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Reconciling Social Norms and Copyright Law: Strategies for Persuading People to Pay for Recorded Music Mark F
Journal of Intellectual Property Law Volume 17 Issue 1 Symposium - The Changing Face of Copyright Article 6 Law: Resolving the Disconnect Between 20th Century Laws and 21st Century Attitudes October 2009 Reconciling Social Norms and Copyright Law: Strategies for Persuading People to Pay for Recorded Music Mark F. Schultz Southern Illinois University School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Mark F. Schultz, Reconciling Social Norms and Copyright Law: Strategies for Persuading People to Pay for Recorded Music, 17 J. Intell. Prop. L. 59 (2009). Available at: https://digitalcommons.law.uga.edu/jipl/vol17/iss1/6 This Article is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Schultz: Reconciling Social Norms and Copyright Law: Strategies for Persua RECONCILING SOCIAL NORMS AND COPYRIGHT LAW: STRATEGIES FOR PERSUADING PEOPLE TO PAY FOR RECORDED MUSIC Mark F. Schultz INTRODUCTION ................................................. 60 I. WHEN IS SURRENDER THE RIGHT OPTrION? CHANGING THE LAW OR ABANDONING ENFORCEMENT ......................... 62 A. HOW NORMS OVERCOME LAWS .............................. 63 B. DETERMINING WHEN TO CHOOSE THE SURRENDER STRATEGY .... 63 C. THE SURRENDER STRATEGY AND THE MUSIC BUSINESS .......... 68 Ii. SURVEYING THE ALTERNATE STRATEGIES ....................... 70 A. DETERRENCE: RAMPING UP ENFORCEMENT AND PENALTIES ..... 70 1. Deterrence Strategiesin General............................. -
Black Light Burns Cruel Melody Mp3, Flac, Wma
Black Light Burns Cruel Melody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Cruel Melody Country: US Released: 2007 Style: Electro, Goth Rock MP3 version RAR size: 1390 mb FLAC version RAR size: 1273 mb WMA version RAR size: 1864 mb Rating: 4.4 Votes: 555 Other Formats: VQF WMA AU VOX MOD AC3 MIDI Tracklist Hide Credits Mesopotamia 1 4:29 Mixed By – Ross Robinson, Ryan Boesch 2 Animal 4:08 Lie 3 4:21 Bass – Danny LohnerProgrammed By [Additional] – Charlie Clouser Coward 4 4:36 Bass, Guitar – Danny LohnerVocals [Additional] – Sonny Moore Cruel Melody 5 5:00 Vocals [Additional] – Carina Round 6 The Mark 3:13 I Have A Need 7 4:24 Bass – Sam Rivers Guitar – Danny Lohner 8 4 Walls 3:51 9 Stop A Bullet 3:37 10 One Of Yours 4:51 New Hunger 11 Cello – John Krovoza, Matt Cooker*, Richard Dodd Viola – Leah KatzViolin – Daphne Chen, 5:24 Eric Gorfain I Am Where It Takes Me 12 Cello – John Krovoza, Matt Cooker*, Richard Dodd Drums – Wes BorlandViola – Leah 6:09 KatzViolin – Daphne Chen, Eric GorfainVocals [Additional] – Johnette Napolitano Iodine Sky 13 8:30 Mixed By – Wes Borland Credits Drums, Percussion – Josh Freese Engineer – Critter*, Josh Eustis* Engineer [Additional] – Danny Lohner, Wes Borland Lead Vocals, Guitar, Bass, Programmed By, Percussion, Synthesizer, Piano, Electric Piano [Rhodes], Violin, Cello – Wes Borland Mixed By – Tom Lord-Alge (tracks: 2 to 12) Performer [Live Bass] – Sean Fetterman Performer [Live Drums] – Marshall Kilpatric Performer [Live Guitar] – Nick Annis Performer [Live Vocals, Guitar] -
Subculture Magazine - Alternative Music and Culture Magazine
Subculture Magazine - alternative music and culture magazine. The ultimate ...c, darkwave, synthpop, alternative and post punk music. always on the edge. User Password Sign Up | Forgot Password Thursday, Dec 08 , 2005 Devo - Live 1980 (DVD) Posted :Thu, Dec 8th, 2005 00:20:24 Devo Devo - Live 1980 (DVD) Target Video Review By : Vivien Weimar With 80s nostalgia being de rigueur these days, the time is ripe for a DEVO reunion. The reclusive new wave band usually doesn't tour much as original founder Mark Mothersbaugh has since moved on to creating commercials and soundtracks at his Los Angeles production company Mutato Muzika (that fantastically weird space-ship-looking building on Sunset Boulevard) along with the other Devo members save Jerry Casale who has been directing videos for such bands as the Foo Fighters and Soundgarden. However, this summer Devo got together and played limited dates all across the country--and this fall they released Live 1980, a full-length concert video shot at the Phoenix Theatre in Petaluma, CA on August 17, 1980. Complete with white uniforms, blue background screen and "energy domes" (don't you dare call them flower-pot hats), Devo play the hits off of their albums, Q: Are We Not Men? A: We are Devo!, Duty Now For the Future and Freedom of Choice. Twenty-one songs are featured in this 75-minute disc including the classic MTV staple "Whip It", the oft-covered "Girl U Want", and their own covers of Johnny River's classic "Secret Agent Man" and the Rolling Stones "(I Can't Get No) Satisfaction". -
Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Sara Kays Is Like the One Friend You Have Who Actually Listens and Watches As Much As She Speaks
