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Country Dance and Song and Society of America
I ,I , ) COUNTRY DANCE 1975 Number 7 Published by The Country Dance and Song AND Society of America EDITOR J. Michael Stimson SONG COUNTRY DANCE AND SONG is published annually. Subscription is by membership in the Society. Members also receive occasional newsletters. Annual dues are $8 . 00 . Libraries, Educational Organi zations, and Undergraduates, , $5.00. Please send inquiries to: Country Dance and Song Society, 55 Christopher Street, New York, NY 10014. We are always glad to receive articles for publication in this magazine dealing with the past, present or future of traditional dance and music in England and America, or on related topics . PHOTO CREDITS P. 5 w. Fisher Cassie P. 12 (bottom) Suzanne Szasz P. 26 William Garbus P. 27 William Garb us P. 28 William Garb us CONTENTS AN INTERVIEW WITH MAY GADD 4 TRADITION, CHANGE AND THE SOCIETY Genevieve Shimer ........... 9 SQUARE DANCING AT MARYLAND LINE Robert Dalsemer. 15 Copyright€>1975 by Country Dance Society, Inc. SONGFEST AND SLUGFEST: Traditional Ballads and American Revolutionary Propaganda Estelle B. Wade. 20 , CDSS REVISITS COLONIAL ERA • . • . • . • . • • . 26 TWO DANCES FROM THE REVOLUTIONARY ERA Researched by James Morrison ..................••. 29 CHEERILY AND MERRILLY: Our Music Director's Way with Singing Games and Children Joan Carr.............. 31 STAFF AND LEADERS'CONFERENCE Marshall Barron .•.......... 35 SALES James Morrison ............. 40 CDSS CENTERS .•......•.............•••.. 49 A: Well, they didn't have bands so much. Cecil Sharp was a mar velous piano player, AN INTERVIEW WITH and he had a wonder ful violinist, Elsie Avril, who played with him right from the be MAY GADD... ginning. We had just piano and violin in those days for all but the big theater This is the first part of an interview by Joseph Hickerson, performances. -
Concertina World #449 2011
CONCERTINA WORLD #449 2011 Magazine of the International Concertina Association Information/interviews/techniques/events separate music supplement Editor Music Supplement and PICA: 1 Index Jon McNamara, tel: 01279 656664 17, Nursery Road, Bishops Stortford, 2 Editorial Herts, CM23 3HJ 3 Jody Kruskal and AGM 2011 Email: [email protected] 6 Alistair Anderson weekend Librarian/Archivist: 7 Crane Concertina World Jeremy Hague 8 Westmeath Hunt Email: [email protected] 9 Crabb Concertinas Concertina World Editor: 11 Interview Paul Walker Pauline de Snoo 16 SqueezEast Tel: 00 31 73 54 79837 18 Concertina on iPod Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 20 Biology of a Band Baritone Email: [email protected] or 23 Kimber Blue PLaque [email protected] 24 Blowzabella Review Secretary: 25 Douglas Lloyd Roger Gawley, Tel:0191 384 4764 26 John Nixon 17 Dryburn Road, Durham DH1 5AJ 27 Lavinia McDougall Email: [email protected] 30 Song accompaniment (2) Membership secretary: 34 Concertina for sale, Melodeon Martin Henshaw stolen Oak End, 23A Bedford Road Northill, Biggleswade, Beds. SG18 9AH Tel. 01767 627 566 Contributors: John Beckett, Les [email protected] Branchett, Pauline de Snoo, Peter Dyson, Maeve Gebruers, Martin Treasurer: Henshaw, Valmai Goodyear, Peter Paul McCann, [email protected] McDougall, Wes Williams. Other committee members: Suzanne Higgins; Gill Noppen-Spacie; Michel van der Meiren, website; Carolyn Wade; Wes Williams, document archive. The views expressed in Subscriptions run from 1 January to 31 December. “Concertina World” are solely Membership Subscriptions due on 1 January of those of the author and do not the year. Membership UK 20 GBP, Europe 23 necessarily bear any relationship GBP, USA, 26 GBP. -
English Folk Traditions and Changing Perceptions About Black People in England
