'There's No Such Thing As Gay': Black Lesbians And
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South Africa: No Arrests in Lesbian Murder Case Homophobic Violence Continues Unchecked in Townships May 2, 2011
South Africa: No Arrests in Lesbian Murder Case Homophobic Violence Continues Unchecked in Townships May 2, 2011 (Johannesburg) - The murder of a 24-year-old lesbian activist from Kwa-Thema township in Gauteng appears to be the latest in an epidemic of brutal homophobic attacks, Human Rights Watch said today. Noxolo Nogwaza was found murdered on April 24, 2011, in a vicious attack that seems to have been motivated by her sexual orientation. Nogwaza's face and head were completely disfigured by stoning, she was stabbed several times with broken glass, and the evidence suggests that she was raped. A beer bottle, a large rock, and used condoms were found on and near her body. "Nogwaza's death is the latest in a long series of sadistic crimes against lesbians, gay men, and transgender people in South Africa," said Dipika Nath, researcher in the lesbian, gay, bisexual, and transgender tights (LGBT) program at Human Rights Watch. "The vicious nature of the assault is a potent reminder that these attacks are premeditated, planned, and often committed with impunity." Human Rights Watch said that the government should immediately issue a public statement condemning the attack and the police should step up investigations to apprehend Nogwaza's killers. On the night of April 23, Nogwaza went to a bar in Tsakane, a township neighboring Kwa-Thema, with a female friend. Some men in the bar propositioned her friend, which led to a verbal altercation between Nogwaza and the men. Her friend left the bar and Nogwaza herself was last seen by an acquaintance soon after the fight. -
NEW STATESMAN | 26 JULY – 8 AUGUST 2013 2013+30Photo Essay:NS 25/07/2013 11:30 Page 45
2013+30photo essay:NS 25/07/2013 11:30 Page 44 STEVENSON GALLERY/YOSSI MILO GALLERY Pieter Hugo (above) photographs and chose to focus on the close to the mines. Hugo was attracted to Johannesburg, Gauteng Province Witwatersrand, the gold mining region that the notion that Main Reef Road is a modern surrounds Johannesburg. He meandered equivalent of the Roman Via Appia. “All The South African Pieter Hugo was along the city’s Main Reef Road, which South Africa’s wealth was generated along commissioned to take landscape connects the towns that have sprung up this road,” he says. 44 | NEW STATESMAN | 26 JULY – 8 AUGUST 2013 2013+30photo essay:NS 25/07/2013 11:30 Page 45 PHOTO ESSAY Transition Contested landscapes in South Africa Photography by Philippe Chancel, Raphaël Dallaporta, Pieter Hugo, Santu Mofokeng, Zanele Muholi, Jo Ractliffe, Thabiso Sekgala and Alain Willaume In Southern Africa, landscape photography is invariably political. The camera was an im- portant tool to Europeans in the appropria- tion of land. In 1858, the Scottish missionary David Livingstone asked his brother Charles to photograph an expedition to the Victoria Falls (which he had “discovered” in 1855). He wanted “to extend the knowledge already attained of the geography and mineral and agricultural resources” there, in the hope that “raw material” might be “exported to England in return for British manufactures”. When those that followed came to depict the land for its own sake, they relied on a vi- sual aesthetic adopted from French art. They did not record the landscape: they “invented” it. Throughout the 19th and early 20th cen- turies, white salon photographers developed an iconography that aimed to reveal a virgin territory whose mountains, plains and tribal inhabitants illustrated the grandeur of the imperial project. -
South Africa February 2013
