Wizards of The

Total Page:16

File Type:pdf, Size:1020Kb

Wizards of The In our connected data societies, the importance of algorithms and automated systems is obvious. They determine search engines’ rankings, what driverless cars do when a child appears on the road, and stock market changes. Today data-driven algorithms and automated systems are everywhere. While algorithms and automated systems themselves are often a topic of controversy WIZARDS OF THE WEB JAKOB SVENSSON WIZARDS OF THE WEB JAKOB and debate, this book is about the people behind them; it is an account of the cultures, values, and imaginations that guide programmers in their work designing and engineering software and digital technology. Technology, it is argued, is not neutral and developed free of context. And since algorithms and automated WIZARDS systems exercise power in connected data societies, it is pivotal to understand their creators, who could be labelled, it is argued in the book, Wizards of the Web. This book is the result of an ethnographically inspired study based on interviews with software engineers and programmers, observations made at tech head quarters and conferences in Denmark, Sweden, Brazil, Germany, India, and the US, and a OF case study of the introduction of algorithmic automation on the front page of a Scandinavian newspaper. The author, Jakob Svensson, is professor of Media and Communication Studies at Malmö University. The book is part of the research project Behind the Algorithm (funded by the Swedish Research Council, 2018–2020). THE WEB AN OUTSIDER'S JOURNEY INTO TECH CULTURE, PROGRAMMING, AND MATHEMAGICS NordicomNordicom is a centre is a forcentre Nordic for media Nordic research media at the University research of Gothenburg, at the University of Gothenburg,supported supported by the by Nordic the Council Nordic of Ministers. Council of Ministers. The book JAKOB SVENSSON has been published with support from the University of Navarra. NORDICOM NORDICOM ISBN 978-91-88855-52-7 9 789188 855527 > Nordicom, University of Gothenburg, PO Box 713, SE-405 30 Gothenburg, Sweden www.nordicom.gu.se Nordicom, University of Gothenburg, PO Box 713, SE-405 30 Gothenburg, Sweden www.nordicom.gu.se WIZARDS OF THE WEB WIZARDS OF THE WEB AN OUTSIDER’S JOURNEY INTO TECH CULTURE, PROGRAMMING, AND MATHEMAGICS Jakob Svensson NORDICOM Wizards of the Web An Outsider’s Journey into Tech Culture, Programming, and Mathemagics Jakob Svensson © 2021 Nordicom and the author. This is an Open Access work licensed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public licence (CC BY-NC-ND 4.0). To view a copy of the licence, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ ISBN 978-91-88855-52-7 (print) ISBN 978-91-88855-53-4 (pdf) DOI: https://doi.org/10.48335/9789188855534 The publication is also available Open Access at www.nordicom.gu.se Published by: Nordicom University of Gothenburg Box 713 SE 405 30 GÖTEBORG Sweden Cover by: Charlotta Hammar To mum and dad “Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do”. – from Apple’s “Think Different” campaign, written by creative director Rob Siltanen with Ken Segal (and a bunch of other Apple employees) Contents Preface 11 Chapter 1. Introduction: The humans behind the screen 13 Who is this book for and why should you read it? 17 Outline 20 Chapter 2. Situating the study 23 The importance of digital technology in contemporary data societies 23 Who are the programmers? 26 Empirical data gathering 30 Culture as an analytical tool 35 Delineations, limitations, & ethics 38 Chapter 3. A culture of many cultures 41 Hippie culture 41 Hacker culture 44 Entrepreneurial & startup culture 48 Middle-class, masculine, young, & suburban culture 51 Chapter 4. Navigating a culture of contradictions 59 Progressive hippies vs. libertarian entrepreneurs 59 Pranking dudes vs. techno-missionaries 63 Shy outcasts vs. attention seekers 68 Self-confidence vs. asking for help 72 Chapter 5. The geek genius among beanbags & unicorns in Lego land 77 Beanbags 77 Unicorns 80 Prometheus 84 The kings (& queen) of Geekistan 87 In Lego land 91 9 WIZARDS OF THE WEB Chapter 6. Mind-blowing flow, grit, & data-driven development 95 Data-driven development 96 Flow 100 Grit 104 The mind-blowing demo 108 Chapter 7. Innovative & creative solutions for a better future 113 Solution creativity 113 Progress, the belief in a better future 117 Disruption & innovation 120 In data & patterns we believe 123 Chapter 8. Wizards of the web 129 Among cyborg mediums, magicians, & programmer gods 129 Magic through mastery of programming languages 134 Wizards of the web 138 From hackers to wizards 142 Chapter 9. Summary & outlook 145 Summary 145 Mathemagics 147 Bruno, making the world magic again 150 Modernity & mathemagics 154 The magic of dying 158 The power of imagination 160 References 163 10 Preface My name is Jakob Svensson, and I am a media and communication researcher in the south Swedish town of Malmö. In 2018, I received a research grant from the Swedish Research Council to study the people behind data, algorithms, and automated systems. In the grant application, I had written that my project would contribute with a much-needed sociological approach by focusing on the human and cultural aspects of contemporary data societies. Being engineered by programmers, algorithms and automated system are marked by rules, ideals, imaginations, and cultures. They