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The Pelican Record Corpus Christi College Vol
The Pelican Record Corpus Christi College Vol. LV December 2019 The Pelican Record The President’s Report 4 Features 10 Ruskin’s Vision by David Russell 10 A Brief History of Women’s Arrival at Corpus by Harriet Patrick 18 Hugh Oldham: “Principal Benefactor of This College” by Thomas Charles-Edwards 26 The Building Accounts of Corpus Christi College, Oxford, 1517–18 by Barry Collett 34 The Crew That Made Corpus Head of the River by Sarah Salter 40 Richard Fox, Bishop of Durham by Michael Stansfield 47 Book Reviews 52 The Renaissance Reform of the Book and Britain: The English Quattrocento by David Rundle; reviewed by Rod Thomson 52 Anglican Women Novelists: From Charlotte Brontë to P.D. James, edited by Judith Maltby and Alison Shell; reviewed by Emily Rutherford 53 In Search of Isaiah Berlin: A Literary Adventure by Henry Hardy; reviewed by Johnny Lyons 55 News of Corpuscles 59 News of Old Members 59 An Older Torpid by Andrew Fowler 61 Rediscovering Horace by Arthur Sanderson 62 Under Milk Wood in Valletta: A Touch of Corpus in Malta by Richard Carwardine 63 Deaths 66 Obituaries: Al Alvarez, Michael Harlock, Nicholas Horsfall, George Richardson, Gregory Wilsdon, Hal Wilson 67-77 The Record 78 The Chaplain’s Report 78 The Library 80 Acquisitions and Gifts to the Library 84 The College Archives 90 The Junior Common Room 92 The Middle Common Room 94 Expanding Horizons Scholarships 96 Sharpston Travel Grant Report by Francesca Parkes 100 The Chapel Choir 104 Clubs and Societies 110 The Fellows 122 Scholarships and Prizes 2018–2019 134 Graduate -
Download Album Booklet
CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr. -
The Joy of Christmas.Indd
San Francisco Lyric Chorus Robert Gurney, Music Director Board of Directors Helene Whitson, President Elizabeth Baldridge, Director Peter Dillinger, Vice President Jim Bishop, Director Karen Stella, Secretary Kristin Schultz Oliver, Director Bill Whitson, Treasurer Welcome to the Fall 2012 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere), New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere), San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, To Music (San Francisco premieres), and selections from his operas, John Brown and The Newport Rivals, our 10th Anniversary Commission work, the World Premiere of Illinois composer Lee R. Kesselman’s This Grand Show Is Eternal, Robert Train Adams’ It Will Be Summer—Eventually and Music Expresses (West Coast premieres), as well as the Fall 2009 World Premiere of Dr. Adams’ Christmas Fantasy. And now, join us as we celebrate the holidays with wonderful music for voice and harp! Please sign our mailing list, located in the foyer. The San Francisco Lyric Chorus is a member of Chorus America. We are recording this concert for archival purposes Please turn off all cell phones, pagers, and other electronic devices before the concert Please, no photography or audio/video taping during the performance Please, no children under 5 Please help us to maintain a distraction-free environment. -
A Festival of Nine Lessons and Carols
KING’S COLLEGE CHAPEL A FESTIVAL OF NINE LESSONS AND CAROLS CHRISTMAS EVE 2015 elcome to this special service. We are very grateful to you for coming to share with us in this great occa- W sion which is an act of worship for us here in Chapel and for the millions who will join us around the world. Before the service begins, please note the following requests: ¶ Please pay special attention to any unwanted sounds. To a radio audience, coughing is a particular distraction, much more so than to others in the Chapel. You are therefore asked to keep any such sounds to an absolute minimum, and to make sure that bags, sticks etc. are placed safely on the floor. ¶ If you have a mobile phone, please double-check that it is turned oV. The same applies to chiming watches or other devices which are likely to be heard by sensitive micro- phones. ¶ Please put your contribution to the collection, which goes to support the work of the Chapel, in the Gift Aid envelope that you will find in this order of service, and add it to the collection as you leave. ¶ In the unlikely event of an emergency requiring us to evac- uate the chapel please follow the directions of the stewards, and remain as quiet and calm as possible. Finally, I wish you a very Happy Christmas, and add that if you would like to join us for our Christmas Eucharist at 11 a.m. on Christmas Day you will be most welcome. The Revd Dr Stephen Cherry, Dean 2 [[[[[[[[[[[[[[[[[[[[[[[ he Festival of Nine Lessons and Carols was first held on Christmas Eve 1918. -
