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February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Chinese Musicals
Singing in Electric Shadows: A Survey of Chinese Musicals © Shaoyi Sun & Chuan Shi (The original article was published in Roger Garcia ed. Asia Sings! A Survey of Asian Musical Films . Udine: Centro Espressioni Cinematografiche, 2006) The art of telling stories and expressing emotions through songs and dances in China dates back at least to three millennia ago when the last king of the Shang dynasty (1766-1050 BC), according to Chinese historical documents, indulged in an excessive lifestyle in which music, dance, and wine drinking played a crucial role. Despite this long tradition, the birth of the so-called “musical film” in China, a new performing art that has its roots in Broadway musicals and takes shape with the release of Warner Brothers’ The Jazz Singer in 1927, can only be arguably traced back to 1935, when director Yuan Muzhi (1909-1978) experimented the genre with his film Metropolitan Sights (Dushi fengguang). Furthermore, the Chinese musical, if there is such a term, differs greatly from the Hollywood musical, at least in its early stage. First of all, if excluding films recording Peking operas and various kinds of local operas (a handy example would be The Dingjun Mountain [ Dingjun shan , 1905], attributed as the first film China has ever made), referred to as “Xiqupian” (films based on Chinese operas) in Chinese, it is quite hard to identify an early Chinese film that fits the definition of the Hollywood musical with the characteristics of “all-talking, all-singing, and all-dancing.” Early Chinese “musicals” are marked by interpolated songs, but with little dancing sequences. -
OUR MOVIE MADE CHILDREN by HENRY JAMES FORMAN
By HENRY JAMES FORMAN Eighth THE MACMILLAN COMPANY OUR MOVIE MADE CHILDREN By HENRY JAMES FORMAN Here is a book showing the movies for what they really are a monster Pied Piper, with marvelous trappings, playing tunes irre- sistibly alluring to the youth of the present day. They have become, in fact, a sort of super- imposed system of education for the young, a system with which established social institu- tions, such as the School and the Church, can- not compete in attraction or appeal. The first book of its kind, "Our Movie Made Children" shows the effects both good and bad of random movie-going upon the health, conduct, and morals of the spectators, especially the young. In entertaining style it presents, without technicalities, for the general reader the results of a nation-wide four-year research the first comprehensive survey thus far at- tempted by a group of scientists, psychologists, sociologists, and educators especially selected for the task. This was initiated by the Payne Fund, at the instance of The Motion Picture Research Council, which is headed by Ray Lyman Wilbur, the President of Stanford Uni- versity. Mr. Forman, in preparing his book, had all their materials at his disposal, and Dr. W. W. Charters, Professor of Educational Research in Ohio State University and Chairman of the Committee on Educational Research of the Payne Fund, has written an Introduction for the volume. This book will appeal to every parent and teacher in the country indeed, to every American. THE MACMILLAN COMPANY Publishers New York OUR MOVIE MADE CHILDREN THE MACMILLAN COMPANY NEW YORK BOSTON CHICAGO DALLAS ATLANTA - S.vN FRANCISCO MACMILLAN & CO., LIMITED LONDON BOMBAY CALCUTTA MELBOURNE THE MACMILLAN COMPANY OF CANADA, LIMITED TORONTO OUR MOVIE MADE CHILDREN By HENRY JAMES FORMAN With an Introduction by DR. -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Petitions for Change in Rule Are Distributed
