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ROBERT BARRY 1936, New York (USA). Lives And
FRANCESCA MININI VIA MASSIMIANO 25 20134 MILANO T +39 02 26924671 [email protected] WWW.FRANCESCAMININI.IT ROBERT BARRY 1936, New York (USA). Lives and works in New York. EDUCATION Bachelor of Fine Arts, Master of Arts, Hunter College, The City University of New York SELECTED SOLO EXHIBITIONS 2019 ROBERT BARRY, Francesca Minini, Milan (I) 2018 ROBERT BARRY, How Things Have Changed…, Parra & Romero Gallery, Madrid (ES) ROBERT BARRY, Galleria Alfonso Artiaco, Naples (I) 2017 ROBERT BARRY, Cristina Guerra Contemporary Art, Lisboa (P) 2016 ROBERT BARRY: WORKS FROM 1964 TO 2016, Mary Boone Gallery, New York (USA) ROBERT BARRY: RANDOM, Galerie Untilthen, Saint Ouen (FR) 2015 ROBERT BARRY, Galerie Greta Meert, Brussels (BE) ROBERT BARRY, Thomas Solomon Art Advisory, Bethlehem Baptist Church, Los Angeles (USA) ROBERT BARRY - WORKS 1962 UNTIL PRESENT, Galerie Greta Meert (BE) ROBERT BARRY: ALL THE THINGS I KNOW 1962 TO THE PRESENT, 205 Hudson Street Gallery, New York (USA) 2014 INCOMPLETE…, Gallery Alfonso Artiaco, Naples (I) 2014 ROBERT BARRY: DIPTYCH, WINDOW-WALLPIECE, Montclair Art Museum, New Jersey (USA) 2013 ROBERT BARRY, Le Consortium, Dijon (FR) ONE BILLION COLORED DOTS, Montclair Art Museum, New Jersey (USA) ROBERT BARRY, Galerie Greta Meert, Brussels (BE) 2012 DIFFERENT TIMES, DIFFERENT WORKS, Galleria Massimo Minini, Brescia (I) Galerie Yvon Lambert, Paris (FR) 2011 RECENT MIRRORPIECES, Sperone Westwater, New York (USA) GOLDEN WORDS, Giacomo Guidi MG Art, Rome (I) TROUBLESOME, Galerie Alfonso Artiaco, Naples (I) SILVER, Bugdahn -
Film Culture in Transition
FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Miquel Barceló
MIQUEL BARCELÓ Born in Felanitx, Majorca, 1957 Lives and works in Majorca, Paris and Mali EDUCATION School of Arts and Crafts, Palma de Mallorca Fine Arts Academy, Barcelona SELECTED SOLO EXHIBITIONS 2019 Museo Internazionale delle Ceramiche, Faenza Vida de Pulpo, Galeria Elvira Gonzalez, Madrid 2018 On the Sea, Galerie Thaddaeus Ropac, Salzburg 2017 El Arca de Noé, Universidad de Salamanca, Salamanca El Planeta De Los Toros, Tobias Mueller Modern Art, Zurich 2016 Sol y Sombra, Bibliothèque Nationale de France and Musée National Picasso, Paris Acquavella Galleries, New York, NY 2015 Early Works, Ben Brown Fine Arts at Frieze Masters, London Ardenti Germinat. New paintings and works on paper, Galerie Bruno Bischofberger, Männedorf L’Inassèchement, Galerie Thaddaeus Ropac, Paris Gráfico, Calcografía Nacional, Madrid 2014 Courant Central, Ben Brown Fine Arts, Hong Kong Pinturas, Escultura y Cerámica, Pinakotheke, Sâo Paulo; traveling to Pinakotheke, Rio de Janeiro; Galeria Multiarte, Fortaleza 2013 Galería Elvira González, Madrid Terra Ignis. Céramiques, Majorque 2009-2013, Musée d Art Moderne, Céret Terra Ignis, Museu Nacional do Azulejo, Lisbon Acquavella Galleries, New York, NY 2012 Ceramic, Galerie Bruno Bischofberger, Zurich Bank Austria Kunstforum, Vienna Cerámiques I dibuixos. Miquel Barceló y Barry Flanagan, Museo de Arte Contemporáneo de Eivissa, Ibiza 2011 Recent Paintings, Ceramics and Sculpture, Ben Brown Fine Arts, Hong Kong Le Taj Peinture en scène, Théâtre des Bouffes du Nord, Paris Work in progress, Lisbon and Estoril Film Festival, Torre de Belém, Lisbon Elefandret Sculpture, Union Square Marlborough Gallery, the Union Square Partnership and the City of New York’s Department of Parks & Recreation Public Art Program, New York, NY 2010 La solitude organisative 1983-2009, Fundación la Caixa, Madrid; Fundación la Caixa, Barcelona Terramare, Palais des Papes, Grande Chapelle, Musée du Petit Palais, Collection Lambert, Avignon St. -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Carl Andre : Sculpture As Place, 1958-2010 18 October 2016 – 12 February 2017
