The Enid Six Pieces Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

The Enid Six Pieces mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Six Pieces Country: UK Released: 1993 Style: Prog Rock, Symphonic Rock MP3 version RAR size: 1260 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1673 mb Rating: 4.5 Votes: 426 Other Formats: MOD VOX AUD XM DXD APE RA Tracklist Hide Credits Punch And Judy Man 1 Written-By – Robert Godfrey*, William Gilmour Once She Was ... (Scarborough Fayre) 2 Written-By – Martin Russell, Robert Godfrey*, Trad* The Ring Master 3 Written-By – Martin Russell, Robbie Dobson, Robert Godfrey*, William Gilmour Sanctus 4 Written-By – Martin Russell, Robert Godfrey*, William Gilmour Hall Of Mirrors 5 Written-By – Robert Godfrey*, Stephen Stewart , William Gilmour The Dreamer 6 Written-By – Francis Lickerish, Robbie Dobson, Robert Godfrey* Joined By The Heart 8 Written-By – Stephen Stewart Companies, etc. Phonographic Copyright (p) – MSG Productions Copyright (c) – Aristocrat Music Copyright (c) – Enidsongs Licensed To – Newt Records Credits Liner Notes – Rob Ayling* Notes Track 7 is titled "Joined By The Heart- 2" on the CD, with a writing credit to Godfrey/Stewart Barcode and Other Identifiers Barcode: 5 024601 300425 Matrix / Runout: S ENIDCD 4 01 Rights Society: MCPS Other (Mould): 5 Other versions Category Artist Title (Format) Label Category Country Year NH 116 The Enid Six Pieces (LP) Pye Records NH 116 UK 1979 Six Pieces (CD, Album, MNTL CD4 The Enid Mantella MNTL CD4 UK 1993 RE) PYLP 87022 The Enid Six Pieces (LP) Pye Records PYLP 87022 Italy 1979 Six Pieces (CD, Album, ENID004CD The Enid Inner Sanctum ENID004CD UK 2009 RE) Six Pieces (CD, Album, WHD Entertainment, IECP-10076 The Enid IECP-10076 Japan 2006 RE) Inc. Related Music albums to Six Pieces by The Enid Arthur Godfrey - Little Guy John Godfrey Trio - Hey Little Girl / Booging The Blues Hugh Godfrey - My time - Hugh godfrey/ Marcia griffiths - Hound Dog. The Enid - Aerie Faerie Nonsense Arthur Godfrey - orchestra under the direction of Archie Bleyer - Arthur Godfrey And His Friends The Enid - The Spell Arthur Godfrey - East Side Of Town Robert John Godfrey With The Enid - Live At Union Chapel 2017 (Robert John Godfrey 70th Birthday Concert) Arthur Godfrey, The Chordettes - If It Wasn't For Your Father / Gone Fishin' Robert John Godfrey - Fall Of Hyperion Godfrey Hirsch - Godfrey Hirsch At Pete's Place, New Orleans Carole Lombard , William Powell , David Niven, Mischa Auer, Gail Patrick - My Man Godfrey.

Copy Link

Recommended publications

The Enid Aerie Faerie Nonsense Mp3, Flac, Wma
The Enid Aerie Faerie Nonsense mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Aerie Faerie Nonsense Country: UK Released: 2010 Style: Prog Rock, Symphonic Rock MP3 version RAR size: 1334 mb FLAC version RAR size: 1531 mb WMA version RAR size: 1125 mb Rating: 4.9 Votes: 939 Other Formats: WMA DXD VQF ASF AUD FLAC MOD Tracklist Hide Credits Prelude 1 1:21 Written-By – Godfrey* Mayday Galliard 2 6:09 Written-By – Godfrey* Ondine 3 4:01 Written-By – Lickerish*, Godfrey* Childe Roland 4 7:09 Written-By – Lickerish*, Godfrey* Fand I 5 11:46 Written-By – Lickerish*, Godfrey* Fand II 6 5:42 Written-By – Godfrey* Companies, etc. Copyright (c) – Juice Music Ltd Licensed To – EMI Records Ltd. Licensed To – Operation Seraphim Licensed Through – EMI Records Ltd. Recorded At – Morgan Studios Mastered At – The Lodge Recording Studio Made By – www.discusgroup.co.uk Credits Art Direction – Peter Shepherd Bass – Terry "Thunderbags" Pack* Crew [Roadie] – Martin Wallis, Tony O'Leary Drums, Percussion, Arranged By [All Percussion Arrangements] – David Storey* Engineer [1st Engineer] – Martin Moss Engineer [2nd Engineer] – Nick Cook Guitar [Guitars], Bass Guitar, Lute – Francis Lickerish Guitar [Guitars], Percussion – Stephen Stewart Keyboards – Charlie Elston Keyboards, Arranged By [All Keyboard Arrangements] – Robert John Godfrey Liner Notes [Themes And Dreams] – Robert Perry Management [Personal Manager] – Terry King Mastered By – Max Read Other [Hair] – Vicky At Ellis Helen Photography By – Pete Lavery* Producer – Martin Moss, The Enid Tape Op [Tapes & Tea] – Mark Freegard, Mike Dutton Transferred By [Transferred To Digital By] – Christian Curtis Words By [Poem: 'Fand'] – Francis Lickerish Notes First CD release of the original version of this album, without barcode on the artwork.
