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PASCAL GALLOIS As an artist of many talents and uncontested master of the bassoon, that most uncompromising and enigmatic of wind instruments, Pascal Gallois is a soloist, orchestral musician and teacher who is making his mark as a conductor in a necessary extension of his artistic commitment. His first performance of Berio's “Sequenza XII” was a decisive turning point in his carreer as was the bassoon version of “Dialogue de l'ombre double” by Pierre Boulez and, more recently, Wolfgang Rihm's “Psalmus” (2007) for bassoon and orchestra. Not content to be summoned to play in exceptional concerts by artists like Maurizio Pollini, he also takes pleasure in organizing what he calls his “Moments Musicaux” for his many friends and himself which are as sensational as they are sought-after, like the 85th birthday Concert for Pierre Boulez at the Paris Museum of Arts and Crafts in a programme of Boulez and Beethoven with the clarinettist Jörg Widmann. Or, for Henri Dutilleux 95th Birthday at the Hôtel de Lauzun. He records his contemporaries with the same enthusiasm, from Pierre Boulez to György Kurtág and Luciano Berio to Olga Neuwirth, to mention just a few. Pascal's social commitment means that he is convinced that music deserves better than just a place of honour in society. And it is with determination that he directs one of the big conservatoires in the heart of Paris. He also initiated in 2015, the Musicales de Quiberon, a festival where modernity and classisism meets. If now conducting is at the center of his musical life, it is to pursue the end he has always sought : to communicate his passion for music and his decidedly original perspective on contemporary and classical repertory. Or, if you like, to make you listen to the history of music..

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Lippel Curriculum Vitae April 2018
Dr. Daniel Lippel Guitarist 340 East 105th St. #2B New York, NY 10029 Tel: 917 609 2114 Email: [email protected] web: www.danlippel.com New Focus Recordings www.newfocusrecordings.com Education 2006 Manhattan School of Music, New York, NY Degree: Doctor of Musical Arts Studio of David Starobin, D.M.A. Dissertation: “Synchronisms #10 for Guitar and Electronic Sounds and Festino: Seminal Works Featuring Guitar by Mario Davidovsky” Dissertation Advisor: Dr. Reiko Füting, Second Reader: David Starobin 1999 Cleveland Institute of Music, Cleveland, OH Degree: Masters of Music Studio of Jason Vieaux 1998 Cleveland Institute of Music, Cleveland, OH Degree: Bachelor of Music Studio of John Holmquist 1994-96 Oberlin Conservatory of Music, Oberlin, OH Performance Major, Transferred Studio of Stephen Aron, Jazz Guitar Studies with Robert Ferrazza Academic Employment 2001-2004 Manhattan School of Music, New York, Doctoral Assistantship to the Guitar Department (Facilitated guest masterclasses, substitute supervision of performance class) 1999-2001 Bowling Green State University, Ohio, Assistant Professor of Guitar (Classical guitar lessons to undergraduate performance majors, taught and coordinated guitar ensemble class and concerts) Ensemble Memberships/Affiliations see Appendix 3 - International Contemporary Ensemble (ICE), guitarist since 2005 - New Focus Recordings, co-Founder, Owner, Artistic Director, Artist, Producer, since 2003 - Flexible Music, founding member and guitarist since 2003 - Con Vivo Music, Jersey City, NJ, performing member/artistic
