07-Musical-Timeline
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Shanghai Quartet 2020-21 Biography
SHANGHAI QUARTET 2020-21 BIOGRAPHY Over the past thirty-seven years the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The Shanghai’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the U.S. while maintaining a robust touring schedule at leading chamber-music series throughout North America, Europe, and Asia. Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, D.C.), and the Festival Pablo Casals in France, and Beethoven cycles for the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The Quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and has collaborations with the NCPA and Shanghai Symphony Orchestras. Upcoming highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City. Among innumberable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. -
3. Monody and Opera
Monody & Opera Florence Grand Duchy of Florence Italian Peninsula Monody & Opera FLORENCE Monody & Opera The CAMERATA Monody & Opera The CAMERATA Giovanni de’ BARDI, patron Jacopo CORSI, patron Girolamo MEI, historian Vincenzo GALILEI, musician Monody & Opera Polyphony = “Many Voices” Monody = “One Voice” Monody & Opera Reaction Against the Madrigal… The Madrigal The most important secular genre of the sixteenth century The Madrigal Composers enriched the meaning and impact of the text through musical setting. The genre became an experimental vehicle for dramatic characterization, inspiring new compositional devices. The Madrigal First Practice “Music is the mistress of the Text” Second Practice “The Text is the mistress of the Music” The Madrigal Claudio Monteverdi Cruda Amarilli (pub. 1605) The Madrigal The Madrigal Artusi / Monteverdi Controversy Giovanni Maria Artusi L’Artusi (pub. 1600) Monody & Opera The CAMERATA Musicians Jacopo PERI Giulio CACCINI Emilio de’ CAVALIERI Monody & Opera Speech song of Greek and Roman Theatrical Tragedies & Epic “GREEKS and ROMANS” Monody & Opera “[The Camerata] having repeatedly discoursed on the manner in which the ancients used to represent their tragedies, and whether they employed song, and of what kind, Signor Rinuccini took to writing the play Dafne, and Signor Corsi composed some airs to parts of it… and shared his thoughts with Signor Peri. The latter, having listened to their purpose and approving of the airs already composed, took to composing the rest… “The pleasure and amazement produced -
Silent Night the College Held a Brief, Yet Moving, Ceremony to Mark the Centennial of the Start of World Where: Singletary Center War I
OPERALEX.ORGbravo lex!FALL 2018 inside SOOP Little Red teaches kids to love opera, and obey SILENT their parents. Page 2 NIGHT Pulitzer Prize winner's moving story During the summer of 2014, I took a course at Merton College, Oxford. While I was there, Silent Night the college held a brief, yet moving, ceremony to mark the centennial of the start of World Where: Singletary Center War I. The ceremony was held outdoors in for the Arts, UK campus front of a list of names carved into a wall. The When: Nov. 9,10 at 7:30 p.m.; Nov. 11 at 2 p.m. names were those of young men from Merton Tickets: Call 859.257.4929 SUMMER DAYS College who died in the war. Some had been or visit We'll reap the benefit from students, others sons of staff and workers. We Taylor Comstock's summer www.SCFATickets.com all put poppies in our lapels and listened as the at Wolf Trap. Page 4 names were read out. The last one was the More on Page 3 name of a Merton student who had returned nLecture schedule for home to Germany to enlist, and like the others, other events n had fallen on the battlefield. A century later, all UK's Crocker is an expert on the Christmas truce the young men were together again as Merton See Page 3 Now you can support us when you shop at Amazon! Check out operalex.org FOLLOW UKOT on social media! lFacebook: UKOperaTheatre lTwitter: UKOperaTheatre lInstagram: ukoperatheatre Page 2 SOOPER OPERA! Little Red moves kids with music, story, acting SOOP – the Schmidt Opera Outreach Program – is performing Little Red’s Most Unusual Day in Kentucky schools this fall and the early reviews are promising. -
STRAVAGANZA Thed’ Birthamore! of Opera at the Medici Court