[Show full text]
2013 : VOLUME 7 Previous Volume Next Volume
4/29/13 DPRP : CD & DVD REVIEWS | Back to Reviews | Back to DPRP Main [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [XYZ] [Misc] [DVD's] [2013] [2012] [2011] [2010] [2009] [2008] [2007] [2006] [2005] [2004] [2003] 2013 : VOLUME 7 Previous Volume Next Volume REVIEWS IN THIS ISSUE: Godsticks - The Envisage Conundrum (Duo Review) Kingcrow - In Crescendo (Duo Review) The Enid - Invicta (Duo Review) Mind:Soul - Patterns 1.5 [EP] Ashent - Inheritance Tír na nÓg - Tír na nÓg Tír na nÓg – A Tear And A Smile Tír na nÓg – Strong In The Sun A Lonely Crowd - User Hostile Syndone - The Beauty Is The Beast Bill Nelson – Trial By Intimacy (The Book Of Splendours) Boxer - Below The Belt Boxer - Bloodletting Apogee feat. Gerald Heimann – Die Gläserne Wand & Schleifen Godsticks - The Envisage Conundrum Country of Origin: U.K. Format: CD Record Label: Independent Catalogue #: GODSTICKS003 Year of Release: 2013 Time: 59:44 Info: Godsticks Samples: Click here Tracklist: Convergence [Intro] (1:18), Caught In A Bind (5:04), The Envisage Conundrum (6:44), In A Way That Ended Me (5:00), Benchmark (4:35), Submerged (4:58), A Brief Foray (4:48), Disclosure (3:49), Borderstomp - Part 1 [Death To Tuesday] (5:05), Borderstomp - Part 2 [Blind] (5:54), Borderstomp - Part 3 [Cielo Azul] (6:53), Raised Concerns (5:31) Jez Rowden's Review My first exposure to Godsticks came in late 2008 when I received a review copy of their debut EP from bassist Jason Marsh.
[Show full text]
Rare LP) German MCA VG/VG+ £2 14
2010 LP and CD CATALOGUE WINDMILL RECORDS P.O.BOX 262 SHEFFIELD S1 1FS ENGLAND TEL. 0114 2649185 TEL. 0114 2640135 (If no answer at the above number) FAX. 0114 2530489 EMAIL – [email protected] WEBSITE – www.windmill-records.co.uk THE FOLLOWING CONDITION CODES APPLY. M = MINT (Played Slightly but with no visible signs of being so) EX = EXCELLENT (Played Regularly, but ver well looked after) VG = VERY GOOD (Average Wear, should play and sound OK) G = GOOD (Lots Of Surface Wear) THE FOLLOWING ABBREVIATIONS USED. DH = Drill hole thru label LT = Label Tear WOL = Writing On Label LS = Sticker On Label LM = Label Mark RE = Re- Issue ST = Stereo WOC = Writing On Cover WOBC = Writing on Back Cover POSTAGE AND PACKING (UK) £2.50 for 1st LP then 70p each one after – On large orders Maximum P&P is £7 (UK Only) CDs/DVDs = £1.60 for 1st, then 20p each one after Recorded Delivery (1 to 3 LPs) = 75p Extra Special Delivery = Please Enquire for rates All Records sent with Certificate Of Postage and we cannot accept responsibility For records lost or damaged in the post – If in doubt have your order sent by Special Delivery (Overseas Registered) UK PAYMENT CHEQUES – Please make payable to Windmill Records CASH – Please Send By Special Delivery or at least Recorded Delivery POSTAL ORDERS – Please leave blank as I can use these for refunds CREDIT CARDS – Mastercard/Visa/Maestro/Switch etc PAYPAL OVERSEAS. Please Write,Phone,fax or email your order and we will let you know total including Postage.