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Ensemble Intercontemporain Matthias Pintscher, Music Director
Friday, November 6, 2015, 8pm Hertz Hall Ensemble intercontemporain Matthias Pintscher, Music Director PROGRAM Marco Stroppa (b. 1959) gla-dya. Études sur les rayonnements jumeaux (2006–2007) 1. Languido, lascivo (langoureux, lascif) 2. Vispo (guilleret) 3. Come una tenzone (comme un combat) 4. Lunare, umido (lunaire, humide) 5. Scottante (brûlant) Jens McManama, horn Jean-Christophe Vervoitte, horn Frank Bedrossian (b. 1971) We met as Sparks (2015) United States première Emmanuelle Ophèle, bass flute Alain Billard, contrabass clarinet Odile Auboin, viola Éric-Maria Couturier, cello 19 PROGRAM Beat Furrer (b. 1954) linea dell’orizzonte (2012) INTERMISSION Kurt Hentschläger (b. 1960)* Cluster.X (2015) Edmund Campion (b. 1957) United States première Kurt Hentschläger, electronic surround soundtrack and video Edmund Campion, instrumental score and live processing Jeff Lubow, software (CNMAT) * Audiovisual artist Kurt Hentschläger in collaboration with composer Edmund Campion. Ensemble intercontemporain’s U.S. tour is sponsored by the City of Paris and the French Institute. Additional support is provided by the FACE Foundation Contemporary Music Fund. This performance is made possible, in part, by Patron Sponsor Ross Armstrong, in memory of Jonas (Jay) Stern. Hamburg Steinway piano provided by Steinway & Sons of San Francisco. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL ORCHESTRA ROSTER ENSEMBLE INTERCONTEMPORAIN Emmanuelle Ophèle flute, bass flute Didier Pateau oboe Philippe Grauvogel oboe Jérôme Comte clarinet Alain
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Pascal Gallois Repertoire
REPERTOIRE PASCAL GALLOIS REPERTOIRE classical & contemporary Selected works for solo bassoon Luciano Berio Sequenza XII for solo Bassoon (20’)* Pierre Boulez Dialogue de l’ombre double (20’)* with electronic György Kurtag Pilinsky Janos : Gérard de Nerval (3’)* in memoriam György Kroo (5’)* José-Luis Campana D’un geste apprivoisé (9’)* with electronic Philippe Hersant Hopi (9’)* Toshio Hosokawa Sen VII (6’)* Jacques Lenot Scogli (12’)* Olga Neuwirth Torsion with CD (14’) Franck Bedrossian Transmission (10’) with electronic Pierre Boulez Domaines (15’) Mauricio Kagel Atem für ein Bläser,1 Tonbandgerät mit 2 Lautsprechern (15’) Karlheinz Stockhausen In Freundschaft (13’) Karlheinz Stockhausen solo (13’) Yoshihisa Taïra Monodrame II (8’) Ton That Tiêt Jeu des 5 éléments II (10’) Isang Yun Monolog (10’) * dedicated to Pascal Gallois. Selected works for duos Emanuele Casale 3 for flute en sol & basson (4’)* Philippe Fenelon épha for bassoon & viola (12’)* Dai Fujikura The Voice for bassoon & cello (9’)* Philippe Hersant Huit Duos for bassoon & viola (11’)* Philippe Hersant Huit Duos for bassoon & cello (11’)* Maki Ishii Music for bassoon & cello (10') Bruno Mantovani Un mois d’octobre for bassoon & piano (9’)* Michio Mamiya Kio for bassoon & cello (13')* Olga Neuwirth In Nacht und Eis for bassoon, cello with ring modulator (12’)* Philippe Schœller Lamento for bassoon & viola (12’)* Henri Dutilleux Sarabande et Cortège (8’) Maurice Ravel Trois mélodies Hébraïques for bassoon & viola (11’) Wolfgang Amadeus Mozart Sonate KV 292 for bassoon & cello Camille Saint-Saens Sonate for bassoon & piano Igor Stravinsky Lied Ohne Name (1918) for 2 bassoons (Manuscrit Fondation Paul Sacher, Basel) * dedicated to Pascal Gallois.