Blind Alleys PART II Country Findings: South Africa February 2013 The Unseen Struggles of Lesbian, Gay, Bisexual, Transgender and Intersex Urban Refugees in Mexico, Uganda and South Africa Acknowledgements This project was conceived and directed by Neil Grungras and was brought to completion by Cara Hughes and Kevin Lo. Editing, and project management were provided by Steven Heller, Kori Weinberger, Peter Stark, Eunice Lee, Ian Renner, and Max Niedzwiecki. In South Africa, we thank Liesl Theron of Gender DynamiX, Father Russell Pollitt and Dumisani Dube of Holy Trinity Catholic Church in Braamfontein, Johannesburg, Kaajal Ramjathan-Keogh of Lawyers for Human Rights, and Braam Hanekom and Guillain KoKo of PASSOP (People Against Suffering, Oppression and Poverty) who gave us advice and essential access to its cli- ents. We thank Charmaine Hedding, Sibusiso Kheswa, Siobhan McGuirk, Tara Ngwato Polzer, Sanjula Weerasinghe, and Rachel Levitan for their work coordinating and conducting the field research. Expert feedback and editing was provided by Libby Johnston and Melanie Nathan. We are particularly grateful to Anahid Bazarjani, Nicholas Hersh, Lucie Leblond, Minjae Lee, Darren Miller, John Odle, Odessa Powers, Peter Stark, and Anna von Herrmann. These dedi- cated interns and volunteers conducted significant amounts of desk research and pored over thou- sands of pages of interview transcripts over the course of months, assuring that every word and every comment by interviewees were meticulously taken into account in this report. These pages would be blank but for the refugees who bravely recounted their sagas seeking pro- tection, as well as the dedicated UNHCR, NGO, and government staff who so earnestly shared their experiences and understandings of the refugees we all seek to protect. -
The Erasure of Queer Blackwomxn in Post-Apartheid South Africa By
Violent Anxiety: The erasure of queer blackwomxn in Post-Apartheid South Africa by Lethabo Mailula Submitted in partial fulfilment of the requirements for the degree Master of Law in the Department of Jurisprudence Faculty of Law UNIVERSITY OF PRETORIA December 2018 SUMMARY Violent Anxiety: The erasure of queer blackwomxn in Post-Apartheid South Africa Supervisor: Prof. Karin Van Marle & Dr, Isolde de Villiers Department: Jurisprudence University: University of Pretoria Degree: Master of Law Keywords: Queer, erasure, blackwomxn. Symbolic erasure, material erasure, epistemicide Summary The research problem is aimed at identifying the various ways in which queer blackwomxn are erased in Post-Apartheid South Africa. The three levels of erasure identified are: epistemic, material and symbolic. The manifestation of these different forms of erasure overlaps and facilitates as unique experience of oppression for queer blackwomxn in Post-Apartheid South Africa. Thus, I explore the unique positioning of queer blackwomxn in Post-Apartheid South Africa by interrogating how race, gender, economic standing and sexual orientation affect the way these bodies experience citizenship and belonging. I use an intersectional approach in answering the questions of how erasure manifests epistemically, materially and symbolically. This approach challenges the singular analysis which ignores how the various identities intersect and create a unique experience of oppression for blackwomxn. Therefore, this approach acknowledges that the different systems of oppression such as racism, patriarchy and heterosexism intersect to create a specific experience for queer blackwomxn. Plagiarism Declaration: Lethabo Mailula 13213319 LLM Dissertation Declaration 1. I understand what plagiarism is and am aware of the University’s policy in this regard. -
SPELGBTQ Resource Guide
SPELGBTQ Resource Guide Spring 2019 ARTISTS Braden Summers // Portraits, Culture // slrlounge.com/love-equal-braden-summers Braden Summers is a photographer who aims to capture dignified representations of LGBT people all over the world. Citing media misrepresentation of the LGBT community as a catalyst for his recent work, Summers’ “All Love is Equal” showcases love instead of stereotype. Cassils // Self-Portraits, Performance // cassils.net/about-2/ Cassils is an American artist who draws on “conceptualism, feminism, body art, and gay male aesthetics”, in order to “construct a visual critique around ideologies and histories.” Cassils uses live performance, film, sound, sculpture, and photography as a way to use the human body as a vehicle for social sculpture. Catherine Opie // Portraits, Self-Portraits, Landscape // art21.org/artist/catherine-opie/ Opie is an American photographer who uses portraiture and landscape as a way to investigate “the ways in which photographs both document and give voice to social phenomena in America today.” Chad States // Portraits, Multimedia // chadstates.com/ Chad States is