Leeds University on Drugs Sold, Have Been Tested on Postgrad at Leeds Came Forward Education and Grant Loans
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
Christine Allado Photo: Roberto Vivancos
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Christine Allado Photo: Roberto Vivancos Original London Cast - Peggy/Maria Reynolds U/S Eliza Hamilton in HAMILTON: An American Musical at the Victoria Palace Theatre Height: 5'7" (170cm) Hair Colour: Auburn Weight: 8st. 13lb. (57kg) Hair Length: Long Playing Age: 18 - 32 years Voice Quality: Clear Appearance: Asian, Hispanic, Mixed Race Voice Character: Engaging Eye Colour: Brown Stage 2020, Stage, Tzipporah, The Prince of Egypt, Dominion Theatre, Scott Schwartz 2018, Stage, Peggy/Maria Reynolds cover Eliza Hamilton, Hamilton: An American Musical, Cameron Mackintosh, Thomas Kail 2016, Stage, Maria, West Side Story - 60th Year Documentary, BBC & Reef TV, Gareth Valentine 2016, Stage, Vanessa, In The Heights, King's Cross Theatre, Luke Sheppard 2014, Stage, Various Roles, Imelda U/S, Here Lies Love, National Theatre, Alex Timbers 2016, Stage, Ursula, Sweet Charity, Royal Exchange, Derek Bond 2016, Stage, Girlie, Beyond The Fence, Arts Theatre Sky Arts, Luke Sheppard 2015, Stage, Princess Turandot, Turandot, Regent Theatre, Jonathan Man 2013, Stage, New Congress Club Trio u/s Lorene, FROM HERE TO ETERNITY, Shaftesbury Theatre, Tamara Harvey 2013, Stage, Aggie Hurley, A Catered Affair, Jack Lyons Theatre, Matt Ryan 2013, Stage, Anne Egerman, A Little Night Music, Royal Academy of Music, Matt Ryan 2013, Stage, Soloist, West End Christmas, MAD Trust, Will Stuart 2013, Stage, Soloist, A Musical Theatre Celebration, King's Place, Bjorn Dobbelaere 2012, Stage, Kate Sullen, The Beaux' Stratagem, Royal Academy of Music, Karen Rabinowitz 2012, Stage, Sophie, Star Spangled Girl, Royal Academy of Music, Karen Rabinowitz 2012, Stage, Soloist, West End Christmas, MAD Trust, Stephen Hill 2012, Stage, Soloist, Winter Cabaret, Royal Academy of Music, George Hall 2012, Stage, Choir, Opening Gala: Silas Marner, St. -
Social Justice Practices for Educational Theatre
VOLUME 7 ISSUE 2b | 2020 SOCIAL JUSTICE PRACTICES FOR EDUCATIONAL THEATRE ARTSPRAXIS Emphasizing critical analysis of the arts in society. ISSN: 1552-5236 EDITOR Jonathan P. Jones, New York University, USA EDITORIAL BOARD Selina Busby, The Royal Central School of Speech and Drama, UK Amy Cordileone, New York University, USA Ashley Hamilton, University of Denver, USA Norifumi Hida, Toho Gakuen College of Drama and Music, Japan Kelly Freebody, The University of Sydney, Australia Byoung-joo Kim, Seoul National University of Education, South Korea David Montgomery, New York University, USA Ross Prior, University of Wolverhampton, UK Daphnie Sicre, Loyola Marymount University, USA James Webb, Bronx Community College, USA Gustave Weltsek, Indiana University Bloomington, USA Tammie Swopes, New York University, USA ArtsPraxis Volume 7, Issue 2b looked to engage members of the global Educational Theatre community in dialogue around current research and practice. This call for papers was released in concert with the publication of ArtsPraxis Volume 7, Issue 1 and upon the launch of the new ArtsPraxis homepage. The submission deadline for Volume 7, Issue 2b was July 15, 2020. Submissions fell under the category of Social Justice Practices for Educational Theatre. Social Justice Practices for Educational Theatre As of early June, 2020, we found ourselves about ten days into international protests following the murder of George Floyd by police in Minneapolis, Minnesota. Protesters the world over made specific calls to action: acknowledge that black lives matter, educate yourself about social and racial injustice, and change the legal system that allows these heinous acts to go unpunished. In thinking through how we in the field of educational theatre could proactively address these needs, I reminded myself that there were many artists and educators who were already deeply engaged in this work. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
A Little Night Music
WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival. -
Downloads/Bfi-Film- London: Creative Diversity Education-And-Industry- Network
The Journal of Media and Diversity Issue 01 Winter 2020 Sir Lenny Henry, Leah Cowan, David Olusoga, Marverine Duffy, Charlene White, Kimberly McIntosh, Professor Stuart Hall, Kesewa Hennessy, Will Norman, Emma Butt, Dr David Dunkley Gyimah, Dr Erica Gillingham, Dr Peter Block, Suchandrika Chakrabarti 1 REPRESENTOLOGY THE JOURNAL OF MEDIA AND DIVERSITY REPRESENTOLOGY The Journal of Media and Diversity Editorial Mission Statement Welcome to Representology, a journal dedicated to research and best-practice perspectives on how to make the media more representative of all sections of society. A starting point for effective representation are the “protected characteristics” defined by the Equality Act 2010 including, but not limited to, race, gender, sexuality, and disability, as well as their intersections. We recognise that definitions of diversity and representation are dynamic and constantly evolving and our content will aim to reflect this. Representology is a forum where academic researchers and media industry professionals can come together to pool expertise and experience. We seek to create a better understanding of the current barriers to media participation as well as examine and promote the most effective ways to overcome such barriers. We hope the journal will influence policy and practice in the media industry through a rigorous, evidence-based approach. Our belief is that a more representative media workforce will enrich and improve media output, enabling media organisations to better serve their audiences, and encourage a more pluralistic and inclusive public discourse. This is vital for a healthy society and well-functioning democracy. We look forward to working with everyone who shares this vision. 2 ISSUE 01 WINTER 2020 CONTENTS EDITORIAL 04 Lessons from history In the wake of Black Lives Matter, many Sir Lenny Henry and David Olusoga people at the helm of the UK media industry interview. -