are encoded with human intentions that may or may not be fulfilled. This book is about the humans behind the screen. A beloved child has many names, as the Swedish proverb goes, and I use “programmers” as an umbrella term for coders, web developers, and software engineers. While the programmers are at centre stage, this book is also about my journey into tech culture, travelling to conferences and tech centres around the world. There are many that must be thanked for this book. First and foremost, Johannes, my editor, who with great interest and detail, and not the least, a good mood, has pushed me to be better and to kill my darlings. Thanks also to Kristin for helping me with my English, and of course the Swedish Research Council (Swedish tax payers) for funding this research. I also want to thank my university departments: Informatics and Media at Uppsala University, where it all started, and the school of Arts and Communication (K3) at Malmö Uni- versity, where I am currently based. (A special thanks to the latter for making space for me and this project at times of stress, depression, and a burnout.) There are many colleagues at these departments who have provided insightful comments during the years. I have also had the privilege to present this research at the Weizenbaum Institute (Berlin), the American University (Rome), Monash University (Melbourne), and the universities in Umeå, Gävle, and Södertörn (all in Sweden). Most of all, however, thanks to my friends and family. Without you this wouldn’t have been possible. I wrote this book at a very difficult time in my life and your support and care meant the world to me. This book is dedicated to my parents – two crazy ones who really dared to be different and showed me early on how to follow your heart, even if that meant swimming against the tide. 11 Chapter 1 Introduction The humans behind the screen It’s mid-March 2019 and I find myself in a spacious AirBNB house in the eastern suburbs of Austin. The sun is shining and the air is warming up after a cool night – at least it’s a lot warmer than Malmö, I think to myself. Here to attend the legendary and exciting South by Southwest (SXSW) festival, I still maintain my daily morning habits from back home – that is, to start the day listening to Swedish Radio’s morning broadcast of public service channel P1. Two news stories catch my attention. The first one is about the aftermath of the crash of Ethiopian Airlines Flight 302 to Nairobi a couple of days earlier. Apparently, the autopilot didn’t work as it should: Boeing’s newly developed automatic system that should prevent the aircraft from stalling failed – and the aircraft crashed. This wasn’t the first time software bugs led to disaster. In 1962, five minutes after its launch, the Mariner I spacecraft veered off course and had to be blown up to prevent it from crashing in an inhabited area. The problem? A missing hyphen in its guidance control program (Wikipedia, 2021b). We put our lives in the hands of data-fed, so-called automated systems – systems that we who are not versed in computer programming cannot fully understand, but where power is increasingly accumulated. In late modern risk societies – in which people increasingly depend on each other’s specialised skills (see Beck, 1992; Elias, 1939/1998) – this might not be so suprising. What is more intriguing is how little we know about the people behind the systems we depend upon: Who are they? Where do they come from? What norms, values, and imaginations govern their work? The other story that caught my attention that morning in Austin was about bullying and online expressions of hate, which apparently are increasing among teenagers with the help of communication apps that allow users to leave anonymous comments about each other.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • CBS' 'Young Sheldon' Has Strongest Comedy Opening in Four Years
    CBS' 'Young Sheldon' Has Strongest Comedy Opening in Four Years 09.26.2017 CBS' Young Sheldon, arguably the show most likely to succeed this season, came out of the gate with a big bang, debuting at a 3.7 rating among adults 18-49 and 16.6 million viewers. That's the most-watched premiere rating for a new comedy since 2 Broke Girls debuted in 2011 and the highest-rated since The Crazy Ones in 2013. That said, both of those shows have since been canceled, with 2 Broke Girls ending its run after last season and The Crazy Ones - which starred Sarah Michelle Gellar and the late, great Robin Williams as a daughter-father advertising team - failed to make it past season one. Young Sheldon debuted out of the show from which it's spun, The Big Bang Theory, and held almost all of its viewers. Big Bang, opening season 11, premiered at a 3.9 rating in the key demo and 17 million viewers. Young Sheldon was just teasing viewers with this early episode, however. It's not due to return until its official premiere on Nov. 2, after CBS completes its run of Thursday Night Football and the show can enter its regular time slot of Thursday at 8:30 p.m., behind The Big Bang Theory. Kevin Can Wait, starring Kevin James and featuring the arrival of Leah Remini among some viewer blowback, returned for season two at 9 p.m. with a 2.3 in the demo and 10.1 million viewers, while new sitcom Me Myself & I starring Bobby Moynihan and John Larroquette premiered at a 1.7 in the demo and 7.4 million viewers.