t h e w e a t h e r Incite*^ cloudiness, probably followed liy rain tonl*ht and to The Tim es Has morrow; not mini, rli«ui#e In temperature; moderate to rrcsh MOEE THAN 8000 soutliwcst winds. Readers Each Week Entered as »econd class mall matter. January SI. 192S, »t the Poet Office at Elisabeth, New Jersey, under VOL. V. NO. 244 orn C IA L NEWIPAFSSi HILLSIDE, N. J., FRIDAY, JUNE 28, 1929 OP THE TOWNSHIP OP HILLtlDe PRICE FIVE O X X T a WILL RAISE FINES FOR FOUR YEAR OLD GIRL SPEEDING, DOWD WARNS Luster To Confer With Lehigh Valley Engineers LOCAL DEMOCRATS .Speeding in the township must PETITIONS FOR k il l e d b y t r u c k in cease, l he police ace to he congratu lated on their el'i'urt to curb it, and On Elimination Of Long Avenue Grade Crossing CAUSE UPROAR AT unless the public cooperates, penalties A Plan fur tlie elimination of the SALEM AVE MISHAP lor speeding will Iiuve to lie increased." at the Intersection of Hollywood ave Long avenue grade crossing of the Le_ nue und stone street. Mr. Luster pre COUNTY SESSION CHANGE IN RULE Will] these remarks Police Judge Driver Claims Child Ran In high Valley Railroad was submitted fers this plan rather than one to fol James A. Dowd last night issued a lu tin* Township Committee Wednes low the existing lines fo Long avenue Opposed To Mrs. Ackerman For Front Of Vehicle; Held warning to drivers who are accustom For Manslaughter day night by C. -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S. -
Groceries Sessorse of Clear, Well-Modulated “All-Talking” Picture5! Had March of Death” Teat of 1 and Were Ripe June 1
tabllshed on the public bottoms along the Alabama coast, although ‘SINGING FOOL’ AT CAPITOL OYSTER BEDS Dr. Galtsoff believes that there is CADET FLYERS Move Started for Museum little hope for obtaining a good set Cameron this year. | Courts] "Small seed oysters may be se- Courts: cured in Dauphin bay,” he said, Suita filed In the District of Fine Arts in ARE STOCKED Bank of Valley State "and spawning grounds may easily COMING HERE The Citizens* and be established by putting down Donna, Texas, vs. Browne Land debt. adult oysters and enough shells for Cattle Company, Suit for (Special to The Herald.) until June 14. and is open to thl the spawn to catch on. 28TH DISTRICT COURT HARLINGEN, June 6.—Possibil- public. Fresh Water Floods Des- 80 Planes Due Here For “The season is too far advanced Hon. A. W. Cunningham. Judge ity of a campaign for the erection Miss Mildred Flinn. vice presi- troy Fields In Ala- now, though, and the heat will be Practice Excursions No orders. of a Valley Fine Arts museum here dent of the Ouild, told of the or- too great to expect any spawning in 103RD DISTRICT COURT in the near future was indicated ganization and fundamental prin- bama ,t £ The entire June 15 and 22 August. success of the Hon. A. M. Kent, Judge today following the successful first ciples of the Ouild. and made an restoration of the industry in the No orders. night attendance of the exhibit appeal for assistance in promoting state on how the depends long oys- COUNTY COURT now held under the art in WASHINGTON. -
Sunday Morning Grid 11/16/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/16/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Program Courage in Sports (N) 4 NBC News (N) Å Meet the Press (N) Å News (N) Noodle Noodle Auto Racing Spartan Race (N) Å 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Jack Hanna Ocean Mys. Sea Rescue Wildlife 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Program Fox News Sunday FOX NFL Sunday (N) Football 49ers at New York Giants. (N) Å 13 MyNet Paid Program Veterans Day Pirates of the Caribbean 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Chefs Life Kitchen Ciao Italia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Healing ADD With Dr. Daniel Amen, MD Younger Heart 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Premios Bandamax 2014 Hotel Todo Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Superman Returns ››› (2006) Brandon Routh, Kate Bosworth. -
The Film Music of Edmund Meisel (1894–1930)
Ford, Fiona (2011) The film music of Edmund Meisel (1894–1930). PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/12271/1/Thesis_FINAL.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] The Film Music of Edmund Meisel (1894–1930) FIONA FORD, MA Thesis submitted to The University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930.