INTRODUCTION: Metaphor in Philosophy Author(S): Stephen Pepper Source: the Journal of Mind and Behavior , Summer 1982/Autumn 1982, Vol
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Models and Metaphors: Art and Science Álvaro Balsas; Yolanda Espiña (Eds.)
Revista Portuguesa de Filosofia ISSN 0870-5283; 2183-461X Provided for non-commercial research and education use. Not for reproduction, distribution or commercial use. Metaphor in Analytic Philosophy and Cognitive Science Mácha, Jakub Pages 2247-2286 ARTICLE DOI https://doi.org/10.17990/RPF/2019_75_4_2247 Modelos e Metáforas: Arte e Ciência Models and Metaphors: Art and Science Álvaro Balsas; Yolanda Espiña (Eds.) 75, Issue 4, 2019 ISSUE DOI 10.17990/RPF/2019_75_4_0000 Your article is protected by copyright © and all rights are held exclusively by Aletheia – Associação Científica e Cultural. This e-offprint is furnished for personal use only (for non-commercial research and education use) and shall not be self-archived in electronic repositories. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. If you wish to self-archive your article, contact us to require the written permission of the RPF's editor. For the use of any article or a part of it, the norms stipulated by the copyright law in vigour are applicable. Authors requiring further information regarding Revista Portuguesa de Filosofia archiving and manuscript policies are encouraged to visit: http://www.rpf.pt © 2019 by Revista Portuguesa de Filosofia | © 2019 by Aletheia – Associação Científica e Cultural Revista Portuguesa de Filosofia, Faculdade de Filosofia e Ciências Sociais de Braga, Praça da Faculdade, N.º 1, 4710-297 Braga (Portugal). Phone +351 253 208 080. www.rpf.pt | [email protected] Revista Portuguesa de Filosofia, 2019, Vol. 75 (4): 2247-2286. © 2019 by Revista Portuguesa de Filosofia. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph arid reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". if it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
John Barnden, Metaphor, Fiction and Thought
Metaphor, Fiction and Thought John Barnden 1 Abstract. I will set out various un/underdeveloped opportunities 2 FICTION-BASED APPROACHES TO for AI, philosophy and metaphor research to interact, with prospects METAPHOR for distinctly new lines of research and approaches to old prob- lems. The opportunities I address in this paper are on the following I take a metaphorical expression such as “Ideas were whizzing topics: fiction-based accounts of metaphor, and a potentially result- around in his mind” to talk about a target scenario (here, a particular ing radical holism as regards the way metaphorical meaning arises state of the mentioned person’s mind and ideas) using the resources from discourse; an anti-analogy-extension thesis, supporting unlim- of a source subject matter (here physical objects and space).2 ited non-parallelism between source and target in metaphor; the idea In various disciplines, researchers have suggested variants of an that thought can be metaphorical, and perhaps even more deeply than approach to metaphor that rests on what we can call fictions. Roughly already mooted; deploying metaphor to solve a difficult problem in and briefly, under such an approach the hearer of a metaphorical sen- propositional attitude theory, which inludes the “meaning intention” tence uses the literal meaning of the sentence in context to (begin problem as a special case; the “cognitive addition” of metaphor in to) construct a fictional scenario expressed partly in source subject- language understanding, possibly leading to radical changes in how matter terms. The fictional scenario is similar to a partial world as de- one thinks of the semantics even of non-metaphorical sentences. -
Records of the Office of the Chancellor, University of California, Berkeley, 1952-[Ongoing]
http://oac.cdlib.org/findaid/ark:/13030/tf3d5nb07z No online items Guide to the Records of the Office of the Chancellor, University of California, Berkeley, 1952-[ongoing] Processed by The Bancroft Library staff University Archives University of California, Berkeley Berkeley, CA 94720-6000 Phone: 510) 642-2933 Fax: (510) 642-7589 Email: [email protected] URL: http://www.lib.berkeley.edu/BANC/UARC © 1998 The Regents of the University of California. All rights reserved. CU-149 1 Guide to the Records of the Office of the Chancellor, University of California, Berkeley, 1952-[ongoing] Collection number: CU-149 University Archives University of California, Berkeley Berkeley, CA 94720-6000 Phone: 510) 642-2933 Fax: (510) 642-7589 Email: [email protected] URL: http://www.lib.berkeley.edu/BANC/UARC Finding Aid Author(s): Processed by The Bancroft Library staff Finding Aid Encoded By: GenX © 2011 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Records of the Office of the Chancellor, University of California, Berkeley Date: 1952-[ongoing] Collection Number: CU-149 Creator: University of California, Berkeley. Office of the Chancellor Extent: circa 200 boxes Repository: The University Archives. University of California, Berkeley Berkeley, CA 94720-6000 Phone: 510) 642-2933 Fax: (510) 642-7589 Email: [email protected] URL: http://www.lib.berkeley.edu/BANC/UARC Abstract: The Records of the Office of the Chancellor, University of California, Berkeley, 1952-[ongoing], includes records for the chancellorships of Clark Kerr, Glenn T. Seaborg, Edward W. Strong, Martin Meyerson, Roger Heyns, and Albert H. Bowker. -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Stephen Pepper's World Hypotheses: Season 1, Episode 1 Welcome To
