Colin Greenwood and His Christopher Dean Guitar
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Beastie Boys Square Resolution
Draft of Resolution, Provided to CB3 by Applicant CB3 Beastie Boys Square Resolution Whereas the Beastie Boys were established in July 1981 as part of the Lower East Side’s CBGB punk music scene, and frequently played in that venue; Whereas the Beastie Boys’ first album, “Polly Wog Stew,” was recorded at 171A Studios, located at 171 Avenue A in the East Village; Whereas in 1984, the Beastie Boys were the first white and the first Jewish hip hop group signed to Def Jam records, where they played a significant, early role breaking down racial barriers in 1980s music between rock (white audience) and hip hop (black and Latino audience), which in turn led to a greater cultural understanding and historic reduction in the racial divide between the groups according to the book and 2013 VH1 miniseries “The Tanning of America”; Whereas in 1988 the group released the album “Paul’s Boutique,” which brought the corner of Ludlow and Rivington Streets on the Lower East Side international fame by featuring an oversized picture of the corner on the cover of the album; Whereas the cover art from “Paul’s Boutique,” which Rolling Stone magazine named the 156th greatest album of all time in 2009 and the Village Voice named 3rd on its list of the 50 Most New York Albums Ever in 2013, continues to draw fans from around the world to the corner of Ludlow and Rivington Streets; Whereas, the Beastie Boys meet CB3’s street renaming guidelines because they have achieved “exceptional and highly acclaimed accomplishment or involvement linked to Manhattan Community -
Living with New Developments in Jericho and Walton Manor
LIVING WITH NEW DEVELOPMENTS IN JERICHO AND WALTON MANOR A discussion paper examining the likely impacts upon the neighbourhood of forthcoming and expected developments Paul Cullen – November 2010 1. Introduction 2. Developments approved or planned 3. Likely effects of the developments 3.1 More people living in the area. 3.2 More people visiting the area daily 3.3 Effects of construction 4. Likely outcomes of more residents and more visitors 4.1 More activity in the neighbourhood every day 4.2 More demand for shops, eating, drinking and entertainment 4.3 More vehicles making deliveries and servicing visits to the area 4.4 More local parking demand 4.5 Demand for places at local schools will grow 5. Present day problems in the neighbourhood 5.1 The night-time economy – and litter 5.2 Transient resident population 5.3 Motor traffic congestion and air pollution 5.4 Narrow and obstructed footways 6. Wider issues of travel and access 6.1 Lack of bus links between the rail station and Woodstock Road 6.2 Lack of a convenient pedestrian/cycle link to the rail station and West End 6.3 The need for travel behaviour change 7. The need for a planning led response 7.1 Developer Contributions 7.2 How should developers contribute? 7.3 What are the emerging questions? 8. Next steps – a dialogue between the community, planners and developers 1 LIVING WITH NEW DEVELOPMENTS IN JERICHO AND WALTON MANOR A discussion paper examining the likely impacts upon the neighbourhood of forthcoming and expected developments 1. Introduction Many new developments are planned or proposed in or near Jericho and these will have a substantial impact on the local community. -
The Tibetan Nonviolent Struggle: a Strategic and Historical Analysis
ICNC MONOGRAPH SERIES The Tibetan Nonviolent Struggle: A Strategic and Historical Analysis Tenzin Dorjee ICNC MONOGRAPH SERIES Cover photos: (l) John Ackerly, 1987, (r) Invisible Tibet Blog SERIES EDITOR: Maciej Bartkowski John Ackerly’s photo of the first major demonstration in Lhasa in 1987 CONTACT: [email protected] became an emblem for the Tibet movement. The monk Jampa Tenzin, who is being lifted by fellow protesters, had just rushed into a burning VOLUME EDITORS: Hardy Merriman, Amber French, police station to rescue Tibetan detainees. With his arms charred by the Cassandra Balfour flames, he falls in and out of consciousness even as he leads the crowd CONTACT: [email protected] in chanting pro-independence slogans. The photographer John Ackerly Other volumes in this series: became a Tibet advocate and eventually President of the International Campaign for Tibet (1999 to 2009). To read more about John Ackerly’s The Power