This Marks the Connection of Ontario's Section of the Great Trail Of
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Want to Have Some Fun with Tech and Pol Cart
Want To Have Some Fun With Technology and Political Cartoons? Dr. Susan A. Lancaster Florida Educational Technology Conference FETC Political and Editorial Cartoons In U.S. History http://dewey.chs.chico.k12.ca.us/edpolcart.html • Political cartoons are for the most part composed of two elements: caricature, which parodies the individual, and allusion, which creates the situation or context into which the individual is placed. • Caricature as a Western discipline goes back to Leonardo da Vinci's artistic explorations of "the ideal type of deformity"-- the grotesque-- which he used to better understand the concept of ideal beauty 2 • Develop Cognitive • Historical and Thinking and Higher Government Events Levels of Evaluation, • Group Work Analysis and Synthesis • Individual Work • Create Student • Current Events Drawings and Interpretations • Sports Events • Express Personal • Editorial Issues Opinions • Foreign Language and • Real World Issues Foreign Events • Visual Literacy and • Authentic Learning Interpretation • Critical Observation and Interpretation • Warm-up Activities • Writing Prompts 3 • Perspective A good editorial cartoonist can produce smiles at the nation's breakfast tables and, at the same time, screams around the White House. That's the point of cartooning: to tickle those who agree with you, torture those who don't, and maybe sway the remainder. 4 http://www.newseum.org/horsey/ Why include Political Cartoons in your curriculum? My goal was to somehow get the students to think in a more advanced way about current events and to make connections to both past and present Tammy Sulsona http://nieonline.com/detroit/cftc.cfm?cftcfeature=tammy 5 Cartoon Analysis Level 1 Visuals Words (not all cartoons include words) List the objects or people you see in the cartoon. -
Full Circle Full Circle
FULL CIRCLE FULL CIRCLE the aboriginal healing WAYNE foundation & the K SPEAR unfinished work of hope, healing & reconciliation AHF WAYNE K SPEAR i full circle FULL CIRCLE the aboriginal healing foundation & the unfinished work of hope, healing & reconciliation WAYNE K SPEAR AHF 2014 © 2014 Aboriginal Healing Foundation Published by Aboriginal Healing Foundation Aboriginal Healing Foundation 275 Slater Street, Suite 900, Ottawa, ON, K1P 5H9 Phone: (613) 237-4441 / Fax: (613) 237-4442 Website: www.ahf.ca Art Direction and Design Alex Hass & Glen Lowry Design & Production Glen Lowry for the Aboriginal Healing Foundation Printed by Metropolitan Printing, Vancouver BC ISBN 978-1-77215-003-2 English book ISBN 978-1-77215-004-9 Electronic book Unauthorized use of the name “Aboriginal Healing Foundation” and of the Foundation’s logo is prohibited. Non-commercial reproduction of this docu- ment is, however, encouraged. This project was funded by the Aboriginal Healing Foundation but the views expressed in this report are the personal views of the author(s). contents vi acknowledgments xi a preface by Phil Fontaine 1 introduction 7 chapter one the creation of the aboriginal healing foundation 69 chapter two the healing begins 123 chapter three long-term visions & short-term politics 173 chapter four Canada closes the chapter 239 chapter five an approaching storm by Kateri Akiwenzie-Damm 281 chapter six coming full circle 287 notes 303 appendices 319 index acknowledgments “Writing a book,” said George Orwell, “is a horrible, exhausting struggle, like a long bout with some painful illness.” In the writing of this book, the usual drudgery was offset by the pleasure of interviewing a good many interesting, thoughtful and extraordinary people. -
Casque Isles Hiking Trail Users Guide
Casque Isles Hiking Trail Users Guide Background; The Casque Isles Hiking Trail is just one of 17 trails from Espanola to Thunder Bay that make up the Voyageur Trail Association. The Voyageur Trail Association’s (VTA) vision is to work with volunteers and partner organizations to build a continuous wilderness-style hiking trail from Sudbury through Sault Ste. Marie to Thunder Bay, a distance of some 1,100 km paralleling the rugged Northern Ontario shores of Lake Huron and Lake Superior. Our Trail is also registered as part of the Trans Canada Trail (TCT or The Great Trail). With over 20,000 kms of multi-use trails nationwide, The Great Trail connects us all together. We are proud to be affiliated with these organizations. The Casque Isles Hiking Trail was originally marked and cut out of the bush in the 1970’s as a Pedestrian/Hiking only Trail. Our Trail is registered with the TCT for the purposes of hiking, backpacking, snowshoeing and bushwhack skiing. While some parts of our Trail use Roadways, i.e. in Rainbow Falls Provincial Park, by far the majority of it was intended for hiking off of the beaten path. In most places the trail is too rough or inaccessible for other uses anyway. We will always endeavour to keep the Trail clear, but you may encounter fallen trees that need to be climbed over or gone around, or you may have to wade a stream during high water. This is a true wilderness Trail, and some have described parts of our Trail as “bushwhacking with blazes”. -
