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The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
Ecology Design
ECOLOGY and DESIGN Ecological Literacy in Architecture Education 2006 Report and Proposal The AIA Committee on the Environment Cover photos (clockwise) Cornell University's entry in the 2005 Solar Decathlon included an edible garden. This team earned second place overall in the competition. Photo by Stefano Paltera/Solar Decathlon Students collaborating in John Quale's ecoMOD course (University of Virginia), which received special recognition in this report (see page 61). Photo by ecoMOD Students in Jim Wasley's Green Design Studio and Professional Practice Seminar (University of Wisconsin-Milwaukee) prepare to present to their client; this course was one of the three Ecological Literacy in Architecture Education grant recipients (see page 50). Photo by Jim Wasley ECOLOGY and DESIGN Ecological by Kira Gould, Assoc. AIA Literacy in Lance Hosey, AIA, LEED AP Architecture with contributions by Kathleen Bakewell, LEED AP Education Kate Bojsza, Assoc. AIA 2006 Report Peter Hind , Assoc. AIA Greg Mella, AIA, LEED AP and Proposal Matthew Wolf for the Tides Foundation Kendeda Sustainability Fund The contents of this report represent the views and opinions of the authors and do not necessarily represent the opinions of the American Institute of Architects (AIA). The AIA supports the research efforts of the AIA’s Committee on the Environment (COTE) and understands that the contents of this report may reflect the views of the leadership of AIA COTE, but the views are not necessarily those of the staff and/or managers of the Institute. The AIA Committee -
James Wines Born Oak Park, IL 1932 James Wines, Winner of The
James Wines Born Oak Park, IL 1932 James Wines, winner of the Smithsonian Institution 2013 National Design Award for Lifetime Achievement, is a visual artist, architectural designer and writer. Since 1969 he has headed a multi-disciplinary practice that includes buildings, public spaces, environmental art works, landscapes, master plans, interiors, video productions, graphics, and product designs. Educated at Syracuse University, he is the founder of SITE in 1970, a New York City based art/architecture practice. The main focus of his work is on aesthetic, sociological and environmental concerns in the building arts. As the studio’s continuing President and Creative Director, he has designed and built more than one hundred and fifty architectural projects in the USA, Italy, France, England, Austria, Canada, Spain, Qatar, Turkey, Dubai, China and Japan. Professor Wines has delivered lectures at eight hundred colleges, universities and professional conferences in fifty-two countries and written seven books - including DE-ARCHITECTURE (Rizzoli) 1987 and GREEN ARCHITECTURE (Taschen) 2000. In addition, there have been twenty-two monographic books and museum catalogues published on his drawings and projects for SITE. Winner of twenty-five art and design awards - including the 1995 Chrysler Award for Design Innovation (USA) and the 2011 ANCE Award for an International Architect (Italy) - James Wines was honored in 2002 with a large retrospective exhibition at the Centre FRAC in France, jointly sponsored by Centre Pompidou in Paris and the Museé des Beaux Arts in Orleans. His graphic work has been shown in more than one hundred and fifty museums and galleries in the USA, Europe, and Asia. -
Gallery Copy Selldorf Architects Bernard Khoury Pneumastudio + POOL Ekene Ijeoma
Gallery Copy Selldorf Architects Bernard Khoury pneumastudio + POOL Ekene Ijeoma Kohn Pedersen Fox Landscapes The Architecture Lobby Assoc. + POOL Citygram of Profit James Ramsey, Giorgia Lupi + Barozzi / Veiga KUTONOTUK RAAD Studio CartoDB Stefanie Posavec Víctor Enrich Erika Loana Reiser + Umemoto Fake Industries Jon Lott / PARA Architectural Agonism Project Mark Robbins FIG Projects MAIO Malkit Shoshan 02 04 06 08 10 12 14 16 18 20 22 24 26 28 30 32 29 31 Nader Tehrani / 01 03 05 07 09 11 13 15 17 19 21 23 25 27 FleaFollyArchitects NADAAA Anthony Titus Formlessfinder m-a-u-s-e-r Urban-Think Tank Grimshaw Architects, 01 02 03 04 05 06 Rickie Cheung MILLIØNS Ross Wimer Michelle Fornabai James Wines Nicholas de Monchaux Anna Neimark+ Andrew Steven Holl Atwood, First Office Selldorf Architects The Architecture Lobby “Multiple Exposure,” Selldorf Architects. Measure, 2015. Storefront for Art and Architecture. “Measuring Work,” The Architecture Lobby. Measure, 2015. Storefront for Art and Architecture. “Multiple Exposure” uses the human figure Storefront, and as a common measure of both. “Measuring Work” takes the photograph of as a device to measure Storefront for Art and The resultant drawing is composed of rows the Storefront facade and identifies all the Architecture. Proportion, scale, and units of of photography with multiple exposures that estimated workers and work that went into measurement are all derived from our physi- relates the Storefront space and the work producing it. cal presence, and our practice creates spaces of Selldorf Architects. Each row of images in which a harmony exists between the body explores a specific topic: form, structure, and the elements of our built work. -
