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Analysis of the Attractiveness of the Commercial Radio Industry in Kenya
ANALYSIS OF THE ATTRACTIVENESS OF THE COMMERCIAL RADIO INDUSTRY IN KENYA PATRICK N O OGANGAH U-, A Management Research Project submitted in partial fulfillment of the requirements for the award of Master in Business Administration Degree, University of Nairobi November 2009 DECLARATION This research project is my original work and has not been presented for a degree in any other University. 061/7376/06 This research project h^s been submitted for examination with my approval as the University supervisor Signature \ \ \ *\ DR. ZACKB AWINO LECTURER DEPARTMENT OF BUSINESS ADMINISTRATION SCHOOL OF BUSINESS UNIVERSITY OF NAIROBI ii DEDICATION This research project is dedicated to my wonderful parents, Peter and Grace Ogangah without whose support and belief in me, I wouldn't have achieved my MBA. AKNOWLEDGEMENT My sincere gratitude to my supervisor Dr. Awino, who guided me through this project from topic formulation to the end and making It a success. Not forgetting my fellow MBA students at the University of Nairobi, other lecturers and faculty staff. Forever thankful to Morin Chacha and my colleagues at work who provided valuable and timely advice whenever consulted hence made this project successful. Last but not least, thanks to the Almighty God, who has made it all possible. Table of Contents CHAPTER ONE: INTRODUCTION........................................................................................................................................................1 1.1 Background of the Study............................................................................................................................................ -
History of Radio Broadcasting in Montana
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1963 History of radio broadcasting in Montana Ron P. Richards The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Richards, Ron P., "History of radio broadcasting in Montana" (1963). Graduate Student Theses, Dissertations, & Professional Papers. 5869. https://scholarworks.umt.edu/etd/5869 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE HISTORY OF RADIO BROADCASTING IN MONTANA ty RON P. RICHARDS B. A. in Journalism Montana State University, 1959 Presented in partial fulfillment of the requirements for the degree of Master of Arts in Journalism MONTANA STATE UNIVERSITY 1963 Approved by: Chairman, Board of Examiners Dean, Graduate School Date Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number; EP36670 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Oiuartation PVUithing UMI EP36670 Published by ProQuest LLC (2013). -
Download Valuing Radio
Valuing Radio How commercial radio contributes to the UK A report by the All-Party Parliamentary Group on Commercial Radio The data within Valuing Radio is largely drawn from a 2018 survey of Radiocentre members. It is supplemented by additional research which is sourced individually. Contents 01 Introduction 03 Overview and recommendations 05 The public value of commercial radio • News and information • Economic value • Charity and community 21 Commercial radio people 27 Future of radio Introduction The APPG on Commercial Radio helps provide this important industry with a voice in parliament. With record audiences and more ways to listen than ever before, the impact of the industry should not be underestimated. While the challenges facing the sector have changed over the years, the steadfast commitment of stations to provide public value content every day remains. This new report, the first of its kind produced by the APPG, showcases the rich public value content that commercial radio provides to listeners for free. Valuing Radio explores the impact made by stations up and down the country, over and above the music and entertainment output that audiences expect. It looks particularly at radio’s role in providing news and information, the sector’s significant support for both charitable fundraising and education, in addition to work to improve diversity within the industry. Alongside this important public value content is a significant economic contribution to local economies across the UK. For the first time we have analysis on the impact of local advertising and the return on investment (ROI) that this generates for particular nations and regions of the UK. -
Sonos Connect:Amp
SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products. -
Radio Airplay and the Record Industry: an Economic Analysis