Trish Bater 080207052 ‘Blacking Up’: English Folk Traditions and Changing Perceptions about Black People in England Submitted for the degree of Master of Philosophy by Patricia Bater National Centre for English Cultural Tradition March 2013 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Trish Bater 080207052 2 Abstract This thesis investigates the custom of white people blacking their faces and its continuation at a time when society is increasingly aware of accusations of racism. To provide a context, an overview of the long history of black people in England is offered, and issues about black stereotypes, including how ‘blackness’ has been perceived and represented, are considered. The historical use of blackface in England in various situations, including entertainment, social disorder, and tradition, is described in some detail. It is found that nowadays the practice has largely been rejected, but continues in folk activities, notably in some dance styles and in the performance of traditional (folk) drama. Research conducted through participant observation, interview, case study, and examination of web-based resources, drawing on my long familiarity with the folk world, found that participants overwhelmingly believe that blackface is a part of the tradition they are following and is connected to its past use as a disguise. However, although all are aware of the sensitivity of the subject, some performers are fiercely defensive of blackface, while others now question its application and amend their ‘disguise’ in different ways. -
Driving the Bow Fiddle and Dance Studies from Around the North Atlantic 2
DRIVING THE BOW fiddle and dance studies from around the north atlantic 2 edited by ian russell and mary anne alburger Driving the Bow Fiddle and Dance Studies from around the North Atlantic 2 The Elphinstone Institute Occasional Publications 6 General Editor – Ian Russell 1. A�er Columba – A�er Calvin: Community and Identity in the Religious Traditions of North East Scotland edited by James Porter 2. The Bedesman and the Hodbearer: The Epistolary Friendship of Francis James Child and William Walker edited by Mary Ellen Brown 3. Folk Song: Tradition, Revival, and Re-Creation edited by Ian Russell and David Atkinson 4. North-East Identities and Sco�ish Schooling The Relationship of the Sco�ish Educational System to the Culture of North-East Scotland edited by David Northcro� 5. Play It Like It Is Fiddle and Dance Studies from around the North Atlantic edited by Ian Russell and Mary Anne Alburger 6. Driving the Bow Fiddle and Dance Studies from around the North Atlantic 2 edited by Ian Russell and Mary Anne Alburger Elphinstone Institute Occasional Publications is a peer-reviewed series of scholarly works in ethnology and folklore. The Elphinstone Institute at the University of Aberdeen was established in 1995 to study, conserve, and promote the culture of North-East and Northern Scotland. Driving the Bow Fiddle and Dance Studies from around the North Atlantic 2 Edited by Ian Russell and Mary Anne Alburger The Elphinstone Institute University of Aberdeen 2008 Copyright © 2008 the Elphinstone Institute, University of Aberdeen, and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, University of Aberdeen, copyright in individual contributions remains with the contributors. -
Paradigmatic of Folk Music Tradition?
‘Fiddlers’ Tunebooks’ - Vernacular Instrumental Manuscript Sources 1860-c1880: Paradigmatic of Folk Music Tradition? By: Rebecca Emma Dellow A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music June 2018 2 Abstract Fiddlers’ Tunebooks are handwritten manuscript books preserving remnants of a largely amateur, monophonic, instrumental practice. These sources are vastly under- explored academically, reflecting a wider omission in scholarship of instrumental music participated in by ‘ordinary’ people in nineteenth-century England. The tunebooks generate interest amongst current folk music enthusiasts, and as such can be subject to a “burden of expectation”,1 in the belief that they represent folk music tradition. Yet both the concepts of tradition and folk music are problematic. By considering folk music from both an inherited perspective and a modern scholarly interpretation, this thesis examines the place of the tunebooks in notions of English folk music tradition. A historical musicological methodology is applied to three post-1850 case-study manuscripts drawing specifically on source studies, archival research and quantitative analysis. The study explores compilers’ demographic traits and examines content, establishing the existence of a heterogeneous repertoire copied from contemporary textual sources directly into the tunebooks. This raises important questions regarding the role played by publishers and the concept of continuous survival in notions of tradition. A significant finding reveals the interaction between aural and literate practices, having important implications in the inward and outward transmission and in wider historical application. The function of both the manuscripts and the musical practice is explored and the compilers’ acquisition of skill and sources is examined. -
Border Pipes
IN THIS ISSUE Letters(3): Mouth Blown Pipes(4): North Hero 2003(7): Summer School 2003(8): Hamish Moore Concert(12): Interview - Robbie Greensitt Ann Sessoms(15): Dance to Your Daddy tune (23): Washingtons march(24): "Bagpipes and Border Pipers"(26): Jackie Latin(32): Harmonic Proportion(34): Collogue 2003(38): Reviews(52): Letters appropriate key were again made. From Peter Aitchison Sets pitched in D with Highland Dunbar, Scotland fingering had actually been made in the mid-19 t century by the Glasgow Looking back into the Common Stock maker William Gunn. Sets fitted with issue of Dec 2002 [Vol 17 No.2], practice chanters exist but they suffer Nigel Bridges writes about the from the poor intonation and tone of strathspey "The Gruagach" by P/M the miniature pipes. D.R.MacLeennan on page three. On In my opinion the revival of any page fourteen Iain Maclnnes mentions instrument or tradition depends upon D.R.MacLellan. Maybe it should be several factors. There must be an D.R.MacLennan? P.S. I knew him. interest or demand for the particular instrument, there must be music appropriate to the instrument, and From Robbie Greensitt there must be instruments available. Monkseaton Northumberland This implies that there must be EDITORIAL hit the streets and, judging by the [abridged - Ed] makers, players and music publishers, The cover picture of a musette was orders and comments, has been well I was surprised by Colin Ross and as well as other enthusiasts like purchasd by Ian Mackay in Bombay! The received. assertion in the June issue of Common historians, working together to promote the revival. -
JAMES HALKERSTON (Dundee, Ca L896 - )
1 JAMES HALKERSTON (Dundee, ca l896 - ). Harmonica solo Recorded Megginch Castle, Errol, Perth, 1933/34 A- Harmonica selections – part 1 [unknown Scots dance tunes] Great Scott A-556 A- Harmonica selections – part 2 [Bluebells of Scotland] Great Scott A-556 ROBIN HALL Robin Hall (Edinburgh, 1936 – 1998); Jimmie MacGregor (Glasgow, 1930 - ) ”Robin Hall, vocal and own guitar” Recorded London, ca Wednesday, 22nd. October 1958 CP-L-M20-A MMP-85 The ballad of Johnny Ramensky (Norman Buchan) Collector Records JDS-1(7”.45) CP-L-M6-F MMP-86 The day we went tae Rothesay (trad) Collector Records JDS-1(7”.45) The bleacher lassie o’ Kelvinhaugh (trad) Collector Records JES-2(EP) Ludgin’ wi’ big Aggie (trad) Collector Records JES-3(EP) Coulter’s candy (trad) Collector Records JES-3(EP) Skippin’ barfit thro’ the heather ( - ) Collector Records JES-6(EP) NOTE: Johnnie Ramensky (Glenboig, 1905 – Perth 1972) was a career criminal and prison escapee. During the 1939-45 war he was in the commandos and was awarded the Military Medal. “Robin Hall, vocal and own guitar” Recorded London, ca Tuesday, 28th. October 1958 Ye’re ma wee gallus bloke nae mair (trad) Collector Records JES-3(EP) Songs of Robert Burns (Robert Burns; trad) Collector Records JES-3(EP) Meg’ o’ the hill (trad) Collector Records JES-7(EP) MacPherson’s rant (James MacPherson) Collector Records JES-7(EP) “Robin Hall & Jimmie MacGregor” vocal and guitar Recorded London, ca l959 The Dundee weaver (trad) Collector Records JDS-2(7”x45), JES-3(EP) The wee magic stane (trad) Collector Records JDS-2(7”x45) Robin Hall (vocal, guitar); Jimmy MacGregor (vocal, guitar, mandolin) Recorded London, Monday, 26th. -
Old English Instruments of Music, Their History and Character