an American photographer that explores masculinity by working with subjects he contacts through online platforms such as Craigslist. State’s interdisciplinary work examines the complex systems that produce myriad complex answers to the question, “Are you masculine?” Chloe Meynier // Portraits // chloemeynier.com/ After completing a PhD in Cognitive Psychology, Chloe Meynier began their photography practice as their “way to actively contribute to society.” In their work they use self-portraiture as a methodology to “explore different societal issues like violence against women, women's roles, and gender identity issues.” Claude Cahun // Self-Portraits // moma.org/learn/moma_learning/claude-cahun Born on the Isle of Jersey, artist and writer Claude Cahun created provocative self-portraits that explore the complex relationship between photography, identity, and representation. -
Citizenship, the Public Sphere and Lesbian Organizing in South Africa
Becoming Citizens: Lesbian Organizing and the Public Sphere in South Africa and Argentina Julie Moreau Department of Political Science McGill University August 2013 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy (Ph.D.) © Julie Moreau, 2013 Abstract This dissertation explores the emergence of lesbian civic subjectivities in the context of legal equality in South Africa and Argentina. This is done through an examination of the activism of two self-identified lesbian and bisexual women’s organizations—Free Gender in South Africa and La Fulana in Argentina. I argue that the negotiation and redefinition of multiple identities in the formation of collective identity of each group can be usefully conceived of as a process of subject formation for the public sphere. I refer to this process as lesbian organizing and argue that the subjectivities created through this process pose specific challenges to dominant discourses of citizenship in each context. In South Africa, citizenship is constituted by a discourse of ‘the gap’ between ‘rights on paper’ and ‘rights in practice.’ Insisting on a ‘gap’ between de jure and de facto citizenship generates the expectation that certain citizens will not be able to effectively exercise their rights, thus obscuring the political and social construction of the conditions of this vulnerability. This discourse intersects another—‘homosexuality is unAfrican,’or the idea that non- heterosexual activity is a colonial import and that sexual -
“Corrective Rape” Among Lesbian Students at the University of the Free State, Bloemfontein
Perceptions and attitudes regarding “corrective rape” among lesbian students at the University of the Free State, Bloemfontein By Nnuku E. Moleko Mini-Dissertation Submitted in fulfilment of the requirements for the degree MASTER OF ARTS In Gender Studies At The University of the Free State Bloemfontein Supervisor: N. Lake 2016 DECLARATION I declare that the mini-dissertation titled Perceptions and attitudes regarding “corrective rape” among lesbian students at the University of the Free State, Bloemfontein is my own work and has not previously been submitted at this or any other university, and that all the sources that I used are fully acknowledged. MOLEKO N.E Date i ABSTRACT Post-apartheid South Africa is a country filled with conflicting ideas. While the Constitution enshrines the rights of sexual minorities, homophobic attitudes tend to reflect discriminatory behaviour within society. Homosexuality has been defined as un- African and news reports suggest that black lesbians are a particularly vulnerable minority in the country. While much research has focused on violence directed against black lesbians living in South African townships, this study focuses on the lived experiences of black lesbians in a university environment. South African Higher Education Institutions (HEIs) are considered safe spaces where students can express their sexuality more freely. For this reason I have chosen to examine the realities of an under-researched community, black lesbian students at the University of the Free State (UFS). The study has relied on a qualitative research design and semi-structured interviews were conducted with eight participants who come from different backgrounds but all study at the UFS. -
Highly Personal Curated by Gary Schneider
