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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Fitzrovia Chapel, 2 Pearson Square W1 Pdf 6 Mb
Licensing Sub-Committee City of Westminster Report Item No: Date: 28th July 2016 Licensing Ref No: 16/05187/LIPN - New Premises Licence Title of Report: Fitzrovia Chapel 2 Pearson Square London W1T 3BF Report of: Director of Public Protection and Licensing Wards involved: West End Policy context: City of Westminster Statement of Licensing Policy Financial summary: None Report Author: Mr Darren O'Leary Senior Licensing Officer Contact details Telephone: 02076417824 Email: [email protected] 1. Application 1-A Applicant and premises Application Type: New Premises Licence, Licensing Act 2003 Application received 19th May 2016 date: Applicant: The Fitzrovia Chapel Foundation Premises: Fitzrovia Chapel Premises address: 2 Pearson Square Ward: West End London W1T 3BF Cumulative None Impact A r e a : Premises description: The premises is a Chapel of the former Middlesex Hospital, which has recently been refurbished. It is run by the Fitzrovia Chapel Foundation for the benefit of the community, for cultural activities, as a performance venue, as well as being available for private hire. Premises licence history: New Premises Licence Application. Applicant submissions: None. 1-B Proposed licensable activities and hours Plays, Films, Live Music, Recorded Indoors, outdoors or both Indoors Music, Performance of dance and Anything of similar description to the fallings within (e), (f) or (g) (Above): Day: Mon Tues Wed Thur Fri Sat Sun Start: 10:00 10:00 10:00 10:00 10:00 10:00 10:00 End: 23:00 23:00 23:00 23:00 23:00 23:00 22:30 Seasonal variations/ -
Programme Spring 2009
spring concert 2009 wolfgang amadeus mozart overture: don giovanni clarinet concerto in A requiem in D minor conductor: Andrew Rochford saturday 28 march, 2009 ´09 7.30pm Programme £10 welcome Dear audience How time flies when you are having fun! We find it hard to believe it is 10 years since the Royal Free Music Society was founded as an independent music society having originated in the Royal Free Medical School Music Society. Throughout that time a number of key elements have sustained the Society in its core activity of good quality amateur music making. Firstly, we have been fortunate to have the support and guidance of a number of outstanding musical directors, most notably Andrew Rochford, our conductor tonight. Andrew has been the guiding light of the Society giving up huge amounts of time in what is a very busy life and we are immensely grateful for his time, patience, skill and knowledge. We have also been most fortunate in maintaining our links with the Royal Free Hampstead NHS Trust who provide us with free rehearsal space each week. Thirdly has been our enduring and most enjoyable relationship with St. Mark’s Church and its parish that allow us to perform in this magnificent venue regularly. We thank both communities for their continued support. In recent years we have been delighted to see our sister organization, the Hampstead Sinfonietta, develop. This talented group of musicians not only accompanies us in the great choral works but has also provided a wide and varied repertoire of orchestral music in recent years. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Firstly, Congratulations to You Both on Your Engagement. We Wish You The
CONTENTS ABOUT US Firstly, congratulations to you Percy & Founders is a stylish both on your engagement. We and relaxed restaurant located in wish you the best of luck as you the heart of Fitzrovia in central prepare for your special day. London. PAST Tucked away in Pearson Square, the site HEART OF LONDON 4 was previously occupied by the old Middlesex Hospital. Our name refers to OUR SPACES 9 Hugh Percy, the Duke of Northumberland CAPACITIES 10 who set up the hospital in 1755. THE CHAPEL 15 PRESENT With a range of stunning dining rooms available for private hire, Percy & Founders YOUR CEREMONY 16 is a special place to host your wedding reception, engagement drinks or exclusive DRINKS & CANAPÉS 21 celebration. FOOD FOR THE HEART 22 WEDDING PACKAGES 27 CLASSIC PACKAGE 28 PREMIUM PACKAGE 29 BESPOKE PACKAGE 33 SUPPLIERS 34 CONTACT US 35 2 3 HEART OF LONDON We are centrally located and easy for your guests to travel to. FIND US 1 Pearson Square, Fitzrovia, London W1W 7EY TUBE 9 MIN Oxford Circus 5 MIN Goodge St 9 MIN Tottenham Court Rd PARKING There is undercover parking located on Berners St. CONTACT 020 3815 6700 [email protected] Goodge St FITZROVIA Tottenham Court Rd Goodge St Berners St Great Titchfield St Mortimer St Regent St Tottenham Oxford St Court Rd Oxford Circus SOHO 4 5 6 7 OUR SPACES We have a choice of unique spaces to suit all wedding party sizes, should you envisage an intimate celebration or a bigger reception. GROUND FLOOR The Reading Room is a bright and airy dining room with views onto Pearson Square and the Dining Room is an elegant space that features the original stone doorway of the Fitzrovia Chapel. -