OLD ENGLISH INSTRUMENTS OF MUSIC MUSIC LIBRARY Qr3 University of GaiiforniB , B«rk«toy /' LIBRARIAN'S FUft'O Printed in Great Britain TO THE MASTER WARDENS, COURT OF ASSISTANTS AND LIVERY OF THE WORSHIPFUL COMPANY OF MUSICIANS Floruit—Floret—Florebit 214917 PREFACE WHEN the General Editor asked me to contribute a volume on Musical Instruments to the series of The Antiquary's Books I found myself confronted by two great difficulties : there was, first of all, the vast extent of the subject, of which mere portions have already called forth large and important works ; and then there was the question whether it would be possible to put in a popular form material which should also satisfy the in- quiries of the student and archaeologist. The latter re- quirement will explain the admission of much which might otherwise be thought unnecessary ; for instance, to the ordinary reader it may seem a needless task to describe the compass, pitch and tunings of these old- world instruments, and yet there are no details about which I have been so frequently asked, especially by those who happen to possess musical relics and desire to hear once more the voices of the past. Having a pro- found sympathy with such desire, I hope they will find that, although the introduction of the Staff Notation into the text has been avoided, these interesting particulars can be easily ascertained by comparing the signs used with the key given in the Appendix. In order to deal at all adequately with so extensive a subject, it has been considered advisable to restrict it to a description of the instruments used in England and in other parts of the United Kingdom so far as they have viii OLD ENGLISH INSTRUMENTS OF MUSIC shared our old English life ; and it was thought that the end of the eighteenth century, or shortly after, would form a suitable point at which to close their history. -
Scotland ^ 37Th Annual Smithsonian
SMITHSONIAN FOLKLIFE FESTIVAL SCOTLAND ^ 37TH ANNUAL SMITHSONIAN FOLKLIFE FESTIVAL Appalachia Heritage and Haniioiiy Mali From Timbuktu to Washingto ii Scotland at the Smithsonian June 2 5 -July 6, 2003 Wa s h i n g t o n , D . C . The annual Smithsonian Folklife Festival brings together exemplary keepers of diverse traditions, both old and new. from communities across the United States and around the world. The goal of the Festival is to strengthen and preserve these traditions by presenting them on the National MaO, so that the tradition-hearers and the public can connect with and learn from one another, and understand cultural difierences in a respectful way. Smithsonian Institution Center for Folklife and Cultural Heritage 750 9th Street NW Suite 4100 Washington, DC 20560-0953 www. folklife. SI . edu © 2003 by the Smithsonian Institution ISSN 1056-6805 Editor: Carla Borden Associate Editors: Frank Proschan, Peter Seitel Art Director: Denise Arnot Production Manager: Joan Erdesky Design Assistant: Krystyn MacGregor Confair Printing: Finlay Printing, Bloomfield, CT Festival Sponsors The Festival is co-sponsored by the National Park Service. The Festival is supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; volunteers; and food, recording, and craft sales. Major in-kind support for the Festival has been provided by media partners WAMU 88.5 FM—American University Radio, Tfie IVashiiigtoii Post, washingtonpost.com, and Afropop, and by Motorola, Nextel, Whole Foods Market, and Go-Ped. APPALACHIA: HERITAGE AND HARMONY This program is produced in collaboration with the Birthplace of Country Music Alliance and the Center for Appalachian Studies at East Tennessee State University. -
English Fiddle Symposium Programme
English Fiddle Symposium Thursday 30th April - Friday 1st May 2015 Northern Rock Foundation Hall, Sage Gateshead Co-Directed by: Catriona Macdonald, Head of Performance, ICMuS, Newcastle University Eliza Carthy, Folkworks Artistic Associate, Sage Gateshead The English Fiddle Symposium aims to bring together a wide range of expertise, thinking and performance, to discover the ‘state of the nation’ for the fiddle in traditional English music. Two days of discussions and performances with leading fiddle players and academics aim to document and provide a meeting place for further dialogue about regional styles, repertoire, belonging and mediation of traditional