    [Show full text]
  • Marketing Management -Prof
    Symbiosis Institute of Media and Communication, Pune Marketing Management -Prof. Chandan Chatterjee Marketing Diary Apple Macbook Pro Submitted By: YASMIN HUSSAIN 144 MBA 2011-2013 2 TABLE OF CONTENTS TOPICS PAGE NO. Product chosen 5 About the company 6 About the product 7 AMA and Marketing 8 • AMA • Marketing • My view Customer Value 11 • Value chain analysis • Customer Perceived Value Product 20 • Core/Augmented Products and Services • Product Levels • Product classification and hierarchy • Product Mix • Product Lifecycle • Industry Lifecycle Competitors 27 • Competitor Map • Direct Competitor Comparison • Competitive Forces • Market Share Pricing 31 Brand 33 • Branding • Brand Equity • Branding Strategy • Apple and the environment 3 Marketing Communications 42 • Marketing Mix • Marketing Communications Mix (ATL & BTL) • IMC Campaigns Distribution Decisions 87 • Distribution Structure • Target • B2B Channels • B2C Channels • Retail Strategy – SWOT Analysis • Apple Store Vs Luxury Retailers Sales Management 95 Consumer Behavior / Organizational Behavior 96 • Consumer Decision Making • Consumer Satisfaction • Organizational Culture • Organizational Structure STP 103 • Segmentation • Targeting • Positioning Role of Marketing Management 107 • Marketing Manager Role What makes Apple different? 109 • Income Sheet • Milestones • Apple without Steve Jobs References 120 4 PRODUCT CHOSEN APPLE MACBOOK PRO 5 ABOUT THE COMPANY- APPLE Industry: Computer Hardware, Computer Software, Consumer Electronics, Digital Distribution Founded on: 1 April 1976
    [Show full text]
  • The Evolution of Lisp
    1 The Evolution of Lisp Guy L. Steele Jr. Richard P. Gabriel Thinking Machines Corporation Lucid, Inc. 245 First Street 707 Laurel Street Cambridge, Massachusetts 02142 Menlo Park, California 94025 Phone: (617) 234-2860 Phone: (415) 329-8400 FAX: (617) 243-4444 FAX: (415) 329-8480 E-mail: [email protected] E-mail: [email protected] Abstract Lisp is the world’s greatest programming language—or so its proponents think. The structure of Lisp makes it easy to extend the language or even to implement entirely new dialects without starting from scratch. Overall, the evolution of Lisp has been guided more by institutional rivalry, one-upsmanship, and the glee born of technical cleverness that is characteristic of the “hacker culture” than by sober assessments of technical requirements. Nevertheless this process has eventually produced both an industrial- strength programming language, messy but powerful, and a technically pure dialect, small but powerful, that is suitable for use by programming-language theoreticians. We pick up where McCarthy’s paper in the first HOPL conference left off. We trace the development chronologically from the era of the PDP-6, through the heyday of Interlisp and MacLisp, past the ascension and decline of special purpose Lisp machines, to the present era of standardization activities. We then examine the technical evolution of a few representative language features, including both some notable successes and some notable failures, that illuminate design issues that distinguish Lisp from other programming languages. We also discuss the use of Lisp as a laboratory for designing other programming languages. We conclude with some reflections on the forces that have driven the evolution of Lisp.