Stephen Pepper’s World Hypotheses: Season 1, Episode 1 Welcome to the first episode of the Stephen Pepper thread. The focus of this post is World Hypotheses, Chapters 1-4. My reflections today are largely confined to definitional matters, but I also hope to set the stage for an examination (in my next post) of Pepper’s “root metaphor” theory. Perhaps the clearest path into Pepper’s thought is to consider the place where most of us began our intellectual journey: common sense. For Pepper, common sense includes “the sorts of things we think of when we ordinarily read the papers…or the sort of things we see and hear and smell and feel as we walK along the street or in the country…” (p. 39). Pepper considers common sense as a loose synonym for Plato’s notion of “opinion” (p. 39). I’m also reminded of the “natural attitude” described by phenomenologists. For Pepper, the world of common sense can be characterized as “secure” in the sense that it is “never lacking” – i.e., we can always fall back on it: • “No cognition can sink lower than common sense, for when we completely give up trying to Know anything, then is precisely when we Know things in the common-sense way. In that lies the security of common sense” (p. 43). But, in spite of its security, common sense is also “cognitively irritable”: • “The materials of common sense are changing, unchanging, contradictory, vague, rigid, muddled, melodramatically clear, unorganized, rationalized, dogmatic, shrewdly dubious, recKlessly dubious, piously felt, playfully enjoyed, and so forth. -
Under the Direction of DONNA E. ALVERMANN)
THE SOCIONATURALIST NARRATIVE: AN APPROACH TO THE BIO-ECOLOGICAL DYNAMICS OF READING AND LITERACY DEVELOPMENT by GEORGE G. HRUBY (Under the direction of DONNA E. ALVERMANN) ABSTRACT In this conceptual-manuscript hybrid dissertation, the author argues for a theoretical framework for reading and literacy education research informed by neo- naturalist trends in the social sciences, with an emphasis on current motifs in developmental psychology. Specifically, the author demonstrates that a framework intentionally located within a contextual organicist world hypothesis can complement currently competing paradigms in the reading and literacy education community by making sense of cognitive, linguistic, and sociocultural phenomena in terms of the self- organizing dynamics of living systems. This narrative avoids the reductive and deterministic accounts of sociobiology as well as the dualism and essentialism inherent in mechanistic organicist and mechanistic contextualist world hypotheses entertained by cognitive and sociocultural researchers respectively. As a narrative, it links naturalistic discourses with themes in anglophone poststructuralist epistemology. It thereby provides a means of incorporating new insights from the neurosciences, philosophy of mind, artificial intelligence, cognitive ethology, sociolinguistics, cultural and biological anthropology, dynamical systems theory, and evolutionary, ecological, and developmental psychology into theory and research in reading and literacy education. It is suggested that such a narrative can -
Mário Pedrosa PRIMARY DOCUMENTS
Mário Pedrosa PRIMARY DOCUMENTS Editors Glória Ferreira and Paulo Herkenhoff Translation Stephen Berg Date 2015 Publisher The Museum of Modern Art Purchase URL https://store.moma.org/books/books/mário-pedrosa-primary-documents/911- 911.html MoMA’s Primary Documents publication series is a preeminent resource for researchers and students of global art history. With each volume devoted to a particular critic, country or region outside North America or Western Europe during a delimited historical period, these anthologies offer archival sources–– such as manifestos, artists’ writings, correspondence, and criticism––in English translation, often for the first time. Newly commissioned contextual essays by experts in the field make these materials accessible to non-specialist readers, thereby providing the critical tools needed for building a geographically inclusive understanding of modern art and its histories. Some of the volumes in the Primary Documents series are now available online, free-of-charge. © 2018 The Museum of Modern Art 2 \ Mário Pedrosa Primary Documents Edited by Glória Ferreira and Paulo Herkenhoff Translation by Stephen Berg The Museum of Modern Art, New York Leadership support for Mário Pedrosa: Copyright credits for certain illustrations Primary Documents was provided and texts are cited on p. 463. by The International Council of The Museum of Modern Art. Distributed by Duke University Press, Durham, N.C. (www.dukepress.edu) Library of Congress Control Number: 2015954365 This publication was made possible ISBN: 978-0-87070-911-1 with cooperation from the Fundação Roberto Marinho. Cover: Mário Pedrosa, Rio de Janeiro. c. 1958 p. 1: Mário Pedrosa in front of a sculp- Major support was provided by the ture by Frans Krajcberg at the artist’s Ministério da Cultura do Brasil. -
Resounding Empathy
