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Sábado 17 De Noviembre ANDREA MOTIS TRIO
Etnosur (2013) son espectáculos con los que ha Aunque Andrea Motis sólo tenga 23 años, su recorrido innumerables festivales, teatros y salas de madurez musical supera con creces la expectativa los cinco continentes a lo largo de más de 30 años de de sus años. Esto se debe a que comenzó a tocar la trayectoria profesional. Jorge es el primer flautista trompeta a los siete años y tres años después que interpretó flamenco junto los míticos Camarón de comenzó a estudiar jazz en la Escuela Municipal de la Isla y Paco de Lucía. Esas colaboraciones del joven Música de Sant Andreu con Chamorro, quien reclutó de 1979 están recogidas en los discos: La leyenda del a Andrea poco después para que formase parte de tiempo y Paco de Lucía interpreta a Manuel de Falla. su banda, aun siendo ella una adolescente. Mientras Su discografía se extiende más allá de los 20 discos seguía estudiando en el colegio fue miembro de la en los que Pardo es líder. También ha colaborado e Sant Andreu Jazz Band durante nueve años en los intercambiado experiencias con otros artistas de que grabó ocho discos y tocó en directo con todo el mundo. nombres de la talla del trombonista Wycliffe Gordon, el saxofonista Jesse Davis, el clarinetista Bobby Su disco Huellas, editado en 2013, le supuso el Gordon y el saxofonista Dick Oatts, entre otros. galardón de Mejor Músico Europeo según la Academia Además de la trompeta, Motis toca el saxo alto. Pero del Jazz Francesa, erigiéndose así como una se estrenó como cantante con la banda de referencia internacional del Jazz, el flamenco y las Chamorro. -
Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
Book Collections Educational Media Library
BOOK COLLECTIONS EDUCATIONAL MEDIA LIBRARY September 2019 Acceleration BC 140, 30 COPIES Grades 7-12. t's a hot summer and in the depths of the Toronto Transit Authority's lost and found, 17-year-old Duncan is cataloging misplaced belongings. And between Jacob, the cranky old man who runs the place, and the endless dusty boxes overflowing with stuff no one will ever claim, Duncan has just about had enough. Then he finds a little leather book filled with the dark and dirty se- crets of a twisted mind, a serial killer stalking his prey in the subway. And Duncan can't stop reading. What would you do with a book like that? How far would you go to catch a madman? Graham McNamee. A Farewell To Manzanar BC 258, 25 copies Reading Level 4.9. Jeanne Wakatsuki was seven years old in 1942 when her family was uprooted from their home and sent to live at Manzanar internment camp-with 10,000 other Japanese Americans. This is the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention...and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States. Author: James D. Houston, Jeanne Wakatusuki. After BC 144, 25 copies Grades 7-12. In the aftermath of a nearby school shooting, a grief and crisis counselor takes over Central High School and enacts increasingly harsh measures to control students, while those who do not comply disappear. Author: Francine Prose Al Capone Does My Shirts BC 83, 40 copies and AU 284 CD-Rom Grades 5-9. -
201406Sepromo-Compressed.Pdf
SOMETHING ELSE! Festival of Creative Music June 16-21, 2014 HAMILTON ARTISTS INC. 155 James St. N., Hamilton, Ontario, Canada Some of the finest modern jazz musicians, improvisers and sound artists of varying genres from across the globe (Chicago, New York, Oslo, Amsterdam, Austin, San Diego, Toronto & Hamilton) will be performing in Hamilton from June 16th to 21st, when Zula presents Something Else! Festival of Creative Music at Hamilton Artists Inc.! Monday, June 16th Fire & Ice Double-Bill BONESHAKER (Chicago/Oslo) ESCHATON(Hamilton) Wednesday, June 18th Night Of The Living Improvisers Double-Bill THE TINY ORCHESTRA TRIO (Toronto) SAME OLD THING (Hamilton) Thursday, June 19th New York vs Chicago Double-Bill GOLDEN STATE (Brooklyn/Amsterdam/San Diego) SUN ROOMS (Chicago/Austin/Oslo) Friday, June 20th Space is the Place Double-Bill SUN ROOMS (Chicago/Austin/Oslo) INTERSTELLAR ORCHESTRA (Toronto) Saturday, June 21st Summer Solstice Double-Bill MARY MARGARET O'HARA & AIDAN CLOSS' SPAR & AUTOMATIC (Toronto) RONLEY TEPER & HER LIPLINERS (Toronto) Doors 8 pm Show 8:30 pm Tickets $12-23, Passes $60 at Dr. Disc, Hammer City Records, Picks & Sticks & online brownpapertickets www.zulapresents.org www.facebook.com/events/318218881659216/ For more information, media and interview requests on the Something Else! Festival, contact Cem Zafir at 289 993 1993 [email protected] Please note, that there are many hyperlinks all over this document! 