August-September 2019 Issue
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www.SHOOTonline.com August/September 2019 Chat Room 4 The Road To Emmy Series Part 14, Page 6 Cinematographers & Cameras 15 Top Ten Music Tracks Chart 26 From top left, clockwise: Scenes from A Series of Unfortunate Events, Chernobyl, Ozark, When They See us, Jack Ryan and Fleabag. VFX & Animation Top Ten Chart 28 Mid-year Report Card 16 From left: Vince Genovese, Bonnie Goldfarb, John Caruso, Lola Lott TO GET CONNECTED “AN ARTISTIC ACHIEVEMENT ‘ ’ IN THE VEIN OF TAXI DRIVER , ‘THE DEER HUNTER’ AND ‘ ’’’ DOG DAY AFTERNOON . “ A MASTERPIECE. BOLD WORK FROM AVA D UVERNAY.” 16 EMMY® NOMINATIONS Including OUTSTANDING LIMITED SERIES OUTSTANDING DIRECTING - AVA D UVERNAY FROM THE EMMY ® AWARD WINNING DIRECTOR OF 13 TH AVA D U VERNAY FYC.NETFLIX.COM SHOOT MAGAZINE, COVER 2 ISSUE: ROAD TO EMMY FEATURE PHASE 2 NETFLIX: WHEN THEY SEE US PUB DATE: 08/09/19 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” “ Perspectives The Leading Publication For Film, TV AN ARTISTIC ACHIEVEMENT & Commercial Production and Post August/September 2019 spot.com.mentary By Robert Goldrich Volume 60 • Number 4 ‘ ’ www.SHOOTonline.com EDITORIAL IN THE VEIN OF TAXI DRIVER , Publisher & Editorial Director Next Impressions Roberta Griefer 203.227.1699 ext. 701 [email protected] ‘ ’ Editor Robert Goldrich Keith Cartwright, ECD life into the mundane world of couponing. Montefiore Hospital, directed by John THE DEER HUNTER AND 203.227.1699 ext 702 [email protected] of 72andSunny, hated Cartwright’s remarks came during a Hillcoat of Serial Pictures for agency ADVERTISING Burger King’s “Whop- panel discussion on the first stop of the JohnXHannes. The emotionally moving Digital & Print Rates & Information ‘ ’’’ [email protected] per Detour” when he AICP Show tour last week in Culver City, feature is reportedly on the verge of wid- 203.227.1699 ext. 701 www.shootonline.com/go/advertise first saw it. But ultimately it caused him to Calif. His fellow panelists were Jeff Miller, ening its exposure via a deal with a major DOG DAY AFTERNOON . Advertising Production detour from his thinking, and that’s why global head of creative strategy at Snap entertainment platform. And Emhoff feels Gerald Giannone [email protected] he personally singled out the work from Inc., and Kerstin Emhoff, president/co- the cinematic experience shows the story- 203.227.1699 ext. 700 FCB NY when reflecting on his recent founder of PRETTYBIRD. Emhoff and telling power of branded fare, inching the OFFICES AICP Next Awards judging experience. Miller served as presidents of this year’s industry closer to the holy grail of one day Main Office 606 Post Road East #650 At first “Whopper “ Westport, CT 06880 USA 203.227.1699 Fax: 203.571.3355 Detour” struck Cart- AICP Next Awards' judges singled out and reflected on the . West wright as direct mar- work that resonated most for them personally. A MASTERPIECE 203.227.1699 ext 702 keting that left a lot BOLD WORK FROM AVA D UVERNAY.” Print Production to be desired--intrusive, albeit creatively Next Viral/Web Film and Augmented Re- such content earning Oscar recognition. Jim Theodorou [email protected] opportunistic. However, the marketplace ality juries, respectively. Matt Miller, AICP While “Whopper Detour,” The Gal- Circulation impact was profound. “Whopper Detour” president and CEO, moderated the talk. axy Skin and Corazon all earned Next 203.227.1699 ext 4 [email protected] leads users to being within 600 feet of one Reflecting on his Next judging experi- honors, their impact was reflected in the SHOOT Publicity Wire 203.227.1699 ext 700 [email protected] of the 14,000 McDonald’s locations in the ence, Jeff Miller cited Samsung Global’s Next discussion on a personal level. Cart- © 2019 DCA Business Media LLC. All rights reserved. U.S. Once in that proximity to the Golden “Samsung x Fortnite: The Galaxy Skin” wright, for example, said that “Whopper SHOOT and SHOOTonline are registered U.S. trademarks. Arches, an ingenious app yields for con- from R/GA as work that left an indelible Detour” from Burger King “changed me No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, sumers a deal for a 1-cent Whopper. impression on him. Gamers could access as a creative leader,” spurring him to look electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Cartwright described “Whopper De- Fortnite’s cool Galaxy Skin character only “outside of the things” that normally got Print Issues Subscription Service [email protected] tour” as bringing together the social dy- via the Samsung Galaxy Note 9 phone. him excited--and to