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Anton Yelchin May Be ‘Very Cynical’ About Fame, but with His Role in Romantic Indie Drama Like Crazy
anton yelchin may be ‘very cynical’ about fame, but with his role in romantic indie drama like crazy. it’s about to become unavoidable. by steve cummins. photographed crazy by hilary walsh ANTON YELCHIN LOOKS LIKE he’s in ready tolove kill me. Lips pursed, his green Such open self-analysis is at odds with eyes narrowing, he scowls when I other Hollywood stars of his ilk, but then suggest that signing up to star in Like there’s something different about the Crazy—a low-budget, largely improvised Russian-born actor. Dressed in a green indie movie with an unknown director— Harris Tweed sports jacket over a was, on paper, a risky move. Fixing his checked shirt and navy jeans, he’s eyes on mine, there’s an intense stare as animated, candid, and talkative when he tries to suss me out. And then, as faced with questions on his personal life, quickly as it arrived, it’s gone. where others are guarded. Talk to him It’s a telling moment. Later, as we sit about his work methods—his obsessive back in the sunshine during an abnormally note-taking and his ability to bring warm August day in Dublin, the 22-year- extraordinary depth to characters such as old actor (who’s in Ireland to promote the Jacob in Like Crazy and Porter in The horror movie Fright Night, in which he Beaver—and he becomes even more stars opposite Colin Farrell), will tell me engaged, words whizzing from his mouth that he doesn’t trust people, that his core and hands moving around impatiently. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Author Talks: the Collection
Author Talks: The collection A series of interviews with authors of books on business and beyond. Summer/Winter 2021 Cover image: Edu Fuentes Copyright © 2021 McKinsey & Company. All rights reserved. This publication is not intended to be used as the basis for trading in the shares of any company or for undertaking any other complex or significant financial transaction without consulting appropriate professional advisers. No part of this publication may be copied or redistributed in any form without the prior written consent of McKinsey & Company. To request permission to republish an article, email [email protected]. Author Talks: The collection A series of interviews with authors of books on business and beyond. Summer/Winter 2021 Introduction Welcome to Author Talks, McKinsey Global Publishing’s series of interviews with authors of books on business and beyond. This collection highlights 27 of our most insightful conversations on topics that have resonated with our audience over this challenging pandemic period, including CEO-level issues, work–life balance, organizational culture shifts, personal development, and more. We hope you find them as inspirational and enlightening as we have. You can explore more Author Talks interviews as they become available at McKinsey.com/author-talks. And check out the latest on McKinsey.com/books for this month’s best-selling business books, prepared exclusively for McKinsey Publishing by NPD Group, plus a collection of books by McKinsey authors on the management issues that matter, from leadership and talent to digital transformation and corporate finance. McKinsey Global Publishing 2 Contents Leadership and Innovative thinking History organization 60 Gillian Tett on looking at the 97 Michelle Duster on the legacy of world like an anthropologist Ida B. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
“Das Unheimliche” De S. Freud Y “The Shining” De S
UNIVERSIDAD DE COSTA RICA SISTEMA DE ESTUDIOS DE POSGRADO ESTÉTICAS DE LA LOCURA EN “DAS UNHEIMLICHE” DE S. FREUD Y “THE SHINING” DE S. KUBRICK Tesis sometida a la consideración de la Comisión del Programa de Estudios de Posgrado Maestría Académica en Teoría Psicoanalítica para optar al grado y título de Maestría Académica en Psicología EDGAR ROBERTO MARÍN VILLALOBOS Ciudad Universitaria Rodrigo Facio, Costa Rica 2019 Dedicatoria A Roberto Marín Chaves, mi abuelo. A Edgar Marín Aguilar, mi padre. De su nieto e hijo, Edgar Roberto Marín Villalobos. ii Agradecimientos A todas las personas con las que conversé, escucharon y aportaron a lo largo de la escritura de esta investigación. Especial agradecimiento a Karen Poe Lang, directora, a Roxana Hidalgo Xirinachs, lectora, y a Marcelo Real Sóñora, lector; con quienes mantuve un diálogo muy cercano, crítico y constructivo para la elaboración de esta investigación. A cada docente, compañeros y compañeras de la Maestría en Teoría Psicoanalítica, una generación excepcional. A Michaela