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Lesser Feasts and Fasts 2018
Lesser Feasts and Fasts 2018 Conforming to General Convention 2018 1 Preface Christians have since ancient times honored men and women whose lives represent heroic commitment to Christ and who have borne witness to their faith even at the cost of their lives. Such witnesses, by the grace of God, live in every age. The criteria used in the selection of those to be commemorated in the Episcopal Church are set out below and represent a growing consensus among provinces of the Anglican Communion also engaged in enriching their calendars. What we celebrate in the lives of the saints is the presence of Christ expressing itself in and through particular lives lived in the midst of specific historical circumstances. In the saints we are not dealing primarily with absolutes of perfection but human lives, in all their diversity, open to the motions of the Holy Spirit. Many a holy life, when carefully examined, will reveal flaws or the bias of a particular moment in history or ecclesial perspective. It should encourage us to realize that the saints, like us, are first and foremost redeemed sinners in whom the risen Christ’s words to St. Paul come to fulfillment, “My grace is sufficient for you, for my power is made perfect in weakness.” The “lesser feasts” provide opportunities for optional observance. They are not intended to replace the fundamental celebration of Sunday and major Holy Days. As the Standing Liturgical Commission and the General Convention add or delete names from the calendar, successive editions of this volume will be published, each edition bearing in the title the date of the General Convention to which it is a response. -
The Inscription of Charms in Anglo-Saxon Manuscripts
Oral Tradition, 14/2 (1999): 401-419 The Inscription of Charms in Anglo-Saxon Manuscripts Lea Olsan Anglo-Saxon charms constitute a definable oral genre that may be distinguished from other kinds of traditionally oral materials such as epic poetry because texts of charms include explicit directions for performance. Scribes often specify that a charm be spoken (cwean) or sung (singan). In some cases a charm is to be written on some object. But inscribing an incantation on an object does not necessarily diminish or contradict the orality of the genre. An incantation written on an amulet manifests the appropriation of the technology of writing for the purposes of a traditionally oral activity.1 Unlike epic poetry, riddles, or lyrics, charms are performed toward specific practical ends and their mode of operation is performative, so that uttering the incantation accomplishes a purpose. The stated purpose of an incantation also determines when and under what circumstances a charm will be performed. Charms inscribed in manuscripts are tagged according to the needs they answer-whether eye pain, insomnia, childbirth, theft of property, or whatever. Some charms ward off troubles (toothache, bees swarming); others, such as those for bleeding or swellings, relieve physical troubles. This specificity of purpose markedly distinguishes the genre from other traditional oral genres that are less specifically utilitarian. Given the specific circumstances of need that call for their performance, the social contexts in which charms are performed create the conditions felicitous for performative speech acts in Austin’s sense (1975:6-7, 12-15). The assumption underlying charms is that the incantations (whether words or symbols or phonetic patterns) of a charm can effect a change in the state of the person or persons or inanimate object (a salve, for example, or a field for crops). -
© 2018 Kyle Joseph Williams
ã 2018 Kyle Joseph Williams THE ASSEMBLED BODY: ANATOMICAL ENUMERATION AND EMBODIMENT IN ANGLO-SAXON DEVOTIONAL TEXTS BY KYLE JOSEPH WILLIAMS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Renée R. Trilling, Chair Professor Charles D. Wright Professor Martin Camargo Associate Professor Jim Hansen ABSTRACT “The Assembled Body: Anatomical Enumeration and Embodiment in Anglo- Saxon Devotional Texts” argues that Anglo-Saxon Christians viewed the material body as a potent site for spiritual transformation. This notion finds its fullest expression in the rhetorical scheme of anatomical enumeration which appears across a diverse collection of Old English and Anglo-Latin devotional forms that range from the seventh to eleventh century, such as anonymous personal protective charms and prayers, confessional formulae, monastic execrations, scientific writing and diagrams produced