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Czech Music 1/2018
118 _ Iva Bittová Prague Modern & Pascal Gallois Interwar Music and Sport Wenzel Tomaschek The year 2018 marks the 90th anniversary of the death of Leoš Janáček. In honour of the composer, Vltava radio will exclusively broadcast all his nine operas this year – tune in Operní večer starting at 8 p.m. on the third Saturday of every month. #nailemandjailem #headedtothebalcony #jenufaishiding #cankatacomeplay #howoldareyaemilia #letstravellovebug #missmewiththatharas vltava.rozhlas.cz #artofhearing 1188 1_ czech music quarterly DEAR READERS, CONTENTS: at least in terms of scale, the current IVA BITTOVÁ issue is dominated by two texts that turn ON KURTÁG AND THE SOUNDS OF THE HUDSON VALLEY their attention to the past. The ﬁ rst is by Matěj Kratochvíl Miloš Zapletal’s essay on sporting topics _ page 2 in music, with a particular focus on the interwar avant-garde. The crux of the PRAGUE MODERN AND PASCAL GALLOIS article, of course, lies in the exploration RECORDING FOR STRADIVARIUS of Czech music, but an extensive by Boris Klepal introduction provides a convenient _ page 8 summary of these tendencies within a global musical context. The second THE YEAR OF LEOŠ JANÁČEK article is Tom Moore’s translation ON CZECH RADIO VLTAVA of a period source relating to composer by Boris Klepal Wenzel Tomaschek. In the last issue _ page 11 of CMQ, we wrote about Moore’s English translation of the biography of this 19th PLAYFUL BUT ANIMALISTICALLY SERIOUS: century musician, recently published CZECH INTERWAR MUSIC AND SPORT by Pendragon Press. We now continue by Miloš Zapletal with this Tomaschek pendant, available _ page 15 in English for the ﬁ rst time.
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Dossier De Prensa Xviii Encuentro De Santander
DOSSIER DE PRENSA XVIII ENCUENTRO DE SANTANDER MÚSICA Y ACADEMIA Cantabria 2018 Del 1 al 23 de julio de 2018 www.encuentrodesantander.es CONTENIDOS I.- INTRODUCCIÓN II.- LA ACADEMIA - Lecciones Magistrales III.- EL ESCENARIO - Conciertos en Santander: Salas Argenta, Pereda, Paraninfo, Sta. Lucía, Centro Botín - Conciertos en localidades de Cantabria - Acceso a los conciertos IV.- PARTICIPANTES - Biografías de los directores - Biografías de los profesores invitados - Biografía de la artista invitada - Relación de los alumnos participantes V.- EQUIPO DE GESTIÓN VI.- INSTITUCIONES PATROCINADORAS VII.- INFORMACIÓN PRÁCTICA Dossier Presentación del XVIII Encuentro de Santander Música y Academia Página | 1 I.- INTRODUCCIÓN Entre el 1 y el 23 de julio tiene lugar en Santander y en toda Cantabria el décimo octavo Encuentro de Santander Música y Academia, que reúne a grandes maestros con jóvenes músicos seleccionados mediante audición en once escuelas europeas de gran prestigio, lideradas por la Escuela Superior de Música Reina Sofía. Durante más de tres semanas, unos y otros trabajan juntos en el aula y comparten luego el escenario. En el concierto inaugural, la Orquesta Sinfónica Freixenet del Encuentro, dirigida por primera vez por Juanjo Mena, ofrecerá el Concierto para piano núm. 3 en re menor op. 30 de Rachmaninov, con el joven pianista asturiano Martín García como solista. Además, y como homenaje a Claude Debussy por el centenario de su muerte, se interpretará La Mer, trois esquisses symphoniques pour orchestre (El mar, tres bocetos sinfónicos para orquesta) y la suite de L’Oiseau de feu (El Pájaro de fuego) de Stravinsky, versión de 1919. Tras este primer programa orquestal, el Encuentro se despliega en una gran celebración de la música de cámara.