Stephen Daiter Gallery is pleased to present… Highly Personal Curated by Gary Schneider South African Artists Hasan and Husain Essop; David Goldblatt; Pieter Hugo; Donna Kukama; Terry Kurgan; Senzeni Marasela; Nandipha Mntambo; Zanele Muholi; Cedric Nunn; Jo Ractliffe; Mikhael Subotzky and Andrew Tshabangu. ...and Their HandPrint Portraits Gary Schneider I left South Africa in 1977 at the age of 23. In 2011, I returned for my first exhibition there, and began making handprint portraits of South African artists. A Guggenheim Fellowship allowed me to continue the project through 2013. I embarked on the project and traveled widely in order to meet artists and, through them, understand what it means to be a South African artist two decades after the end of apartheid. These handprints do not reveal race, economic status, gender or age. They all follow the same format. I set up a process in which the person is responsible for the information deposited in the film emulsion — it is an assisted self-portrait. The variables are their performance and gesture, the physical shape of the hand, their body chemistry, and their relationship to me. For this exhibition at Stephen Daiter Gallery I have selected the work of thirteen artists — who are all photographers, or artists who use photography — to be exhibited along with their handprint. This is a very small group from the seventy-seven artists published in HandPrints: South African Artists, Fourthwall Books, 2015 which is itself a subset of the more than two hundred handprint portraits I made in South Africa over the three years I spent there. -
Zanele Muholi B
ZANELE MUHOLI B. 1972 in Umlazi, Durban. Lives and works in Johannesburg SOLO EXHIBITIONS 2021 Awe Maaah!, Yancey Richardson, New York Somnyama Ngonyama: Hail the Dark Lioness, Cummer Museum, Jacksonville, FL Somnyama Ngonyama: Hail the Dark Lioness, Center for Visual Art, Denver, CO Zanele Muholi, Stevenson, Amsterdam, the Netherlands Somnyama Ngonyama: Hail the Dark Lioness, Pearl Lam Galleries, Hong Kong 2020 Zanele Muholi, Tate Modern, London, UK And Then You See Yourself, Norval Foundation, Cape Town, South Africa Somnyama Ngonyama: Hail the Dark Lioness, Ethelbert Cooper Gallery of African and African American Art, Harvard University, Massachusetts, USA 2019 Somnyama Ngonyama: Hail the Dark Lioness, Seattle Art Museum, Seattle, WA Somnyama Ngonyama: Hail the Dark Lioness, Colby College Museum of Art, Maine, USA Faces and Phases 13, Stevenson Gallery, Johannesburg, South Africa 2018 Somnyama Ngonyama: Hail the Dark Lioness, Spelman College Museum of Fine Art, Georgia, US Somnyama Ngonyama: Hail the Dark Lioness, New Art Exchange, Nottingham, UK Somnyama Ngonyama, Fotografiska, Stockholm, Sweden Somnyama Ngonyama: Hail the Dark Lionness, Museo de Arte moderno de Buenos Aires, Argentina Zanele Muholi, LUMA Westbau, Zurich, Switzerland 2017 Zanele Muholi, Stedelijk Museum, Amsterdam Homecoming, Durban Art Gallery, Durban South Africa Somnyama Ngonyama: Hail the Dark Lioness, Reid Gallery at Glasgow School of Art, Scotland Faces and Phases 11, Market Photo Workshop, Johannesburg, South Africa Zanele Muholi: Somnyama Ngonyama, Yancey -
Racial Identity and Racism in the Gay and Lesbian Community in Post-Apartheid South Africa Emily Craven a Research Report Submit
Racial identity and racism in the gay and lesbian community in post-apartheid South Africa Emily Craven A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg in partial fulfilment of the requirements for the degree of Master of Arts in Political Studies. May 2011 Declaration I Emily Craven, declare that this research report is my own work. It is being submitted in partial fulfilment for a degree of Master of Arts in Political Studies at the University of the Witwatersrand, Johannesburg. I further declare that neither this report, nor any part of it, has been submitted for any degree or examination at any other university. _______________________ ______________________ i Acknowledgements I want first to say a huge thank you to my mother and father, Norma and Patrick Craven who were willing to take in and support their thirty something daughter when she decided to go back to school, without their endless support both financial and emotional this adventure would not have been