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The Harlem Renaissance PART 3 THE HARLEM RENAISSANCE The Bitter Nest, Part II: The Harlem Renaissance Party, c. 1988. Faith Ringgold. Acrylic on canvas with printed, dyed, and pieced fabric, 94 x 83 in. Smithsonian American Art Museum, Washington, DC. “I, too, am America.” —Langston Hughes, “I, Too” 785 Smithsonian American Art Museum, Washington, DC/Art Resource, NY 0785 U5P3-845481.indd 785 4/8/06 6:38:29 PM BEFORE YOU READ My City MEET JAMES WELDON JOHNSON oth as an artist and an activist, James During the 1920s, Harlem Weldon Johnson spent his life introducing became “the recognized Bthe United States to the creative voice of Negro capital,” and the African Americans while fighting the racism and passionate innovations in the social injustices he believed hindered their African American music, progress. For Johnson, writing poetry and fighting art, and literature that for equality served the same goal: winning a developed there became respected place in society for African Americans. known as the Harlem Renaissance. Johnson was Born in Jacksonville, Florida, Johnson grew up in involved in the movement not only as an author a stable middle-class home and was raised to have but also as a mentor of young writers, such as an appreciation of the arts and a love of learning. Claude McKay and Langston Hughes. He urged Later, as a student at Atlanta University, he artists to find their inspiration in real-life African embraced the school’s philosophy that educated American communities. In these artists he saw “a African Americans should devote their lives to group whose ideals are becoming increasingly more public service—and he did just that. vital than those of the traditionally artistic group, even if its members are less picturesque.” In 1922, Johnson published his widely acclaimed anthology, “I believe that the richest contributions the The Book of American Negro Poetry. Negro poet can make to the American Devoted to Public Service Though most literature of the future will be the fusion famous for his literary contributions, Johnson’s work outside the creative sphere was equally into it of his own individual artistic gifts.” impressive and, in some ways, groundbreaking. —James Weldon Johnson Johnson was the first African American lawyer to “Preface,” The Book of American Negro Poetry be admitted to the bar in Florida, and as a leader in the National Association for the Advancement of Colored People (NAACP), he was instrumental in helping the organization become a national Born to be a New Yorker In 1900, he and force capable of lobbying in Washington. He his brother Rosamond composed the spiritual- played an integral role in bringing attention to the influenced song “Lift Every Voice and Sing,” issues of social desegregation and the abolishment which would later be referred to as “the Negro of discrimination in housing, education, employ- National Anthem.” Shortly after that, the brothers ment, and voting. Johnson’s contributions as a began writing hit songs for Broadway musicals and Civil Rights activist, poet, and novelist continue the stage. They quickly realized that living in to impact modern society. Florida was a disadvantage for that profession, and by 1902 Johnson resigned his post as principal of James Weldon Johnson was born in 1871 and died Stanton School and the brothers relocated to New in 1938. York City. For Johnson, New York City proved “an alluring world, a tempting world, a world of greatly lessened restraints . but, above all, a Author Search For more about world of tremendous artistic potentialities.” James Weldon Johnson, go to www.glencoe.com. 786 UNIT 5 BEGINNINGS OF THE MODERN AGE CORBIS 0786-0789 U5P3APP-845481.indd 786 4/12/06 2:55:30 PM LITERATURE PREVIEW READING PREVIEW Connecting to the Poem Reading Strategy Interpreting Imagery Do you love the city or town you live in? What would Imagery is the “word pictures” that a writer creates to you miss most if you had to leave? In Johnson’s poem, make the text more vivid or evoke an emotional he celebrates New York City and what the city means to response. Writers often use sensory details—or descrip- him. Think about the following questions: tions that appeal to the five senses—to create effective images. As you read “My City,” note how Johnson’s What is your favorite place? Why? • imagery differs in each stanza. • How would you feel if you could never visit it again? Building Background Reading Tip: Taking Notes Use a chart like the one below to understand the pattern of imagery in “My City.” At the beginning of his literary career, Johnson often Record the images in the poem and give your interpre- modeled his writing after classic poets of the English tation of how they contribute to the poem’s impact. language—writing in a formal style and using rhymed verse in traditional forms