Byrhtferth, as well as a number of Ælfric of Eynsham’s vernacular homilies. This project demonstrates how Anglo-Saxon authors employed such enumerative anatomical catalogs to highlight the vibrancy of the flesh at moments spiritual uncertainty. Casting the material body as an assemblage of agents, this rhetorical disarticulation of the flesh enables readers to envision the realignment and reintegration of their disordered and disobedient limbs into the unity of Christ’s spiritual body. ii ACKNOWLEDGEMENTS This project was completed through the generous help of many kind people. My greatest debt is to my dissertation supervisor, Renée Trilling. Her meticulous and challenging feedback, unceasing patience to allow me the (many) opportunities to learn from my mistakes, and hearty encouragement gave me both the enthusiasm and nerve to complete this task. -
Widsith Beowulf. Beowulf Beowulf
CHAPTER 1 OLD ENGLISH LITERATURE The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100. Many of the poems of the period are pagan, in particular Widsith and Beowulf. The greatest English poem, Beowulf is the first English epic. The author of Beowulf is anonymous. It is a story of a brave young man Beowulf in 3182 lines. In this epic poem, Beowulf sails to Denmark with a band of warriors to save the King of Denmark, Hrothgar. Beowulf saves Danish King Hrothgar from a terrible monster called Grendel. The mother of Grendel who sought vengeance for the death of her son was also killed by Beowulf. Beowulf was rewarded and became King. After a prosperous reign of some forty years, Beowulf slays a dragon but in the fight he himself receives a mortal wound and dies. The poem concludes with the funeral ceremonies in honour of the dead hero. Though the poem Beowulf is little interesting to contemporary readers, it is a very important poem in the Old English period because it gives an interesting picture of the life and practices of old days. The difficulty encountered in reading Old English Literature lies in the fact that the language is very different from that of today. There was no rhyme in Old English poems. Instead they used alliteration. Besides Beowulf, there are many other Old English poems. Widsith, Genesis A, Genesis B, Exodus, The Wanderer, The Seafarer, Wife’s Lament, Husband’s Message, Christ and Satan, Daniel, Andreas, Guthlac, The Dream of the Rood, The Battle of Maldon etc. -
1.1 Biblical Wisdom
JOB, ECCLESIASTES, AND THE MECHANICS OF WISDOM IN OLD ENGLISH POETRY by KARL ARTHUR ERIK PERSSON B. A., Hon., The University of Regina, 2005 M. A., The University of Regina, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2014 © Karl Arthur Erik Persson, 2014 Abstract This dissertation raises and answers, as far as possible within its scope, the following question: “What does Old English wisdom literature have to do with Biblical wisdom literature?” Critics have analyzed Old English wisdom with regard to a variety of analogous wisdom cultures; Carolyne Larrington (A Store of Common Sense) studies Old Norse analogues, Susan Deskis (Beowulf and the Medieval Proverb Tradition) situates Beowulf’s wisdom in relation to broader medieval proverb culture, and Charles Dunn and Morton Bloomfield (The Role of the Poet in Early Societies) situate Old English wisdom amidst a variety of international wisdom writings. But though Biblical wisdom was demonstrably available to Anglo-Saxon readers, and though critics generally assume certain parallels between Old English and Biblical wisdom, none has undertaken a detailed study of these parallels or their role as a precondition for the development of the Old English wisdom tradition. Limiting itself to the discussion of two Biblical wisdom texts, Job and Ecclesiastes, this dissertation undertakes the beginnings of such a study, orienting interpretation of these books via contemporaneous reception by figures such as Gregory the Great (Moralia in Job, Werferth’s Old English translation of the Dialogues), Jerome (Commentarius in Ecclesiasten), Ælfric (“Dominica I in Mense Septembri Quando Legitur Job”), and Alcuin (Commentarius Super Ecclesiasten). -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Nonhuman Voices in Anglo-Saxon Literature and Material Culture
