Dance Historians Have Attributed This to the Nutcracker’S Unusual Story, Which Was Quite Different from the Romantic Tales Normally Presented

Nutcrackerthe

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Drs. Joseph & Denice Franco Proud Sponsors of the Seiskaya Ballet Nutcracker Nutcrackerthe Casse Noisette Early in 1891 the legendary composer Peter Ilyich Tchaikovsky received a commission from the Imperial Theatre Directorate at St. Petersburg to compose a one-act lyric opera together with a ballet for presentation during the following season. Accepting Tchaikovsky’s choice of subject for the opera, the Theatre Directorate selected Alexandre Dumas’ French adaptation of E.T.A. Hoffmann’s tale The Nutcracker and the Mouse King for the ballet.

Tchaikovsky was not pleased with the subject selection because he felt it did not lend itself to theatrical presentation and was therefore quite unsuited to serve as a scenario for a ballet. Both the opera and ballet were presented on December 18, 1892. The ballet, conducted by Ric- cardo Drigo, was received somewhat unfavorably. Dance historians have attributed this to the Nutcracker’s unusual story, which was quite different from the romantic tales normally presented.

The Nutcracker choreography was begun by the redoubtable Marius Petipa. The balance of the work was taken up by his assistant, Leon Ivanov, when Petipa fell ill. According to historical accounts, when the ballet was finally produced, Petipa refused to have his name linked with it, feeling his own part in its creation was insufficient to be publicly announced. However, dance historians have recognized his contribu- tion, and the original choreography is generally credited to both Petipa and Ivanov.

First presented in Western Europe by the Sadler’s Wells Ballet at the Sadler’s Wells Theatre in London, January 30, 1934, the production was staged by Nicholas Sergeyev after the original Petipa-Ivanov version. The first full-length American Nutcracker was produced by the San Francisco Ballet in 1944, with choreography by William Christensen.

Although constantly changing over its eighty-plus-year history, one of the landmark Nutcrackers was brought to the Metropolitan area in 1954 by the New York City Ballet with choreography by George Balanchine. Subsequent notable Nutcrackers have been choreographed and staged by Rudolf Nureyev, Royal Swedish Ballet (1967) Our best wishes to THE ENTIRE CAST

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TIMES BEACON RECORD NEWS MEDIA 185 Route 25A, Setauket, New York 11733 631.751.7744 tbr newsmedia.com ©154046 “May your Christmas be Merry and Bright” Blessings and Good Health, The Carrero-Sagona Family and England’s Royal Ballet (1968), and Mikhail Baryshnikov, American Ballet Theatre (1976). With literally hundreds of productions nation- wide, the Nutcracker has become the quintessential holiday classic, presented in theatrical productions on ice, on the dance stage and in the movies. This American holiday staple has also become an artistic lifeline, often providing over fifty percent of a dance company’s annual ticket sales.

The basic libretto of the Nutcracker has as many interpretations as there are staged versions. The characters’ names often change, and plot twists are added. The only constant is the music. Tchaikovsky’s musical genius created one of the most recognizable and enduring scores ever written. An abbreviated version, the Nutcracker Suite, is one of the most recorded selections in classical repertoire. In the final analysis, it is the music that has truly given the Nutcracker a life of its own.

The Nutcracker is set in Western Europe during the 1800s. A doctor and town mayor, Hans Stahlbaum delights in holding large holiday gatherings for family and friends. His two children, Clara and Fritz, anxiously await the arrival of guests. The snow evokes a pleasantly festive atmosphere as the guests arrive. Tardy as always, Clara’s god- father, Herr Drosselmeyer, arrives with special fanfare. He causes quite a stir and then mesmerizes and dazzles all onlookers with his exquisite mechanical dolls.

Presents are distributed to all the children, and Fritz receives a rocking hobby train. A bit jealous, Clara approaches Drosselmeyer for her gift. He teases her with a large mouse doll. Fritz pulls a baby mouse from the mother mouse’s apron and sends Clara scampering. Drosselmeyer quickly makes amends and offers Clara an unusual prize, a colorful Nutcracker. Clara is instantly enthralled with the gift. Sibling rivalry takes hold, and in a tussle to wrest the Nutcracker away from Clara, Fritz breaks him. Drosselmeyer repairs the poor Nutcracker, but Clara is disappointed. He promises that all will be well.