Carl Andre : Sculpture as Place, 1958-2010 18 october 2016 – 12 february 2017 Carl Andre, Uncarved Blocks, 1975, Exhibition view Carl Andre, Sculpture as place, 1958-2010, at Hamburger Bahnhof – Museum für Gegenwart, Berlin © ADAGP, Paris, 2016 PRESS KIT SUMMARY Press release page 3 Exhibition layout page 5 Practical information page 12 Carl Andre Sculpture as Place, 1958–2010* * La sculpture comme lieu, 1958-2010 18 October 2016 – 12 February 2017 Carl Andre, Uncarved Blocks, 1975 (detail), Exhibition view Carl Andre, Sculpture as Place, 1958–2010, Press preview: Monday 17 October 2016 11 am – 2 pm at the Hamburger Bahnhof – Museum für Gegenwart, Berlin © ADAGP, Paris, 2016 Monday 17 October 2016 6 – 9 pm Opening: Museum director Fabrice Hergott The Musée d’Art Moderne is presenting a tribute to the major 20th- Exhibition curators century American artist Carl Andre (b. 1935 in Quincy, Sébastien Gokalp, Yasmil Raymond, Massachusetts). The exhibition Sculpture as Place, 1958–2010 covers Philippe Vergne the full spectrum and inner consistency of the Andre oeuvre, with 40 Visitor information monumental sculptures, numerous poems and photographs, works Musée d’Art Moderne de la Ville de Paris on paper and various objects that defy pigeonholing. His iconic works 11 Avenue du Président Wilson appear alongside pieces never shown together before, such as his 75116 Paris Dada Forgeries. A leading Minimalist figure together with Donald Judd Tel. 01 53 67 40 00 www.mam.paris.fr and Robert Morris, Andre now stands out as one of the 20th century's greatest sculptors. Open Tuesday – Sunday 10 am – 6 pm Thursdays until 10 pm This retrospective reveals how Andre, working with standard, unmodified industrial elements, redefined sculpture as a means for experiencing space, Admission form and matter. -
The Remarkable Story of a Rebel Artist, Her Mysterious Death And
Observer Culture November 30, 2015 by Guelda Voien The Remarkable Story of a Rebel Artist, Her Mysterious Death and Cult Resurgence Justice, finally, for the works of Cuban-American artist and 1980s rising star Ana Mendieta The first week of December, a mesmerizing body of artwork rarely seen and almost forgotten will go on display in Miami, at the public collection of Rosa de la Cruz, one of the country’s leading Contemporary art collectors. The pieces include images of the mud- smeared body of the artist; other works show her sweating blood from her pores. This dark imagery foretold her demise, some fans of the artist maintain. On the 30-year anniversary of her death, a powerful cult is growing around photographer Ana Mendieta. (Photo: The Estate of Ana Mendieta and filmmaker Ana Mendieta. Famous for Collection LLC, Courtesy Galerie Lelong New York) some years mostly for the way she died, and forgotten for many more, her works are being rediscovered, exhibited around the U.S. and are climbing at auction. In the 1980s, if you could find a Mendieta, it was maybe $2,000, said Phillips auction house Worldwide Co-Head of Contemporary Art August Uribe. Now the median price for a Mendieta is $40,000 to $50,000, he said, and one hit a record of $200,000 at Phillips. So, what’s fueling the rediscovery? In part, “I think that there is a renewed or new interest in the work of women artists [overall],” he said, and some of the new collectors of this work are women, he noted. -