[Show full text]
Status of the Glasgow Apollo Theatre (1973-85)
You had to be there? Reflections on the ‘legendary’ status of the Glasgow Apollo theatre (1973-85) Kenneth Forbes BA, M.Litt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow April 2015 Abstract The ephemeral nature of live music can, from some perspectives, serve to place limitations on its lasting socio-cultural impact. This thesis addresses such claims by analysing the enduring appeal of a ‘legendary’ venue, the Glasgow Apollo (1973-85), where a series of momentous live music moments from several decades ago continue to be celebrated. In order to accomplish this, the study primarily uses semi-structured and focus group interviews to explore the reminiscences of the audience and artists who shared live music experiences at the venue. Through the application of Actor Network Theory, the work focuses on the influence that actors such as locality, technology, industry and music genre held over these encounters, as well as the manner in which the collective memories of the events in question have subsequently shaped their cultural value. The study first establishes the foundation for Glasgow’s cultural traditions, which thereafter helped to shape the concert experiences at the Apollo. It then follows the actors through, and beyond, the period of the venue’s tenure, to argue that the Apollo ‘legend’ lingers due to the manner in which these live experiences have been collectively framed within several of the platforms dedicated to the
[Show full text]
'Invicta' – the Enid
‘Invicta’ – The Enid The Enid are a slightly strange Progressive rock group that has been dominated for a very long time by Robert John Godfrey, who started the band up in the 70's. Robert is a classically trained pianist. He is extremely talented and seems to be particularly talented at producing this ‘British’ sound that incorporates brass band samples with strings in an almost ‘Elgar’ way. Sometimes, so pompous that it could be a real turn off. In their first album (Which I think is fabulous), he includes a piece that is so like Rachmaninov but played electronically, it’s quite amazing. Their first ever album is called, ‘In the Region of the Summer Stars’. It’s a really nice album although the recording quality veers on the edge of nasty at times. It’s from 1976. Quite early album but full of lovely moments. Their albums are variable in quality imo, but one thing I have felt is Robert's domination for years on the sound of all of their albums. He has stuck with the same samples/sounds through the years which gave them their unique type of sound which some love and others hate. Dave (The Amazing Wilf) has coined it - like Marmite, you either love it or hate it. My opinion is that 'marmite' is Robert John Godfrey and always has been for over 30 years. I have often found his over-romanticised approach a little annoying at times and Robert's vocal attempts have left me feeling underwhelmed to say the least. Their latest album is a move away imo from Robert's dominance.
[Show full text]
Music & Entertainment Auction Tuesday 18Th February 2020 at 10:00
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 18th February 2020 at 10:00 Viewing: Monday 17th February 2020 10:00 - 16:00 For enquiries relating to the auction 08:00 morning of auction please contact: Otherwise by Appointment Plenty Close Off Hambridge Road NEWBURY RG14 5RL (Sat Nav tip - behind SPX Flow RG14 5TR) Telephone: 01635 580595 Fax: 0871 714 6905 David Martin David Howe Music & Music & Email: [email protected] Entertainment Entertainment Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price Order of Auction Vinyl Records 1-319 78s 320-327 CDs/CD Box Sets 328-379 Music Memorabilia 380-443 Music Posters 444-471 Film Posters & Memorabilia 472-515 Musical Instruments 516-612 Hi-Fi 613-631 As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. 2 www.specialauctionservices.com VINYL RECORDS Lot 5 1. Progressive Rock LPs, twenty five albums of mainly Progressive Rock with artists including Yes, Genesis, Jethro Tull, Alan Bown, Traffic, Deep Purple, Here & Now, Triumvirat, Strawbs and more - various years and conditions £60-100 2.