Evening overtakes the party, and the guests depart. Clara is shooed to bed. Peace and quiet prevails in the Stahlbaum residency, or does it? Clara has awakened and, longing for her Nutcracker, comes back to the living room. She quickly finds her doll and falls asleep again. Thus begins May the Spirit of Christmas Bring You Peace, Hope and Love

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Thematically, Clara is cast as a mid-teen just blossoming into adult- hood. She is young enough to display childlike emotions, yet mature enough to fantasize that a doll turned human can have idyllic qualities of heroism, selflessness, tenderness and a zest for adventure. Her at- traction to the handsome Nutcracker is only natural; Clara has created him in her mind’s eye. She has molded a doll into a living being, and a prince at that. Her devotion to the Nutcracker is symbolized by her brave effort to save him from being vanquished by the evil Mouse King. As the Nutcracker becomes more lifelike, the dream sequence carries her to a romantic interlude, a magical winter wonderland and an exotic garden in the Land of the Sweets.

The character of Drosselmeyer has almost endless possibilities. The Seiskaya version adopts the characterization of him as Clara’s god- father, who is an eccentric maker of magnificent mechanical toys. A widower with no children of his own, he delights in teasing and pleasing his only godchild. Drosselmeyer’s relationship to the Nutcracker is simply that of an artisan. Clara’s dream vision of Drosselmeyer is an expression of her affection for him and an extension of the attributes she sees in him.

The Nutcracker presents two major ensemble dances: the Dance of the Snowflakes and the Dance of the Flowers. One of the strengths of the Seiskaya Company has always been ensemble segments. Nowhere is this more evident than in these dances. Flowing lines, exact patterns and intricate interplay between corps and soloists are the hallmark of the choreography.

Cyril W. Beaumont, the noted dance critic, historian and author, panned the original 1934 British version of the Nutcracker: “The final scene is merely an excuse for the traditional series of character dances which, in this instance, are seldom appropriate to the situation and, generally speaking, are of indifferent quality.” History has proven that even a revered critic like Mr. Beaumont can be wrong. The Second Act has long been considered the ballet’s highlight. The Seiskaya version of the Land of the Sweets, Act II, reaffirms the classical approach. The scene opens with the Sugar Plum Fairy surrounded by a host of Compliments of

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The Butkevich Family angels, followed by the entrance of her court, and the arrival of a nutshell boat with Clara and the Nutcracker. The members of the Sugar Plum’s court represent many lands, as well as characters, from children’s fairy tales. The couple is presented with sweets and delicacies from around the world. The Nutcracker tells of his valiant struggle against the Mouse King and Clara’s heroic efforts. Clara’s dream at this juncture takes on a “sugar and spice and everything nice” tone. Seiskaya’s unusual choreographic adaptations frame the character ballet dances with a unique quality.

Beaumont was a lot more generous in his opinion of the Dance of the Snowflakes and, in particular, the Sugar Plum Pas de Deux: “. . . there are three beautiful ‘classical numbers’ - the pas de deux danced by the Sugar-Plum Fairy and her Cavalier, the latter’s variation, and the ‘Dance of the Sugar-Plum Fairy.’” Seiskaya’s rendition of this famous pas de deux matches the elegance, beauty and charisma of Seiskaya Ballet principals Jenna Lee, Diana Atoian, Brianna Jimenez, Graciela Sagona and Lara Caraiani with Guest Artist Daniel Wagner’s consummate artistry. About the pas de deux it can be said, “We saved the best for last.” Smithtown Messenger

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Supplying Quality Materials To Residential And Commercial Customers Since 1991 Every Nutcracker season brings with Guest it new challenges and opportunities. Artist For Guest Artist Daniel Wagner, acclimating to five different partners is an unusual challenge. But, according to Valia Seiskaya, “Daniel has adjusted marvelously. Each dancer is very different; however, they share a solid technical foundation and have extensive pas de deux experience. In fact, Jenna Lee, Diana Atoian and Brianna Jimenez have several years’ experience as Sugar Plum.” Daniel Wagner was born and raised in Los Angeles, California, where he received his initial training under the tutelage of Balanchine and Joffrey protégé Craig Williams at Pasadena Civic Ballet. After attending summer intensives at the world-renowned American Ballet Theatre in New York City and Kirov Academy in Washington, D.C., Daniel trained at the University of North Carolina School of the Arts. He has since trained with Houston Ballet under Claudio Muñoz and Andrew Murphy and has danced professionally with Cincinnati Ballet, where he performed principal roles in George Balanchine’s Serenade, Val Caniparoli’s Lady of the Camellias, Annabelle Lopez Ochoa’s Eros Redux, and Penny Saunders’ and Ohad Naharin’s Minus 16. Rounding out his talents, Daniel has also performed the self-choreographed piece Nannerl. Ironically, Guest Artist Max Lippman had the Guest distinction in Seiskaya Ballet’s 2017 Nutcracker Artist to partner five different Claras. For Max it was an opportunity to grow as a partner, and, for his partners, it was the opportunity to work throughout the year to prepare. Always growing as an artist, Max took on the splashy character of Espada in Don Quixote Divertissement during BESFI 2018. He danced with verve and zest, blending a charismatic stage presence with artistic athleticism. Max also delighted audiences in the neo- classical Hooligans Pas and the vibrant Flames of Paris Pas de Deux. This “impressive young dancer has grown tremendously over the course of a year as a partner, using every beat of the score to extend himself,” noted a reviewer. As Bacchus in the 2016 Walpurgis Night BESFI production, Max leapt across the stage with elegant ease and executed jumps with breathtaking dynamism. He returns in 2018 as a guest artist to reprise his role as the Nutcracker, courtesy of Butler Ballet. Cameron Basden, a Gerald Arpino Foundation board member, cast Max in Butler Ballet’s staging of Arpino’s Light Rain, the only freshman to be so honored. Max has also added Arabian Soloist to his credits in Butler’s The Nutcracker, reputed to be Indianapolis’ premier Nutcracker. “Season’s Greetings”

