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Kelsey Museum 2020 Annual Report
© 2021 by The University of Michigan. All rights reserved. Published 2020. Printed in the United States of America. The Kelsey Museum of Archaeology, Ann Arbor ISBN: 978-1-7330504-1-8 Edited by Leslie Schramer with assistance from Joseph Frankl. On the cover: Nested jars with coin hoard (KM 2018.1.457), on display in the special exhibition Randal Stegmeyer: Exposing the Past. Unless otherwise noted, all photographs are courtesy of Michigan Photography. With special thanks to Randal Stegmeyer and Austin Thomason. The Kelsey Museum Contents of Archaeology Director’s Report . 1 Vision The Kelsey Museum of Archaeology creates Museum knowledge, explores the past, and educates Exhibitions & Installations . 5 for the future. Public Programs. 7 Comings & Goings. 9 Mission Happenings. 11 The Kelsey Museum of Archaeology advances Members . 14 understanding and appreciation of the ancient Donors, Docents & Volunteers . 15 Mediterranean world through our collections, Administration . 16 research, exhibitions, and fieldwork. Bioarchaeology Lab . 19 Conservation . 22 Values Education . 26 STEWARDSHIP | preserving collections Exhibitions . 37 and information for future generations in Facilities . 41 a sustainable way Publications. 48 RESEARCH | advancing knowledge through Registry . 51 scholarly inquiry and informed interpretation Research EDUCATION | inspiring life-long learning through Field Projects direct experience of the past Abydos Middle Cemetery Project, Egypt. 55 DISCOVERY | exploring new approaches El-Kurru and Jebel Barkal, Sudan . 59 to antiquity Gabii, Italy . 68 Olynthos, Greece . 70 CREATIVITY | fostering innovative collaboration Individual Reports . 72 and presentation RESPECT | finding strength in collaboration Staff & Students . 87 by valuing each other’s expertise and diverse perspectives University of Michigan Board of Regents Jordan B. -
1. Introduction
This PDF is a simplified version of the original article published in Internet Archaeology. Enlarged images, and interactive features which support this publication can be found in the original version online. All links also go to the online version. Please cite this as: Cerbone, O., Garrisi, A., Giorgio, M., La Serra, C., Leonelli, V. and Manca di Mores, G. 2021 Italian Archaeology: heritage, protection and enhancement, Internet Archaeology 57. https://doi.org/10.11141/ia.57.7 Italian Archaeology: heritage, protection and enhancement Oriana Cerbone, Alessandro Garrisi, Marcella Giorgio, Cristiana La Serra, Valentina Leonelli and Giuseppina Manca di Mores Summary Italy has a long tradition of cultural heritage management, which has been framed in an art historical context. This paper outlines the challenges to public archaeology, as it is often seen as a cost rather than as a benefit. Examples are provided showing how museums and heritage sites can be made more inclusive and welcoming to all members of the public, using a combination of private funding and public regulatory frameworks. 1. Introduction This article outlines the legislative provisions for the development of public archaeology in Italy. It will also consider to what extent such agreements have been successful in the 20 years since Valletta, and to what extent there is room for improvement. In order to explain the current arrangements for archaeology in Italy, it is important to understand certain long-standing characteristics of Italian society, and some specific current circumstances in the country. It is well recognised that, within Europe, Italy is the country that first developed rules for the protection of its historical and artistic heritage: a direct consequence of an abundance that has few equals throughout the world. -
Structural Conservation of Panel Paintings 306
PART FOUR Current Approaches to the Structural Conservation of Panel Paintings 306 Florentine Structural Stabilization Techniques Andrea Rothe and Giovanni Marussich by the great flood of 1966 in Florence than by both World Wars combined. Many paintings Mand other artifacts were submerged in the floodwaters for more than eighteen hours. They were covered with mud mixed with heavy deposits of heating oil that had seeped from the storage tanks housed in the many basements of the city.The worst damage was done to the large num- ber of panel paintings in Florence and the surrounding countryside; those that had been submerged swelled many inches beyond their original size. Subsequently, these paintings were subjected to a long and gradual drying process, first in the limonaia, the old hothouses built by the Medici in the Boboli Gardens for their favorite collection of citrus plants. These hothouses were quickly converted into one large humidity chamber. The humidity was raised to 95% at a temperature of 12 °C over a two-year period. Afterward, the treatment was continued in the former army bar- racks of the Fortezza da Basso, which in the meantime had been trans- formed into the largest restoration laboratory in the world; it had, in fact, become an independent governmental department, a soprintendenza, by special decree. Despite the carefully controlled drying process, many of the panels shrank considerably. This shrinkage caused severe blistering and cupping of the paint layers, as well as deformation of the supports (Cianfanelli, Ciani Passeri, and Rossi Scarzanella 1992). Consequently, many of the panel paintings had to be transferred to canvases and to new, rigid supports. -