    [Show full text]
  • Protecting Copyright and Innovation in a Post-Grokster World
    S. HRG. 109–1041 PROTECTING COPYRIGHT AND INNOVATION IN A POST-GROKSTER WORLD HEARING BEFORE THE COMMITTEE ON THE JUDICIARY UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS FIRST SESSION SEPTEMBER 28, 2005 Serial No. J–109–40 Printed for the use of the Committee on the Judiciary ( U.S. GOVERNMENT PRINTING OFFICE 34–113 PDF WASHINGTON : 2009 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Nov 24 2008 09:03 Mar 04, 2009 Jkt 047297 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\GPO\HEARINGS\34113.TXT SJUD1 PsN: CMORC COMMITTEE ON THE JUDICIARY ARLEN SPECTER, Pennsylvania, Chairman ORRIN G. HATCH, Utah PATRICK J. LEAHY, Vermont CHARLES E. GRASSLEY, Iowa EDWARD M. KENNEDY, Massachusetts JON KYL, Arizona JOSEPH R. BIDEN, JR., Delaware MIKE DEWINE, Ohio HERBERT KOHL, Wisconsin JEFF SESSIONS, Alabama DIANNE FEINSTEIN, California LINDSEY O. GRAHAM, South Carolina RUSSELL D. FEINGOLD, Wisconsin JOHN CORNYN, Texas CHARLES E. SCHUMER, New York SAM BROWNBACK, Kansas RICHARD J. DURBIN, Illinois TOM COBURN, Oklahoma DAVID BROG, Staff Director MICHAEL O’NEILL, Chief Counsel BRUCE A. COHEN, Democratic Chief Counsel and Staff Director (II) VerDate Nov 24 2008 09:03 Mar 04, 2009 Jkt 047297 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\GPO\HEARINGS\34113.TXT SJUD1 PsN: CMORC C O N T E N T S STATEMENTS OF COMMITTEE MEMBERS Page Cornyn, Hon. John, a U.S. Senator from the State of Texas ..............................
    [Show full text]
  • Turning Dreams Into Cuss Their Short- and Long- 28 and Saturday, March 1 Term Development Plans from 9 A.M
    WEEKEND EDITION FRIDAY & SATURDAY, FEBRUARY 28-MARCH 1, 2014 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM LEGISLATIVE SESSION BOCC looks at Gun bills on tap funding By DARA KAM in common? Bills dealing with toast- tive session that starts The News Service of Florida For anyone who has er pastries and insurance Tuesday. As in previous been paying attention to policies are just two of years, many of them will plans TALLAHASSEE — the Florida Legislature more than a dozen gun-re- go nowhere, especially if Today What do Pop-Tarts and recently, the answer is lated measures lined By STEVEN RICHMOND property insurance have easy: Guns. up for the 2014 legisla- GUNS continued on 3A [email protected] Yard sale North Florida Animal The Board of County Rescue, 16800 County Rd. Commissioners met 137 in Wellborn, is holding Thursday morning to dis- a yard sale on Friday, Feb. Turning dreams into cuss their short- and long- 28 and Saturday, March 1 term development plans from 9 a.m. to 3 p.m. both and financial priorities for days. The yard sale will Columbia County’s future. take place rain or shine. The workshop focused Proceeds will go to the res- on 13 key issues that will cue animals. play a significant role in the county’s budget delib- ALNF Art Exhibit erations leading up to Oct. The Art League of 1, the official start of Fiscal North Florida invites the Year 2014-15. community to the 9th “The idea is to progres- Annual Spring Members sively reach conclusions on Art Exhibit at the Levy various Performing Arts Center, COMING county Florida Gateway College.