such as the sonnet. “My City” is an example of a Petrarchan sonnet, named for Image Impact Francesco Petrarca (or Francis Petrarch), the Italian poet who developed the form in the 1300s. During the Harlem Renaissance, Johnson began experimenting with free verse. Inspired by the powerful rhythms of African American preachers, he wrote a collection of poems styled after folk sermons, called God’s Trombones. Setting Purposes for Reading Big Idea The Harlem Renaissance In “My City,” Johnson celebrates Manhattan, the most well-known borough (or administrative unit) of New York City. Harlem is a neighborhood in Manhattan. Vocabulary As you read, note what Johnson’s poem suggests about subtle (sə təl) adj. faint; barely noticeable; not the vitality of the city during the Harlem Renaissance. obvious; p. 788 Although her smirk was subtle, I saw it. Literary Element Sonnet stark (sta r k ) adj. absolute; complete; p. 788 A sonnet is a lyric poem of fourteen lines, typically writ- Pablo’s opinion was in stark contrast to mine. ten in iambic pentameter and usually following strict patterns of stanza division and rhyme. “My City” is a unutterable (un ə tə rə bəl) adj. too deep or Petrarchan (or Italian) sonnet, which has fourteen lines great to be put into words; p. 788 The appre- divided into two stanzas, an eight-line octave and a six- hended thief experienced unutterable regret. line sestet. The octave typically sets up a situation or poses a question that is developed or responded to in Vocabulary Tip: Antonyms Antonyms are words the sestet. Notice this structure as you read. that have opposite or nearly opposite meanings. Note that antonyms are always the same part of • See Literary Terms Handbook, p. R17. speech. Interactive Literary Elements Handbook To review or learn more about the literary elements, go to www.glencoe.com. OBJECTIVES In studying this selection, you will focus on the following: • understanding and interpreting imagery • analyzing characteristics of the Harlem Renaissance • analyzing sonnets JAMES WELDON JOHNSON 787 0786-0789 U5P3APP-845481.indd 787 1/9/07 9:14:44 PM Fulton and Nostrand, 1958. Jacob Lawrence. Tempera on masonite, 24 x 30 in. James Weldon Johnson Private collection. Courtesy Terry Dintenfass Gallery, New York. When I come down to sleep death’s endless night, The threshold of the unknown dark to cross, What to me then will be the keenest loss, When this bright world blurs on my fading sight? 5 Will it be that no more I shall see the trees Or smell the flowers or hear the singing birds Or watch the flashing streams or patient herds? No. I am sure it will be none of these. But, ah! Manhattan’s sights and sounds, her smells, 10 Her crowds, her throbbing force, the thrill that comes From being of her a part, her subtle spells, Her shining towers, her avenues, her slums— O God! the stark, unutterable pity, To be dead, and never again behold my city. Big Idea The Harlem Renaissance How do you think the speaker feels toward Manhattan’s “shining towers” and “slums”? Vocabulary subtle (sə təl) adj. faint; barely noticeable; not obvious stark (stark) adj. absolute; complete unutterable (un ə tə rə bəl) adj. too deep or great to be put into words 788 UNIT 5 BEGINNINGS OF THE MODERN AGE The Jacob and Gwendolyn Lawrence Foundation/Art Resource, NY 0788 U5P3SEL-845481.indd 788 4/8/06 6:42:25 PM AFTER YOU READ RESPONDING AND THINKING CRITICALLY Respond Analyze and Evaluate 1. How did “My City” make you feel about New York 5. (a)What, according to the speaker, is “the stark, City as it was during the Harlem Renaissance? unutterable pity” (line 13)? (b)Why might the speaker feel this way about the city? Recall and Interpret 6. (a)How does the rhyme scheme connect to what 2. (a)What question does the speaker pose for the poem says? (b)Would the poem have the same himself at the beginning of the poem? (b)Is the effect if it didn’t have a rhyme scheme? Explain. speaker’s age implied in this question? If so, how? 7. (a)A caesura is a pronounced pause in the middle 3. (a)What possible answers to his question does the of a line of poetry that is often indicated by punctu- speaker first explore? (b)Why might he propose ation. Where does Johnson use caesuras in the these answers? poem? (b)What is the effect of these pauses? 4. (a)What answer does the speaker finally provide? (b)What reasons does he give? (c)What does this Connect answer tell you about the speaker’s personality? 8. Big Idea The Harlem Renaissance (a)How does Johnson’s poem refl ect the general mood of the Harlem Renaissance? (b)Why do you think he titled the poem “My City”? LITERARY ANALYSIS READING AND VOCABULARY Literary Element Sonnet Reading Strategy Interpreting Imagery Petrarchan sonnets always have two stanzas: an Johnson uses imagery in “My City” not only to evoke octave and a sestet.
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