'Aspirador' painting by David Blatherwick A BRIEF HISTORY OF SOMETHING ELSE! Just over two years ago, postal worker and music presenter Cem [gem] Zafir moved from Montreal (after a 3 year stop over there) and bought a house in downtown Hamilton, with mate, artist Donna Akrey. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Intermezzo, We Will Include That Information in the New Membership Directory Metro, House of Blues, Lincoln Hall, Schubas and Many More
Membership Meeting: August 2017 Tuesday, August 8th, 2017 Vol. 77 No. 7 @ 1:00 pm Constitution and By-Law Meeting: Happy Tuesday, September 12th, 2017 @ 1:00 pm Summer! Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS OFFICERS – DELEGATES 2017-2019 Terryl Jares President Leo Murphy Vice-President B.J. Levy Terryl Jares B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS Robert Bauchens Bob Lizik Rich Daniels Janice MacDonald Frank Donaldson Charles Schuchat 2018-2019 MEMBERSHIP DIRECTORY Molehill Knows How to Make Music Jeff Handley For the past seven years, the four musicians of Molehill have When not on tour, the band members have varied careers. CONTRACT DEPARTMENT been writing original tunes and performing them in hundreds Peter is a trader on the Chicago Mercantile Exchange. Trevor Leo Murphy – Vice-President Please take a few moments to consider any changes you wish to make in the of concerts across the country. I first heard about the band performs at the Marriott Lincolnshire Theatre and teaches at Nancy Van Aacken upcoming membership directory. Every member in good standing must be listed. whilereading an article by Rick Kogan in the Chicago Tribune. Illinois Wesleyan University and Midwest Young Artists in ASSISTANTS TO THE However, some members no longer accept engagements or do not wish their address I recognized CFM member Trevor Jones who plays bass guitar in Highwood. Devin is the drummer at the Apostolic Faith Church PRESIDENT - JURISDICTIONS and phone number shown for personal reasons. Upon your written instructions, the ensemble, and I asked Trevor about Molehill. Trevor who plays and plays with the band Liquid Soul. -
Joey Defrancesco with Jimmy Smith Remains #1 Suite
JazzWeek with airplay data powered by jazzweek.com • April 6, 2005 Volume 1, Number 20 • $7.95 In This Issue: Juno Awards for Jazz and Blues Presented . 4 Legends of Jazz on PBS This June . 5 Stamp for Yip Harburg. 9 Feldman Starts Firm . 11 Reviews and Picks. 16 Jazz Radio . 18 Smooth Jazz Radio. 23 Radio Panels. 27 News. 4 JAZZ REMIXED page 13 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Kenny G #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ack in the mid-to-late ’80s, I had friends who wanted to be CONTRIBUTING EDITORS the next New Order, Orchestral Manoeuvres in the Dark, Keith Zimmerman Kent Zimmerman Bor Depeche Mode, all synthesizer bands from that period. Tad Hendrickson Armed with early versions of the sequencer program Cakewalk CONTRIBUTING WRITER and a pricey AKAI sampler, these guys sampled everything, from Tom Mallison jazz grooves, to grocery store commercials to a syndicated garden- PHOTOGRAPHY ing talk show host. At the time, I thought the stuff was pretty cool Barry Solof (and one of these days, I’ll dig out those LPs and 12 inches and PUBLISHER see if they hold up.) Anyhow, I bring this up because it was right Tony Gasparre about that time that jazz labels started to notice their records be- ADVERTISING: Contact Tony Gasparre ing sampled for dance records – usually without permission. To- (585) 235-4685 x3 or day, those same labels are opening their vaults to DJs to remix email: [email protected] and sample their vast catalogs, a practice that some purists decry.