Post Colonial Perspective on Raavan in Amish Tripathi's
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Scion of Ikshvaku Book 1 of the Ram Chandra Series
Amish is a 1974-born, IIM (Kolkata)-educated, boring banker turned happy author. The success of his debut book, The Immortals of Meluha (Book 1 of the Shiva Trilogy), encouraged him to give up a fourteen-year-old career in financial services to focus on writing. He is passionate about history, mythology and philosophy, finding beauty and meaning in all world religions. Amish lives in Mumbai with his wife Preeti and son Neel. www.authoramish.com www.facebook.com/authoramish www.twitter.com/authoramish ... I Love you Rachu ... Dear Frnds pls spread this msg until its reach to my rachu I thinks see knows my name Book Downloaded from: EBOOK4IN.BLOGSPOT.COM ‘I wish many more would be inspired by Amish Tripathi...’ - Amitabh Bachchan, Indian actor and living legend ‘Amish is India’s Tolkien’ – Business Standard ‘Amish is India’s first literary popstar’ – Shekhar Kapur, renowned filmmaker ‘Amish is ... the Paulo Coelho of the east.’ – Business World ‘Amish’s mythical imagination mines the past and taps into the possibilities of the future. His book series, archetypal and stirring, unfolds the deepest recesses of the soul as well as our collective consciousness.’ – Deepak Chopra, world-renowned spiritual guru and bestselling author ‘Amish is a fresh new voice in Indian writing – steeped in myth and history, with a fine eye for detail and a compelling narrative style.’ – Shashi Tharoor, Member of Parliament and celebrated author ‘…Amish has mastered the art of gathering, interpreting and presenting India’s many myths, folklores and legends, and -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
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Cultural Mooring in Amish Tripathi's Raavan: Enemy of Aryavarta
INFOKARA RESEARCH ISSN NO: 1021-9056 Cultural Mooring in Amish Tripathi’s Raavan: Enemy of Aryavarta Kavitha Vishnu Sankari.K M.Phil Scholar, PG and Research Department V.O. Chidambaram College Thoothukudi. Affiliated to Manonmaniam Sundaranar University, Tirunelveli Tamilnadu, India. [email protected] Abstract Modern Indian writers had started to review and retell the mythical stories in different perspectives. Amish Tripathi is one among those authors of the new era. His contribution to mythology gave him an outstanding place in Indian English Literature. His books are famous for combining myths with fiction and for creating a new world for the same. In Raavan: Enemy of Aryavarta, the third book of the Ram Chandra Series; has cultural moorings such as code of conduct, traditions, customs and religious practices, lifestyle, music, ethics of war, festivals, languages. Though India has its cultural variations based on regional, linguistics its basic culture is bound to Hindu civilisation. This paper explores the ancientness and mythopoeic facets embedded in the book. Keywords: cultural moorings, ancientness, mythopoeic facets,mythology,cultural history. Volume 8 Issue 11 2019 156 http://infokara.com/ INFOKARA RESEARCH ISSN NO: 1021-9056 Indian writing in English has an independent status in the realm of World literature. Indian novels dealt with wide range of themes and continue to reflect traditional social values and even Indian history through the depiction of life. Over the last few years, mythological fiction has gained vast grounds in India. A number of Indian writers such as Amish Tripathi, Anuja Chandra Mouli, Kavita Kane, Chitra Banerjee Divakaruni, Devdutt Pattanaik, and Anand Neelakandan proved to be the most outstanding authors who have brought a massive change in mythological platform. -
Harmony and Beauty in Ramayana 3
36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school. -
School of Journalism and Mass Communication
