WFLDP Leadership in Cinema
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The Original Band of Brothers Tour Walk in the Footsteps of the Men of Easy Company 2015 Band of Brothers Tours Are Sold Out
Stephen Ambrose Historical Tours presents The Original Band Of BrOThers TOur Walk in The Footsteps of The Men of Easy Company 2015 Band of Brothers tours are sold out. 2016 dates to be announced soon. Day 1 Arrival in Atlanta The tour begins in Atlanta with an informal Welcome Reception where participants will have an opportunity to get acquainted with each other and meet the historians and tour staff. A brief overview of the legacy of Easy Company will set the stage for the days ahead. Day 2 Toccoa: Birthplace of the 506th Ask any of the original members of Easy Company what made the unit so special and they will answer: “Toccoa.” This training ground in the north Georgia woods was where the bonding process of the 506th began. As it did for so many of the men of Easy Company, our tour of Toccoa will begin at the train station where recruits for the 506th first arrived. The station also houses the Stephens County Historical Immortalized by the Stephen Ambrose best-seller, “Band of Society, the 506th Museum and the unique collection of Brothers,” and brought to millions more in the epic Steven artifacts and memorabilia from Camp Toccoa. Following Spielberg/Tom Hanks HBO miniseries of the same name, the men of Easy Company were on an extraordinary journey lunch, we travel to the site of the Camp and then during WWII. From D-Day to V-E Day, the paratroopers of E proceed up Mount Currahee, the 1,000 foot mountain Company, 506th Parachute Infantry Regiment participated in the men of the 506th ran daily for training. -
Study Guide for Band of Brothers – Episode 2: Day of Days
Study Guide for Band of Brothers – Episode 2: Day of Days INTRO: Band of Brothers is a ten-part video series dramatizing the history of one company of American paratroopers in World War Two—E Company, 506th Regiment, 101st Airborne, known as “Easy Company.” Although the company’s first experience in real combat did not come until June 1944 ( D-Day), this exemplary group fought in some of the war’s most harrowing battles. Band of Brothers depicts not only the heroism of their exploits but also the extraordinary bond among men formed in the crucible of war. The second episode focuses on the Normandy invasion and Easy Company’s assignment to take out a German artillery installation. On June 6, 1944, thousands of Allied paratroopers dropped from the sky to begin one of the most audacious military campaigns of the war—and one of the most crucial. However, careful planning notwithstanding, most of the members of Easy Company miss their designated drop zones and had to begin the invasion by dealing with their extreme disorientation (heightened for many by the anti-nausea medication the soldiers were instructed to take). With Richard Winters as the company’s commanding officer, Easy Company successfully executes its first assignment in the field, destroying a German artillery installation firing on Allied infantry trying to come ashore. CURRICULUM LINKS: Band of Brothers can be used in history classes. NOTE TO EDUCATORS: Band of Brothers is appropriate as a supplement to units on World War Two, not as a substitute for material providing a more general explanation of the war’s causes, effects, and greater historical significance. -
Study Guide for Band of Brothers – Episode 9: Why We Fight
Study Guide for Band of Brothers – Episode 9: Why We Fight INTRO: Band of Brothers is a ten-part video series dramatizing the history of one company of American paratroopers in World War Two—E Company, 506th Regiment, 101st Airborne, known as “Easy Company.” Although the company’s first experience in real combat did not come until June 1944 ( D-Day), this exemplary group fought in some of the war’s most harrowing battles. Band of Brothers depicts not only the heroism of their exploits but also the extraordinary bond among men formed in the crucible of war. In the ninth episode, Easy Company finally enters Germany in April 1945, finding very little resistance as they proceed. There they are impressed by the industriousness of the defeated locals and gain respect for their humanity. But the G.I.s are then confronted with the horror of an abandoned Nazi concentration camp in the woods, which the locals claim not to have known anything about. Here the story of Easy Company is connected with the broader narrative of the war—the ideology of the Third Reich and Hitler’s plan to exterminate the Jews. CURRICULUM LINKS: Band of Brothers can be used in history classes. NOTE TO EDUCATORS: Band of Brothers is appropriate as a supplement to units on World War Two, not as a substitute for material providing a more general explanation of the war’s causes, effects, and greater historical significance. As with war itself, it contains graphic violence and language; it is not for the squeamish. Mature senior high school students, however, will find in it a powerful evocation of the challenges of war and the experience of U.S. -
