K7 World Entertainment & Reality Report January 2019
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Brits Special
Wednesday, February 22, 2012 The world’s most popular free newspaper Brits special The crowning of Queen Adele (but she wasn’t treated royally) Rihanna – she’s definitely da one An A+ performance by Ed Sheeran ...and a bit of barnstorming by Blur »All the winners on Page 7, plus Guilty Pleasures gets the gossip on Pages 18-19 GPS threat to SPORT stock markets So, is this FRAUDSTERS could make mil- EXCLUSIVE by FRED ATTEWILL clocks away from the current time, rupt air and ship navigation systems, lions of pounds in seconds by hack- do some fraudulent trading and then researchers are claiming. the end ing into GPS systems synchronising tions, it is feared. The culprits would move the clock back. The warnings come ahead of a stock market deals around the world, be almost impossible to trace. ‘It’s only a matter of time before London conference on the growing experts are warning. Bob Cockshott, from the govern- someone spoofs the time and makes threat from gangs interfering with for AVB..? They could plunder their loot in ment-backed Knowledge Transfer an awful lot of money.’ satellite systems. Mr Cockshott said the blink of an eye by resetting the Network, said: ‘Clever organised Other weaknesses in GPS technol- »Napoli...3 Chelsea...1 clocks recording automated transac- criminals could set financial houses’ ogy could also be exploited to dis- TURN TO PAGE 4 « Pages 46-47 2012 BRIT Award Nominee The Album out now Features the singles edsheeran.com The A Team, Lego House and Drunk edsheeran 2 METRO Wednesday, February 22, 2012 METRO dateline Happy tablet! Your daily dose of news, features, Denzil with a touch of Frost sport and smiling monkeys.. -
Damian O'neill
Damian O’Neill FREELANCE Editor : avid : fcp www.damianoneill.com [email protected] 15 years Granada TV (10 years as Senior Editor) 13 years freelance Recent work includes: Oman National Day 2010 Avantgarde Nobel Peace Prize Concert 2010, 09,08,07,06,05,04,03 Dinamo Story – NRK V Festival 2010, 09,08,07,06,05 Blink TV – C4 Celtic Thunder Christmas Celtic Thunder– PBS Arthur’s Day Concert 2009 Done n Dusted – ITV 10 Years of Westlife – Live at Croke Park Stadium Scarlet - Sony BMG Celtic Man in Celtic Thunder Celtic Man - PBS David Broza – Live at Massada WTTW - PBS Toto – Falling in Between Live Eagle Rock Lionel Richie – Live in Paris Scarlet-PBS Loreena McKennitt, Nights From The Alhambra Scarlet - PBS Destiny’s Child Live in Atlanta Scarlet - Sony BMG Christina Aguilera – Stripped in London Scarlet – WB Network R.E.M. The Perfect Square Scarlet – Warner Tina Turner-One Last Time Serpent Films - CBS Will Young Live in London Scarlet - Sony BMG Westlife Live In Stockholm-The Turnaround Tour Scarlet - BMG We Are The Future Concert 2004 MTV Italy Urban Music Festival 2004 Done n Dusted – C4 Sunday Night Classics MME - ZDF Blue Guilty Live From Wembley Scarlet - Virgin The Dome (16 x 3 hr concerts) MME – RTL Pepsi Silver Clef Concert Sanctuary Will Young Live 19 TV One Big Sunday BBC South Africa Freedom Concert Straight TV – C4 Simply Red Live in London Big Eye TV - Warner Crowded House – Farewell to the World MTV 1 This is JLS ITV An Audience with Michael Bublé ITV BBC Junior & Senior Choirs of the Year 2011, 10 BBC Songs of Praise -
Ofcom Complaint Assessment
OfcomOfcom Broadcast Preliminary and On Demand View Bulletin Published 17 September 2020 Britain’s Got Talent Type of case Broadcast Standards Outcome Not Pursued Service ITV Date & time 5 September 2020, 20:00 Category Protection of children/generally accepted standards/dangerous behaviour/due impartiality Summary This programme included a performance by the British dance group Diversity which represented the events of 2020, including the Coronavirus pandemic and global anti-racism protests. We concluded that the programme did not raise issues which warranted investigation under the Broadcasting Code. Ofcom received approximately 24,5001 complaints about the above programme. Complainants outlined a range of concerns about Diversity’s performance, including that the themes of violence and racism were inappropriate for family viewing, that it expressed support for the political organisation ‘Black