STRAVAGANZA theD’ birthAMORE! of opera at the medici court PYGMALION RAPHAËL PICHON STRAVAGANZA D’AMORE! La nascita dell’opera alla corte dei Medici La naissance de l’opéra à la cour des Médicis / The birth of opera at the Medici court 1589-1608 Musiques / Musics Lorenzo Allegri (1567-1648), Antonio Brunelli (1577-1630), Giovanni Battista Buonamente (c.1595-1642), Giulio Caccini (1551-1618), Emilio de’ Cavalieri (avant 1550-1602), Girolamo Fantini (1600-1675), Marco da Gagliano (1582-1643), Cristofano Malvezzi (1547-1599), Luca Marenzio (1553-1599), Alessandro Orologio (c.1550-1633), Jacopo Peri (1561-1633), Alessandro Striggio (c.1536-1592). Textes / Texts Giovanni de’ Bardi (1534-1612), Gabriello Chiabrera (1552-1638), Giovanni Battista Guarini (1538-1612), Cristoforo Castelletti (?-1596), Laura Lucchesini (1550-c.1597), Lotto del Mazza (?-1597), Giovanni Battista Pigna (1523-1575), Ottavio Rinuccini (1562-1621). Reconstitution : Raphaël Pichon & Miguel Henry Pygmalion Raphaël Pichon FRANZ LISZT CD 1 Primo Intermedio All’imperio d’Amore 1 | 1. Stravaganza d’Amore! - Toccata – La Renuccini (Girolamo Fantini) 1’47 2 | 2. O fortunato giorno, a 30 – La Pellegrina - Florence, 1589, intermedio VI 3’12 (Cristofano Malvezzi-Ottavio Rinuccini) 3 | 3. Ineffabile ardore, a 6 – Il Rapimento di Cefalo - Florence, 1600 1’07 (Giulio Caccini-Gabriello Chiabrera) 4 | 4. O che felice giorno, a voce sola (Giulio Caccini-Anonyme) 4’20 Sophie Junker 5 | 5. Ineffabile ardore, a 6 – Il Rapimento di Cefalo - Florence, 1600 1’00 (Giulio Caccini-Gabriello Chiabrera) 6 | 6. La dipartita é amara, a 4 (Luca Marenzio-Giovanni Battista Pigna) 2’13 Maïlys de Villoutreys, Lucile Richardot, Zachary Wilder Davy Cornillot, Safir Behloul, Renaud Bres 7 | 7. -
4 Classical Music's Coarse Caress
The End of Early Music This page intentionally left blank The End of Early Music A Period Performer’s History of Music for the Twenty-First Century Bruce Haynes 1 2007 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2007 by Bruce Haynes Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Haynes, Bruce, 1942– The end of early music: a period performer’s history of music for the 21st century / Bruce Haynes. p. cm. Includes bibliographical references and index. ISBN 978-0-19-518987-2 1. Performance practice (Music)—History. 2. Music—Interpretation (Phrasing, dynamics, etc.)—Philosophy and aesthetics. I. Title. ML457.H38 2007 781.4′309—dc22 2006023594 135798642 Printed in the United States of America on acid-free paper This book is dedicated to Erato, muse of lyric and love poetry, Euterpe, muse of music, and Joni M., Honored and Honorary Doctor of broken-hearted harmony, whom I humbly invite to be its patronesses We’re captive on the carousel of time, We can’t return, we can only look behind from where we came. -
FOR IMMEDIATE RELEASE Press Contact: Betsy Aldredge Media Relations Specialist
FOR IMMEDIATE RELEASE Press Contact: Betsy Aldredge Media Relations Specialist 914-251-6959 [email protected] PURCHASE COLLEGE LECTURER DU YUN WINS PULITZER PRIZE FOR HER OPERATIC WORK Angel’s Bone is About Human Trafficking Purchase, NY, [April 12, 2017]: Purchase College, SUNY is pleased to announce that Du Yun, a lecturer in the School of the Arts, has been awarded a Pulitzer Prize in music for her groundbreaking operatic work about human trafficking, Angel’s Bone, which was first produced at the Protoype Festival, 3LD Arts and Technology Center, New York City in January 2016. The piece includes a libretto by Royce Vavrek. The Pulitzer jury described it as a “bold operatic work that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world.” Du Yun, who is known for her cutting edge work, told NPR that “When we look at human trafficking, we always think that it's far away from us. We all have our own narrative of what human trafficking is supposed to be, but if you do a little research, human trafficking happens, in many different forms and shapes, right in our backyard." Born and raised in Shanghai, China, and currently based in New York, Du Yun is a Pulitzer Prize– winning composer, multi-instrumentalist, performance artist, activist, and curator for new music, working at the intersection of orchestral, opera, and chamber music, theatre, cabaret, oral tradition, public performance, sound installation, electronics, and noise. Hailed by The New York Times as a leading figure in China’s new generation of composers, Du Yun’s music is championed by some of today’s finest performing artists, ensembles, orchestras, and organizations. -
1 9 Bridge 3 : Two Missed Traditions O F the Late 16Th
