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Gloomy Sunday
GLOOMY SUNDAY Written by Kevin Machate WGA Registry #2115398 (c)Kevin Machate 2021 [email protected] FADE IN: INT. SMALL APARTMENT LIVING ROOM - NIGHT SUPER: PARIS FRANCE, DECEMBER 1932 REZSŐ SERESS, 33, sits at an upright piano. He is clean shaven with dark, slicked back hair. A cigarette burns in an ashtray on the piano bench. His white dress shirt is half unbuttoned and the sleeves are partially rolled up. There is a photo of Rezső and Erzsébet, his estranged lover, facing him on the front of the piano. He plays a few chords of a haunting tune and uses a pencil to make record of the musical notes on the paper in front of him. On the wall behind him is a mirror. In the mirror’s image, an entity, much like a lingering shadow, fades in an out of focus. It seems to take the shape of a human outline, while at the same time is indistinguishable. Rezső stops writing and glances behind him. He sees nothing out of the ordinary. His coat is on the rack next to the mirror and his tie lies on the floor. He pauses, takes a puff of the cigarette, and exhales. He gently touches the image of woman’s face before going back to his work. SUPER: AUSTIN TEXAS, 2021 INT - LIVING ROOM - AFTERNOON JONAH HORVATH, 32, average height, thin, with short wiry brown hair, sits on a chair and looks through a box of songbooks and sheet music at an estate sale. There is a small group of people wandering around looking at various items in boxes and on shelves. -
The Social and Cultural Implications of Hungarian Modern Classical
Sleeper, Maxine G., Fulbright Student Conference Papers: and Eastern Europe: Avoiding the Dependency Trap, A Regional Human Back to Basics: The Social Academic Years 2002/2003 and 2003/2004, “Anti-Discrimination Development Report, available at http://roma.undp.sk/reports. and integration of Roma in Hungary”, (2004) (Budapest, Hungarian php?parent_id=1&id=182&scroll=182 – American Commission for Educational Exchange) (1857) (Paris, Dentu and Cultural Implications of Vaillant, J.A., Histoire Vraie des Vrais Bohémiens Tax and Finance Control Administration (APEH), “Short summary on & Cie.) the taxation of individuals”, July 1, 2009, available at http://en.apeh. Hungarian Modern Classical hu/taxation/summary_individuals.html United Nations Development Program (UNDP), The Roma in Central Composers and Their Music Randall Scotting ............................................................................................... University of Colorado at Boulder Liszt Ferenc Academy/Independent Research Boulder, Colorado 1061 Budapest, Liszt Ferenc tér 8 www.colorado.edu www.lfze.hu [email protected] Adviser: Eva Marton ............................................................................................... Introduction “We don’t see things as they are, we see them as we are.” -Anais Nin Living in Hungary has allowed me an insight into better understanding Hungarian composers and their world. This, in turn, has given me a more complete comprehension of their music. My original goal was to better grasp what I perceived to be a sense of honesty in Hungarian classical music, an immediacy and direct purpose that classical music from some other areas of origin does not often display. I found that this honesty does indeed exist in the works of many varied Hungarian composers, and I began the interesting process of trying to determine why. -
Release 28. Oktober
Release 28. oktober Stunt Records STUCD 11182 STULP 11181 (Gatefold LP+CD) Billie Holiday’s wonderful voice and unforgettable presence on recordings I have written a few songs that we feel comliment Billie’s material. I think and film have made a deep impression on many of us. She was the greatest, of these songs as a loving tribute to the great Lady Day.” and she still is the greatest. Few artists have left an equivalent mark on the world of jazz, and there is hardly a female vocalist in jazz, soul or rock, Tenor saxophonist Jakob Dinesen wrote the arrangements to most of the who can truthfully decline being influenced by her mastery of interpre- tunes, which have already been performed several times in front of an tation. It seems a banal truth to state that Billie “sang her life” – that her audience, most recently at a sold-out concert in the Tivoli Gardens during troubled existence is reflected in her singing. However, that’s the way it is. this year’s Copenhagen Jazz Festival. HEAD, P.J.Harvey’s regular collaborator, was called in from Britain to Vocalist Kira Skov also fell under Billie’s spell: record the session at STC Studio in Copenhagen. HEAD was also involved “I’ve been listening to Billie Holiday since my early teens. When I was in Kira’s previous release. The other musicians are Mads Hyhne (trombo- around thirteen, I found a record in my local shopping center with that ne), Heine Hansen (piano), Nicolai Munch-Hansen (bass) and R.J. -
