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UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support. -
29Th June 2003 Pigs May Fly Over TV Studios by Bob Quinn If Brian
29th June 2003 Pigs May Fly Over TV Studios By Bob Quinn If Brian Dobson, Irish Television’s chief male newsreader had been sacked for his recent breach of professional ethics, pigs would surely have taken to the air over Dublin. Dobson, was exposed as doing journalistic nixers i.e. privately helping to train Health Board managers in the art of responding to hard media questions – from such as Mr. Dobson. When his professional bilocation was revealed he came out with his hands up – live, by phone, on a popular RTE evening radio current affairs programme – said he was sorry, that he had made a wrong call. If long-standing Staff Guidelines had been invoked, he might well have been sacked. Immediately others confessed, among them Sean O’Rourke, presenter of the station’s flagship News At One. He too, had helped train public figures, presumably in the usual techniques of giving soft answers to hard questions. Last year O’Rourke, on the live news, rubbished the arguments of the Chairman of Primary School Managers against allowing advertisers’ direct access to schoolchildren. O’Rourke said the arguments were ‘po-faced’. It transpires that many prominent Irish public broadcasting figures are as happy with part-time market opportunities as Network 2’s rogue builder, Dustin the Turkey, or the average plumber in the nation’s black economy. National radio success (and TV failure) Gerry Ryan was in the ‘stable of stars’ run by Carol Associates and could command thousands for endorsing a product. Pop music and popcorn cinema expert Dave Fanning lucratively opened a cinema omniplex. -
Statement to the Oireachtas Committee of Inquiry Into the Banking Crisis in Ireland Ed Mulhall
Statement to the Oireachtas Committee of Inquiry into the Banking Crisis in Ireland Ed Mulhall The starting premise for a discussion of RTÉ's editorial policy on the coverage of any area of public interest is that there is no single expression of it. RTÉ's output is based on a set of principles which are derived from its statutory obligations. These principles form the framework for editorial decision making and there is an editorial structure in place to monitor, discuss and challenge the editorial selections being made so as to ensure they are being adhered to. In addition, all RTÉ's activities are subject to a regulatory structure to ensure that the organisation is meeting its public service obligations. Those working in editorial roles in RTÉ operate under a shared understanding of RTÉ’s obligations under various statutes, notably the 1976 Broadcasting Act as amended and the 2009 Broadcasting Act. In RTÉ News, this translates into a very simple premise: inform the audience in the public interest. The political scientist Jean Blondel - in an essay written in honour of the late RTÉ broadcaster Brian Farrell - calls the role to inform the noblest of tasks because it is the most difficult. It requires the reporting of facts, sometimes the establishment of facts, their selection according to their importance and the presentation of them with related material to allow their meaning or significance to be understood. What is important to report in the public interest is a constantly evolving question that is impacted on by events and does not adhere to any fixed state of national consensus. -
RTÉ Annual Report 2014
Annual Report & Group Financial Statements 2014 Raidió Teilifís Éireann Board 54th Annual Report and Group Financial Statements for the twelve months ended 31 December 2014, presented to the Minister for Communications, Energy and Natural Resources pursuant to section 109 and 110 of the Broadcasting Act 2009. Is féidir leagan Gaeilge den Tuarascáil a íoslódáil ó www.rte.ie/about/ie/policies-and-reports/annual-reports/ 2 CONTENTS Vision, Mission and Values 2 A Highlights 3 Chair’s Statement 4 Director-General’s Review 6 Financial Review 10 What We Do 16 Organisation Structure 17 Operational Review 18 Board 84 B Executive 88 Corporate Governance 90 Board Members’ Report 95 Statement of Board Members’ Responsibilities 96 Independent Auditor’s Report 97 Financial Statements 98 C Accounting Policies 105 Notes Forming Part of the Group Financial Statements 110 Other Reporting Requirements 149 Other Statistical Information 158 Financial History 159 RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 1 RTÉ’S DirecTOR-GENERAL has SET RTÉ’S VISION, MISSION AND VALUes STATEMENT Vision RTÉ’s vision is to enrich Irish life; to inform, entertain and challenge; to connect with the lives of all the people. Mission • Deliver the most trusted, independent, Irish news service, accurate and impartial, for the connected age • Provide the broadest range of value for money, quality content and services for all ages, interests and communities • Reflect Ireland’s cultural and regional diversity and enable access to major events • Support and nurture Irish production and Irish creative talent Values • Understand our audiences and put them at the heart of everything we do • Be creative, innovative and resourceful • Be open, collaborative and flexible • Be responsible, respectful, honest and accountable to one another and to our audiences 2 HIGHLIGHTS A RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 3 CHAIR’S STATEMENT The last year has been one of transition for RTÉ and for its Board. -
5 Day Western Ireland and Dublin Incentive Itinerary