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Fascicule Classique 2017-2020
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Table of Contents
Town The copyright of this thesis rests with the University of Cape Town. No quotation from it or information derivedCape from it is to be published without full acknowledgement of theof source. The thesis is to be used for private study or non-commercial research purposes only. University A STUDY AND CATALOGUE OF FRENCH FLUTE MUSIC WRITTEN BETWEEN 1945 AND 2008 Town LIESL STOLTZ SUPERVISOR: PROF.Cape JAMES MAY of University Submitted in partial fulfilment of the requirements for the degree of Doctorate in Music by performance and thesis in the faculty of humanities, University of Cape Town February 2010 DECLARATION I, the understated, hereby declare that this dissertation is my own work. It is being submitted in partial fulfilment of the requirements for the degree of Doctorate of Music at the University of Cape Town and has not been previously submitted for a degree at any other institution. Town Cape of University Liesl Stoltz Cape Town, 2 February, 2010 i TO MY GRANNY Town OUMA JACOBA JANSE VAN RENSBURG Cape of University ii ACKNOWLEDGEMENTS Upon completion of this work, I would like to thank the following people and institutions: Prof. James May, my supervisor, for his patience, time, guidance and the sharing of his incredible knowledge; My parents and sister, Christélle, who is always there for me and without whom this thesis would not have been completed; Wilhelm, my husband, for his love and support and for accepting the inevitable; Eva Tamassy, my first flute teacher, for always believing in me; Pierre-Yves Artaud, for his role
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Pascal GALLOIS As an Artist of Many Talents and Uncontested Master Of
Pascal GALLOIS As an artist of many talents and uncontested master of the bassoon, that most uncom- promising and enigmatic of wind instruments, Pascal Gallois is a soloist, orchestral mu- sician and teacher who is making his mark as a conductor in a necessary extension of his artistic commitment. Invited by Boulez to join the Ensemble Intercontemporain, he was the first to perform many of the works that now figure in the history of the bassoon. His first performance of Berio's “Sequenza XII” was a decisive turning point in his career as was the bassoon version of “Dialogue de l'ombre double” by Pierre Boulez and, more re- cently, Wolfgang Rihm's “Psalmus” (2007) for bassoon and orchestra. Not content to be summoned to play in exceptional concerts by artists like Maurizio Pollini, he also takes pleasure in organizing what he calls his “Moments Musicaux” for his many friends and himself which are as sensational as they are sought-after, like the 85th birthday Concert for Pierre Boulez at the Paris Museum of Arts and Crafts in a programme of Boulez and Beethoven with the clarinettist Jörg Widmann. Or, more recently, for Henri Dutilleux 95th Birthday at the Hôtel de Lauzun. He records his contemporaries with the same en- thusiasm, from Pierre Boulez to György Kurtág and Luciano Berio to Olga Neuwirth, to mention just a few. Pascal's social commitment means that he is convinced that music deserves better than just a place of honour in society. This commitment in his position as teacher at the Conservatoire national supérieur de musique et de danse de Paris and the Hochschule at Zürich and Vienna has often been emulated.
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Classical New Release
harmonia mundi UK JUNE 2 2014 Classical new release available 2nd & 16 June, call-off 23rd May GRAMOPHONE, EDITOR’S CHOICE, June harmonia mundi HMC902162 Haydn Seven Last Words / Cuarteto Casals Wigmore Hall Live WHLIVE0066 Byrd, Bach, Ligeti / Mahan Esfahani Glossa GCD922902 La Bella più bella / Roberta Invernizzi BBC MUSIC MAGAZINE, June Chamber: harmonia mundi HMC902162 Haydn Seven Last Words / Cuarteto Casals Opera: Signum Classics SIGCD372 Bartók Bluebeard’s Castle / Sir John Tomlinson, Philharmonia / Esa-Pekka Salonen Choral & Song: Signum Classics SIGCD375 A Purcell Collection / Voces8 IRR OUTSTANDING, May issue harmonia mundi HMC902175 Oboe and Harp / Céline Moinet Edition Classics EDN1047 Vibrez / Cellophony DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PEARL, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WAHOO, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 2ND JUNE 2014 SHOSTAKOVICH: Symphonies 4, 5, 6 Mariinsky Orchestra Valery Gergiev Valery Gergiev continues his acclaimed Shostakovich symphony cycle with his sixth release, a 2-SACD set of consecutive symphonies 4, 5 & 6. Shostakovich's symphonies are often emotionally powerful and the three symphonies performed here are a particularly compelling and riveting combination. The tortuous difficulty of adhering to vaguely articulated political dictats shaped the evolution of Shostakovich’s music.