Minimalism & Beyond
MINIMALISM & BEYOND MINIMALISM & BEYOND MNUCHIN GALLERY ACKNOWLEDGMENTS CONTENTS Mnuchin Gallery is proud to present Minimalism & Beyond. The gallery has a long history of A MINIMAL LEGACY exhibiting some of the finest examples of Minimalist art, including the world’s first-ever exhibition of Donald Judd stacks in 2013, and the group exhibition Carl Andre in His Time PAC POBRIC in 2015. For over 25 years, we have been privileged to live alongside works by many of the artists in this show, including Agnes Martin, Robert Ryman, and Frank Stella, in addition 7 to Judd and Andre. Over this time, we have noted the powerful impact these works have had on the generations of artists who followed, and the profound resonances between these landmark works from the 1960s and some of the best examples of the art of today. Now, in this exhibition, we are delighted to bring together these historic works alongside painting and sculpture spanning the following five decades, many by artists being shown WORKS at the gallery for the first time. This exhibition would not have been possible without the collaborative efforts of the 21 Mnuchin team, especially Michael McGinnis. We are grateful to the generous private collections that have entrusted us with their works and allowed us to share them with the public. We thank our catalogue author, Pac Pobric, for his engaging and insightful essay. We commend McCall Associates for their catalogue design. And we thank our Exhibitions EXHIBITION CHECKLIST Director, Liana Gorman, for her thoughtful and thorough contributions. 79 ROBERT MNUCHIN SUKANYA RAJARATNAM MICHAEL MCGINNIS 7 A MINIMAL LEGACY PAC POBRIC In the photograph, Donald Judd looks appreciative, but vaguely apprehensive. -
Douglas Gordon Solo Exhibition
DOUGLAS GORDON Born in Glasgow (Scotland) in 1966, Douglas Gordon lives and works between Berlin (Germany), Glasgow (Scotland) and Paris (France). Né à Glasgow (en Écosse) en 1966, Douglas Gordon vit et travaille entre Berlin (Allemagne), Glasgow (Écosse) et Paris (France). SOLO EXHIBITION 2018 Douglas Gordon - Artist Rooms - Berwick Visual Arts, The Granary Gallery, Berwick-upon-Tweed, UK Douglas Gordon, Instituto Moreira Salles, Sao Paulo, Brazil I will, if you will..., Galeria Marilia Razuk, São Paulo, Brazil k.364, Kunstsammlung NRW / K20, Duesseldorf Zidane – A 21st Century Portrait, Dunedin Public Art Gallery, New Zealand 2017 24 Hour Psycho, Peter B. Lewis Center for the Arts, Princeton University back and forth and forth and back, Gagosian, New York, West 21st St. Black Burns, Scottish National Portrait Gallery, Edinburgh (exh cat)* Douglas Gordon - Selected works from the 1990‘s, André Viana Gallery, New York Gente di Palermo, Prisons of the Palazzo Ducale, Venice I had nowhere to go, Gagosian Gallery, London Jesus is not enough, untilthen, Paris Portrait of Janus (divided states), Art Sonje Center, Seoul, South Korea 2016 Douglas Gordon: Searching for Genius. Peninsula Art Gallery, Plymouth Douglas Gordon: Play Dead; Real Time, Dunedin Public Art Gallery, New Zealand Douglas Gordon, Gagosian Gallery, Geneva Douglas Gordon: I had nowhere to go, Galerie Eva Presenhuber, Zurich Douglas Gordon @ Paris Photo Prisme, Grand Palais, Paris Functional Family, Sala della Cavallerizza in Palazzo Sant Elia, Palermo k.364, National Holocaust -
