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Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
Ben Brooks RUNNING FAST, RUNNING FREE
ben brooks RUNNING FAST, RUNNING FREE A crowd formed around the street performer, a magician. Idlers, loungers, loiterers, shoppers already happy with the purchases they’d made and in no hurry to make more, people with nothing better to do on a beautiful spring afternoon, the air clear and fresh and warm. The crowd simply appeared, drifted over – it materialized in clumps, iron shavings drawn to a magnet. Twenty people, thirty, fifty, a hundred. The magician strode into The Well on stilts, towering above everyone, nine or ten feet tall. He took the stairs down carefully. He wore oversized lime-green pants that stretched from his hips to the ground, hiding the stilts, a purple polka-dot shirt beneath a loose tan jacket, and an old-fashioned top hat on his head. The clothes alone, and his stretched-up height, made him an instant show. He began with two silver discs the size of pancakes that he shufed together into one. He turned the remaining disc so the edge faced out, the sun glinting of it, and then suddenly it was gone. He shook out his sleeves to show there was nothing there. A boy around twelve, an assistant, handed up more props from a wooden box. The box was also used for collecting money from spectators. The performer kept up a rhythmic, singsong patter as he made things disappear. They went into his hat and up his sleeves and down the back of his coat, and they reappeared somewhere else. “Beautiful day for tricks, ladies and gentlemen. Beautiful day for illusions. -
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HOT DANCE/ELECTRONIC SONGSTM DANCE/ELECTRONIC ALBUMST" LIST TITLECERTIFICATION Artist LAST I THIS ARTISTCERTIFICATION MEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION IABEL WEEK WEER IMPRINT/DISTRIBUTING LABEL (HART NEW LA ROUX Trouble In Paradise j LATCHA Disclosure Featuring Sam Smith I 4S IE4OGISINCHLIqTIPILMIENDA M POSTOOR/CHERWIREE/INTERSCOPEAGA 0 DKUOSUKOILLITISCEGLARTENCESSINININNIEN 2 2 LINDSEY STIRLING Shatter Me 13 In SUMMERS Calvin Harris , 20 LINDSEYSTOmP 0 (MARRS KAMM TUN. DECONSTRUCTION/ELY MANTRA/ROC NAROMOLUMBIA DISCLOSURE Settle 60 TURN DOWN FOR WHAT DJ Snake &cLoiLlulop lO ME IHOO/PMR/04RRYIRE 17iNTF RSCOPF /oGA 3 3 3 A 33 DI SRAM .I.SMII H (1.14.94114.W.GRKAHOSE.M. BIUSSO) A1 LADY GAGA ARTPOP 37 RATHER BE STREAMLINE/IA.5(0PC/. Clean Bandit Featuring Jess Glynne 4 25 O 0 0 01111JRATIERSONA.CHATTO (LNANERAPMTERSON.N.MARSHALL) BIG BEAT/RRP DAFT PUNKARandom Access Memories 63 5 DAFT LIFE/COLUMBIA BREAK FREE AsLA,.......arih,Aoirtiaza Grande Featuring 4 4 O La Roux ZEDOMAx MARTIN (A2 0 0 C DEADMAUS while(1<2) 6 A SKY FULL OF STARS Coldplay TAAUSTRAP/ASTRALWERXSKAINTOL 6 4 0 0 WOURNIAPIPPNRUNTILIANIONNEARAPINNUIWIEWILILDAWIDUAIWRWIN,IN me.otoPt N.LL, Finds AVICII True 45 WASTED Tiesto Featuring Matthew Koma 0 PRMONSLAND 6 7 7 5 14 ILIEWIMILUIESTOMOR1STACINDIRWIVIUNESULAWKIKG4S1 NAM INIDNIVIINAAWERICASIPN, `Paradise' SYLVAN ESSO Sylvan Esso 11 8 PARTISAN HIDEAWAY Kiesza O R.SAFUNI IK.R.ELLESTAD.R.SAFUNI) LORAL LEGENDNITH . BROADWAWISUND/REPUBUC 8 14 La Roux follows its 0 0 12 KIESZA Hideaway (EP) 3 0 LONA LEGENDATHR BROADWAY/614ND Grammy -winning self -titled 8 9 DARE (LA LA LA) Shakira 5 18 Di LK.SoauSAR.CR4IGHIARAISNOUKIRLUANOLPRIPTEALLINAITIXXIIMNARINEGIRWICIDL Al NA debut with its first No.1 10 SKRILLEX Recess 19 BEAT/OWSLA/ATLANTKAG onDance/Electronic WAVES Mr. -
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie Van Varik
BOBBY CHARLES LYRICS Compiled by Robin Dunn & Chrissie van Varik. Bobby Charles was born Robert Charles Guidry on 21st February 1938 in Abbeville, Louisiana. A native Cajun himself, he recalled that his life “changed for ever” when he re-tuned his parents’ radio set from a local Cajun station to one playing records by Fats Domino. Most successful as a songwriter, he is regarded as one of the founding fathers of swamp pop. His own vocal style was laidback and drawling. His biggest successes were songs other artists covered, such as ‘See You Later Alligator’ by Bill Haley & His Comets; ‘Walking To New Orleans’ by Fats Domino - with whom he recorded a duet of the same song in the 1990s - and ‘(I Don’t Know Why) But I Do’ by Clarence “Frogman” Henry. It allowed him to live off the song-writing royalties for the rest of his life! No albums were by him released in this period. Two other well-known compositions are ‘The Jealous Kind’, recorded by Joe Cocker, and ‘Tennessee Blues’ by Kris. Disenchanted with the music business, Bobby disappeared from the music scene in the mid-1960s but returned in 1972 with a self-titled album on the Bearsville label on which he was accompanied by Rick Danko and several other members of the Band and Dr John. Bobby later made a rare live appearance as a guest singer on stage at The Last Waltz, the 1976 farewell concert of the Band, although his contribution was cut from Martin Scorsese’s film of the event. Bobby Charles returned to the studio in later years, recording a European-only album called Clean Water in 1987. -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
Ufos: How Does One Speak to a Ball of Light?
