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Fictional Narratives and the Social Cognition of Mating
challenges Article Tie-Up Cycles in Long-Term Mating. Part II: Fictional Narratives and the Social Cognition of Mating Lorenza Lucchi Basili 1,† and Pier Luigi Sacco 2,3,4,*,† 1 Independent Researcher, 20 Chestnut Street, Cambridge, MA 02139, USA; [email protected] 2 metaLAB (at) Harvard, 42 Kirkland Street, Cambridge, MA 02138, USA 3 Boylston Hall, Harvard University, Cambridge, MA 02138, USA 4 Department of Humanities and Geography, IULM University, via Carlo Bo, 1, 20143 Milan, Italy * Correspondence: [email protected] or [email protected]; Tel.: +39-02-89141-2604 † These authors contribute equally to this work. Academic Editor: Palmiro Poltronieri Received: 23 October 2016; Accepted: 9 February 2017; Published: 20 February 2017 Abstract: In the first part of this paper, we have introduced a novel theoretical approach to mating dynamics, known as Tie-Up Theory (TU). In this second part, in the context of the bio-cultural approach to literature, that assigns to fictional narratives an important valence of social cognition, we apply the conceptual tools presented in the first part to the analysis of mating-related interaction dynamics in some blockbuster Hollywood movies from WWII to today. The interaction dynamics envisioned by our theory accurately reflect, to a significant level of detail, the narrative development of the movies under exam from the viewpoint of the mating dynamics of the couple of main characters, accounting for the specific reasons that lead them to react to certain situations via certain behaviors, and for the reasons why such behaviors lead to certain outcomes. Our analysis seems thus to bring some further legitimacy to the bio-cultural foundation of the narrative structure of the movies that we analyze, and moreover to the idea that it is possible to ‘inquire’ characters about their choices according to the narratological-experimental lines suggested by some proponents of the bio-cultural approach. -
Big Hits Karaoke Song Book
Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09 -
How Winning the Voice Is Only Half the Struggle
How winning The Voice is only half the struggle AS reality TV singing shows struggle to produce bankable stars, a previous winner of The Voice Australia has revealed why coming first didn’t guarantee him success. WINNING a singing show used to be a guaranteed path to music success, propelling the likes of Guy Sebastian and Stan Walker to national stardom. But while shows such as The Voice Australia remain popular with TV audiences, recent iterations have struggled to produce bankable talent. Despite being crowned this year’s winner, The Voice’s Sam Perry saw his single bomb on the ARIA charts, debuting at no. 78 with just 2414 sales. Perry’s lacklustre sales even prompted one music expert to tell The Daily Telegraphthat he advised budding artists not to go on reality TV. “They’re expected to do in a matter of weeks and months what most artists have done over a number of years,” The Music’s group managing editor Andrew Mast said. For The Voice season two winner Harrison Craig, his rendition of Unchained Melody debuted at No. 2 on the ARIA charts in 2013. Since then the Melbourne based musician has continued to work consistently with three albums, four national tours and a new music project, Vice Dreams, launching this month. Now 23, Craig told news.com.au that while The Voice Australia had been an amazing opportunity, it didn’t guarantee success. “There’s no right or wrong way to go about a music career. There are harder ways and there are easier ways but no one way is going to offer you a career next week, next year or in the next 10 years,” he said. -
Tied up in Knots New Report Exposes the Truth Behind Britain’S Musculoskeletal Health