Fire Department Members in Good Standing Addington Highlands Fire
Fire Department Members in good standing Addington Highlands Fire Adelaide Metcalfe Fire Department Adjala-Tosorontio Fire Department Y Ajax Fire Y Alberton Fire Alfred & Plantagenet Y Algonquin Highlands Fire Alnwick/Haldlmand Fire Y Amherstburg Fire Department Y Arcelor-Mittal Dofasco Argyle Fire Armstrong Fire Arnprior Fire Arran Elderslie (Chelsey) Fire Arran Elderslie (Paisley) Fire Arran Elderslie (Tara) Fire Asphodel-Norwood Fire Assiginack Fire Athens Fire Y Atikokan Fire Augusta Fire Y Aviva Insurance Canada Y Aweres Fire Aylmer Fire Department Y Baldwin Fire Barrie Fire & Emergency Services Y Batchawana Bay Fire Bayfield Fire Bayham Fire & Emergency Services Y Beausoleil Fire Beckwith Twp. Fire Belleville Fire Y Biddulph-Blanshard Fire Billings & Allan Fire Billy Bishop Toronto City Airport Black River Matheson Fire Blandford - Blenheim Fire Blind River Fire Bonfield Volunteer Fire Department Bonnechere Valley Fire Department Bracebridge Fire Department Y Bradford West Gwillinbury Fire & Emergency Services Y Brampton Fire Department Y Brantford Fire Department Y Brighton District Fire Department Britt Fire Department Brock Twp. Fire Department Y Brockton Fire Department Y Brockville Fire Department Y Brooke-Alvinston District Fire Department Y Bruce Mines Bruce Mines Fire Department Y Bruce Power Brucefield Area Fire Department Brudenell, Lyndoch & Raglan Fire Department Burk's Falls & District Fire Department Y Burlington Fire Department Y Burpee & Mills Fire Department Caledon Fire & Emergency Services Y Callander Fire Department -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Bibliographie Du Corpus Théorique Sur La Bande Dessinée Québécoise Jean-Michel Berthiaume
Document generated on 09/27/2021 11:22 p.m. Voix et Images BIBLIOGRAPHIE DU CORPUS THÉORIQUE SUR LA BANDE DESSINÉE QUÉBÉCOISE JEAN-MICHEL BERTHIAUME La bande dessinée québécoise Volume 43, Number 2 (128), Winter 2018 URI: https://id.erudit.org/iderudit/1045068ar DOI: https://doi.org/10.7202/1045068ar See table of contents Publisher(s) Université du Québec à Montréal ISSN 0318-9201 (print) 1705-933X (digital) Explore this journal Cite this document BERTHIAUME, J.-M. (2018). BIBLIOGRAPHIE DU CORPUS THÉORIQUE SUR LA BANDE DESSINÉE QUÉBÉCOISE. Voix et Images, 43(2), 113–124. https://doi.org/10.7202/1045068ar Tous droits réservés © Université du Québec à Montréal, 2018 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ BIBLIOGRAPHIE DU CORPUS THÉORIQUE SUR LA BANDE DESSINÉE QUÉBÉCOISE 1 + + + JEAN-MICHEL BERTHIAUME Université du Québec à Montréal I. MONOGRAPHIES + AIRD, Robert et Mira FALARDEAU, Histoire de la caricature au Québec, Montréal, VLB éditeur/ Chaire Hector-Fabre d’histoire du Québec, coll. « Études québécoises », 2009, 248 p. + ALLARD, Yvon, Les bandes dessinées pour adultes, Montréal, Librairie Demarc, 1983, 6 p. + ARSENEAU-BUSSIÈRES, Philippe, Imagine ta B.D., Lévis, Éditions À reproduire, 1994, 50 f. -
Community Profiles for the Oneca Education And
FIRST NATION COMMUNITY PROFILES 2010 Political/Territorial Facts About This Community Phone Number First Nation and Address Nation and Region Organization or and Fax Number Affiliation (if any) • Census data from 2006 states Aamjiwnaang First that there are 706 residents. Nation • This is a Chippewa (Ojibwe) community located on the (Sarnia) (519) 336‐8410 Anishinabek Nation shores of the St. Clair River near SFNS Sarnia, Ontario. 978 Tashmoo Avenue (Fax) 336‐0382 • There are 253 private dwellings in this community. SARNIA, Ontario (Southwest Region) • The land base is 12.57 square kilometres. N7T 7H5 • Census data from 2006 states that there are 506 residents. Alderville First Nation • This community is located in South‐Central Ontario. It is 11696 Second Line (905) 352‐2011 Anishinabek Nation intersected by County Road 45, and is located on the south side P.O. Box 46 (Fax) 352‐3242 Ogemawahj of Rice Lake and is 30km north of Cobourg. ROSENEATH, Ontario (Southeast Region) • There are 237 private dwellings in this community. K0K 2X0 • The land base is 12.52 square kilometres. COPYRIGHT OF THE ONECA EDUCATION PARTNERSHIPS PROGRAM 1 FIRST NATION COMMUNITY PROFILES 2010 • Census data from 2006 states that there are 406 residents. • This Algonquin community Algonquins of called Pikwàkanagàn is situated Pikwakanagan First on the beautiful shores of the Nation (613) 625‐2800 Bonnechere River and Golden Anishinabek Nation Lake. It is located off of Highway P.O. Box 100 (Fax) 625‐1149 N/A 60 and is 1 1/2 hours west of Ottawa and 1 1/2 hours south of GOLDEN LAKE, Ontario Algonquin Park. -