1 9 B R I D G E 3 : T W O M I S S E D T R A D I T I O N S O F T H E L A T E 1 6 T H C . 1. Sext (possibly the last?) 2. Chromaticism a. Justification from Ancient Greeks: rediscovery of nondiatonic music b. Nicola Vicentino, mid16th c. theorist, wanted to bring back the three genera of Greek tet rachords. Built a keyboard to play them c. Integrated well with madrigal’s quest for new sounds d. Orlandus Lassus (Orlando Lasso), Timor et Tremor (motet) (pub. 1564) e. Luca Marenzio, Solo e Pensoso (ninth book of madrigals, 1599) Solo e pensoso i più deserti campi Alone and pensive I measure the fields vo misurando a passi tardi e lenti, the most deserted with tarrying and slow steps, e gl'occhi porto per fuggir intenti and turn my eyes to try to elude dove vestigio human l'arena stampi. any human signs imprinted in the sand, f. Carlo Gesualdo (Gesualdo da Venosa), “Moro, lasso, al mio duolo” (Book six, 1611) i. Gesualdo’s life ii. Murders (Maria d’Avalos (cousin) and Duke of Andria) in Naples iii. Isolation, Study in Ferrara, Isolation iv. Late Compositions, “Moro, lasso” 3. Michael Praetorius (1571–1621) and Instrumental Music a. Enormous output especially of sacred vocal music b. The exception: Terpsichore (1612) c. Bransle Simple I d. Voltas e. Syntagma Musicum II: De Organographia (1619) Topic 4: Music in Venice 1570–1660 20 (5/1) Maestri di cappella Venice: (Rore), Williaert (Andrea and) Giovanni Gabrieli and Music in the Basilica of S. -
RELATED ACTIVITIES for PROJECT 19 19 Commissions by Women to Celebrate the Centennial of the 19Th Amendment
FOR IMMEDIATE RELEASE UPDATED February 4, 2020 January 9, 2020 RELATED ACTIVITIES FOR PROJECT 19 19 Commissions by Women To Celebrate the Centennial of the 19th Amendment FREE WEBINAR with CATALYST Strategies for Career Advancement: The Importance of Sponsorship, January 15 Virgil Thomson’s THE MOTHER OF US ALL New, Site-Specific Staging Co-Presented with THE METROPOLITAN MUSEUM OF ART and THE JUILLIARD SCHOOL February 8, 11–12, and 14 ACADEMY OF AMERICAN POETS Co-Commissions of 19 New Works by Women Poets LEAGUE OF WOMEN VOTERS OF THE CITY OF NEW YORK To Host Voter Registration at Project 19 Performances MULTIMEDIA ARCHIVAL INSTALLATION: The Special Case of Steffy Goldner, February 5–22 Project 19 Composers Mentoring Female Students in the NEW YORK PHILHARMONIC VERY YOUNG COMPOSERS PROGRAM Students at KAUFMAN MUSIC CENTER’S SPECIAL MUSIC SCHOOL HIGH SCHOOL (M. 859) Studying Music of the Project 19 Composers and History of the 19th Amendment VIDEO PROFILES BY WOMEN FILMMAKERS The New York Philharmonic will present and co-present related activities for Project 19, the Philharmonic’s multi-season initiative to celebrate the centennial of the ratification of the 19th Amendment by commissioning and premiering new works by 19 women composers. To extend the reach of Project 19 and further conversations about representation in classical music and beyond, the Philharmonic is partnering with the Academy of American Poets, Catalyst, The Juilliard School, Kaufman Music Center’s Special Music School High School (M. 859), League of Women Voters of the City of New York, The Metropolitan Museum of Art, and New-York Historical Society. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Western Culture Has Roots in Ancient
24 11. Statement: These musical/theatrical genres needed an interest in ancient Greek drama in order for opera to Chapter 14 come to life. The Invention of Opera 12. What were the two views of music in ancient Greek tragedy? 1. [307] What is the etymology of the word opera? Give a Only the choruses were sung (Andrea Gabrieli, 1585, Oedipus definition. Rex); the play was sung throughout (Girolamo Mei) Italian for work; a drama with continuous, or nearly continuous, music that is staged with scenery, costumes, 13. (310) What were Mei's conclusions? and action Single melody sung by a soloist or chorus with or without accompaniment. The melody (register, rhythms, tempo) 2. Do the same for libretto. could have a powerful effect on the listener Italian for little book; usually a play in rhymed or unrhymed verse 14. What was the Florentine camerata? Who were its members? 3. What are the two viewpoints of opera's origin? Circle or association (an academy); Bardi, Galilei, Caccini, 1. Recreate ancient Greek tragedy (a drama, sung throughout, (Peri) in which music conveys the emotional effects) 2. Blend of existing genres (plays, theatrical spectacles, dance, 15. What was Galilei's published work? madrigals, and solo song) Dialogo della musica antica et della moderna, 1581. Polyphony can't accurately represent the emotional 4. List briefly the distant precedents. meaning of text; word painting and such were childish Choruses and principal lyric speeches in the plays of Euripides and Sophocles were sung; liturgical plays; Renaissance 16. What genre resulted? Definition, please. plays often had songs or offstage music Monody; accompanied solo singing 5. -