All tied up in knots New report exposes the truth behind Britain’s musculoskeletal health 2 Contents Page Foreword: What works for an age old problem? 2 Section 1: Fairer sex face an unfair burden 4 Section 2: Time takes a toll 6 Section 3: Body of evidence 8 Section 4: As stiff as a board 10 Section 5: Simply the best approach 13 About Simplyhealth 16 Did you know: Stats and facts from ShARP 18 Foreword: What works for an age old problem? Every year in the UK 20% of the population present with A poll of 1,000 people who suffer aches and pains a new onset or recurrence of a musculoskeletal problem.1 commissioned by the Simplyhealth Advisory Research Panel In fact, musculoskeletal disorders (MSDs) are the most (ShARP), found that more than a third (35%) take to their common work related problem in Europe2, the most beds in the hope it will ease their pain. Exercise, such as common cause of physical disability3 and the biggest reason yoga7 and workouts guided by a physiotherapist,8 is proven to for long term treatment.4 Musculoskeletal disorders can improve spinal aches and pains, but only 6% of sufferers use affect the body’s muscles, ligaments, tendons, nerves and it to relieve their symptoms and almost half (42%) say pain joints, and most commonly result in back pain, knee pain, prevents them from exercising as much as they would like. neck and shoulder pain, hip and limb pain. Team GB kayaker, sports scientist and physiotherapist, Paul A recent study5 into how we manage our musculoskeletal Hobrough from ShARP notes: “There is a real danger that health reveals that two out of five Britons believe that by people can become trapped in a vicious cycle with lack of resting, their musculoskeletal condition will improve, what exercise leading to increased stiffness, pain and muscle they don’t realise is that it could in fact be making it worse. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
Meet Harrison Craig Crinkling News National News for Kids
-Cover 06 2017.qxp_Layout 1 7/6/17 4:23 pm Page 1 THE BookCurator THE LIBRARIAN’S GUIDE TO BOOKS FOR KIDS & TEENS INSIDE Meet Harrison Craig Crinkling News National News for Kids Tips for Book Week preparation + Detailed reviews on the latest fiction to help you choose ISSN 2204-5708 JUNE 2017 WELCOME ABOUT THE PUBLISHER The Book Curator is published by Apt School Resources, an Australian business jointly owned by two families EDITORIAL who share a passion for books and a determination to provide outstanding service to our members. One of the things I enjoy most about my role with The Book Curator is the interesting We help schools all over the country by people I get to meet. From meeting members providing them with access to helpful like you face-to-face at conferences and information, detailed reviews and the latest fiction titles for their libraries. special events to interviewing authors, it is always a delight. Our goal is to provide the resources librarians need to choose the best I recently had the pleasure of chatting with books for their school library across a the very inspiring Harrison Craig about his new wide range of genres, age groups and children’s book Harrison’s Song. Harrison has been visiting some formats. We provide a wide range of of our schools in recent weeks and the feedback has been services to help support our members so they can get the best return for their fantastic. You’ll find the interview as well as information on how time and their budget. -
Karaoke List 2021.Xlsx
Song Artist 1 + 1 bh Beyonce 1000 Miles Away sf Hoodoo Gurus 10000 Hours ck Dan And Shay And Justin Bieber 11 Minutes ck Yungblud And Halsey 17 I Wish I Was ck Radiators 18 & Life sgb Skid Row 18 And Life cb Skid Row 18 Till I Die sf Bryan Adams 18 Wheeler sf Pink 1800 273 8255 ck Logic & Alessia Cara 19 Somethin cb Mark Wills 1959 Sf Lee Kernaghan 1973 cb James Blunt 1999 cb Prince 1999 ck Charli XCX And Troye Sivan 19th Nervous Breakdown sf Rolling Stones 20 Miles ck Ray Brown & The Whispers 20 Miles sf Ray Brown & Whispers 2000 Man sf Kiss 2000 Miles zoom Pretenders 2002 ck Anne Marie 22 bh Taylor Swift 24 Hours At A Time sgb Marshall Tucker