. Champaign. DTV. University of Illinois. Platen, Emil (31999). Johann Sebastian Meyer, Ulrich (1993). “„Flügel her! Bach: Die Matthäuspassion – Entstehung, Flügel her!’ Gepredigte Sterbekunst als Werkbeschreibung, Rezeption. Kassel: Hintergrund Bachscher Kantatentexte”. Bärenreiter (Bärenreiter- Musik und Kirche 63:5. Werkeinführungen). Meyer, Ulrich (1997). Biblical quotation Rienäcker, Gerd (1991). and allusion in the cantata libretti of Johann “Beobachtungen zum Eingangschor Sebastian Bach. Metuchen: Scarecrow BWV 25”. In: Szeskus, Reinhard (Ed.). Press (Studies in liturgical musicology). Johann Sebastian Bachs historischer Ort. Wiesbaden: Breitkopf & Härtel (Bach- Meyer, Ulrich (1998). “Bachs Studien, 10). Kantatentexte im gottesdienstlichen Kontext”. In: Steiger, Renate (Ed.). Die Rienäcker, Gerd (1982). Quellen Johann Sebastian Bachs. Bachs Musik “Beobachtungen zum Text-Musik- im Gottesdienst. Bericht über das Symposium Verhältnis im Eingangschor der 4.–8. Oktober 1995 in der Internationalen Johannes-Passion von J.S. Bach”. In: Bachakademie Stuttgart. Heidelberg: Szeskus, Reinhard (Ed.). Johann Sebastian Manutius. Bach und die Aufklärung. Leipzig: Breitkopf & Härtel. Mosewius, Johann Theodor (2001). Johann Sebastian Bachs Matthäus-Passion: Rienäcker, Gerd (1983). Musikalisch-ästhetisch dargestellt – Johann “Beobachtungen zum Eingangschor der Sebastian Bach in seinen Kirchen-Kantaten Kantate BWV 127”. Beiträge zur und Choralgesängen. Hildesheim: Olms. Bachforschung 2. Nieden, Hans-Jörg (2005). Die frühen Rienäcker, Gerd (1986). “Notate zu Kantaten von Johann Sebastian Bach: Bachs Umgang mit protestantischen Analyse, Rezeption. München: Katzbichler Chorälen”. Bach Studien 9. (Musikwissenschaftliche Schriften, 40). Rifkin, Joshua (1982). “Bach‟s Parrott, Andrew (2000). The essential „choruses‟ – less than they seem?”. High Bach choir. Woodbridge: Boydell & fidelity 32:9. Brewer. Rifkin, Joshua (1982). “Bach‟s Parrott, Andrew; Brusdeylins, Claudia; „choruses‟: The record cleared”. High Bossard, Rudolf (2003). Bachs Chor. Zum fidelity 32:12. neuen Verständnis. Stuttgart; Kassel: Rifkin, Joshua (1983). “Bach‟s chorus: a Metzler; Bärenreiter. response to Robert Marshall”. The Petzoldt, Martin (1983). “Die musical times 124:1681. theologische Bedeutung der Choräle in Rifkin, Joshua (1985). “Bachs Chor: Ein Bachs Matthäus-Passion”. Musik und vorläufiger Bericht”. Basler Jahrbuch für Kirche 53:2. historische Musikpraxis 9. Petzoldt, Martin (1983). “Zur Frage Rifkin, Joshua (1995). “Bach‟s chorus: nach den Funktionen des Kantors Some red herrings”. Journal of musicological Johann Sebastian Bach in Leipzig”. research 14:3–4. Musik und Kirche 53:4.
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Rifkin, Joshua (2002). Bach‟s choral ideal. Ńter, Katarina (2006). “Koral Philippa Dortmund: Klangfarben-Musikverlag Nicolaija in kantata Johanna Sebastiana (Dortmunder Bach-Forschungen). Bacha: Wie schön leuchtet der Rifkin, Joshua (2003). “Bach‟s chorus: Morgenstern”. De musica disserenda 2:1. Some new parts, some new questions”. Suzuki, Masaaki; Hartlieb, Christine; Early music 31:4. Ikeda, Miyuki; Rilling, Helmuth; Rilling, Helmuth (1975). Johann Sebastian Koopman, Ton (1999). “„Nur wer die Bach, Matthäus-Passion. Einführung und Kantaten kennt, kennt Bachs Musik‟: Studienanleitung. Frankfurt a.M.: C.F. Drei Dirigenten über ihre Peters. Gesamteinspielungen”. Musik und Kirche 69:4. Schmidt, Christian Martin (2000). “Die van Eyndhoven, Carl (1985). Wiederentdeckung der Matthäuspassion durch Felix Mendelssohn-Bartholdy”. “Bachkoralen voor orgel, koor en Jahrbuch der Bachwochen Dillenburg. samenzang”. Adem: Driemaandelijks tijdschrift voor muziek cultuur 21:3. Schnebel, Dieter (2000). “Bach- Choräle: für gemischten Chor”. In: Walter, Meinrad (1994). Musik-Sprache Lieben-Seutter, Christoph; Polzer, des Glaubens. Zum geistlichen Vokalwerk Berno Odo; et al. (Eds.). Wien Modern. Johann Sebastian Bachs. Diss. Frankfurt 27. Oktober bis 26. November 2000. a.M.: Knecht. Elektronik, Raum, “musique spectrale”. Weman Ericsson, Lena (1997). “Hur Saarbrücken: Pfau. många var de egentligen”. Tidig musik 2. Schultz, John Ahern (1980). The solitutti Wolff, Christoph (1995). “Koor en concept in the choral works of Johann Sebastian instrumentarium”. In: Wolff, Christoph Bach. D.M.A. Urbana- Champaign: (Ed.). De wereld van de Bach cantates. University of Illinois. Abcoude: Uniepers. Schulze, Hans-Joachim (1995). Wolff, Christoph (1996–1999). Die Welt “Cantatevormen en cantatetypen”. In: der Bach-Kantaten. Stuttgart: Metzler. Wolff, Christoph (Ed.). De wereld van de Bach cantates. Abcoude: Uniepers. ► BÄCK, SVEN-ERIK Schulze, Hans-Joachim (2003). “„Vierstimmige Choraele, aus den Peterson, Scott Richard (1988). A Kirchen Stücken des Herrn J.S. Bachs performance guide to the unaccompanied zusammen getragen‟: Eine Handschrift Motetter for Kyrkoaret of Sven-Erik Back. Carl Friedrich Faschs in der Bibliothek D.M.A. University of Washington. der Sing-Akademie zu Berlin”. Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz. ► BADINGS, HENK Schulze, Hans-Joachim (2006). Die Bach-Kantaten: Einführungen zu sämtlichen Klemme, Paul Timothy (1988). Henk Kantaten Johann Sebastian Bachs. Stuttgart: Badings: Choral compositions for Carus. unaccompanied mixed chorus with Latin text; analysis and commentary. D.M.A. Söhnel, Marion (1982). “Zu einigen University of Washington. Aspekten der Choralauswahl in den Vokalwerken Johann Sebastian Bachs”. In: Szeskus, Reinhard (Ed.). Johann Sebastian Bach und die Aufklärung. Leipzig: Breitkopf & Härtel.
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Schwab, Heinrich W. (2009). “Zur Rajeczky, Benjamin (1995). “A kompositorischen Gestaltung des zenekarkíséretes Bartók Chores in Jens Baggesens Hymne kórusmüvekröl”. [Bartók‟s choral works Skabningens Halleluja (Das Halleluja der with orchestral accompaniment]. Zeneszó Schöpfung) von Friedrich Ludwig 7. Æmilius Kunzen (1797)”. In: Kramer, Sallis, Fred (1982). Korusmuvei studium in Ursula; Birtel, Wolfgang; Mahling, ’ Christoph-Hellmut (Eds.). Chöre und vivo. Contribution a l etude de la musique Chorisches Singen. Festschrift für Christoph- chorale de Bela Bartok. M.Mus. [Canada:] Hellmut Mahling zm 75. Geburtstag. Mainz: Université Laval. Are-Musik-Verlag (Schriften zur Musikwissenschaft, 16). ► BEACH, AMY CHENEY
Brittain, Randy Charles (1994). “Festival ► BANTOCK, GRANVILLE Jubilate”, Op. 17 by Amy Cheney Beach Kickasola, Matthew Louis (2009). (1867–1944): A performing edition. D.M.A. Granville Bantock and the English choral Greensboro: The University of North imagination. Ph.D. Missouri: Washington Carolina. University. Buchanan, Elizabeth Moore (1996). The anthems and service music of Amy Beach published by the Arthur P. Schmidt Company. ► BARBER, SAMUEL M.A. Columbia. The American University. Castleberry, David Henry (1992). The choral music of Samuel Barber: A Reigles, Barbara Jean (1996). The choral music of Amy Beach. Ph.D. Texas Tech conductor’s guide. D.M.A. Austin: The University. University of Texas. Johnson, Randall Daley (1992). The choral music of Samuel Barber. D.M.A. ► BECK, JOHN NESS University of Washington. Port, Dennis W. (1987). An analysis of the McCray, James (1995). “Samuel Barber: neoromantic choral music of John Ness Beck. Music for men‟s chorus”. American choral Ph.D. New York University. review 37:1. Nally, Donald John (1995). “To immerse myself in words”: Text and music in selected ► BEETHOVEN, LUDWIG VAN choral works of Samuel Barber. A.Mus.D. Urbana-Champaign: University of Bois, Mario (2005). Beethoven et l’hymne Illinois. de l’Europe. Biarritz: Séguier. Skoog, William M. (1992). The late choral Forbes, Elliot (1969). “The choral music of Howard Hanson and Samuel Barber. music of Beethoven”. American choral D.A. University of Northern Colorado. review 11:3. Forbes, Elliot (1970–1971). “Beethoven as a choral composer”. Proceedings of the Royal Musical Association 97.
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Forbes, Elliot (1982). “Beethoven‟s ► BERIO, LUCIANO choral music”. American choral review 24:2–3. Georger, Lucyanne M. (2007). A Gutsche, Susanne V. (1995). Der Chor comparative and analytic study of the choral bei Beethoven: Eine Untersuchung zur Rolle works of Luciano Berio. D.A. University of des Chores in den Orchesterwerken von den Northern Colorado. Bonner Cantaten bis zur 9. Symphonie. Regensburg. Gustav Bosse. ► BERKELEY, LENNOX Haake, Claus (1989). Ludwig van Beethoven, Chorwerke. Empfehlungen zur Reid, Sylvia Helga (1993). The sacred Repertoire- und Programmgestaltung der Chöre choral music of Lennox Berkeley. M.Mus. des künstlerischen Volksschaffens der DDR. University of Pretoria. Leipzig: Zentralhaus-Publ. Lindlar, Heinrich (1970). “Marginalien ► BERLIOZ, HECTOR zu Beethovens Missa solemnis”. Schweizerische Musikzeitung 2. Aubigny, Benoît (2003). “L’écriture Oroz Arizcuren, Francisco (1980). chorale de Berlioz: Une proposition “Signor Abate, hol‟ Sie der Teufel!”. In: herméneutique entre oeuvres et traité”. Romania cantat. Gerhard Rohlfs zum 85. Analyse musicale 49. Geburtstag gewidmet. Lieder in alten und Hynson, Richard Washburn, III (1987). neuen Chorsätzen mit sprachlichen, The revolutionary choral style of Hector Berlioz literarischen und musikwissenschaftlichen as evidenced in selected examples of his Interpretationen. Tübingen: Gunter Narr choralorchestral works. D.M.A. Ohio: Verlag. University of Cincinnati. Schmidt-Görg, Joseph (1971). “Missa solemnis. Beethoven in seinem Werk”. In: Dahlhaus, Carl; Marx, Hans Joachim; ► BERNSTEIN, LEONARD Marx-Weber, Magda; Massenkeil, Günther (Eds.). Bericht über den Gotlieb, Jack (1968). “The choral music internationalen musikwissenschaftlichen of Leonard Bernstein. Reflections of Kongress Bonn 1970. Kassel: Bärenreiter. theatre and liturgy”. American choral review 10:4. Sutton, John C. (1997). A historical study of Beethoven‟s choral fantasia, opus 80. M.A. San Jose State University. ► BINGEN, HILDEGARD VON Vaughan Williams, Ralph (1953). Some thoughts on Beethoven‟s choral symphony: with Göschl, Johannes Berchmans (2002). writings on other musical subjects. London, Die Gesänge der Hildegard von Bingen. Eine New York: Oxford University Press. musikologische, theologische und kulturhistorische Untersuchung Musik und Sprache im Gregorianischen Gesang. Diss. ► BENNETT, RICHARD RODNEY Münster: Westfälische Wilhelms- Universität. Walters, Norene Ann (2008). The Servatius, Viveca (2000). “‘Den helige unaccompanied choral works of Richard Ande sjunger i dig, du dansar med Rodney Bennett: A conductor‟s guide. D.M.A. änglarnas kör –‟: Hildegards sånger ur The University of Arizona. uppförandepraktiskt perspektiv”. In: Myers, Margaret; Pettersson, Tobias
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(Eds.). Hildegard av Bingen: från innerlighet ► BOULANGER, LILI till ytterlighet. Skellefteå: Artos bokförlag. White, John (1998). “The musical world Cohrs, Gunnar (1993). “Die fünf of Hildegard of Bingen”. College music großen Chorwerke Lili Boulangers”. In: symposium 38. Mosler, Kathrin; Boulanger, Lili Juliette Marie Olga (Eds.). Konzerte und Veranstaltungen. Zum 100. Geburtstag der ► BINGHAM, SETH DANIEL Komponistin [19.–22.8.1993]. Bremen: Callas/Zeichen und Spuren. Wilson, James (2010). The sacred choral Tasher, Cara Suzanne (2006). A music of Seth Daniels Bingham (1882–1972), conductor’s guide to the choral works of Lili with special focus on “The Canticle of the Boulanger (1893–1918). D.M.A. Ohio: Sun”, Op. 52. D.M.A. Lincoln: University University of Cincinnati. of Nebraska.
► BOYCE, WILLIAM ► BINKERT, GORDON van Nice, John Robert (1956). The larger Paulin, Carolyn Ruth (1989). The treble sacred choral works of William Boyce, (1710– choral music of Gordon Binkerd: A survey. 1779): A study and edition of selected D.M.A. Urbana-Champaign: University compositions for choir and orchestra (Volumes of Illinois. I–III). Ph.D. Iowa State University. Saladino, David (1997). “Gordon Binkerd’s choral intabulations of keyboard works by Chopin, Liszt, and ► BRAHMS, JOHANNES Brahms”. The choral journal 37:10. Bell, A. Craig (1996). Brahms. The vocal music. Madison: Fairleigh Dickinson ► BOR, MODESTA University Press. Beller-McKenna, Daniel (1999). “The Parra, Cira (2006). A conductor’s guide to scope and significance of the choral selected choral works of Modesta Bor. D.M.A. music”. In: Musgrave, Michael (Ed.). The Ohio: University of Cincinnati. Cambridge companion to Brahms. Cambridge: University Press.
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Giving musical shape to „deeply Ravizza, Victor (2008). Brahms. intellectual poetry’”. The American Spätzeitmusik. Die sinfonischen Chorwerke. Brahms Society newsletter 14:1. Schliengen: Edition Argus. Hancock, Virginia (1987). “Brahms’s Reynolds, Christopher (1985). “A links with German Renaissance music: A choral symphony by Brahms?”. discussion of selected choral works”. In: Nineteenth-Century Music 9:1. Musgrave, Michael (Ed.). Brahms 2. Schmidt, Christian Martin (1997). Biographical, documentary, and analytical “„…enthusiastische Wirkung und großes studies. Cambridge: University Press. Aufsehen…’: Brahms Chorwerke mit Hancock, Virginia (1984). “Brahms’s Orchester”. Österreichische Musikzeitschrift performances of Early choral music”. 52:4. Nineteenth-Century Music 8:2.
Hancock, Virginia (1988). “Brahms’ ► BRANSCOMBE, GENA Aufführungen früher Chormusik in Wien”. In: Antonicek, Susanne (Ed.). Marlow, Laurine Annette Elkins (1980). Kongressbericht. Wien 1983. Tutzing: Gena Branscombe (1881–1977): American Schneider. Composer and Conductor. Ph.D. Austin: Kross, Siegfried (1958). Die Chorwerke The University of Texas. von Johannes Brahms. Berlin-Halensee: Hesse. ► BRASE, HAGBARD Kross, Siegfried (1983). “The choral music of Johannes Brahms”. American Lofgren, Ronald Richard (1992). The choral review 25:4. choral music of Hagbard Brase with special McDermott, Pamela D. J. (2010). The emphasis on the “Korsanger”. D.M.A. Requiem reinvented: Brahms’s Ein deutsches University of Kansas. Requiem and the transformation from literal to symbolic. D.M.A. Greensboro. University RAUN EHEZKEL of North Carolina. ► B , Y Musgrave, Michael (1999). Jacobson, Joshua R. (1993). “East “Aufführungspraxis in den Chorwerken meets West: Choral composers of the von Brahms”. In: Krummacher, Eastern Mediterranean school”. The Friedhelm (Ed.). Kongressbericht. Quellen – choral journal 33:10. Text – Rezeption – Interpretation. München: Henle. ► BRIGHT, HOUSTON Nero, Jonathan Leonard (2007). The a capella motets for mixed voices by Johannes Herrington, John Scott (1992). The Brahms: An analytical overview with focus on choral music of Houston Bright: A descriptive Brahms’ use of compositional techniques from style analysis. D.M.A. Kansas City: early music. D.M.A. North Dakota State University of Missouri. University. Petersen, Peter (1983). “Werke für Chor und Orchester”. In: Jacobsen, ► BRITTEN, BENJAMIN Christiane (Ed.). Johannes Brahms. Leben und Werk. Wiesbaden,: Breitkopf & Boos, Kenneth G. (1986). The study of the Härtel. relationship between text and music in five
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 227 Choral Research. A Global Bibliography selected choral works of Benjamin Britten. Young, Harmon Griffith, III (1995). D.M.A. Florida: University of Miami. The sacred choral music of Dave Brubeck: A Forrest, David (2010). “Prolongation in historical, analytical, and critical examination. the choral music of Benjamin Britten”. Ph.D. University of Florida. Music theory spectrum: The journal of the Society for Music Theory 32:1. ► BRUCH, MAX Goetz, Thomas Eldon (1990). Britten’s church music: The short choral works and Vick, Bingham (1998). “Moses: A A.Mus.D.G. D.M. Illinois: Northwestern biblical oratorio by Max Bruch”. The University. choral journal 39:2. Jensen, Andrew Malcolm (2008). A comparative analysis of poetic structure as the ► BRUCKNER, ANTON primary determinant of musical form in selected a cappella choral works of Gerald Finzi and Albrecht, Theodore (1980). “Anton Benjamin Britten. D.M.A. The University Bruckner and the Liedertafel of Southern Mississippi. movement”. American choral review 22:1. Jones, Douglas Loyd (2000). Aspects of Burkhart, Franz (1974). “Anton textual treatment in Benjamin Britten’s Bruckners weltliche Chorwerke”. Lied unaccompanied choral music, with commentary und Chor 66:11. on the history and meaning of the text. D.M.A. Texas: University of Houston. Harrandt, Andrea (1996). “Bruckner and the Liedertafel tradition: His secular Lambert, Penelope (1991). The symbolic music for male voices”. The choral journal use of the boys’ chorus in Benjamin Britten’s 37:5. A boy was born. M.M. University of London. Harten, Uwe (1998). “Germanen durchschreiten des Urwaldes Nacht”: Sieck, Stephen (2009). “A boy was Zu Anton Bruckners Chorwerk born: An examination of the stylistic ‘Germanenzug’. Die Briefe an seinen influences on the young Benjamin Verleger”. In: Hilscher, Elisabeth Th; Britten”. The Choral Scholar. The Online Antonicek, Theophil (Eds.). Journal of the National Collegiate Choral Österreichische Musik – Musik in Österreich. Organization 1:1. Beiträge zur Musikgeschichte Mitteleuropas. Silvey, Philip E. (2005). “Learning to Theophil Antonicek zum 60. Geburtstag. perform Benjamin Britten’s ‘Rejoice in Tutzing: Schneider (Wiener the Lamb’: The perspectives of three Veröffentlichungen zur high school choral singers”. Journal of Musikwissenschaft, 34). research in music education 53:2. Horn, Erwin (1983). “Anton Bruckner. Simons, Harriet Rose (1971). The use of Geistliche Motetten: Ecce sacerdos für the chorus in the operas of Benjamin Britten. 8-stimmigen gemischten Chor, 3 D.M. Indiana University. Posaunen und Orgel”. Musica sacra 103:1. Huss, Frank (1997). Anton Bruckner und ► BRUBECK, DAVE der Wiener Akademische Gesangverein. Diss. Wien: Hochschule für Musik und Shirtz, Michael J. (2010). The essence of Darstellende Kunst. influence: Bach in the choral music of Dave Brubeck. M.M. Los Angeles. California Kinder, Keith William (2000). “Anton State University. Bruckner’s music for chorus and winds:
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More than the e-minor Mass”. In: ► BRUMBY, COLIN Suppan, Armin (Ed.). Kongressbericht Banská Bystrica 1998. Tutzing: Schneider Jutsum, Ross Frederick (1995). An (Alta musica, 22). examination of musical-textual relationships in Kirsch, Winfried (2001). “Versenkung the choral music of Colin Brumby, a lecture und Ekstase: Zur musikalischen recital, with three recitals of selected works by Ausdrucksästhetik der Motetten Anton Bartok, Durufle-Chevalier, Duson, Bruckners”. In: Riedel, Friedrich Mendelssohn, Poulenc, Sallinen, and Wilhelm (Ed.). Anton Bruckner. Tradition Schoenberg. D.M.A. University of North und Fortschritt in der Kirchenmusik des 19. Texas. Jahrhunderts. Sinzig: Studio-Verlag (Kirchenmusikalische Studien, 7). ► BURGESS, ANTHONY Miller, Brian Lee (1998). Selected a cappella motets of Anton Bruckner. D.M.A. Hooper, Randall (2008). “Anthony Arizona State University. Burgess: A choral composer”. In: Miller, Richard (1996). “The motets of Roughley, Alan R.; Lodge, David; Anton Bruckner”. The choral journal 37:2. Bergstrom, Carson; Cronin, Anthony (Eds.). Anthony Burgess and modernity. Müller-Blattau, Wendelin (1988). Manchester: University Press. “Chor- und Orchestersatz im Te Deum von Anton Bruckner”. In: Mahling, Hooper, Randall L. (2006). The choral Christoph-Hellmut; Wiora, Walter music of Anthony Burgess and a conductor’s (Eds.). Anton Bruckner. Studien zu Werk study of four Anthony Burgess choral pieces. und Wirkung. Walter Wiora zum 30. D.M.A. Louisiana State University and Dezember 1986. Tutzing: Schneider Agricultural & Mechanical College. (Mainzer Studien zur Musikwissenschaft, 20). ► BUSH, GEOFFREY Schmitz, Arnold (1968). “Anton Bruckners Motette Os justi. Eine McCray, James (1997). “Geoffrey Erwägung zur Problematik der Bush’s music for chorus and organ”. kirchenmusikalischen Restauration im The American organist 31:3. 19. Jahrhundert”. In: Barion, Hans (Ed.). Epirrhosis: Festgabe für Carl Schmitt. Berlin: Duncker & Humblot. ► BUXTEHUDE, DIETRICH Scholz, Horst Günter (1961). Die Form Lee, Jiyoung (2005). Dietrich Buxtehude’s der reifen Messen Anton Bruckners. Berlin: ’ Merseburger. „Nun freut euch, lieben Christen gmein : The culmination of chorale fantasy. D.M.A. Seidel, Elmar (2001). “Eine Fuge als University of Washington. Teil der ‘Durchführung’ eines Reid, Susan L. (1998). “The twenty-one symphonischen Chorwerkes. Oder was SSATB vocal works of Dietrich Hugo Riemann an der Fuge ‘In te Buxtehude: An annotated bibliography”. Domine speravi’ in Bruckners Te Deum The choral journal 39:4. nicht verstanden hat”. Kirchenmusikalisches Jahrbuch 85. Singer, Kurt (1924). Bruckners ► BYRD, WILLIAM Chormusik. Stuttgart; Berlin: Deutsche Verlagsanstalt. Burton, Sean (2006). “Sacred and political duality: An analysis of selected
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 229 Choral Research. A Global Bibliography motets from William Byrd’s Gradualia”. ► CERQUEIRA, FERNANDO Choral journal 47:6. Silva, Vladimir (2004). “Música nova do Gray, Walter Bernard (1962). A Brasil para coro a capela: Comentários comparison of the Latin and English sacred analíticos e interpretativos sobre a obra choral compositions of William Byrd. Ph.D. Rola mundo de Fernando Cerqueira”. Madison: University of Wisconsin. OPUS: Revista da Associação Nacional de Pesquisa e Pós-Graduação em Música 10. ► CARTER, ELLIOT
Detweiler, Greg Jeffrey (1985). The ► CHARPENTIER, MARC- choral music of Elliot Carter. D.M.A. ANTOINE Urbana-Champaign: University of Illinois. Jost, John Robert (1986). The early choral psalm motets of Marc-Antoine Charpentier. D.M.A. California: Stanford University. ► CARVALHO, REGINALDO Léon, Jean-Charles (2002). “La rature et l’erreur: L’exemple des messes à quatre Silva, Vladimir Alexandro Pereira choeurs chez Charpentier”. Bulletin de la (2009). “Aspectos estilísticos do Société Marc-Antoine Charpentier 19. repertório coral na obra de Reginaldo Carvalho”. Música hodie 9:1. ► CHAVEZ, CARLOS
► CASALS, PABLO Banks, FredEric William V. (1995). The unaccompanied choral works of Carlos Chavez Vazquez-Ramos, Carlos M. (2002). (1899–1978). D.M.A. University of Pablo Casals: An examination of his choral Washington. works. Ph.D. The Florida State University. ► CHEETHAM, JOHN
► CASTELNUOVO-TEDESCO, Shelt, Christopher Anthony (2005). A MARIO survey of the choral music of John Cheetham including a conductor’s guide for performing his Gray, Dorothy Landis (1996). Mario “Gloria”. D.M.A. The University of Castelnuovo-Tedesco: Selected English settings Southern Mississippi. of music for women’s voices from his American period (1939–1968). Ph.D. District of Columbia: The Catholic University of ► CHEN, YI America. Yeung, Hin-Kei (2006). Chen Yi and her choral music: A study of the composer’s ideal of ► CATURLA, ALEJANDRO GARCIA fusing Chinese music and modern western choral traditions. D.M.A. University of Lezcano, Jose Manuel (1991). Afro- North Texas. Cuban rhythmic and metric elements in the published choral and solo vocal works of Alejandro Garcia Caturla and Amadeo Roldan. Ph.D. The Florida State University.
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► CHERUBINI, LUIGI Jewish chant with American synagogue music. D.M.A. University of Southern Gerber, Gary George (1993). A California. conductor’s analysis of the sacred choral music of Luigi Cherubini. D.M.A. Texas: Southwestern Baptist Theological ► CONTE, DAVID Seminary. Conran, Michael Artemus (2003). A study of David Conte’s secular SATB choral ► CICONIA, JOHANNES works with non-orchestral score complement. D.M.A. The University of Arizona. Besseler, Heinrich (1952). “Johannes Ciconia: Begründer der Chorpolyphonie”. In: Anglès i Pàmies, ► COPLAND, AARON Higini (Ed.). Atti del [I] Congresso internazionale di musica sacra. Tournai: Jenkins, Thomas Fredrick (2001). A Desclée. conductor’s guide to the preparation, rehearsal, and performance of Aaron Copland’s “In the Beginning”. D.M.A. The University of ► CIMA, GIOVANNI PAOLO Southern Mississippi. Kennedy, Mary A. (1999). “Copland Tibaldi, Rodobaldo (2002). “I mottetti and the folk song: Sources, analysis, a quattro voci (Milano 1599) di choral arrangements”. The choral journal Giovanni Paolo Cima e lo stile 39:10. „osservato’ nella Milano di fine „500: Alcune osservazioni”. Polifonie: Storia e teoria della coralità 2:1. ► CORNELIUS, PETER
Combs, Barry Lynn (1997). Peter ► CLAPP, PHILIP GREELEY Cornelius’s choral settings with religious texts and pre-existing music. D.M.A. Kentucky: Kleinknecht, Daniel (1993). “A chant The Southern Baptist Theological of darkness”. American choral review 35:1. Seminary.
► CLAUSEN, RENE ► COULTHARD, JEAN Aitken, Paul Arthur (2006). The choral Black, Linda M. (1997). The choral music music of Rene Clausen. A comprehensive survey of Jean Coulthard: An analytical survey. and history. D.M.A. The University of Ph.D. University of Florida. Oklahoma. Guy, Todd William (1998). The compositional process of Rene Clausen as ► COWELL, HENRY demonstrated in selected choral works. D.M.A. Indiana: Ball State University. Plummer, Mark W. (2003). A stylistic analysis of ten choral works by Henry Cowell. D.A. University of Northern Colorado. ► COHON, BARUCH
Glasman, Ilan David (1995). The choral music of Baruch Cohon: Combining traditional
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► CRESTON, PAUL Chor”. Österreichische Musikzeitschrift 30:11. St.Pierre, Laurine Grace (1999). The Musick, Marilyn Joyce (1990). Johann choral compositions of American composer Paul Nepomuk David’s “Choralwerk”: Creston: A historical perspective, style analysis Determining accessiblity. D.M.A. Lincoln: and descriptive survey. D.M.A. Kansas City: The University of Nebraska. University of Missouri. Reinebach, John Loyal (1988). The cantatas of Johann Nepomuk David: Style and ► DALLAPICCOLA, LUIGI structure. D.M.A. University of Southern California. Merrill, Thomas Glen (1995). Luigi Dallapiccola’s use of serial technique in four choral works: “Canti di prigionia”, “Canti di ► DAVIES, PETER MAXWELL liberazione”, “Requiescant”, and “Tempus de struendi/Tempus aedificandi”. D.M.A. Thompson, Jon (1999). “Job: An Ohio: University of Cincinnati. oratorio by Peter Maxwell Davies”. The choral journal 40:4.
► DANIELIS, DANIEL ► DAWSON, WILLIAM Jamelot, Jean-Roch (1994). Transcription des six motets de Daniel Danielis conservés McMillan, William Robert (1991). The dans la Collection Düben de la Bibliothèque choral music of William Dawson. D.A. Universitaire d’Uppsala: mémoire de recherche. University of Northern Colorado. Vol. 2, Manuscrits et transcriptions. Tours. ► DE PEÑALOSA, FRANCISCO ► DARKE, HAROLD EDWIN Hardie, Jane Morlet (2000). “Circles of Waters, Richard Bateman (2004). The relationships: Chant and polyphony in sacred choral music of Harold Darke. D.M.A. the Lamentations of Francisco de Greensboro: The University of North Peñalosa”. In: Bouckaert, Bruno (Ed.). Carolina. The Di Martinelli Music Collection (KULeuven, University Archives). Colloquium proceedings, Leuven 02.02.1998. Peer: ► DAUNAIS, LIONEL Alamire (Yearbook of the Alamire Foundation, 4). Abbott, Patricia (2002). “The vocal and choral music of Lionel Daunais (1902– 1982)”. In: Rose, Andrea M.; Adams, Ki; ► DE SUMAYA, MANUEL Chisholm, Leon (Eds.). Sharing the voices: The phenomenon of singing. III. St. John’s: Dean, Michael Noel (2002). Renaissance Memorial University of Newfoundland. and Baroque characteristics in four choral villancicos of Manuel de Sumaya: Analysis and performance editions. Ph.D. Texas Tech ► DAVID, JOHANN NEPOMUK University. Stanziano, Stephen (2004). Mass, and Klein, Rudolf (1975). “Johann Manuel de Sumaya: A musical analysis of two Nepomuk David und der Welser Bach- masses by the Baroque Mexican composer. Ph.D. Ohio: Kent State University.