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(~2C i ~c Co P / The Arts Council of Great Britai n Twenty fourth The Arts Council of Great Britai n s 105 Piccadilly annual report and account London W1 V OA U year ended 31 March 1969 01-629949 5 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE . FROM THE LIBRA] Membership of the council, committees and panels Council The Lord Goodman (Chairman ) Professor Sir William Coldstream, CBE, DLitt (Vice-Chairman ) The Hon . Michael Asto r Frederic R . Cox, OB E Colonel William Crawshay, DSO, T D Miss Constance Cumming s Cedric Thorpe Davie, OBE, LL D Peter Hall, CB E The Earl of Harewoo d Hugh Jenkins, M P Professor Frank Kermod e J. W. Lambert, DSC Sir Joseph Lockwoo d Colin H. Mackenzie, CMG DrAlun Oldfield-Davies, CB E John Pope-Hennessy, CB E The Hon . Sir Leslie Scarman, OB E George Singleton, CB E Sir John Witt Scottish Arts Counci l Colin H. Mackenzie, CMG (Chairman ) George Singleton, CBE (Vice-Chairman ) Neill Aitke n J . S . Boyl e Colin Chandler J. B . Dalby, OB E Cedric Thorpe Davie, OBE, LL D Professor T . A. Dun n David A . Donaldson, RSA, R P The Earl Haig, OB E Douglas Hall, FM A Clifford Hanley William Hannan, M P R . D . Hunter, MB E Ronald Macdonald Neil Paterso n Alan Reiach, OB E Professor D . Talbot Rice, CBE, TD, DLitt, FS A Dame Jean Roberts, DBE, DL, J P Alan Roger Ivison S . Wheatley Thomas Wilso n Welsh Arts Counci l Colonel William Crawshay, DSO, TD (Chairman ) Alex J . -
Projects Funded 2018
Ward Budget Projects 2018-22 This document only provides details of projects which have been funded since April 2018 up to May 2021. Projects funded after May 2021 will be added in due course. For projects which have been funded in previous years please click here. Abbey Road Bayswater Bryanston & Dorset Square Churchill Church Street Harrow Road Hyde Park Knightsbridge & Belgravia Lancaster Gate Little Venice Maida Vale Marylebone High Street Queen’s Park Regent’s Park St James’s Tachbrook Vincent Square Warwick Westbourne West End 1 | P a g e ABBEY ROAD WARD For more information on these projects, please contact Clare O’Keefe at [email protected]. Return to top of page Budget Project Organisation Total Cost Year 18/19 Half Term Activities and Summer Actingworks £ 6,120.00 Holidays 18/19 Hanging Baskets (winter and summer) WindowFlowers £ 13,884.00 18/19 Measuring Air Quality in St John's St John's Wood Society £ 702.00 Wood 18/19 Art Classes WAES £ 4,302.00 18/19 Neighbourcare Minibus Neighbourcare £ 3,594.50 18/19 Xmas lights Tropheum Assets £ 4,000.00 18/19 Local Forum Westminster City Council £ 178.18 18/19 St John's Hospice Xmas Fayre St John's Hospice £ 1,620.00 18/19 Xmas Dinner Neighbourcare £ 525.24 18/19 Easter Fayre St John's Hospice £ 2,000.00 19/20 Abbey Road Summer Hanging Baskets WindowFlowers £ 8,247.20 19/20 Abbey Road Winter Hanging Baskets WindowFlowers £ 6,052.80 19/20 Baby Sessions St John's Wood Library £ 170.67 19/20 Easter and Half Term Programme Adventure Play Hub £ 4,378.05 19/20 Measuring Air Quality -
December 2017
International Ernest Bloch Society President Steven Isserlis CBE Associate musicians: Natalie Clein, Danny Driver, Rivka Golani, Jack Liebeck, Malcolm Singer Raphael Wallfisch, Benjamin Wolf, News Sheet no 1 – December 2017 Ernest Bloch Studies Further to the successful publication of Ernest Bloch Studies by Cambridge University Press, and its launch at SOAS in October, hosted jointly by JMI and The Spiro Ark, the International Ernest Bloch Society has once more sprung in to action. Ernest Bloch, who left his native Switzerland to settle in the United States in 1916 was one of the great twentieth-century composers. He was influenced by a range of genres and styles - Jewish, American