James Paz - 9781526115997 Downloaded from manchesterhive.com at 10/04/2021 03:02:37AM via free access i NONHUMAN VOICES IN ANGLO- SAXON LITERATURE AND MATERIAL CULTURE James Paz - 9781526115997 Downloaded from manchesterhive.com at 10/04/2021 03:02:37AM via free access ii Series editors: Anke Bernau and David Matthews Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Nicola McDonald, Andrew James Johnston, Sarah Salih, Larry Scanlon and Stephanie Trigg The Manchester Medieval Literature and Culture series publishes new research, informed by current critical methodologies, on the literary cultures of medieval Britain (including Anglo- Norman, Anglo- Latin and Celtic writings), including post- medieval engagements with and representations of the Middle Ages (medievalism). ‘Literature’ is viewed in a broad and inclusive sense, embracing imaginative, historical, political, scientific, dramatic and religious writings. The series offers monographs and essay collections, as well as editions and translations of texts. Titles Available in the Series The Parlement of Foulys (by Geoffrey Chaucer) D. S. Brewer (ed.) Language and imagination in the Gawain- poems J. J. Anderson Water and fire:The myth of the Flood in Anglo- Saxon England Daniel Anlezark Greenery: Ecocritical readings of late medieval English literature Gillian Rudd Sanctity and pornography in medieval culture:On the verge Bill Burgwinkle and Cary Howie In strange countries: Middle English literature and its afterlife: Essays in Memory of J. J. Anderson David -
Conflict Between the Body and the Soul As a Metaphor of the Moral Struggle \U the Middle Ages, with Special Reference to Middle English Literature
THE CONFLICT BETWEEN THE BODY AND THE SOUL AS A METAPHOR OF THE MORAL STRUGGLE \U THE MIDDLE AGES, WITH SPECIAL REFERENCE TO MIDDLE ENGLISH LITERATURE by JOHN ALLEN CANUTESON A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 ACKNOWLEDGMENTS I am indebted to many good friends who have helped during the research and v/riting of this study. To Dr. Richard Green, Chairman of my Supervisory Committee, and to Dr. Robert H. Bowers go my warm thanks for criticism and guidance. To Dr. Dean Dunham and Dean Bruce R. Thompson of IVilliam Jewell College go my thanks for patience, small classes, and immunity from committee assignments, and to Asso- ciate Dean Gordon Kingsley my appreciation for a winter term in which to work exclusively on the dissertation. The staffs of the University of Florida Library and William Jewell College Library have been dili- gent in finding and borrowing material from other libraries, and the University of Texas Library at Austin has been a friendly haven during holidays and vacations. Thanks also go to Miss Susan Goodwin for typing countless notecards and to Mrs. Julia Merrill for typing the final draft. My greatest debts are owed to my greatest loves — my wi f e and two sons. TABLE OF CONTENTS ACKNOWLEDGEMENTS ABSTRACT IV Chapter „ '^ . Page I THE CONFLICT BETWEEN THE BODY AND THE SOUL \H MEDIEVAL L I TERATURE , NOTES 54 I I THE IMAGES OF THE LATIN TRADITION 52 NOTES ,38 III THE IMAGES OF THE MIDDLE ENGLISH TRADITION AND THE DE- BATE BETWEEN THE BODY AND THE SOUL 7777777. -
Cain's Kin and Abel's Blood: Beowulf 1361-4
Opticon1826, Issue 9, Autumn 2010 CAIN’S KIN AND ABEL’S BLOOD: BEOWULF 1361-4 By Michael D.J. Bintley Amongst the various texts which are thought to have influenced the depiction of Grendel’s mere in Beowulf, the possibility has not yet been considered that the poet also drew upon a tradition associated with Grendel’s descent from Cain, also to be found in the composite Genesis poem of the Junius manuscript (Oxford, Bodleian Library MS Junius 11, SC 5123), and Aldhelm’s Carmen de virginitate. This connection only becomes apparent upon closer examination of the woodland grove overhanging the refuge in Grendel’s fens. Of the many trees that appear in Old English literature, few can be as sinister as these. These trees contribute memorably to Hrothgar’s description of the mere: Nis þæt feor heonon milgemearces þæt se mere standeð; ofer þæm hongiað hrinde bearwas, wudu wyrtum fæst wæter oferhelmað. It is not far hence in a measure of miles that the mere stands; over it hang frosty trees, a wood fast in its roots overshadows the water. (Beowulf 1361-4)1 These trees appear once again in the description of the journey to the mere following the attack by Grendel’s mother: Ofereode þa æþelinga bearn steap stanhliðo, stige nearwe, enge anpaðas, uncuð gelad, neowle næssas, nicorhusa fela; he feara sum beforan gengde wisra monna wong sceawian, oþ þæt he færinga fyrgenbeamas ofer harne stan helonian funde wynleasne wudu; wæter under stod dreorig on gedrefed. Then went those sons of nobles over steep and stony slopes, thin ascending paths, narrow single tracks, unknown ways, precipitous cliffs, many dwellings of water-monsters. -
Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Christopher R