keep an open mind in Find PDF Versions namic, direct marketing and data, infusing And Emhoff’s favorite was Corazon for order to reconsider the possibilities. and order issues backissues.SHOOTonline.com SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 606 POV By Kristoffer Knutson Post Road East, #650, Westport, CT 06880. Printed periodicals postage paid at Westport, CT and at additional mailing offices. POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) Mindful Producing SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. Mindfulness is quite dered chaos of production. It’s what we wake is our account team, desperately try- Brand New[s] weekly ePub is published Wednesdays. SHOOT Screenwork published Mondays. popular lately with distill chatter down to in order to make ing to keep the attention of nervous cli- www.shootonline.com/subscribe guided meditation apps things happen. We look to match effort ents carrying longer lists of deliverables. SHOOTmobile available and insightful with outcome. We sift through the “what And then there are the directors who, in Get the SHOOTonline Mobile app ® App Store: iPhone.SHOOTonline.com book titles being released regularly. But ifs” of budgets and timelines to find the all fairness, seem to be more in tune with Google Play: Android.SHOOTonline.com as producers, we’ve always been at the clearest path to fruition. We bring this the natural order of things lately then 16 EMMY NOMINATIONS Mobile Web Version: m.SHOOTonline.com Including center of quiet awareness. wisdom to our calls with production they ever were. Like the selfless Dalai SHOOT is printed in the U.S.A. Mindfulness is a key trait for any pro- consultants and our pre-bid meetings. Lama who finds joy in service, we sacri- OUTSTANDING LIMITED SERIES ducer leading a team through the com- And we do this because we want to make fice ourselves for the goal of leading oth- plexity of a production schedule. It’s good work. We understand the role we’ve ers towards happiness. OUTSTANDING DIRECTING - AVA D UVERNAY essential we know what’s going on. Like taken on as producers and we give our- One common insight among all SHOOT is a member of: contemplative masters, we take in what’s selves over to it. Because if mindfulness is mindfulness trainings is that everything around us and wait. Eventually, we calmly meant to bring a greater appreciation for changes. Today, projects are coming at us FROM THE EMMY ® AWARD WINNING DIRECTOR OF 13 TH offer sage insight when the time is right. the human experience and its struggles, faster and with shorter timelines. We’re Insight like, “Great, but the reality is we then we’re downright buddhas. We put asked to do more, with less. Now, our AVA D U VERNAY Follow SHOOT via hashtag #SHOOTONLINE at: don’t have that kind of budget.” Or, “Re- others’ needs first. It’s essential that we role as producer is more valuable than member the last time you wrote triplet bring patience to a project because we ever. So continue to walk the path. Be a babies into a scene?” We bring that aware- recognize that everybody is arriving with guide to your teams with calm patience. Cover photo credits (from top left, clockwise) for The Road ness with us on location, to the edit suite, different needs, as we all work towards In the end, you’ll be that much closer to To Emmy, part 14: A Series of Unfortunate Events, Netflix; and when presenting rough cuts to cli- the same outcome. If we’re not centered, Nirvana--and that hardware your ego is Chernobyl, photo by Liam Daniel/HBO; Ozark, photo by Jessica Miglio/Netflix; When They See Us, photo by Atsushi ents. We see everything and contemplate then no one is. really in it for. Nishijima/Netflix; Jack Ryan, Amazon; Fleabag, photo by Steve Schofield/Amazon. Cinematographers & Cameras outcomes because we look for the truth. Swirling around us are the anxiety-rid- Kristoffer Knutson is a producer at Min- photo: True Detective, photo by Warrick Page/HBO. Truth is what we find amidst the or- den egos of our creatives. Riding in their neapolis-based agency MONO. FYC.NETFLIX.COM August/September 2019 SHOOT 3 SHOOT MAGAZINE, COVER 2 ISSUE: ROAD TO EMMY FEATURE PHASE 2 NETFLIX: WHEN THEY SEE US PUB DATE: 08/09/19 TRIM: 9” X 10.875” BLEED: 9.25” X 11.125” CHAT ROOM Dr. John Leverence TV Academy’s sr VP of Awards reflects on this year’s field of Emmy-nominated commercials” By Robert Goldrich Pictures. Continuing our annual tradition, SHOOT sought out Dr. John Lever- BBDO NY turned out Sandy Hook Promise’s “Point of View” directed ence, sr. VP of awards at the Academy of Television Arts and Sciences, by Rupert Sanders of MJZ.