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► DE VILLIERS, PIETER Noblitt, Thomas L. (Ed.) (1997). Josquin des Prez. Masses based on secular polyphonic Nel, Susanna Maria (1986). Die sekulêre songs. I: Missa ‘D’ung aultre amer’. koorwerke van Pieter de Villiers tot en met Utrecht: Koninklijke Vereniging voor 1982: „n Stylstudie. M.M. University of Nederlandse Muziekgeschiedenis (New Port Elizabeth. Josquin edition). Rifkin, Joshua (2009). “Compere, „Des ’ ► DES PREZ, JOSQUIN Pres, and the choirmasters of Cambrai: Omnium bonorum plena reconsidered”. Finscher, Ludwig; Kirsch, Winfried; et Acta musicologica 81:1. al. (1976). “The performance and interpretation of Josquin’s motets. EBUSSY LAUDE Workshop report”. In: Lowinsky, ► D , C Edward E. (Ed.). Josquin des Prez. Alfred, Everett Maurice (1980). A study Proceedings of the International Josquin of selected choral works of Claude Debussy. Festival-Conference held at The Juilliard School Ph.D. Texas Tech University. at Lincoln Center in New York City, 21–25 June 1971. London: Oxford University Böhmer, Helga (1980). “Claude Press. Debussy (1862–1918): Yver, vous n’estes qu’un villain für vierstimmigen Kirsch, Winfried (1976). “Josquin’s Chor a cappella aus den Trois Chansons motets in the German tradition”. In: de Charles d’Orléans”. In: Romania Lowinsky, Edward E. (Ed.). Josquin des cantat. Gerhard Rohlfs zum 85. Geburtstag Prez. Proceedings of the International Josquin gewidmet. Lieder in alten und neuen Festival-Conference held at The Juilliard School Chorsätzen mit sprachlichen, literarischen und at Lincoln Center in New York City, 21–25 musikwissenschaftlichen Interpretationen. June 1971. London: Oxford University Tübingen: Gunter Narr Verlag. Press. Eisenhower, Elise Beatrice Maureen Kirsch, Winfried (1991). “Zur (1991). An approach to achieving the Rezeption der Motetten Josquin impressionistic effect in the choral music of Desprez’ im 19. Jahrhundert”. In: Claude Debussy. D.M.A. Austin: The Schneider, Herbert (Ed.). Die Motette: University of Texas. Beiträge zu ihrer Gattungsgeschichte. Mainz: Schott Musik International. Lesure, François (1976). “Debussy et la Concordia (1883–1885)”. Cahiers Debussy Macey, Patrick (2002). “A musical 3. detective story: Josquin’s motet cycle for the Sforza rulers of Milan”. American Shearin, Arthur L. (1979). “The choral choral review 44:1. music of Debussy and Ravel”. Choral journal 19:5. Mendel, Arthur; et al. (1976). “The performance and interpretation of Josquin’s Masses. Workshop report”. ► DEGTIAREV, STEPAN In: Lowinsky, Edward E. (Ed.). Josquin ANIKIEVICH des Prez. Proceedings of the International Josquin Festival-Conference held at The Hughes, Carol Bailey (1984). The origin Juilliard School at Lincoln Center in New of “the first Russian patriotic oratorio”: Stepan York City, 21–25 June 1971. London: Anikievich Degtiarev’s “Minin i pozharskii” Oxford University Press. (1811). Ph.D. The University of North Carolina at Chapel Hill.
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► DESSAU, PAUL ► DINERSTEIN, NORMAN
Hennenberg, Fritz (1969). “Paul Brorson, Jo Ann (1989). The choral music Dessaus politische Chorkantaten 1944– of Norman Dinerstein. D.M.A. Ohio: 1968”. In: Brockhaus, Heinz Alfred University of Cincinnati. Niemann Konrad (Ed.). Sammelbände zur Musikgeschichte der Deutschen Demokratischen Republik, Band 1. Berlin: ► DISTLER, HUGO Neue Musik. Kirsch, Winfried (1997). “Hugo Distler: Um Mitternacht für gemischten Chor ► DI LASSO, ORLANDO (aus dem Mörike-Chorliederbuch, op. 19) – Versuch einer praxisorientierten Cook, Larry (1979). “Polychoral Analyse”. In: Poos, Heinrich (Ed.). compositions of Orlando di Lasso”. Chormusik und Analyse: Beiträge zur Choral journal 20:2. Formanalyse und Interpretation mehrstimmiger Haggh, Barbara (1995). “Orlando di Vokalmusik. Mainz: Schott. Lasso and Office polyphony for the Lemmermann, Dirk (1996). Studien zum Bavarian court”. Yearbook of the Alamire weltlichen Vokalwerk Hugo Distlers. Foundation 1. Analytische, ästhetische und rezeptionsgeschichtliche Untersuchungen unter besonderer Berücksichtigung des Mörike- ► DIEMER, EMMA LOU Chorliederbuchs. Diss. Frankfurt a.M.: Lang (Europäische Flory, Jennifer Morgan (2009). The choral HochschulschriftenReihe 36, music of Emma Lou Diemer. Washington Musikwissenschaft, 159). DC: American Choral Foundation (Research memorandum series Place, Robert Keith (1998). Hugo (American Choral Foundation), 195). Distler’s “Eine deutsche Choralmesse”: A conductor’s analysis for performance. D.M.A. McDaniel, Mary Eileen (1987). The The University of Arizona. choral music of Emma Lou Diemer. D.M.A. Arizona State University. Morgan, Jennifer S. (2005). A conductor’s ► DOBROGOSZ, STEVE guide to selected choral-orchestral works of Emma Lou Diemer. D.M.A. Ohio: Sagvik, Stellan (2003). “Steves University of Cincinnati. körmässa: en världssuccé”. Tidningen Körsång 3.
► D‟INDY, VINCENT ► DRYSDALE, LEARMONT Neal, Paul Andrew (2007). A survey of the choral works of Vincent D’Indy, including the Sheppard, Kenny M. (1987). Selected chansons of Opus 82, 90 and 100. D.M.A. choral works of Learmont Drysdale, Scotland’s Los Angeles: University of California. forgotten composer. Ph.D. Texas Tech University.
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► DU MONT, HENRY ► DVOŘÁK, ANTONÍN
Decobert, Laurence (1997). “Henry Du Döge, Klaus (2004). “Antonín Dvořák Mont et le grand motet”. In: Lionnet, und der Chor”. In: Kuret, Primoţ (Ed.). Jean (Ed.). Le concert des muses. Promenade Zborovska glasba i pevska društva ter njihov musicale dans le baroque français. Versailles: pomen v razvoju nacionalnih glasbenih kultur. Editions du Centre de musique baroque. [Choral music and choral societies, and their role in the development of the national musical cultures]. Ljubljana: ► DUBA, RIHARDS Festival.
Smith, Kevin Doyle (2004). The style of Guthmiller, John (1991). “The choral music of Antonín Dvořák: A meditation: A conductor’s analysis of selected sesquicentennial review”. The choral Latin motets by Rihards Dubra. D.M.A. journal 32:3. Louisiana State University and Agricultural & Mechanical College. Jirak, James Edwin (1996). The partsongs of Antonin Dvorak: Background and analysis. D.A. University of Northern Colorado. ► DUNSTABLE, JOHN
Pietrus, Susan Ann (1993). The Marian ► EBEN, PETR antiphon settings of John Dunstable: Musical and textual analysis with performance editions Cho, Hyungmin (2007). Constancy and for women’s choirs. D.M.A. University of changes in Petr Eben’s sacred choral works: Southern California. An overview. D.M.A. Urbana-Champaign: University of Illinois. Koch, Timothy (1998). “The a cappella ► DUREY, LOUIS music of Petr Eben”. American choral Meers, Paul Stephen (1998). The choral review 40:1. music of Louis Durey (1888–1979): Background and analysis of selected works. ► ELGAR, EDWARD D.M. Indiana University. Doyle, Edward Joseph (1969). An analysis of the function of the chorus in Elgar’s ► DURUFLÉ, MAURICE oratorio The dream of Gerontius as it evolved Jarjisian, Peter G. (1991). The influence of from the Handelian pattern. M.A. Fullerton: Gregorian chant on Maurice Duruflé’s California State University. “Requiem”, op. 9. D.M.A. Madison: The Hunt, Donald (2009). “Elgar and the University of Wisconsin. Three Choirs Festival”. The Elgar Society McIntosh, William John (1999). Modal journal 16:1. and rhythmic implications of Gregorian chant McGuire, Charles Edward (2002). themes used in the choral music of Maurice Elgar’s oratorios. The creation of an epic Durufle. M.M. Long Beach: California narrative. Aldershot: Ashgate. State University. Newman, Ernest (1916). “„The spirit of Reynolds, Jeffrey Warren (1990). The England’: Edward Elgar’s new choral choral music of Maurice Durufle (1902– Work”. The musical times 57:879. 1986). D.M.A. Urbana-Champaign: University of Illinois.
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► EISLER, HANNS ► ERDMANN, DIETRICH
Hennenberg, Fritz (1974). “Zur Bobéth, Marek (1997). “Für Kenner Dialektik in der Interpretation von und Liebhaber: Anmerkungen zu Hanns Eislers Vokalmusik”. In: Hanns Chorwerken Dietrich Erdmanns”. In: Eisler heute: Berichte-Probleme-Beobachtungen. Krause-Pichler, Adelheid; Erdmann, Berlin: Akademie der Künste der DDR Dietrich (Eds.). Die Gleichheit von Neu oder (Arbeitshefte, Schriftenreihe des Alt. Dietrich Erdmann, Leben und Werk. Prasidiums der Akademie der Künste Festschrift zum 80. Geburtstag. Regensburg: der DDR, 19). ConBrio-Verlags-Gesellschaft Kolland, Hubert (1976). “Auf den (Schriftenreihe des Deutschen Strassen zu singen”. Das Argument. Tonkünstlerverbandes Berlin, 1). Mayer, Günter (1981). “Politisches Engagement und musikalischer ► FAGAN, GIDEON Anspruch: Das Beispiel Eisler”. Musik in der Schule 32:6. Coetzee, Anna Magaretha Elizabeth (1990). Die koor en vokale musiek van Meyer, Ernst Hermann (1974). Gideon Fagan (1904–1980). M.M. “Quellen der Massenlieder Hanns University of South Africa. Eislers”. In: Hanns Eisler heute: Berichte– Probleme–Beobachtungen. Berlin: Akademie der Künste der DDR (Arbeitshefte, ► FAITH, RICHARD BRUCE Schriftenreihe des Prasidiums der Akademie der Künste der DDR, 19). Lopez, Christine Sotomayor (1992). The Niephagen, Rainer A. (1989). choral compositions of Richard Faith: An “Interpretationsaspekte zur Chormusik exploration of general compositional Hanns Eislers”. In: Thom, Eitelfriedrich characteristics as an annotated resource of (Ed.). Musik und Gedanke: Hanns-Eisler- repertoire suitable for various choral forces. Kolloquium zu Ehren des 90. Geburtstages. A.Mus.D. The University of Arizona. Blankenburg: Kultur- und Forschungsstätte Michaelstein (Sonderbeiträge zu den Studien zur ► FALIK, JURIJ Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 8). Rjazanova, Nina (1995). “Horovye cikly Jurija Falika”. In: Tomaševskaja, Zink, Erich (1974). “Eisler unter Tatjana (Ed.). Russkaja horovaja kul’tura: Arbeitersängern”. In: Hanns Eisler heute: Istorija, tradicii, sovremennye problemy. Sankt- Berichte–Probleme–Beobachtungen. Berlin: Peterburg: Akademiâ Kultury (Nauĉnye Akademie der Künste der DDR Trudy Sankt-Peterburgskoj Akademii (Arbeitshefte, Schriftenreihe des Kultury). Prasidiums der Akademie der Künste der DDR, 19). Zobl, Wilhelm (1974). “Einiges zur ► FASCH, CARL FRIEDRICH Arbeit Hanns Eislers in den Wiener CHRISTIAN Arbeiterchören”. In: Hanns Eisler heute: Berichte–Probleme–Beobachtungen. Berlin: Eberle, Gottfried (1999). “„Spiegel einer Akademie der Künste der DDR reinen, wahrhaft frommen Seele’ – Carl (Arbeitshefte, Schriftenreihe des Friedrich Christian Faschs Chormusik Prasidiums der Akademie der Künste für die Sing-Akademie zu Berlin”. In: der DDR, 19). Musketa, Konstanze (Ed.). Carl Friedrich
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Christian Fasch (1736–1800) und das internationale wissenschaftliche Konferenz am Berliner Musikleben seiner Zeit. Bericht über 18. und 19. April 1997 im Rahmen der 5. die Internationale wissenschaftliche Konferenz Internationalen Fasch-Festtage in Zerbst. am 16. und 17. April 1999 im Rahmen der Dessau: Anhaltische Verlags- 6. Internationalen Fasch-Festtage in Zerbst. Gesellschaft (Fasch-Studien, 6). Dessau: Anhaltische Verlags- Gesellschaft. (Fasch-Studien, 7). ► FAURÉ, GABRIEL
► FASCH, JOHANN FRIEDRICH Johnson, Nathaniel Frederick (2005). Creation of historically informed transcriptions Dittrich, Raymond (1995). “Die for chorus and winds of Franz Schubert’s doppelchörige Messe von Johann Mass in G and Gabriel Faure’s Requiem. Friedrich Fasch: Überlieferung und D.A. University of Northern Colorado. Stilistik”. In: Bimberg, Guido (Ed.). Fasch und die Musik im Europa des 18. Jost, Peter (1996). “Faurés ‘Les Djinns’ Jahrhunderts. Bericht der internationalen und die Chormusik seiner Zeit”. In: Jost, wissenschaftlichen Konferenz 1993 zu den III. Peter (Ed.). Gabriel Fauré. Werk und Internationalen Fasch-Festtagen in Zerbst. Rezeption. Kassel: Bärenreiter. Weimar: Böhlau (Fasch-Studien, 4). Jerold, Beverly (2004). “Fasch and the ► FENG, TIAN beginning of modern artistic choral singing”. Bach 35:1. Shao, Xiaoyong (2006). “Jiaoxiang Reul, Barbara M. (2003). “Unification hechang Wei Mao Zedong shici puqu procedures in selected sacred cantatas by wu shou yanjiu”. [Study of the choral J.F. Fasch”. In: Musketa, Konstanze symphony Wei Mao Zedong shici puqu (Ed.). Johann Friedrich Fasch und der wu shou]. Yinyue yanjiu 1:120. italienische Stil. Bericht über die Internationale Xiao Yong, Shao (2010). “Horovoe Wissenschaftliche Konferenz am 4. und 5. tvorĉestvo kitajskogo kompozitora T’en April 2003 im Rahmen der 8. Internationalen Fèna”. [Tian Feng’s choral works]. Fasch-Festtage in Zerbst. Dessau: Anhalt- Muzykovedenie 6. Ed. (Fasch-Studien, 9). Reul, Barbara Margaretha (1996). The sacred cantatas of Johann Friedrich Fasch ► FERRIS, WILLIAM C. (1688–1758). Ph.D. University of Stone, Lyle Douglas Howard (2000). Victoria. Aspects of style of four selected choral works Sawtschenko, Elena (2009). Die and a conversation with the composer, William Kantaten von Johann Friedrich Fasch im Ferris. D.M.A. Kansas City: University of Lichte der pietistischen Frömmigkeit. Missouri. Paderborn: Schöningh (Beiträge zur Geschichte der Kirchenmusik/Görres- Gesellschaft zur Pflege der ► FETLER, PAUL Wissenschaft, 14). Russell, Teresa Pamela (1988). A study Térey-Smith, Mary (1997). “The choral of selected choral music by Paul Fetler. ‘ ’ settings of the Passio Jesu Christi by D.M.A. Florida: University of Miami. Johann Friedrich Fasch”. In: Musketa, Konstanze (Ed.). Johann Friedrich Fasch und sein Wirken für Zerbst. Bericht über die
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► FINZI, GERALD ac quatuor voce”, “Domine, salvum fac regem”, and “Ecce tu pulchra es”, by Nicolas Forme. French, John Henry (1995). The choral D.M.A. University of Washington. odes of Gerald Finzi. D.M.A. Ohio: University of Cincinnati. ► FÖRTIG, PETER Jensen, Andrew Malcolm (2008). A comparative analysis of poetic structure as the Beuerle, Hans Michael (1995). primary determinant of musical form in selected “Gratwanderungen: Zu Peter Förtigs a cappella choral works of Gerald Finzi and Chorkompositionen”. In: Metz, Benjamin Britten. D.M.A. The University Günther; Förtig, Peter (Eds.). Musica – of Southern Mississippi. scientia et ars. Eine Festgabe für Peter Förtig Langager, Graeme (2006). Of text and zum 60. Geburtstag. Frankfurt a.M. & tune: The relationship between words and music Berlin: Lang. in the choral music of Gerald Finzi. D.M.A. Ohio: University of Cincinnati. ► FOUGSTEDT, NILS-ERIC McCoy, Jerry Michael (1982). The choral music of Gerald Finzi: A study of Dahlström, Fabian (1984). Nils-Eric textual/musical relationships. D.M.A. Fougstedts kompositioner för kör. Åbo: Austin: The University of Texas. Musikvetenskapliga institutionen (Acta Robinson, Kathleen E. (1994). A critical musica: källskrifter och studier, 8). study of word/music correspondences in the choral works of Gerald Finzi. (Volumes I and II). Ph.D. Illinois: Northwestern ► FRANCK, CÉSAR University. DuSell, Brian Craig (1997). An analysis of Cesar Franck’s “Trois Chorals”. D.M.A. ► FISSINGER, EDWIN R. Arizona State University.
Logan, P. Bradley (1987). The choral music of Edwin R. Fissinger. D.M.A. ► FRANCK, MELCHIOR Urbana-Champaign: University of Illinois. Hurty, Jon Richard (1994). A study and critical edition of Melchior Franck’s “Rosetulum Musicum” (1628). D.M.A. ► FLOYD, CARLISLE Urbana-Champaign: University of Illinois. Coffman, Teresa S. (1997). The choral Sheets, Randall Craig (1988). A study of music of Carlisle Floyd: History, analyses, text Melchior Franck’s collection of motets and setting, and performance considerations. sacred concertos, “Dulces mundani exilij D.M.A. Texas: University of Houston. deliciae” (1631). D.M.A. Urbana- Coffman, Teresa S. (1999). “Carlisle Champaign: University of Illinois. Floyd’s text settings in his works for chorus”. The choral journal 39:8. ► FRANZ, ROBERT (1 TITEL)
► FORME, NICOLAS Schinköth, Thomas (1993). “Das „geistliche’ Vokalschaffen von Robert McCollum, Steven Gerald (2000). A Franz: Versuche einer Näherung”. In: critical edition of “Missam hanc doubus Choris Musketa, Konstanze; Traxdorf, Götz;
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Franz, Robert (Eds.). Robert Franz ► GEFORS, HANS (1815–1892). Bericht über die wissenschaftliche Konferenz anläßlich seines Rudén, Jan Olof (2005). “‘Jag är mer 100. Todestages am 23. und 24. Oktober intresserad av musikens formning än av 1992 in Halle. Halle an der Saale: dess form‟: Jan Olof Rudén om att Händel-Haus (Schriften des Händel- nalkas Hans Gefors’ körmusik”. Hauses in Halle, 9). Tidningen Körsång 1.
► FUX, JOHANN JOSEPH ► GEIST, CHRISTIAN
Federhofer, Hellmut (2000). “Der Berglund, Lars (2002). Studier i Christian „Coro’ in den Opern von Johann Geists vokalmusik. Ph.D. Uppsala Joseph Fux”. Die Musikforschung 53:4. universitet (Studia musicologica Upsaliensia, 21).
► GABÂŃI, S. ► GENZMER, HARALD Ńaripova, Rozaliâ Mugtasimovna (2010). “Horovoe tvorĉestvo S. Gabâši i Müllich, Hermann (1982). Die ACapella- S. Sajdaševa”. [Choral works of S. Chorwerke Harald Genzmers: stilkritische Gabâši i S. Sajdašev]. Problemy Untersuchungen zur Textausdeutung. Diss. muzykal’noj nauki: Rossĭjskij naučnyj Berlin: Erler. specializirovannyj žurnal 1.
► GEOFFRAY, CESAR ► GABRIELI, GIOVANNI Hall, Robert George (1992). Cesar Swope, Mark David (1995). A Geoffray and “ A Coeur Joie”: A study of comparative study between selected sacred Geoffray’s choral writing including an English double-choir motets of Hans Leo Hassler and adaptation of the cantata “ Salut au monde”. Giovanni Gabrieli. M.A. California: San D.M.A. Urbana-Champaign: University Jose State University. of Illinois.
► GARDANE, ANTONIO ► GINASTERA, ALBERTO
Miles, Ellen Elizabeth (1988). The double King, Tim Raynaud (1993). The sacred choir and cori spezzati Vespers’ psalms of choral music of Alberto Ginastera. D.M.A. Antonio Gardane’s Cantus di Adriano et di Urbana-Champaign: University of Jachet of 1550. University of Auckland. Illinois.
► GATES, CRAWFORD ► GLUCK, CHRISTOPH WILLIBALD Evans, Ryan Cory (2006). “Visions of Eternity”: An analysis of a sacred oratorio by Betzwieser, Thomas (1996). “Der in Crawford Gates. D.M.A. Arizona State Bewegung gesetzte Chor: Gluck und der University. choeur dansé”. In: Gribenski, Jean; Mongrédien, Jean (Eds.). D’un opéra
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Ńavli, Peter (2000). “O Gottwaldovi ► GRAUPNER, CHRISTOPH obdelavi Mahlerjevega in Bergovega Curtis, John (1999). “Bach and samospeva za 16-glasni mešani zbor”. Graupner: The audition cantatas”. The [Gottwald’s arrangement of Mahler’s choral journal 39:7. and Berg’s lieder for 16-voice mixed choir]. Naši zbori 50:1. ► GRECANINOV, A.T.
► GRABBE, JOHANN Svetozarova, Elena (1995). “Horovye socinenija A.T. Grecaninova”. In: Schwab, Heinrich W. (1989). “Das Tomaševskaja, Tatjana (Ed.). Russkaja Madrigalwerk von Johann Grabbe: horovaja kul’tura: Istorija, tradicii, Beobachtungen zur Parallelvertonungen sovremennye problemy. Sankt-Peterburg: des Madrigals Alma afflitta, che fai”. In: Akademiâ Kultury (Nauĉnye Trudy Ørbaek Jensen, Anne (Ed.). Heinrich Sankt-Peterburgskoj Akademii Kultury). Schütz und die Musik in Dänemark zur Zeit Christians IV. Bericht über die wissenschaftliche Konferenz in Kopenhagen ► GREGOR, CHRISTIAN 10.–14. Nov. 1985. Kopenhagen: Engstrøm & Sødring. Asti, Martha Secrest (1982). The Moravian music of Christian Gregor (1723– 1801): His anthems, arias, duets, and ► GRAINGER, PERCY chorales. Ph.D. Florida: University of Miami. Hughes, Charles W. (1997). “The choral music”. In: Callaway, Frank (Ed.). Percy Aldridge Grainger symposium. Nedlands W.A.: CIRCME School of Music University of Western Australia in association with Soundscapes.
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► GRIEG, EDVARD ► GUSTAFSON, DWIGHT
Foster, Beryl (1999). Edvard Grieg, the DuBois, Joel Aaron (2007). An choral music. Aldershot: Ashgate. examination of the aesthetic philosophy and Foster, Beryl (2001). “Vocal textures in choral music of Dwight Gustafson. D.A. University of Northern Colorado. Grieg’s choral music”. In: Kreft, Ekkehard (Ed.). Kongressbericht. 1. bis 4. Juni 2000 in der Stadtsparkasse Lengerich. ► HAIRSTON, JESTER Altenmedingen: Junker. Peed, John Harold (1989). Edvard Grieg: Manzo, Maria Paulette (1990). A An analytical survey of the unaccompanied compositional and interpretive analysis of the partsongs for male chorus. D.A. University arranged Negro spiritual, as represented by the of Northern Colorado. choral music of Jester Hairston. D.A. University of Northern Colorado. Peed, John Harold (1993). “Edvard Grieg’s music for male chorus: Forgotten gems from Norway”. The ► HAMMERSCHMIDT, ANDREAS choral journal 33:9. Wirtz, Thomas (1996). Heinemann, Michael (1994). “‘Wer “Transkriptionen Griegscher dieses nimbt in acht!” Heinrich Schütz Klavierlieder für Chor”. In: Kreft, und die „Chor Music‟ von Andreas Ekkehard (Ed.). Kongreßbericht. 11.–12. Hammerschmidt”. Die Musikforschung Mai 1996, Burgsteinfurt und Tecklenburg. 47:1. Ehrungen, Vorträge, Konzerte, Diskussionen. Heinemann, Michael (1996). Altenmedingen: Junker. “Gebrauchsmusik und Einheitsstil. Zur Chormusik von Andreas Hammerschmidt”. In: Heinemann, ► GRIER, FRANCIS JOHN ROY Michael (Ed.). Musik zwischen Leipzig und Dresden. Zur Geschichte der Hutchens, Robert Benjamin (2006). The Kantoreigesellschaft Mügeln 1571–1996. choral music of Francis Grier. D.M.A. Oschersleben: Ziethen (Schriftenreihe Greensboro: The University of North zur mitteldeutschen Musikgeschichte. Carolina. Serie 2, Forschungsbeiträge, 2).
► GUARNIERI, CAMARGO ► HÄNDEL, GEORG FRIEDRICH
Lacerda, Osvaldo Costa de (2001). “A Allen, Burt (1977). The dramatic function of obra coral”. In: Silva, Flávio; Guarnieri, the chorus in Handel’s oratorios. Ph.D. Mozart Camargo (Eds.). Camargo University of Kansas. Guarnieri. O tempo e a música. São Paulo: Ministério da Cultura FUNARTE. Arlt, Jerry Ann (1985). The choruses in three of Handel’s late oratorios. D.M.A. Arizona State University. ► GUASTAVINO, CARLOS Böhmer, Karl (2009). “‘Dein Alter sei Calvo, Francisco Javier (2007). Argentine wie deine Jugend‟. Zur mehrchörigen nationalism in the choral arrangements of Aufstellung in frühen Chorwerken selected art songs of Carlos Guastavino. M.A. Bachs und Händels”. In: Kramer, Long Beach: California State University. Ursula; Birtel, Wolfgang; Mahling,
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Christoph-Hellmut (Eds.). Chöre und frühen Opern und Oratorien”. In: Marx, Chorisches Singen. Festschrift für Christoph- Hans Joachim (Ed.). Händel auf dem Hellmut Mahling zm 75. Geburtstag. Mainz: Theater. Karlsruhe 1986 und 1987. Laaber: Are-Musik-Verlag (Schriften zur Laaber-Verlag (Bericht über die Musikwissenschaft, 16). Symposien der Internationalen Händel- Fleischhauer, Günter (1980). “Zur Akademie, 1). Verwendung einiger Tanzrhythmen in Marx, Hans-Joachim (1998). Händels der Chorsätzen der Oratorien G.F. Oratorien, Oden und Serenaten. Ein Händels”. In: Siegmund-Schultze, Kompendium. Göttingen: Vandenhoeck Walther (Ed.). Fragen der und Ruprecht. Aufführungspraxis und Interpretation Monheim, Annette (1999). Händels Händelscher Werke in Vergangenheit und Oratorien in Nord- und Mitteldeutschland im Gegenwart. Halle-Wittenberg: Martin- 18. Jahrhundert. Eisenach: Wagner Luther-Universität. (Schriften zur Musikwissenschaft aus Gerhard, Anselm (2000). “Auf dem Münster). Weg zur ‘Kantate des ganzen Nika-Sampson, Ewanthia (1989). Das Menschengeschlechts’: Verhältnis von Solo und Chor in Händels Voraussetzungen und Folgen der Oratorien. Diss. München. Rezeption von Händels Chören”. In: Lütteken, Laurenz; Busch, Gudrun Petersen, Nils Holger (2004). Händel: (Eds.). Händel-Rezeption der frühen Goethe- Messias – Libretto, baggrund og fortolkning. Zeit. Kolloquium Goethe-Museum Düsseldorf København: Det Danske Bibelselskab. 1997. Kassel: Bärenreiter (Marburger Potter, Pamela Maxine (2001). “The Beiträge zur Musikwissenschaft, 9). politicization of Handel and his Gudger, William D. (1980). “Skizzen oratorios in the Weimar Republic, the und Entwürfe für den Amen-Chor in Third Reich, and the early years of the Händels Messias”. Händel-Jahrbuch 26. German Democratic Republic”. Musical Quarterly 85:2. Hausfater, Dominique (1985). “Typologie des choeurs dans les Rackwitz, Werner (1980). “Über die oratorios anglais de G.-F. Haendel”. szenische Aufführung der Oratorien Chant choral: Le journal du chant choraL Händels”. In: Siegmund-Schultze, 2:46. Walther (Ed.). Fragen der Aufführungspraxis und Interpretation Kim, Minji (2005). Handel’s “Israel in Händelscher Werke in Vergangenheit und Egypt”: A three-anthem oratorio. An Gegenwart. Halle-Wittenberg: Martin- analytical and interpretive study of the original Luther-Universität. 1739 version. Ph.D. Massachusetts: Brandeis University. Roters, Katja (1999). Bearbeitungen von Händel-Oratorien im Dritten Reich. Halle an Larsen, Jens Peter (1980). “Zur der Saale: Händel-Haus (Schriften des Aufführungspraxis der Händelhauses in Halle, 16). Händeloratoriums”. In: Siegmund- Schultze, Walther (Ed.). Fragen der Stockmann, Bernhard (1996). Aufführungspraxis und Interpretation “Beobachtungen am Generalbaß in den Händelscher Werke in Vergangenheit und Chorsätzen G. F. Händels”. In: Marx, Gegenwart. Halle-Wittenberg: Martin- Hans Joachim (Ed.). Europäische Luther-Universität. Traditionen im Spätwerk Händels. Göttingen: Vandenhoeck & Ruprecht Marx, Hans-Joachim (1988). “Funktion (Göttinger Händel-Beiträge, 6). und Besetzung des Chores in Händels
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Young, Percy M. (1980). “Das ► HAYDN, JOSEPH Händelsche Oratorium ein Jahr nach dem Wendepunkt 1784”. In: Siegmund- Ehrenforth, Karl Heinrich (1996). Schultze, Walther (Ed.). Fragen der “Tradition als Herausforderung: Ist Die Aufführungspraxis und Interpretation Schöpfung Haydns erschöpft?”. In: Händelscher Werke in Vergangenheit und Oebelsberger, Monika; Sulz, Josef Gegenwart. Halle-Wittenberg: Martin- (Eds.). Musikpädagogik – Tradition und Luther-Universität. Herausforderung. Festschrift für Josef Sulz zum 65. Geburtstag. Anif, Salzburg: Müller-Speiser (Wort und Musik, 30). ► HANSON, HOWARD Kirsch, Winfried (1988). “Vergangenes Skoog, William M. (1992). The late choral und Gegenwärtiges in Haydns music of Howard Hanson and Samuel Barber. Oratorien: Zur Dramaturgie der D.A. University of Northern Colorado. Schöpfung und der Jahreszeiten”. In: Mahling, Christoph-Hellmut; Federhofer, Hellmut (Eds.). Florilegium ► HARRIS, ROY musicologicum. Hellmut Federhofer zum 75. Geburtstag. Tutzing: Schneider (Mainzer Satterfield, Sarah Watkins (2000). Folk Studien zur Musikwissenschaft, 21). and popular song usage in the choral works of Pedersen, Keith Ernest (1997). The Roy Harris. Ph.D. University of Florida. sonata/fugue in Haydn’s sacred choral music. D.M.A. Urbana-Champaign: University of Illinois. ► HARRISON, LOU Schenbeck, Lawrence (1985). “Missa in Brunner, David Lee (1989). The choral angustiis by Joseph Haydn”. Choral music of Lou Harrison. (Volumes I and II). journal 25:9. D.M.A. Urbana-Champaign: University Schenbeck, Lawrence (1996). Joseph of Illinois. Haydn and the classical choral tradition. Brunner, David Lee (1992). “Cultural Chapel Hill: Hinshaw Music. diversity in the choral music of Lou Schwab, Heinrich W. (1997). “Zur Harrison”. The choral journal 32:10. „Idee, ein Chaos in Musik zu setzen’: Ästhetische Auseinandersetzungen im Gefolge der ersten Aufführung von ► HASSLER, HANS LEO Joseph Haydns Schöpfung in Swope, Mark David (1995). A Kopenhagen (1801)”. In: Mahling, comparative study between selected sacred Christoph-Hellmut; Wiora, Walter double-choir motets of Hans Leo Hassler and (Eds.). Festschrift Walter Wiora zum 90. Giovanni Gabrieli. M.A. California: San Geburtstag. Tutzing: Schneider (Mainzer Jose State University. Studien zur Musikwissenschaft, 35).
