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Ebook Sulpalco N.32
SUL PALCO QUINDICINALE ONLINE DI ARTE MUSICA SPETTACOLO DI ROMA E NON SOLO … EDIZIONE N. 32 DEL 1 GIUGNO 2012 www.sulpalco.it - [email protected] Edizione N. 32 Del 1 Giugno 2012 ATTACK THE BLOCK – INVASIONE ALIENA ................................................................... 3 I MEN IN BLACK IN BILICO NEL TEMPO ......................................................................... 7 ICE 2020 ...................................................................................................................................... 11 LA FAVOLA DI di W.S. ........................................................................................................... 14 UN APPARTAMENTO IN CITTA’........................................................................................ 21 NEL BEL MEZZO DI UN GELIDO INVERNO .................................................................. 24 MILONGA MERINI ................................................................................................................. 28 CHI ERANO I JOLLY ROCKERS? ........................................................................................ 31 INTERVISTA A FABRIZIO ROMAGNOLI ......................................................................... 34 MARYLIN MANSON TORNA A PICCHIARE ................................................................... 44 FEEZY ......................................................................................................................................... 47 CHEMICAL BROTHERS, MAI SCONTATI ....................................................................... -
Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
MARILYN MANSON Holy Wood (In the Shadow of the Valley of Death) (Metal)
MARILYN MANSON Holy wood (in the shadow of the valley of death) (Metal) Année de sortie : 2000 Nombre de pistes : 19 Durée : 68' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! En avril 1999, l’Amérique est profondément bouleversée par la fusillade de Columbine. Deux élèves du lycée de la ville, lourdement armés, y massacrent douze adolescents et un enseignant avant de se donner la mort. Une tragédie d’autant plus effroyable qu’elle ne résulte pas d’un accès de folie : les meurtriers avaient élaboré un plan relaté en détail dans leur journal. La violence inouïe de cet acte conduira les enquêteurs à se pencher sur leur personnalité et leur prétendue appartenance à un cercle gothique. Marilyn MANSON est alors fortement controversé : les déséquilibrés sont considérés comme des admirateurs de celui-ci, qui les aurait induit à commettre ces atrocités. Il est vrai que le personnage se distingue volontiers dans la provocation, à commencer par un nom d’artiste qui juxtapose le prénom d’une icône du cinéma et le nom du tueur Charles Manson, qui a commandité l’assassinat de l’actrice Sharon Tate, alors enceinte. Cependant il apparaîtra que les psychopathes n’étaient pas fans de MANSON. -
Jack White and Dean Fertita
12 EVENT MUSIC Motley crew: The Dead Weather band (from left) Jack Lawrence, Alison Mosshart, Jack White and Dean Fertita HIT COLLECTION JACK White is a collector. At his there were two other up- home in Nashville, he collects Jack White has made a habit of holsterers who lived on my block taxidermied birds, a certain in Detroit,’’ he says. brand of clock and old scissors collecting musicians and putting them ‘‘There was the guy next door, from his days as an upholsterer. Sally Browne Brian Muldoon, and at the end of And although he loves vinyl in his bands, writes the block there was an old records, producing a lot through German upholsterer named his label Third Man records, he like I’ve never heard anyone And in Nashville, White can Klomp, so I was the third one on doesn’t collect music. else’’; and Jack White on drums also occasionally be seen behind my block, which was a pretty rare THE RETURN OF JAPAN’S COMEDY MASTERS! ‘‘I don’t collect music and and vocal. the counter at his shop Third occurrence in space time. records because that’s really ‘‘I haven’t been a drummer in a Man records, the storefront for ‘‘I don’t think that has ever dangerous for me. If I start doing band since I was a teenager,’’ his label. happened before. I don’t know that you’ll never see me again,’’ White says. Although the label is less than why that actually happened, he says. ‘‘The four of us have been in a a year old, they’ve already put there was just some sort of chain ‘‘It would be something that I lot of bands. -
On Marilyn Manson's Album Born Villain Morag Keil Quotes Model