Harvard Memorial Church
HARVARD The Memorial Church Order of Worship -0- Commemoration of Benefactors and of The War Dead The Twenty-Second Sunday after Pentecost Sunday, November 9, 2014 please silence all electronic devices upon entering the sanctuary of the memorial church. Order of Worship PRELUDE Trauerode Max Reger (1873–1916) “To the memory of the fallen of the war” INTROIT For the Fallen Douglas Guest (1916–1996) They shall grow not old as we that are left grow old, Age shall not weary them nor the years condemn. At the going down of the sun and in the morning We will remember them, we will remember them. from For the Fallen (September 1914) Laurence Binyon HYMN IN PROCESSION No. 1, “All People That on Earth Do Dwell” (All Verses) Old Hundredth The congregation standing interludes by Ralph Vaughan Williams CALL TO WORSHIP Psalm 36:5–9 Minister: Your steadfast love, O Lord, extends to the heavens, Your faithfulness to the clouds. People: Your righteousness is like the mighty mountains, Your judgments are like the great deep; You save humans and animals alike, O Lord. Minister: How precious is your steadfast love, O God! All people may take refuge in the shadow of your wings. People: We feast on the abundance of your house, And you give us drink from the river of your delights. Minister: For with you is the fountain of life; People: In your light we see light. INVOCATION CONFESSION In unison: Eternal God, in whom we live and move and have our being, whose face is hidden from us by our sin, and whose mercy we forget: Cleanse us from all offenses, and deliver us from proud thoughts and vain desires; that humbly we may draw near to thee, confessing our faults, confiding in thy grace, and finding in thee our refuge and our strength, through Jesus Christ our Lord. -
Journal May 1979
r rhe Elgar Society jourMl : V.-Z/VM .m % 't ► b, MAY 19 7 9 Contents Page Editorial 3 News Items 4 Douglas Pudney - an obituary 5 Annual General Meeting Report 7 Presentation to Sir Adrian Boult 8 Article The Enigma - a Hidden Dark Saying 9 Elgar Exhibition at Settle, Yorkshire 14 Book Reviews 15 Record Reviews 17 Birthplace News 19 Malvern and Three Choirs Festivals 20 Dates for your Diary 21 Yorkshire and South West Meetings 22 Branch Reports 23 Letters 31 Subscriptions 32 ♦♦****♦**♦***+*♦♦♦♦***♦****+*♦****♦♦***♦♦*♦♦♦*+♦**♦****♦*♦+********♦* The editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views Novissima Verba RECORD DELETIONS.. .. Serenade for Strings (Ham burg SO, Springer: Turnabout TV34 4045); Symphony no. 2(LPO, Barenboim;CBS 73094); Orchestral Works(cond. Barenboim; C BS79002); Orchestral Works (4 disc box)(cond. Barbirolli; EMI SLS5030). The cover portrait is reproduced by kind permission of RADIO TIMES Elgar Society Journal ; ISSN 0309 - 4405 [Formerly Elgar Society Newsletter] 2 r Phe Elgar Society Journal 104 CRESCENT ROAD. NEW BARNET, 01-440 2651 HERTS. EDITORIAL VoL.l. no. 2 This issue will be published too late for us to extend birthday greetings to Sir Adrian Boult, our distinguished President. However, the Society has noted the occasion, as reported on other pages, and we can take a moment in this issue to thank Sir Adrian for his outstanding contribution to British musical life. Without his work and enthusiasm over many years our lives would be that much poorer. As lovers of Elgar's music we owe Sir Adrian a special debt, and in this, his 90th year, we send our sincere thanks and good wishes. -
JUNE 2018 Andover Organ Company Seventieth Anniversary Cover Feature on Pages 26–28