► HAYDN, JOHANN MICHAEL ► HEINICHEN, JOHANN DAVID
Miller, Dale (1999). “The choral Unger, Melvin Peter (1986). The German graduals of Johann Michael Haydn: choral church compositions of Johann David Elegant additions to the performance Heinichen (1683–1729). D.M.A. Urbana- repertoire”. The choral journal 39:9. Champaign: University of Illinois.
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► HEININEN, PAAVO Beiträge zur neueren deutschen Kultur- und Wirtschaftsgeschichte 11. Mäkelä, Tomi (2002). “„Lyrisches Hinrichsen, Hans-Joachim (1997). Überindividuum’ oder Spiegel eines “Kantatenkomposition in der mythischen Daseins: Zur Funktion des „Hauptstadt von Sebastian Bach‟: Fanny Chors in Paavo Heininens Oper Die Hensels geistliche Chorwerke und die Seidentrommel (op. 45, 1981–83)”. In: Berliner Bach-Tradition”. In: Helmig, Mahling, Christoph-Hellmut; Pfarr, Martina (Ed.). Fanny Hensel, geb. Kristina (Eds.). Musiktheater im Mendelssohn Bartholdy. Das Werk. Spannungsfeld zwischen Tradition und München: Edition Text + Kritik. Experiment (1960 bis 1980). Tutzing: Schneider (Mainzer Studien zur Wolitz, Stefan (2007). Fanny Hensels Musikwissenschaft, 41). Chorwerke. Diss. Tutzing: Schneider (Wiener Veröffentlichungen zur Musikwissenschaft, 42). ► HEMBERG, ESKIL
Wold, Stanley R. (1987). Eskil Hemberg – ► HENZE, HANS WERNER Swedish composer, choral conductor, and administrator: A survey of his works. D.M.A. Fürst, Marion (1998). “‘Und Orpheus Ohio: University of Cincinnati. zerbrach Apollo’s Leier’: Zur Entstehung des Chorzyklus ‘Orpheus behind the wire’ von Edward Bond und ► HENDERSON, RUTH WATSON Hans Werner Henze”. In: Giesbrecht, Sabine; Henze, Hans Werner (Eds.). Hebert, Ryan J. (2006). A conductor’s Hans Werner Henze. Politisch-humanitäres study of Ruth Watson Henderson’s “Voices of Engagement als künstlerische Perspektive ; Earth”. Louisiana State University and Festschrift zur Verleihung der Agricultural & Mechanical College. Ehrendoktorwürde der Universität Osnabrück Pfeifer, Evelyn M. (2006). The choral an den Komponisten. Osnabrück: music of Ruth Watson Henderson: A stylistic Universitäts-Verlag Rasch. assessment based on an analysis of “Missa Brevis” and “From Darkness to Light”. INDEMITH AUL D.M.A. Urbana-Champaign: University ► H , P of Illinois. Alwes, Chester L. (1995). “Paul Hindemith’s Six chansons. Genesis and ► HENNAGIN, MICHAEL analysis”. The choral journal 36:2. Braun, William R. (1995). “Music to Bates, Cheryl (2005). Analyses of selected sing and play: The choral works of Paul published choral works of Michael Hennagin. Hindemith”. The choral journal 36:2. D.M.A. Texas: University of Houston. Kirsch, Winfried (1997). “Paul Hindemith’s Chorsatz Du musst dir ► HENSEL, FANNY Alles geben”. In: Poos, Heinrich (Ed.). Chormusik und Analyse: Beiträge zur Gundlach, Willi (1999). “Die Formanalyse und Interpretation mehrstimmiger Chorlieder von Fanny Hensel – eine Vokalmusik. Mainz: Schott. späte Liebe?”. Mendelssohn-Studien: Nägele, Reiner (1996). “Götterdämmerung im Reich der Töne:
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Zu einem neuentdeckten Autograph Krone, Max Thomas (1940). The choral zweier Chorlieder”. Hindemith-Jahrbuch works of Gustav Holst. Ph.D. Illinois: 25. Northwestern University.
► HOBBY, ROBERT A. ► HONEGGER, ARTHUR
Samra, Todd (2009). An annotated Keele, Roger S. (2005). Realizing the bibliography of the choral works of Robert A. dramatic potential of the oratorio chorus in Hobby. D.A. Indiana: Ball State “Jeanne d’Arc au bucher” by Paul Claudel University. and Arthur Honegger. D.M.A. University of Houston.
► HOGAN, MOSES GEORGE Roy, Joseph (1992). “Le rôle du choeur dans les oratorios d’Arthur Honegger”. Davis, Leo H. (2006). The choral music of Dissonanz 34. Moses George Hogan. D.M.A. Tennessee: The University of Memphis. ► HOVLAND, EGIL
► HOIBY, LEE Olien, Raymond Arnold (1982). Egil Hovland: Four select Works. D.M.A. Lambert, Mac Larry (1999). An Urbana-Champaign: University of investigation of selected choral works by Lee Illinois. Hoiby. D.M.A. Ohio: University of Vangerud, James Karl (1990). Significant Cincinnati. Norwegian choral music since World War II: A study of the compositional styles of Knut Nystedt and Egil Hovland. D.M.A. The ► HOLLIGER, HEINZ University of Arizona. Gottwald, Clytus (2008). “Shir shavur: Anmerkungen zu einem Chorwerk von ► HOWELLS, HERBERT NORMAN Heinz Holliger”. Musik & Ästhetik 12:45. Ferlazzo, Edgar Louis (1997). The shorter sacred choral works of Herbert Norman Howells. D.M.A. Texas: Southwestern ► HOLST, GUSTAV Baptist Theological Seminary. Block, Tomas (2000). Singing in the LaPierre, Arthur (1996). Herbert Howells’ sunlight. A study in selected early works by Requiem for Unaccompanied Voices as a Gustav Holst. Ph.D. Göteborg: Inst. för manifestation of the New English musical Musikvetenskap (Skrifter från Renaissance compositional style. D.M.A. Institutionen för musikvetenskap, 62). University of Northern Colorado. Hein, Hartmut (1997). “Die ‘First Wilson, Jeffrey Shawn (1996). The Choral Symphony’ von Gustav Holst: anthems of Herbert Howells (1892–1983). Die Geburt einer Vokalsymphonie aus D.M.A. Urbana-Champaign: University dem Geiste Nietzsches?”. Archiv für of Illinois. Musikwissenschaft 54:1.
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► HRISTIC, STEVAN ► JENNEFELT, THOMAS
Tomańević, Katarina (2004). “Stilske Rudén, Jan Olof (2005). koordinate oratorijuma Vaskrsenje “Körtonsättaren Thomas Jennefelts två Stevana Hristića (1912) i pitanje raškršća ansikten: Jan Olof Rudén analyserar tradicija u srpskoj muzici na poĉetku 20. verk av en av våra stora körtonsättare”. veka”. [Stylistic direction in Stevan Tidningen Körsång 3. Hristić’s oratorio Vaskrsenje (1912): The question of crossroads of traditions in Serbian music at the beginning of the ► JIN, XIANG 20th century]. Muzikologija: Časopis Muzikološkog Instituta Srpske Akademije Xu, Wenzheng (2001). “Guyun xinfeng: Nauka i Umetnosti 4. Qianxi minzu jiaoxiang hechang zuqu Shijing wu shou”. [New style for ancient rhymes: An analysis of the national-style ► HUSTON, THOMAS SCOTT choral work Shijing wu shou]. Yinyue yanjiu 3:106. Koukios, Ann Marie Sarris (1993). The choral music of Thomas Scott Huston. D.M.A. Ohio: University of Cincinnati. ► JOIO, NORMAN DELLO Egbert, Lee (1998). “Norman Dello ► IVES, CHARLES Joio’s secular choral music: Conversations with the composer”. The Lynn, Debra Jo (1999). Learning sequences choral journal 39:3. for the experimental choral psalm settings of Meaders, James Monroe (1995). Charles Ives. D.A. Indiana: Ball State Norman Dello Joio’s choral settings of Walt University. Whitman’s poetry as Gebrauchsmusik. Sherwood, Gayle Dawn (1995). The D.M.A. Kentucky: The Southern Baptist choral works of Charles Ives: Chronology, style, Theological Seminary. reception. Ph.D. Connecticut: Yale University. Medley, Susan Annette (2000). The choral music of Norman Dello Joio. D.M.A. Sherwood, Gayle Dawn (1999). “‘Buds Ohio: University of Cincinnati. the infant mind’: Charles Ives’s ‘The Celestial Country’ and American Protestant choral Traditions”. Nineteenth- ► JONGEN, JOSEPH Century Music 23:2. Alban, Jeffrey M. (2008). A survey of the Tipton, Julius R. (1970). “Some sacred choral works of Joseph Jongen with a observations on the choral style of conductor’s analysis of the Mass, Op. 130. Charles Ives”. American choral review 12:3. D.M.A. Florida: University of Miami.
► JANACEK, LEOS ► JORDAN, ALICE
Smith, Marion (1986). A survey of the Schwartzhoff, Gary R. (1990). The choral secular unaccompanied male-voice choruses of music of Alice Jordan. D.M.A. Kansas City: Leos Janacek. Ph.D. Missouri: University of Missouri. Washington University.
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► KAGEL, MAURICIO on congregational singing in seventeeth-century England. M.A. North Texas State Kagel, Mauricio (1997). “Behandlung University. von Wort und Stimme: Über ANAGRAMA für vier Sänger, Sprechchor, und Kammerensemble, ► KILLMAYER, WILHELM 1957–58”. In: Borio, Gianmario; Danuser, Hermann (Eds.). Im Zenit der Gottwald, Clytus (1997). “Zu Moderne. Geschichte und Dokumentation in 4 Killmayers Chorstück ‘Lu labbru’. In: Bänden. Freiburg im Breisgau: Rombach Gratzer, Wolfgang (Ed.). Nähe und (Rombach Wissenschaften: Reihe Distanz. Nachgedachte Musik der Gegenwart. Musicae, 2). Hofheim: Wolke. Killmayer, Wilhelm (1997). “Zu meinem Chorstück ‘Lu labbru’. In: ► KALSONS, ROMUALDS Gratzer, Wolfgang (Ed.). Nähe und Distanz. Nachgedachte Musik der Gegenwart. Lesle, Lutz (1994). “Nachfolge im Hofheim: Wolke. Zeichen des Kreuzes: Zu Idee und Klangform des Oratoriums Petrus von Romualds Kalsons”. Musik und Kirche ► KJERULF, HALFDAN 64:6. Nyblom, Knut (1926). Halfdan Kjerulf. Stockholm: Elkan & Schildknecht ► KAMINSKI, HEINRICH (Populära körkompositörer, 3). Samson, Ingrid (1956). Das Wendelborg, Hans (1971). Halfdan Vokalschaffen von Heinrich Kaminski mit Kjerulfs mannskorsanger med hovedvekten på Ausnahme der Opern. Diss. Frankfurt a.M. et systematiseringsforsok av harmonikken. M.A. Universitetet i Oslo.
► KASTAL‟SKII, A.D. ► KLATZOW, PETER Beckwith, R. Sterling (1969). A.D. Kastal’skii (1856–1926) and the quest for a Smith, Barry (2004). “Peter Klatzow’s native Russian choral style. Ph.D. Cornell religious choral music”. SAMUS: South University. African journal of musicology 24.
► KAUFFMANN, GEORG ► KODÁLY, ZOLTAN FRIEDRICH Devine, Betty Ann (1986). Three choral Janson, Peter (1992). Explicatio textus or works of Zoltan Kodaly: A study of folksong dramma per musica? The function of the church style for performance consideration. D.M.A. cantatas by Georg Friedrich Kauffmann. Austin: The University of Texas. Ph.D. University of Victoria. Katanics, Mária (1986). “The reflection of children’s world in Kodály’s children’s choruses”. In: Bónis, Ferenc; EACH ENJAMIN ► K , B Szőnyi, Erzsébet; Vikár László (Eds.). International Kodály Conference, Budapest Carnes, James Patrick (1984). The famous 1982. Budapest: Editio Musica. Mr. Keach: Benjamin Keach and his influence
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Maes, Francis (1989). “Een overzicht ► KREUTZ, ROBERT van het koorwerk van Zoltán Kodály”. Adem: Driemaandelijks tijdschrift voor Testa, Joseph Edward (1994). The choral muziek cultuur 25:1. compositions of Robert Kreutz: An Maes, Francis (1989). “Het koorwerk investigation into the melodic, harmonic, van Zoltán Kodály”. Academiae analecta: rhythmic and textual elements of this American Mededelingen van de Koninklijke Academie composer’s style. A.Mus.D. The University voor Wetenschappen, Letteren en Schone of Arizona. Kunsten van België. 3: Klasse der Schone Kunsten 50:1. ► KRIEGER, JOHANN Steen, Philip Lewis (1970). Zoltan Kodaly’s choral music for children and youth Stahlke, Mary Benson (2002). Johann choirs. Ph.D. University of Michigan. Krieger and sacred vocal music in Zittau, Stevens, Halsey (1968). “The choral 1682–1735. Ph.D. University of music of Zoltán Kodály”. The Musical Southern California. Quarterly 54:2. ► KŘÍǨOVSKÝ, PAVEL ► KORTE, KARL Wolny, Reinhold (2001). “Der Schlesier Sanchez-Bushong, Diana (1998). An Pavel Kříǩovský (1820–1885): Zu seinen investigation and analysis of selected choral wiederentdeckten deutschen works by Karl Korte. D.M.A. Austin: The Chorwerken”. In: Musikkultur in Schlesien University of Texas. zur Zeit von Telemann und Dittersdorf. Berichte der musikwissenschaftlichen Konferenzen in Pszczyna/Pless und ► KÓTSI PATKÓ, JÁNOS Opava/Troppau 1993. Sinzig: Studio (Edition IMEReihe 1, Schriften, 5). Gupcsó, Ágnes (2000). “A havasi juhászleány: Kótsi Patkó János dallamai a melodiáriumokban?”. [A havasi ► KUNZEN, FRIEDRICH LUDWIG juhászleány: Melodies by János Kótsi AEMILIUS Patkó in students’ manuscript songbooks?]. In: Demeter, Júlia (Ed.). A Schwab, Heinrich W. (2000). “„I magyar színház születése. [The birth of Kunzens Syngespil er der alt for megen Hungarian theater]. Miskolc: Miskolci Kunst’: Vinhøsten (1796)”. Meddelelser Egyetemi Kiadó. fra Musikhistorisk Museum og Carl Claudius’ Samling 8.
► KRENEK, ERNST ► KVERNO, TROND Krenek, Ernst (1958). “Zwölftonmusik für Chor”. In: Alf, Julius (Ed.). 112. Stigar, Petter (2002). Trond Kverno’s “St. Niederrheinisches Musikfest Duisburg. Matthew Passion”: A semiological study. Jahrbuch 1958. Duisburg: Kuratorium des Ph.D. [Norway:] Universitetet i Bergen. Niederrheinischen Musikfestes.
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► KYR, ROBERT ► LEMACHER, HEINRICH
Wyers, Giselle Eleanor (2001). The third Dahlberg, Josef (1983). Studien zur art: The embodiment of meaning through geistlichen Chormusik Heinrich Lemachers texture in the choral works of Robert Kyr. (1891–1966). Unter besonderer D.M.A. The University of Arizona. Berücksichtigung ihrer liturgischen Funktion. Diss. Regensburg: Bosse (Kölner Beiträge zur Musikforschung, 131). ► KYUWHAN, KIM
Park, Matthew Changhoon (1989). A ► LENDVAI, ERWIN study of Korean lyric songs and of selected choral settings by Kim Kyuwhan. D.M.A. Schröder, Gesine (2006). “Zum Streit University of Washington. der Männerchöre in den Zwanziger Jahren: Eine Erinnerung an Erwin Lendvai”. In: Arbeitskreis für ► LARSEN, LIBBY interdisziplinäre Männer- und Geschlechterforschung -Kultur-, Geschichts- und Boyer, Douglas Ralph (1993). “Musical Sozialwissenschaften. Stuttgart-Hohenheim: style and gesture in the choral music of AIM Gender. Libby Larsen”. The choral journal 34:3. Boyer, Douglas Ralph (1994). The choral music of Libby Larsen: An analytical study of ► LEONTOVYĈ, MYKOLA style. D.M.A. Austin: The University of Texas. Ivanov, Volodymyr Fedoroviĉ (1993). “Malovidomi storinky chorovoï Smith, Larry Dean (1998). The choral tvorĉosti M. Leontovyĉa”. In: Leontovy music of Libby Larsen and Stephen Paulus: M. duchovni chorovi tvory. Kiev. An examination and comparison of styles. D.M.A. Arizona State University. ► LIDHOLM, INGVAR
► LEEK, STEPHEN Ueda, Aya (2006). A study of A cappellabok by Ingvar Lidholm: His Crockford, Lee Fraser (2005). ‟Place’ in pedagogical approach to the performance of the choral music of Stephen Leek: the serial choral music. D.Mus. Indiana contextualisation of a current composer and his University. style. B.Mus. Griffith University. Wallner, Bo (2002). “A cappellamästaren: Ingvar Lidholms verk för kör”. In: Wallner, Bo (Ed.). Profiler: ► LEIGHTON, KENNETH fem essäer om svensk tonkonst under förra Gladstone, Bruce Edward (1999). A seklet. Stockholm: Musikaliska akademin. style analysis of the choral music of Kenneth Leighton using representative works. D.M.A. Urbana-Champaign: University of ► LIEBAU, RAYMOND KURT Illinois. Ballard, Sue Ellen (2004). A choral conductor’s guide to selected works of Raymond Kurt Liebau. D.M.A. University of Kentucky.
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► LIGETI, GYÖRGY choral cantata: Studies of the sources for Franz Liszt’s “Prometheus” and his “Chore zu Bergande, Martin (1994). “… halb Herder’s „Entfesseltem Prometheus’”. Ph.D. experimentell, halb volkstümlich …”. György Missouri: Washington University. Ligetis Magyar Etüdök (Ungarische Etüden) Eckhardt, Mária P. (1993). “Die frühen nach Gedichten von Sánd or Weöres für 8– Männerchöre Franz Liszts”. In: Scholz, 16stimmigen gemischten Chor a cappella Gottfried (Ed.). Der junge Liszt. Referate (1983). Saarbrücken: Pfau. des 4. Europäischen Liszt-Symposions Wien Englbrecht, Bernd (2001). Die späte 1991. München: Musikverlag Chormusik von György Ligeti. Diss. Katzbichler (Liszt-Studien, 4). Frankfurt a.M.: Lang (Europäische Fudge, James Thompson (1972). The Hochschulschriften. Reihe XXXVI, male chorus music of Franz Liszt. Ph.D. Musikwissenschaft, 212). University of Iowa. Han, Jong-Hoon (2008). The soul in exile: ’ Themes and tensions in the a cappella choral Gabbart, Ryan (2008). Franz Liszt s music of György Ligeti. D.M.A. Urbana- Zukunftskirchenmusik: An analysis of two Champaign: University of Illinois. sacred choral works by the composer. M.M. Texas: University of Houston. Malfatti, Dennis (2004). An analysis of Jones, Adam (1997). “Franz Liszt und Gyorgy Ligeti’s “Nonsense Madrigals”. die Musik Afrikas: Welche Beziehungen D.M.A. Louisiana State University and bestehen zwischen einem Stück von Agricultural & Mechanical College. Franz Liszt und der Chormusik der Asantes?”. AfS-Magazin 2:3. ► LINDBERG, NILS Kinder, Keith William (1995). “Sacred choral music with winds”. Journal of the Fredriksson, Nina (2002). Nils Lindbergs World Association for Symphonic Bands and körmusik: analys av tre stycken ur O mistress Ensembles 2. mine. C-uppsats. Uppsala universitet. Kinder, Keith William (1995). “Secular choral music with winds”. Journal of the ► LINLEY JUNIOR, THOMAS World Association for Symphonic Bands and Ensembles 2. Overbeck, Peter (2000). Die Chorwerke Kinder, Keith William (1996). “Franz von Thomas Linley dem Jüngeren (1756– Liszt’s music for chorus and winds: The 1778). Analyse, Vergleich, kompositorisches important works”. In: Suppan, und biographisches Umfeld. Diss. Wolfgang (Ed.). Kongressbericht Hildesheim: Olms (Hildesheimer Abony/Ungarn 1994. Tutzing: Schneider musikwissenschaftliche Arbeiten, 6). (Alta musica, 18). Kirsch, Winfried (1987). “Franz Liszts ► LISZT, FRANZ „Requiem für Männerstimmen’”. Kirchenmusikalisches Jahrbuch 71. Bertagnolli, Paul A. (2002). “A newly Liu, Yen-Ling (2009). Music for the people, discovered source for Franz Liszt’s music for the future: Monumentality as ‘Chöre zu Herder’s „Entfesseltem expressive and formal ideal in the symphonic Prometheus’”. The Journal of Musicology poems of Franz Liszt. Ph.D. California: 19:1. Stanford University. Bertagnolli, Paul Allen (1998). From Minor, Ryan (2006). “Prophet and overture to symphonic poem, from melodrama to populace in Liszt’s „Beethoven’
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 250 Choral Research. A Global Bibliography cantatas”. In: Gibbs, Christopher H.; ► LULLY, JEAN-BAPTISTE Gooley, Dana A.; Liszt, Franz (Eds.). Franz Liszt and his world. Princeton, NJ: Duron, Jean (1990). “Le rapport Princeton Univ. Press (The Bard Music choeurorchestre dans les grands motets Festival Princeton paperbacks). de Lully”. In: La Gorce, Jérôme de; Schneider, Herbert (Eds.). Jean-Baptiste Pesce, Dolores (2005). “Liszt’s sacred Lully. Laaber: Laaber-Verlag (Neue choral music”. In: Hamilton, Kenneth Heidelberger Studien zur (Ed.). The Cambridge companion to Liszt. Musikwissenschaft). Cambridge: Cambridge University Press (Cambridge companions to music). ► LUTYENS, ELISABETH JATOSCHYNS KYJ ORYS ► L ‟ , B Palmer, Richard Alan (1984). The A cappella choral works for mixed voices of Goriuchina, Nadeţda (1960). Elisabeth Lutyens. D.M.A. Urbana- “Intonacionnaja osnova chorov a capella Champaign: University of Illinois. B. Ljatošynskogo”. In: Ukraïnskaja sovjetskaja muzyka. Kiev. ► LUVAAS, MORTEN J. LOYD EORGE ► L , G Niblock, James David (2005). Reviving selected choral compositions of Morten J. Kleszynski, Kenneth A. (1997). Luvaas through new performance editions. “George Lloyd’s music for chorus and D.M.A. The University of Connecticut. orchestra”. The choral journal 37:10.
► LYNN, GEORGE ► LOCKWOOD, NORMAND Buehler, John Malvey (1989). George Davis, Tony Max (1980). A study of Lynn - the Westminster connection choral stylistic characteristics in selected major choral sound and choral composition: A vocal works of Normand Lockwood. D.M.A. approach. D.M.A. Kansas City: University Kansas City: University of Missouri. of Missouri. Sanker, Leo Agustus (2009). The sacred choral music of Normand Lockwood: An analysis and critical edition of the “Mass of the ► MACDOWELL, EDWARD Holy Ghost”. D.M.A. University of Washington. Wilson, Gary Paul (2004). A conductor’s analysis of Edward MacDowell’s original choral music for mixed voices and women’s ► LUBRICH, FRITZ voices, and arrangements for men’s voices. D.M.A. Lincoln: The University of Spaude-Schulze, Edelgard (1989). Nebraska. “Fritz Lubrichs chorische Kantate Stufen”. In: Andraschke, Peter (Ed.). Der Reger-Schüler Fritz Lubrich (1888– ► MACHAUT, GUILLAUME DE 1971). Dülmen: Laumann. Robertson, Anne Walters (1992). “The Mass of Guillaume de Machaut in the Cathedral of Reims”. In: Kelly, Thomas
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Forrest (Ed.). Plainsong in the age of ► MARENZIO, LUCA polyphony. Cambridge: Cambridge University Press (Cambridge Studies in Jackson, Christopher Newlyn (2005). performance practice, 2). An examination, reinterpretation and application of selected performance practices in four motets of Luca Marenzio (1553–1599): ► MACMILLAN, JAMES Implications for a modern choral performance context. D.M.A. The University of Kingsbury, Stephen Andrew (2003). Arizona. The early choral music of James MacMillan: 1983–1993. A.Mus.D. Urbana- Champaign: University of Illinois. ► MARTIN, FRANK
Glasmann, Robert V. (1987). A choral ► MAGI, ESTER conductor’s analysis for performance of Messe pour double choeur a cappella by Frank Garbes, Heather MacLaughlin (2008). Martin. Ph.D. Madison: University of The choral works of Ester Magi: A brief study Wisconsin. and annotated catalog. D.M.A. University of Washington. ► MARTINO, DONALD
► MAHLER, GUSTAV Wood, Gary Frederick (1993). The choral music of Donald Martino. D.M.A. Urbana- Roman, Zoltan (1982). “The chorus in Champaign: University of Illinois. Mahler‟s music”. The music review 43:1.
► MARTINŮ, BOHUSLAV ► MANLY, BASIL Kratochvil, Jirka (1997). Bohuslav Platt, Nathan Harold (2004). The Martinů: Unaccompanied choral music for hymnological contributions of Basil Manly to mixed voices. D.A. University of Northern the congregational song of Southern Baptists. Colorado. D.M.A. Kentucky: The Southern Baptist Theological Seminary. Waterbury, Elizabeth F. (1998). The four choral cantatas of Bohuslav Martinu. D.M.A. Santa Barbara: University of California. ► MANOJLOVIC, KOSTA Zouhar, Zdenek (2001). Sborové dílo Bohuslava Martinu. Praha: Academia. Marković, Tatjana (1990). “Horovi Koste Manojlovića”. [Choral works of Kosta Manojlovic]. In: Periĉić, Vlastimir ► MAS, DOMÈNECH (Ed.). U spomen Koste P. Manojlovića, kompozitora i etnomuzikologa. Muñoz Sus, Alberto de (2004). “La [Remembering Kosta P. Manojlović, obra coral y organística de Domènech composer and ethnomusicologist]. Mas i Serracant y su relación con los Beograd: Fakultet Muziĉke Umetnosti. principios estilísticos del Motu proprio”. Revista de musicología 27:1.
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► MATHIAS, WILLIAM JAMES Miller, Donald Bruce (1981). The choral music of Kirke Mechem: A study and Ashley, Carl Philip (2002). A survey of the performance of representative works. D.M.A. sacred choral works of William James Mathias University of Southern California. (1934–1992) with an analysis of selected Natter, Robert Andrew (1997). The works. D.M.A. Florida: University of choral music of Kirke Mechem: Analyses of the Miami. larger works for chorus and orchestra. D.M.A. McCray, James (1993). “The choral Ohio: University of Cincinnati. music of William Mathias”. The diapason 84:9:1006. ► MEDER, JOHANN VALENTIN Slawson, John G. (1985). The choral music of William Mathias. D.M.A. Ohio: Malinowski, Stanley Anthony (1978). University of Cincinnati. The Baroque oratorio Passion. Part II: An edition of the St. Matthew Passion of Johann Valentin Meder. Ph.D. Cornell University. ► MAYR, JOHANN SIMON
Morgenstern, Anja (2007). Die Oratorien ► MENDELSSOHN-BARTHOLDY, von Johann Simon Mayr (1763–1845). München: Musikverlerlag Katzbichler FELIX (Mayr-Studien). Abraham, Lars Ulrich (1974). “Mendelssohns Chorlieder und ihre musikgeschichtliche Stellung”. In: ► MCKAY, GEORGE FREDERICK Dahlhaus, Carl (Ed.). Das Problem Brody, Benjamin Clark (2007). The choral Mendelssohn. Regensburg: Bosse (Studien music of George Frederick McKay. D.M.A. zur Musikgeschichte des 19. University of Washington. Jahrhunderts, 41). Campbell, Robert Madison (1985). Mendelssohn’s “Te Deum in D”: Influences ► MCLIN, LENA JOHNSON and the development of style. D.M.A. California: Stanford University. Cox, Donna Marie McNeil (1986). A descripitive analysis of selected choral works of Carl, Beate (1998). “Eichendorff und Lena Johnson McLin. Ph.D. Missouri: Mendelssohn – eine romantische Washington University. Seelenverwandtschaft: Beobachtungen zu den Chorliedern am Beispiel ‘Der Glückliche’ op. 88, 2”. Neues ► MECHEM, KIRKE musikwissenschaftliches Jahrbuch 7. Chamber, Robert Ben (1984). The shorter Bierschenk, Jerome Michael (2003). An choral works with sacred text of Felix analysis of selected choral works by Kirke Mendelssohn-Bartholdy. D.M.A. Texas: Mechem: Music-textual relationships in settings Southwestern Baptist Theological of poetry of Sara Teasdale. D.M.A. Seminary. University of North Texas. Geary, Jason Duane (2004). Ancient Kang, Hyojin (1999). Choral music of ’ Kirke Mechem: An analytical approach to his voices: Mendelssohn s incidental music to choral cycles and representative choral works. Sophocles’s “Antigone” and “Oedipus at D.M.A. University of Washington. Colonus”. Ph.D. Connecticut: Yale University.
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Geary, Jason Duane (2006). Yoo, Esther S. (2006). Old wine in new “Reinventing the past: Mendelssohn’s bottles. Felix Mendelssohn-Bartholdy’s chorale Antigone and the creation of an ancient cantatas: J. S. Bach’s models become Greek musical language”. The journal of “Romanticized”. D.M.A. Ohio: University musicology: A quarterly review of music history, of Cincinnati. criticism, analysis, and performance practice 23:2. ENDELSSOHN ENSEL Holcomb, Stephen Norris (1993). A ► M H , conductor’s study of selected sacred choral works FANNY for mixed voices by Franz Schubert and Felix Mendelssohn-Bartholdy. D.M.A. Texas: Martin, Gayle Hollister (2004). Gender Southwestern Baptist Theological issues in the compositions of Fanny Seminary. Mendelssohn Hensel: Selected choral and organ works. D.Mus. University of Alberta. Holtan, Eric Howard (2004). The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy. D.M.A. The ► MENNIN, PETER University of Arizona. Ayers, Mary Jane Bowles (1982). The Jessop, Craig Don (1981). An analytical major choral works of Peter Mennin. D.M.A. survey of the unaccompanied choral works for Florida: University of Miami. mixed voices by Felix Mendelssohn-Bartholdy. D.M.A. California: Stanford University. Nelson, Lee David (2009). The chorale ► MESSIAEN, OLIVIER cantatas of Felix Mendelssohn-Bartholdy: An examination of Mendelssohn’s translation of Harquel, François (1979). “Olivier J.S. Bach’s musical syntax and form. D.M.A. Messiaen. Une oeuvre a cappella: Cinq The University of Arizona. rechants”. Chant choral: Le journal du chant choraL 21. Pritchard, Brian W. (1976). “Mendelssohn’s chorale cantatas: an appraisal”. The Musical Quarterly 62:1. ► METTENLEITER, JOHANN Robinson, Ray (1994). “Quis desiderio GEORG sit: A newly discovered choral work by Felix Mendelssohn”. The choral journal Brusniak, Friedhelm (1995). “Die 34:10. Männerchor-Psalmen Johann Georg Mettenleiters”. In: Janitzek, Martina; Schuppener, James Gregory (1991). Kirsch, Winfried (Eds.). Palestrina und die Felix Mendelssohn-Bartholdy, director of music klassische Vokalpolyphonie als Vorbild for the Berlin Court: Influences upon his kirchenmusikalischer Kompositionen im 19. unaccompanied compositions written for the Jahrhundert. Kassel: G. Bosse (Palestrina Berlin “Domchor”. D.M.A. The University und die Kirchenmusik im 19. of Arizona. Jahrhundert, 3). Wehner, Ralf (1996). Studien zum geistlichen Chorschaffen des jungen Felix Mendelssohn Bartholdy. Sinzig: Studio- ► MEYER, KRZYSZTOF Verlag (Musik und Musikanschauung im 19. Jahrhundert: Studien und Quellen, Lesle, Lutz (2004). “Schöpfung: Ein 4). Oratorium der Weltreligionen von Krzysztof Meyer”. Musik und Kirche 74:3.