SCHOOL OF JOURNALISM AND MASS COMMUNICATION L.N.C.T UNIVERSITY BHOPAL MJMC- IV Semester Syllabus/Scheme S. No SUBJECTS THEORY PRACTICAL INTERNAL Film Studies 1. 80 20 (MJMC 401) Environment Journalism 2. 80 20 (MJMC 402) New Media & Digital 3. Journalism 80 20 (MJMC 403) Research Methodology 4. 80 20 (MJMC 404) Project-Viva 5. 100 (MJMC 405) L NCT UNIVERSITY, BHOPAL Programme: MJMC Semester – IV Session – Name of Paper Paper Code Theory FILM STUDIES MJMC 401 L T EST CAT Total 3 1 80 20 100 S. No Units / Topic Hours/Week Introduction to Film Journalism History of Film Journalism 1 Development of Film Journalism in India 4 hrs/week Major/Prominent Critiques Relationship between Cinema & Society Various forms of Cinema Development of Cinema Brief History of World Cinema-Pre Cinema Machines,Silent Era to 4 hrs/week 2 Early Talkies,Big Studios(Paramount,Disney,Warnes Bros,2Oth Century Fox), Changes occurred in Cinema Early Indian Cinema-Heeralal Sen, Dhundi Ji Phalke, Ardeshi Irani, Silent, Primitive & Pioneers, Reference Film-Raja Harishchandra & Alam Ara Emergence of Film Studio-New Theatres, Bombay Talkies, Imperial Theatre, R. K Studio Art Cinema of India-Bhuvan Shome, Uski Roti, Mirch Masala, Neecha Nagar, Mother India, Pather Panchali, Do Bigha Zameen Cinema in Digital Era-Changes of theme in Cinema, Reference Film, Raavan, Krish 3 & Baahubali Understanding Cinema Understanding Cinema/Genres of Film, Cultural Significance in relation to 3 4 hrs/week Film, Film Screening Story Telling Techniques of Cinema-Elements of Story -
Satsang Sandesh a Monthly News Magazine Of
Satsang Sandesh A monthly news magazine of India Temple Association, Inc. Hindu Temple, 25 E. Taunton Ave, Berlin, NJ 08009 SOUTH JERSEY ♦ DELAWARE ♦ PENNSYLVANIA (Non-Profit Tax Exempt Organization, Tax ID # 22-2192491) Vol. 45 No. 1 Phone: (855) MYMANDIR (855-696-2634) www.indiatemple.org MAY 2014 Religious Calendar Upcoming Programs in May May 1 Thursday Shri Parshuram Jayanti Dr. Ram Kamaldasji sermon on "SUNDERKAAND" From Ramayana May 2 Friday Monday, April 28 to Friday, May 2, 7pm-8:30pm; Saturday May 3, 10:30- Akha Trij/Akshya Tritiya 12pm, followed by mahaprasad May 3 Saturday Bal Vihar and Yuva Dar- Bal Vihar and Yuva Darshan Annual Day shan Annual Day Saturday May 3, 10am at Thomas E. Harrington Middle School May 4 Sunday Shri Aadya Shank- Asian Indian Professional’s Medical Education Meeting on Sunday, May 11 racharya / Shri Ramanu- at ICC jacharya Jayanti May 10 Saturday Shri Buddha Jayanti / Purnima / Satyanarayan Katha Mohini Ekadashi Wednesday May 14 at 6 pm followed by mahaprasad May 14 Wednesday Shri Buddha Jayanti / Sundarkand Paath Purnima / Satyanarayan Saturday May 17 at 10 am followed by mahaprasad Katha May 24 Saturday Ghulam Ali Concert (Shaam-e-Gazzal with the king of Gazzal) on Friday, Apara Ekadashi May 30 at ICC Monthly Activities ITA Seva Samiti walks with American Cancer Society in the Relay for Life Smt. Kshama Raghuveer of Marlton at Cherokee High School (707) 332-3400 Saturday May 31 from 2pm-Midnight May 2, Friday Vishnu Sahasranama Special Prayers Parayanam ITA has a program whereby you can have prayers performed on your behalf every May 14, Wednesday year on a special day in your life by pledging $301. -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
Coalition Between Politics & Entertainment in Hindi Films: A
Journal of Education & Social Policy Vol. 1 No. 1; June 2014 Coalition between Politics & Entertainment in Hindi Films: A Discourse Analysis Dr. C. M. Vinaya Kumar Assistant Professor & Head Department of Journalism and Mass Communication Krishna University Machilipatnam-521 001 91-9985085530 Romesh Chaturvedi Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, 91-9721964685 India Shruti Mehrotra Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, India 91-9451177264 Abstract The study attempts to explore dynamics of political discourse as reflected in Hindi films. Political messages in most Hindi films are concealed within entertainment. Films use thrilling & entertaining plots mixed with political content in order