Read Ebook {PDF EPUB} De-Architecture by James Wines De-Architecture Hardcover – December 15, 1987 by James Wines (Author) › Visit Amazon's James Wines Page
Read Ebook {PDF EPUB} De-Architecture by James Wines De-Architecture Hardcover – December 15, 1987 by James Wines (Author) › Visit Amazon's James Wines Page. Find all the books, read about the author, and more. See search results for this author. Are you an author? Learn about Author Central. James Wines (Author) ... De-Architecture book. Read reviews from world’s largest community for readers. De-Architecture book. Read reviews from world’s largest community for readers. ... James Wines. 3.83 · Rating details · 12 ratings · 0 reviews Get A Copy. Amazon; De-architecture: Authors: James Wines, Rizzoli: Editor: Rizzoli International Publications: Contributor: SITE, Inc: Edition: illustrated: Publisher: Random House Incorporated, 1987: Original from: the University of Michigan: Digitized: Nov 8, 2007: ISBN: 0847808610, 9780847808618: Length: 189 pages: Subjects Additional Physical Format: Online version: Wines, James, 1932-De-architecture. New York, NY : Rizzoli, 1987 (OCoLC)573522938: Named Person: James Wines; James Wines ... Wines termed it “de-architecture”, the disassembling of ingrained expectations. ... ‘James Wines and SITE: Retrospective 1970-2020’, November 28-March 7 2021, tchoban-foundation.de. De-architecture is a frame of reference for questioning the nature and practice of architecture in the late 1980s and beyond. The term was invented because, as Picasso once observed, "Art is a series of destructions,'' and the concept of subtracting from an institutional definition to re-evaluate its purposes seemed an appropriate way to proceed. For nearly 20 years, James Wines has headed a New York-based design firm by the name of SITE (sculpture in the environment) that has been producing eye-catching showrooms for … Oct 02, 2003 · James Wines, “Notes from a Passing Car,” Architectural Forum (September 1973) 66. -
Public Lectures and Events, Visiting Lecturers and Critics
PUBLIC LECTURES AND EVENTS, VISITING LECTURERS AND CRITICS 2009-2010 Current Work Lecture Series Presented in co-sponsorship with the Architectural League of New York 10/19 Andrew Freear, Director, Rural Studio, Wiatt Professor, Auburn Current Work University Rural Studio 10/28 Chuck Hoberman, Founder, Hoberman Associates with Craig Adaptive Building Initiative Schwitters, Regional Director, Buro Happold North America 11/9 Billie Tsien and Tod Williams, Founding Partners, Tod Williams The Barnes Foundation Design Presentation Billie Tsien 11/24 Andrew Whalley, Partner in Charge, Grimshaw, New York Current Work 12/2 Werner Sobek, Founder, Werner Sobek Engineering and Annual Franzen Lecture on Architecture and the Design; Mies van der Rohe Professor, Illinois Institute of Environment Technology; Director, Institute for Lightweight Structures and Conceptual Design (ILEK), University of Stuttgart 12/9 James Corner, Founder and Director, Field Operations; Chair Current Work and Professor, Department of Landscape Architecture, University of Pennsylvania School of Design 12/15 Bjarke Ingels, Founder, BIG/Bjarke Ingels Group Current Work 2/18 Rafael Viñoly, Founding Principal and Design Leader, Rafael Current Work Viñoly Architects 2/26 Alejandro Zaera-Polo, Co-founder, Foreign Office Architects Current Work (FOA), London 4/30 Louisa Hutton, Co-founder, Sauerbruch Hutton, Berlin Current Work Architecture Moves 10/3 Anthony Vidler, Dean and Professor, The Irwin S. Chanin Introductions School of Architecture Tamar Zinguer, Associate Professor, The -
Spring 1983 CAA Newsletter