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► MEYERBEER, GIACOMO 27. novembra 1996. godine povodom 50. IGNATIUS godisnjice kompozitorove smrti. Beograd: Muzikoloski Institut. Krebs, Dieter (2001). “Der Chor als „eine der interessanten Personen des Stücks’: Über einen Chortypus in ► MILOŃEVIĆ, VLADO Giacomo Meyerbeers Hugenotten”. In: Ivanović-Milić, Ljiljana (1976). Krebs, Dieter; Mautz, Susanne; “Posljeratna horska muzika Vlade Breitweg, Jörg; Schmalzriedt, Siegfried Milošević”. Zvuk: Jugoslavenska muzička (Eds.). Festschrift für Siegfried Schmalzriedt revija 3. zum 60. Geburtstag. Frankfurt a.M.: Lang. Letellier, Robert (2010). Giacomo Meyerbeer. Choral music and songs. ► MIGNONE, FANCISCO Newcastle: Cambridge Scholars. Fonseca, Carlos Alberto Pinto (1997). “Considerações em torno da obra coral ► MICHEELSEN, HANS de Francisco Mignone”. In: Mariz, FRIEDRICH Vasco (Ed.). Francisco Mignone: O homem e a obra. Rio de Janeiro: Fundação Braun, William Henry (1984). The life Nacional de Arte. and sacred choral music of Hans Friedrich Micheelsen (1902–1973). D.A. Indiana: Ball State University. ► MIRKOVIĆ, ŅARKO Radović, Branka (2008). “Horsko ► MILHAUD, DARIUS stvaralaštvo Ţarka Mirkovića”. [Choral works by Ţarko Mirković]. Novi zvuk: Hoérée, Arthur (1981). “L’oeuvre Internacionalni časopis za muziku 31. chorale de Darius Milhaud”. Chant choral: Le journal du chant choraL 2. ► MONTEVERDI, CLAUDIO
► MILNER, ANTHONY Hafar, Matthew Alan (1992). The psalmody of Monteverdi: Choral settings of the Shovic, Karin Thomas (1996). A Vesper psalms CX and CXI. Ph.D. The narrative analysis of selected choral works. University of Iowa. D.M.A. Arizona State University. Meier, Bernhard (1986). “Zur Tonart der Concertato-Motetten in Monteverdis Marianvesper”. In: ► MILOJEVIĆ, MILOJA Finscher, Ludwig; Hammerstein, Reinhold (Eds.). Claudio Monteverdi. Marković, Tatjana (1998). “Prisustvo Festschr. Reinhold Hammerstein zum 70. srpske romantiĉarske tradicije u Geburtstag. Laaber: Laaber-Verlag. folklorno inspirisanim horskim delima Miloja Milojevića”. [The presence of the Nason, Linda K. (2000). Baroque vocal Serbian romantic tradition in Milojević’s performance practices with applications to folklore-based choral works]. In: contemporary performance of the “Beatus vir I” Perici´c, Vlastimir (Ed.). Kompozitorsko from Claudio Monteverdi’s “ Selva morale e stvaralastvo Miloja Milojevi´ca. Zbornik spirituale”. M.M. Long Beach: California radova sa naucnog skupa odrzanog od 25. do State University.
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► MOZART, WOLFGANG ► MULHOLLAND, JAMES AMADEUS Durow, Peter J. (2007). The choral music of Hochradner, Thomas; Massenkeil, James Mulholland: An analytical study of Günther (Eds.) (2006). Mozarts style. Ph.D. The Florida State University. Kirchenmusik, Lieder und Chormusik. Laaber: Laaber-Verlag (Das Mozart- Handbuch). ► MUSGRAVE, THEA McGahie, Paul D. (2006). The choral Mottola, Gail Louise Hendricks (1986). fugue: A comparative study of style and A survey of the choral Wworks by Thea procedure in works by J. S. Bach and W. A. Musgrave with a conductor’s analysis of “The Mozart. D.M.A. Ohio: University of Five Ages of Man” and “Rorate Coeli”. Cincinnati. D.M.A. Austin: The University of Texas. Rayl, David (1991). “An annotated Roma, Catherine (1989). “The choral listing of Mozart’s smaller sacred choral music of Thea Musgrave”. American works”. The choral journal 31:9. choral review 31:1. Schenbeck, Lawrence (1992). “Three new editions of Mozart’s ‘Great’ Cminor Mass”. The choral journal 32:8. ► MUSORGSKY, MODEST PETROVIĈ Schulze, Hans-Joachim (1991). “„So ein Chor haben wir in Wien nicht’: Mozarts Morosan, Vladimir (1982). Begegnung mit dem Leipziger “Musorgsky’s choral style: Folk and Thomanerchor und den Motetten chant elements in Musorgsky’s choral Johann Sebastian Bachs”. In: Richter, writing”. In: Brown, Malcolm Hamrick Brigitte; Oehme, Ursula (Eds.). Mozart in (Ed.). In memoriam 1881–1981. [Modest Kursachsen. Leipzig: Stadtgeschichtliches Petrovich] Musorgsky. Michigan: UMI Museum. Research Press (Russian music studies, Shrader, James A. (1995). The choruses in 3). Mozart’s opere serie: Practical performance possibilities. Ph.D. Texas Tech University. ► NEES, VIC Williamson, Richard Anthony (1993). Extended phrase structure and organic unity in Leens, Roger (1981). “Vic Nees: een Mozart’s Vespers: An approach to veelzijdig koorcomponist”. Adem: interpreting form in classical choral music. Driemaandelijks tijdschrift voor muziek D.M.A. Urbana-Champaign: University cultuur 17:3. of Illinois. Windt, Nathan (2008). A conductor’s guide to selected short, pre-Viennese liturgical and ► NELSON, RON sacred choral works of Wolfgang Amadeus Music, David W. (1987). “The choral Mozart. D.M.A. Ohio: University of music of Ron Nelson”. Choral journal Cincinnati. 28:5. Thye, David R. (1992). Textual relationships in the large choral works of Ron Nelson. D.M.A. Kansas City: University of Missouri.
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► NEPGEN, ROSA ► OBRECHT, JACOB
Bruwer, Anna Mariette (1987). A stylistic Bloxam, Mary Jennifer (1992). “Sacred study of selected settings of religious texts for polyphony and local traditions of liturgy mixed choir by Rosa Nepgen. M.Mus. and plainsong: Reflections on music by University of South Africa. Jacob Obrecht”. In: Kelly, Thomas Forrest (Ed.). Plainsong in the age of polyphony. Cambridge: Cambridge ► NIELSEN, CARL University Press (Cambridge Studies in performance practice, 2). Krenek, Thomas B. (1984). An examination and analysis of the choral music of Noblitt, Thomas L. (1977). “Problems Carl Nielsen (1865–1931). D.M.A. Ohio: of transmission in Obrecht’s Missa Je ne University of Cincinnati. demande”. The Musical Quarterly 63:2. Noblitt, Thomas L. (1982). “Obrecht’s Missa Sine nomine and its recently ► NONO, LUIGI discovered model”. The Musical Quarterly 68:1. Guerrero, Jean Maria (2003). Text-setting techniques in Luigi Nono’s choral works Noblitt, Thomas L.; Cafiero, Rosa (1956 to 1960). Ph.D. Massachusetts: (1995). “Problemi di trasmissione nella Harvard University. Missa „Je ne demande’ di Obrecht”. In: Caraci Vela, Maria (Ed.). La critica del Melkert, Hella (2001). “Far del silenzio testo musicale. Metodi e problemi della filologia cristallo”. Luigi Nono: Chorkompositionen aus musicale. Lucca: Libr. Musicale Ital. (Studi “Prometeo”. Diss. Saarbrücken: Pfau. e testi musicali, N.S., 4).
► NYSTEDT, KNUT ► OLSSON, OTTO EMANUEL
Clausen, René (1999). The evolution of Brotherton, Jonathan P. (1998). An compositional style in the Latin choral music of examination of three choral works by Swedish Knut Nystedt. D.M.A. Urbana- composer Otto Emanuel Olsson. D.M.A. Champaign: University of Illinois. Ohio: University of Cincinnati. Fylling, Jon (1982). Knut Nystedts verker Jullander, Sverker (2005). for blandet kor a cappella. Oslo: J. Fylling. “Tonsättarens favorit: om Otto Olssons Kämpfe, Helena (1998). “Körmusikens Sex latinska hymner”. In: Björnberg, Alf nestor i högform: intervju med Knut (Ed.). Frispel: Festskrift till Olle Edström. Nystedt”. Kyrkomusikernas tidning 64:16. Göteborgs universitet. Stallcop, Marvin E. (1976). The a cappella choral music of Knut Nystedt: an analysis of ► ORBAN, GYÖRGY selected works and performance practices. Tucson. Arizona State University. Watkins, Wilbert O. (1999). Selected Vangerud, James Karl (1990). Significant sacred choral works of Gyorgy Orban: A Norwegian choral music since World War II: historical, analytical and critical examination. A study of the compositional styles of Knut Ph.D. The Florida State University. Nystedt and Egil Hovland. D.M.A. The University of Arizona.
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► ORFF, CARL Reitz, Paul Armin (1987). The Holy Week Motets of Juan Gutierrez de Padilla and Bandur, Markus (2006). “Werke der Francisco Vidales: Single choir Motets from dreiβiger Jahre: Carl Orff – Carmina choirbook XV and Legajo XXX, Puebla burana.” In: Custodis, Michael; Geiger, Cathedral Archive (Mexico). D.M.A. Friedrich; Heldt, Guido; Hartmann, Julia University of Washington. (Eds.). Geschichte der Musik im 20. Jahrhundert: 1925–1945. Laaber: Laaber- Verlag (Handbuch der Musik im 20. ► PALESTRINA, GIOVANNI Jahrhundert). PIERLUIGI DA ’ Simon, Philip (2008). Carl Orff s Carmina Ackermann, Peter (1994). “Tradition burana. A comparative study of the original for und Fortschritt: Zur römischen orchestra and chorus with the Juan Vicente Wirkungsgeschichte Palestrinas im 16. Mas Quiles wind band and chorus und 17. Jahrhundert”. In: Chrobak, arrangement. D.M.A. University of North Werner (Ed.). Musica divina. Ausstellung in Texas. der Bischöflichen Zentralbibliothek Regensburg, Thomas, Claus (1969). “Wege zur 4. November 1994 bis 3. Februar 1995. erklingenden Sprache: Zu den Stücken Regensburg: Schnell & Steiner (Kataloge für Sprechchor von Carl Orff”. Musik & und Schriften. Bischöfliches Bildung: Praxis Musikerziehung 1:11. Zentralarchiv und Bischöfliche Zentralbibliothek Regensburg, 11). Thomas, Werner (1997). “Dem unbekannten Gott”. Ein nicht ausgeführtes Janitzek, Martina; Kirsch, Winfried Chorwerk von Carl Orff. Mainz: Schott. (Eds.) (1995). Palestrina und die klassische Vokalpolyphonie als Vorbild kirchenmusikalischer Kompositionen im 19. ► PACHELBEL, JOHANN Jahrhunderts. Regensburg: Gustav Bosse (Palestrina und die Kirchenmusik im 19. Liang, Serene Show-Ling (1996). Three Jahrhundert, 3). unpublished choral works of Johann Pachelbel (1653–1706) from the Tenbury Manuscript, Janitzek, Martina; Lüttig, Peter; Jacob, 1208–1209: An edition and performance. Michael (Eds.) (1989). Palestrina und die D.M.A. College Park: University of Idee der klassischen Vokalpolyphonie im 19. Maryland. Jahrhundert: Zur Geschichte eines kirchenmusikalischen Stilideals. Regensburg: Gustav Bosse (Palestrina und die ► PACIUS, FREDRIK Kirchenmusik im 19. Jahrhundert). Japs, Johanna (2008). Die Madrigale von Rosas, John (1951). Till frågan om Pacius’ Giovanni Pierluigi da Palestrina. Augsburg: körstil. Åbo (Acta Academiae Aboensis. Wißner (Collectanea musicologica, 12). Humaniora, 19:3). Jensen, Niels Martin (1974). “Tema, imitation og tematisk arbejde. Nogle ► PADILLA, JUAN DE bemaerkninger til Palestrinas trestemmige messesatser”. In: Ray, Alice E. (1953). The double-choir Musikvidenskabeligt Institut ved music of Juan de Padilla, seventeenth century Københavns Universitet (Ed.). composer in Mexico. Ph.D. University of Musikvidenskabelige Essays. Københavns Southern California. universitet.
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Kirsch, Winfried (1997). “Warum ist die Challengers”, and “Songs from „The Dragon Missa brevis von Palestrina so schön? Quilt’”. D.M.A. Louisiana State Anmerkungen zur klassischen University and Agricultural & Vokalpolyphonie”. In: Beer, Axel; Mechanical College. Mahling, Christoph-Hellmut (Eds.). Latta, John Arthur (1986). Alice Parker: Festschrift Christoph-Hellmut Mahling zum choral Composer, Arranger and teacher. 65. Geburtstag. Tutzing: Schneider Ed.D. Urbana-Champaign: University of (Mainzer Studien zur Illinois. Musikwissenschaft, 37). Lawrence, Robert James (2001). Interpretation and performance suggestions for ► PARKER, HORATIO three hymns from Palestrina’s Hymni totius anni: A study for the modern choral director. Bomberger, E. Douglas (2004). “Layers D.M.A. University of Kentucky. of influence: Echoes of Rheinberger in the choral works of Horatio Parker”. In: Schaefer, Edward (1994). “A Hörner, Stephan; Schick, Hartmut; reexamination of Palestrina’s role in the Rheinberger, Josef (Eds.). Josef Catholic Reformation”. The choral journal Rheinberger. Werk und Wirkung. Tutzing: 35:1. Schneider (Münchner Veröffentlichungen zur Musikgeschichte, 62). ► PAGE, ROBERT Kearns, William (1986). “Horatio Hart, Brian Geoffrey (2010). A survey of Parker and the English choral societies, the choral compositions and arrangements of 1899–1902”. American Music 4:1. Robert Page. D.M.A. Lincoln: University of Nebraska. ► PARRY, CHARLES HUBERT HASTINGS ► PARK, JUNG-SUN Hall, Ronald Frederick (1999). The Choh, Sun Ug (2007). A study of selected oratorios of Charles Hubert Hastings Parry choral compositions based on Korean traditional and their significance to late nineteenth-century children’s songs by Jung Sun Park. D.M.A. English music. D.M.A. Texas: The University of Arizona. Southwestern Baptist Theological Im, Changeun (2006). An approach to the Seminary. analytical study of Jung-Sun Park’s choral Peak, Paul Edward (1992). A conductor’s work: “Arirang Mass”. D.M.A. University study of the compositional style of Charles of North Texas. Hubert Hastings Parry as illustrated by analyses of selected choral works. D.M.A. Kentucky: The Southern Baptist ► PARKER, ALICE Theological Seminary.
Fleming, Gail H. (2005). Alice Parker: American choral composer, arranger, and ► PÄRT, ARVO educator. Ed.D. Saint Louis: University of Missouri. Cargile, Kimberly Anne (2008). An King, Jennifer S. (2005). Three choral analytical conductor’s guide to the SATB a compositions by Alice Parker: A conductor’s cappella works of Arvo Pärt. D.M.A. The analysis of “Songstream”, “Angels and University of Southern Mississippi.
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Schenbeck, Lyn (1993). “Discovering Goethe Heut und Ewig: Studien zum the choral music of Estonian composer Personalstil Peppings. Berlin: Merseburger Arvo Pärt”. The choral journal 34:1. (Berliner Studien zur Musikwissenschaft). Poos, Heinrich (1996). “Ernst Peppings ► PATTERSON, PAUL Chorlied Anakreons Grab”. In: Cottrell, Willard Charles (1984). The Heinemann, Michael (Ed.). Pepping- choral music of Paul Patterson. D.M.A. Studien. Kassel: Bärenreiter. Urbana-Champaign: University of Tillmann, Anke (2002). “Ernst Illinois. Peppings Chorzyklus „Der Wagen’: Entstehungsgeschichte, Form und Rezeption”. In: Heinemann, Michael; ► PAULUS, STEPHEN Hiemke, Sven (Eds.). “Für die Zeit – gegen den Tag”. Die Beiträge des Berliner Ernst- Smith, Larry Dean (1998). The choral Pepping-Symposiums, 9. bis 13. Mai 2001. music of Libby Larsen and Stephen Paulus: Köln: Dohr (Pepping-Studien, 3). An examination and comparison of styles. D.M.A. Arizona State University. ► PERSICHETTI, VINCENT
► PELLEGRIN, CLAUDE-MATHIEU Barham, Terry Joe (1981). A macroanalytic view of the choral music of Duron, Jean (1996). “Le grand motet à Vincent Persichetti. Ph.D. The University l’époque de Rameau: Le cas de Claude- of Oklahoma. Mathieu Pellegrin (1682–1763), maître de chapelle à la cathédrale St-Sauveur Smith, Justin S. (2009). Vincent d’Aix-en-Provence”. In: Lesure, Persichetti’s choral settings of E. E. François (Ed.). La musique dans le midi de Cummings’ poetry, with special emphasis on the la France. Actes des rencontres de Villecroze 5 “Flower Songs”, Op. 157. D.M.A. Texas: au 7 octobre 1994. Paris: Klincksieck University of Houston. (Domaine musicologique, 1). ► PETERSON-BERGER, WILHELM ► PENDERECKI, KRZYSZTOF Norrby, Johannes (1937). “Inför Robinson, Ray (1999). “The American Wilhelm Peterson-Bergers körer och world premiere of Krzysztof kantater”. In: Arbman, Ernst; Beite, Penderecki’s oratorio Credo”. The choral Sten; Morin, Gösta; Rosenborg, Einar journal 40:1. (Eds.). Wilhelm Peterson-Berger: festskrift: den 27 februari 1937. Stockholm: Natur Seidel, Elmar (2003). “Wege zum och kultur. „Stabat Mater‟. Eine Annäherung an das Stabat Mater von Krzysztof Percy, Gösta (1967). “Peterson-Bergers Penderecki”. Kirchenmusikalisches Jahrbuch a cappella-lyrik. Peterson-Berger’s a 87. cappella choral works”. Musiklivet: Vår sång 40:1.
► PEPPING, ERNST
Poos, Heinrich (1965). Ernst Peppings Liederkreis für Chor nach Gedichten von
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► PETERSSON, PER GUNNAR analysis. D.M.A. Massachusetts: Boston University. Rudén, Jan Olof (2005). “Ett vinnande Stallings, Mark E. (1984). Representative koncept? Jan Olof Rudén analyserar works for mixed chorus by Daniel Pinkham: verk av Per Gunnar Petersson, 1968–1983. D.M.A. Florida: University körtonsättare”. Tidningen Körsång 2. of Miami.
► PETRARCA, FRANCESCO ► PIZZETTI, ILDEBRANDO
Lincoln, Harry B. (1986). “Some Lee, Hae Jong (2004). The a cappella observations on madrigal settings of choral music of Ildebrando Pizzetti. D.M.A. Petrarch’s I’ vo piangendo”. Mediaevalia: Urbana-Champaign: University of A journal of medieval studies 12. Illinois.
► PFAUTSCH, LLOYD ALVIN ► PLAZA, JUAN BAUTISTA
Miller, Thomas Edward (1981). The Falk, Marc Frederick (2006). The secular sacred choral music of Lloyd Alvin Pfautsch. choral music of Juan Bautista Plaza (1898– D.M.A. University of Southern 1965): The music and text of Venezuelan California. nationalism. D.M.A. The University of Iowa. ► PFITZNER, HANS ► POHLE, DAVID Loos, Helmut (2001). “Hans Pfitzner und Richard Strauss als Pohle, David (2004). Die geistlichen Vokalkomponisten. Eichendorff- Vokalwerke von David Pohle in der Düben- Chorvertonungen”. In: Kuret, Primoţ Sammlung in Uppsala: Edition und (Ed.). Music, Poetry-Tone, Word. Ljubljana, Quellenstudien. Diss. Würzburg: Julius- 11.–14.VI.2000. Concerts. Symposium. Maximilians-Universität. Ljubljana. Rectanus, Hans (1994). “Hans Pfitzners Der Blumen Rache und die ► POOS, HEINRICH Gattung der Chorballade”. In: Osthoff, Wolfgang (Ed.). Hans Pfitzner und die Fürbeth, Oliver; Poos, Heinrich (Eds.) musikalische Lyrik seiner Zeit: Bericht über (2002). Musikalische Struktur und das Symposion Hamburg 1989. Tutzing: Geschichte. Zum Werk des Komponisten und Hans Schneider. Musikwissenschaflers Heinrich Poos. Mainz: Schott (Beiträge zur mittelrheinischen Vitalis, Christian (2006). Hans Pfitzners Musikgeschichte, 37). Chorphantasie “Das dunkle Reich”. Köln: Dohr. Gruyters, Volker (2002). “‘Epistolae’ – Überlegungen zur Textauswahl im neuen Chorwerk von Heinrich Poos”. ► PINKHAM, DANIEL In: Fürbeth, Oliver; Poos, Heinrich (Eds.). Musikalische Struktur und Spiro-Allen, Debra (1999). The choral Geschichte. Zum Werk des Komponisten und music of Daniel Pinkham: A pedagogical Musikwissenschaflers Heinrich Poos. Mainz:
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Schott (Beiträge zur mittelrheinischen Daniel, Keith William (1982). “The Musikgeschichte, 37). choral music of Francis Poulenc”. American choral review 24:1. Keltner, Karen L. (1980). A conductor’s ► POPOV, TODOR analysis for performance of the two A capella Caine, Matthew Thomas (2010). Todor cantatas of Poulenc, with a survey of his Popov: A historiography and a conductor’s Ssecular choral works. D.Mus. Indiana analysis of his choral cycles. D.M.A. University. University of South Carolina. Lacombe, Hervé (2002). “Puissance expressive et ‘plastique chorale’ dans ‘Figure humaine’”. In: Ramaut, Alban ► PORPORA, NICOLA (Ed.). Francis Poulenc et la voix: Texte et contexte. Université de Saint-Étienne. Hienz, William Michael (1980). The choral psalms of Nicola Porpora. D.M.A. Lespinard, Bernadette (2002). Urbana-Champaign: University of “L’oeuvre chorale de Poulenc: L’âge Illinois. d’or du chant français a cappella?”. In: Ramaut, Alban; Bretaudeau, Isabelle (Eds.). Francis Poulenc et la voix: Texte et ► POSTON, ELIZABETH contexte. SaintÉtienne: Université de Saint-Étienne (Travaux). Bartlett, Jamie Claire (1996). Beyond the Månsson, Ingemar (1997). “Poulenc – apple tree: The published choral music of körkomponisten”. Kyrkomusikernas tidning Elizabeth Poston (1905–1987). D.M.A. 63:6. The University of Wisconsin. Månsson, Ingemar (1999). “Ingemar Månsson om körkomponisten Poulenc”. ► POULENC, FRANCIS Informationsbladet Körledaren 3/4.
Amos, Shaun McClelland (1994). The Olmos Sáez, Ángel Manuel (2004). “La influencia de Orlando di Lasso en la sacred choral works for women’s voices of obra coral religiosa a capella de Francis Francis Poulenc. D.M.A. The University of Poulenc”. Revista de musicología 27:1. Alabama. Ramaut, Alban; Bretaudeau, Isabelle Barrow, Lee G. (1999). “Francis (Eds.) (2002). Francis Poulenc et la voix: Poulenc’s „grand choral symphony’”. Texte et contexte. Saint-Étienne: Université The choral journal 39:9. de Saint-Étienne (Travaux). Barrow, Lee G. (2000). “Using Teal, Terri Denise (1989). Tempo Poulenc’s manuscripts to rectify determination in the choral works of Francis discrepancies in the new edition of his Poulenc. M.M. University of North Texas. Gloria”. The choral journal 40:10. Tørnquist, Svein (1982). Francis Poulencs Chimènes, Myriam; Buckland, Sidney musikk for kor a cappella: Karakteristiske (Eds.) (1999). Francis Poulenc: Music, art, stiltrekk belyst ved en analyse av hans messe i and literature. Aldershot: Ashgate. g-dur. Oslo. Daniel, Keith William (1980). Francis Poulenc: A study of his artistic development and his musical style. Ph.D. Buffalo: State University of New York.
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► PRAETORIUS, MICHAEL Price (1888–1953) for use in the high school music curriculum. M.A. Long Beach: Azumaya, Yumiko (2000). Mihyaeru California State University. Puretōriusu no Urania (1613) ni tsuite. [A study of Michael Praetorius’ Urania (1613)]. Ph.D. Osaka Geijutsu Daigaku. ► PROKOFIEV, SERGEJ SERGEEVIC Azumaya, Yumiko (2001). “Fukugasshō yōshiki ni okeru kaishū no kashō sanka: Braun, William R. (1991). “Prokofiev’s ’ Mihyaeru Puretōriusu no „Urania choral works”. The choral journal 31:10. (1613) o megutte”. [Congregational singing in the polychoral style: Michael Praetorius’s Urania (1613)]. Ongakugaku ► PUCCINI, GIACOMO 46:2. Boudreaux, Margaret Anne (1999). Fulbright, Janice (1990). Giacomo Puccini “Practical performance practice for the as a choral composer. D.M.A. Ohio: „good-hearted cantor’ (then and now) University of Cincinnati. according to Michael Praetorius”. The choral journal 40:2. ► PURCELL, HENRY Boudreaux, Margaret Anne (2001). “Praetorius on performance: An Rumery, Leonard (1984). “Choral unexplored source”. American choral music in Purcell’s dramatic works”. review 43:1. American choral review 26:1. Russell, Cynthia Cole (2005). The pueri in the “Puericinium”: The use of choir boys in the music of Michael Praetorius. D.M.A. ► RACHMANINOV, SERGEJ Tennessee: The University of Memphis. VASSILJEVITJ Spears, Samuel Bruce (2009). A study of Kruckenberg, Sven (1991). “Förbisedd Michael Praetorius’ “Megalynodia Sionia”: romantisk körsymfoni”. Upptakt 1. An historical and stylistic analysis and selective modern performing edition. D.M.A. Florida: University of Miami. ► RAMEAU, JEAN-PHILIPPE
Saby, Pierre (1988). Le choeur dans les ► PREMRL, STANKO oeuvres dramatiques de Jean-Philippe Rameau. Diss. Lyon: Université de soutenance. Kernel, Leon (1996). “Premrlove skladbe na primorskih korih”. [Premrl Saby, Pierre (1990). “Le travail de la works in the repertoires of coastalregion forme dans les choeurs dramatiques de choirs]. In: Skulj, Edo; Premrl, Stanko Rameau”. Analyse musicale 20. (Eds.). Premrlov zbornik. Ljubljana: Druzina (Knjiznica Cerkvenega glasbenikaZbirka 5, Knjizna zbirka, 10). ► RAUTAVAARA, EINOJUHANI Habermann, Joshua Cramer (1997). Finnish music and the a cappella choral works ► PRICE, FLORENCE B. of Einojuhani Rautavaara. D.M.A. Austin: Williams-Miller, Birdia Mae (1998). A The University of Texas. review of selected choral works of Florence B.
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Lokken, Fredrick Werner Thomas ► REHNQVIST, KARIN (1999). The music for unaccompanied mixed chorus of Einojuhani Rautavaara. D.M.A. Johansson, Ingrid (2003). Triumf att University of Washington. finnas till! Att komponera för kör idag. Karin Rehnqvists och Thomas Jennefelts tonsättningar av Edith Södergrans dikt. B-uppsats. ► RAVEL, MAURICE Uppsala universitet. Shearin, Arthur L. (1979). “The choral Kristersson, Sven (1987). “Nutida music of Debussy and Ravel”. Choral musik i folklig tradition: Karin journal 19:5. Rehnqvist porträtteras i en intervju”. Nutida musik 31:4. Myers, Margaret (2000). “Karin ► REGER, MAX Rehnqvist and her reception”. In: Homma, Martina (Ed.). Frau Musica Cho, Sun Woo (1986). Die Chorwerke (nova): Komponieren heute. Sinzig: Studio. Max Regers. Diss. Göttingen. Georg- August-Universität. Reimers, Lennart (1993). “Here I am – what a triumph to exist!: A vocal Holle, Hugo (1922). Regers Chorwerke. conversation with Karin Rehnqvist”. In: München: O. Halbreiter. Reimers, Lennart; Wallner, Bo; Ericson, Kube, Michael (1998). “Monument Eric; Leighton, David; Tanner, Roger sinfonischer Chormusik: Max Regers (Eds.). Choral music perspectives. Dedicated to 100. Psalm op. 106”. Musik und Kirche Eric Ericson. Stockholm: Royal Swedish 68:2. Academy of Music. Troskie, Albert J. (1976). Die koorwerke Rudén, Jan Olof (1997). “‘Det är ju inte van Max Reger (1873–1916). Ph.D. min favoritmusik‟. Karin Rehnqvist University of South Africa. samtalar med Jan Olof Rudén om Dalarapsodi”. Alfvéniana 1. Troskie, Albert J. (1981). “Styleienskappe in die koorwerke van Seeman, Rebecca Petra Naomi (2002). Max Reger”. SAMUS: South African Feminist musical aesthetic in the choral music journal of musicology 1. of Karin Rehnqvist, 1983–2002. D.M.A. The University of Iowa. Weinitschke, Ludwig Ernst (1997). “Max Regers Chorwerke”. In: Poos, Seiler, Friederike (2005). Untersuchungen Heinrich (Ed.). Chormusik und Analyse: zum Chorschaffen der schwedischen Beiträge zur Formanalyse und Interpretation Komponistin Karin Rehnqvist. mehrstimmiger Vokalmusik. Mainz: Schott. Magisterarbeit. Halle-Wittenberg: Martin-Luther-Universität. Wuensch, Gerhard (1972). “Max Reger’s choral cantatas”. MUSIC: The Wallrup, Erik (1998). “Aus der Tiefe A.G.O. and R.C.C.O. Magazine 6:2. des Körpers: Karin Rehnqvist und die Volksmusik”. Musik-Texte 76/77. Zimmermann, Petra (1997). Musik und Text in Max Regers Chorwerken „großen Styls’. Diss. Wiesbaden: Breitkopf & ► RHEINBERGER, JOSEF Härtel (Schriftenreihe des Max-Reger- Instituts Karslruhe, 12). Mohn, Barbara (2004). “Josef Rheinbergers Chorlieder aus editorischer Sicht: Quellenlage und Kompositionsprozess”. In: Hörner,
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Stephan; Schick, Hartmut; Rheinberger, ► ROOTHAM, CYRIL BRADLEY (1 Josef (Eds.). Josef Rheinberger. Werk und TITEL) Wirkung. Tutzing: Schneider (Münchner Veröffentlichungen zur Price, Clay Winfield (2010). Lost in the Musikgeschichte, 62). revival: The sacred choral music of Cyril Schreuder, Joel Thomas (2002). Selected Bradley Rootham (1875–1938). D.M.A. choral masses of Josef Rheinberger. D.M.A. University of South Carolina. Arizona State University. Sexton, Natasia (2007). Liturgical ► ROREM, NED (1 TITEL) expressions of a classical Romantic: A choral conductor’s investigation of selected sacred treble Provenzano, Therese A. (1994). The chorus compositions by Josef Rheinberger. choral music of Ned Rorem. Mus.A.D. D.M.A. Louisiana State University and Massachusetts: Boston University. Agricultural & Mechanical College. van der Sandt, Johannes Theodorus (2000.). The secular works for mixed a capella ► ROSSI, SALAMON (1 TITEL) choir by Josef Rheinberger (1839–1901). Pitt, Jane Roman (1999). The religious M.Mus. Pretoria. Universiteit van choral music of Salamon Rossi: A brief window Pretoria. of Jewish artistic freedom in Renaissance Italy. M.A. Eastern Michigan University. ► ROBINOVITCH, SID
Loeppky, Ian Richard (2003). Folk, ► ROSSINI, GIOACCHINO (2 traditional, and non-Western elements in the TITEL) choral works of Sid Robinovitch. D.M.A. Ohio: University of Cincinnati. Braun, William R. (1992). “From youth to the „sins of old age’: The choral music of Rossini”. The choral journal 32:7. ► ROLDAN, AMADEO (1 TITEL) Fanan, Giorgio (1997). Drammaturgia rossiniana. Bibliografia dei libretti d’opera, di Lezcano, Jose Manuel (1991). Afro- oratori, cantate ecc. posti in musica da Cuban rhythmic and metric elements in the Gioachino Rossini. Roma: Istituto di published choral and solo vocal works of Bibliografia Musicale (Studi, cataloghi e Alejandro Garcia Caturla and Amadeo sussidi dell’Istituto di Bibliografia Roldan. Ph.D. The Florida State Musicale, 2). University.