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[email protected] www.apxathletics.com Artistry, musicality and graceful charm abound when Principal Dancer Jenna Lee takes to the stage! A dancer with great versatility and range, Jenna transitions seamlessly from the sweet sophistication of the Sugar Plum Fairy to the powerful athleticism of Chocolate Soldier. As the resplendent Dew Drop, she will thrill audiences this Nutcracker season as she executes pirouettes with panache among the waltzing flowers. Jenna will also showcase her elegant extensions and elaborate footwork as Flower Soloist, Chinese, Snowflake and Friend of Clara. Jenna had a standout performance in BESFI 2017 dancing the Le Corsaire Pas de Deux with Festival Ballet’s Alan Alberto, drawing accolades from dance critic Christina Pandolfi, “A matured Lee approached Drigo’s lyrical score with commendable control, offering the audience a more elegant side to her dancing. Alberto matched her thoughtfulness, giving her a solid foundation to execute every framed penché and lift with ease.” Jenna’s performance as the effervescent Kitri in the BESFI 2018 production of Don Quixote Divertissement had the crowd on their feet as she jumped and turned with precise musicality while playfully interacting with Oklahoma City Ballet’s Principal Dancer Alvin Tovstogray. A multi-year BESFI scholarship recipient and the single designee to represent Seiskaya in community outreach for lectures and demonstrations, she shares her love of ballet both in and out of the studio. With strikingly expressive features and the perfect blend of ethereal grace and technical exactitude, Principal Dancer Diana Atoian will once again enchant audiences in Nutcracker 2018 as she reprises roles that she has consistently made her own during her long tenure. Opposite Guest Artist Daniel Wagner, Diana will transport the crowd to the Kingdom of the Sweets with her elegant artistry as the Sugar Plum Fairy. With her exquisite extensions, precise pirouettes, and ability to execute intricate footwork, Diana will also lend her talents to the roles of Clara, Dew Drop and Chinese Duo. Following her portrayal as Sugar Plum Fairy, the Smithtown Messenger acclaimed, “A dancer far beyond her years in maturity and technical prowess, Atoian took the stage with supreme confidence, matching her Cavalier, portrayed by Nick Coppula.” For her dazzling performance as Kitri in BESFI 2018, Diana garnered praise from the Smithtown Messenger’s Pandolfi, “A calm and collected dancer with confidence to spare, Atoian brings her truest self to every ballet she dances....Atoian’s consistency was captivating, performing a series of complicated variations and pas de deux with composure.” Beginning in 2013, Diana placed 1st in the BESFI Summer Scholarship Competition for four consecutive years and has also competed on the international stage, winning 3rd place in the prestigious Hellas International Competition in Athens, Greece in 2016. Happy Holidays! Love, Julia