Lives Matter’ and that it was racist towards White people. Ofcom also received a number of messages of support and praise for the performance. Ofcom has assessed this programme against the relevant rules in the Broadcasting Code (“the Code”). Our assessment is that this programme did not raise any issues which warranted investigation. In our view, Diversity’s performance was an artistic expression of topical social issues and did not contain any content which was racist, unsuitably violent or otherwise inappropriate in the context of this programme. Given the significant publicity surrounding this case and the high volume of complaints received, we have decided to publish our reasons for this assessment. 1 As of 09:00 on 17 September 2020. 1 Introduction Britain’s Got Talent is a talent programme broadcast on ITV, which aims to find a new act from the general public to perform at the annual Royal Variety Performance and win a prize of £250,000. -
Unemployment Benefits and Reservation Wages: Key Elasticities from a Stripped-Down Job Search Approach
Estudos e Documentos de Trabalho Working Papers 3 | 2008 UNEMPLOYMENT BENEFITS AND RESERVATION WAGES: KEY ELASTICITIES FROM A STRIPPED-DOWN JOB SEARCH APPROACH John T. Addison Mário Centeno Pedro Portugal February 2008 The analyses, opinions and findings of these papers represent the views of the authors, they are not necessarily those of the Banco de Portugal. Please address correspondence to Pedro Portugal Economics and Research Department Banco de Portugal, Av. Almirante Reis no. 71, 1150-012 Lisboa, Portugal; Tel.: 351 213 138 410, Email: [email protected] BANCO DE PORTUGAL Economics and Research Department Av. Almirante Reis, 71-6th floor 1150-012 Lisboa www.bportugal.pt Printed and distributed by Administrative Services Department Av. Almirante Reis, 71-2nd floor 1150-012 Lisboa Number of copies printed 170 issues Legal Deposit no. 3664/83 ISSN 0870-0117 ISBN Unemployment Benefits and Reservation Wages: Key Elasticities from a Stripped-Down Job Search Approach By John T. Addison†,M´ario Centeno‡ and Pedro Portugal§ †Queen’s University Belfast and University of South Carolina ‡Banco de Portugal and Universidade T´ecnica de Lisboa §Banco de Portugal and Universidade NOVA de Lisboa This Version: February 2008 Abstract This paper exploits survey information on reservation wages and data on actual wages from the European Community Household Panel to deduce in the manner of Lancaster and Chesher (1983) additional parameters of a stylized structural search model; specifically, reservation wage and transition/duration elasticities. The informational requirements of this approach are minimal, thereby facilitating comparisons between countries. Further, its policy content is immediate insofar as the impact of unemployment benefit rules and measures increasing the arrival rate of job offers are concerned. -
France's Banijay Group Buys Endemol Shine to Create European Production Giant
Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others. -
CURRICULEM VITAE JARROD ROBERTS - Lighting Cameraman
[email protected] www.hillyerroberts.com tel +44 7816 847 487 Based: Manchester CURRICULEM VITAE JARROD ROBERTS - Lighting Cameraman With over 16 years experience as a professional lighting cameraman, I have worked in the UK, and worldwide on a diverse range of programmes - from documentaries, current affairs, entertainment, news and sport. I have worked for all the major UK broadcasters and have extensive hands on knowledge of all current broadcast formats and production techniques. Work Hillyer Roberts & Associates Ltd 2002 - Present Lighting Cameraman/ Founder Director Work portfolio BBC1 ITV includes: “Forgotten Heroes” Panorama “ “Do the Funniest things” Series “When Satan Came to Town” documentary “Tonight” “Countryfile” “Stars in Their Eyes” “Songs of Praise” “Celebrities Under Pressure” “The One Show” “Coronation Street Secrets” “Blackpool Medics” “My Favourite Hymns” “North West Tonight” Title sequences “ITV News” “The Money Programme” “Real Crime” “Watchdog” “Coronation Street” Break Bumpers “Sunday Life” “Breakfast” Channel 4 “Real Story” various “Food- What’s in your Basket” “Stealing Shakespeare” “Dispatches” “Location, Location, Location” BBC2 “How to Look Good Naked” “Generation Jihad” documentary “Goks Fashion Fix” “The Hairy Bakers” “Sex Education Show” “The Daily Politics” “Great British Menu” Ttle sequences Corporate 4:4:2 BBC3 Table Twelve media “Bingers” documentary Webs Edge “Destination Midnight” Title sequences HBL Media “Tiny Teens” First Angel Films “Anti Social Network” Royal Liverpool Philharmonic Orchestra -