► ROTH, DANIEL ► ROMAN, JOHAN HELMICH (1 TITEL) Campbell, Craig (2007). “The choral music of Daniel Roth”. The American Lindstrom, G. Mikael (2005). Then organist 41:11. Svenska Messan by Johan Helmich Roman: A study of text setting. D.M.A. University of North Texas. ► RUBBRA, EDMUND
Fourie, Carina Susanna (1987). The liturgical choral music of Edmund Rubbra
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(1901–1986). M.Mus. University of Te”. D.M.A. Louisiana State University South Africa. and Agricultural & Mechanical College. Fourie, Carina Susanna (1988). Die liturgiese koormusiek van Edmund Rubbra ► ŃANTIĆA, ALEKSE (1902–1986). M.M. University of South Africa. Marković, Tatjana (1996). “Horske Lyne, Gregory K. (1987). “Edmund rukoveti Alekse Šantića: Odlike stila”. Rubbra: A lifetime contribution to [The choral rukoveti of Aleksa Šantić: choral composition”. Choral journal 28:4. Characteristics of his style]. MT: Muzički talas 3:5–6.
► RUTTER, JOHN ► SAUCE, ÁNGEL Campbell, John Wert (1993). The role of plainchant in the choral music of John Rutter. Guevara Torres, Vicente Emilio; D.M.A. Kentucky: The Southern Baptist Sauce, Ángel (Eds.) (1999). Obra coral de Theological Seminary. Ángel Sauce. Caracas: Fundación Vicente Emilio Sojo Caracas (Colección música McBain, Robert Mark (1981). The choral coral de autores latinoamericanos). music of John Rutter: Analysis and performance practices. D.M.A. Arizona State University. ► SCANDELLUS, ANTONIUS
Reuning, Daniel Guy (2001). Antonius ► SAINT-SAENS, CAMILLE Scandellus, the third Kantor of the Lutheran church at the Saxon electoral court chapel in Music, David W. (1998). “Camille Dresden: His liturgical music with an emphasis ’ Saint-Saëns Christmas oratorio: on the motets. A.Mus.D. Urbana- Description, accessibility, comparison”. Champaign: University of Illinois. The choral journal 39:5.
► SCARLATTI, ALESSANDRO ► SANDI, LUIS Kirsch, Winfried (2001). “Die Stimmen Gomez, Leslie M. (1984). The choral Gottes und Luzifers in Alessandro music of Luis Sandi. D.M.A. Texas: Scarlattis Oratorium Il primo omicidio”. Southwestern Baptist Theological In: Ristow, Nicole; Sandberger, Seminary. Wolfgang; Schröder, Dorothea; Marx, Hans Joachim (Eds.). “Critica musica”. Studien zum 17. und 18. Jahrhundert. ► SANDSTRÖM, SVEN-DAVID Festschrift Hans Joachim Marx zum 65. Lundberg, Camilla (1994). “Ett av 90- Geburtstag. Stuttgart: Metzler (M-&- talets stora körhändelser?”. PSchriftenreihe für Wissenschaft und Informationsbladet Körledaren 4. Forschung Musik). Nelson, Karl E. (2005). An introduction to Shaffer, Jeanne Ellison (1970). The cantus the life and a cappella music of Sven-David firmus in Alessandro Scarlatti’s motets. Ph.D. Sandstrom and a conductor’s prepatory guide to Vanderbilt University. “Etyd nr 4, som i e-moll” and “Laudamus
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► SCARLATTI, DOMENICO ► SCHMITT, FLORENT
Borton, Bruce Erol (1983). The sacred Maes, Lloyd Rodney (1983). The choral choral works of Domenico Scarlatti. D.M.A. style of Florent Schmitt: An analysis. D.M.A. Ohio: University of Cincinnati. California: Stanford University.
► SCHAFER, MURRAY ► SCHNITTKE, ALFRED
Scott, L. Brett (2002). When words sing: Jennings, Mark David (2002). Alfred The choral music of R. Murray Schafer. Schnittke’s Concerto for choir: Musical D.M.A. Ohio: University of Cincinnati. analysis and historical perspectives. Ph.D. The Florida State University.
► SCHEIN, JOHANN HERMANN Turgeon, Melanie Edwardine (2007). Composing the sacred in Soviet and post-Soviet Braun, William R. (1986). “Another Russia: History and Christianity in Alfred quadracentennial celebration: The choral Schnittke’s “Concerto for choir”. D.M.A. collections of Johann Hermann Schein Urbana-Champaign: University of (1586–1630)”. Choral journal 27:1. Illinois.
► SCHISKE, KARL ► SCHUBERT, FRANZ
Kramer, Gerhard (1996). “Karl Schiske Badura-Skoda, Eva (1982). “On als Chor- und Orgelkomponist: Zum 80. Schubert’s choral works”. American Geburtstag des großen österreichischen choral review 24:2–3. Komponisten”. Singende Kirche 43:1. Benedikt, Erich (2001). “Schuberts Kramer, Gerhard (2000). “Karl Schiske: Gesänge zur Feier des Heiligen Opfers Das Chorschaffen”. In: Kahowez, der Messe (Deutsche Messe) D 872: Günter (Ed.). Für Karl Schiske: Und ihr Weg durch die österreichischen Internationales Symposion 11.–13. November, Kirchengesang- und Orgelbücher”. 1999 – Eine Auswahl der Beiträge. Wien: Schubert durch die Brille: Internationales Universität für Musik und Darstellende Franz Schubert Institut – Mitteilungen 27. Kunst. Dürr, Walther (1982). “Zwischen Liedertafel und Männergesangverein: Schuberts mehrstimmige Gesänge”. In: ► SCHMIDT, FRANZ Görner, Rüdiger (Ed.). Logos musicae. Festschrift für Albert Palm. Wiesbaden: Leibnitz, Thomas (2001). “Zur Steiner. Rezeptionsgeschichte des Buches mit sieben Siegeln: Franz Schmidts Dürr, Walther (2000). “Hymne und Apokalypse-Oratorium im Spiegel der Geistliches Lied: Franz Schuberts Presse”. In: Ottner, Carmen (Ed.). Novalis-Vertonungen”. In: Scheitler, Apokalypse. Symposion 1999. Wien: Irmgard (Ed.). Geistliches Lied und Doblinger (Studien zu Franz Schmidt, Kirchenlied im 19. Jahrhundert: Theologische, 13). musikologische, und literaturwissenschaftliche Aspekte. Tübingen: Francke Verlag (Mainzer hymnologische Studien).
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Holcomb, Stephen Norris (1993). A Daverio, John (2002). “Einheit – conductor’s study of selected sacred choral works Freiheit – Vaterland: Intimations of for mixed voices by Franz Schubert and Felix utopia in Robert Schumann’s late choral Mendelssohn-Bartholdy. D.M.A. Texas: music”. In: Applegate, Celia; Potter, Southwestern Baptist Theological Pamela (Eds.). Music and German national Seminary. identity. Chicago: University of Chicago Johnson, Nathaniel Frederick (2005). Press. Creation of historically informed transcriptions Gervink, Manuel; Hiekel, Jörn Peter; for chorus and winds of Franz Schubert’s Schumann, Robert (Eds.) (2007). Robert Mass in G and Gabriel Faure’s Requiem. Schumanns “Welten”. Dresden: Sandstein. D.A. University of Northern Colorado. Inoue, Tokiko (1999). “R. Shūman to Loos, Helmut (2007). “Franz Schubert gasshō kyōkai no katsudō”. [The saksa meestelauluseltside repertuaaris”. activities of R. Schumann and his choral [Franz Schubert’s songs in the society]. Ongakugaku 44:1. repertoire of German men’s choral Klassen, Janina (1993). “Romantische societies]. In: Lippus, Urve (Ed.). Poesie und Chorlied: Robert Schumanns Meeskoor ja meestelaul. [Men’s choir and Meerfey nach Joseph von Eichendorff men’s song]. Tallinn: Eesti Muusika – ja für fünf Frauenstimmen op. 69/5”. In: Teatriakadeemia (Eesti muusikaloo Wendt, Matthias (Ed.). Schumann und toimetised). seine Dichter. Bericht über das 4. Perkins, Timothy (1981). “The Internationale Schumann-Symposion am 13. development of the early Romantic und 14. Juni 1991 im Rahmen des 4. choral song and the contribution of Schumann-Festes, Düsseldorf. Mainz: Schott Franz Schubert”. Choral journal 21:9. (Schumann-Forschungen, 4). Quantz, Donald E. (1992). The part-songs Loos, Helmut (2007). “Robert of Franz Schubert. M.Ed. The University Schumanns Schaffen für Chor”. In: of Manitoba. Gervink, Manuel; Hiekel, Jörn Peter; Schumann, Robert (Eds.). Robert Schmidt, Hans Georg (1931). Das Schumanns “Welten”. Dresden: Sandstein. Männerchorlied Franz Schuberts. Ein historisch-stilkritischer Beitrag zur Geschichte Loos, Helmut (2009). “Schumann als des deutschen Männerchorliedes im 19. Erzieher. Chorsymphonische Werke”. Jahrhundert. Diss. Hildburghausen: In: Sponheuer, Bernd; Steinbeck, Gadow. Wolfram (Eds.). Robert Schumann und die große Form. Frankfurt a.M.: Lang (Bonner van Hoorickx, Reinhard (1972). Schriften zur Musikwissenschaft, 8). “Schubert, de onvoltooide. Het koorlied „das Grab’”. Vlaams Muziektijdschrift Paley, Elizabeth (2007). “Dramatic 24:10. stage and choral works”. In: Perrey, Beate; Schumann, Robert (Eds.). The Cambridge companion to Schumann. ► SCHUMANN, ROBERT Cambridge: Cambridge University Press. Paul, Sharon June (1984). Robert Daverio, John (1996). “Brahms’s and Schumann’s choral music for women’s voices. Schumann’s dramatic choral music: D.M.A. California: Stanford University. Giving musical shape to ‘deeply intellectual poetry’”. The American Brahms Society newsletter 14:1.
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► SCHUMANN, GEORG Schmidt, Christian Martin (1994). “Zukunftsverheißung und musikalische Price, Daniel Lee (1996). The choral music Zielgerichtetheit: Arnold Schönbergs of Georg Schumann: A historical and musical Chor Friede auf Erden op. 13”. Berliner analysis. D.M.A. Ohio: University of Beiträge zur Musikwissenschaft: Beihefte zur Cincinnati. Neuen Berlinischen Musikzeitung 9:1. Weinert, William (2002). “The motets Schmidt, Christian Martin (2004). “Das of Georg Schumann (1866–1952)”. Problem Sprechgesang bei Arnold American choral review 44:2. Schönberg”. In: Delaere, Mark; Herman, Jan (Eds.). Pierrot lunaire. Albert Giraud, Otto Erich Hartleben, Arnold Schoenberg. ► SCHÖNBERG, ARNOLD Une collection d’études musico-littéraires. Louvain: Peeters (La république des Chai, Joshua John (2007). War and peace: lettres, 20). The transformation from expressionism to atonality in two choral works of Arnold Schmidt, Christian Martin; Rufer, Schoenberg. M.M. Long Beach: California Josef; Stephan, Rudolf (1977). Sämtliche State University. Werke. Arnold Schönberg. Abt. 5: Chorwerke. Mainz: Schott. Dümling, Albrecht (1981). “„Im Zeichen der Erkenntnis der socialen Shaw, Jennifer Robin (2002). Verhältnisse’. Der junge Schoenberg Schoenberg’s choral symphony, “Die und die Arbeitersängerbewegung in Jakobsleiter”, and other wartime fragments. Österreich”. Österreichische Musikzeitschrift Ph.D. Stony Brook: State University of 36:2. New York. Falck, Robert (2000). “Schoenberg in Woebs, Raphael (2006). “Jüdische shirtsleeves: The male choruses, op. 35”. Tradition im Spiegel Neuer Musik – In: Cross, Charlotte Marie; Berman, essayistische Gedanken zu Arnold Russell A. (Eds.). Political and religious Schönbergs Chorwerk „Ein ideas in the works of Arnold Schoenberg. New Überlebender aus Warschau’”. In: York: Garland (Border crossings, 5). Baumann, Max Peter; Becker, Tim; Woebs, Raphael (Eds.). Musik und Kultur Gervink, Manuel (1995). “Schönbergs im jüdischen Leben der Gegenwart. Berlin: Drei Satiren für gemischten Chor: Die Frank und Timme Standortbestimmung des (Kulturwissenschaften, 2). Komponisten”. Österreichische Musikzeitschrift 50:6. Lück, Hartmut (1993). “Arnold ► SCHÜTZ, HEINRICH Schönbergs Kol Nidre: Ein Werk des antifaschistischen Widerstandes?”. In: Breig, Werner (1981). “Mehrchörigkeit Heister, Hanns-Werner; Knepler, Georg und individuelle Werkkonzeptionen bei (Eds.). Zwischen Aufklärung & Heinrich Schütz”. Schütz-Jahrbuch 3. Kulturindustrie: Festschrift für Georg Knepler Breig, Werner (1987). “Zur zum 85. Geburtstag. Hamburg: von musikalischen Syntax in Schütz’ Bockel. Geistlicher Chormusik”. In: Berke, Permoser, Manfred (2000). “„Wir waren Dietrich; Hanemann, Dorothee (Eds.). arme Hunde, aber jung, lebenshungrig Alte Musik als ästhetische Gegenwart. Bach, und zukunftssicher…’: Schönberg und Händel, Schütz; Bericht über den die Arbeitersängerbewegung”. Journal of internationalen musikwissenschaftlichen the Arnold Schönberg Center 2.
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Kongreß, Stuttgart 1985. Kassel: Dietrich; Hanemann, Dorothee (Eds.). Bärenreiter. Alte Musik als ästhetische Gegenwart. Bach, Breig, Werner (1996). “Zum Werkstil Händel, Schütz; Bericht über den der Geistlichen Chormusik von internationalen musikwissenschaftlichen Heinrich Schütz. I”. Schütz-Jahrbuch 18. Kongreß, Stuttgart 1985. Kassel: Bärenreiter. Breig, Werner (1998). “Zum Werkstil der Geistlichen Chormusik von Heinrich Schütz. II”. Schütz-Jahrbuch 20. ► SCLIER, ESTHER Breig, Werner (2002). “Die Afonso, Daniel Rufino (2003). The a Editionsgeschichte der Geistlichen cappella works for mixed chorus of Esther Chormusik von Heinrich Schütz”. In: Scliar (1926–1978). D.M.A. The Lühning, Helga (Ed.). Musikedition. University of Iowa. Mittler zwischen Wissenschaft und musikalischer Praxis. Tübingen: Niemeyer (Beihefte zu Editio, 17). ► SESSIONS, ROGER Eichhorn, Holger (2000). “Heinrich Schütz: Geistliche Chor-Music – Neue Gorelick, Brian Lee (1985). Movement Darstellungsaspekte aus alten Quellen”. and shape in the choral music of Roger Musik und Kirche 70:2. Sessions. D.M.A. Urbana-Champaign: University of Illinois. Markowsky, Jens (1985). “Der Chor der Juden und Kriegsknechte „Der du den Tempel Gottes zerbrichst’ (Nr. 21) ► SIBELIUS, JEAN aus Heinrich Schütz’ Matthäus-Passion (SWV 479): Strukturbildende Substanz Männik-Kirme, Maris (2003). “Sibelius und bedeutungstragende Funktion”. In: and Estonian choral music: Features in Struktur, Funktion, Bedeutung. Beiträge zur common”. In: Huttunen, Matti; Analyse von Musikprozessen. Materialien des Kilpeläinen, Kari; Murtomäki, Veijo 2. Jenaer Musikwissenschaftlichen Colloquiums (Eds.). Sibelius Forum II: Proceedings from 1983. Jena: Friedrich-Schiller-Universität The Third International Jean Sibelius (Wissenschaftliche Beiträge der Conference, Helsinki, 7–10 December 2000. Friedrich-Schiller-Universität Jena). Helsinki: Sibelius Academy. Oberhoff, Bernd (2002). “Die Ylivuori, Sakari (2010). “The role of the doppelchörige Motette Da pacem, reference sources in the critical edition Domine von Heinrich Schütz: Eine of Sibelius’s choral arrangements”. „politische’ oder eine „psychologische’ Philomusica on-line: Rivista del Dipartimento Musik? Ergebnisse eines di scienze musicologiche e paleografico-filologiche Gruppenassoziationsexperiments”. In: 9:2. Oberhoff, Bernd (Ed.). Das Unbewusste in der Musik. Gießen: Psychosozial-Verlag. Schmoll-Barthel, Jutta (1992). ► SINGENBERGER, JOHN “Sammlung oder Zyklus? Die Gorman, Patrick (1994). An analysis of Disposition der Geistlichen Chormusik the choral music of John Singenberger (1848– von Heinrich Schütz”. Die Musikforschung 1924) as it relates to the musical philosophies 45:3. of the Caecilian movement. D.M.A. Witzenmann, Wolfgang (1987). Madison: The University of Wisconsin. “Modalität und Tonalität in Schützens „Geistlicher Chormusik’”. In: Berke,
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► SJÖBERG, JOHAN- MAGNUS ► SPASSOV, IVAN
Rudén, Jan Olof (2005). “Johan- Batchvarova, Madlen Todorova (2000). Magnus Sjöberg som körtonsättare: A study of Ivan Spassov’s “Bucolics from the konstfull kanon klangens kärna”. Pirin Region” and how they relate to the Tidningen Körsång 4. original Bulgarian folklore versions. D.M.A. The University of Alabama.
► SMITH, ELIZABETH JOYCE ► SPOHR, LUDWIG Hawn, C. Michael (2005). “Congregational singing from down Heimbucher, Christoph (2009). “Die under: The hymns of Elizabeth Joyce geistliche Chormusik Louis Spohrs”. Smith”. The hymn: A journal of Musik und Kirche 79. congregational song 56:4.
► STANFORD, CHARLES VILLIERS ► SMITH, ETHEL MARY Gregg, Glenn Roland (1994). Charles Copley, Edith Ann (1990). A survey of the Villiers Stanford’s choral overture: “Ave choral works of Dame Ethel Mary Smyth with Atque Vale”. D.M.A. University of an analysis of the Mass in D (1891). D.M.A. Washington. Ohio: University of Cincinnati. Moore, James Stanley (1989). The shorter sacred choral works of Charles Villiers ► SMITH, GREGG Stanford. D.M.A. Texas: Southwestern Baptist Theological Seminary. Mauldin, Walt (1989). The influence of Gregg Smith on twentieth century choral literature as a composer and conductor. ► STARER, ROBERT D.M.A. Florida: University of Miami. Wendland, Kristin (1994). “Choral works by Robert Starer”. American choral ► SMITH MOORE, UNDINE review 36:2. Wendland, Kristin Florence (1991). The Jones, John Robert Douglas (1980). The major choral works of Robert Starer and their choral works of Undine Smith Moore: A study place in American music. Ph.D. City of her life and work. Ed.D. New York University of New York. University.
► STAYTON, JAMES M. ► SOWERBY, LEO Stayton, James M. (2005). The choral Sharp, Timothy W. (1995). “The choral compositions of James M. Stayton: A formal music of Leo Sowerby: A centennial and descriptive analysis and retrospective of style perspective”. The choral journal 35:8. and influences. M.A. Florida Atlantic University.
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► STEVENS, HALSEY ► STRAVINSKY, IGOR
Murphy, James Lawson (1980). The Elder, Rusty Dale (2008). The late choral choral music of Halsey Stevens. Ph.D. Texas works of Igor Stravinsky: A reception history. Tech University. M.A. Columbia: University of Missouri. Vanderkoy, Paul Arthur (1981). A survey Lavando, Marija (1995). “K voprosu ob of the choral music of Halsey Stevens. D.A. izucenii horovoj muzyki Igorja Ball State University. Stravinskogo”. In: Tomaševskaja, Tatjana (Ed.). Russkaja horovaja kul’tura: Istorija, tradicii, sovremennye problemy. Sankt- ► STRAUSS, JOHANN Peterburg: Akademiâ Kultury (Nauĉnye Trudy Sankt-Peterburgskoj Akademii Sano, Stephen Makoto (1994). The Kultury). “Chorwalzer” of Johann Strauss: “An der schoenen blauen Donau” revisited. D.M.A. Lindlar, Heinrich (1985). “Igor California: Stanford University. Strawinskys Chor-Motetten”. Kirchenmusikalisches Jahrbuch 67. Rice, Jeffrey Keith (2002). Stylistic ► STRAUSS, RICHARD diversity and compositional consistency in selected choral works of Igor Stravinsky. Birkin, Kenneth W. (1988). Die D.M.A. The University of Alabama. Chorkompositionen von Richard Strauss. Tutzing: Hans Schneider (Eichstätter Rodriguez, Carlos Xavier (1992). “The Abhandlungen zur Musikwissenschaft, textual and musical functions of the 4). chorus in Stravinsky’s Oedipus rex”. The choral journal 33:1. Hall, Barbara Lewis (1985). The a capella choral works for mixed choir of Richard Walsh, Stephen (1967). “Stravinsky’s Strauss: A contextual study and analysis. choral music”. Tempo, New Series 81. D.Mus. Indiana University. Zijlstra, Miep (1968). “Strawinsky’s Loos, Helmut (2001). “Hans Pfitzner Requiem Canticles: Een nieuw geestelijk und Richard Strauss als koorwerk”. Mens en melodie: Algemeen Vokalkomponisten. Eichendorff- maandblad voor muziek 23:3. Chorvertonungen”. In: Kuret, Primoţ (Ed.). Music, Poetry-Tone, Word. Ljubljana, 11.–14.VI.2000. Concerts. Symposium. ► SUSA, CONRAD Ljubljana. Jackson, Gilbert Otis (1984). The choral Wajemann, Heiner (1986). Die music of Conrad Susa. D.M.A. Michigan Chorkompositionen von Richard Strauss. State University. Tutzing: Schneider (Eichstätter Abhandlungen zur Musikwissenschaft, 4). ► SWINGLE, WARD Wajemann, Heiner (2001). “Zur Sozialgeschichte der Chorwerke von Shannon, Kathleen M. (1990). Ward Richard Strauss in den 20er und 30er Swingle: A study of his choral music and its Jahren”. Richard Strauss-Blätter 45. jazz influences. D.M.A. Florida: University of Miami.
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► SWISHER, GLORIA WILSON Main, 26./27. April 1996. Mainz: Schott (Schott Musikwissenschaft, 35). Bigley, Robert Franklin (2009). The Grant, Jason Benjamin (2005). The rise of choral music of Gloria Wilson Swisher. lyricism and the decline of biblical narration in D.M.A. University of Washington. the late liturgical passions of Georg Philipp Telemann. Ph.D. Pennsylvania: University of Pittsburgh. ► TAILLEFERRE, GERMAINE Jungius, Christiane (2009). Telemanns Harbec, Jacinthe; Paiement, Nicole A. Frankfurter Kantatenzyklen. Diss. Kassel: (1996). “Germaine Tailleferre’s Bärenreiter (Schweizer Beiträge zur rediscovered choral work”. American Musikforschung, 12). choral review 38:2. Neubacher, Jürgen (2007). “Zwischen Auftrag und künstlerischem Anspruch. Zu Telemanns musikpädagogischer ANEYEV ERGEI ► T , S Position als Kantor und Director chori musici in Hamburg”. In: Kremer, Shao, Xiaoyong (2007). “Tanieyefu de Joachim; Werbeck, Walter (Eds.). Das hechang richu yanjiu”. [Research on Kantorat des Ostseeraums im 18. Jahrhundert. Sergei Taneyev’s choral piece Bewahrung, Ausweitung und Auflösung eines Sonnenaufgang]. Zhongyang Yinyue kirchenmusikalischen Amtes. Berlin: Frank Xueyuan xuebao 3:108. & Timme (Greifswalder Beiträge zur Musikwissenschaft, 15). ► TAVENER, JOHN
Johnson, Eric Alan (2003). John ► THOMPSON, RANDALL ’ Tavener s choral anthems, 1985–1990: Hinson, Gene Lee (1992). An Analysis of style, form and performance investigation of common stylistic traits found in practice. A.Mus.D. Urbana-Champaign: selected sacred choral works of Randall University of Illinois. Thompson and Virgil Thomson. D.M.A. Klausmeyer, Sue T. (2000). A conductor’s Louisiana: New Orleans Baptist study of musical motion and sources of invention Theological Seminary. in selected choral works by John Tavener. D.M.A. Ohio: University of Cincinnati. ► THOMSON, VIRGIL
► TELEMANN, GEORG PHILIPP Hinson, Gene Lee (1992). An investigation of common stylistic traits found in Conlon, Joan Catoni (1975). Stylistic selected sacred choral works of Randall variation and virtuosity in the choral music of Thompson and Virgil Thomson. D.M.A. Georg Philipp Telemann as represented by the Louisiana: New Orleans Baptist unpublished cantata Wertes Zion, sei getröst. Theological Seminary. DMA. University of Washington.
Dienst, Karl (2000). “Georg Philipp ► TIPPETT, MICHAEL Telemann in Frankfurt am Main: Das gottesdienstlich-liturgische Umfeld”. In: Jones, Jeffrey Ralph (1987). The short Cahn, Peter (Ed.). Telemann in Frankfurt. choral works of Michael Tippett. D.M.A. Bericht über das Symposium Frankfurt am Arizona State University.
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Poland, Jeffrey (1994). “Michael ► USSACHEVSKY, VLADIMIR Tippett’s A child of our time: An oratorio for our time”. The choral journal Johnson, Kenneth Brettell (1995). “To 34:7. the Young”: An examination of Vladimir Ussachevsky’s last choral composition. M.M. Long Beach: California State University. ► TOCH, ERNST Mecham, Mark Leonidas (1985). The Zach, Miriam Susan (1993). The choral choral music of Vladimir Ussachevsky. music of Ernst Toch. Ph.D. University of D.M.A. Urbana-Champaign: University Florida. of Illinois.
► TOLINGER, ROBERT ► VAN WYK, ARNOLD
Marković, Tatjana (1996). Geldenhuys, J. (1984). “Die koorwerke “Poetskomuziĉko sadejstvo u van Arnold van Wyk: „n oorsigtelike patriotskim horovima Roberta beskouing”. Acta Academica 19. Tolingera”. [The relationship between Geldenhuys, Jolena (1983). The vocal poetry and music in the patriotic choral music of Arnold van Wyk (1916–): A works of Robert Tolinger]. Gudalo: stylistic study with special reference to variation Časopis za unapređenje glazbe 111:12. technique. D.Mus. University of South Mińkov, Milovan (1986). “Robert Africa. Tolinger: Period delovanja ujedinjene omladine srpske i osnivanje pevaĉkih društava”. [Robert Tolinger: The period ► VECCHI, ORAZIO of uniting Serbian youth and the Tibaldi, Rodobaldo (2005). “I mottetti founding of choral societies]. Gudalo: ’ Časopis za unapređenje glazbe 101:11. di Orazio Vecchi: Un antologia”. Polifonie: Storia e teoria della coralità 5:2. Tibaldi, Rodobaldo (2005). “The ► TORMIS, VELJO motets of Orazio Vecchi: An anthology”. Polifonie: Storia e teoria della Daitz, Mimi Segal (2004). “Integral vs. coralità 5:2. derivative use of Balto-Finnic traditional song in the choral compositions of Tibaldi, Rodobaldo (2005). “Stile e Veljo Tormis”. Fontes artis musicae struttura nei mottetti di Orazio Vecchi, 51:3/4. con un’appendice su Ave virgo gratiosa di Monte e di Porta”. Polifonie: Storia e teoria della coralità 5:3. ► TÜRK, DANIEL GOTTLOB
Seils, Franziska (2002). “Die ► VERDI, GIUSEPPE Choralkantaten Daniel Gottlob Türks im Spiegel ihrer Gattungsgeschichte”. Engelhardt, Markus (1988). Die Chöre in In: Eberl, Kathrin; Traxdorf, Götz; Ruf, den frühen Opern Giuseppe Verdis. Diss. Wolfgang; Türk, Daniel Gottlob (Eds.). Tutzing: Schneider (Würzburger Daniel Gottlob Türk. Theoretiker, Komponist, musikhistorische Beiträge, 11). Pädagoge und Musiker. Halle an der Saale: Engelhardt, Markus (1997). Händel-Haus (Schriften des Händel- “„Something’s been done to make room Hauses in Halle, 18).
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 274 Choral Research. A Global Bibliography for choruses’: Choral conception and Cathedral Archive (Mexico). D.M.A. choral construction in Luisa Miller”. In: University of Washington. Chusid, Martin (Ed.). Verdi’s middle period, 1849–1859. Source studies, analysis, and performance practice. Chicago: ► VIEIRA, AMARAL University of Chicago Press. Silva, Vladimir A. Pereira (2005). A Engelhardt, Markus (2000). “Posizioni conductor’s analysis of Amaral Vieira’s e funzioni del coro nella drammaturgia Stabat Mater, op. 240: An approach between musicale del primo Verdi”. In: Conati, music and rhetoric. D.M.A. Louisiana State Marcello; Capra, Marco (Eds.). Una University and Agricultural & piacente estate di San Martino. Studi e ricerche Mechanical College. per Marcello Conati. Lucca: Libreria musicale italiana (Quaderni di Musica/Realtà., 1). ► VILLA-LOBOS, HEITOR Jacobs, Rosalie Katrine (1988). The chorus in the operas of Giuseppe Verdi (1813– Burleson, Jill Cole (2007). Selected choral 1901). Ph.D. Westville: University of works from “Musica Sacra” by Heitor Villa- Durban. Lobos: A performance edition critical notes and commentary. D.A. Indiana: Ball State Lehmann, Michel (1999). “Le choeur University. dans les opéras de Verdi: Recherche esthétique et reconnaissance publique”. Fleitas-Gonzalez, Patricia (1996). A In: LeFloc’h, Joseph (Ed.). À la croisée study of selected choral works of Heitor Villa- des chemins. Musiques savantes, musiques Lobos. D.M.A. Austin: The University of populaires.Hommage á George Sand. Actes du Texas. colloque de LaChâtre (Chateau d’Ars), 23– 25 octobre 1997. Saint-Jouin-de-Milly: ► VILLETTE, PIERRE FAMDT Éd. (Collection Modal poche. Morey, Carl (1998). “The chorus as Burton, Sean Michael (2008). The sexual protagonist: Rigoletto”. In: unaccompanied choral music of Pierre Villette: Morey, Carl (Ed.). An opera sampler: A conductor’s analysis. D.M.A. Lincoln: Miscellaneous essays on opera. Toronto, The University of Nebraska. Ontario: Dundurn Press. Prestinari, Charles Frederic (2008). ► VIVALDI, ANTONIO Protagonist to antagonist: The shifting dramatic function of the chorus in the operas of Giuseppe Gianelli, Luigi (1983). Salmi per doppio Verdi. D.Mus. Indiana University. coro di Antonio Vivaldi. Università degli Rhodes, Lila (1997). “Verdi’s opera Studi di Torino. choruses: Songs that rallied a nation”. Koldau, Linda Maria (2003). “Die The choral journal 38:4. geistliche Chormusik von Antonio Vivaldi”. Musica sacra 123. ► VIDALES, FRANSCISCO ► VOGEL, WLADIMIR Reitz, Paul Armin (1987). The Holy Week Motets of Juan Gutierrez de Padilla and Geiger, Friedrich (1998). Die Dramma- Francisco Vidales: Single choir Motets from Oratorien von Wladimir Vogel, 1896–1984. choirbook XV and Legajo XXX, Puebla
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Diss. Hamburg: von Bockel (Musik im ► VON NEUKOMM, SIGISMUND “Dritten Reich” und im Exil, 5). Geiger, Friedrich (2001). “Art as a Waidelich, Till Gerrit (2003). “…ganz genau gemessenes, aufs sparsamste vocation: Vladimir Vogel’s begleitetes Recitativ, ohne Bestimmung drammaoratorio Jona ging doch nach der Töne: Sigismund Neukomms Ninive”. Tempo: A quarterly review of modern music 218. „musikalisch rhythmische’ Notierung der Chorszenen zu Schillers Braut von Labhart, Walter (1997). Messina (1805)”. In: Beck, Dagmar; “Sprechchormusik von Wladimir Vogel: Ziegler, Frank (Eds.). Carl Maria von Neue Formen der Wort– Weber und die Schauspielmusik seiner Zeit. Tonbeziehung”. In: Benetková, Vlasta Mainz: Schott (Weber-Studien, 7). (Ed.). Kontexte. Bericht über die internationale Konferenz, Praha, 30.–31.10.1996. Praha: Nadace Musica Iudaica. ► WAGNER, RICHARD
Erfen, Irene (Ed.) (1999). “… der Welt ► VON EINEM, GOTTFRIED noch den Tannhäuser schuldig”: Richard Wagner – Tannhäuser und der Sängerkrieg Fritz-Hilscher, Elisabeth Thérèse auf Wartburg. Regensburg: Schnell und (2003). “Die Kantaten- und Chorwerke Steiner (Wartburg-Jahrbuch: Gottfried von Einems: Ein Überblick”. Sonderband). In: Fuchs, Ingrid (Ed.). Gottfried-von- Einem-Kongress. Wien 1998; Kongreßbericht. Hramov, Denis Jur’eviĉ (2005). “Hor v Tutzing: Schneider (Veröffentlichungen muzykal’nyh dramah Vagnera”. [Chorus des Archivs der Gesellschaft der in Wagner’s musical dramas]. Musikfreunde in Wien, 3). Muzykal’naâ akademija 2. Jahn, Jeffry Allen (1990). Richard Wagner’s „„Occasional Works’’ for male VON ERZOGENBURG ► H , chorus (1843–1844): Aspects and influences HEINRICH on Wagner’s emerging compositional style during the Dresden years (1843–1849). Demaree, Robert Kyso (1996). The late A.Mus.D. The University of Arizona. choral works of Heinrich von Herzogenberg and their relationship to the heritage of specific Kapp, Reinhard (1993). “Wagners choral genres. D.M.A. Urbana-Champaign: Dresdner Chorwerke und der Chor der University of Illinois. Hofoper”. Berliner Beiträge zur Musikwissenschaft: Beihefte zur Neuen Klek, Konrad (1993). “Heinrich von Berlinischen Musikzeitung 8:3:1. Herzogenberg und Friedrich Spitta: Sieben fruchtbare Jahre für die Minor, Ryan (2005). “Wagner’s last evangelische Kirchenmusik 1893–1900”. chorus: Consecrating space and Musik und Kirche 63:6. spectatorship in Parsifal”. Cambridge Opera Journal 17:1. Mungen, Anno (2009). “Kollektiv und ► VON KOCH, ERLAND Individuum. Anmerkungen zum Chor in Olsson, Lars-Gunnar (2005). “Erland Wagners Die Meistersinger von von Koch: orgelverk, sakrala körverk Nürnberg”. In: Kramer, Ursula; Birtel, och sånger”. Orgelforum 2. Wolfgang; Mahling, Christoph-Hellmut (Eds.). Chöre und Chorisches Singen. Festschrift für Christoph-Hellmut Mahling zm
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75. Geburtstag. Mainz: Are-Musik-Verlag ► WARD, ROBERT (Schriften zur Musikwissenschaft, 16). Tucker, Carlton S. (2007). The choral works of Robert Ward: A view of his ► WALKER, GEORGE T. compositional approach to text settings and his use of symbols and allusions. D.M.A. Ames, Jeffery L. (2005). A pioneering University of North Texas. twentieth-century African-American musician: The choral works of George T. Walker. Ph.D. The Florida State University. ► WARLOCK, PETER Lerma, Dominique-René de (1981). “The choral works of George Walker”. Copley, I. A. (1964). “Peter Warlock’s American choral review 23:1. choral music”. Music & letters 45:4.