possible. Also, to my dearest friend Simonne Horwitz who always believes in me. To my supervisor Antje Schuhmann who first discussed the idea of this work with me under a tent on a dusty field in Kwa Thema some years ago and who has seen it through to the end, thank you so much for everything. In addition I have to thank all the staff in the Wits Political Studies Department, a special thanks to Shireen Hassim for so much help not least for staying up all night to proof read my work, also to those people apart from Antje and Shireen who taught the coursework elements of my MA, Stephen Louw, Estienne Rodary and Malathi De Alwis and finally to Gillian Renshaw who is a superhero. -
Homophobic and Transphobic Violence
FACT SHEET Homophobic and transphobic violence Violence against lesbian, gay, bisexual Data or transgender people Official data on homophobic and transphobic violence is Homophobic and transphobic violence has been reported patchy and official statistics are scarce. Relatively few in all regions of the world. It ranges from aggressive, countries have adequate systems in place for monitoring, sustained psychological bullying to physical assault, torture, recording and reporting homophobic and transphobic hate kidnapping and targeted killings. Sexual violence has also crimes. Even where such systems exist, victims may not trust been widely reported, including so-called “corrective” the police enough to come forward, and the police themselves or “punitive” rape, in which men rape women assumed may not be sufficiently sensitized to recognize and properly to be lesbian on the pretext of trying to “cure” their victims record the motive. Nevertheless, by piecing together whatever of homosexuality. national statistics are available and supplementing them with reporting from other sources a clear pattern emerges—of Violence takes place in a variety of settings: on the street, widespread, brutal violence, often committed with impunity. in public parks, in schools, in workplaces, in private homes, and in prisons and police cells. It may be spontaneous or organized, perpetrated by individual strangers or by extremist State responsibility groups. A common characteristic of many anti-LGBT hate crimes is their brutality: murder victims, for example, are States are obliged under international law to protect LGBT often found mutilated, severely burnt, castrated, showing people’s rights to life, to security of person, and to freedom from signs of sexual assault. -
A Queer Intervention Zethu Matebeni
special issue 26 Southern Perspectives on DOI http://dx.doi.org/10.11606/ Gender Relations and Sexualities: 2179-0892.ra.2017.141826 A Queer Intervention Zethu Matebeni University of Cape Town | Cape Town, South Africa [email protected] resumo palavras-chave This paper locates its position from the Southern African context in order to Sexuality, Black rethink knowledge production in sexuality and gender relations. Grappling with Lesbians, South the brutal violence and murder of Black lesbians in particular, the paper unpacks Africa, Queer, how what I call ‘the queer turn’ has simultaneously advanced and made invisible #RhodesMustFall particular struggles. Finally, based on the experience of the #RhodesMustFall movement. movement and in artistic cultural productions, the paper argues for reimagining the category queer not just as sexual or gender identity, but also as a form of destabilizing notions of belonging attached to the racist and heteronormative neo-colonial project. Rev. antropol. (São Paulo, Online) | v. 60 n. 3: 26-44 | USP, 2017 special issue |Zethu Matebeni | Southern Perspectives on 27 Gender Relations and Sexualities: A Queer Intervention 1 In this paper , I am interested in mapping some advances on knowledge produc- 1 Various versions of parts tion in sexuality and gender diversity (what many scholars call non-normative of this paper appear in the 2018 Special Issue of Critical African sexualities and gender identities) in the Southern African context. Connections Studies; forthcoming publication will be made to other parts of the African continent, but my focus is particularly of Global Encyclopedia of Gay, Lesbian, Bisexual, Transgender, on South Africa. There are a number of reasons for this focus, and, in providing and Queer History.