Heat Radio Presenter Profiles
MEDIA PACK The Radio On air – heat radio brings the voice of the brand to life with the music soundtrack to your workday. With the sparkle and fizz of a cheeky prosecco it MISSION is bursting with energy, celebrity interviews and presenters who live, breathe, sleep the heat brand. Print From our award winning breakfast show presenter Heat is the brand that sets Emily Segal to Mr Hollywood Ryan Seacrest and Made In Chelsea’s Jamie Laing. We have your the agenda of popular culture In print – we bring readers a truly unique, quality entertainment week covered. and fuels conversation experience. From clever A-list access shoots no around the rich and famous other magazine could pull off , to the real story behind celeb news – heat has the celeb contacts to Now a huge multi platform brand - give readers the exclusive every time. unrivalled in the entertainment market - the heat universe comprises the magazine Our Unmissable entertainment edit is led by as the mothership with a radio station, huge our hugely credible team of experts – including online and social media platforms and not BAFTA judge Boyd Hilton – helping readers one but two entertainment podcasts. navigate the tricksy world of TV and streaming. Our style section – Wear It’s At – combines an aspirational yet affordable weekly fashion edit with the real, trusted voice of the heat brand. Digital Our all-inclusive approach promises style for Across our digital platforms – we deliver breaking everybody, no matter what shape or size, and our news, funny, engaging and exclusive content – team test fashion and beauty products to make whether that’s live streaming Love Island’s Under sure readers spend their hard-earned pennies the Duvet, instagramming interviews of stars on wisely. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
In the High Court of Judicature at Bombay Ordinary Original Civil Jurisdiction in Its Commercial Division
904.10.comipl.147.2020.doc dik IN THE HIGH COURT OF JUDICATURE AT BOMBAY ORDINARY ORIGINAL CIVIL JURISDICTION IN ITS COMMERCIAL DIVISION INTERIM APPLICATION NO.1 OF 2020 AND LEAVE PETITION NO.56 OF 2020 IN COMMERCIAL IP SUIT (L) NO.147 OF 2020 Endemol Shine Nederland Producties B.V. & Ors....Applicants(Org. Plaintiffs) In the matter between: Endemol Shine Nederland Producties B.V. & Ors. …Plaintiffs Versus Andaman Xtasea Events Private Limited & Ors. …Defendants ---------------- Mr.Hiren Kamod, Advocate along with Mr.Vaibhav Keni, Ms. Doyel Sengupta Mattoo and Ms. Neha Iyer, Advocates i/b Legasis Partners, for the Applicants/Plaintiffs Mr. Lalit Sharma, representative of the Plaintiffs’ None for the Defendants ..... CORAM : B. P. COLABAWALLA, J. 21 FEBRUARY, 2020. P.C. : 1. Mr. Kamod, learned Advocate for the Plaintiffs submits that the papers and proceedings in the present matter have been duly served upon Defendant Nos.1 to 3 on 10th February, 2020 and Defendant No.4 on 8th February, 2020. An affdavit of service dated Pg 1 of 18 ::: Uploaded on - 24/02/2020 ::: Downloaded on - 24/02/2020 14:30:48 ::: 904.10.comipl.147.2020.doc 14th February, 2020 evidencing service of documents upon the Defendants was tendered before this Court on 14th February, 2020 and the same was taken on record. As per the order passed on 14th February, 2020, the Plaintiffs have given one more notice of this application to the Defendants vide emails dated 18th February, 2020. A copy of the said order dated 14th February, 2020 is also served upon the Defendants through email. -
RIVERHOUSE ARTS CENTRE Walton on Thames GALLERY • THEATRE • MUSIC • CAFÉ