► WALKER, GWYNETH ► WATTS, ISAAC
Burrichter, Vicki Lynne (2003). The Music, David W. (1999). “Isaac Watts choral music of Gwyneth Walker: An overview. in America before 1729”. The hymn: A D.A. University of Northern Colorado. journal of congregational song 50:1. Schnipke, Richard L. (2008). Gwyneth Walker: An annotated bio-bibliography of ► WEBBER, ANDREW LLOYD selected works for mixed chorus. D.M.A. The Ohio State University. Green, Daniel Joseph (1988). A study of Andrew Lloyd Webber’s “Requiem”. D.M.A. Florida: University of Miami. ► WALTON, WILLIAM
Fulton, William Kenneth (1981). Selected ► WEBERN, ANTON choral works of William Walton. Ph.D. Texas Tech University. (1999). “Anton Webern und die Arbeiter-Sängerbewegung: Katalog zur Ausstellung”. In: Krones, Hartmut ► WALZEL, GEROLD (Ed.). Anton Webern. Persönlichkeit zwischen Kunst und Politik. Wien: Böhlau (Wiener Walzel, Gerold; Reimann, Reinhold Schriften zur Stilkunde und (1991). Gerold Walzel – ein Barde seiner AufführungspraxisSonderband, 2). Zeit? Der Schöpfer des Grazer Studentenliedes als Literat und Komponist. Graz: Steir. Hoskisson, Darin Todd (2006). The Studentenhistoriker-Verein Grundgestalt and network transformations in (Schriftenreihe des Steirischen the late choral works of Anton Webern. Ph.D. Studentenhistoriker-Vereines, 19). University of Oregon. Sichardt, Martina (1989). “Zur Uraufführung von ► WANG, DEWEN Volksliederarbeitungen Schönbergs für gemischten Chor durch Anton Ya, Wen (2002). “Hechang Cai gu de Webern”. Mitteilungen der Internationalen yishu tese”. [Artistic characteristics of Schönberg-Gesellschaft 3–4. the choral work Cai gu]. Guizhou Daxue xuebao 3:33.
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► WEISE, SAMUEL SIMON Larson, Andrew Lloyd (2006). “Textural density in the choral music of Jensen, Niels Martin (1982). “Samuel Eric Whitacre”. Choral journal 47:6. Simon Weise og Det Danske Syngende Nymphe-Chor”. In: Hvad fatter gjor… Boghistoriske, litteraere og musikalske essays ► WILBERG, MACK tilegnet Erik Dal. Herning: Poul Kristensen. Brown, Robert David (2002). The original choral music of Mack Wilberg. D.M.A. The University of Arizona. ► WEISMANN, WILHELM Jones, Elliott S. (2000). A survey of the choral arrangements of Mack Wilberg and Schinköth, Thomas (1986). “„Mein musical analyses of representative arrangements. Talent – Unfähigkeit, den Dingen von D.M.A. Florida: University of Miami. aussen beizukommen’: Über Wilhelm Weismanns Chorwerke”. Musikforum: Referate und Information des Deutschen ► WILENSKI, MOSHE Musikrates 31:3. Jacobson, Joshua R. (1993). “East meets west: Choral composers of the ► WELTY, EUDORA Eastern Mediterranean school”. The choral journal 33:10. Fisher, Mary Alice (1983). Eudora Welty’s oral choruses. Ph.D. Lincoln: The University of Nebraska. ► WILLAERT, ADRIAN
Takano, Noriko (1970). “Virāruto to ► WESLEY, SAMUEL bunkatsu gasshō ni tsuite”. [Adrian Willaert and cori spezzati]. In: Arima Carroll, William Pearson (1989). The Daigorō sensei koki kinen rombun-shū. Latin choral music of Samuel Wesley (1766– [Daigorō Arima Festschrift, for his 70th 1837). D.M.A. Ohio: University of birthday]. Tōkyō: Kunitachi Ongaku Cincinnati. Daigaku Tachikawa.
► WHALUM, WENDELL ► WILLIAMS, MARY LOU
Morrow, David Edward (1995). The Pickeral, Charles Wilkins (1998). The choral music of Wendell Whalum. D.M.A. masses of Mary Lou Williams: The evolution Ohio: University of Cincinnati. of a liturgical style. Ph.D. Texas Tech University. ► WHITACRE, ERIC ► WILLIAMS, RALPH VAUGHAN Larson, Andrew Lloyd (2004). Textural and harmonic density in selected choral works Bray, Michael Robert (1993). The (1992–2003) by Eric Whitacre. D.M.A. liturgical canticle settings for chorus and organ Urbana-Champaign: University of of Ralph Vaughan Williams. A.Mus.D. The Illinois. University of Arizona.
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Edwardes, Janet Balshaw (1986). ► YEATS, WILLIAM BUTLER Unknown regions: some choral works of Ralph Vaughan Williams. Ph.D. Pennsylvania. Matsuyama, Akio (1977). “Yeitsu Bryn Mawr College. butōgeki to nōgaku: Kōrasu o chūshin ni”. [Yeats’s Four plays for dancers and the noh: With special reference to the ► WINGES, MARK chorus]. Musashino Ongaku Daigaku kenkyū kiyō (Bulletin of the Musashino Denney, H. Alan (2004). A survey of Academia Musicae) 11. selected choral music of Mark Winges. D.A. University of Northern Colorado. ► YOUMEI, XIAO
► WOLF, HUGO Jin, Qiao (2006). “Cong Bie xiao ci shuoqi”. [A word on Bie xiao ci]. Yinyue Jancik, Hans (1973). “Hugo Wolfs yishu: Shanghai Yinyue Xueyuan xuebao Eichendorff-Chöre”. Österreichische 106:3. Musikzeitschrift 28:10. Pocock, Peter George (1996). The choral music of Hugo Wolf: A discussion of the ► YOUNG, ROBERT H. musical and textual relationships with performance editions for male chorus. D.M.A. Roberts, Stanley Leroy (1995). The University of Southern California. relationship between text and music in the choral works of Robert H. Young. D.M.A. Thompson, Lee David (1986). The Kentucky: The Southern Baptist choral music of Hugo Wolf. D.M.A. Ohio: Theological Seminary. University of Cincinnati.
► ZAIMONT, JUDITH LANG ► XIA, SU Baird, Sara Lynn (1991). The choral music Gao, Yuan (2007). “Suxia hechang of Judith Lang Zaimont. Ph.D. The Florida yinyue de gousi he fudiao jiegou: Suxia State University. hechang gequji jianxi”. [The polyphonic structure in Su Xia’s chorus music: Analysis of Su Xia hechang gequji]. ► ZEMLINSKY, ALEXANDER Zhongyang Yinyue Xueyuan xuebao/Journal of the Central Conservatory of Music 3:108. Kim, James Jung-Keun (2003). Romantic elements in Alexander Zemlinksy’s choral music. D.M.A. Ohio: University of ► YANG, SHUZHENG Cincinnati. Yang, Niannian (2006). “Yuge xinsheng chang Tequ: Ping hunsheng hechang ► ZIMMERMANN, HEINZ Yaoyuande xiao yucun de chuangzuo WERNER tedian”. [A new voice of the fishermen’s song sings in the Special Economic Stroope, Z. Randall (1988). Later choral Zone: The compositional features of the works of Heinz Werner Zimmermann. choral piece Yaoyuande xiao yucun]. D.M.A. Arizona State University Xinghai Yinyue Xueyuan xuebao 4:105.
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Onyeji, Christian (2002). The study of abigbo choral-dance music and its application in the composition of Abigbo for modern symphony orchestra. D.Mus. University of Pretoria. ○ NATIONER COUNTRIES Qwabe, Sibuyiselo Peter (2004). Towards the sociology of the language of Nguni choral ► Afrika AFRICA music. Ph.D. University of South Africa. van der Sandt, Johannes Theodorus Ekwueme, Lazarus Edward Nnanyelu (1989). Die Meriete van Afrika-musiek in (1972). Ibo choral music – its theory and klasmusiek- en koorverband. B.Mus. practice. Connecticut: Yale University. University of Pretoria. Ekwueme, Lazarus Edward Nnanyelu (1973). “African music in Christian liturgy: The Igbo experiment”. African ♦ Burkina Faso music: Journal of the African Music Society 5:3. Loncke, Sandrine (1992). Burkina Faso: La voix des Peuls. Paris: Musée de Erlmann, Veit (1992). “„the past is far l‟Homme (Le chant du monde). and the future is far‟: Power and performance among Zulu migrant workers”. American Ethnologist 19:4. ♦ Ethiopien Euba, Akin (1967). “Multiple pitch lines in Yoruba choral music”. Journal of the Lortat-Jacob, Bernard (1978). Ethiopie, International Folk Music Council 19. polyphonies des Dorzé. Paris: Musée de l‟Homme (Collection CNRS). Katani, Archwells Moffat (2008). Traditional Malawian choral music: A liturgical-critical study within the Church of ♦ Ghana Central Africa Presbyterian (CCAP)- Nkhoma Synod. D.Th. University of Dor, George (2005). “Uses of Stellenbosch. indigenous music genres in Ghanaian Kazarow, Patricia A. (1993). choral art music: Perspectives from the “Contemporary African choral art works of Amu, Blege, and Dor”. music: An intercultural perspective”. The Ethnomusicology 49:3. choral journal 33:10. Mazomba, Vuyani; Potgieter, Zelda ♦ Kamerun (2005). “Liberating voices: Narrative strategies and style in township choral, Erlmann, Veit (1980). Die Macht des with specific reference to selected works Wortes: Preisgesang und Berufsmusiker bei den by three Xhosa composers”. Journal of the Fulbe des Diamaré (Nordkamerun). Diss. Musical Arts in Africa 2. Hohenschäftlarn: K. Renner (Studien zur Musik Afrikas, 1). Mugovhani, Ndwamato George (2010). “The role of indigenous African choral music in the search for identity: With ♦ Kenia Kenya special reference to Mzilikazi Khumalo‟s music”. Muziki: Journal of music research in Rieth, Dale Edward (1997). A study of Africa 7:1. choral music in Kenya: The contributions of its composers and the influences of traditional and
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Western European musical styles. D.M.A. Mugovhani, Ndwamato George (2006). Ohio: University of Cincinnati. Venda choral music: Compositional styles. D.Mus. University of South Africa. Rycroft, David (1967). “Nguni Vocal ♦ Mozambique Polyphony”. Journal of the International Carvalho, Joao Filipe Soutelo Soeiro de Folk Music Council 19. (1997). Choral musics in Maputo: Urban adaptation, nation-building and the performance of identity. Ph.D. New York: ♦ Tanzania Columbia University. Barz, Gregory Frederick (1996). “Kwayas, Kandas, Kiosks: The Popularization of Tanzanian choir ♦ Sydafrika SOUTH AFRICA music”. Ethnomusicology Online 2. Archdeacon, Albert (1908). “Choral Barz, Gregory Frederick (1997). The music in South Africa”. The musical times performance of religious and social identity: An 49:788. ethnography of post-mission kwaya music in Blake, Michael (2006). “Voices from a Tanzania. Ph.D. Rhode Island. Brown nation: Recent recordings from South University. Africa”. SAMUS: South African music Vallejo, Polo (2004). “Forme et texture studies 26–27. polyphonique dans la musique des Detterbeck, Markus (1999). Wagogo de Tanzanie”. Cahiers de “„Mamaliye‟: Ein Chorlied aus musiques traditionnelles 17. Südafrika”. Musik und Unterricht: Zeitschrift für Musikpädagogik 10:55. ♦ Uganda Erlmann, Veit (1986). Mbube Roots: Zulu choral music from South Africa, 1930s– Summit, Jeffrey A. (2003). Abayudaya. 1960s. Cambridge. Music from the Jewish people of Uganda. Erlmann, Veit (1990). “Migration and Washington DC: Smithsonian Folkways performance: Zulu Migrant Workers‟ Recordings. Isicathamiya performance in South Africa, 1890–1950”. Ethnomusicology 34:2. ► Amerika AMERICA Erlmann, Veit (1991). “Isicathamiya – Die Chormusik der Zulu- Amante y Zapata, Joseph John (2002). Wanderarbeiter in Südafrika, 1890– Sacred choral music in colonial Mexico, 1650– 1950”. In: Erlmann, Veit; Bareis, Urban 1750. An introduction. D.M.A. University (Eds.). Populäre Musik in Afrika. Berlin of Southern California. (Veröffentlichungen des Museums für Aretz, Isabel (1967). “The polyphonic Völkerkunde Berlin, N.F., 53). chant in South America”. Journal of the Gray, Anne-Marie (1999). “Liberation International Folk Music Council 19. songs sung by black South Africans Carrillo, Juan Israel (1993). Survey of during the 20th Century”. International choral music by selected Costa Rican composers. journal of music education 33. D.M.A. Ohio: University of Cincinnati. Joseph, Rosemary (1983). “Zulu Clark, R. Andrew (2001). American choral women‟s music”. African music: Journal of music in late nineteenth-century New Haven: the International Library of African Music The Gounod and New Haven Oratorio 6:3.
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Societies. M.A. University of North ♦ Argentina Texas. Clarke, Arthur Emanuel (1988). Levy, Clara Leonor (2008). Choral Jamaican folk psalms: Choral settings of arrangements of nine songs from Argentina for selected psalms based on Jamaican folk the children‟s choir. D.M.A. University of melodies, rhythms and harmonies, suitable for Southern California. Jamaican students in secondary schools, churches and music festivals. Ed.D. New ♦ Brasilien York University. Dean, Talmage W. (1988). A survey of Antunes, Jorge (1997). “O assobio”. twentieth century Protestant church music in Revista da Sociedade Brasileira de Música America. Nashville: Broadman. Contemporânea 4:4. Fansler, Terry Lee (1982). The anthem in Paula, Isidoro Lessa de (1985). Early America: 1900–1950. Ph.D. University of hymnody in Brazilian baptist churches: Its North Texas. sources and development. D.M.A. Texas: Guinand, María; Descombris, Southwestern Baptist Theological Caroline; Tagger, Jutta (2003). “La Seminary. musique chorale en Amérique latine Rosa, Lilia Oliveira de (2005). Música aujourd‟hui”. Resonance: International Music brasileira para coros infantis (1960–2003): Council 34. Catálogo on-line com obras a cappella. Hamlett, Robert Curtis (1986). An Universidade Estadual de Campinas. investigation of selected colonial Latin American vocal/choral works, including ♦ Kanada CANADA practical performance editions (Peru, Mexico). Ph.D. The University of Southern Beatty, Rodger James (1999). Unison Mississippi. Canadian choral compositions: Selection and Hardin, W. Dan; Orr, N. Lee (1999). analysis for schools. Ed.D. University of Choral music in nineteenth-century America. A Toronto. guide to the sources. Lanham, Md.: Beckwith, John (1994). “Choral music Scarecrow Press. in Montreal circa 1900: Three MacNeill, Roger Malcolm (1986). composers”. University of Toronto quarterly Secular choral Chamber music in America 63:4. since 1950, as represented by the music for this Brough, John Stephen (2007). Genre by Samuel Adler, Jean Berger, Eugene Confederation to millennium: Choral music at Butler, and Kirke Mechem. D.A. University Christ Church Cathedral, Ottawa. D.Mus. of Northern Colorado. University of Alberta. McIntyre, John (1993). “Twentieth- Canadian Music Centre (1970). century Latin American choral music: Catalogue of Canadian choral music: Available An introductory survey”. The choral for persual from the library of the Canadian journal 33:10. Music Centre. Toronto: Canadian Music Tiemstra, Suzanne Spicer (1992). The Centre. choral music of Latin America: A guide to Harding, Bruce Reginald (1998). Change compositions and research. New York: and continuity: The development of tune Greenwood Press (Music reference repertoire for congregational singing in the collection, 36). United Church of Canada, 1925–1975. Ottawa: National Library of Canada.
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Johnston, Richard (1998). “Secular available in the United States. New York: choral music”. CAML newsletter 26:3. Columbia University. Kitz, Mitchell (41993). Canadian choral Dankner, Laura (1995). “Choral music. Toronto: CMC. tapestries: An anthology of Klymasz, Robert B. (1993). “Tracking contemporary American choral music”. the „living book‟: Doukhobor song in American Music 13:2. Canada since 1899”. Canadian folk music DeVenney, David P. (1987). Nineteenth- journal 21. century American choral music. An annotated Peacock, Kenneth (1970). Songs of the guide. Berkeley: Fallen Leaf Press (Fallen Doukhobors. An introductory outline. Leaf reference books in music, 8). Ottawa: Queen‟s Printer. DeVenney, David P. (1988). Early American choral music: An annotated guide. Berkeley: Fallen Leaf Press. ♦ Mexico DeVenney, David P. (1990). American Bowers, Theresa (2000). “The Vesper Masses and Requiems: A descriptive guide. psalms of late eighteenth-century Berkeley: Fallen Leaf Press. Mexico”. The choral journal 40:8. DeVenney, David P. (1993). American Brothers, Matthew Grey (2001). The choral music since 1920: An annotated guide. polyphonic Passion in seventeenth-century Berkeley: Fallen Leaf Press (Fallen Leaf Mexico. Ph.D. Santa Barbara: University reference books in music, 27). of California. DeVenney, David P. (1995). Source readings in American choral music. Missoula: College Music Society (Monographs and ♦ USA bibliographies in American music). Brothers, Thomas (1997). “Ideology DeVenney, David P. (1999). Varied and aurality in the vernacular traditions carols. A survey of American choral literature. of African-American music (ca. 1890– Westport Conn.: Greenwood Press. 1950)”. Black music research journal 17:2. DeVenney, David P. (1999). “American Bruce, Neely (2000). “Sacred choral choral music since 1985”. In: Heintze, music in the United States: an James R. (Ed.). Perspectives on American overview”. In: Potter, John (Ed.). The music since 1950. New York: Garland Cambridge companion to singing. Cambridge: (Garland reference library of the Cambridge University Press, Bd. 11. humanities, 1953). Buck, Dudley; Crawford, Richard A.; DeVenney, David P. (2000). “Towards Orr, N. Lee (2006). “American a canon: Monuments of American Victorian choral music”. The American choral music”. American choral review 42:1. organist 40:12. DeVenney, David P. (2000). “American Cannady, Greggory Darrel (2007). choral music at the millennium”. In: Selected choral music composed since 1975 by Heintze, James R. (Ed.). Reflections on American women composers. D.M.A. American music. The twentieth century and the University of Colorado. new millennium. A collection of essays presented in honor of the College Music Society. Christy, Van Ambrose (1948). Hillsdale, NY: Pendragon Press (CMS Evaluation of choral music. Methods of monographs and bibliographies in appraising the practical value of choral American music, 16). compositions with reference to music generally
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Ehmann, Wilhelm (1971). “Choral Southern Division Conventions of the music in the United States”. Choral American Choral Directors Association journal 12:1. (1970–1990). Ph.D. The Florida State Harris, Carl Gordon (1972). A study of University. characteristic stylistic trends found in the choral Sharp, Timothy W. (1989). “Moravian works of a selected group of Afro-American choral music”. The choral journal 30:3. composers and arrangers. Kansas City: Specht, R. John (1987). “Americana: University of Missouri. Choral Masterworks of American Krehbiel, H.E. (1890). “Choral music in Composers”. American Music 5:2. America”. The Musical Times and Singing Spillane, James David (2004). All-state Class Circular 31:569. choral music: A comprehensive study of the Lynch, Shane M. (2008). Music music selected for the high school all-state choirs historiography and useful style histories: The of the fifty states from 1995–2000. D.M.A. case for the evolving era of neo-impressionism The University of Arizona. and its influence on American choral music of van Camp, Leonard (1981). the late twentieth and early twenty-first “Nineteenth-century choral music in centuries. D.M.A. University of America: A German legacy”. American Washington. choral review 23:4. Payne, William Gwinn (1986). Stylistic van Christy, Ambrose (1949). Evaluation Characteristics of Short Sacred choral of choral music; methods of appraising the Compositions Published and Performed in the practical value of choral compositions with United States: 1960–1985. D.M.A. reference to music generally available in the Arizona State University. United States. Ph.D. New York: Pennington, Randy Keith (1982). A Columbia University. study of Published choral Compositions by California State University, Long Beach students and Alumni: A Conductor‟s ♦ Venezuela Perspective. M.A. Long Beach: California State University. Grases, Cristian (2009). Nine Pisciotta, Louis Vincent (1967). Texture Venezuelan composers and a catalogue in the choral works of selected contemporary of their choral works. D.M.A. Florida: American composers. PhD. Indiana University of Miami. University. Pohly, Linda (1995). “Alleluia! Sacred ► Asien ASIA choral music in New England”. American Music 13:1. Rapp, Robert Maurice (1970). Stylistic ♦ China characteristics of the short sacred choral composition in the U.S.A., 1945–1960. Fan, Zuyin (2003). “Zhongguo Ph.D. Unversity of Wisconsin. duoshengbu min‟ge gaishu”. [Outline of polyphonic traditional song in China]. Rayl, David (1995). “The Illinois Zhejiang Yishu Zhiye Xueyuan Wesleyan University choral commission xuebao/Journal of Zhejiang Vocational series (1952–95): Trends in American Academy of Art 1:1. choral music”. The choral journal 35:9. Ji, Xiaohua (2007). “Yanan luyi shiqi de Rucker, Anthony Taylor (1992). An hechangzuopin yanjiu”. [Chorus pieces index of choral music performed during from the Yan‟an period of Lu yi]. Yuefu
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 284 Choral Research. A Global Bibliography xinsheng: Shenyang yineyuexueyuan xuebao modern Japanese choral music. D.M.A. The 98:4. University of Arizona. Liu, Wen (2007). “Debao beilu geshou minjian hechang guan”. [Observing the ♦ Korea folk chorus of the Debao Beilu singers]. Renmin yinyue: Pinglun 8:515. Cha, Yeong Hoi (2002). An analytical Shi, Wangwei (2003). “Zhejiang quyi study of Korean-based sacred choral music: yinyue zhong de yichang zhonghe”. Korean traditional music and its relation to [“One sings and the others harmonize” fourteen selected Korean sacred choral works. in the music of Zhejiang quyi]. Zhejiang D.M.A. University of Washington. Yishu Zhiye Xueyuan xuebao 3:3. Choi, Young Ju (2005). Survey of choral Wang, Yuhe (1989). “Zhongguo xiandai music by selected twentieth-century Korean hechang yinyue (1946–1976)”. composers. D.M.A. Ohio: University of [Contemporary Chinese choral music Cincinnati. (1946–1976)]. Yinyue yanjiu 2:53. Ha, Jae-Song (2006). A conductor‟s guide to Wu, Dingbang; Dong, Tuan (2003). selected sacred choral works composed between “Dongzu dage fudiao yanjiu”. [Research 1980 and 2005 by Korean composers. on polyphony in Kam galao]. In: Zhang, D.M.A. Kentucky: The Southern Baptist Zhongxiao; Yang, Fanggang; He, Theological Seminary. Guangyu (Eds.). Dongzu dage yanjiu Kang, Soyun Ham (1999). Korean folk wushinian. [Fifty years of research on the songs as choral music: Approaches to the galao of Dong people]. Guizhou: repertory for non-Korean musicians. M.M. Guizhou Minzu Chubanshe Guiyang. Long Beach: California State University. Wu, Peng (1990). “Moran huishou wen Kim, Eun-sil (2008). A study of Arirang zhiyin: Ping 1989 nian geju chuangzuo”. and its influence on contemporary Korean choral [Knowing the sound of Moran huishou: works. D.M.A. University of Southern Commentary on song compositions in California. 1989]. Zhongguo yinyue nianjian 4. Min, In-Gi (2001). The development of Wu, Yiping (2000). Folk idioms in the Korean choral music. D.M.A. University of choral compositions of the People‟s Republic of Southern California. China. D.M.A. The University of Iowa. Yip, Mo-Ling Chan (1994). The emergence and development of Chinese choral music in the ♦ Taiwan twentieth century. D.M.A. Austin: The University of Texas. Chang, Cheng-pu (2007). Taiwanese choral music: History and use of traditional Zhang, Zhongxiao; Yang, Fanggang; aboriginal music in selected works. D.M.A. He, Guangyu (Eds.) (2003). Dongzu dage Florida: University of Miami. yanjiu wushinian”. [Fifty years of research on the galao of Dong people]. Guizhou: Tai, Yi-Yin (2004). A performance guide to Guizhou Minzu Chubanshe Guiyang. Taiwanese folksong arrangements for Western choirs. D.M.A. Madison: The University of Wisconsin. ♦ Japan
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Komponistenmonographien. Laaber: Laaber Wolverton, Vance D. (1998). “Breaking Verlag. the silence: Choral music of the Baltic Lesle, Lutz (2002). “Ruhe den Toten, republics. II: Latvia”. The choral journal Friede den Lebenden: Neue geistliche 38:9. Chormusik aus den baltischen Ländern”. Musik und Kirche 72:5. ● Litauen LITHUANIA Lesle, Lutz (2006). “Durchbruch nach langer, dunkler Stille: Neue geistliche Wolverton, Vance D. (1998). “Breaking Chormusik aus den baltischen Ländern”. the silence: Choral music of the Baltic Musik und Kirche 76:3. republics. III: Lithuania”. The choral journal 38:10.
● Estland ESTONIA ♦ Belgien BELGIUM Tamm, Saari (2007). Eesti Rahvusmeeskoori repertuaarist 1980. (1980). “La musique chorale en aastatel”. [The repertoire of the Estonian Belgique”. Chant choral: Le journal du chant National Male choir in 1980s]. In: choraL 25. Lippus, Urve (Ed.). Meeskoor ja meestelaul. Magro, Agostino (2000). “Plain-chant [Men‟s choir and men‟s song]. Tallinn: ou polyphonie? À propos de Saint- Eesti Muusika – ja Teatriakadeemia Martin de Tours à la fin du Moyen (Eesti muusikaloo toimetised). Âge”. In: Bouckaert, Bruno (Ed.). The Wolverton, Vance D. (1998). “Breaking Di Martinelli Music Collection (KULeuven, the silence: Choral music of the Baltic University Archives). Colloquium proceedings, republics. I: Estonia”. The choral journal Leuven 02.02.1998. Peer: Alamire 38:7. (Yearbook of the Alamire Foundation, 4).
● Lettland LATVIA ♦ Bulgaria Grauzdina̦ , Olgerts Grāvītis; Grauzdina̦ , Ilma (1990). Dziesmu svētki Balareva, Agapija Dimitrova (1968). Latvijā. Norise, skaitli,̦ fakti. Rīga: Latvijas Bulgarskoto chorovo akapelno tvorcestvo”. Enciklopēdija. [Bulgarian a cappella choral music]. Sofija: Nauka i Izkustvo. Kārkliņń, Ludvigs (1972). “Dazi muzikas formas jautajumi latviesu jaukta kora dziesma”. [Some questions ♦ Frankrike FRANCE concerning musical form in the Latvian song for mixed choir]. In: Grinfelds, Duron, Jean (Ed.) (1997). Plain-chant et Nils; Darkeviĉs, Arvids; Kārkliņš, liturgie en France au XVIIe siècle. Versailles: Ludvigs (Eds.). Latviešu mūzika. Rīga: Centre de Musique Baroque de Liesma. Versailles (Publications du Centre de Sweers, Britta (2008). “Lettland: Musique Baroque de Versailles). Bernstein und Chöre – Eine Geysen, Frans (1982). “Sporen der musikalische Exkursion in das Middeleeuwen in hedendaagse Franse Baltikum”. Musik & Bildung: Zeitschrift für koormuziek”. Adem: Driemaandelijks Musik in den Klassen 5–13 40:4. tijdschrift voor muziek cultuur 18:1.
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Lespinard, Bernadette (2006). “Vincent ♦ Italien ITALY d‟Indy et la naissance d‟un genre nouveau: Les chansons populaires Barrow, Lee G. (1990). “The rebirth of françaises arrangées pour chœur mixte a choral music in Italy”. American choral capella”. In: Schwartz, Manuela; review 32:1–2. Chimènes, Myriam (Eds.). Vincent d‟Indy Jeppesen, Knud (1944). “Venetian folk- et son temps. Sprimont: Mardaga. songs of the Renaissance”. In: Chase, Lortat-Jacob, Bernard (1996). “Chants Gilbert; Mendel, Arthur; Reese, de la Passion en Sardaigne et hypothèses Gustave; Rolland, Romain; Schweitzer, concernant la structure harmonique du Albert; Smith, Carleton Sprague (Eds.). chant corse”. In: Pérès, Marcel; Laade, Papers read at the International Congress of Wolfgang (Eds.). Le chant religieux corse. Musicology. New York: Music Educators État, comparaisons, perspectives. Royaumont: National Conference. CREAPHIS (Wolfgang Laade Music of Lubej, Emil H. (1987). Die Gesänge der Man Archive). tenores aus Sardinien: Musikwissenschaftliche Römer, Markus (1996). “Faits Behandlung des cantu a sa seria nebst einer stylistiques et historiques du chant Einführung in den Gesangsstil unter religieux en Corse”. In: Pérès, Marcel; Berücksichtigung allgemein-kultureller und Laade, Wolfgang (Eds.). Le chant religieux sprachwissenschaftlicher Aspekte. Diss. corse. État, comparaisons, perspectives. Universität Wien. Royaumont: CREAPHIS (Wolfgang Lubej, Emil H. (1994). “Die Laade Music of Man Archive). Stimmgebung in den Gesängen der tenores aus Sardinien”. In: Hilscher, Elisabeth Th; Födermayr, Franz (Eds.). ♦ Greekland GREECE Vergleichend-systematische Musikwissenschaft. Baud-Bovy, Samuel (1979). Beiträge zu Methode und Problematik der “L‟ornementation dans le chant de systematischen, ethnologischen und historischen l‟église grecque et la chanson populaire Musikwissenschaft. Franz Födermayr zum 60. grecque moderne”. Studia musicologica Geburtstag. Tutzing: Schneider (Wiener Academiae Scientiarum Hungaricae 21. Veröffentlichungen zur Musikwissenschaft, 31). Messoloras, Irene Rose (2008). East meets West: Arranging traditional Greek folk songs for modern chorus. D.M.A. Los ♦ Kroatia CROATIA Angeles: University of California. Peristeris, Spyridon (1964). “Chansons Breko Kustura, Hana (2008). “Primjeri polyphoniques de l‟Épire du nord”. jednostavnog liturgijskog višeglasja iz Journal of the International Folk Music Hrvatske u europskom kontekstu”. Council 16. [Examples of the simple liturgical polyphony from Croatia in European context]. Arti musices: Hrvatski ♦ Irland IRELAND muzikološki zbornik 39:1. Caleta, Josko (2008). “The „klapa Harrison, Frank Llewellyn (1967). movement‟: Multipart singing as a “Polyphony in mediaeval Ireland”. In: popular tradition”. Narodna umjetnost: Ruhnke, Martin (Ed.). Festschrift Bruno Hrvatski casopis za etnologiju i folkloristiku Stäblein zum 70. Geburtstag. Kassel: 45:1. Bärenreiter.