Radio Airplay and the Record Industry: An Economic Analysis By James N. Dertouzos, Ph.D. For the National Association of Broadcasters Released June 2008 Table of Contents About the Author and Acknowledgements ................................................................... 3 Executive Summary....................................................................................................... 4 Introduction and Study Overview ................................................................................ 7 Overview of the Music, Radio and Related Media Industries....................................... 15 Previous Evidence on the Sales Impact of Radio Exposure .......................................... 31 An Econometric Analysis of Radio Airplay and Recording Sales ................................ 38 Summary and Policy Implications................................................................................. 71 Appendix A: Options in Dealing with Measurement Error........................................... 76 Appendix B: Supplemental Regression Results ............................................................ 84 © 2008 National Association of Broadcasters 2 About the Author and Acknowledgements About the Author Dr. James N. Dertouzos has more than 25 years of economic research and consulting experience. Over the course of his career, Dr. Dertouzos has conducted more than 100 major research projects. His Ph.D. is in economics from Stanford University. Dr. Dertouzos has served as a consultant to a wide variety of private and public -
PLAY:5 the ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE with the DEEPEST, RICHEST Hifi SOUND
PLAY:5 THE ULTIMATE ALL-IN-ONE LISTENING EXPERIENCE WITH THE DEEPEST, RICHEST HiFi SOUND. PLAY:5 BENEFITS SONOS WIRELESS HiFi SONOS HiFi SOUND SYSTEM BENEFITS Five custom-designed speakers powered by five dedicated digital amplifiers (two tweeters, two mid-range drivers, and one subwoofer HiFi SOUND AND ROCK-SOLID WIRELESS driver) provide crystal-clear, high-quality sound. Experience your favorite music from the only wireless music system that combines warm, full-bodied HiFi sound with the most powerful STEREO PAIR FOR BIGGER SOUND solutions for delivering rock-solid wireless performance in any home. Turn two PLAY:5s into separate left and right channel speakers for big stereo sound in one room. STREAM ALL THE MUSIC ON EARTH A single app lets you play your entire music library, stream all of your favorite Music Services and tune in to more than 100,000 Internet Radio stations and podcasts. Play the same song in every room, in perfect sync—or play different music in every room—from any source. SIMPLE TO SET-UP, CONTROL, AND EXPAND Control your favorite music sources and listening experience with a free app for iOS, Android, Mac or PC. And since it is a modular system, you can easily add music to more rooms with a simple button press. PLAY:5 SPECS AUDIO NETWORKING* AMPLIFIER Five Class-D digital amplifiers WIRELESS CONNECTIVITY Works on your home WiFi network with any 802.11b/g, 2.4GHz broadcast capable router. Also works on HEADPHONE Auto-detecting 3.5 mm headphone connection SonosNet, a secure AES encrypted, peer-to-peer wireless mesh AUDIO LINE-IN Auto-detecting 3.5 mm audio line-in connection network. -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52 -
Is Community Radio in Crisis in the Global North?: Lessons from Australia and the United States
Is community radio in crisis in the Global North?: Lessons from Australia and the United States Heather Anderson* Griffith University, Australia Clemencia Rodríguez* Temple University, United States Abstract This article explores the relevance of community radio in the Global North. Its significance in the Global South is uncontested (Gumucio Dagron, 2011; Rodríguez, 2011; Tacchi, 2002), however, in the Global North the role of community radio is not necessarily so clear. According to a 2017 study published by New York University, newer digital services are changing the way people listen to content, endangering the future of traditional radio (Miller, 2017). In this environment, the relevance of community radio can be put into question. Based on three different case studies – two in Australia and one in the US – our analysis explores community broadcasters’ strategic initiatives that, although different, intend to address specific communication needs in particular audiences. Our analysis suggests that the future of community radio in the Global North depends on its ability to detect needs and audiences at the hyper-local level. Keywords Community media, community radio, Global North, sustainability, low-power FM radio Introduction The significance of community radio in the Global South is uncontested (Gumucio Dagron, 2011; Rodríguez, 2011; Tacchi, 2002); in media ecologies where only precarious Internet access is available to the majority of the population, community radio still has the potential to serve various information and communication needs (i.e., serving as a local public sphere, showcasing local voices otherwise left at the margins, connecting people and organisations, facilitating local governance and community participation in decision-making processes). -
Journal of Air Transportation