WFLDP Leadership in Cinema – Band of Brothers Part Four, Replacements 2 of 14 Facilitator Reference
Facilitator Reference BAND OF BROTHERS PART FOUR: REPLACEMENTS Submitted by: R. Nordsven – E-681 Asst. Captain / C. Harris- E-681 Captain North Zone Fire Management, Black Hills National Forest E-mail: [email protected] Studio: HBO Pictures .......................................................................................... Released: 2001 Genre: War/Drama ........................................................................................ Audience Rating: R Runtime: 1 hour Materials VCR or DVD (preferred) television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), notepads, writing utensils. Intent of Leadership in Cinema The Leadership in Cinema program is intended to provide a selection of films that will support continuing education efforts within the wildland fire service. Films not only entertain but also provide a medium to teach leadership at all levels in the leadership development process—self or team development. The program is tailored after Reel Leadership: Hollywood Takes the Leadership Challenge. Teaching ideas are presented that work with “students of leadership in any setting.” Using the template provided by Graham, Sincoff, Baker, and Ackerman, facilitators can adapt lesson plans to correlate with the Wildland Fire Leadership Values and Principles. Other references are provided which can be used to supplement the authors’ template. (Taken from the Leadership in Cinema website.) Lesson Plan Objective Students will identify Wildland Fire Leadership Values -
Study Guide for Band of Brothers – Episode 7: the Breaking Point
Study Guide for Band of Brothers – Episode 7: The Breaking Point INTRO: Band of Brothers is a ten-part video series dramatizing the history of one company of American paratroopers in World War Two—E Company, 506th Regiment, 101st Airborne, known as “Easy Company.” Although the company’s first experience in real combat did not come until June 1944 ( D-Day), this exemplary group fought in some of the war’s most harrowing battles. Band of Brothers depicts not only the heroism of their exploits but also the extraordinary bond among men formed in the crucible of war. As the title of this episode suggests, the seventh episode sees Easy Company pushed to “the breaking point” after more and more unrelenting combat. After successfully thwarting the German counterattack in the Ardennes, Easy Company is sent to take the Belgian town of Foy. The company suffers, however, from more casualties, sinking morale, and lapses in leadership. This episode, more than any other perhaps, depicts the great emotional and psychological strain that soldiers endured in battle. CURRICULUM LINKS: Band of Brothers can be used in history classes. NOTE TO EDUCATORS: Band of Brothers is appropriate as a supplement to units on World War Two, not as a substitute for material providing a more general explanation of the war’s causes, effects, and greater historical significance. As with war itself, it contains graphic violence and language; it is not for the squeamish. Mature senior high school students, however, will find in it a powerful evocation of the challenges of war and the experience of U.S. -
Plagiat Merupakan Tindakan Tidak Terpuji Plagiat
PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI THE MEANINGS OF RICHARD DICK WINTERS’ ACTION DURING HIS MILITARY SERVICE AS SEEN IN STEPHEN E. AMBROSE’S BAND OF BROTHERS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Emanuel Gevi Resanto Student Number : 101214072 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI THE MEANINGS OF RICHARD DICK WINTERS’ ACTION DURING HIS MILITARY SERVICE AS SEEN IN STEPHEN E. AMBROSE’S BAND OF BROTHERS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Emanuel Gevi Resanto Student Number : 101214072 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 i PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ‐|. :. |,i l ‐1‐ 1職疇142015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI .\ ,\urianu Pendidikan Thesis on THE}lEANINCS OF RICHARD DICK WiNTERS'ACT10N DURING HIS卜 IILITARY SERVICE‐ AS SEEN IN STEPHE‐ N Eo AMIBRO‐ SE'S a4■D θF3Rθr壼琶Rs Bv Ellla爵 じel Gevi Rcsanlo i101214072 (ihairperson Secretary L,{en:ber -