of Staying Put: Nonviolent Resistance experience in Tibet, see his book co-authored by Blake Kerr, Sky Burial: against Armed Groups in Colombia, Juan Masullo An Eyewitness Account of China’s Brutal Crackdown in Tibet. (2015) Invisible Tibet Blog’s photo was taken during the 2008 Tibetan uprising, The Maldives Democracy Experience (2008-13): when Tibetans across the three historical provinces of Tibet rose up From Authoritarianism to Democracy and Back, to protest Chinese rule. The protests began on March 10, 2008, a few Velezinee Aishath (2015) months ahead of the Beijing Olympic Games, and quickly became the largest, most sustained nonviolent movement Tibet has witnessed. Published by the International Center on Nonviolent Conflict The designations used and material presented in this publication do P.O. -
Mapping the Landscape of Socially Engaged Artistic Practice
Mapping the Landscape of Socially Engaged Artistic Practice Alexis Frasz & Holly Sidford Helicon Collaborative artmakingchange.org 1 “Artists are the real architects of change, not the political legislators who implement change after the fact.” William S. Burroughs 2 table of contents 4 28 purpose of the research snapshots of socially engaged art making Rick Lowe, Project Row Houses | Laurie Jo Reynolds, Tamms Year Ten | Mondo Bizarro + Art Spot Productions, 9 Cry You One | Hank Willis Thomas | Alaskan Native methodology Heritage Center | Queens Museum and Los Angeles Poverty Department | Tibetan Freedom Concerts | Alicia Grullón | Youth Speaks, The Bigger Picture 11 findings Defining “Socially Engaged Art” | Nine Variations 39 in Practice | Fundamental Components (Intentions, supporting a dynamic ecosystem Skills, and Ethics) | Training | Quality of Practice 44 resources acknowledgements people interviewed or consulted | training programs | impact | general resources | about helicon | acknowledgments | photo credits purpose of the research Helicon Collaborative, supported by the Robert Raus- tural practices of disenfranchised communities, such chenberg Foundation, began this research in 2015 in as the African-American Mardi Gras Indian tradition order to contribute to the ongoing conversation on of celebration and protest in New Orleans. Finally, we “socially engaged art.” Our goal was to make this included artists that are practicing in the traditions important realm of artmaking more visible and legible of politically-inspired art movements, such as the to both practitioners and funders in order to enhance Chicano Arts Movement and the settlement house effective practice and expand resources to support it. movement, whose origins were embedded in creat- ing social change for poor or marginalized people. -
NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing. -
Background Papers
ID CAPACITY TOWN ROAD VIEW COMMENTS As a cycle‐user I frequently use Walton Street both as a destination in its own right and also as a through‐route to and from the rail and coach stations, and West Oxford. The conditions for those who cycle have been immeasurably better since the junction was closed to motor traffic but still open to cycles and those on foot. The simplification of the junction makes a very big difference. Charlbury 9628641 individual Oxford Support That said, the remaining pedestrian crossing at Worcester Street North is now on the wrong alignment to Road facilitate southbound cycle‐users crossing the northbound vehicular flow as it turns into Beaumont Street. This needs urgent solution, now that traffic is rising again post‐COVID. Only when the Traffic Control Point proposed in Connecting Oxford is installed in Worcester Street, operating 24/7 year‐long, should the Walton Street junction be reopened to motor vehicles It is essential to reduce motorised transport both to reduce carbon emissions and to reduce the air pollution caused by motor vehicles. All vehicles cause pollution, including electric vehicles, which require CO2 emissions at power stations and generate particulates from road, brake and tyre wear. Eynsham 9642049 individual Oxford Support The experimental closure of Walton Street is one small step towards creating a safer, healthier and more Road civilised environment for walking and cycling, and reducing vehicle traffic. It should be extended indefinitely, and should be only the first step in a comprehensive suite of measures to eliminate private cars from the city, with the exception of those required by people with physical disabilities that prevent them from using foot, bicycle or public transport. -