University of Nebraska at Omaha Aviation Institute Journal of Air Transportation About the Journal Editorial Board Panel of Reviewers Volumes Submission Guidelines Author Index Order Form Sorenson Best Paper Award Journal of Air Transportation VOLUME 8, NUMBER 2--2003 University of Nebraska at Omaha 6001 Dodge Street ISSN: 1544-6980 Omaha, NE 68182 Library of Congress: HE9761.1.J68 (402) 554-3424 University of Nebraska at Omaha Aviation Institute About the Journal of Air Transportation THE JOURNAL Development The Journal of Air Transportation (JAT) mission is to provide the global community Scope immediate key resource information in all Dissemination areas of air transportation. Our goal is to be recognized as the preeminent scholarly Organizations journal in the aeronautical aspects of transportation. As an international and Editors interdisciplinary journal, the JAT provides a forum for peer-reviewed articles in all areas Personnel of aviation and space transportation research, policy, theory, case study, practice, and issues. While maintaining a broad scope, a key focal point of the journal is in the area of aviation administration and policy. ISSN: 1544-6980 Exit Library of Congress: HE9761.1.J68 Return University of Nebraska at Omaha Aviation Institute Development The JAT was conceptualized to fulfill an international void of scholarly publications in this area as identified by the primary organizers. It is envisioned that aviation leaders will utilize the JAT as a key decision-making tool. Scholarly rigor and standards will be uncompromised with regular evaluation by the Editorial Board and Panel of Reviewers. Return ISSN: 1544-6980 Exit Library of Congress: HE9761.1.J68 University of Nebraska at Omaha Aviation Institute Scope The JAT will accept manuscripts on all topics that relate to air transportation, both technical and non-technical. -
Bringing Radio Into America's Homes: Marketing New Technology in the Great Depression
Bringing radio into America's homes: marketing new technology in the Great Depression Article Accepted Version Scott, P. and Walker, J. T. (2016) Bringing radio into America's homes: marketing new technology in the Great Depression. Business History Review, 90 (2). pp. 251-276. ISSN 2044-768X doi: https://doi.org/10.1017/S0007680516000349 Available at http://centaur.reading.ac.uk/48682/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1017/S0007680516000349 Publisher: Cambridge University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Peter Scott and James T. Walker Bringing Entertainment into America’s homes: Marketing Radios in an Era of Rapid Technological Change Abstract: We examine the early marketing and distribution of entertainment radio sets. Manufacturers used distribution networks to both maximise profits and create barriers to entry. Lacking the market power of auto manufacturers, they developed cooperative strategies with authorised distributors and dealers. Dealers often complained about the costly activities manufacturers required of them. However, these underpinned the dominant quality and branding competition model of the 1920s, while the Depression era switch to a simpler radio format, sold on price, proved catastrophic for the specialist retailer. -
NAB's Guide to Careers in Television
NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department………………………………………. -
Facing Facts About the Broadcast Business*
FACING FACTS ABOUT THE BROADCAST BUSINESS* DALLAs W. SmYtTHE TELEVISION IS A MAJOR INNOVATION which like any other puts stresses on the social organization. It gives rise to problems in many areas: educational policy, family relations, diversion of con- sumer expenditures from older patterns and so on. It also draws attention to the nature of the institutional organization which was worked out con- sciously for the commercial use of radio technology. The very process of innovation in the radio industry is dramatically brought to our attention by the dispute over color television standards. Industrial giants like RCA and CBS have contended openly for their respective systems of color television. And in the contest they used extensively the informational services at their disposal. The repercussions from all of these interests in TV could be expected to appear in the serious journals. One of the issues raised in the color TV controversy is the matter of multiple vs. single standards. While seeming to be, initially, a technical question, this issue is closely related to another: the roles of the market and the government in radio innovation. And in turn this opens up the question of the roles of the market and the government in the conduct of the established broadcast business, both that of television and that of aural radio. Economists have paid little attention to the unique nature of the broad- cast business. It is therefore incumbent on the responsible economist or lawyer when he does discuss broadcast economics to deal carefully with the facts which make it a unique institution.