    [Show full text]
  • Indirect Copyright Liability and Technological Innovation
    Indirect Copyright Liability and Technological Innovation Peter S. Menell* ABSTRACT Over the past decade, numerous scholars and commentators have asserted that the indirect copyright liability standards applied in the Napster, Aimster and Grokster decisions, among others, significantly chill technological innovation. This article examines this critical conjecture and offers both a broader framework for assessing the relationship between indirect copyright liability and technological innovation and some suggestive empirical results. The conceptual analysis demonstrates that the question of whether indirect copyright liability chills technological innovation inherently requires consideration of a broader range of social balances, market mechanisms and roles for mediating institutions. Several countervailing forces, such as the relatively modest capital requirements associated with the technology at issue, the nature of the many established research environments, the philosophical and cultural orientation of many digital technology researchers, various liability- insulating institutions, the ability of investors and technology companies to manage risk and the importance of technological advance in fields unaffected by copyright liability, suggest that the effects of indirect copyright liability on innovation in replication and distribution technologies will be less dire and more complex than the conjecture suggests. Moreover, the Chilled Innovation conjecture downplays the beneficial effects of indirect copyright liability on the development
    [Show full text]
  • The Untold Story Behind Apple's 'Think Different' Campaign
    The untold story behind Appleʼs ‘Think Differentʼ campaign | Computerworld 3/1/19, 505 AM About ! APPLE HOLIC Appleholic, (noun), æp·əl-hɑl·ɪk: An By Jonny Evans, Computerworld imaginative person who thinks about JUNE 17, 2015 02:49 AM PT what Apple is doing, why and where it is going. Delivering popular Apple-related news, advice and entertainment since 1999. NEWS The untold story behind Apple’s ‘Think Different’ campaign It was inspired by Rene Magritte’s seminal surrealist work, 'Ceci n’est pas une pipe' Legend has it that way back when the PC dinosaurs still walked the Earth, returning company co-founder Steve Jobs sought a mantra to show Apple was back in business, and the acclaimed ‘Think Different’ Think Different with Muhammed Ali. The untold story behind Appleʼs ‘Think Differentʼ campaign | Computerworld 3/1/19, 505 AM Sketch different You could argue the huge success of the campaign is a key reason that Apple and Steve Jobs remain so deeply recognizable. I thought some readers would be interested in something new I've learned about the genesis of the campaign, which turns out (or so it is claimed) to be the brainchild of Chiat\Day art director, Craig Tanimoto. Here’s what happened, according to Jonathan Littman, who spent two days with Tanimoto researching his next book: “Apple was in trouble, big time. They had only 90 days of money left,” said Tanimoto. “Steve was back at the helm, but the big question was, were they going to survive?” In 1997, the agency needed a big idea for a big problem.
    [Show full text]
  • Here's to the Crazy Ones
    CHIEF MEDICAL EDITOR’S PAGE s HERE’S TO THE CRAZY ONES he famous “1984” the answer was, “That’s just brilliant for introducing commercial is how it’s done,” I wouldn’t scrambling to the NFL. regarded as one of accept it. I would push to Before him, quarterbacks the greatest advertise- make it better, any way didn’t try to slip away from ments of all time. It I could. sacks. It took 40 years for helpedT put Apple on the I saw so many of my someone to realize that, map. While I can respect peers looking at things when a 300-pound man is the disruptive spirit of through the same lens, and trying to tackle you, you “1984,” I personally prefer it was blinding their abil- should run away. Really? Apple’s “Here’s to the Crazy ity to innovate. I realized Of course, for every suc- Ones” commercial. that if I wanted to change cess like these, there are a First airing in 1997, it ophthalmology, I didn’t thousand failures. It sure features black-and-white need to be talented. I just felt like that for me, any- footage of iconic per- needed to think differently. way. But no matter how sonalities such as Albert That was the real brilliance bitter those defeats, the Einstein, Muhammad of the ad, by the way. It taste of one victory made Ali, Amelia Earhart, and introduced the great- it all worthwhile. Pablo Picasso. Narrated by est tagline ever written: Our focus in this issue Richard Dreyfuss, it starts, “Think different.” of GT is innovations in “Here’s to the crazy ones.