English music. A wide range of practitioners and academics have expressed interest at presenting papers and leading discussions. Dr Alan Jabbour will give the keynote speech on Friday. Tickets: £30 for full 2 day conference – including tea/coffee throughout each day. £18 for a single day including tea/coffee (a booking fee of £1.50 per ticket applies). Available from Sage Gateshead Ticket Office on 0191 443 4661 or www.sagegateshead.com. English Fiddle Symposium Page 1 English Fiddle Symposium th Thursday 30 April 2015, Northern Rock Foundation Hall, Sage Gateshead. Time Name Paper Title 9am - Registration and Welcome 9:30am Geoff Bowen (Yorkshire Dales The repertoire and playing styles of Yorkshire fiddlers Workshops) (including the extensive repertoire in the 1798 Jackson Manuscript from North Yorkshire and recorded Yorkshire Dales traditions) 10am Dr Vic Gammon (Newcastle Traditional -
Northern Junket, Vol. 6, No. 2
2 VV""*"^ ,v\— >'' * ' J- '? / \ \ t ! f-"~) 1 J J H : / / H ' "•- ...... -4..-^ v ,v V.) k> t/ ^y /::.^.v ^ \;^- , ,,; ,.,..f ;^ I, ^' ;"'."* "'• : '' '/ . fe VS. & . « . f .-•' n -• x } i i ' y-vW/) if . • f .-••.'*-. ? I- A • *'* / s J 4 -*.^ ^ V JL.. .-J.JT V7& VOL.6 '1 <^ MO. 3.AKGAJNS:! S0>/\£ Of THEM .HAr^D TO GET 0JR3 HUNDRED pD ONE SlIGIBS CALLS - $2,00 "by Frank Lyman, Jr. POLK DANCING FOR FJN - .50^ by Jane Farwell DAKOTA SQUARE DANCES - $1,50 "by J. Leonard Jennewein 50 MUSICAL MIXERS - $1,00 by Ray Olson MUSICAL MIXER FUN - $1,00 by Ray Olson DANCES FRlOM WOODLAND - $1,00 by Norman Cazden N.H. Cm& NOTEBOOK - $2,10 nearly 200 dances taught at New Hampshire Camps; Squares Polk, Contras, plus Songs & Recipes Order any of the above material from: Ralph Page 182 Pearl St. Keene, N.H. ; . HOW ABOUT a m :;. f ( Weekend of folk, square and contra, dancing & folk sing- ing at CRYSTAL KILLS h^Qilk^, ' §23 LODGE, Intervale, ' N.H. March 28,29,30 Les Brown (owner) assisted "by Conny & Marianne Taylor, Tony Saleton, John Trafton, Charlie Wehster and Dudley Laufman, invite you to spend this wwekend with them at this famous ski resort - no classes - dance for enjoy- ment only - "bring your own, records Modified American Plan - "breakfast & dinner - all you can eat - Dormitory style with sleeping "bag, $9,50. Rooms available $2 to $4 more* Rese rvation a MUST . Write to LIS BROWN or JOHN TRAFTON CRISTA! HILLS SKI LODGE "Box ?6, Intervale, N.H. t ir ,' THE N.H, CAMP NOTEBOOK is ready! NEARLY 200 DANCES, Polk, Square, Contra; Recipes, L .--" v_•-••—-- -^'^ ''•' & Songs $2,10 postpaid RALPH PAGE 132 Pearl St. -
SB-4202-August-AU.Pdf
Scottishthethethethe www.scottishbanner.com Banner 37 Years StrongScottishScottishScottish - 1976-2013 Banner A’BannerBanner Bhratach Albannach 42 Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Years Strong - 1976-2018 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 42 36 36 NumberNumber Number 211 11 TheThe The world’s world’s world’s largest largest largest internationalinternational international Scottish Scottish Scottish newspaper newspaper newspaper May MayAugust 2013 2013 2018 The Sound of THE PIPING ISSUE! Scotland » Pg 16 Tattoo to celebrate humanUS Barcodes potential for ‘The Sky’s the Limit’ in 2018 Mackintosh 150 » Pg 23 Celebrating one of Glasgow’s great sons » Pg 8 Australia $4.00; N.Z. $4.95 7 25286 844598 0 1 Poppies flourish at The Edinburgh Edinburgh’s Floral Clock ..... » Pg 10 The piping world International Festival comes to Glasgow ................... » Pg 14 Braemar-Scotland’s lights up the capital Royal Gathering ........................ » Pg 30 7 25286 844598 0 9 » Pg 14 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 THE SCOTTISH BANNER Volume 42 - Number 2 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Offices of publication Valerie Cairney Australasian Office: PO Box 6202 Editor Marrickville South, Sean Cairney The gift of Scotland NSW, 2204 Tel:(02) 9559-6348 EDITORIAL STAFF Scottish theme and friendliness round and today I feel fortunate to Jim Stoddart [email protected] about them. Passing on the gift carry on the legacy of my parents Ron Dempsey, FSA Scot of Scotland to his three boys was through the Scottish Banner.