Band 24 Hours From Tulsa ck Gene Pitney 24K Magic (Clean) ck Bruno Mars 24K Magic (Explicit) ck Bruno Mars 25 Minutes To Go sf Johnny Cash 2U ck David Guetta & Justin Bieber 3 00 Am sf Matchbox 20 3 Am sf Matchbox 20 3 bh Britney Spears 3 Nights ck Dominic Fike 3 Words bh Cheryl Cole & Will I Am 3am cb Matchbox Twenty 4 Minutes sf Justin Timberlake 4003221 Tears From Now ck Judy Stone 48 Crash sf Suzi Quatro 4Ever ck Veronicas 5.15… sgb Who 50 Ways To Say Goodbye bh Train 50 Years ck Uncanny X Men 6 8 12 sgb Brian Mc Knight 6 Words bh Wretch 32 6345 789 zoom Blues Brothers 65 Roses ck Wolverines 7 Days cb Craig David 7 Minutes ck Dean Lewis 7 Rings ck Ariana Grande 7 Years Bh Lukas Graham 7 Years ck Lukas Graham 7 Years zoom Lukas Graham 9 To 5 cb Dolly Parton 9 To 5 kh Dolly Parton 96 Tears sgb Mysterions 99 Red Balloons cb Nena 99 Red Balloons zoom Nena 999% Sure (Ive Never Been Here Before) cb -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15). -
Child Sex Rings: a Behavioral Analysis for Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation
If you have issues viewing or accessing this file contact us at NCJRS.gov. NATIONAL CENTER FOR MISt.f9IN(. 1~"I"j('lrl'l~I) -----1.---' CHI L D R E N Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual ~ Exploitation In cooperation with the Federal Bureau of Investigation ------------------ 149214 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the National Institute of Justice. Permission to reproduce this copyrighted material has been grantedNaElona1 by • center f'or Mlsslng . & Exploited Chi1dren/DOJ/FBI to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. Child Sex Rings: A Behavioral Analysis For Criminal Justice Professionals Handling Cases of Child Sexual Exploitation April 1992 Second Edition Kenneth V. Lanning Supervisory Special Agent Behavioral Science Unit Federal Bureau of Investigation FBI Academy Quantico, Virginia © National Center for Missing & Exploited Children Dedication This book is dedicated to the victims of child sex rings and to the memory of two FBI agents who devoted their professional lives to helping sexually exploited children. Leo E. Brunnick FBI Boston, Massachusetts Alan V. MacDonald FBI Boston, Massachusetts Contents Author's Preface v 1. Historical Overview 1 "Stranger Danger" 1 Intrafamilial Child Sexual Abuse 2 Return to "Stranger Danger" 2 The Acquaintance Molester 3 Satanism: A "New" Form of "Stranger Danger" 3 2. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Beneath the Load of Women's Cares
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky “Beneath the load of women’s cares:” Women’s voices in country music Bakalářská práce Autor: Nela Brančíková Vedoucí: Mgr. David Livingstone, Ph.D. OLOMOUC 2018 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla úplný seznam citované a použité literatury. V Olomouci dne 14.5. 2018 Nela Brančíková I would like to thank my supervisor Mgr. David Livingstone, Ph.D. for his patient help, advice and encouragement. Contents 1 Introduction 5 2 Country music background 7 2.1 Origins of Country Music 7 2.2 The South, Folk Music and Society 9 2.3 Early Recordings 11 2.4 Appalachian women 12 3 The 1920s 15 3.1 The Carter Family 15 3.2 Single Girl, Married Girl 19 3.3 Lulu Walls 21 4 The post-war era 24 4.1 Kitty Wells 25 4.2 It Wasn’t God Who Made Honky-Tonk Angels 26 4.3 Cheatin’s a Sin 29 5 The Women’s movement of the 1960s – 1980s 31 5.1 Loretta Lynn 31 5.2 The Pill 33 5.3 Hey Loretta 36 5.4 Dolly Parton 39 5.5 Jolene 41 5.6 Working Girl 43 6 Conclusion 46 7 České resumé 49 8 Bibliography 52 9 Annotation 55 10 Anotace 56 1 Introduction The aim of this work is to show how women were perceived in American society through country music culture, specifically through the country music of female artists. The quote from the title of my work “Beneath the load of women’s cares” is the final line from the song “Are You Tired of Me My Darling” by The Carter Family, one of the analyzed country music artists.