Community Wildfire Protection Plan Prepared By
Santa Cruz County San Mateo County COMMUNITY WILDFIRE PROTECTION PLAN Prepared by: CALFIRE, San Mateo — Santa Cruz Unit The Resource Conservation District for San Mateo County and Santa Cruz County Funding provided by a National Fire Plan grant from the U.S. Fish and Wildlife Service through the California Fire Safe Council. APRIL - 2 0 1 8 Table of Contents Executive Summary ............................................................................................................ 1 Purpose ................................................................................................................................ 3 Background & Collaboration ............................................................................................... 4 The Landscape .................................................................................................................... 7 The Wildfire Problem ........................................................................................................10 Fire History Map ............................................................................................................... 13 Prioritizing Projects Across the Landscape .......................................................................14 Reducing Structural Ignitability .........................................................................................16 • Construction Methods ........................................................................................... 17 • Education ............................................................................................................. -
USGS Bulletin 2188, Chapter 7
FieldElements Trip of5 Engineering Geology on the San Francisco Peninsula—Challenges When Dynamic Geology and Society’s Transportation Web Intersect Elements of Engineering Geology on the San Francisco Peninsula— Challenges When Dynamic Geology and Society’s Transportation Web Intersect John W. Williams Department of Geology, San José State University, Calif. Introduction The greater San Francisco Bay area currently provides living and working space for approximately 10 million residents, almost one-third of the population of California. These individuals build, live, and work in some of the most geologically dynamic terrain on the planet. Geologically, the San Francisco Bay area is bisected by the complex and active plate boundary between the North American and Pacific Plates prominently marked by the historically active San Andreas Fault. This fault, arguably the best known and most extensively studied fault in the world, was the locus of the famous 1906 San Francisco earthquake and the more recent 1989 Loma Prieta earthquake. There is the great potential for property damage and loss of life from recurring large-magnitude earthquakes in this densely populated urban setting, resulting from ground shaking, ground rupture, tsunamis, ground failures, and other induced seismic failures. Moreover, other natural hazards exist, including landslides, weak foundation materials (for example, bay muds), coastal erosion, flooding, and the potential loss of mineral resources because of inappropriate land-use planning. The risk to humans and their structures will inexorably increase as the expanding San Francisco Bay area urban population continues to encroach on the more geologically unstable lands of the surrounding hills and mountains. One of the critical elements in the development of urban areas is the requirement that people and things have the ability to move or be moved from location to location. -
When Repatriation Doesn't Happen: Relationships Created Through Cultural Property Negotiations
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 2020 When Repatriation Doesn’t Happen: Relationships Created Through Cultural Property Negotiations Ellyn DeMuynck Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Museum Studies Commons, and the Social and Cultural Anthropology Commons When Repatriation Doesn’t Happen: Relationships Created Through Cultural Property Negotiations __________________ A Thesis Presented to the Faculty of the College of Arts, Humanities and Social Sciences University of Denver __________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ___________________ by Ellyn DeMuynck March 2020 Advisor: Christina Kreps Author: Ellyn DeMuynck Title: When Repatriation Doesn’t Happen: Relationships Created Through Cultural Property Negotiations Advisor: Christina Kreps Degree Date: March 2020 Abstract This thesis analyzes the discourse of repatriation in connection to the Encounters exhibition held by the National Museum of Australia in 2015. Indigenous Australian and Torres Strait Islander artifacts were loaned to the Australian museum by the British Museum. At the close of the exhibition, one item, the Gweagal shield, was claimed for repatriation. The repatriation request had not been approved at the time of this research. The Gweagal shield is a historically significant artifact for Indigenous and non- Indigenous Australians. Analysis takes into account the political economy of the two museums and situates the exhibition within the relevant museum policies. This thesis argues that, while the shield has not yet returned to Australia, the discussions about what a return would mean are part of the larger process of repatriation. It is during these discussions that the rights to material culture are negotiated. -