UFOs: How Does One Speak to A Ball of Light? by Paola Leopizzi Harris Preface by Dr. Michael Salla, Ph.D. Foreword by Pascal Riolo Text and photographs Copyright © 2006 and 2011 Paola Leopizzi Harris. All Rights Reserved. "The 'Ball of Light' Phenomena in Italy" Copyright © 2005 Adriano Forgione, X-Publishing, Italy. Used by Permission. All Rights Reserved. No portion of this book may be reproduced of used in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior written permission of the author. Cover art and concept: Alberto Forgione X-times Magazine: Fenix Publishing Manuscript Editors: Brent Smith, Lucie Blanchard Cover Design: Carolyn Oakley, Luminous Moon Design Kindle Edition This book is dedicated to all those who are working towards full Disclosure: Alberto, Paolo, and Adriano Forgione and all those in Fenix Publishing; UFO researcher and Editor of Area 51 Magazine Maurizio Baiata; translators and transcribers Lavinia Pallotta,Teresa Barbatelli and Dawn Bissell. To all those whose vision and dedication has no bounds: Helen Littrell; my webmasters Giovanni Zavarelli (Italy), Alejandro Rojas, C. Travis Towe and Carolyn Oakly in the USA. And finally, to all in this book who chose to reveal the truth about the extraterrestrial presence on Earth. You are the courageous ones. Table of Contents 1. Preface: Protocols for Future Contact 2. Foreword: Liaison Between Off-planet Cultures and Our Governments 3. Introduction: Back to the Future 4. Back to the Future: An Update Section One: Back to the Past 5. The Man Who Started It All: Interview with Kim Arnold, Daughter of Kenneth Arnold 6. -
TRANS-HAWKINS-Dale-Memories
Pryor Center for Arkansas Oral and Visual History Special Collections Department University of Arkansas Libraries 365 N. McIlroy Ave. Fayetteville, AR 72701 (479) 575-5330 This oral history interview is based on the memories and opinions of the subject being interviewed. As such, it is subject to the innate fallibility of memory and is susceptible to inaccuracy. All researchers using this interview should be aware of this reality and are encouraged to seek corroborating documentation when using any oral history interview. Arkansas Memories Project Interview with Dale Hawkins North Little Rock, Arkansas 16 January 2008 Interviewer: Bob Cochran Dale Hawkins: Okay. Then I dump—I take it right out of—out of it and shoot it right into the Alesis or either to Nuendo which I used to mix with. It’s a—to me, it’s as good as Pro Tools. Pro Tools is for somebody that’s, you know, is really into high tech [gack?], to me, is gonna do a good job. I know a lot of guys—but I can do anything with Nuendo. I mean—well, I—yeah, because software costs me $5,000, and the cards that I got to use here—I’ve got three different sound cards—I’ve got—that I use when I start to mixing. Because that’s the key to it. The key to it is the sound. Bob Cochran: Yeah. DH: Yeah. You want me another way? Just tell me. Kris Katrosh: We just want to put you back in the spot. DH: Sure. Sure. KK: Slide your chair up. -
UMP Campus, 11/17/1966
University of Southern Maine USM Digital Commons UMP Campus, 1959-1967 Student Newspapers 11-17-1966 UMP Campus, 11/17/1966 University of Maine Portland Follow this and additional works at: https://digitalcommons.usm.maine.edu/umpcampus Part of the Creative Writing Commons, and the Social History Commons Recommended Citation University of Maine Portland, "UMP Campus, 11/17/1966" (1966). UMP Campus, 1959-1967. 24. https://digitalcommons.usm.maine.edu/umpcampus/24 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in UMP Campus, 1959-1967 by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Volume 10. No. 5 November 17, 1966 Controversy Created By Education Report By JOHN PLUN.KiE'IT . The tentative report of the Advisory Commission for the Higher Educa tion Study has stirred up controversy in the Greater Portland area. The re port, based on the study by the A.E.D., has been the target of mixed feelings by the institutions and students affected by the proposals. Most opinions are ad verse to the recommendations. The fact is that many of the people who find fault with the report are unfamiliar with its actual content and future aims. The Maine 102nd Legislature appointed the Commission to employ "a di rector and such other consultative, statistical and clerical services" to carry out a comprehensive study of higher edu-cation in the State of Maine. A Consult ative, statistical and clerical services" to carry out a comprehensive study of l¾ higher education in the State of Maine. -
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt. -
FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22 -
The KARAOKE Channel Song List
11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.