to convey their messages to the public. Films not only reflect reality but also construct the political ideology. The public is generally unaware of the extent to which they are being influenced, managed and conditioned by the political discourses in Hindi films. This study attempts to conduct the discourse analysis on the Hindi film “Chakravyuh” to find how politics and entertainment are merged together to influence public opinion. The film is based on the dark, largely-unexposed world of the Naxalites fighting for their land and dignity. Discourse analysis of the film will help in exploring how an entertaining film can carry a meaningful message. For over 40 years in India, since the emergence of the Naxalite rebellion, cinema has drawn inspiration from the rupture caused by this iconic movement in Indian political history. Hindi films seem to have woken up to Naxalism, or Maoism, as it is more commonly known today. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 8, Issue-IV, August 2017 ISSN: 0976-8165 ‘The Scion of Ikshvaku’: A Forum for Debate on Contemporary Issues A.S.Ashakiran English Language Communication Skills’ Trainer MLA Academy of Higher Learning 14th Cross, Malleswaram Bengaluru-560003, Karnataka Article History: Submitted-05/07/2017, Revised-20/08/2017, Accepted-25/08/2017, Published-10/09/2017. Abstract: Valmiki’s Ramayana and most other versions depict Ram as Lord Vishnu’s earthly incarnation. But, Amish in his “Scion of Ikshvaku” has completely humanised not merely Ram but also the environment in which he is born. Ayodhya is in shambles and is rife with court intrigues. Born to the displeasure of his own father, Dasharath, and disliked by both the elite and the masses of Ayodhya, Ram faces the hurt and humiliation stoically and yet wins over everyone’s hearts. He prepares himself for shouldering the responsibility that Guru Vasishtha predicts will ultimately fall on him. Amish exploits this milieu to provoke debate on current issues, ideologies, schools of thought and perspectives, challenges and dilemmas regarding political views, the role of the State, law, crime and punishment, the caste system, women’s empowerment and environmental conservation in a brilliant manoeuvre making it more relatable to contemporary times. -
2019 Political and Cultural Discourse in Amish Tripathi's
Volume: II, Issue: II ISSN: 2581-5857 An International Peer-Reviewed GAP BODHI TARU - Open Access Journal of Humanities POLITICAL AND CULTURAL DISCOURSE IN AMISH TRIPATHI’S SCION OF IKSVAKU Dr. Dushyant Nimavat Associate Professor Department of English Gujarat University Abstract Modern Indian English literature in English has seen a lot of exploration in the field of mythology. In Indian culture, there are two powerful works that talks of varied aspects of politics- The Mahabharat and The Ramayan. Writers have always been fascinated by these two great works of India. They have tried to analyze mythology in various ways. The present paper focuses on the political and cultural discourse emerging in Amish Tripathi’s Scion of IKSVAKU. Amish has knack of reinterpreting mythology in reference to the current socio-political scenario. He does the same in Scion of IKSVAKU and brings in many political and cultural issues discussed in the course of a very well-known story of The Ramayan. Key words: Mythology, Indian English Literature, Amish Tripathi, Politics, Cultural Discourse Amish Tripathi is an Indian English author who won accolades for his ‘Shiva Triology’. He has been a best seller with his The Immortals of Meluha and other two books – The Secret of Nagas and The Oath of the Vayuputras. Amish was born on 18th October 1974. He studied at St. Xavier’s College, Mumbai and IIM Kolkata. He had received several awards as a young literary writer. The Shiva trilogy is a fantasy and reimagining of Lord Shiva and his adventures. Amish calls himself a devotee of Lord Shiva but his religious beliefs are liberal and secular.