English Faculty Publications English Fall 2014 Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Christopher R. Fee Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/engfac Part of the Educational Methods Commons, European History Commons, Literature in English, British Isles Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Medieval History Commons, and the Medieval Studies Commons Share feedback about the accessibility of this item. Fee, Christopher. "Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross." Old English Newsletter 45.3 (Fall 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/engfac/51 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Abstract Although most Anglo-Saxonists deal with Old English texts and contexts as a matter of course in our research agendas, many of us teach relatively few specialized courses focused on our areas of expertise to highly-trained students; thus, many Old English texts and objects which are commonplace in our research lives can seem arcane and esoteric to a great many of our students. This article proposes to confront this gap, to suggest some ways of teaching a few potentially obscure texts and artifacts to undergrads, to offer some guidance about uses of technology in this endeavor, and to help fellow teachers of undergraduate Old English to develop ways to impart some transferable skills and modes of critical thinking to unsuspecting students. -
The Textin the Community
The in the Text Community Essays on Medieval Works, Manuscripts, Authors, and Readers edited by jill mann & maura nolan University of Notre Dame Press Q Notre Dame, Indiana Copyright © 2006 by University of Notre Dame Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Designed by Jane Oslislo Set in 9.9/13.8 Janson by Four Star Books Printed in Hong Kong by Kings Time Printing Press, Ltd. Library of Congress Cataloging in-Publication Data The text in the community : essays on medieval works, manuscripts, authors, and readers / edited by Jill Mann and Maura Nolan. p. cm. Includes index. isbn 0-268-03495-8 (cloth : alk. paper) isbn 0-268-03496-6 (pbk. : alk. paper) 1. Literature, Medieval—History and criticism. 2. Manuscripts, Medieval—History. I. Mann, Jill. II. Nolan, Maura. pn671.t38 2006 809'.02—dc22 2005035128 ∞This book is printed on acid-free paper. contents List of Illustrations vii List of Contributors xi Abbreviations List xiii Acknowledgments xv Introduction 1 maura nolan 1 Versifying the Bible in the Middle Ages 11 michael lapidge 2 “He Knew Nat Catoun”: Medieval School-Texts and Middle English Literature 41 jill mann 3 Computing Cynewulf: The Judith-Connection 75 andy orchard Q vi R Contents 4 The Contexts of Notre Dame 67 107 a.s.g. edwards 5 The Haunted Text: Ghostly Reflections in A Mirror to Devout People 129 vincent gillespie 6 The Visual Environment of Carthusian Texts: Decoration and Illustration in Notre Dame 67 173 jessica brantley 7 The Knight and the Rose: French Manuscripts in the Notre Dame Library 217 maureen boulton 8 The Meditations on the Life of Christ: An Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame 237 dianne phillips Index of Manuscripts 283 General Index 287 list of illustrations plate 1. -
The Representation of Animals and the Natural World in Late-Medieval
The Representation of Animals and the Natural World in Late-Medieval Hagiography and Romance Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by David Salter BA (Leicester) Department of English University of Leicester September 1998 UMI Number: U113229 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U113229 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Animals and the Natural World in Late-Medieval Hagiography and Romance ABSTRACT This thesis takes as its subject the representation of animals and the natural world in two key genres of medieval literature: hagiography and romance. Focusing on the early Lives of St. Francis of Assisi, the romances Sir Gowther, Octavian, and Sir Orfeo, the Middle English Alexander Romances, and the Collatio Alexandri cum Dindimo, it examines the diverse ways in which animals are portrayed in these texts, and the range of mimetic, symbolic, and representative functions that they fulfil. Rather than endorsing the view that medieval culture was characterised by a unified and homogenous attitude towards nature and the natural, the thesis draws out the diversity of opinion and outlook evident in the imaginative literature of the period, and demonstrates in detail the crucial role of genre in determining the representative strategies of individual texts.