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Martinić, Jerko (2007). “Tri napjeva iz Krones, Hartmut (2008). “Dadaistische repertoara puĉkog crkvenog pjevanja und lettristische Elemente in der neuen ţupe Sv. Kriţa, Veli Varoš u gradu skandinavischen Chormusik: am Beispiel Splitu”. [Three tunes from the repertoire einiger Werke von Einojuhani of the traditional congreational singing Rautavaara, Folke Rabe, Lars Edlund in the parish of Sv. Kriţ, Veli Varoš in und Jaako Mäntyjärvi”. In: Krones, the city of Split]. Arti musices: Hrvatski Hartmut (Ed.). Multikulturelle und muzikološki zbornik 38:1. internationale Konzepte in der Neuen Musik. Ńpralja, Izak (2003). “Hrvatske crkvene Wien: Böhlau (Wiener Schriften zur korizmene popijevke i popijevke o muci Stilkunde und Aufführungspraxis Isusovoj”. [Croatian congregational Lent Sonderreihe Symposien zu Wien songs and songs about Passion]. In: Modern, 4). Ĉikeš, Jozo (Ed.). Pasionska baština: Muka kao nepresušno nadahnuće kulture III. ● Danmark DENMARK [Passion heritage: Passion as an unlimited inspiration of culture. III]. Docter, David Reinhardt (1976). Choral Zagreb: Pasionska Baština. music in Denmark: 1900–1960. Ph.D. Minneapolis. University of Minnesota. ♦ Nederländerna THE Glahn, Henrik (2000). “Om NETHERLANDS melodiforholdene i Kingos Graduale”. Hymnologiske meddelelser 29:1. van Reijen, Paul (1999). “Oude Kullberg, Erling (2009). Sange for kor: zeehelden en andere chauvinismen: Op Dansk kormusik i det 20. århundrede. zoek naar het Nederlandse in de København: Wilhelm Hansen. koormuziek”. Mens en melodie: Algemeen maandblad voor muziek 54. Nørgård, Per (1993). Korbogen: Viser, sange og motetter for blandet kor 1952–1992. København: Wilhelm Hansen. ♦ Norden NORTHERN EUROPE
Andersson, Greger (Ed.) (1993). Koral i ● Finland Norden: 10 koralexperter från ett symposium i anslutning till Harald Göranssons disputation Dahlström, Fabian; Sõõro, Anu (2009). om 1697 års koralpsalmbok söndagen den 17 “„Piae cantionese‟ traditsioon Soomes maj 1992. Uppsala universitet. 1616–1900”. [The tradition of the „Piae cantiones‟ in Finland 1616–1900]. Res Andersson, Greger (1997). Musik i musica 1. Norden. Stockholm: Kungl. Musikaliska Akademien (Föreningen Nordens Maki, David John (2003). Kalevala Songs. årsbok, 1998). D.M.A. University of Michigan. Andersson, Greger; Bruch, Axel Sandborg, Jeffrey Richard (1982). (2001). Musikgeschichte Nordeuropas. “Finnish choral music”. Choral journal Dänemark, Finnland, Island, Norwegen, 22:8. Schweden. Stuttgart: Metzler. Sandborg, Jeffrey Richard (1991). Hemberg, Eskil (1969). “Körmusik i Modern Finnish choral music and Joonas Norden efter 1900!”. Musiklivet: Vår sång Kokkonen‟s “Requiem”. D.M.A. Urbana- 1/2. Champaign: University of Illinois.
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● Island ICELAND repertoar. Uppsala universitets körcentrum. Sigurdsson, Jón Ólafur (1997). Isländsk Heimbucher, Christoph (2003). körsång i Skandinavien. C/D-uppsats. “Chorlandschaft Schweden: Ein Lunds universitet. kommentierter CD-Überblick”. Musik und Kirche 73:2. ● Norge NORWAY Kollberg, Py Hellman Anna-Karin (1998). Sjunger sjunger med stor fröjd. En Beck, T. (1946). “Nye toner i norsk resa i flerstämmig folklig sång. Uppsats. korsang”. Musiklivet. Vår sång 19. Stockholm. Hanssen, Yngve Sporild (2000). Norske Leibbrandt, Ingrid (2004). On the road to folketoner arrangert for kor: bagrunnsstoff, paradise: A journey through modern Swedish analyse og kommentar. Oslo: Y.S. Hanssen. choral music with Lars Edlund, Eric Ericson, Holten, Bo (1995). Sange for kor 1968– Ingvar Lidholm and Bo Wallner. Stockholm: 95. Egtved: Edition Egtved. KMH förlaget. Ramsten, Märta (1994). “Uti vår hage: några anteckningar kring den ● Sverige SWEDEN “svenskaste” av kör-visor”. Alfvéniana 1.
Åhlén, Carl-Gunnar (2002). “Svenska Swedish choral music: A selective catalogue tungor. En körantologi 1900–1950”. (1988). Stockholm: Swedish Music Kommentarhäfte. Information Center. Andersson, Joakim (1993). “Post-war Swedish music for mixed chorus a ♦ Makedonien capella”. Fazer music news 6. Edlund, Lars (1971). “Den nya Linin, Aleksandar (1972). “Polifonite körmusiken. Några iakttagelser under formi vo Makedonija”. [Polyphonic perioden 1945–1970 beträffande forms in Macedonia]. In: Ţganec Vinko blandad kör a cappella”. In: Hilleström, (Ed.). Rad XVII kongresa Saveza Gustaf (Ed.). Svenska musikperspektiv: Udruženja Folklorista Jugoslavije. Minnesskrift vid Kungl. Musikaliska [Proceedings of the 17th congress of the Akademiens 200-årsjubileum 1971. Savez Udruţenja Folklorista Jugoslavije]. Stockholm: Nordiska musikförlaget. Zagreb: Savez Udruţenja Folklorista Jugoslavije. Evertsson, Anna J. (2002). „Gå vi till paradis med sang‟: Psalmers funktion i begravningsgudstjänster. Lund: Arcus. ♦ Österrike AUSTRIA Fagius, Gunnel (1999). “Från Berg till Chang, Yea-Tyng (2004). “French Bäck: svensk kör- och orgelmusik: African Christian songs in Vienna”. In: Swedish choral and organ music”. Niles, Don (Ed.). 37th world conference of Ericson, Erik (Ed.). Från Berg till Bäck. the International Council for Traditional Stockholm: Phono Suecia. Music: Conference contributions – Abstracts. Göransson, Harald (1997). Koral och Fuzhou: International Council for andlig visa i Sverige. Stockholm: Norstedt. Traditional Music. Hedell, Kia (2007). “Svenska körer sjunger svenskt?” Presentation av och reflektioner kring en kartläggning av svensk musik i fyra körers
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♦ Polen POLAND Beckwith, R. Sterling (1968). “How to write a Russian Mass: In search of the Brough, Delma (1981). Polish seventeenth- choral tradition of the Russian church. century church music: With reference to the II”. American choral review 10:4. influence of historical, political, and social Belonenko, Aleksandr Sergeeviĉ (1979). conditions. New York. General Music Problemy istorii i teorii drevnerusskoj muzyki”. Publishing Co. [Problems in the history and theory of Gancarczyk, Paweł (2003). “Cantus early Russian music]. Leningrad: planus multiplex in Polen: Von einer Muzyka. mündlichen Tradition zur Braņnikov, Maksim Viktoroviĉ (1966). Notenschrift”. In: Dobszay, László “Russkoe cerkovnoe penie XII–XVIII (Ed.). The past in the present. Papers read at vekov”. [Russian church singing in the the IMS Intercongressional Symposium and the 12th to the 18th centuries]. In: Lissa, 10th Meeting of the Cantus Planus, Budapest Zofia (Ed.). Musica antiqua Europae & Visegrád, 2000. Budapest: Liszt orientalis. Warszawa: Państwowe Ferenc Acad. of Music. Wydawnictwo Naukowe Warszawa. Dunlop, Carolyn C. (2000). Galuppi to ♦ Portugal vorotnikov: Music of the Russian court chapel choir. Amsterdam: Harwood Academic Caufriez, Anne (1993). “Les Publishers. polyphonies du Nord du Portugal”. In: Fedorovskaâ, Natal‟â Aleksandrovna Seem a Valencia: Encontresses del (2010). “Muzykal‟no-ritoriĉeskie figury Mediterrani. Valencia: Generalitat anabasis i catabasis v oteĉestvennyh Valenciana. horovyh proizvedeniâh XVII–XVIII vekov”. [Musical-rhetorical figures anabasis and catabasis in Russian choral ♦ Rumänien ROMANIA works of the 17th–18th centuries]. Sumski, Alexandru (1980). “Zur Muzykovedenie 3. rumänischen Vokalmusik des 20. Gerasimova-Persidskaja, Nina Jahrhunderts”. In: Romania cantat. Aleksandrovna (Ed.) (1993). Altrussische Gerhard Rohlfs zum 85. Geburtstag gewidmet. Musik: Einführung in ihre Geschichte und Lieder in alten und neuen Chorsätzen mit Probleme. Graz: Akademische Druck- sprachlichen, literarischen und und Verlagsanstalt Graz (Grazer musikwissenschaftlichen Interpretationen. musikwissenschaftliche Arbeiten). Tübingen: Gunter Narr Verlag. Glagoleva, A. V. (1997). Ocerki tradicij drevnerusskogo pevceskogo iskusstva v chorovoj muzyke russkich kompozitorov XIX–XX ♦ Ryssland RUSSIA vekov. Teksty lekcij po russkoj chorovoj Alexandrowa, Elena (1993). “Die kul‟ture. Samara: Samarskiji Snamenny-Mehrstimmigkeit”. In: Gosudarstvennyj Inst. Iskusstv i Gerasimova-Persidskaâ, Nina Kultury. Aleksandrovna (Ed.). Altrussische Musik: Goodman, A. (1999). Stylistic trends in Einführung in ihre Geschichte und Probleme. late 20th-century Russian choral music. Graz: Akademische Druck- und D.M.A. Ohio: University of Cincinnati. Verlagsanstalt (Grazer musikwissenschaftliche Arbeiten, 10). Kolovskij, Oleg (1982). “Russkaja horovaja pesnja”. [The Russian choral song]. In: Levando, Petr Petroviĉ (Ed.).
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Stanovlenie i razvitie nacional‟nyh tradicij v music”. Sonus: A journal of investigations russkom horovom iskusstve (tvorcestvo, into global musical possibilities 19:2. ispolnitel‟stvo, obrazovanie). [The formation and development of national traditions in Russian choral singing (repertory, ♦ Serbien SERBIA performance practice, education)]. Leningrad: Leningradskaia gos. Marković, Tatjana (1995). “Sonoro konservatoriia im. N.A. Rimskogo- rustico in contemporary Serbian choral Korsakova. music”. In: Marinković, Sonja; Veselinović-Hofman, Mirjana (Eds.). 4th Paisov, Yu (1991). Sovremennaja russkaja international symposium Folklore – Music – chorovaja muzyka (1945–1980). [Contem- Work of Art. Beograd: Fakultet Muziĉke porary Russian choral music (1945– Umetnosti. 1980): Essays on the history and theory of the genre]. Ph.D. Moskau: Iskusstvo- Perković-Radak, Ivana (2006). vedenie from Gosudarstvennaja “Retoriĉke strategije srpskog horskog Konservatorija imeni P.I. Ĉajkovskogo. crkvenog višeglasja pre 1914. godine: Na putu ţanrovske prepoznatljivosti”. In: Romanovskij, Nikolaj Veniaminovic Veselinović-Hofman, Mirjana (Ed.). (1961). Pamjatka ljubitelju chorovoj muzyki. Novi zvuk: Internacionalni časopis za Leningrad. muziku. 28 (2006): Horsko stvaralaštvo Romanovskij, Nikolaj Veniaminovic jugoistočne Evrope. Beograd: Savez (42000). Chorovoj slovar‟. Moskva: Muzyka. Organizacija Kompozitora Jugoslavije. Semenenko, N. F. (1987). Fol‟klorni rysy Zečević, Ana M. (1998). “Horska harmoniï chorovoï muzyky. Kyïv: Naukova muzika inspirisana delom Petra II Dumka. Petrovića Njegoša”. [Choral music inspired by works of Petar II Petrović Skrebkov, Sergej Sergeeviĉ (1966). Njegoš]. Muzički glasnik Udruženja “Evoljucija stilja v Russkoj horovoj Kompozitora Crne Gore 2:5. muzyke XVII veka”. [The evolution of style in Russian choral music of the 17th century]. In: Lissa, Zofia (Ed.). Musica ♦ Slovakien SLOVAKIA antiqua Europae orientalis. Warszawa: Państwowe Wydawnictwo Naukowe Mačák, Ivan (Ed.) (1977). Pramene Warszawa. slovenskej hudby. [Sources of Slovak Vihanskaja, Anna; Gulesko, Irina music]. Bratislava: Opus. (1995). “Sovremennye principy voploscenija fol‟klora v horovom kompozitorskom tvorcestve”. In: ♦ Slovenien SLOVENIA Tomaševskaja, Tatjana (Ed.). Russkaja horovaja kul‟tura: Istorija, tradicii, Weiss, Jernej (2006). “Savremeno sovremennye problemy. Sankt-Peterburg: slovenaĉko horsko stvaralaštvo”. In: Akademiâ Kultury (Nauĉnye Trudy Veselinović-Hofman, Mirjana (Ed.). Sankt-Peterburgskoj Akademii Kultury). Novi zvuk: Internacionalni časopis za muziku. 28 (2006): Horsko stvaralaštvo Wilcox, Keith Dwayne (1998). Russian jugoistočne Evrope. Beograd: Savez sacred choral and folk music: A multicultural Organizacija Kompozitora Jugoslavije. text for high schools and colleges. D.M.A. Kansas City: University of Missouri. Ņosan, Natalija (1999). “Types of realization of Russian folklore in choral
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♦ Spanien SPAIN contemporary musical thought. London: Routledge (Routledge reference). Lütolf, Max (1987). “Fünf Punkte zur Büttner, Fred (Ed.) (1990). Klang und Mehrstimmigkeit in Spanien vor Konstruktion in der englischen 1320/30”. Revista de musicología 10:1. Mehrstimmigkeit des 13. Jahrhunderts. Ein Nelson, Kathleen E. (1990). “Unknown Beitrag zur Erforschung der polyphony in a fourteenth century Stimmtauschkompositionen in den Worcester- Spanish Misal votivo”. Miscellanea Fragmenten. Diss. Tutzing: Schneider musicologica: Adelaide studies in musicology (Münchner Veröffentlichungen zur 17. Musikgeschichte, 47). Rubio, Samuel (1974). “La música Campbell, Don Richard (1998). An religiosa en El Escorial”. Tesoro Sacro annotated bibliography of contemporary Scottish Musical 57:629. choral music (1986–1995) and analyses of selected works. D.M.A. Arizona State Weich-Shahak, Susana; Pelegrín, Ana University. (2001). Repertorio tradicional infantil sefardí. Retahilas, juegos, canciones y romances de Crocker, Richard L. (1990). “Polyphony tradición oral. Madrid: Compañía in England in the thirteenth century”. Literaria. In: Hiley, David; Crocker, Richard L. (Eds.). The new Oxford history of music. II: Zapke, Susana (2000). “Monodie und The early Middle Ages to 1300. London: virtuelle Polyphonie in Aragón”. In: Oxford University Press (New Oxford Bouckaert, Bruno (Ed.). The Di Martinelli history of music). Music Collection (KULeuven, University Archives). Colloquium proceedings, Leuven Foreman, Lewis (2001). British choral 02.02.1998. Peer: Alamire (Yearbook of music. A millennium performing conspectus of the Alamire Foundation, 4). nineteenth & twentieth century music for choral societies celebrating performances given by the Zulaica y Arregui, José Gonzalo competing choral societies in the British Music (1952). “El canto popular religioso en Society Millennium Choral Competition España”. In: Anglès i Pàmies, Higini 2000–2001. Upminster: British Music (Ed.). Atti del [I] Congresso internazionale di Society. musica sacra. Tournai: Desclée. Fowler, Lauren Patricia (1997). The twentieth-century English unaccompanied mass: ♦ Storbritannien GREAT A comparative analysis of masses by Ralph BRITAIN Vaughan Williams, Herbert Howells, Bernard Stevens, and Edmund Rubbra. D.A. Archambo, Shelley Batt (1986). “The University of Northern Colorado. development of the English carol Gant, Andrew (2001). “‟In choirs and through the fifteenth century”. Choral places where they sing‟: Ein Überblick journal 27:3. über zeitgenössische britische Brice, Douglas (1967). The folk carol of Chormusik”. Musik & Kirche 71:3. England. London: Herbert Jenkins. Harrison, Frank Llewellyn (1978). Bryan, John (1992). “„Anthemes for “Polyphonic music for a chapel of versus and chorus…apt for viols and Edward III”. Music & letters 59:4. voyces‟: The development of the Hughes, Andrew (1969). “The choir in English consort anthem, with some fifteenth-century English music: Non- approaches to performance practice”. mensural polyphony”. In: Reese, In: Paynter, John (Ed.). Companion to Gustave; Snow, Robert J. (Eds.). Essays
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 293 Choral Research. A Global Bibliography in musicology in honor of Dragan Plamenac on Karl (Ed.). Musik in Mecklenburg. Beiträge his 70th birthday. Pittsburgh: University eines Kolloquiums zur mecklenburgischen of Pittsburgh Press. Musikgeschichte; mit einer Zeittafel und einer Lefferts, Peter M.; Bent, Margaret Auswahlbibliographie zur mecklenburgischen (1982). “New sources of English Musikgeschichte. Hildesheim: Olms thirteenth- and fourteenth-century (Studien und Materialien zur polyphony”. Early music history: Studies in Musikwissenschaft, 21). medieval and early modern music 2. Hahn, Volker (2004). “Zeitgenössische Luck, Georgina Clare (2000). Choral weltliche Chormusik in Dresden 1966– cathedral music in the Church of England: An 1999”. In: Herrmann, Matthias (Ed.). examination into the diversity and potential of Dresden und die avancierte Musik im 20. contemporary choral-writing at the end of the Jahrhundert, Teil III. 1966–1999. Bericht twentieth century. M.A. University of über das vom Dresdner Zentrum für Durham. Zeitgenössische Musik und vom Institut für Musikwissenschaft der Hochschule für Musik Richards, James Howard (1972). “The “Carl Maria von Weber” Dresden English glee”. American music teacher 21:5. veranstaltete Kolloquium vom 9. bis 11. Sanders, Ernest H. (1967). “Die Rolle Oktober 2000 in Dresden. Laaber: Laaber- der englischen Mehrstimmigkeit des Verlag (Musik in Dresden, 6). Mittelalters in der Entwicklung von Klusen, Ernst; Karbusický, Vladimír; Cantus-firmus-Satz und Schepping, Wilhelm (1975). Zur Tonalitätsstruktur”. Archiv für Situation des Singens in der Bundesrepublik Musikwissenschaft 24:1. Deutschland. II: Die Lieder. Köln: Hans Gerig (Musikalische Volkskunde).
♦ Tjeckien CZECHIA Seeley, Gilbert Stewart (1969). German protestant choral music since 1925. Cheek, Timothy (2002). “Singing in University of Southern California. Czech: A guide to Czech lyric diction and vocal repertoire”. Notes: Quarterly journal of the Music Library Association 58:4. ● DDR GDR Ledec, Jan (1981). “Contemporary Köppe, Regine (1987). Werke für Czech choral music creation”. Choral Kinderchor a capella aus dem Schaffen von journal 21:9. DDR-Komponisten im Zeitraum von 1975 bis 1986. Diss. Halle-Wittenberg: Martin- Luther-Universität. ♦ Tyskland GERMANY Regina, Köppe (1987). Werke für Fellerer, Karl Gustav (1973). “Das Kinderchor a cappella aus dem Schaffen von deutsche Chorlied im 19. Jahrhundert”. DDR-Komponisten im Zeitraum von 1975 bis In: Arlt, Wulf; Lichtenhahn, Ernst; 1986. Diss. Halle-Wittenberg: Martin- Oesch, Hans; Haas, Max (Eds.). Luther-Universität. Gattungen der Musik in Einzeldarstellungen. Reuter, Michael (1985). A-cappella-Werke Gedenkschrift Leo Schrade, I. Bern: Francke für gemischten Chor von Komponisten der Verlag. DDR. Diss. Halle-Wittenberg: Martin- Fischer, S.; Fischer, Stefan (2000). Luther-Universität. “Das Choraltempo in der mecklenburgischen Kirchenmusik des späten 18. Jahrhunderts”. In: Heller,
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 295 Choral Research. A Global Bibliography compositions from the choir books of the Puebla Demović, Miho (2001). Hrvatske crkvene Cathedral. D.M.A. University of South pučke tiskane pjesmarice s napjevom. Carolina. [Croatian traditional printed hymnals Comberiati, Carmelo Peter (1994). with tunes]. Zagreb. “The copying and dissemination of Demović, Miho (2003). “Pasionske choirbooks containing settings of the popijevke u hrvatskim puĉkim polyphonic Mass at the court of pjesmaricama s napjevom, tiskanim prije Emperor Rudolf II”. Studien zur II. Vatikanskog Sabora”. [Passion songs Musikwissenschaft: Beihefte der Denkmäler der in Croatian congregational hymnals Tonkunst in Österreich 43. published before Vatican II.]. In: Ĉikeš, Crawford, David (1975). Sixteenth-century Jozo (Ed.). Pasionska baština: Muka kao choirbooks in the Archivio Capitolare at nepresušno nadahnuće kulture III. [Passion Casale Monferrato. American Institute of heritage: Passion as an unlimited Musicology (Renaissance manuscript inspiration of culture. III]. Zagreb: studies, 2). Pasionska Baština. Crawford, David E. (1975). Sixteenth- Dewitte, Albert (1979). “De century choirbooks in the Archivio capitolare at Koorboeken van de Brugse Magdalene Casale Monferrato. Roma: American in de XVe eeuw”. Biekorf 79:7–8. Institute of Musicology (Renaissance Dickey, Timothy John (2003). Reading manuscript studies, 2). the Siena choirbook: A re-appraisal of the Curtis, Liane (Ed.) (1992). Cambrai dating, musical repertories, and Marian Cathedral choirbook. Peer: Alamire Peer. performance context of the Manuscript Siena, Biblioteca Comunale Degli Intronati, Ms. K. Curtis, Liane (1994). “Een koorboek 1.2. Ph.D. North Carolina: Duke van de kathedraal van Cambrai: Midden University. 15de eeuw”. Musica antiqua: Actuele informatie over oude muziek 11:1. Dillmar, Anders Ingvar (2001). “Dödshugget mot vaar nationella tonkonst”. Davydova, Ekaterina Gennadievna Haeffnertidens koralreform i historisk, (2008). “Obihod svâŝennika V. etnohymnologisk och musikteologisk belysning. Lebedeva kak otraţenie cerkovno- Diss. Lunds universitet. pevĉeskoj praktiki Tambovskoj eparhii konca XIX–naĉala XX vekov”. [Vasilij Duffy, Kathryn Ann Pohlmann (1995). Lebedev‟s obihod: Reflections of sacred The Jena choirbooks: Music and liturgy at the singing practices in the Tambov eparchy Castle Church in Wittenberg under Frederick of the late 19th and early 20th centuries]. the Wise, elector of Saxony. Ph.D. Illinois: In: Vanovskaja, I. N. (Ed.). Muzyka v The University of Chicago. sovremennom mire: Nauka, pedagogika, Duka-Zólyomi, Emese (2000). ispolnitel‟stvo. [Music in modern world: “Maďarské spevníky s hlavným Scholarship, pedagogy, performance]. zreteľom na Éneklö Egyház (Spievajúca Tambov: Gosudarstvennyj Muzykal‟no- cirkev)”. [Hungarian songbooks with Pedagogiĉeskij Institut imeni S.V. special attention to Éneklö Egyház]. Rahmaninova. Musicologica slovaca et europaea 20–21. Demović, Miho (1997). Napivi Marijana English, Kathryn Raimer (2001). A Jaić: Prvi hrvatski orguljnik (kantual)”. musical response to the Reformation: [Marijan Jaić‟s Napivi: The first Croatian Choirbooks 31, 32, 33 and 40 from the organ hymnal (chant book)]. Jaić, Hofkapelle of Ulrich VI of Wuerttemberg. Marijan (Ed.). Zagreb: Kor Prvostolne Ph.D. Pennsylvania: University of Crkve. Pittsburgh.
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Erdmann, Jürgen; Potyra, Rudolf Vereniging voor Nederlandse (1987). Lied und Chor in Geschichte und Muziekgeschiedenis 53:1/2. Gegenwart. Notenbücher von der Zeit Luthers Glahn, Henrik (1998). “Omkring bis zur Gegenwart. Ausstellung 8.5.– H.O.C. Zincks koralbog 1801. Nogle 30.9.1987. Coburg: Landesbibliothek. tilføjelser til facsimileudgavens Federhofer, Hellmut (1996). “Chor- efterskrift”. Dansk kirkesangs årsskrift 32. bücher in [Inner-] Österreich – Woraus Glahn, Henrik (2001). “Fortalen til musizierten die alten Kapellchöre?”. In: Melodeyen Gesangbuch, Hamburg Federhofer, Hellmut (Ed.). Musik und 1604, oversat til dansk med en kritisk Geschichte. Aufsätze aus nichtmusikalischen vurdering af dens betydning som Zeitschriften. Hildesheim: Olms (Musik- musikhistorisk kilde”. Hymnologiske wissenschaftliche Publikationen, 5). meddelelser 30:3. Federhofer, Hellmut (2002). Göransson, Harald O. (1992). “Chorbücher der Universitätsbibliothek Koralpsalmboken 1697: Studier i svensk Graz in ihrer Beziehung zur Grazer koralhistoria. Diss. Uppsala universitet. Hofkapelle (1564–1619)”. In: Konrad, Ulrich; Heidrich, Jürgen; Marx, Hans Grimminger, Daniel Jay (2009). Joachim; Staehelin, Martin (Eds.). Pennsylvania Dutch tune and chorale books in Musikalische Quellen – Quellen zur the early Republic: Music as a medium of Musikgeschichte. Festschrift für Martin cultural assimilation. Ph.D. Pennsylvania: Staehelin zum 65. Geburtstag. Göttingen: University of Pittsburgh. Vandenhoeck & Ruprecht. H. Hubert, Gabriella (1999). “Gálszécsi Fitch, Fabrice (2008). “Hearing John István 1536-os és 1538-as krakkói Browne‟s motets: Registral space in the énekeskönyve”. [The Lutheran hymnal music of the Eton choirbook”. Early of István Gálszécsi (1536, 1538, music 36:1. Cracow)]. Magyar egyházzene 7:3. Gallat-Morin, Élisabeth (1991). “Un Hansson, Karl-Johan (1967). manuscrit de cantiques à Montréal Koralpsalmboken 1697: En undersökning av (XVIII siècle)”. Canadian university music dess tillkomst och musikaliska innehåll. review/Revue de musique des universités Turku: Åbo Akademi (Acta musica: canadiennes 11:2. Källskrifter och studier utgivna av Musikvetenskapliga Institutionen vid Galle, Daniela (2003). “Mehrstimmige Åbo Akademi). liturgische Musik aus dem Benediktinerkloster St. Ulrich und Afra: Hansson, Karl-Johan (1992). Palmcrons Die Chorbücher von Johannes Dreher”. Sångpsaltare: En svensk 1600-tals handskrift, Neues musikwissenschaftliches Jahrbuch 11. dess ursprung, innehåll och plats i spänningsfältet mellan reformert och lutherskt Gárdonyi, Zsolt (1994). “Über den tradition. Turku: Åbo Akademi. Notentext im neuen Evangelischen Gesangbuch”. Musik und Kirche 64:4. Harrison, Frank Llewellyn; Wibberley, Roger (1981). Manuscripts of fourteenth- Gerken, Robert Edward (1969). The century English polyphony: A selection of polyphonic cycles of the Proper of the Mass in facsimiles. London: Stainer & Bell (Early the Trent codex 88 and Jena choirbooks 30 English church music). and 35. Ph.D. Indiana University. Heidrich, Jürgen (1993). Die deutschen Gerritsen-Geywitz, Gisela (2003). “Die Chorbücher aus der Hofkapelle Friedrichs des Chorbücher des Utrechter Weisen. Ein Beitrag zur mitteldeutschen Marienkapitels aus kodikologischer geistlichen Musikpraxis um 1500. Diss. Sicht”. Tijdschrift van de Koninklijke Baden-Baden: Koerner (Sammlung
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 297 Choral Research. A Global Bibliography musikwissenschaftlicher Abhandlungen, Beobachtungen zum Chorgesangbuch”. 84). Musik und Kirche 75:4. Hoover, Dale (2004). Affinity between Kos, Koraljka (1999). “Doprinos pavlina chant and image: A study of late fourteenth- crkvenoj popijevci u Hrvatskoj”. [The century Florentine antiphonary/gradual Paulists‟ contribution to congregational (Baltimore: Walters Art Museum, ms. singing in Croatia]. Lepoglavski zbornik W153). Ph.D. Ohio University. 19. Howe, Mark A. DeW (2004). The motets Kraft, Sigisbert (1976). Der deutsche of the Domarchiv Aachen, choirbook II: Gemeindegesang in der alt-katholischen Kirche: Patterns of style and adaptation. Ph.D. New Kirchenlied, Messgesang – Ein Beitrag zur York University. Gesangbuchforschung, eine Hilfe für die Praxis von heute. Karlsruhe. Huybens, Gilbert (1997). “Meerstemmige muziek in oude Kümmerling, Harald (1998). “‟Verte! gregoriaanse zangboken”. Musica antiqua: Verte cito!” Chorbücher aus der Actuele informatie over oude muziek 14:2. Habsburger Residenz Mechelen: Ein Jansson, Henrik (1963). Kör- och Bericht”. In: Klein, Heribert; Schmidt, orgelkoraler: förteckning över kör- och Hans (Eds.). Kirchenmusik in Geschichte orgelbearbetningar i Den svenska koralboken und Gegenwart. Festschrift Hans Schmidt zum jämte Tillägg till Den svenska koralboken. 65. Geburtstag. Köln-Rheinkassel: Dohr. Stockholm: Diakonistyrelsen. Kuret, Primoţ (1996). “Slowenische Jas, Eric Thomas Franciscus (1997). De protestantische Gesangbücher im 16. koorboeken van de Pieterskerk te Leiden: Het Jahrhundert”. Slovenská hudba: Revue pre zestiende-eeuwse muzikale erfgoed van een hudobnú kultúru 22:3–4. Hollands getijdencollege. Ph.D. Lara Lara, Francisco Javier (2004). El Rijksuniversiteit Utrecht. canto llano en la catedral de Córdoba: Los Kanazawa, Masakata (1991). libros corales de la misa. Granada: “Franchino Gafori and polyphonic Universidad de Granada. hymns”. In: Tokumaru, Yosihiko; Leitner, Klaus Peter (1996). “Die Laade, Wolfgang (Eds.). Tradition and its Gesang- und Liederbücher der future in music. Report of SIMS 1990 Ôsaka. Evangelisch Freikirchlichen Gemeinde Tokyo: Mita Press. der Baptisten.” In: Nägele, Reiner; Keyes Miller, Catherine (1948). Fifteenth Zwink, Eberhard (Eds.). „…das heilige century record of English choir repertory, B.M. Evangelion in Schwang zu bringen‟: Das Add. Ms. 5665 a transcription and Gesangbuch – Geschichte, Gestalt, Gebrauch. Stuttgart: Württembergische commentary. Yale University. Landesbibliothek. Kiel, Jacobijn (2009). “A 16th-century manuscript in Regensburg”. Early music Lindsey, Mack Clay (1981). 37:1. Klosterneuburg, codices 69 and 70: two sixteenth-century choirbooks, their music, and Klaper, Michael (2005). “Zur its liturgical use. Ph.D. Indiana University. Verschriftlichung karolingischer Gesangformen: Ein Evangeliar des 9. Lütolf, Max (1983). Anmerkungen zum Jahrhunderts als musikhistorische liturgischen Gesang im mittelalterlichen St. Quelle”. Die Musikforschung 58:3. Katharinenthal. Luzern: Faksimile-Verlag. Klek, Konrad (2005). “Das Phänomen Lütolf, Max (1994). “A new source for „Gölz‟: Sympathische und kritische the Antiphonale Missarum”. In: Hair, Greta Mary; Smith, Robyn E. (Eds.). Songs of the dove and the nightingale. Sacred
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 298 Choral Research. A Global Bibliography and secular music c.900–c.1600. Sydney: Oláh, Szabolcs (1998). “Bornemisza Currency Press (Australian studies in the Péter és a bártfai 1593-as énekeskönyv: history, philosophy, and social studies of A prédikáció textusához igazodó music). gyülekezeti éneklés a Foliopostillában”. Maiello, J. (2007). The Pistoia choirbooks: [Peter Bornemisza and the 1593 Bártfa An introduction to the sources and repertory. hymnal: The role of the homily in Ph.D. Santa Barbara: University of congregational singing in the California. Foliopostilla]. Magyar egyházzene 6:2. McDonald, Grantley (2009). “La Petzoldt, Martin (2006). “Zur bibliothèque perdue de Christophe Magdeburger Gesangbuchgeschichte”. Brocart, chantre de François Ier”. Revue In: Wollny, Peter (Ed.). Musikgeschichte im de musicologie 95:1. Zeichen der Reformation: Magdeburg – Ein kulturelles Zentrum in der mitteldeutschen Miller, Catherine Keyes (1948). A Musiklandschaft. Beeskow: Ortus fifteenth century record of English choir Musikverlag (Jahrbuch/Ständige repertory: B.M. Add. MS. 5665; A Konferenz Mitteldeutsche Barockmusik transcription and commentary. (Volumes 1 and in Sachsen, Sachsen-Anhalt und 2). Ph.D. Connecticut: Yale University. Thüringen e.V., 2005). Monkres, Lynn Hugh (1991). “The Saint Roche, Jerome (1967). “An inventory of Gregory Hymnal and catholic choir book”: choirbooks at S. Maria Maggiore, Analysis and hymnal companion. D.M.A. Bergamo, January 1628”. RMA research Columbia: The Catholic University of chronicle 5. America. Roche, Jerome (1992). “On the border Music, David W. (2005). “„An holy duty between motet and spiritual madrigal: of God‟s worship‟: John Cotton‟s Early 17th-century books that mix singing of psalms a gospel ordinance”. motets and vernacular settings”. In: The hymn: A journal of congregational song Colzani, Alberto; Luppi, Andrea; 56:1. Padoan, Maurizio (Eds.). Seicento Nägele, Reiner; Zwink, Eberhard inesplorato: L‟evento musicale tra prassi e stile (1996). „…das heilige Evangelion in Schwang – Un modello di interdipendenza. Como: zu bringen‟: Das Gesangbuch – Geschichte, Antiquae Musicae Italicae Studiosi. Gestalt, Gebrauch. Nägele, Reiner (Ed.). Roth, Adalbert (1998). “Die Entstehung Stuttgart: Württembergische des ältesten Chorbuches mit polyphoner Landesbibliothek. Musik der päpstlichen Kapelle: Città del Noblitt, Thomas L. (1969). “Das Vaticano, Biblioteca Apostolica Chorbuch des Nikolaus Leopold Vaticana, Fondo Cappella Sistina, Ms. (München, Staatsbibliothek, Mus. MS 35”. In: Staehelin, Martin (Ed.). Gestalt 3154): Repertorium”. Archiv für und Entstehung musikalischer Quellen im 15. Musikwissenschaft 26:3. und 16. Jahrhundert. Wiesbaden: Harrassowitz (Quellenstudien zur Musik Noblitt, Thomas L. (1998). “A der Renaissance, 3). polyphonic gradual for the literary brotherhood at the Church of St. Schleifer, Eliyahu Arieh (1979). The Michael in Opatovice, Prague”. In: Mexican choirbooks at the Newberry Library Staehelin, Martin (Ed.). Gestalt und (Case Ms. VM 2147 C 36). Ph.D. Illinois: Entstehung musikalischer Quellen im 15. und The University of Chicago. 16. Jahrhundert. Wiesbaden: Harrassowitz Schreurs, Eugeen (1996). “Een (Quellenstudien zur Musik der koorboek van de Luevense Renaissance, 3).