Resounding Empathy: A Critical Exploration of Ricoeur’s Theory of Discourse, to Clarify The Self’s Reliance on Relationships With Other Persons by Benjamin Joseph Shank A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Institute for Christian Studies © Copyright by Benjamin Shank 2020 TABLE OF CONTENTS Introduction………………….…………………………………………………………………………………………1 1. Our Thesis Proposes a Ricoeurian self that is otherwise than Ricoeur’s own version...………………...……1 2. Our proposal is grounded in several philosophical, historical, and scientific contexts………………………2 3. Our contexts allow us to revisit Ricoeur on metaphor, narrative, the self, and recognition…...….………….7 4. In contrast to parts of Time and Narrative, we resound with those who influence us.…………...….9 5. Oneself as Another reveals a self enmeshed with the language that entwines us with others………….…...10 6. Linguistic anthropology reveals that empathy points to a primordial, inescapable connection…………….12 7. Integrating all four contexts reveals a self that is based on the polysemy and vitality of belonging…...…...14 CHAPTER ONE: THE GENESIS OF METAPHOR………………………………………………………………...16 1. Ricoeur’s description of metaphor emphasizes its qualities of being polysemic and being alive…………...16 2. Metaphor’s polysemic vitality relies on a suspension of literal reference…………………………………...17 3. Metaphor’s many meanings allow us to re-describe reality as it manifests……………….……………...…22 4. Metaphor casts meaning as poets do, opening possibilities philosophy has not historically considered…...27 5. Unfolding being through the possibilities of metaphor shifts truth from certitude to trust………………....32 6. Ricoeur presents the poet both as a perceptive genius and as a rhetor speaking to an audience……………36 7. -
Top of Page Interview Information--Different Title
Regional Oral History Office University of California The Bancroft Library Berkeley, California Howard Schachman UC Berkeley Professor of Molecular Biology: On the Loyalty Oath Controversy, the Free Speech Movement, and Freedom in Scientific Research Interviews conducted by Ann Lage in 2000-2001 Copyright © 2007 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Howard Schachman, dated April 26, 2007. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Philosophy of the Social Sciences Blackwell Philosophy Guides Series Editor: Steven M
The Blackwell Guide to the Philosophy of the Social Sciences Blackwell Philosophy Guides Series Editor: Steven M. Cahn, City University of New York Graduate School Written by an international assembly of distinguished philosophers, the Blackwell Philosophy Guides create a groundbreaking student resource – a complete critical survey of the central themes and issues of philosophy today. Focusing and advancing key arguments throughout, each essay incorporates essential background material serving to clarify the history and logic of the relevant topic. Accordingly, these volumes will be a valuable resource for a broad range of students and readers, including professional philosophers. 1 The Blackwell Guide to Epistemology Edited by John Greco and Ernest Sosa 2 The Blackwell Guide to Ethical Theory Edited by Hugh LaFollette 3 The Blackwell Guide to the Modern Philosophers Edited by Steven M. Emmanuel 4 The Blackwell Guide to Philosophical Logic Edited by Lou Goble 5 The Blackwell Guide to Social and Political Philosophy Edited by Robert L. Simon 6 The Blackwell Guide to Business Ethics Edited by Norman E. Bowie 7 The Blackwell Guide to the Philosophy of Science Edited by Peter Machamer and Michael Silberstein 8 The Blackwell Guide to Metaphysics Edited by Richard M. Gale 9 The Blackwell Guide to the Philosophy of Education Edited by Nigel Blake, Paul Smeyers, Richard Smith, and Paul Standish 10 The Blackwell Guide to Philosophy of Mind Edited by Stephen P. Stich and Ted A. Warfield 11 The Blackwell Guide to the Philosophy of the Social Sciences Edited by Stephen P. Turner and Paul A. Roth 12 The Blackwell Guide to Continental Philosophy Edited by Robert C. -
Oriente E Ocidente Conceptual
Dossiê Religião e Ciência METÁFORAS CONCEITUAIS E O SENTIDO DO CONHECIMENTO: ORIENTE E OCIDENTE CONCEPTUAL METAPHORS AND THE SENSE OF KNOWING: EAST AND WEST VICTORIA S. HARRISON (*) Resumo A teoria da metáfora conceitual de George Lakoff and Mark Johnson é uma poderosa ferramenta metodológica que tem sido usada em diversos campos acadêmicos para investigar uma série de questões relativas à cognição humana. A teoria da metáfora conceitual sugere que tanto nosso sentido pré- teorico sobre o que é conhecer algo quanto nossas práticas de aquisição de conhecimento serão formados por metáforas conceituais, quaisquer que sejam elas, que operam nos nossos processos cognitivos, e estas podem diferir entre as culturas. Eu proponho que olhar para as ciências naturais como extensões de um sentido específico pré-teórico do que é o conhecer, aquele que mapeia cognitivamente o conhecimento sobre a experiência do ver, contribui para uma explicação de porque a ciência moderna emergiu no Ocidente e não na China. Palavras-chaves: teoria da metáfora conceitual; Lakoff and Johnson; conhecer é ver; Neo-Confucionismo; Wang (*) Victoria S. Harrison is Professor of Yangming Philosophy in the Programme for Philosophy and Religious Studies, University of Macau, China. Until 2016, Abstract she was Reader in Philosophy at the George Lakoff and Mark Johnson’s conceptual metaphor University of Glasgow, where she was theory is a powerful methodological tool that has been used also Director of the Forum for Philosophy within many academic fields to investigate a wide range of and Religion. She is the author of The Apologetic Value of Human Holiness questions concerning human cognition.