In her text “Eye Contact” on Marilyn Manson’s album Born Villain Morag Keil quotes model and actress Rosie Huntington-Whiteley: “At some point you have to start looking at yourself as a product. You have to do business with yourself. I look at Gisele – she has the character that everyone wants. She has made herself into a brand.” It happens to all of us, maybe even the best of us. This is where this exhibition got its starting point: in the embarrassing moment when we realize that everything we thought was authentic and that we could be proud of also functions by itself as an image – autonomous and elusive, efficient, deceitful. Art, life, work, occupation becoming their own representations in the form of positions, fantasies and identities. Caught up in ambivalent desires or ambitions, this pattern of self-definition and self- awareness can be part of an empowerment process, but also unfold as a marketing strategy, filling in specific demands in terms of social exposure and personal/professional expectations. The practice of an artist is routinely seen as a definition by itself: the embodiment of a lifestyle – the essential post-romantic surplus value. Trouble, annoyance and paradoxes appear here when the conventions of ironic heroization, spleenful projection, or transgression get exhausted. Which is, after all, fine. It’s not the forms and the signs that can stand for an attitude. More so the way they are used, put together and exchanged; activating their potential for meaning and feeling. Do these problems sound too general, or too familiar? Such looming questions seem not to belong to anyone anymore. -
Still Runnin' with the Devil
Music.Gear.Style. No.74 October 2015 Van Halen Live Still Runnin’ With the Devil NEW ALBUMS from the Dead Weather, Kurt Vile, Patty Griffin, Metric, the Weeknd, Iron Maiden, Slayer, Protomartyr, Mike Reed, and More THE GENIUS OF THE LATEST MILES DAVIS ARCHIVAL COLLECTION FOO FIGHTERS AND CHEAP TRICK ROCK WRIGLEY FIELD GERMAN EXCELLENCE: AMG’s Giro Turntable AMERICAN STYLE: Fern & Roby’s Compact Integrated Amp LONG-TERM LOVE: Rega’s Aria Phono BRITISH BRILLIANCE: The ProAc Tablette Anniversary Fun Toys from Apple, IKEA, and More! WCT_TONE_Dec2014.indd 1 6/10/15 3:31 PM Listen to Your Speakers In A New Way Don’t let your existing wired loudspeakers miss out on high-resolution streaming audio. Paradigm’s new PW AMP delivers 200-Watts of Ultra Class-D power and lets you wirelessly stream high-resolution audio to existing loudspeakers over your home Wi-Fi network. Set-up is simple, app control is easy, and your options are unlimited. Go wireless, with Paradigm-level performance. Exclusive Anthem Room Correction (ARC™) technology uses a digital microphone with advanced DSP algorithms to correct for room distortions in any space. You’ll actually hear the difference ARC makes. ™ PW600 Wireless Freedom. Paradigm Performance. PW800™ A Better Audio Experience. PWLINK ™ PWAMP™ Stream music to any Paradigm Premium Wireless Series product using your Android, PC or iOS device. Only Paradigm delivers wireless performance that is truly on par with traditional non-streaming audio systems. ARC ™ Digital Microphone Room Correction Technology Visit paradigm.com for more info. tone style Meteor M2 Powered 87 Speakers Vintage Look, Portable Sound 11. -
Wainwright Sisters Keep It in the Family
SATURDAY, NOVEMBER 14, 2015 Music Review Wainwright Sisters keep it in the family here can be something magical about the voices of siblings singing together, as a lis- Tten to the Beach Boys or the Everly Brothers shows. More proof comes in this subtly haunting album by Martha Wainwright and Lucy Wainwright Roche, for whom music has always been a family affair. The half-sisters are daughters of singer-songwriter Loudon In this file picture taken on May 17, 2015, English-Irish pop band One Direction attend the 2015 Wainwright III and separate musical mothers. Billboard Music Awards at the MGM Grand Garden Arena in Las Vegas, Nevada. — AP photos Martha’s mother, the late Kate McGarrigle, wrote and performed with her sister Anna, while Lucy is the daughter of Suzzy Roche of sister act Bieber, One Direction The Roches. try Themes of family and childhood run through their collaboration “Songs in the Dark,” which Martha Wainwright has described as an album to grow up on new albums of “creepy, morbid lullabies.” Recorded at a fam- ily cabin in the Quebec woods, the album is a nce squeaky clean and baby-faced teen world at large but-many fans presume-to ex-girl- mix of traditional folk tunes and new takes on This CD cover image released by PIAS shows stars, Justin Bieber and One Direction have friend Selena Gomez, a fellow former teen star and songs by the likes of Cindy Walker, Townes Van “Songs in the Dark,” a release by The Oquickly discovered the harsh realities of liv- singer. -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
CURREN$Y Verde Terrace 8.23.11 Jetlife Recordings / Warner Bros
CURREN$Y Verde Terrace 8.23.11 JetLife Recordings / Warner Bros. Records Hip-hop artists who need help figuring out their live show, talk to Spitta. Philadelphia Weekly New Orleans weed-rapper Curren$y has built a large following over the past few years for his mellowed-out rhymes and spacey instrumentals, releasing a string of solid albums and mixtapes at a nearly inhuman rate. Riverfront Times "You also can't argue against the fact that Curren$y's both prolific and consistent, a rare quality if there ever was one." PrefixMag.com "There is not a week that goes by, where his name isn’t either buzzing or trending online, something new drops on the radio, or there is new material available on iTunes." stupidDOPE.com Verde Terrace doesn't break any new territory for Curren$y, but "new territory" isn't really part of his M.O.-- he is digging a groove, one into which he settles more comfortably each year…Curren$y is refining the contours of his tiny universe so that it resembles no one else's. Pitchfork.com, Verde Terrace review (7.3 of 10) Curren$y understands the formula to creating a cult following: consistent, high quality music delivered frequently…Spitta offers an album full of his standard weed, women and clothes that made him the cult icon and fan favorite he is now. Off Beat Magazine, album review Curren$y’s the paradox in the microwave rap argument. Ology.com, mixtape review (3 of 5) With that, Curren$y and his Jets crew add to his ever-growing discography of mixtapes. -