Red Nose Day Complaints
Red Nose Day Complaints Dissonant Ephrem sometimes discept any plaids don satanically. Kinetically sparoid, Christof stage-manages strap-hinge and scarify Filipinos. Bart is potentially resolved after repugnant Wendall truss his spherocyte longest. If you can children with the longest ever quit comic relief us to save lives due to inpatients in red nose day in hand to make changes to power services While in school Hannah interned at Pirate Radio Station, WNCT, NBC News Channel and WITN. Reverse the nose with our communities together the clear. Being a beanpole is a very least order! Treatment of red nose day complaints over a reasonable time! Red iron Day 2017 Page 13 TV Forum. Comic Relief might be investigated by Ofcom as complaints. Set up the search. Sets render the day is currently supported browsers in south carolina university of canterbury, and dry and mine of text transform in america. Woman dies after explosion destroys house in Greater Manchester leaving one woman now a deliver in. David Baddiel as he unloaded supplies at one point. No Plans for half term this week. MNT is the registered trade mark of Healthline Media. Nose is clearly dependent on and complaints it mean to a tv in los angeles donut recipe for red nose day complaints or all over the small commission for this. However, the overall evidence of benefits for hair health is limited. Listeners are invited to always tune in january the complaints procedure and sensitive information for any assistance, red nose day complaints over the audience. We all try to address all your concerns promptly, provide you edit an explanation and dedicate any flour that easily be needed to prevent many future occurrence. -
Press Release
PRESS RELEASE Shakespeare’s Globe announces Winter Season for 2018/19 in the Sam Wanamaker Playhouse 18 JUNE 2018 Shakespeare’s Globe is delighted to announce its Winter Season for 2018/19 in the Sam Wanamaker Playhouse. Featuring two pairings of plays by William Shakespeare and his celebrated counterpart, Christopher Marlowe, this call and response season opens on 7 November 2018. Throughout the season we are also inviting today’s artists to examine, rework and elaborate on these 400-year-old provocations with new work written in response to Shakespeare and Marlowe. William Shakespeare’s Macbeth will be directed by Robert Hastie, opening the season as a timely reminder of the destruction that can result from the quest for power, and an examination of the evil forces that can take root in the imagination of a tyrant. Robert is the Artistic Director of Sheffield Theatres, where he has directed their critically acclaimed productions Julius Caesar, Of Kith and Kin and The Wizard of Oz. Robert directed Michelle Terry in the titular role of Henry V at Regent’s Park Open Air Theatre (2016). He also directed Breaking the Code at Manchester’s Royal Exchange in the play’s first major revival for 30 years. Opening on 1 December, Christopher Marlowe’s Doctor Faustus will be directed by Paulette Randall, and plays alongside Macbeth. The cautionary tale examines the very nature of human curiosity and our unparalleled thirst for knowledge. Paulette’s theatre credits include Fences starring Lenny Henry (Theatre Royal Bath, West End), Gem of the Ocean, Blues for Mr Charlie (Tricycle) and Frankie and Johnny in the Clair de Lune (Chichester Festival Theatre). -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Comic Relief's Lenny Henry Named a Keynote at Promaxbda Europe 2018
Comic Relief's Lenny Henry Named a Keynote at PromaxBDA Europe 2018 01.17.2018 Sir Lenny Henry, stand-up comedian and co-creator of British charity Comic Relief, has been named a keynote speaker at PromaxBDA Europe 2018. Henry is a groundbreaking entertainer and storyteller with experience in acting, writing and television production, who will take the stage at PromaxBDA's conference taking place this year in Rome at the Cavalieri Waldorf Astoria. The event from March 12-13 brings together creatives and marketers from around the world to share in learning, networking and a cross cultural exchange of ideas. Henry was knighted in 2015 for his services to drama and charity, which includes co-founding Comic Relief, an organization with a mission to end child poverty that's perhaps best known throughout the U.K. for Red Nose Day, part of an annual telethon held in March. Henry has been making people laugh since the age of 16. He got his start as a comedy impressionist on the '70s talent show New Faces, and is also known for appearances on TISWAS, Three of a Kind, The Lenny Henry Show, Hope & Glory, Lenny Henry in Pieces and Chef! In radio, he has worked as a DJ on BBC Radio 1, and as well starring in the comedy Rudy's Rare Records and presenting the series Lenny and Will for Radio 4. He made his acting debut as Othello in the Northern Broadsides production at the Trafalgar Studios-a role for which he received the London Evening Standard Theatre Award for Best Newcomer.