Sara Kays is like the one friend you have who actually listens and watches as much as she speaks. For the most part, her life is “quiet.” Her free time consists of hanging out with her brother and mother, playing soccer with her friends, and frequenting thrift shops. She loves warm beanies and also doesn’t understand “why people don’t eat croutons like chips.” When she does get “loud,” everybody else listens just as intently. She’s unassumingly built a rapt audience of 2 million followers across social media platforms, gathered hundreds of millions of streams, and received acclaim from Billboard, People, BuzzFeed, American Songwriter, Flaunt, FLOOD and more. Observations, thoughts, and truths straight from the Notes app on her phone inform diary-style stories often upheld by not much more than gentle acoustic guitar, soft ukulele, and a keyboard murmur. In 2021, the Nashville-based solo singer and songwriter makes a heart-to-heart connection on her Struck By Lightning EP [Atlantic Records] and more music on the horizon. “I was pretty surprised when people connected to the personal things I’ve gone through,” she admits. “I started seeing messages, and it made me more aware. It’s comforting to share in the same struggles.” After getting her first guitar at the age of twelve, she cut her teeth by busking for hours on end throughout high school. She performed staples such as “Champagne Supernova” by Oasis and Elvis Presley’s “Can’t Help Falling In Love With You.” Personally, she drew on influences as diverse as A Day To Remember, Mayday Parade, Panic! At The Disco, Alec Benjamin, Jake Bugg, and Kacey Musgraves. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
3 Years Hollow Critical Hit Heartist MXPX* Soil 10 Years Crobot Heaven’s Basement* New Years Day* Special Blend 9electric Darkest Hour Heavygrinder Nonpoint Spineshank* Ace Frehley** Darkness Divided Hed PE One Eyed Doll Still Remains* Adelitas Way Dave MacPherson Hollow Earth Outside The Coma Stitched Up Heart Adrenaline Mob Death Angel Hoobastank P.O.D Static Summer Aeges Devildriver Ill Nino* Pat Travers Band Sumo Cyco Alien Ant Farm Devil You Know INME Pearl Superjoint Ritual Altitudes & Attitude Diamond Plate Islander Phil Campbell’s All Starr SycAmour American Head Charge Diamante It Dies Today Band Tantric Angra Diecast Janus Powerman 5000 Taproot Anthrax Dope Jared James Nichols Psychostick The Ataris* Armored Saint Double Vision Tour Joanne Shaw Taylor Queensrÿche The Bosshoss Ashes Doyle Kaleido Randy Bachman The Coffis Brothers Avatar Drowning Pool Karnivool RED The Damned Things Bad Seed Rising Duff McKagan’s Loaded Katastro Rev Theory The Defiled Beyond Threshold Earthtone9* Kelley James Revoker The Last Vegas Bachman and Turner Eddie Money* Kill Devil Hill Righteous Vendetta The Missing Letters Billy Squier Empty Hearts Kingdom Of Giants Robby Krieger of The Doors Thousand Foot Krutch Black Tide Even the Dead Love a Parade Kittie** Robin Zander Band Thomas Nicholas Band* Blue Öyster Cult Eyes Set to Kill Kobra and The Lotus Romantic Rebel Threat Signal Breed 77* Fates Warning Kottonmouth Kings Ronnie Spector Twiztid ^ Brett Scallions Fear Factory Kris Roe* The Ronettes Ugly Kid Joe Bridge To Grace Fireball Ministry Life -
Running Order
20:55 23:55 19:55 22:55 01:55 20:50 23:50 19:50 22:50 01:50 20:45 23:45 19:45 22:45 01:45 20:40 23:40 19:40 Black Spiders 22:40 01:40 20:35 23:35 19:35 22:35 01:35 20:30 23:30 19:30 22:30 01:30 20:25 23:25 19:25 22:25 01:25 A 20:20 23:20 Silent Disco 19:20 22:20 01:20 20:15 23:15 19:15 22:15 01:15 65daysofstatic 20:10 23:10 19:10 22:10 01:10 20:05 23:05 19:05 22:05 Cooper Alice 01:05 20:00 23:00 02:00 19:00 22:00 01:00 19:55 22:55 01:55 18:55 Bigelf Bizzare 21:55 00:55 19:50 22:50 01:50 18:50 21:50 00:50 19:45 22:45 01:45 18:45 21:45 00:45 19:40 22:40 01:40 18:40 21:40 00:40 Failsafe Chrome Hoof 19:35 22:35 01:35 18:35 Chickenhawk21:35 00:35 Havana Deaf A 19:30 22:30 01:30 18:30 Never Means Maybe21:30 00:30 What You And Army 19:25 22:25 01:25 18:25 21:25 00:25 Turisas Europe 19:20 22:20 01:20 18:20 21:20 00:20 Disco Silent Rock Karaoke Rock 19:15 22:15 01:15 18:15 21:15 00:15 Ultimate Power DJS a 19:10 22:10 01:10 18:10 21:10 00:10 Bizz 19:05 22:05 01:05 18:05 21:05 00:05 e c 19:00 22:00 01:00 18:00 im 21:00 00:00 03:00 Sylosis Bizzare T 18:55 21:55 00:55 17:55 20:55 23:55 02:55 18:50 21:50 00:50 17:50 20:50 23:50 02:50 18:45 21:45 00:45 17:45 20:45 23:45 02:45 18:40 21:40 00:40 17:40 20:40 23:40 02:40 18:35 21:35 00:35 17:35 20:35 23:35 02:35 18:30 21:30 00:30 17:30 20:30 23:30 02:30 18:25 21:25 00:25 17:25 20:25 23:25 02:25 A 18:20 21:20 00:20 17:20 20:20 23:20 02:20 18:15 21:15 00:15 17:15 20:15 23:15 02:15 18:10 21:10 00:10 17:10 20:10 23:10 02:10 18:05 21:05 00:05 17:05 20:05 23:05 02:05 18:00 21:00 00:00 17:00 20:00 23:00 02:00 Friday -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.