[Show full text]
Music & Entertainment
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Music & Entertainment Tuesday 28th July at 10:00 This is a non attended auction Viewing on a rota basis by appointment only Special Auction Services Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com @SpecialAuction1 David Martin Dave Howe @Specialauctionservices Music Specialist Sports & Music Ephemera Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyer’s Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. Rock / Prog LPs / Box Sets, 8. Progressive Rock LPs, 16. Beatles LPs, four albums approximately forty albums and two Box approximately seventy-five albums of comprising Beatles For Sale (Original UK Sets of mainly Prog, Psych and Classic mainly Progressive Rock with artists Mono EX-/EX-), Al Collection of Oldies Rock with artists including Jethro Tull, including Pink Floyd, Atomic Rooster, (Original UK Stereo EX/VG), A Hard Day’s Moody Blues, Keef Hartley Band, Jimi Moody Blues, It Bites, Yes, Mick Night (Original South Africa VG/VG+) and Hendrix, The Byrds, Earth Opera, Tom Abrahams, Robert Fripp, David Bedford, Introducing The Beatles (USA Reissue - Rush, Chicago, Steppenwolf and more Steve Hillage and more and also including Black Grooved Labels EX/VG) - sold together with an Elvis CD box set - a number of Prog Compilation albums - £50-80 various years and conditions various years and conditions £80-120 £80-120 17.
[Show full text]
Echolyn and American Progressive Rock
Contemporary Music Review © 2000 OPA (Overseas Publishers Association) N.V. 2000, Vol. 18, Part 4, pp. 13-61 Published by license under Reprints available directly from the publisher the Harwood Academic Publishers imprint, Photocopying permitted by license only part of The Gordon and Breach Publishing Group. Printed in Malaysia. Echolyn and American Progressive Rock John Covach Beginning in the late 1960s and continuing through most of the 1970s, British progressive- rock groups developed a style of music that privileged long, complicated pieces, employing a wide variety of musical techniques and features drawn from classical music. While the leading progressive rock groups were British, progressive-rock groups also formed in the United States. This study provides an overview of American progressive-rock bands since 1966, examining how these musicians attempted to blend elements of European art music with rock music. Musical excerpts from Starcastle, Kansas, Happy the Man, However, and U-Totem and others are considered. Recent music from the Philadelphia-band progressive- rock quintet echolyn is placed in the context of 1970s and 80s American progressive rock; analysis of portions of A Suite for the Everyman (1992) and Letters (1995), informed in part by scores and sketches provided the author by the group, detail how echolyn employs art- music compositional techniques in a rock setting in a way that blends "symphonic-prog" and "avant-prog" approaches. KEYWORDS: Birdsongs of the Mesozoic, Christopher Buzby, Cartoon, Echolyn, Emerson, Lake & Palmer (ELP), Genesis, Gentle Giant, Happy the Man, Henry Cow, However, Jethro Tull, Kansas, Brett Kull, Soft Machine, Starcastle, Progressive Rock, U-Totem, Yes Introduction In the early and mid 1970s across the United States, it was almost imposs- ible to tune in an FM rock radio station without hearing the progressive- rock music of groups like Yes, Emerson, Lake & Palmer (ELP), and Jethro Tull.
[Show full text]
Download the PDF Version to Read This
© www.totalmusicmagazine.com www.totalmusicmagazine.com Interview with Robert John Godfrey Fans of The Enid, often referred to as The Enidi, are a tenacious and devoted bunch, and will need no introduction to a band that has boasted twenty plus members and endured numerous highs and lows over their thirty five year career, remaining steadfastly committed to, perhaps the most underrated of the progressive rock outfits to emerge in the mid seventies. Not that the only constant in the bands long career, Robert John Godfrey, will thank us for calling them a progressive act (more of which later), but as we believe the term can reasonably be accorded to any act that considers innovation to be a major motivational force (which could mean anyone from Magma to the Aphex Twin), we‟re going to stick with it regardless. We began, as always, by asking about his earliest musical memories and discovered, rather fantastically that Vera Lynn sang for his father and three other wounded soldiers in an officers ward of an Army Hospital at Kohima on the border between Burma and India in early 1943 and that his first musical experiences were actually in church RJG: “I sang in the choir as a boy from about the age of seven. I loved the sound of the organ and the wonderful mechanics of this king of instruments. We had a windup gramophone when I was still a toddler. I got given all sorts of classical records by relatives and friends of the family.” TotalMusic: Although he didn't take up the piano until twelve he nonetheless attended both the Royal College of Music and Royal Academy of Music, and from 1968 to 1971 Godfrey became the orchestral musical director with Barclay James Harvest making contributions to early recordings and helping establish their orchestral style.
[Show full text]