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Mise En Page 1
BOULEZ 90 NATIONAL SAWDUST * Pascal Gallois & The International Contemporary Ensemble November 17, 18, 19 & 21, 2015 Pascal Gallois & The International Contemporary Ensemble BOULEZ 90 / New Dialogues & Perspective I / Nov 17, 18, 19 & 21, 2015 NATIONAL SAWDUST Brooklyn, NY When ICE was a burgeoning collective based in Chicago, six years after hatching at the Oberlin Conservatory of Music in 1999, we were invited to play our first international festival in Morelia, Mexico. Our first night there, we attended an astounding solo concert of Pascal Gallois which included Luciano Berio's Sequenza XII –a piece written for Pascal and inspired by his limitless technique and imagination. Too shy to speak with him after the performance, we let that opportunity slip by us, and we simply admired him and his work from a distance for the next six years. You can imagine our surprise when Pascal appeared on ICE’s Facebook page a few years ago, comment - ing on performances he’d seen on DigitICE (our online video archive), offering encouraging remarks before concerts, and expressing enthusiasm for our advocacy efforts. You can also imagine our delight when he suggested collaborating on a project centering on the work of Boulez during his 90 th birthday year, and on the “dialogues” between cultures, generations and aesthetic viewpoints that have emerged from this iconic, at times incendiary, but inarguably visionary figure in music history. We have taken this opportunity, first in France and then in New York at National Sawdust - our new Brooklyn home for contemporary music - to craft programs that capture the power and beauty of Boulez's music through a series of New Dialogues.
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Programa2018.Pdf
ÍNDICE CONTENTS Bienvenida 4 Welcome La Academia 7 The Academy Profesores y participantes 12 Teachers and participants El Escenario 15 The Stage Calendario general 17 General Programme Programas de conciertos 19 Concerts’ Programmes Biografías 77 Biographies Información práctica 107 Practical Information Agradecimientos 108 Acknowledgements Equipo de gestión 109 Management Team 4 El verano es un Summer is always a special time for the culture of tiempo especial Cantabria. The Santander Encounter of Music and Greeting para la cultura Academia, the International Piano Competition and de Cantabria. the International Festival of Santander transform El Encuentro de the stages of the region in a global musical referen- Santander Mú- ce during those months. sica y Academia, The Santander Encounter of Music and Academia el Concurso In- fosters the coexistence in Cantabria of prestigious ternacional de Bienvenida / Bienvenida maestros of classical music and young talented mu- Piano y el Festi- sicians from different parts of the world who are val Internacional starting their musical careers. de Santander convierten los All of them will work together in the classrooms escenarios de la of the Jesús de Monasterio Conservatory and will región en una referencia musical mundial durante bring their art closer to the people of Cantabria los meses estivales. with several concerts that will tour the region to give the musicians of tomorrow the exceptional El Encuentro de Santander propicia la convivencia opportunity of sharing the stage and the repertoire en nuestra tierra de maestros de la música clásica with living legends of music. de reconocido prestigio y jóvenes talentos proce- dentes de diversos rincones del mundo que co- Due to its professionalism, its musical vocation and mienzan sus carreras artísticas.
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Berio's Sequenza XII in Performance and Context
Elder Conservatorium of Music Faculty of Humanities and Social Sciences University of Adelaide Berio’s Sequenza XII in performance and context: a contribution to the Australian bassoon repertory synthesizing extended techniques into newly commissioned works Portfolio of Recorded Performances and Exegesis by Mark Andrew Gaydon B.Mus (Hons) Griffith University, Brisbane 1997 M.Mus Indiana University, Bloomington 2002 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2012 2 Table of Contents Abstract………………….…………………………………………………………….5 Declaration…………………………………………………………………………….6 Acknowledgements……………………………………………………………………7 List of Musical Examples……………………………………………………………...8 Abbreviations………………………………………………………………………….9 Part A Recorded Performances Contents of Recorded Performances…………………………………………………11 A.1 CD 1 Sequenza XII: Documenting the Journey………………………….12 A.2 CD 2 Newly Commissioned Works A…………………………………..12 A.3 CD 3 Newly Commissioned Works B…………………………………..13 A.4 CD 4 The Performer as Composer………………………………………14 Part B Exegesis Introduction…………………………………………………………………………16 Chapter 1 The Sequenza XII journey: a performer’s perspective……………………………….20 Chapter 2 Berio’s dialogue with the bassoon: a performer’s perspective on the extended techniques in Sequenza XII…………………………………………………………..26 2.1 Circular Breathing………………………………………………………..28 2.2 Double Circular Breathing……………………………………………….29 2.3 Glissando (including portamento)………………………………………..30 2.4 Berio Trills……………………………………………………………….31 2.5 DL: Soft Staccato………………………………………………………...33
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