Carl Andre: Sculpture As Place, 1958-2010
Carl Andre: sculpture as Place, 1958-2010 DATES AND PLACES: 5 May - 12 October 2015 Palacio de Velázquez 6 May - 28 September 2015 Edificio Sabatini ORGANIZATION: Dia Art Foundation in association with the Museo Reina Sofía CURATORSHIP: Philippe Vergne and Yasmil Raymond COORDINATION: Beatriz Jordana and Carolina Bustamante EXHIBITION TOUR: Dia:Beacon, Nueva York (5 May, 2014 – 9 March, 2015); Hamburger Bahnhof Museum für Gegenwart, Berlín (7 May – 25 September, 2016); Musée d'Art Moderne de la Ville de Paris, París (20 October, 2016 – 12 February, 2017); The Museum of Contemporary Art, Los Angeles (7 May – 18 September, 2017). This exhibition has been enabled to travel internationally thanks principally to the support of the Henry Luce Foundation and The Terra Foundation for American Art RELATED ACTIVITIES: - A propósito de… Carl Andre Guided Tours. Saturdays and Sundays at 12.30 p.m. July and August, Sundays only Carl Andre (Quincy, Massachusetts, 1935), sculptor and poet, is one of the most outstanding and complex figures in Minimal Art, an artistic movement that emerged in the early sixties in the United States. From a reductionist stance, the minimalists attempted to explore the essence of the object by employing industrial materials and processes that would allow serial reproduction, eliminating every subjective trace so that the artwork would refer exclusively to itself. The beginnings of this artist, who radically redefined the field of sculpture, were marked by his friendships with the filmmaker Hollis Frampton and the painter Frank Stella, and by his early Discovery of the sculpture of Constantin Brancusi and the poetics of Ezra Pound. -
The Exhibition: Histories, Practices, Policies
The Exhibition: Histories, Practices, Policies N. 1 4 2019 issn 1646-1762 issn faculdade de ciências sociais e humanas – nova Revista de História da Arte N. 14 2019 The Exhibition: Histories, Practices and Politics BOARD (NOVA/FCSH) Margarida Medeiros (ICNOVA/NOVA/FCSH) Joana Cunha Leal Nuno Faleiro Rodrigues (CEAA, ESAP) Alexandra Curvelo Pedro Flor (IHA/NOVA/FCSH) Margarida Brito Alves Pedro Lapa (FLUL) Pedro Flor Raquel Henriques da Silva (IHA/NOVA/FCSH) SCIENTIFIC COORDINATION – RHA 14 Sandra Leandro (IHA/NOVA/FCSH; UE) Joana Baião (IHA/NOVA/FCSH; CIMO/IPB) Sandra Vieira Jürgens (IHA/NOVA/FCSH) Leonor de Oliveira (IHA/NOVA/FCSH; Courtauld Institute Sarah Catenacci (Independent art historian, Rome) of Art) Sofia Ponte (FBAUP) Susana S. Martins (IHA/NOVA/FCSH) Susana Lourenço Marques (FBAUP; IHA/NOVA/FCSH) Tamara Díaz Bringas (Independent researcher and curator, Cuba) EDITORIAL COORDINATION Victor Flores (CICANT/ULHT) Ana Paula Louro Joana Baião ENGLISH PROOFREADING Leonor de Oliveira KennisTranslations Lda. Susana S. Martins Thomas Williams REVIEWERS (IN ALPHABETICAL ORDER) PUBLISHER Alda Costa (Universidade Eduardo Mondlane, Maputo) Instituto de História da Arte (NOVA/FCSH) Ana Balona de Oliveira (IHA/NOVA/FCSH) DESIGN Ana Carvalho (CIDEHUS/UE) José Domingues Carlos Garrido Castellano (University College Cork) ISSN Giulia Lamoni (IHA/NOVA/FCSH) 1646-1762 Gregory Scholette (Queens College/City University of New York) Helena Barranha (IHA/NOVA/FCSH; IST/UL) © copyright 2019 Hélia Marçal (Tate Modern, London) The authors and the Instituto de História da Arte (NOVA/ João Carvalho Dias (Calouste Gulbenkian Foundation) FCSH) José Alberto Gomes Machado (CHAIA/UE) © cover photo Katarzyna Ruchel-Stockmans (Vrije Universiteit Brussel) View of Graciela Carnevale’s 1968 action Encierro Laura Castro (School of Arts/UCP) (Confinement), Rosario, Argentina. -