WELTLINGER Creating Great Music; He Kenny Washington
TOM HARRELL First Impressions HighNote ......................Dec. First Impressions is replete with the kind of detailed and challenging ensemble writing that one usually associates with Third Stream. But trumpeter Tom Harrell has a jazzman’s understanding of grooves, and his handling of texture and structure is a balm throughout this program, which reimagines TAL NATIONAL themes by Debussy and Ravel. Zoy Zoy Fat Cat ......................... June Niger’s Tal National is an Afrobeat institution in its homeland. +++++ Zoy Zoy, the band’s second international release, is brilliant in its rhythmic complexity. The way this band locks together is uncommon anywhere. It takes a tremendous amount of practice DYLAN HOWE and discipline for musicians to Subterranean hear each other like this. Motorik .........................April KENDRICK LAMAR Dylan Howe’s Subterranean embraces sizzling electronics To Pimp A Butterfly and moody, time-chopping Top Dawg ......................July drums. The beautiful, shape- A political commentary on shifting album is colorful racism and capitalism in and consistently surprising, America filtered through 21st- leading listeners on a journey century black countercultural where the destination is no music, To Pimp A Butterfly is TONY BENNETT more important than the ride more prescient and ambitious & BILL CHARLAP itself. Stunning, essential. than almost anything else out The Silver Lining: The there. The album’s massive Songs Of Jerome Kern length complements the JOSÉ JAMES RPM/Columbia weight of its achievement. Yesterday I Had The Records.........................Dec. Blues: The Music Of Pianist Bill Charlap and vocal Billie Holiday legend Tony Bennett unite Blue Note ...................... May for a moving tribute to an Marking the centennial of Billie icon of the Great American Holiday’s birth, Yesterday I Had Songbook. -
Oral History Number: 473-009 Interviewee: John Fleming Interviewer
Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 473-009 Interviewee: John Fleming Interviewer: Breanna McCabe Date of Interview: November 2, 2019 Project: Missoula Music History Oral History Project Breanna McCabe: John, I’m just gonna have you start by saying and spelling your first and last name. John Fleming: John Fleming, J-o-h-n F-l-e-m-i-n-g. BM: We are rolling. Hello, I’m Breanna McCabe. It's Saturday, November 2, 2019, and with me here at the Mansfield Library on the University of Montana campus is John Fleming. John is the proprietor of Ear Candy Music, which opened September 21, 1997, and is now located at 624 South Higgins Avenue here in Missoula. John, thanks so much for being here. JF: You're welcome. BM: Please introduce yourself and share a little bit about your background. JF: Well, my name is John Fleming. I moved to Missoula in 1991 to attend grad school, and I got my ABT degree, all but the thesis, so didn't quite get there. Then kicked around for a bit, got a job at Rockin’ Rudy’s, and then a friend approached me about opening our own store. Figured if I didn't take the chance, then it would never happen. So, I sold my 1958 Chrysler Windsor and used that money to purchase some product and liquidated my personal record collection—well, not entirely, but a lot of them—and that was my initial inventory. -
Mix Magazine BRIAN AHERN and the MCGARRIGLE SISTERS [PDF]
s e t o n Anna McGarrigle (button accordion) and Kate McGarrigle (banjo) tracking with Emmylou Harris. g n reunion of Harris’ legendary Hot Band for the 2004 i ASCAP Country Music Awards show, where Harris was presented with the Founders Award. d “Since the award was about history, she asked me to come in to supervise the rehearsal and to re-create r TOGETHER AGAIN the Hot Band session vibe,” Ahern explains. “After the show, we were sitting at dinner when she asked me o By Rick Clark to do another album.” c Few artists in any genre have created a body of work By that time, the two had already reunited for %--9,/5as substantive and ric(!22)3h as Emmylou Harris. Over the a number of recordings for various projects: Robert e years, Harris has mined great songs from folk, coun- Redford and Ethan Hawke movies, duets with Wil- try and pop music traditions and showcased their lie Nelson and Rodney Crowell, and, with Kate and r !.$compellin"2)!.g power w!(%ith her2. own unique readings. Anna McGarrigle, three songs for the re-issue of She has also been a selfless champion of many art- Harris’ luminous Christmas album Light of the Stable. ists and writers, and has written a number of superior Especially moving was her version of Joni Mitchell’s songs herself. Harris has received many awards for “The Magdalene Laundries” and a richly imagistic her work, and this year she was inducted into the track called “The Connection,” which appeared on Country Music Hall of Fame.