SAMPLE PROGRAMME Ireland WEST & DUBLIN’S FAIR CITY 60 – 85 Guests 1 WHY IRELAND AND A TOUCH OF IRELAND? . “Just for fun” – Ireland has a special magic that starts working the minute you touchdown. Barriers are broken down with the emphasis on fun & the unique Irish experience . Painless travel – no special vaccinations needed – just a capacity to drink a few pints of Guinness! . Great programme mix – lively, cultural city action combined with the “hidden Ireland” – wild romantic nature WITHOUT long bus journeys! . Ireland never says “No” – we make things happen! . Excellent standard of hotels . A Touch of Ireland – Creative DMC & expert reliable Partner with multilingual staff – we understand the demands of the corporate client. 2 WEST IRELAND – LUXURY CASTLE ACCOMMODATION Ashford Castle 5* Cong, Co. Mayo www.ashford.ie Ashford Castle in the heart of the Connemara region, is just one and a half hours from Shannon airport, on the northern shores of Lough Corrib. The countryside around it provided the scenery for the John Wayne classic, “The Quiet Man”. Ashford Castle was selected as the best hotel in Ireland in the 1989 and 1990 Egon Ronay Guide. The original Castle dates back to the 13th century. It has been splendidly restored with rich panelling, intricately carved balustrades, suits of armour and masterpiece paintings. This year the hotel has undergone major refurbishment and is looking stunning. There are 83 rooms in total in the castle offering 5* luxury. Ashford boasts two gourmet restaurants; The “George V” dining room offers traditional and continental menus, while “The Connaught Room” specialises in acclaimed French cuisine. -
Irish Lives Remembered Easter 2016.Pdf
www.irishlivesremembered.com Issue 33 March 2016 Publisher Eneclann Genealogy Magazine Joint Editors Eileen Munnelly & Shane Fitzsimons Email: [email protected] Welcome to the Easter 2016 edition of Irish Lives Remembered , in Design/Production Manager this issue we commemorate the 1916 centenary. And here in Michael Munnelly Ireland on the 100th anniversary of the birth of our nation, it is a joy to see that interest in our past has never been so keen. It’s heart- Editorial Contributors warming to see such fascination across the generations as to how In Ireland our yesterdays continue to affect the present. Joe Duffy, Fiona Fitzsimons, Paul MacCotter, Brian Donovan, Helen Moss, But you probably all know this already, or else you wouldn’t be Shane Fitzsimons and Michael Merrigan reading Ireland’s top genealogy magazine. In the U.K. Before we tell you just what’s in this issue, we’d also like to tell you Jayne Shrimpton that Irish Lives Remembered has changed publisher. Eileen Munnelly and her team at Millennium Media are handing their In America creation over to a new team at Eneclann – a name that some of you Maureen Wlodarczyk & Damien Shields may know. We’d like to salute Eileen for creating such a winning In New Zealand title, for trusting us to continue to publish it, and we wish her all Geraldene O’Reilly the best in the future. Advertising Right, so what’s in this issue? There’s quite a bit on 1916. In a must- Tommy Martin read Fiona Fitzsimons talks to broadcaster and historian Joe Duffy, [email protected] whose recent book explores the short lives and violent deaths of the children of 1916. -
About the Artists
Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre). -
IRISH FILM and TELEVISION - 2011 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses, Number 7, 2012, pp. 201-233 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2011 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film 2011. Introduction Roddy Flynn ............................................................................................................................201 “Not in front of the American”: place, parochialism and linguistic play in John Michael McDonagh’s The Guard Laura Canning .........................................................................................................................206 From Rural Electrification to Rural Pornification: Sensation’s Poetics of Dehumanisation Debbie Ging and Laura Canning .............................................................................................209 Ballymun Lullaby Dennis Murphy ........................................................................................................................213 Ballymun Lullaby: Community Film Goes Mainstream Eileen Leahy ............................................................................................................................216 The Other Side of Sleep Tony Tracy...............................................................................................................................220 -
Maple and Shamrock: Seeking a Strategy for Survival in the Audiovisual Jungle