and Swiss - and his works reflect his lifelong struggle with his identity. Drawing on first- hand recollections of relatives and others who knew and worked with the composer, this collection is the most comprehensive study to date of Bloch's life, musical achievement and reception. Contributors present the latest research on Bloch's works and compositional practice, including studies of his Avodath Hakodesh (Sacred Service), violin pieces such as Nigun, the symphonic Schelomo, and the opera Macbeth. Setting the quality and significance of Bloch's output in its historical and cultural contexts, this book provides scholarly analyses as well as a full chronology, list of online resources, catalogue of published and unpublished works, and selected further reading. It is available via Amazon. The book was inspired by the International Conference that the Society held at Cambridge University in 2007. You can read reports and see pictures from the 2007 International Conference on the International Ernest Bloch Society website here: http://ernestblochsociety.org/index.php?id=bloch-jubilee-international-conference Bloch in Britain – a talk by Alex Knapp and Norman Solomon, 22 February. -
LAMAS Newsletter, 84 Lock Chase, Blackheath, London SE3 9HA
CONTENTS Page Notices 2 Reviews and Articles 5 Books and Publications 17 Affiliated Society Meetings 19 NOTICES Newsletter: Copy Date The copy deadline for the September 2017 Newsletter is 21 July 2017. Please send items for inclusion by email preferably (as MS Word attachments) to: [email protected], or by surface mail to me, Richard Gilpin, Honorary Editor, LAMAS Newsletter, 84 Lock Chase, Blackheath, London SE3 9HA. It would be greatly appreciated if contributors could please ensure that any item sent by mail carries postage that is appropriate for the weight and size of the item. **************** New President and Chair of Council At the Annual General Meeting of the Society, held on 14 February 2017, Taryn Nixon was confirmed as the new President of LAMAS – succeeding John Clark, and Harvey Sheldon was confirmed as the new Chair of Council – succeeding Colin Bowlt. **************** New members welcomed by the Local History Committee The LAMAS Local History Committee extends a friendly welcome to members who would like to join the Committee, either as the representative of their affiliated Local History Society or as an individual member of LAMAS. The Committee meets three times a year and in between meetings members carry forward its decisions. Special responsibilities include reading submissions for the LAMAS Publications Awards and deciding on the winners, and organising the Autumn Conference. If you are interested in becoming a member of the Local History Committee – or know of someone in your local society who would like to join the Committee – please get in touch with the Honorary Editor of the Newsletter, Richard Gilpin (email: rhbg.lamas.gmail.com; phone: 020 3774 6726). -
The Middlesex Orthopaedic Department 1920-2005
The Middlesex Hospital Orthopaedic Department 1920 – 2005 The 85 years 1 Contents 1. Charles Bell (1774-1842) The Middlesex Hospital Sean Hughes Medical School 2. A Brief Overview of The Middlesex Hospital 1745 – Michael Edgar 2005 3. Blundell Bankart (1879 –1951) Roger Emery 4. Phillip Wiles (1899 – 1967) A. Total Hip Replacement James Scott B. Contribution to Scoliosis Surgery Michael Edgar 5. Phillip Newman (1912 – 1994) A. Sir Winston Churchill’s Hip Fracture: Liam Mcloughlin The Middlesex Hospital June 1962 B. Spinal Surgery Michael Edgar 6. Rodney Sweetnam (1927 – 2013) Michael Benson 7. Nursing in The Middlesex Orthopaedic Department Fiona Hamblin 8. The Athletes’ Clinic Fares Haddad Michael Edgar Reflections on being a Registrar in the Patrick Boland Athletes’ Clinic 9. The Last Fifteen years of The Middlesex Orthopaedic Department 1991 – 1996 Michael Edgar 1995 – 2005 Justin Cobb 10. The Middlesex in Africa Chris Lavy 11. The Contributions of The Middlesex Orthopaedic Steve Cannon Department to the National and International Scene 2 The Middlesex Hospital 2000, (taken after a fire drill). 3 Chapter 1 Sir Charles Bell (1774 – 1842) and The Middlesex Hospital Medical School Sean Hughes Charles Bell (1774 – 1842), a surgeon and anatomist, was also an artist and philosopher. He was born in Fountainbridge, an area of Edinburgh, the youngest of four sons of the Reverend William Bell (1704 –1779), who died when Charles was five years old. His mother, Margaret Morris, was William Bell’s second wife and was the elder daughter of an Episcopalian clergyman in St Andrews, a seaside town north-east of Edinburgh. Her father was the head of the Episcopalian Church of Scotland, the Primus, in his time, reflecting the strong religious upbringing in Charles’s early development. -