Shanghai Quartet, Du Yun | Works by Beethoven, Ravel, and Du Yun
Montclair State University Montclair State University Digital Commons 2014-2015 Discover the Heartbeat of Creative Life PEAK Performances Programming History 2-8-2015 Shanghai Quartet, Du Yun | Works by Beethoven, Ravel, and Du Yun Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2014-2015 Part of the Music Performance Commons, and the Theatre and Performance Studies Commons Staff Office of Arts & Cultural Programming College of the Arts Executive Director Jedediah Wheeler Dean Daniel Gurskis Executive Producer Jill Dombrowski Associate Dean Ronald L. Sharps Producer Jessica Wasilewski Assistant Dean Linda D. Davidson Production/Facility Manager J. Ryan Graves Director of Administration Marie Sparks Cultural Engagement Director Carrie Urbanic College Administrator Zacrah S. Battle Quartet-in-Residence Media and Marketing Specialist Amy Estes Executive Assistant to the Dean Alyson Thelin Director of Audience Services Robert Hermida Program Assistant Kilolo Kumanyika Lighting Supervisor Chris Holland Art and Design Aissa Deebi Audio Visual Engineer Erik Trester John J. Cali School of Music Jon Robert Cart Shanghai Quartet Cultural Engagement Assistant Hannah Rolfes School of Communication and Media Merrill Brown Production Associate Gillian P. Holmes Theatre and Dance Randy Mugleston Film Project Coordinator Omonike Akinyemi Broadcast and Digital Media Facilities Nick Tzanis Box Office ManagerPierson Van Raalte University Art Galleries Teresa Rodriguez World Premiere! Tattooed in Snow by Du Yun House Manager Maureen Grimaldi Marketing/PR Assistant Noah Befeler Graphics Patrick Flood/pfloodesign.com Press Ellen Jacobs Associates Program Editor Susan R. Case Montclair State’s Office of Arts & Cultural Programming (ACP) presents and produces leading artists of the world in Dong Photo Xiao by dance, music, theater, and opera. -
An Evening with Pulitzer Prize Winner And
MEDIA CONTACT Su Byron; 941-955-8103; [email protected] The Hermitage Artist Retreat Announces Upcoming Outdoor Beach Program: “Future Tradition” A Special Evening with Pulitzer Prize Winner & Grammy Award Nominee Du Yun Friday, December 18, 5 p.m. Du Yun, Pulitzer Prize-winning composer and performer, will present a talk and demonstration against the backdrop of the setting sun over the Hermitage beach. All seating will be socially distanced. “An indie pop diva with an avant-garde edge." --The New York Times Known for her "relentless originality and unflinching social conscience." --The New Yorker (December 2, 2020) The Hermitage Artist Retreat’s popular beachfront series continues with “Future Tradition,” featuring Pulitzer Prize-winning composer and performer Du Yun, Friday, December 18, 5 p.m. This outdoor event is at the Hermitage Beach; entrance at 6660 Manasota Key Road, Englewood. Capacity will be limited to accommodate safe social distancing, so early reservations are recommended. Masks are strongly encouraged. Registration is required at HermitageArtistRetreat.org. Please note: starting in 2021, to accommodate added capacity restrictions and social- distancing measures, a modest five dollar per person registration charge will be added to confirm your space. Born and raised in Shanghai, China, and currently based in New York City, Du Yun works at the intersection of opera, orchestral, theater, cabaret, musical, oral tradition, public performances, electronics, visual arts, and noise. Her body of work is championed by some of today's finest performing groups and organizations around the world. Known for her "relentless originality and unflinching social conscience" (The New Yorker), Du Yun's second opera Angel's Bone won the 2017 Pulitzer Prize; in 2018 she was named a Guggenheim Fellow; and in 2019, she was nominated for a Grammy Award in the Best Classical Composition category for her work Air Glow.