Sylvia Massy RUSSELL COTTIER Talks Unusual Recording Techniques with the Globe-Trotting Engineer, Producer, Author and Artist
Interview Sylvia Massy RUSSELL COTTIER talks unusual recording techniques with the globe-trotting engineer, producer, author and artist ylvia Massy needs almost no In the ‘90s, Massy produced material for Red introduction to those of us who grew Hot Chili Peppers, Sevendust and Powerman up listening to rock in the ‘80s and ‘90s. 5000. In 1997 Massy mixed the Beastie Boys’ SMassy started off in the punk band Tibetan Freedom Concert in New York. Massy Revolver but soon moved on to producing, engineered and mixed several projects for / Massy mixes the masters in France including co-producing with Kirk Hammett, and producer Rick Rubin for his label American soon ended up at Larrabee Studios working Recordings, including Johnny Cash’s album In 2001, Massy acquired the Weed Palace with big name acts like Prince, Paula Abdul, Unchained, which won a Grammy award for Best Theater in Weed, California, and operated it as a Julio Iglesias, Seal and Aerosmith. After a hit Country Album in 1997. With Rubin, she also recording studio for 11 years, with clients with Green Jellö, Massy went on to rack up recorded Tom Petty and the Heartbreakers, including Sublime, Dishwalla, Swirl 360, credits with the likes of Tool, Skunk Anansie and Slayer, Donovan, Geto Boys, the Black Crowes, Econoline Crush, Cog, Spiderbait, Norma Jean, many more. and System of a Down’s debut album. Built To Spill and From First To Last. 28 / November/December 2018 But then you moved to LA? would be in a live show. Yes, there was a point at which it became With the drums I would want everything to obvious that if I really wanted to make this as a be as well recorded as possible with some career, I would have to move to where the experimental things that perhaps would be industry was, and that was in Los Angeles. -
The Lion King We Bring You a Fascinating Inside Look at Official Photography Studio the Highest Grossing Broadway Show of All Time
WWW.WIREWEEKLY.COM DISTRIBUTED EVERY THURSDAY IN MIAMI, THE BEACHES, AND FORT LAUDERDALE • THE LONGEST-RUNNING WEEKLY ON SOUTH BEACH “LIKE” US /WIREMAGAZINE & STAY TUNED FOR WWW.WIREMAG.COM COMING THIS SUMMER ISSUE #19 | 05/10/12 2 | wire magazine | issue #19, 2012 | www.wireweekly.com | facebook | twitter EDITOR IN CHIEF’S NOTE WIRE IS GROWING. PLUS TAKING CARE OF MOM BREAKING NEWS: Rafa Carvajal As Wire was going to press we heard the news Publisher/Editor in Chief that President Obama supports same-sex mar- riage - quite a contrast to voters in North Caro- Associate Publisher lina passing Amendment One to their constitu- tion. Jesse Spencer In last week’s column I shared with you that Editor Wire Magazine and Wire Media Group will James Cubby have a new Internet home at www.wiremag. com, a new lifestyle website for the LGBT com- Associate Editor munity coming this summer. As part of Wire’s Antwyone Ingram continued growth in print, online, and social media, it is also necessary to continue adding Design & Production Director people to our organization who can help us Jose Gonzalez build the team that will help craft and implement many new initiatives in 2012. I am happy to Columnists announce that Antwyone Ingram is joining the Alfredo Barrios Wire Magazine team as Associate Editor. Ant- Alyn Darnay wyone will be working very closely with me to Dane Steele Green help us grow Wire Magazine, create and host Ken Hunt new events, and launch and run our new web- Dr. Gregg A Pizzi site at www.wiremag.com. -
Hyperreality in Radiohead's the Bends, Ok Computer
HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A Thesis Presented as Partial Fulfillment of the Requirements for the Attainment of the Sarjana Sastra Degree in English Language and Literature By: Azzan Wafiq Agnurhasta 08211141012 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH LANGUAGE EDUCATION FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 APPROVAL SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By Azzan Wafiq Agnurhasta 08211141012 Approved on 11 June 2014 By: First Consultant Second Consultant Sugi Iswalono, M. A. Eko Rujito Dwi Atmojo, M. Hum. NIP 19600405 198901 1 001 NIP 19760622 200801 1 003 ii RATIFICATION SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By: AzzanWafiqAgnurhasta 08211141012 Accepted by the Board of Examiners of Faculty of Languages and Arts of Yogyakarta State University on 14July 2014 and declared to have fulfilled the requirements for the attainment of the Sarjana Sastra degree in English Language and Literature. Board of Examiners Chairperson : Nandy Intan Kurnia, M. Hum. _________________ Secretary : Eko Rujito D. A., M. Hum. _________________ First Examiner : Ari Nurhayati, M. Hum. _________________ Second Examiner : Sugi Iswalono, M. A. _________________ -