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Karmelieten?”. Musica antiqua: Actuele Walter, Johann (1979). Das Geistliche informatie over oude muziek 13:2. Gesangbuchlein “Chorgesangbuch”: Faksimile- Schuhmacher, Gerhard (2002). “Vor- Nachdruck des Zweitdruckes Worms 1525. und Zwischenspiele in evangelischen Kassel: Bärenreiter (Documenta Choralbüchern seit dem 18. musicologica; Druckschriften- Jahrhundert”. Jahrbuch für Liturgik und Faksimiles, 1/33). Hymnologie 41. Weiß, Ulman (2000). “Ein Chorbuch Sing-Akademie (2004). der Erfurter Kaufmannskirche aus der Musikhandschriften der Staatsbibliothek zu Bachzeit”. In: Weiß, Ulman (Ed.). Berlin, Preußischer Kulturbesitz. Teil 6: Die Erfurter Musikkultur im Barock. Erfurt: Sammlung der Sing-Akademie zu Berlin. Teil Verein für die Geschichte und 1: Oratorien, Messen, Kantaten und andere Altertumskunde von Erfurt (Kleine geistliche Werke. München: Saur. Schriften des Vereins für die Geschichte und Altertumskunde von Erfurt e.V., 4) Ńkulj, Edo (2001). Hrenove korne knjige”. [Hren‟s choir books]. Ljubljana: Williams, Carol Janice (1979). “The Druţina. Salve Regina settings in the Eton choirbook”. Miscellanea musicologica: Slim, H. Colin (1972). A gift of madrigals Adelaide studies in musicology 10. and motets. Chicago: University of Chicago Press. Woods, Isobel Paterson (1984). The Carvor choirbook. Ph.D. New Jersey: Steinhilber, Alexander (2006). Princeton University. “Zwischen Unverfänglichkeit und Approbation: Überlegungen zum Wüstefeld, Wilhelmina C. M. (2000). Repertoire eines Chorbuchs aus der “Een graduale ter nagedachtenis: Een Reformationszeit”. In: Wollny, Peter monumentaal koorboek nog eens (Ed.). Musikgeschichte im Zeichen der bekeken”. Tijdschrift voor Gregoriaans: Reformation: Magdeburg – Ein kulturelles Contactorgaan van de Stichting Amici Cantus Zentrum in der mitteldeutschen Gregoriani 25:3. Musiklandschaft. Beeskow: Ortus Zwink, Eberhard (1996). “Das Musikverlag (Jahrbuch/Ständige Gesangbuch in drei christlichen Konferenz Mitteldeutsche Barockmusik Sondergruppen des 19. Jahrhunderts.” in Sachsen, Sachsen-Anhalt und In: Nägele, Reiner; Zwink, Eberhard Thüringen e.V., 2005). (Eds.). „…das heilige Evangelion in Schwang Strohm, Reinhard (2002). “Alte Fragen zu bringen‟: Das Gesangbuch – Geschichte, und neue Überlegungen zum Chorbuch Gestalt, Gebrauch. Stuttgart: Lucca (Lucca, Archivio di Stato, Württembergische Landesbibliothek. Biblioteca Manoscritti 238 = I-Las Zwitser, Jan Jaap (2003). “De 238)”. In: Konrad, Ulrich; Heidrich, gregoriaanse koorboeken van de Illustre Jürgen; Marx, Hans Joachim; Staehelin, Lieve Vrouwe Broederschap te „s- Martin (Eds.). Musikalische Quellen – Hertogenbosch”. Tijdschrift voor Quellen zur Musikgeschichte. Festschrift für Gregoriaans: Contactorgaan van de Stichting Martin Staehelin zum 65. Geburtstag. Amici Cantus Gregoriani 28:2. Göttingen: Vandenhoeck & Ruprecht. Tirro, Frank Pascale (1974). Giovanni Spataro‟s choirbooks in the Archive of San Petronio in Bologna. Ph.D. Illinois: The University of Chicago.
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5 KÖR OCH DRAMA, Lovelock, John David (1989). The function of music in Greek drama, and its LITTERATUR OCH FILM influence on Italian theatre and theatre music in CHOIR AND DRAMA, the Renaissance. Ph.D. Milton Keynes. Open University. LITERATURE AND FILM Mégevand, Martin (2003). “L‟Eternel Adler Sandblad, Fia (2001). Dramatiska Retour du choeur”. Littérature 131:9. kören. Att gestalta upplevelsen bortom orden. Mégevand, Martin (2005/06). Varberg: Argument. “Esthétiques chorales de la disparition”. Berry, Herbert (2001). “Where Was the Litf 138. Playhouse in Which the Boy Choristers Morgan, Jack (1999/2000). “Queer of St. Paul‟s Cathedral Performed choirs: Sacred music, Joyce‟s „The Plays?”. Medieval and Renaissance Drama in Dead,‟ and the sexual politics of England: An Annual Gathering of Research, Victorian aestheticism”. James Joyce Criticism and Reviews 13. Quarterly 37:1–2. Davison, Joseph Frederick (2002). Nagy, Gregory (1991). “Song and Ancient texts, new voices. D.M.A. Los dance: Reflections on a comparison of a Angeles: University of California. Faroese ballad with a Greek choral Flynn, Jane (2008). “Thomas Mulliner: lyric”. In: Harris, Joseph (Ed.). The ballad An Apprentice of John Heywood?”. In: and oral literature. Cambridge: Harvard Boynton, Susan; Rice, Eric N. (Eds.). University Press (Harvard English Young Choristers, 650–1700. Woodbridge: studies, 17). Boydell Press (Studies in medieval and Pineau, Laure (2009). “Musset et la voix Renaissance music, 7). du chœur: Entre héritage antique et Fraser, Barbara Means (1997). modernité romantique”. Litt 61. “Revisiting Greece: The Sondheim Pizzato, Mark (1992). “Redressing the chorus”. In: Gordon, Joanne Lesley Chorus: Nietzsche in Eliot”. JRStud 6:2. (Ed.). Stephen Sondheim. A casebook. New Skoog, William M. (2008). “Musical York: Garland (Garland reference settings of war texts in two twentieth- library of the humanities, 1916). century British choral works”. In: Pine, Johnson, James Roger (1988). The Richard; Patten, Eve (Eds.). Literatures of primacy of form: A study of the philosophical War. Newcastle upon Tyne: Cambridge development of Susanne K. Langer with Scholars. implications for choral music. Ph.D. Urbana- Sloan, Karen S. (2006). “The Champaign: University of Illinois. nineteenth-century church music Leger, Richard J. (2008). Le choeur: De la controversy: A possible referent for conscience collective a la conscience individuelle. Cooper‟s „Manifestly Impossible‟ Exploration de la choralite. M.A. University singing-master in The Last of the of Ottawa. Mohicans”. ANQ 19:1. Loeben, Miriam (1993). “„A Kingdom Steele, Peter (1997). “Voice and for a Stage‟ oder a Kingdom for a Chorus”. Southerly 57:1. Screen? Der Chorus in Kenneth Traoré, Dominique (2006). “Choralité Branaghs Henry V im Vergleich zu et dialogisme dans les dramaturgies Shakespeares dramatischem Text”. contemporaines d‟Afrique noire”. Notre Deutsche Shakespeare-Gesellschaft West: Librairie: Revue des Littératures du Sud Jahrbuch. 162:6.
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 302 Choral Research. A Global Bibliography tragedy. Ph.D. New York: Columbia Klinck, Anne Lingard (1994). Women‟s University. songs and their cultic background in Archaic Erbse, Hartmut (1963). “Über Greece. M.A. [Canada:] McGill Antiphons Rede Über den Choreuten”. University. Hermes 91:1. Kranz, Walther (1929). “Zwei Errandonea, Ign (1922). “Sophoclei Euripideische Chorlieder in chori persona tragica”. Mnemosyne 50:4. Lateinischem Gewande”. Hermes 64:4. Errandonea, Ign (1924). “Sophoclei Lape, Susan (2006). “The poetics of the chori persona tragica (Continued)”. „Kōmos‟-chorus in Menander‟s Mnemosyne 52:4. comedy”. The American Journal of Philology 127:1. Estell, Michael Robert (2000). Poetry in war and war in poetry: The martial role of song McCarthy, Rebecca L. (2007). Building and the aesthetic representation of war in cosmopolitical solidarity from the “Antigone”: ancient Greece. Ph.D. Connecticut: Yale A return to the chorus. Ph.D. Florida University. Atlantic University. Felsenthal, Richard Albert (1980). The Müller, Gerhard (1961). “Überlegungen language of greek choral lyric: Alcman, zum Chor der Antigone”. Hermes 89:4. Stesichorus, Ibycus and Simonides. Ph.D. Pöhlmann, Egert (1995). “Die Madison: The University of Wisconsin. Funktion des Chores in der Entwicklung Fletcher, Judith (1995). The power to tell: des Dramas”. In: Gutknecht, Dieter; Gender, communication and the tragic Chorus. Fleischhauer, Günter (Eds.). Ph.D. Pennsylvania: Bryn Mawr College. Telemanniana et alia musicologica. Festschrift für Günter Fleischhauer zum 65. Geburtstag. Garcia, John Filiberto (1998). The poetic Oschersleben: Ziethen (Michaelsteiner language of early Greek choral lyric: Origin and Forschungsbeiträge, 17). development. Ph.D. New Jersey: Princeton University. Pugsley, James William (1928). A metrical analysis of the choral odes of Gardiner, Cynthia P. (1987). The Aeschylus, based primarily upon the Headlam Sophoclean chorus. A study of character and theory of Greek lyric metre. Ph.D. New function. Iowa City: University of Iowa York: Cornell University. Press. Reinach, Théodore (1910). “Euripides Goehr, Lydia (2006). “The Ode to joy: und der Choreut”. Hermes 45:1. Music and musicality in tragic culture”. Internationales Jahrbuch des deutschen Riemer, Peter; Zimmermann, Bernhard (1999). Der Chor im antiken und Idealismus 4. modernen Drama. Stuttgart: Metzler. Hardion, Jacques (1733). Observations critiques et historiques sue le choeur de Rogers, Stephen Benson (1984). Early l‟Andromaque d‟Euripide. Paris. Greek choral lyric. Ph.D. New York: Cornell University. Hose, Martin (1990). Studien zum Chor bei Euripides. Stuttgart: Teubner. Rossignol, Jean Pierre (1857). Mémoire sur le choeur des grenouilles d‟Aristophane et Kaimio, Maarit (1970). The chorus of sur un coeur du Cyclope d‟Euripide. Paris. Greek drama within the light of the person and number used. Diss. Helsinki: Societas Rothwell, Kenneth S. (2007). Nature, Scientiarum Fennica (Commentationes culture and the origins of Greek comedy. A humanarum litterarum). study of animal choruses. Cambridge, New York: Cambridge University Press.
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Schenker, David Joseph (1989). The Wilson, Peter; Murray, Penelope character of the Aeschylean chorus. Ph.D. (2004). Music and the Muses: the culture of Berkeley: University of California. „mousik?‟ in the classical Athenian city. New Scherer, Burkhard (1999). “Zur York: Oxford University Press. Funktion des zweiten Chorlieds der „Troades‟ des Seneca”. Mnemosyne 52:5. ○ KÖR OCH OPERA CHOIR AND Smigel, Elizabeth (1982). Redefinitions of OPERA the fifth-century Greek chorus using a methodology applied to Aristophanes‟ Ball, Sheridan Jay (1995). The opera chorus “Thesmophoriazusae”. M.A. York as choral concert repertoire: An examination of University. choruses by Giuseppe Verdi. D.M.A. Stevens, John Alan (1992). The chorus in University of Southern California. Senecan tragedy: The uninformed informer. Barksdale, Glen Edward (1973). The Ph.D. North Carolina: Duke University. chorus in French Baroque opera. Ph.D. Sutton, Dana Ferrin (1985). “Named University of Utah. Choreuts in Satyr Plays”. The American Beljaev, Igor‟ (1989). Problemy interpretacii Journal of Philology 106:1. narodno-horovyh scen v ukrainskoj sovetskoj Swift, L. A. (2006). “Mixed choruses istoriko-patriotičeskoj opere. [Problems in and marriage songs: A new the performance of folk-chorus scenes interpretation of the Third Stasimon of in Soviet Ukrainian historical-patriotic the „Hippolytos‟”. The Journal of Hellenic operas]. Ph.D. Kiev: Gosudarstvennaja Studies 126. Konservatorija. Uhsadel, Christoph Andreas (1969). Betzwieser, Thomas (1999). Der Chor als Gestalt: seine Teilnahme am “Musikalischer Satz und szenische Geschehen sophokleischer Stuecke. Diss. Bewegung: Chor und choeur dansé in Köln: Kleikamp. der französischen Oper”. Basler Jahrbuch für historische Musikpraxis 23. Vellacott, P.H. (1967). “The chorus in „Oedipus Tyrannus‟”. Greece & Rome, Betzwieser, Thomas (2000). “Musical Second Series 14:2. setting and scenic movement: Chorus and chœur dansé in eighteenth-century Visvardi, Eirene (2007). Dancing the Parisian opéra”. Cambridge Opera Journal emotions: Pity and fear in the tragic chorus. 12:1. Ph.D. California: Stanford University. Bianchi, Michele (1998). “Il „coro muto‟ Wells, James Bradley (2006). “Singers della Madama Butterfly”. Nuova rivista heed the signs”: Speech and performance in musicale italiana 32:1–4. Pindar‟s epinikia. Ph.D. Indiana University. Bontinck, Irmgard (1980). “Musikalische Akteure oder singende Welton, William Anthony (1993). Civil Statisten? Der Opernbetrieb aus der religion in Plato‟s “Laws”: Choristry and Sicht des Chores”. HiFi-Stereophonie 19:3. preludes. Ph.D. Pennsylvania: Duquesne University. Braun, William R. (2009). “The education of a chorus”. Opera news 74:1. Wilson, Peter (2000). The Athenian institution of the Khoregia. The chorus, the city Butenko, Leonid Myhajlovyĉ (2001). and the stage. New York: Cambridge Funkcija horu v dramaturgiji sučasnogo University Press. opernogo spektaklju. [The function of chorus in post-modern operatic
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 304 Choral Research. A Global Bibliography dramaturgy]. Odessa: Derţavna García Sánchez, Laura; Gandolfi, Konservatorija imeni A.V. Neţdanovoji. Romano (1991). “La función del coro en Butler, Margaret R. (2006). “Producing el contexto operístico”. Universitas 4. the operatic chorus at Parma‟s Teatro Gossett, Philip (1990). “Becoming a Ducale, 1759–1769”. Eighteenth-century citizen: The chorus in Risorgimento music 3:2. opera”. Cambridge Opera Journal 2:1. Capra, Marco (2003). “Aspects of the Gossett, Philip (2007). “„Edizioni use of the chorus in 19th-century Italian distrutte‟ and the significance of operatic opera”. Polifonie 3:3. choruses during the Risorgimento”. In: Carver, Marilyn Joan (1994). Selected Johnson, Victoria; Fulcher, Jane F.; treble choruses from nineteenth and twentieth Ertman, Thomas (Eds.). Opera and society in Italy and France from Monteverdi to century operas: An annotated listing with story synopses, program notes, performance options, Bourdieu. Cambridge: Cambridge word for word translations, and selected University Press (Cambridge studies in discography. D.M.A. The University of opera). Oklahoma. Hörnell, Christina (1997). “Working Charlton, David (Ed.) (2003). The with Opera Chorus”. The international Cambridge companion to grand opera. choral bulletin 17:1. Cambridge: Cambridge University Press Jacobshagen, Arnold (1994). (Cambridge companions to music). “Formstrukturen und Funktionen der Citron, Paula (2002). “Choral forces”. Chor-Introduktion in der Opéra Opera Canada 43:1. comique des späten 18. und frühen 19. Jahrhunderts”. In: Wild, Nicole; Cyr, Mary (1995). “The dramatic role of Schneider, Herbert (Eds.). Die Opéra the chorus in French opera: Evidence comique und ihr Einfluß auf das europäische for the use of gesture, 1670–1770”. In: Musiktheater im 19. Jahrhundert. Bauman, Thomas (Ed.). Opera and the Hildesheim: Georg Olms. enlightenment. Cambridge: Cambridge University Press. Jacobshagen, Arnold (1996). Der Chor in der französischen Oper des späten Ancien Cyr, Mary (1995). “The Paris Opéra Régime. Frankfurt a.M.: Lang. chorus during the time of Rameau”. Music & letters 76:1. Jacobshagen, Arnold (2000). “Das Oratorium auf der Bühne: Anton DeVenney, David P.; Johnson, Craig Grigor‟eviĉ Rubinštejns Konzeption der R. (1993). The chorus in opera: A guide to the „Geistlichen Oper‟”. In: Eberl, Kathrin; repertory. Metuchen: Scarecrow Press. Ruf, Wolfgang (Eds.). Musikkonzepte – Draper, Jonathan (1995). The role of the Konzepte der Musikwissenschaft. Bericht über chorus master in opera production. D.M.A. den Internationalen Kongreß der Gesellschaft University of Southern California. für Musikforschung Halle (Saale) 1998. Kassel: Bärenreiter. Fogel, Susan Lee (1978). “Samson et Dalila ou Le rôle du choeur”. L‟avant- Johnson, Victoria; Fulcher, Jane F.; scène opéra 15. Ertman, Thomas (Eds.) (2007). Opera and society in Italy and France from Gallusser, Werner (1947). Der Chor und Monteverdi to Bourdieu. Cambridge: die Oper. Diss. Bellinzona: Leins & Cambridge University Press (Cambridge Vescovi. studies in opera). Koehler, Hope E. (2004). The effects of the perception of voice type on the practice and
© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 305 Choral Research. A Global Bibliography pedagogy of singing opera. D.M.A. University Symposions [vom 7. bis 11. August] 2001. of Kentucky. Salzburg: Müller-Speiser (Wort und Kowal-Wolk, Larissa (1992). Die Musik, 54). Huldigungschöre in russischen Opern des 19. Risi, Clemens (2009). “Verdi, das Jahrhunderts. Diss. Frankfurt a.M.: Lang “Hmtata” und der Opernchor bei Hans (Europäische Hochschulschriften. Reihe Neuenfels”. In: Kramer, Ursula; Birtel, 36, Musikwissenschaft, 64). Wolfgang; Mahling, Christoph-Hellmut Mattei, Lorenzo (2005). “„Sai tu come (Eds.). Chöre und Chorisches Singen. comincia il dramma?‟: Sull‟introduzione Festschrift für Christoph-Hellmut Mahling zm con coro nell‟opera seria in Italia”. [„Do 75. Geburtstag. Mainz: Are-Musik-Verlag you know how the drama begins?‟: On (Schriften zur Musikwissenschaft, 16). the introduction with chorus in opera seria]. Studi musicali 34:2. ○ KÖR OCH LITTERATUR CHOIR Meredith, Victoria Rose (1993). The use AND LITERATURE of chorus in Baroque opera during the late seventeenth century, with an analysis of Badenhausen, Richard (1990). “„When representative examples for concert performance. the poet speaks only for imself‟: The D.M.A. University of Arizona. chorus as „First Voice‟ in „Murder in the Moss, Linell Gray (1998). The chorus as Cathedral‟”. In: Cowan, Laura (Ed.). T. character in three American operas of the late S. Eliot: Man and Poet, I. Orono: twentieth century. D.M.A. Ohio: University University of Maine P. of Cincinnati. Bednarz, James P. (2006). “When did O’Grady, Deirdre (1996). “La fonction Shakespeare write the choruses of du choeur dans l‟opéra patriotique du Henry V?”. Notes and Queries 53:4. XIXe siècle”. In: Ambrazas, Algirdas; Billings, Joshua (2009). “Misreading the Mamczarz, Irène (Eds.). L‟ Europe et son chorus: A critical Quellenforschung into combat pour la liberté à travers le théâtre et Die Geburt der Tragödie”. Nietzsche l‟opéra. Paris: Klincksieck (Collection Studien: Internationales Jahrbuch für die “Théâtre européen, opéra, ballet”, 6). Nietzsche-Forschung 38. Parakilas, James (1992). “Political Brady, Owen E. (2002). “Chorus and representation and the chorus in character in Auden and Isherwood‟s nineteenth-century opera”. 19th-century The Dog Beneath the Skin: A poetic music 16:2. shaggy dog story for a revolutionary Parakilas, James (2003). “The chorus”. theater”. In: Izzo, David Garrett (Ed.). In: Charlton, David (Ed.). The Cambridge W. H. Auden: A Legacy. West Cornwall, companion to grand opera. Cambridge: CT: Locust Hill (Locust Hill Literary Cambridge University Press (Cambridge Studies, 31). companions to music). Brown, Hilda M. (1981/1982). “Der Petersén, Gunilla (1990/1991). Chor und chorverwandte Elemente im “Operakörer från Mozart till Verdi”. deutschen Drama des 19. Jahrhunderts Konsertnytt 26:9/10. und bei Heinrich von Kleist”. Kleist- Jahrbuch. Pross, Wolfgang (2003). “Rousseau und die Aufwertung des Chores in der Oper Duxbury, Linda M. (2004). Contemporary des frühen 19. Jahrhunderts”. In: choral treatment of the poetry of Emily Csobádi, Peter (Ed.). Politische Mythen und Dickinson by five composers. M.A. nationale Identitäten im (Musik-)Theater. Dominguez Hills: California State Vorträge und Gespräche des [13.] Salzburger University.
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© Ursula Geisler (2010) Körforskning. En bibliografi © Ursula Geisler 307 Choral Research. A Global Bibliography poems by American composers. D.M.A. the History and Technique of the British Florida: University of Miami. Theatre 44:1. Weisinger, Nina Lee (1939). “Choric Delorenzo, Joseph (1985). The chorus in Treatment of Spanish-American American musical theater: Emphasis on choral Poetry”. Hispania 22:3. performance. Ph.D. New York University. Weyermann, Trudi Louise (2003). Fix, Florence (2009). Le choeur dans le Chamber-choral compositions of Holocaust théâtre contemporain. Dijon: Ed. Univ. de poetry: An original composition, “Riddle”, text Dijon (Collection Écritures). by William Heyen;, with a comparative study Fujita, Takanori (2000). Nō no taninzū with Samuel Adler‟s “Stars in the Dust”, text gasshō (korosu)”. [Noh large choral groups by Samuel Rosenbaum. D.A. University of (choruses)]. Tōkyō: Hitsuji Shōbo Northern Colorado. (Hitsuji kenkyū sōsho geinōhen). Zieman, Katherine Grace (1997). Helmrich, Elsie Winifred (1912). The Reading and singing: Liturgy, literacy, and history of the chorus in the German drama. literature in late medieval England. Ph.D. New York: Columbia University Press Berkeley: University of California. (Columbia University germanic studies, Ņvar, Dragica (2005). “Otroška 2/2). zborovska literatura v povezavi z Herasymova-Persyds’ka, Nina (1974). mladinsko poezijo”. [Children‟s choral “Rol‟ zvjazkiv chorovoï muzyky 18 literature in its relationship to poetry for stolittja z tohoĉasnym teatrom u youth]. Glasba v šoli: Revija za glasbeni pouk demokratyzaciï muzyĉnoho mysteztva”. v osnovnih in srednjih šolah, za glasbene šole in Ukraïns‟ke muzykoznavstvo 9. zborovstvo 10:1–2. Heuner, Ulf (2002). “„Wir sprechen im Chor‟: Das chorische Theater Wilhelm ○ KÖR OCH TEATER CHOIR AND Leyhausens”. Forum Modernes Theater THEATRE 17:2. Hoffmann, Eric Alexander (2001). Baur, Detlev (1999). Der Chor im Theater “Postdramatisches Theater: Kruses des 20. Jahrhunderts. Typologie des theatralen Sturm-Inszenierung als Beispiel”. FMT Mittels Chor. Diss. Tübingen: Niemeyer 16:1. (Theatron, 30). Jones, Maurice Allen (1975). American Bodek, Richard (1997). Proletarian theater cantatas: 1852–1907. D.M.A. performance in Weimar Berlin: Agitprop, University of Illinois. Chorus, and Brecht. Columbia, SC: Camden House (Studies in German Kramer, Ursula (2009). “Vom Fehler Literature, Linguistics, and Culture). des Opernmäßigen. Zur Rolle des Chores im Berliner Schauspiel um Braun, Werner (1996). “Sophokles- 1800”. In: Kramer, Ursula; Birtel, Chöre um 1585: Vicenza und Straßburg, Wolfgang; Mahling, Christoph-Hellmut Gabrieli und Cless”. In: Mueller- (Eds.). Chöre und Chorisches Singen. Goldingen, Christian; Müller, Carl Festschrift für Christoph-Hellmut Mahling zm Werner (Eds.). Lēnaika. Festschrift für Carl 75. Geburtstag. Mainz: Are-Musik-Verlag Werner Müller zum 65. Geburtstag am 28. (Schriften zur Musikwissenschaft, 16). Januar 1996. Stuttgart, Leipzig: Teubner (Beiträge zur Altertumskunde, 89). Marković, Tatjana (1995). “Mesto hora u dramaturgiji srpskih scenskih dela do Davis, Tracy C. (1990). “The Savoy 1914. godine”. [The dramaturgical role Chorus”. Theatre Notebook: A Journal of of the choir in Serbian theater before
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1914]. In: Mosusova, Nadezda (Ed.). Müller-Blattau, Wendelin (1975). Srpska muzicka scena. Zbornik radova sa “Chormusik in Film und Fernsehen”. Naucnog Skupa Odrzanog od 15. do 18. Musik & Bildung: Praxis Musikerziehung decembra 1993. godine Povodom 125. 7:4. Godisnjice Narodnog Pozorista. Beograd: Willson, Robert F. (1990/04). “Henry Muzikoloski Inst. Srpske Akad. Nauka i V/Branagh‟s and Olivier‟s choruses”. Umetnosti. Shakespeare on Film Newsletter 14:2. Mégevand, Martin (1994). “Chœur et choralité dans le théâtre de la décolonisation: Les Exemples de Kateb Yacine et d‟Aimé Césaire”. CAIEF 46:5. Newell, Alex (1992). “Critical interpretation and dramatic performance: The chorus in Romeo and Juliet”. Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 10:3. Probes, Christine McCall (1999). “Lamentation in the service of the dramatization of history: The choir in Pierre Matthieu‟s La Guisiade”. Mediaevalia 22. Saint-André, Pascale (1987). “Le choeur, elément de dramaturgie”. Musical: Revue du Théâtre Musical de Paris- Châtelet 1. Widmark, Gabriella (1997). Körteater: ett projekts framväxt och genomförande. Examensarbete. Piteå: Luleå tekniska universitet.
○ KÖR OCH FILM CHOIR AND FILM
Abeel, Erica (2005). “Conducting the chorus: Christophe Barratier‟s Boys‟ School Tales gets tuneful reception”. Film Journal International 108:1. Jensen, Knut Erik (2002). Heftig & begeistret. Stockholm: Cinemagi. Magee, Jude (2006). “Transcendent voices: Choral music in Paradise Road”. In: Coyle, Rebecca (Ed.). Reel Tracks: Australian Feature Film Music and Cultural Identities. Bloomington: Indiana University Press.
© Ursula Geisler (2010) Körforskning. En bibliografi