THE DIAPASON JUNE 2018 Andover Organ Company Seventieth Anniversary Cover feature on pages 26–28 www.concertartists.com 860-560-7800 [email protected] PO Box 6507, Detroit, MI 48206-6507 ,Z>^D/>>Z͕WƌĞƐŝĚĞŶƚĐŚĂƌůĞƐŵŝůůĞƌΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ W,/>>/WdZh<EZK͕&ŽƵŶĚĞƌƉŚŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ANTHONY & BEARD ADAM BRAKEL THE CHENAULTS JAMES DAVID CHRISTIE PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAMÍREZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER 50th Anniversary Season THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 6, Summer schedules, summer travel Whole No. 1303 With warmer months and the end of the choir and academic JUNE 2018 year, many of us are looking forward to summer travel. Perhaps Established in 1909 you will attend a convention, workshop, or take classes for con- Stephen Schnurr ISSN 0012-2378 tinuing education. Our April issue contained a list of many oppor- 847/954-7989; [email protected] tunities to attend conferences around the country and abroad. www.TheDiapason.com An International Monthly Devoted to the Organ, Our Here & There section contains announcements of many the Harpsichord, Carillon, and Church Music summer organ and carillon recital series. Several of these are in In this issue the Midwest: Indiana, Michigan, and Iowa, in particular. For June, we present an interview with Stephen Cleobury of CONTENTS Many of our readers will take advantage of summer abroad. -
100 Years of Nine Lessons & Carols
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 100 YEARS OF NINE LESSONS & CAROLS David Willcocks Philip Ledger Stephen Cleobury THE CHOIR OF KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Today, even people who aren’t able to attend services in the Chapel have heard King’s Choir, thanks to its many recordings and broadcasts, and the tours that have taken it to leading international concert venues around the world. Despite its deep roots in musical history, the Choir has always been at the forefront of technological innovation, and records exclusively on its “impeccable” own label. 2 100 YEARS OF NINE LESSONS & CAROLS The Choir of King’s College, Cambridge David Willcocks conductor | Director of Music, 1957–1974 Philip Ledger conductor | Director of Music, 1974–1982 Stephen Cleobury conductor | Director of Music, 1982–2019 3 VOL 1 | New recordings 48:30 Conductor, Stephen Cleobury 1 O Holy Night | Adolphe Adam, arr. John Rutter 5:38 2 The Linden Tree Carol | Traditional, arr. Stephen Cleobury 3:04 3 The Lamb | John Tavener 3:39 4 God rest you merry, gentlemen | English traditional, arr. -
In Remembrance in Remembrance
IN REMEMBRANCE IN REMEMBRANCE SOMMCD 0187 Chapel Choir of the Royal Hospital Chelsea Chelsea Pensioners’ Choirf Céleste Series Katy Hilla & Leah Jacksonb sopranos Gareth Brynmor Johnc baritone James Orfordd & Hugh Rowlandse organ William Vann director 1 Greater Love Hath No Man bce 5:56 REQUIEM IN D MINOR John Ireland (1879-1962) Gabriel Fauré (1845-1924) (arr. Iain Farrington*) 2 Jerusalem ef 2:41 C. Hubert H. Parry (1848-1918) bl Introit et Kyrie d 5:54 3 For the Fallen 1:20 bm Offertoire cd 8:03 Douglas Guest (1916-96) bn Sanctus e 2:59 4 They are at rest 3:34 Edward Elgar (1857-1934) bo Pie Jesu ad 3:28 5 O Valiant Hearts ef 3:22 bp Agnus Dei d 5:59 Charles Harris (1865-1936) bq Libera Me cd 4:23 6 There is an old belief 5:04 br C. Hubert H. Parry In Paradisum e 3:09 7 I Vow to Thee, My Country ef 2:34 Gustav Holst (1874-1934) bs Requiem aeternam e* 5:50 8 Justorum animae 3:57 Ian Venables (b.1955) Charles Villiers Stanford (1852-1924) Total duration: 80:30 9 Ode to Death d 12:13 Gustav Holst (arr. Iain Farrington*) *First recording Recorded at Temple Church, London, on January 13-14, 2018 Producer: Siva Oke Recording Engineer: Adaq Khan Front cover: 'Over the Top’. 1st Artists’ Rifles at Marcoing, 30th December 1917 John Nash (1893-1977) © Imperial War Museum Choral Music by Design and Layout: Andrew Giles Booklet Editor: Michael Quinn Ireland · Holst · Parry · Elgar · Fauré · Venables DDD © & 2018 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Chapel Choir of the Royal Hospital Chelsea · William Vann director Made in the EU In the centenary anniversary year of the end of the First World War and on the eve of Perhaps most poignant of all is its second line: “Love is strong as death; greater the 80th anniversary of the beginning of the Second World War, the aftershocks of love hath no man than this, that a man lay down his life for his friends”. -
Britten Saint Nicolas Hymn to St Cecilia Rejoice in the Lamb