Thesis Abstract Final
Abstract EMILY LAWRENCE British and American Special Forces in World War II: Easy Company and the No. 4 Commando (Under the Direction of DR. JOHN MORROW JR.) A study of the British No. 4 Commando and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
Southampton Center Partners with the Hamptons International Film Festival to Bring Contemporary and Classic Films to Southampton Village
Southampton Center Partners with The Hamptons International Film Festival to Bring Contemporary and Classic Films to Southampton Village SOUTHAMPTON, N.Y., June 25, 2013 – Southampton Center, located at 25 Jobs Lane in the heart of Southampton Village, and The Hamptons International Film Festival today announced a partnership to co-present the inaugural season of FILM @ Southampton Center this July and August. FILM @ Southampton Center will include classic favorites as well as highly anticipated independent films before they are released in theaters. Screenings will take place outdoors on Friday nights beginning July 12 – August 23 and indoors on select Saturdays in July and August. All FILM @ Southampton screenings are FREE and open to the public. “We are thrilled to present FILM @ Southampton Center in partnership with The Hamptons International Film Festival,” said J. Whitney Stevens, Southampton Center Board Chair. “We cannot think of a more natural partner for this program and look forward to a long relationship with The Hamptons International Film Festival. This is an opportunity to offer Southampton a diverse lineup of quality independent film, crowd- pleasing classics and family entertainment.” “For nearly 10 years, The Hamptons International Film Festival has been showcasing high profile and independent films at the UA Theater during our festival in October,” said Hamptons International Film Festival Director Anne Chaisson. “We have long wanted to create programs from Montauk to Southampton and with this partnership, our dream of showcasing film, expanding our educational program, as well as producing our signature ‘Conversations with’ throughout the year can finally become reality. FILM @SOUTHAMPTON CENTER SUMMER 2013 SCHEDULE Fridays Outdoor Movies Under the Stars This FREE screening series is held outdoors on the beautiful Arboretum Lawn at Southampton Center. -
Bamcinématek Announces Special Events, Shorts, and Full Schedule for Fifth Annual Bamcinemafest, Jun 19—28
BAMcinématek announces special events, shorts, and full schedule for fifth annual BAMcinemaFest, Jun 19—28 New York premiere of Peaches Does Herself, a documentary about the cult synth-punk performer presented on the Steinberg Screen at the BAM Harvey Theater, followed by a live performance by the artist at BAMcafé New York premiere of Ben Nabors’ SXSW Documentary Grand Jury Prize winner William and the Windmill added to BAMcinemaFest main slate Live performance by acclaimed country-soul artist Kim Taylor following the screening of Matthew Porterfield’s I Used to be Darker The Wall Street Journal is the title sponsor of BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 24, 2013—BAMcinématek announces the full schedule for the fifth annual BAMcinemaFest (Jun 19—28) including special events, an added film to the main slate, guests, and shorts programs. On Tuesday, June 25, BAMcinemaFest presents the New York premiere of Peaches Does Herself, starring the cult synth-punk musician and performance artist, on the Steinberg Screen at the BAM Harvey Theater. Known for her audaciously foul-mouthed lyrics and gender-bending persona (as well as high-profile collaborations with everyone from Iggy Pop to Christina Aguilera), the Canadian electroclash star directs herself in this no-holds-barred rock opera, which tells the loosely autobiographical tale of her rise to stardom and romance that ends in heartbreak. This filmed version of her epic stage performance in Berlin bursts with nudity, pink underwear, and shocking cameos by stripper Sandy Kane and transsexual porn star Dannii Daniels, bringing Peaches’ unique brand of post-feminist, shock-rock cabaret to shameless cinematic life. -
Remembering World War Ii in the Late 1990S