Property for Sale Iron Bridge Ontario
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Environmental Assessment Report for the East‑West Tie Transmission Project
EAST-WEST TIE TRANSMISSION PROJECT ENVIRONMENTAL ASSESSMENT REPORT 19. NON-TRADITIONAL LAND AND RESOURCE USE This section describes and summarizes an assessment of the effects of East-West Tie Transmission Project (the Project) on non-traditional land and resource use. Non-traditional land and resource use refers to the use of lands and their resources for commercial and non-commercial (e.g. recreational) purposes, such as mining, forestry, agriculture, energy production, hunting, trapping, fishing and other outdoor recreation and tourism activities. Non-traditional land and resource use also refers to the formal designation of lands, through federal, provincial, or municipal authorities, as areas of specific use (e.g., residential, industrial or as parks and protected areas). The assessment follows the general approach and concepts described in Section 5. The main steps in the assessment include: consideration of input from Indigenous communities, government representatives and agencies, other communities, property owners, interest holders, and people or groups interested in the Project during the ongoing consultation and engagement process; identification of information and data sources used in the assessment; identification and rationale for selection of criteria and indicators for non-traditional land and resource use; establishment of temporal and spatial boundaries for the assessment of effects on these criteria; description of the existing non-traditional land and resource use features and activities to gain an understanding -
Fair Game: Canadian Editorial Cartooning
FAIR GAME: CANADIAN EDITORIIAL CARTOONING Adrieme C,Lamb Graduate School of Journalism Submitted in partial fulfilment of the requirements for the degree of Master of Arts Faculty of Graduate Studies The University of Western Ontario London, Ontario April, 1998 Adrieme C. Lamb 1998 National tibmiy Bibliothèque nationale I*l ofCanada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OüawaON K1AW ûttawaON KIAON4 canada Canada Tne author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the exclusive permettant à la National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains owxiership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substaatial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is about people and politics, art and history, visuai satire, and current affairs. It traces the development of Canada's editorid cartooning heritage over the last one hundred and fifty years and examines the conternporary Canadian editorial cartooning scene as well. This author's main objective is to tum the tables on the editoriai cartoonists in Canada by rnaking them fair game and the subject of study Eom both a historical and a contemporary perspective. -
White Paper on Francophone Arts and Culture in Ontario Arts and Culture
FRANCOPHONE ARTS AND CULTURE IN ONTARIO White Paper JUNE 2017 TABLE OF CONTENTS SUMMARY 05 BACKGROUND 06 STATE OF THE FIELD 09 STRATEGIC ISSUES AND PRIORITY 16 RECOMMANDATIONS CONCLUSION 35 ANNEXE 1: RECOMMANDATIONS 36 AND COURSES OF ACTION ARTS AND CULTURE SUMMARY Ontario’s Francophone arts and culture sector includes a significant number of artists and arts and culture organizations, working throughout the province. These stakeholders are active in a wide range of artistic disciplines, directly contribute to the province’s cultural development, allow Ontarians to take part in fulfilling artistic and cultural experiences, and work on the frontlines to ensure the vitality of Ontario’s Francophone communities. This network has considerably diversified and specialized itself over the years, so much so that it now makes up one of the most elaborate cultural ecosystems in all of French Canada. However, public funding supporting this sector has been stagnant for years, and the province’s cultural strategy barely takes Francophones into account. While certain artists and arts organizations have become ambassadors for Ontario throughout the country and the world, many others continue to work in the shadows under appalling conditions. Cultural development, especially, is currently the responsibility of no specific department or agency of the provincial government. This means that organizations and actors that increase the quality of life and contribute directly to the local economy have difficulty securing recognition or significant support from the province. This White Paper, drawn from ten regional consultations held throughout the province in the fall of 2016, examines the current state of Francophone arts and culture in Ontario, and identifies five key issues.