Carole Seborovski
CAROLE SEBOROVSKI NOHRA HAIME GALLERY CAROLE SEBOROVSKI PHYSICAL INTUITION March 8 - April 9, 2016 COVER: DREAM, 2008-2016 Gold, silver and aluminum leaf, acrylic, yarn, Flashe vinyl paint, NOHRA HAIME GALLERY magic-sculpt, mirrors, glass powder, plastic beads, canvas 730 Fifth Avenue New York, NY 10019 212-888-3550 [email protected] 76 x 73 x 1½ in. 193 x 185.4 x 3.8 cm. RETURNING TO KUO HSI, 2006-2016 Acrylic latex, Flashe vinyl paint, glass powder, sand, plastic beads on wood, 79 x 72 x 2½ in. 200.7 x 183 x 6.4 cm. CORONATION, 2011 Flashe vinyl paint, enamel, gold and silver leaf, magic-sculpt glass, fabric, wood, 19 x 15 x 3 in. 48.3 x 38 x 7.6 cm. GEOMORPHIC, 2014 Acrylic latex, glass, yarn, Flashe vinyl paint, sand, plastic, fabric, styrofoam, canvas, wood, 24 x 36 x 3 in. 61 x 91.4 x 7.6 cm. OUROBOROS, 2014 Flashe vinyl paint, latex acrylic, ceramic, rope, glass beads, plastic beads, wood panel, 14 x 13 x 3 in. 35.6 x 33 x 7.6 cm. DAY IN / DAY OUT, 2015 Acrylic, latex acrylic, Flashe vinyl paint, glass powder, beads, wood, 22 x 14 x 2½ in. 60 x 35.6 x 6.4 cm. ENCIRCLED, 2015 Flashe vinyl paint, glass powder, plastic beads, acrylic, wood, mirror, canvas, 16 x 16 x 3 in. 40.6 x 40.6 x 7.6 cm. INNANA, 2015 Aluminum leaf, clay stilts, Flashe vinyl paint, glass powder, acrylic, wood panel, 18 x 12 x 5 in. -
DONALD JUDD Born 1928 in Excelsior Springs, Missouri
This document was updated January 6, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. DONALD JUDD Born 1928 in Excelsior Springs, Missouri. Died 1994 in New York City. SOLO EXHIBITIONS 1957 Don Judd, Panoras Gallery, New York, NY, June 24 – July 6, 1957. 1963–1964 Don Judd, Green Gallery, New York, NY, December 17, 1963 – January 11, 1964. 1966 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, February 5 – March 2, 1966. Donald Judd Visiting Artist, Hopkins Center Art Galleries, Dartmouth College, Hanover, NH, July 16 – August 9, 1966. 1968 Don Judd, The Whitney Museum of American Art, New York, NY, February 26 – March 24, 1968 [catalogue]. Don Judd, Irving Blum Gallery, Los Angeles, CA, May 7 – June 1, 1968. 1969 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, January 4 – 25, 1969. Don Judd: Structures, Galerie Ileana Sonnabend, Paris, France, May 6 – 29, 1969. New Works, Galerie Bischofberger, Zürich, Switzerland, May – June 1969. Don Judd, Galerie Rudolf Zwirner, Cologne, Germany, June 4 – 30, 1969. Donald Judd, Irving Blum Gallery, Los Angeles, CA, September 16 – November 1, 1969. 1970 Don Judd, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, January 16 – March 1, 1970; traveled to Folkwang Museum, Essen, Germany, April 11 – May 10, 1970; Kunstverein Hannover, Germany, June 20 – August 2, 1970; and Whitechapel Art Gallery, London, United Kingdom, September 29 – November 1, 1970 [catalogue]. Don Judd, The Helman Gallery, St. Louis, MO, April 3 – 29, 1970. Don Judd, Leo Castelli Gallery, 4 East 77th Street, and 108th Street Warehouse, New York, NY, April 11 – May 9, 1970.