Exhibition Display Techniques Exhibition Display Techniques
Exhibition display He Rauemi Resource Guide techniques ISSUE No. 27 Public programmes (including exhibitions) David Luoni, Heritage Projects Officer, Gore District Council, at Mataura Museum Preventive PO Box 467, Wellington, New Zealand Copyright © 2017 Museum of New Zealand Te Papa Tongarewa This National Services Te Paerangi Resource Guide is licensed under the Creative Commons Attribution-NonCom- mercial-NoDerivs 3.0 New Zealand License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/3.0/nz/ For any further use not covered by this licence please contact [email protected] ISSN: 1175-6462 (Print) ISSN: 2253-1610 (Online) Cover Image: Courtesy of David Luoni, 2015 2 Exhibition display techniques Exhibition display techniques A map, a vase, a kete – whatever objects you exhibit, you want them to be a pleasure to view. You also want to keep them safe. This guide suggests practical techniques for displaying objects attractively and securely. Content: Exhibition planning 02 Labels and interpretation 10 First steps Writing labels Stakeholders and local connections Label production Exhibition proposal Selecting the objects Lighting and highlighting 11 Borrowing objects What’s the best lighting to use? Designing the layout LED lighting Assess your objects’ display requirements Halogen lighting Mounting and displaying objects 04 Audiovisual technology 12 Start with what you’ve got Installing the exhibition 12 Displaying objects without a mount Plinths and raises Security 13 Foam board labels and object -
Personnel, Planning & Policy Committee Meeting
NOTICE OF MEETING Inhabitants of the Town of Amherst: You are hereby notified that there will be a meeting of: Public Body: The Jones Library, Inc. Personnel, Planning and Policy Committee Date: Thursday, August 12, 2021 Time: 4-5pm Location: Zoom Webinar ADVISORY TO THE PUBLIC: This special Jones Library Personnel, Planning and Policy Committee meeting will occur virtually via ZOOM and will be streamed live here: You are invited to a Zoom webinar. When: Aug 12, 2021 04:00 PM Eastern Time (US and Canada) Topic: The Jones Library, Inc. Personnel, Planning, and Policy Committee Please click the link below to join the webinar: https://amherstma.zoom.us/j/81703664637 Or One tap mobile : US: +13017158592,,81703664637# or +13126266799,,81703664637# Or Telephone: Dial(for higher quality, dial a number based on your current location): US: +1 301 715 8592 or +1 312 626 6799 or +1 646 876 9923 or +1 669 900 6833 or +1 253 215 8782 or +1 346 248 7799 or +1 408 638 0968 Webinar ID: 817 0366 4637 International numbers available: https://amherstma.zoom.us/u/kc8f97qdL Meeting Agenda I. Call to Order II. Minutes * III. Proposed Deaccessions * IV. Jones Library Plan for Phased Resumption of Services to the Public o Masks Required o Open Hours Schedule * o 50% Meeting Room Occupancies (Woodbury 62; Amherst 12; Goodwin 25) V. Director Annual Evaluation Forms * VI. Adjournment ** Please note that the list of topics in this notice was comprehensive at the time of posting, however the public body may consider and take action on unforeseen matters not specifically named in this notice. -
Newsletter No
NEWSLETTER NO. 84 - July 2010 INCORPORATING THE MINIATURE BOOK NEWS Examples of bindings by Deb Evetts including the two books she bound for Neale Albert Edward Lear’s Te Jumblies and Covered Bridges Book samples on display at the President’s Message As we count down the days to our 28th Grand Conclave, I was Gabrielle Fox workshop reminded recently of the circumstances of the Society’s founding. “Panoramic Miniature and False Floor Box” In 1983, Miriam Owen Irwin, owner of Mosaic Press in Cincinnati, hosted a gathering of miniature book publishers and collectors at her family farm near Tipp City, Ohio, north of Dayton. Tis month Miriam and her husband Ken celebrated 50 years of marriage with a grand picnic at the Studebaker Frontier Homestead (Miriam is a descendent of the Studebaker family). I know you will join me in congratulating Miriam and Ken as they celebrate this milestone! Mark Palkovic Representing the MBS at the wonderful picnic event were Mark Palkovic and Tom Shessler, and Janet and Kathy King. In addition to the displays of photos and other memorabilia of Ken and Miriam’s wedding day as well as that of the Studebaker family and Studebaker automobiles, Miriam created a marvelous exhibit of miniature books from Mosaic Press and photos from various MBS conclaves, including that frst one in 1983. Although I didn’t join the MBS until a year or two afer its creation, I did attend that frst book fair. It was a trip down memory lane for me as I recalled the joy and wonder of seeing the bibliographic creations and meeting people I had only heard about until then, all in a beautiful outdoor setting. -
Indoor Air Quality in Museum Display Cases: Volatile Emissions, Materials Contributions, Impacts