Proquest Dissertations
Forging a Buddhist Cinema: Exploring Buddhism in Cinematic Representations of Tibetan Culture by Mona Harnden-Simpson B.A. (Honours), Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts In Film Studies Carleton University Ottawa, Ontario August 23, 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83072-7 Our file Notre reference ISBN: 978-0-494-83072-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Colin Greenwood and His Christopher Dean Guitar
Castaway oxfordtimes.co.uk Colin Greenwood and his Christopher Dean guitar Photographs: Antony Moore 8 Oxfordshire Limited Edition September 2013 oxfordtimes.co.uk Castaway hat must it be like, as a member of a young rock band, to go from playing to tiny audiences in Wvillage halls and pubs to touring the USA and performing for audiences of 500 or more — with even more fans queuing around the block? And all in a matter of weeks. Multi-instrumentalist and composer Colin Greenwood, bass player with the iconic Oxford band Radiohead, knows that thrill. And it turns out that the USA has been good to Colin in many other ways — as it was where he met his wife, Molly. So what will Colin want to take to our desert island — and where did his journey to our island begin? “In 1969, my mother Brenda gave birth to me at the Radcliffe Infirmary in Oxford. But, until I was 11, we did not stay in one place for very long.” Colin said. “My father Ray served in the Royal Ordinance Corps, so the family moved to Germany and then to Didcot, Suffolk, Abingdon and Oakley. I attended five primary schools.” Where did his interest in music begin? “At home there was always music in the background. My parents’ favourite records were by Burl Ives, Scott Joplin, Simon and Garfunkel and Mozart’s horn concerto,” Colin, 44, said. “The important thing our parents did for my brother Jonny, sister Susan and I was to buy each of us musical instruments and encourage us to learn to play. -
Radcliffe Observatory Quarter Phase 2
RADCLIFFE OBSERVATorY QUARTER PHASE 2 MAthemAticAL Institute And HumAnities BuildinG & LIBRARY 1 Welcome Thank you for coming to our exhibition and taking the time to view the proposals for the second phase of the Radcliffe Observatory Quarter (ROQ) ahead of the submission of planning applications to Oxford City Council. Right: The Site The University of Oxford is one of The second phase of implementation the best known universities in the of the Masterplan will provide new world, with an enviable reputation accommodation for the Mathematical for teaching, learning and research, Institute and the Humanities Division. within a renowned, historic setting. The University must continue to The first phase schemes comprised attract and maintain the highest the refurbishment of the Radcliffe calibre of staff and students if it is to Infirmary (RI), St Luke’s Chapel maintain its position and, to achieve and Outpatients’ buildings; the this, it must continue to provide creation of a new pedestrian appropriate high quality facilities. route linking Walton Street and Woodstock Road; and, the extension The aim of this exhibition is to show of Somerville College to form you the University’s plans for the new student accommodation and second phase of development at the teaching and library archive facilities. ROQ site in accordance with the wider These proposals were recently Masterplan which was presented approved by Oxford City Council. to Oxford City Council on the 30 November 2008 and adopted by the University in December 2008 following Right: University Estate a four year consultation process. Below: The Radcliffe Infirmary The Exhibition This exhibition aims to provide some more background to the project and explain the detailed proposals before the University applies to Oxford City Council for planning permission.