AUTUMN 2016 RIVERHOUSE ARTS CENTRE walton on thames GALLERY • THEATRE • MUSIC • CAFÉ Manor Road Walton on Thames KT12 2PF Box Office: 01932 253354 www.riverhousebarn.co.uk . 9 e g a p e e S . r e b o t c O 8 y a d r u t a S , y a D n e p O n a c i r f A CONTENTS AUTUMN 16 BOOKING DETAILS Introduction 3 By post Emily Boulting Director Riverhouse Arts Centre, Manor Road Café 3 Walton on Thames, Surrey KT12 2PF – This autumn Riverhouse is proud to announce a new partnership Hires 3 cheques payable to Riverhouse. Please with the fabulous charity Music in Hospitals. Our first event will be a enclose a SAE. Tea and Memories concert, which we hope you will support by Theatre 4 - 6 bringing somebody who might otherwise find it difficult to attend By phone (see page 27). Comedy 7 - 8 Box Office: 01932 253354 (24 hrs) As ever you will find details inside this brochure of a rich mix of Special Events 9 - 10 By email music and drama, alongside new events. We invite you to join us Children’s Theatre 11 - 12 [email protected] for our 'Barn Book Fair', where you can hand in your pre-loved Online booking books, choose some different ones and meet some local authors. Children’s Events 13 We welcome back Franco̧ is-Fred́ eŕ ic Guy as part of the Please visit our website International Piano Series. European Arts return with a one man Words 14 - 16 www.riverhousebarn.co.uk or book through ‘Christmas Carol’ and Story Pocket will be entertaining the whole our Facebook page. -
Asacha Plots an Empire
16 ASACHA MEDIA // INTERVIEW 17 one market, but a balanced player in many markets,” happening at streamers and traditional broadcasters, he says over Zoom from Paris, where Asacha is based. who were focusing more and more on original As such, the idea is that Asacha-owned European, non-English-language content. “Language production companies will work together to help get has become less of a barrier,” she adds. “Thanks to projects off the ground, rather than compete on their the streamers, people will watch content in any home turf. “We don’t want to create a lot of labels in language with subtitles or dubbed.” the same markets that will compete against each Indeed, Netflix has hiked its spend in Europe in other,” explains fellow co-founder Marina Williams. recent years, funding originals such as France’s Lupin It was this thinking that appealed to Wag TV, and Spain’s La Casa De Papel (Money Heist). Disney which had been approached by many buyers over recently revealed that it is ramping up local-language its 21-year history, according to chief operating productions in Europe to help fuel Disney+, with 50 officer Steven Green. “The reason we ended up original shows expected by 2024 from countries such going with Asacha is that we wanted to part of as France, Germany, Italy and the Netherlands, while something bigger, but have the opportunity to work “In five years, in the UK, Channel 4-backed AVoD Walter Presents with other companies in the group,” says Green. has carved out an audience by offering high-end, “That’s something I don’t think you get inside other we will be in local-language dramas. -
A PACEMAKER in the DUTCH MEDIA LANDSCAPE RTL Nederland’S Upcoming TV Season Keeps the Innovation Speed of the Past 25 Years Week 35 / 28 August 2014
week 35 / 28 August 2014 A PACEMAKER IN THE DUTCH MEDIA LANDSCAPE RTL Nederland’s upcoming TV season keeps the innovation speed of the past 25 years week 35 / 28 August 2014 A PACEMAKER IN THE DUTCH MEDIA LANDSCAPE RTL Nederland’s upcoming TV season keeps the innovation speed of the past 25 years Cover Montage with programmes from RTL Nederland Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW RTL Belgium announced its 2014/15 schedule RTL Belgium p.9–10 RTL Nederland’s new season line-up RTL Nederland Interview with p.4–8 Super RTL Managing Director Claude Schmit Super RTL p.11–13 Big Picture p.14 SHORT NEWS p.15–16 PEOPLE p.17–20 SURPRISE, Guests in attendance at Studio 21 were treated to a lively presentation of RTL Nederland’s new INFORM AND season line-up, which for 2014/15 includes renewal of flagship shows, thrilling ENTERTAIN THE new dramas and new formats filled with humour, emotion or controversy. NETHERLANDS The Netherlands – 28 August 2014 RTL Nederland Matthias Scholten, Content Director at RTL Nederland: “The country wakes up with us and goes to bed with us” 4 Organised on 27 August 2014 in Hilversum, the The trip down memory lane continued with the presentation was kick-started by RTL Nederland’s screening of a trailer celebrating RTL 4 and its most Content Director Matthias Scholten, who was the emblematic programmes since 1989.