Maple and Shamrock: seeking a strategy for survival in the audiovisual jungle. Colum Kenny Context Attempting to assess what the future might hold for Irish broadcasters and producers, especially in the light of digital and multimedia developments and of increasing competition, I recently paid a visit to Ontario and Quebec, two adjacent provinces of Canada. It is a country where audiovisual matters have long been taken seriously. Canada's proximity to the U.S. 'elephant', as that neighbour is sometimes known, concentrates the northern state's collective mind on survival strategies. Previous trips to Canada, including attendance at the Toronto Film Festival and participation as a guest in the Banff Television Festival in Alberta, had induced in the author an admiration for the practical ways in which Canadians have responded to audiovisual challenges. In contrast, Irish broadcasting developments have been stunted by bad planning and poor preparation and marked by an absence of clear strategic focus. Policy has been eschewed in favour of politics and opportunities to build up the kind of audiovisual sector we might have had have been lost. It was at Ottawa, in September 1948, that a visiting Taoiseach, John A. Costello, proclaimed for the first time his own government's intention of declaring Ireland a republic. His successors might consider another visit, specifically to see how a relatively small country can articulate successfully an elaborate media policy. Canada enjoys a remarkably sophisticated system of regulation, licensing and support which manages to keep scores of television stations and hundreds of radio services on the air in a country of under 30 million people. -
Scheduling As a Tool of Management in RTÉ Television
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2011-7 Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television Ann-Marie Murray Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Arts Management Commons, Business and Corporate Communications Commons, and the Other Film and Media Studies Commons Recommended Citation Murray, A. (2011) Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television. Doctoral Thesis, Technological University Dublin. doi:10.21427/D70307 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television Ann-Marie Murray This thesis is submitted to the Dublin Institute of Technology in Candidature for the Degree of Doctor of Philosophy July 2011 School of Media Faculty of Applied Arts Supervisor: Dr. Edward Brennan Abstract Developments in the media industry, notably the increasing commercialisation of broadcasting and deregulation, have combined to create a television system that is now driven primarily by ratings. Public broadcast organisations must adopt novel strategies to survive and compete in this new environment, where they need to combine public service with popularity. In this context, scheduling has emerged as the central management tool, organising production and controlling budgets, and is now the driving force in television. -
Working Together, We're Stronger Than Cancer
Working together, we’re stronger than cancer Impact Report 2016 Contents 04 Chairman’s Statement Campaigns and 06 CEO review 2 advocacy work 26 Our role in informing and shaping Services across all stages public policy 1 of the cancer journey 26 Pre-Budget submissions 10 Supporting people with cancer 27 ‘Park the charges’ campaign 11 Preventive services 27 Access to diagnostics 11 Supportive services 28 Alcohol and cancer 11 Survivorship services 28 Plain packaging of tobacco 11 Palliative services 11 Cancer Nurseline 12 Daffodil Centres 3 Support for research 13 We Can Quit 32 BREAST-PREDICT 14 X-HALE 32 Blood Cancer Network Ireland 15 Fit for Work and Life 33 Irish Prostate Cancer Outcomes Research 16 Cork Cancer Action Network 33 Cancer prevention: collaboration on 17 Publications: information is power risk reduction 18 Volunteer driver service 34 Cancer researchers of the future: scholarships 18 Travel2Care 35 Research communications 20 Financial support 37 Research awards 20 CASE (Care, Advice, Support and Education) 20 Community-based cancer support services 21 Survivor support volunteers Fundraising 2016 21 Prostate cancer psycho-educative programme 4 22 Living Life 40 Fundraising highlights 22 Strides for Life 46 Principal business supporters 22 Night nursing service 23 Survey on night nursing service Governance 5 and finance 51 Friends of the Society 2016 52 Board of Directors 54 Summary Income and Expenditure Accounts 55 Balance Sheet Joe Farrelly & Sandra King ‘I enjoy meeting people and feeling that I am of use. The people I meet are very friendly and I enjoy our conversations. I hope that I can help put them at their ease as they travel for appointments or treatment’ Joe was diagnosed with multiple myeloma, a cancer of the plasma cells in bone marrow, in September 2015. -
Cultural and Structural Change in Irish Television Drama
Irish Communication Review Volume 8 Issue 1 Article 1 January 2000 Cultural and Structural Change in Irish Television Drama Edward Brennan Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Technology and New Media Commons Recommended Citation Brennan, Edward (2000) "Cultural and Structural Change in Irish Television Drama," Irish Communication Review: Vol. 8: Iss. 1, Article 1. doi:10.21427/D79Q7W Available at: https://arrow.tudublin.ie/icr/vol8/iss1/1 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License IRISH COMMUNICATIONS REVIEW VOL 8 2000 Edward Brennan is a Cultural and Structural Change in PhD candidate in the Department of Irish Television Drama Sociology, University College Dublin. Edward Brennan A dominant ideology in RTÉ? According to Devereux (1998), RTÉ drama, and RTÉ television in general, excludes 1. Glenroe is a long society’s powerless. This is, in his view, a result of the ideology of RTÉ drama producers. running soap opera set in Devereux’s research on RTÉ drama concentrates on Glenroe1. It states that Glenroe fails a small rural community to represent adequately those who are marginalised in Irish society. In passing, within Dublin’s hinterland. It is unusual in that it has Devereux mentions some material and organisational constraints which may help to continuity in characters, explain why this is so.