    [Show full text]
  • Robert Alan Saunders
    SMITHSONIAN INSTITUTION LEMELSON CENTER FOR THE STUDY OF INVENTION AND INNOVATION Robert Alan Saunders Transcript of an interview conducted by Christopher Weaver at National Museum of American History Washington, D.C., USA on 29 November 2018 with subsequent additions and corrections For additional information, contact the Archives Center at 202-633-3270 or [email protected] All uses of this manuscript are covered by an agreement between the Smithsonian Institution and Robert Alan Saunders dated November 29, 2018. For additional information about rights and reproductions, please contact: Archives Center National Museum of American History Smithsonian Institution MRC 601 P.O. Box 37012 Washington, D.C. 20013-7012 Phone: 202-633-3270 TDD: 202-357-1729 Email: [email protected] Web: http://americanhistory.si.edu/archives/rights-and-reproductions Preferred citation: Robert Alan Saunders, “Interview with Robert Alan Saunders,” conducted by Christopher Weaver, November 29, 2018, Video Game Pioneers Oral History Collection, Archives Center, National Museum of American History, Smithsonian Institution, Washington, DC. Acknowledgement: The Smithsonian’s Lemelson Center for the Study of Invention and Innovation gratefully acknowledges financial support from the Entertainment Software Association and Coastal Bridge Advisors for this oral history project. For additional information, contact the Archives Center at 202-633-3270 or [email protected] Abstract Robert Saunders begins discussing his early family life, education, and early exposure to electrical engineering. He next recounts his time at MIT, recalling members of the Tech Model Railroad Club and his work with the TX-0 and PDP-1 computers. Saunders discusses the contributions of Spacewar! team members to the project and his development of the original PDP-1 game controllers.
    [Show full text]
  • Acquisition of a Majority Stake in Canyon
    Acquisition of a majority stake in Canyon December 2020 2 Letter from the founder “When I saw our first bike on the Tour de France, a childhood dream came true, however, I knew that this was just the beginning. CANYON is built on a foundation of passion and self-sacrifice, with the ultimate goal of being the best bicycle company in the world. In the beginning, a lot of people told us that selling bikes online was impossible. We have proven everybody wrong! We are pioneers in building a fundamentally superior business model and consumer experience which our competitors simply can’t replicate. Our brand today represents the same core values of performance, innovation, community and quality as it did in 1985. This has only been possible thanks to our team. Always passionate, industry-leading and driven by the same goal, building the best and sharing the passion. We are uniquely positioned to take advantage of this huge and growing market with ever more support from recent global events. Our plan will take us to €1bn in sales over the next five years, but our vision remains the same. Canyon is the best bicycle company in the world. We invite GBL to join us as we become the largest.” - Roman Arnold, Founder & Chairman of the Advisory Board 3 Canyon is in line with structural trends which guide GBL’s investment decisions Health awareness Consumer experience Digitalization & technology Sustainability and resource scarcity 4 Introduction to the transaction • GBL has signed a definitive agreement to acquire a majority stake in Canyon • Canyon is
    [Show full text]
  • Introduction to the Literature on Programming Language Design Gary T
    Computer Science Technical Reports Computer Science 7-1999 Introduction to the Literature On Programming Language Design Gary T. Leavens Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/cs_techreports Part of the Programming Languages and Compilers Commons Recommended Citation Leavens, Gary T., "Introduction to the Literature On Programming Language Design" (1999). Computer Science Technical Reports. 59. http://lib.dr.iastate.edu/cs_techreports/59 This Article is brought to you for free and open access by the Computer Science at Iowa State University Digital Repository. It has been accepted for inclusion in Computer Science Technical Reports by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Introduction to the Literature On Programming Language Design Abstract This is an introduction to the literature on programming language design and related topics. It is intended to cite the most important work, and to provide a place for students to start a literature search. Keywords programming languages, semantics, type systems, polymorphism, type theory, data abstraction, functional programming, object-oriented programming, logic programming, declarative programming, parallel and distributed programming languages Disciplines Programming Languages and Compilers This article is available at Iowa State University Digital Repository: http://lib.dr.iastate.edu/cs_techreports/59 Intro duction to the Literature On Programming Language Design Gary T. Leavens TR 93-01c Jan. 1993, revised Jan. 1994, Feb. 1996, and July 1999 Keywords: programming languages, semantics, typ e systems, p olymorphism, typ e theory, data abstrac- tion, functional programming, ob ject-oriented programming, logic programming, declarative programming, parallel and distributed programming languages.
    [Show full text]