REMEMBERING WORLD WAR II IN THE LATE 1990S: A CASE OF PROSTHETIC MEMORY By JONATHAN MONROE BULLINGER A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information, and Library Studies Written under the direction of Dr. Susan Keith and approved by Dr. Melissa Aronczyk ________________________________________ Dr. Jack Bratich _____________________________________________ Dr. Susan Keith ______________________________________________ Dr. Yael Zerubavel ___________________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Remembering World War II in the Late 1990s: A Case of Prosthetic Memory JONATHAN MONROE BULLINGER Dissertation Director: Dr. Susan Keith This dissertation analyzes the late 1990s US remembrance of World War II utilizing Alison Landsberg’s (2004) concept of prosthetic memory. Building upon previous scholarship regarding World War II and memory (Beidler, 1998; Wood, 2006; Bodnar, 2010; Ramsay, 2015), this dissertation analyzes key works including Saving Private Ryan (1998), The Greatest Generation (1998), The Thin Red Line (1998), Medal of Honor (1999), Band of Brothers (2001), Call of Duty (2003), and The Pacific (2010) in order to better understand the version of World War II promulgated by Stephen E. Ambrose, Tom Brokaw, Steven Spielberg, and Tom Hanks. Arguing that this time period and its World War II representations -
Ordinary Heroes: Depictions of Masculinity in World War II Film a Thesis Submitted to the Miami University Honors Program in Pa
Ordinary Heroes: Depictions of Masculinity in World War II Film A thesis submitted to the Miami University Honors Program in partial fulfillment of the requirements for University Honors with Distinction by Robert M. Dunlap May 2007 Oxford, Ohio Abstract Much work has been done investigating the historical accuracy of World War II film, but no work has been done using these films to explore social values. From a mixed film studies and historical perspective, this essay investigates movie images of American soldiers in the European Theater of Operations to analyze changing perceptions of masculinity. An examination of ten films chronologically shows a distinct change from the post-war period to the present in the depiction of American soldiers. Masculinity undergoes a marked change from the film Battleground (1949) to Band of Brothers (2001). These changes coincide with monumental shifts in American culture. Events such as the loss of the Vietnam War dramatically changed perceptions of the Second World War and the men who fought during that time period. The United States had to deal with a loss of masculinity that came with their defeat in Vietnam and that shift is reflected in these films. The soldiers depicted become more skeptical of their leadership and become more uncertain of themselves while simultaneously appearing more emotional. Over time, realistic images became acceptable and, in fact, celebrated as truthful while no less masculine. In more recent years, there is a return to the heroism of the World War II generation, with an added emotionality and dimensionality. Films reveal not only the popular opinions of the men who fought and reflect on the validity of the war, but also show contemporary views of masculinity and warfare. -
2018 Easy Company Sept9 V1.Indd
EASY COMPANY: ENGLAND TO THE EAGLE’S NEST SEPTEMBER 9 –21, 2018 Join our most popular tour based on the best-selling book, Band of Brothers by Museum founder Stephen E. Ambrose, featuring original cast-members from the award-winning HBO miniseries A NATIONAL WWII MUSEUM EXCLUSIVE TOUR FEATURING ACTORS JAMES MADIO, ROSS MCCALL & MATTHEW LEITCH FROM BAND OF BROTHERS SAVE $1,000 PER COUPLE WHEN BOOKED BY APRIL 13, 2018 NOW INCLUDING THE NEWLY REFURBISHED D-DAY MUSEUM-PORTSMOUTH NICK MUELLER & STEVE AMBROSE A STORY OF BRAVERY Dear Friend of the National WWII Museum, For three decades Stephen Ambrose and I were colleagues in the Department of History at & the University of New Orleans – and best friends. During those years we undertook many adventures, including the first overseas tour he led – a 1980 journey from the Normandy D-Day beaches to the Rhine River. I persuaded Steve to take that first tour, but thereafter he fell in love with helping others experience this epic story and wanted to go back as often as Hope he could. Drawing on Steve’s knowledge of the subject, I worked with our mutual friend, Peter McLean, and put together the tour operations. Subsequently, we ran tours almost every other year for some 20 years, including one in 1994 commemorating the 50th anniversary of D-Day. It was during those years, as I served as a Dean and Vice Chancellor at UNO, that Steve and I established the Eisenhower Center for American Studies, which facilitated his collecting more than 600 oral histories from D-Day veterans.