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 BRITTEN SAINT NICOLAS HYMN TO ST CECILIA REJOICE IN THE LAMB STEPHEN CLEOBURY CONDUCTOR ANDREW KENNEDY BRITTEN SINFONIA T BRITTEN rack SAINT NICOLAS Andrew Kennedy tenor * Sawston Village College Choir (Janet Macleod chorus director) Choir of King’s College, Cambridge ^ CUMS Chorus Britten Sinfonia (Jacqueline Shave leader) L Stephen Cleobury conductor & organ ist SAINT NICOLAS 1 i. Introduction 05:35 2 ii. The Birth of Nicolas (Tom Pickard treble) 02:43 3 iii. Nicolas devotes himself to God 04:34 4 iv. He journeys to Palestine * 08:19 5 v. Nicolas comes to Myra and is chosen Bishop *^ 07:02 6 vi. Nicolas from Prison 02:59 7 vii. Nicolas and the Pickled Boys (Adam Banwell, Rupert Peacock, James Wells trebles) * 06:42 8 viii. His piety and his marvellous works * 05:03 9 ix. The Death of Nicolas *^ 06:45 10 HYMN TO ST CECILIA 10:25 Alexander Banwell, William Hirtzel trebles, Andreas Eccles-Williams alto, Ruairi Bowen tenor, Daniel D’Souza bass 11 REJOICE IN THE LAMB 16:25 William Crane treble, Feargal Mostyn-Williams alto, Ruairi Bowen tenor, Simon Chambers baritone, Ben San Lau organ Total Time 76:32 Recorded at 96kHz 24-bit PCM in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows, 23-24 June 2012 (Hymn to St Cecilia & Rejoice in the Lamb) and 14-15 January & 20 May 2013 (Saint Nicolas). Producer & Editor Simon Kiln Recording Engineers Arne Akselberg, Jonathan Allen Mixing Engineer Arne Akselberg Technical Engineer Richard -
Annual Report 2009 Annual Report 2009
King’s College, Cambridge Annual Report 2009 Annual Report 2009 Contents The Provost 2 The Fellowship 7 Undergraduates at King’s 18 Graduates at King’s 24 Tutorial 26 Research 32 Library 35 Chapel 38 Choir 41 Staff 43 Development 46 Members’ Information Form 51 Obituaries 55 Information for Members 259 The first and most obvious to the blinking, exploring, eye is buildings. If The Provost you go to the far side of the Market Place and look back, you now see three tall buildings: Great St Mary’s, King’s Chapel, and a taller Market Hostel. First spiky scaffolding reached above the original roof. Now it has all been shrouded in polythene, like a mystery shop window offering. It’ll stay 2 Things could only get better. You wrapped for a year until the major refit is completed next summer. 3 may remember that when I wrote THE PROVOST these notes last year, I had just Moving back into the main college in my exploratory perambulation, I find discovered that the College had more scaffolding. It’s on the Wilkins Screen. It’s on the Chapel, where through written to the local authorities THE PROVOST the summer we’ve moved down the entire South side, cleaning and treating saying that they were unaware of the glazing bars so that they no longer rust, expand, and prise off bits of the my place of residence. The College stone. Face lifts for the fountain and founder’s statue. So I see much activity, did not know where I was and I expensive activity. -
Carols Stephen Cleobury Conductor
ALSO AVAILABLE 2CD KGS0001 + CD hybrid SACD KGS0002 MOZART NINE REQUIEM LESSONS & REALISATIONS CAROLS STEPHEN CLEOBURY CONDUCTOR ELIN MANAHAN THOMAS STEPHEN CLEOBURY CHRISTINE RICE CONDUCTOR JAMES GILCHRIST CHRISTOPHER PURVES ACADEMY OF ANCIENT MUSIC NINE LESSONS & CAROLS MOZART REQUIEM REALISATIONS FAVOURITE Stephen Cleobury, Choir of King’s College, Cambridge Stephen Cleobury, Elin Manahan Thomas, Christine Rice, Music and readings from A Festival of Nine Lessons James Gilchrist, Christopher Purves, Academy of and Carols (2010 service), plus carol commissions Ancient Music, Choir of King’s College, Cambridge CAROLS and a specially-composed work by John Rutter CD + SACD dual layer CD + SACD KGS0003 hybrid SACD KGS0005 FROM KING’S BRITTEN FAURÉ SAINT REQUIEM NICOLAS CANTIQUE DE JEAN RACINE HYMN TO ST CECILIA MESSE BASSE REJOICE IN THE LAMB STEPHEN CLEOBURY STEPHEN CLEOBURY CONDUCTOR STEPHEN CLEOBURY GERALD FINLEY CONDUCTOR TOM PICKARD CONDUCTOR ANDREW KENNEDY ORCHESTRA OF THE AGE BRITTEN SINFONIA OF ENLIGHTENMENT BRITTEN SAINT NICOLAS FAURÉ REQUIEM Stephen Cleobury, Andrew Kennedy, Stephen Cleobury, Gerald Finley, Tom Pickard, Britten Sinfonia, Choir of King’s College, Cambridge Orchestra of the Age of Enlightenment, Also includes “Hymn to St Cecilia” and “Rejoice in Choir of King’s College, Cambridge the Lamb” Also includes “Cantique de Jean Racine” and “Messe basse” KGS0007 14 Silent night – Franz Gruber, arr. Stephen Cleobury 03:40 FAVOURITE Douglas Tang organ 15 It came upon the midnight clear – English traditional, arr. Arthur Sullivan, desc. Stephen Cleobury 03:24 Tom Etheridge organ CAROLS 16 In the bleak midwinter – Harold Darke 04:32 Hugo Herman-Wilson baritone, Douglas Tang organ FROM KING’S 17 I saw three ships – English Traditional, arr.