Mühlbauer, Melvin Núñez por la traducción del resumen al idioma alemán, a Roxana González y Valeria López por su revisión. A la Musa inextinguible, Musa entre musas: ojos hechos de poesía. iii “Esta tesis fue aceptada por la Comisión del Programa de Estudios de Posgrado en Psicología de la Universidad de Costa Rica, como requisito parcial para optar al grado y título de Maestría Académica en Teoría Psicoanalítica.” ____________________________________________ M.L. Mariano Fernández Sáenz Representante del Decano Sistema de Estudios de Posgrado ____________________________________________ Dra. Karen Poe Lang Directora de Tesis ____________________________________________ Dra. Roxana Hidalgo Xirinachs Asesora ____________________________________________ M.Sc. -
Inter-Act with Media Movie Like Crazy (2010) Director (Drake Doremus) Stars: Felicity Jones, Anton Yelchin and Jennifer Lawren
Inter-Act with Media Movie Like Crazy (2010) Director (Drake Doremus) Stars: Felicity Jones, Anton Yelchin and Jennifer Lawrence Brief Summary: Does absence make the heart grow fonder or breed contempt? Anna (Jones) and Jacob (Yelchin) are about to find out. These two university students meet in L.A., but when Anna violates her student visa in order to continue her romance with Jacob, she is banned from re-entering the U.S. after a brief return home to England. Anna and Jacob remain together, then see others, then find themselves together… and apart, in an attempt to figure out what will become of their relationship and if their union can withstand the test of their immigration and life battles. While watching Like Crazy, consider the following concepts from the chapter: 1. When Anna is forced to remain in England, she and Jacob seemingly endure a pseudoconflict. Do you agree or disagree? Explain. 2. Describe the conflict style of Jacob and Anna. Discuss how face negotiation theory plays a role in their styles. 3. If you were brought in to mediate the couple’s conflict at the end of the movie, what strategies from the chapter would you use? Do you believe that the couple ultimately resolves this conflict to resolution? Or dissolution? Book The New Rules of Marriage: What You Need to Know to Make Love Work (2008) Author: Terrence Real New York, NY: Ballantine Women no longer “need” a man to take care of them. Instead, they need men to be their emotional equals. Dr. Terrence Real, marriage therapist and author, reveals what he calls “non- starters” that couples should avoid and offers advice on how to use positive communication strategies to repair a damaged relationship. -
March 30, 2010 (XX:11) Stanley Kubrick, the SHINING (1980, 146 Min)
March 30, 2010 (XX:11) Stanley Kubrick, THE SHINING (1980, 146 min) Directed by Jules Dassin Directed by Stanley Kubrick Based on the novel by Stephen King Original Music by Wendy Carlos and Rachel Elkind Cinematography by John Alcott Steadycam operator…Garrett Brown Jack Nicholson...Jack Torrance Shelley Duvall...Wendy Torrance Danny Lloyd...Danny Torrance Scatman Crothers...Dick Hallorann Barry Nelson...Stuart Ullman Joe Turkel...Lloyd the Bartender Lia Beldam…young woman in bath Billie Gibson…old woman in bath Anne Jackson…doctor STANLEY KUBRICK (26 July 1928, New York City, New York, USA—7 March 1999, Harpenden, Hertfordshire, England, UK, natural causes) directed 16, wrote 12, produced 11 and shot 5 films: Eyes Wide Shut (1999), Full Metal Jacket (1987), The Shining Lyndon (1976); Nominated Oscar: Best Writing, Screenplay Based (1980), Barry Lyndon (1975), A Clockwork Orange (1971), 2001: A on Material from Another Medium- Full Metal Jacket (1988). Space Odyssey (1968), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Lolita (1962), Spartacus STEPHEN KING (21 September 1947, Portland, Maine) is a hugely (1960), Paths of Glory (1957), The Killing (1956), Killer's Kiss prolific writer of fiction. Some of his books are Salem's Lot (1974), (1955), The Seafarers (1953), Fear and Desire (1953), Day of the Black House (2001), Carrie (1974), Christine (1983), The Dark Fight (1951), Flying Padre: An RKO-Pathe Screenliner (1951). Half (1989), The Dark Tower (2003), Dark Tower: The Song of Won Oscar: Best Effects, Special Visual Effects- 2001: A Space Susannah (2003), The Dark Tower: The Drawing of the Three Odyssey (1969); Nominated Oscar: Best Writing, Screenplay Based (2003), The Dark Tower: The Gunslinger (2003), The Dark Tower: on Material from Another Medium- Dr. -
Stanley Kubrick -- Auteur Adriana Magda College of Dupage