Open House™ London
Publication design: www.badrockdesign.co.uk design: Publication Open Open House™ — City London 2015 Open House™ London Revealing great architecture for free 19–20 September Your essential guide to the capital’s greatest architecture festival Culture Crawl Come with us as we head out into the night, discovering cultural, architectural Friday 18 September 2015 and artistic delights in London, whilst raising as much as we can for Maggie’s to support people with cancer and their family and friends. www.maggiescentres.org/culturecrawl In partnership with Sponsored by Maggie Keswick Jencks Cancer Caring Centres Trust (Maggie’s) is a registered charity, no.SC024414 this is civil engineering transport flood risk management • St Pancras • Thames Barrier International (pictured) (pictured) • King George V Crossrail • Pumping Station • London Overground (East London Line) See Camden section See Greenwich section structures water/ waste water • Queen Elizabeth • Old Ford Water Olympic Park Recycling Plant (Velodrome pictured) (pictured) • Coca-Cola London Eye • Walthamstow Wetlands See Newham section See Newham section waste energy Water Recycling Centre – ©Thames Old Ford - © ODA Velodrome The Culture Crawl • Southwark • Bunhill Heat & Integrated Waste Power Energy Centre Come with us as we head out into the night, discovering cultural, architectural Friday 18 September 2015 Management (pictured) and artistic delights in London, whilst raising as much as we can for Maggie’s www.maggiescentres.org/culturecrawl Facility (pictured) • The Crystal to support people with cancer and their family and friends. • Abbey Mills Pumping Station In partnership with Sponsored by See Southwark section See Islington section Bunhill Heat and Energy – ©Islington Council IWMF – ©Veolia Southwark International – ©OAG Pancras St. -
Community Engagement for Health Via Coalitions, Collaborations and Partnerships (On-Line Social Media and Social Networks)
EPPI-Centre Review 3: Community engagement for health via coalitions, collaborations and partnerships (on-line social media and social networks) A systematic review and meta-analysis Gillian Stokes, Michelle Richardson, Ginny Brunton, Meena Khatwa, James Thomas EPPI-Centre Social Science Research Unit UCL Institute of Education University College London EPPI-Centre report • July 2015 REPORT The authors of this report are: G Stokes, M Richardson, G Brunton, M Khatwa, J Thomas (EPPI-Centre). Funding This is an independent report commissioned and funded by the National Institute of Health and Care Excellence (NICE). The views expressed are not necessarily those of NICE. Conflicts of interest There were no conflicts of interest in the writing of this report. Contributions The opinions expressed in this publication are not necessarily those of the EPPI-Centre or the funders. Responsibility for the views expressed remains solely with the authors. This report should be cited as: Stokes G, Richardson M, Brunton G, Khatwa M, Thomas J (2015) Review 3: Community engagement for health via coalitions, collaborations and partnerships (on-line social media and social networks) – a systematic review and meta- analysis. London: EPPI-Centre, Social Science Research Unit, UCL Institute of Education, University College London. ISBN: 978-1-907345-79-1 © Copyright 2015 Authors of the systematic reviews on the EPPI-Centre website (http://eppi.ioe.ac.uk/) hold the copyright for the text of their reviews. The EPPI-Centre owns the copyright for all material on the website it has developed, including the contents of the databases, manuals, and keywording and data-extraction systems. The centre and authors give permission for users of the site to display and print the contents of the site for their own non-commercial use, providing that the materials are not modified, copyright and other proprietary notices contained in the materials are retained, and the source of the material is cited clearly following the citation details provided.