The Untold Story About the "Easy Living" Lyricist's Rendezvous with Billie During the United States Vs
The Untold Story About the "Easy Living" Lyricist's Rendezvous with Billie During The United States vs. Billie Holiday; This Lyricist Is Embattled with Hollywood Chamber Over Installing the Star on Hollywood Walk of Fame Awarded to Him 30 Years Ago SHERMAN OAKS, CA / ACCESSWIRE / April 13, 2021 / The ongoing controversy carries on during the 2021 awards season between Leo Robin Music and the Hollywood Chamber of Commerce over the star awarded to Oscar- winning lyricist Leo Robin on the Hollywood Walk of Fame more than 30 years ago but never installed. The Hollywood Chamber abandoned its obligation to install the star awarded to Leo Robin by the 1990 Walk of Fame Committee. With the upcoming Oscars ceremony on April 25, 2021, Leo Robin Music is going to share a fascinating story by Leo's niece never told before about how Leo Robin stood by the side of his dear friend Billie Holiday while the elites abandoned her. This back story was not covered by the film The United States vs. Billie Holiday, which is up for an Academy Award - Best Actress. Billie Holiday sings Havin Myself a Time In the independent spirit of the way she would lead her life, here is a recording in 1938, accompanied by a collage of photos, of Billie Holiday singing "Havin' Myself a Time," composed by Ralph Rainger with lyrics by Leo Robin More than 30 years ago, in 1988, both Cherie Robin, and actor, Bob Hope, wanted to see to it that Leo would be acknowledged for the legacy that Roy Trakin reported on in his Variety article, "Thanks for the Memory: How Leo Robin Helped Usher In the Golden Age of Song in Film." To this end, Cherie Robin and Bob Hope sponsored Leo for a posthumous star on the Hollywood Walk of Fame. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
Guide to the Leonard Gaskin Papers
Guide to the Leonard Gaskin Papers NMAH.AC.0900 Vanessa Broussard-Simmons and Dr. Theodore Hudson 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Personal Papers, 1937-2006, undated..................................................... 4 Series 2: Diaries and Planners, 1947-2004............................................................. 7 Series 3: Business Records, 1939-2000, undated................................................. 10 Series 4: Photographic Materials, 1956-2003, undated......................................... 12 Series 5: Scrapbooks, 1923-2004, undated.......................................................... -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Permalink https://escholarship.org/uc/item/79v6m6c0 Author Singleton, Tyfahra Danielle Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive By Tyfahra Danielle Singleton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Judith Butler, Chair Professor Chana Kronfeld Professor Linda Williams Fall 2011 Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive Copyright © 2011 by Tyfahra Danielle Singleton Abstract Facing Jazz, Facing Trauma: Modern Trauma and the Jazz Archive by Tyfahra Danielle Singleton Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair ―Facing Jazz, Facing Trauma‖ posits American jazz music as a historical archive of an American history of trauma. By reading texts by Gayl Jones, Ralph Ellison, Franz Kafka; music and performances by Louis Armstrong and Billie Holiday; the life, art and films of Josephine Baker, and the film The Jazz Singer (1927), my goal is to give African American experiences of trauma a place within American trauma studies and to offer jazz as an extensive archive of testimony for witnessing and for study. Initially, I explore the pivotal historical moment where trauma and jazz converge on a groundbreaking scale, when Billie Holiday sings ―Strange Fruit‖ in 1939. -
Holiday at 100: Lady Has Her Day