ESSAI Volume 15 Article 24 Spring 2017 Stanley Kubrick -- Auteur Adriana Magda College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Magda, Adriana (2017) "Stanley Kubrick -- Auteur," ESSAI: Vol. 15 , Article 24. Available at: https://dc.cod.edu/essai/vol15/iss1/24 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Magda: Stanley Kubrick -- Auteur Stanley Kubrick – Auteur by Adriana Magda (Motion Picture Television 1113) tanley Kubrick is considered one of the greatest and most influential filmmakers in history. Many important directors credit Kubrick as an important influence in their career and Sinspiration for their vision as filmmaker. Kubrick’s artistry and cinematographic achievements are undeniable, his body of work being a must watch for anybody who loves and is interested in the art of film. However what piqued my interest even more was finding out about his origins, as “Kubrick’s paternal grandmother had come from Romania and his paternal grandfather from the old Austro-Hungarian Empire” (Walker, Taylor, & Ruchti, 1999). Stanley Kubrick was born on July 26th 1928 in New York City to Jaques Kubrick, a doctor, and Sadie Kubrick. He grew up in the Bronx, New York, together with his younger sister, Barbara. Kubrick never did well in school, “seeking creative endeavors rather than to focus on his academic status” (Biography.com, 2014). While formal education didn’t seem to interest him, his two passions – chess and photography – were key in shaping the way his mind worked. -
Kubrick by Kubrick (2020) Un Mosaico Di Materiali D'archivio Che Si Ritaglia Un Posto Nella Folta Schiera Di Ammiratori Del Maestro
Kubrick By Kubrick (2020) Un mosaico di materiali d'archivio che si ritaglia un posto nella folta schiera di ammiratori del Maestro. Un film di Gregory Monro Genere Documentario durata 72 minuti. Produzione Polonia, Francia 2020. Un ritratto intimo e privato di Stanley Kubrick. Uno sguardo speciale sul mondo di un grande regista. Ascoltiamo una voce rimasta a lungo inedita. Raffaella Giancristofaro - www.mymovies.it Per circa vent'anni il critico cinematografico e giornalista parigino Michel Ciment, direttore della rivista specializzata "Positif", ha studiato il lavoro di Stanley Kubrick, intervistandolo più volte, in particolare su quattro dei suoi tredici lungometraggi: 'Arancia meccanica', 'Barry Lyndon', 'Shining' e 'Full Metal Jacket'. Le loro conversazioni, registrate su nastro, una volta trascritte hanno dato corpo a un autorevole volume monografico (edito in Italia da Milano Libri per la prima volta nel 1981, poi ripubblicato da Rizzoli nel 2007 in una versione ampliata). L'attore e sceneggiatore Gregory Monro (già autore di speciali su Calamity Jane, Jerry Lewis, Michel Legrand), riscoperti quegli audio, nel frattempo digitalizzati, ha colto l'opportunità per ridare letteralmente voce al regista e cucire attorno ad essa una nuova narrazione. In ossequioso atteggiamento verso Ciment e il suo privilegio di un dialogo prolungato con uno dei più enigmatici creatori di immagini, il film si offre come un mosaico di soli materiali d'archivio (estratti dai film, foto e interviste coeve). Dando per scontata la conoscenza dell'opera kubrickiana, con questa sintesi parziale Monro si ritaglia un posto nella folta schiera di ammiratori, collaboratori e studiosi (tra cui va nominato Filippo Ulivieri, creatore di archiviokubrick.it) che nei due decenni dalla morte del regista (1999) hanno ragionato sul suo opus. -
Kubrick As Architect Paolo Cherchi Usai
Document généré le 23 sept. 2021 05:49 Cinémas Revue d'études cinématographiques Journal of Film Studies Kubrick as Architect Paolo Cherchi Usai Les Dispositifs de médiation au cinéma Résumé de l'article Volume 9, numéro 1, automne 1998 Cet essai examine la pertinence éloquente des éléments d'architecture dans les films de Stanley Kubrick. Les propositions de Hermann Muthesius et Frank URI : https://id.erudit.org/iderudit/024776ar Lloyd Wright concernant les rapports entre la forme et l'architecture sont DOI : https://doi.org/10.7202/024776ar considérés comme une base théorique pour explorer les voies selon lesquelles des éléments comme les fenêtres, les cages d'escalier, les corridors et Aller au sommaire du numéro l'ornement prennent des fonctions symboliques et narratives chez Kubrick. Éditeur(s) Cinémas ISSN 1181-6945 (imprimé) 1705-6500 (numérique) Découvrir la revue Citer cet article Cherchi Usai, P. (1998). Kubrick as Architect. Cinémas, 9(1), 117–136. https://doi.org/10.7202/024776ar Tous droits réservés © Cinémas, 1998 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Kubrick as Architectl Paolo Cherchi Usai RÉSUMÉ Cet essai examine la pertinence éloquente des éléments d'architecture dans les films de Stanley Kubrick. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.