newsletter VolumeS, Number 1 Spring 1983 1984 annual meeting: call for art history papers The 1984 annual meeting-will be held in Toronto, Thursday, Febru practices in the various mediums and specific requirements of individ, ary 23 through Saturday, February 25. Art history sessions have been ual or institutional commissions. Your thesis should be exemplified by planned by Robert P. Welsh, University of Toronto. Listed below are a particular monument or groups of monuments that reflect a pattern the topics he has selected. Except where earlier deadlines are indi bearing on style and meaning in the development of monumental art. cated, those wishing to participate in any session must submit abstracts Papers should be limited to 20 minutes. to the chair(s) of that session by October I, 1983. Art and the State in the Early Renaissance. Debra Pincus, Dept. Fine Arts, Universitycif British Columbia, 6333 Memorial Road, Van Reminders: (1) No one may participate in more than one art history couver, B.C. Canada. V6T lW5. session. (2) Participation in sessions in two successive years, while not The session is open to papers that deal with the making and use of prohibited, is discouraged. (3) Abstracts may be submitted to more images as part of the developing state consciousness of the early Ren than one specific topic session provided that the respective chairs are informed of the multiple submission. (4) No abstract may be submit aissance- art in its role of assisting the self-definition and self-promo ted for a paper that has previously been published or that has previous tion that accompanies the establishment of the modern state in the ly been presented at another scholarly conference. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Architecture in the Experience Economy: The Catalog Showroom and Best Products Company Permalink https://escholarship.org/uc/item/7wh6x03b Author Gray, Christina Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Architecture in the Experience Economy: The Catalog Showroom and Best Products Company A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Christina Bernadette Gray 2019 © Copyright by Christina Bernadette Gray 2019 ABSTRACT OF THE DISSERTATION Architecture in the Experience Economy: The Catalog Showroom and Best Products Company by Christina Bernadette Gray Doctor of Philosophy in Architecture University of California, Los Angeles, 2019 Professor Sylvia Lavin, Chair Although it is often assumed that production must logically precede consumption, the development of postmodern architecture complicates this narrative. The development of postmodern architecture undermined established structures by centralizing the role of consumption and the consumer. This dissertation examines ways in which various conservative trends pushed the consumer closer toward production. These changes ushered in the experience economy of which Best Products Company and the broader catalog showroom phenomena were particularly emblematic. Drawing on these changes within the history of retail architecture, this dissertation sets out to explore how architecture emerged into the postmodern period as a box, a malleable shell that was increasingly being invaded and overturned by a powerful consumer. ii This dissertation of Christina Bernadette Gray is approved. Dana Cuff Michael Osman Debora Silverman Sylvia Lavin, Committee Chair University of California, Los Angeles 2019 iii TABLE OF CONTENTS Table of Contents ............................................................................................................................ -
2012 Uo Naab
University of Oregon School of Architecture & Allied Arts Architecture Program Report for 2013 NAAB Visit for Continuing Accreditation. Bachelor of Architecture (231 quarter credits) Master of Architecture III (non-architecture degree + 144 quarter credits)* Master of Architecture II (pre-professional degree + 81 quarter credits)* Year of the Previous Visit: 2007 Current Term of Accreditation: Six-year term, focus evaluation in 2010 *Beginning in 2012-13, the titles and credits for the Master of Architecture program change to: Master of Architecture, Track I (non-architecture degree + 144 quarter credits)* Master of Architecture, Track II (pre-professional degree + 87 quarter credits)* Submitted to: The National Architectural Accrediting Board Date: September 7, 2012 Program administrator: Michael Fifield Interim Head of the Department of Architecture [email protected] (541) 346-3656 Chief administrator for the academic unit in which the program is located: Francis Bronet Dean of the School of Architecture and Allied Arts [email protected] (541) 346-3631 University of Oregon Architecture Program Report September 2012 Chief academic officer of the institution: James C. Bean, Senior Vice President and Provost University of Oregon [email protected] (541) 346-3186 President of the Institution: Michael R. Gottfredson, President University of Oregon [email protected] (541) 346-3036 Individual submitting the Architecture Program Report: Christine Theodoropoulos Former Head of the Department of Architecture [email protected] (541) 346-3656 Name of individual to whom questions should be directed: Michael Fifield Interim Head of the Department of Architecture [email protected] (541) 346-3656 iii University of Oregon Architecture Program Report September 2012 Table of Contents Part One.