4 Chicago Tribune | Arts+Entertainment | Section 4 | Wednesday, April 8, 2015 Holiday at 100: Lady has her day Reich, from Page 1 “Good Morning Heartache,” complete with exquisitely pol- ished scat singing that Justly earned ovations before the tune was finished. The unhurried tempo and sweeping lines Grimm mined in “Crazy He Calls Me”were similarly effec- tive. Imagine the art of Holiday filtered through the sensibility of the great Doris Day,and you have a sense of where Grimm was coming from. And then there was Lynne Jordan, who dared to take on the toughest song in Holiday’s rep- ertoire, “Strange Fruit.” This eyes-wide-open portrait of lynching is devastating to hear under any circumstances, but BRIAN CASSELLA/CHICAGO TRIBUNE PHOTOS Jordan went a step further, of- Lynne Jordan performs Monday at Davenport’s. She took on Billie Holiday’s dark “Strange Fruit,” which confronts the terrible subject of lynching. fering a shattering spoken solilo- quy about her own family’s link to this terrible subject. Jordan wasn’t the only one whose eyes and cheeks were wet before she had begun to sing a note. Yet she pulled herself together to deliver the song, which started big, got bigger and culminated in a kind of outcry. Each singer, really, had some- thing distinctive to add to what we know and value in Holiday’s oeuvre. Tecora Rogers addressed “Pennies From Heaven” in the manner of a robust blues shouter and made a hyperdramatic aria of “Easy Living.” Liz Mandeville summoned considerable inten- sity in “You Go to My Head,” Liz Mandeville sings at Monday’s show, which featured jazz, blues and Tecora Rogers salutes Holiday on Monday. -
Nos Jazzgeschiedenis 198 = Zondag 9.10.1983 = H 3 = 21.02-21.30
nos jazzgeschiedenis 198 = zondag 9.10.1983 = H 3 = 21.02-21.30 mdR, NOS Jazzgeschiedenis 19B. In deel 127 verlieten we Billie Holiday bij Clonroe's Uptown House en een studio-session met pianist Eddy Heywood van 9 mei 1941. 7 augustus is de zangeres voor Okeh in de studio met een formatie olv. pianist Teddy lüilson, en iemand heeft één voorzichtig Bebop-figuurtje geschreven bij een fill-in voor de blazers. Bij de fraaie ballad "Jim". plaat 1 Billie Holiday with Teddy Ulilson a/h Orchestra: Jim (Shawn, Petrillo, u, I I - 5: ü i - Lb s PT 6~B~2Tr7 ^^ Samuels) Billie Holiday, 9 -jaar ouder dan Sarah Vaughan en'dus 2B^oen), met "Jim" en begeleid door Emmett Berry-trompet, Jimmy Hamilton-klarinet Hymie Schertzer-alt, en Babe Russin-tenorsaxof oon. Teddy lililson-pia- no, Al Casey-gitaar, John Williams-bas, J . C . Heard-drums. Die be- geleiding klinkt saai door de oninteressante arrangementen, de enke- le, soli zijn ook dunnetjes, maar Billie Holiday zingt in veel geval- len schitterend. Na de tweede take van "Jim" de eerste en enige van "Leve me or leave me". plaat 1 Idem: Love me or leave me (Gus Kahn) 4/3 - 3:17 - idem "Loue me or leave me" met Emmett Berry-trompet en Babe Russin-tenor- saxofoon. De laatste song bij deze session was "Gloomy Sunday". plaat 1 Idem: Gloomy Sunday (S.Leuiis, R.Seress) 4/4 - 3:08 - idem Dat was de derde take van "Gloomy Sunday", een song waar omheen de legende bedacht werd dat er een groot aantal mensen zelfdoding bij bedreven hadden. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
«Billie Holiday, Passionnément» Paul Lay Et Olivier Garouste
Dossier pédagogique Niveaux suggérés : 4e/3e et Lycée «Billie Holiday, Passionnément» Paul Lay et Olivier Garouste Dossier pédagogique réalisé par Stéphanie Bachmann - professeur de français au Collège Mathias Grunewald de Guebwiller Billie Holiday est l’une des plus grandes chanteuses de jazz du siècle dernier et une référence incontour- nable dans ce domaine. Elle est l’une des plus grandes parce que sa voix, son chant, sa musique se sont fait le reflet de ses expériences et de ses sentiments. Plus qu’une voix, en écoutant Billie Holiday, vous écoutez une âme, vous entendez un cœur, vous percevez un cri, surgi d’une enfance tourmentée et de sa lutte acharnée contre le racisme. Billie Holiday est un mythe et un mythe est difficile à raconter… C’est pourtant ce que le pianiste Paul Lay et le vidéaste Olivier Garouste vous proposent pour rendre hommage à cette figure de légende. Contact : Marion Schmitt - Chargée du secteur des relations avec le public [email protected] +33 (0)3 89 62 21 89 / +33 (0)6 18 81 14 86 1 Sommaire I - Le projet « Billie Holiday, Passionnément » …………………………..........…….… 1 II – Autour de Billie : proposition de pistes pédagogiques illustrant sa biographie....... 3 A – Biographie de Billie ………………………………….................................………. 3 1 – Une enfance tourmentée….....................................………….…..……………. 3 2 – La musique comme refuge ...……........……………………………………...… 4 3 – Une femme engagée : souffrances et combat face au racisme ...…….......………….4 4 – Derniers éclats ……………………………………………….....…….………