atmosphere Review Indoor Air Quality in Museum Display Cases: Volatile Emissions, Materials Contributions, Impacts Oscar Chiantore * and Tommaso Poli Department of Chemistry, University of Torino, Via Pietro Giuria 7, 10125 Torino, Italy; [email protected] * Correspondence: [email protected] Abstract: The control of air quality in museum showcases is a growing issue for the conservation of the displayed artefacts. Inside an airtight showcase, volatile substances may rapidly concentrate and favor or directly cause the degradation or other unwanted phenomena on the objects. The role of materials used in the construction of museum display cases as a source of pollutants and volatile compounds dangerous for the cultural heritage integrity is here reviewed with an illustration of consequences and critical damages. Ways of assessing the suitability of materials used either in the construction or in use of the display cases are also discussed altogether with an overview of the possible choices for monitoring the air quality and limiting the concentration of volatile compounds in their interior. Keywords: display cases; indoor air quality; volatile organic compounds; pollutants; emissions; preventive conservation; heritage science Citation: Chiantore, O.; Poli, T. 1. Introduction Indoor Air Quality in Museum The quality of air in the museum environment is of primary importance in determining Display Cases: Volatile Emissions, conditions appropriate for the collections conservation. It is widely acknowledged that Materials Contributions, Impacts. in museum, galleries, and archives, the building materials, furnishings, and technical Atmosphere 2021, 12, 364. https:// equipment can act as important sources of chemical emissions capable of interacting with doi.org/10.3390/atmos12030364 the works of art inside [1,2]. -
3D Printing and Immersive Visualization for Improved
Paola Di Giuseppantonio 3D Printing and Immersive Di Franco* McDonald Institute for Visualization for Improved Archaeological Research Perception of Ancient Artifacts University of Cambridge Downing Street, CB2 3ER Cambridge, UK Carlo Camporesi School of Engineering Abstract University of California Merced This article investigates the use of 3D immersive virtual environments and 3D prints for interaction with past material culture over traditional observation without manipu- Fabrizio Galeazzi lation. Our work is motivated by studies in heritage, museum, and cognitive sciences Department of Archaeology indicating the importance of object manipulation for understanding present and an- University of York cient artifacts. While virtual immersive environments and 3D prints have started to be incorporated in heritage research and museum displays as a way to provide improved Marcelo Kallmann manipulation experiences, little is known about how these new technologies affect the School of Engineering perception of our past. This article provides first results obtained with three experi- University of California ments designed to investigate the benefits and tradeoffs in using these technologies. Merced Our results indicate that traditional museum displays limit the experience with past material culture, and reveal how our sample of participants favor tactile and immersive 3D virtual experiences with artifacts over visual non-manipulative experiences with authentic objects. 1 Introduction Object manipulation is an important element in understanding and inter- preting past material culture. Tactile perception of physical qualities is impor- tant for feeling, interpreting, and understanding ancient artifacts. However, sight is often given priority over the other senses when people experience such kind of objects. Visitors of archaeological sites and museums are usually not allowed to touch archaeological remains for obvious reasons of conservation and preservation. -
La Peninsula Spring 2018
Spring 2018 LaThe Journal of the SanPeninsula Mateo County Historical Association, Volume xlvi, No. 1 Water for San Francisco Our Vision Table of Contents To discover the past and imagine the future. San Mateo County and San Francisco’s Search for Water ............................... 3 by Mitchell P. Postel Our Mission William Bowers Bourn II: To inspire wonder and President of Spring Valley Water Company and Builder of Filoli ....................... 10 by Joanne Garrison discovery of the cultural and natural history of San Images of Building Crystal Springs Dam........................................................... 13 Mateo County. Accredited By the American Alliance of Museums. The San Mateo County Historical Association Board of Directors Barbara Pierce, Chairwoman; Mark Jamison, Vice Chairman; John Blake, Secretary; Christine Williams, Treasurer; Jennifer Acheson; Thomas Ames; Alpio Barbara; Keith Bautista; Sandra McLellan Behling; Elaine Breeze; Chonita E. Cleary; Tracy De Leuw; The San Mateo County Shawn DeLuna; Dee Eva; Ted Everett; Greg Galli; Tania Gaspar; John LaTorra; Emmet Historical Association W. MacCorkle; Olivia Garcia Martinez; Rick Mayerson; Karen S. McCown; Gene Mullin; Mike Paioni; John Shroyer; Bill Stronck; Ellen Ulrich; Joseph Welch III; Darlynne Wood operates the San Mateo and Mitchell P. Postel, President. County History Museum and Archives at the old San President’s Advisory Board Mateo County Courthouse Albert A. Acena; Arthur H. Bredenbeck; David Canepa; John Clinton; T. Jack Foster, Jr.; located in Redwood City, Umang Gupta; Douglas Keyston; Greg Munks; Patrick Ryan; Cynthia L. Schreurs and California, and administers John Schrup. two county historical sites, Leadership Council the Sanchez Adobe in Arjun Gupta, Arjun Gupta Community Foundation; Paul Barulich, Barulich Dugoni Law Pacifica and the Woodside Group Inc; Tracey De Leuw, DPR Construction; Jenny Johnson, Franklin Templeton Store in Woodside.