“The best and most beautiful things in the world cannot be seen or even touched. They must be felt with the heart.” Helen Keller Principal Dancer Brianna Jimenez has a singular talent born of focus and passion for her craft. She is unfailingly in character when she performs. As the Shopkeeper’s Assistant in La Boutique Fantasque, a very young Jimenez in a seminal moment had the audience transfixed with her consummate dancing and acting skills. Reprising her role as the regal Sugar Plum Fairy for a third season, she will also dance Clara and Dew Drop. During last year’s Nutcracker she received praise for her elegant performance as Clara. A reviewer extolled, “Jimenez was the quintessential Clara with a perfect blend of youthful wonderment, compassion and vulnerability. Her nicely arched feet, high ballon and impeccable technique accentuated a supple line that was highlighted during the romantic Nutcracker Pas.” Her portrayal of Mercedes in the Don Quixote Divertissement elicited this review: “…Brianna Jimenez as Mercedes…danced with dazzling bravura and solid technique....” One of the basic tenets of the Seiskaya philosophy is that dancers should maximize their strengths and minimize their weaknesses. Seldom has a performer taken this challenge to the level accomplished by Principal Dancer Graciela Sagona. Her strengths have become an endless stream of “WOW” factors. Blistering turns, bounding leaps and etherial leg extensions are her forte. During last year’s Nutcracker, a noted dance critic opined, “...it was Graciela Sagona’s Chocolate Soldier that made me gasp with delight; every pirouette was precise, every leap was spellbinding....” Of her riveting 2018 BESFI performance of La Bayadère Pas de Deux with Guest Artist Alvin Tovstogray, the reviewer exclaimed, “...Sagona’s facilities are easy to see: sky-high extensions, soaring jetés, and precise pirouettes.” Quickly becoming an audience favorite, the pyrotechnics will continue with Guest Artist Daniel Wagner in the exciting Sugar Plum Pas de Deux. Quality of movement is a term that is bandied about but requires more circumspect usage. The epitome of grace, poise and effortless classical technique, Principal Dancer Lara Caraiani has earned plaudits for several roles. A critic raved, “Lara Caraiani was the ideal Fritz – [rambunctious] and precocious, yet with the technical finesse to [carry off] the mischievous behavior.” A dancer with ethereal grace and charm, she received thunderous applause during BESFI 2018 after completing the fiery and demanding pas de deux, Flames of Paris. Again cast opposite then Seiskaya Principal Max Lippman, Lara showed her range performing the spirited neo-classical Hooligans Pas de Deux. As Dew Drop, Lara brought a delicate demeanor to the role and yet effortlessly breezed through demanding brisé combinations and a series of fouettés with double pirouettes at the finale. Her polished acting skills yielded an exemplary Clara, and you will be mesmerized by her Sugar Plum Pas. Happy Holidays

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NEPHROLOGY/HYPERTENSION www.suffolknephrologyconsultants.com Other Featured Performers Guest Artists v First Soloists v

Dr. Sergey Butkevich, Guest Artist Role: Drosselmeyer An academically decorated Mathematician and a Researcher for a quantitative investment fund company, Sergey inspires the question, why take on the challenge of the eccentric, yet nurturing, Drosselmeyer? Very simply, Sergey loves the arts! He is also a member of the Staller Center Advisory Board.

Girie Sagona, Guest, Former First Soloist Roles: Flower Soloist, Friend of Clara, Snow, Arabian Maturity and leadership have always been Girie’s hallmark. As both a Seiskaya Ballet instructor and rehearsal assistant, she has guided and inspired several younger performers. In her own right, Girie is still a vibrant and versatile performer with impeccable technique and unerring musicality.

Jamie Bergold, Guest, Former First Soloist Roles: Friend of Clara and Fritz, Flower For several seasons, Jamie has been an outstanding Snow Queen, Doll, Flower and Arabian Soloist. An ardent and experienced dancer, Jamie’s poised presence on stage is infectious. A senior managerial position in a contracting business, along with collegiate studies, keep her quite busy.

Eva Pyrros, First Soloist Roles: Snow Queen, Doll, Arabian and Flower Soloist Classic balletic lines, gorgeous extensions and secure turns ensure that this statuesque ballerina will once again excel as the glistening Snow Queen. Making this role her own, Eva will enchant the audience as the mechanical Doll, whose syncopated movements always entertain.

Julia Virnelli, First Soloist Roles: Snow Queen, Doll, Chinese, Flower Soloist A dancer who epitomizes the classic ballerina, Julia will once again bring to her performance a beautiful artistry and sophistication as the shimmering Snow Queen. As Doll, she will delight the audience with her elegant extensions and precise pirouettes, displaying her beautiful lines. Happy Holidays

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More Featured Performers First Soloists Featured Soloists v Soloists v

Jordan Jaramillo, First Soloist Roles: Snow Queen, Doll, Fritz, Chinese, Flower Soloist A hit with her inspired rendition of Fritz last season, Jordan is taking on a bevy of new roles this year. Snow Queen, Doll and Chinese will further highlight her dynamic turns and high elevation. Audiences will be delighted by a veritable panoply of classical, demi-character and character interpretations.

Rachel Bland, First Soloist Roles: Snow Queen, Doll, Chocolate Soldier, Chinese Rachel will again captivate with her explosive leaps and masterful turns as she performs the roles of the Chocolate Soldier and Chinese. Her musicality, elegant lines and extensions will be highlighted as she assumes the major roles of the resplendent Snow Queen and mechanized Doll.

Emily Bishop, First Soloist Roles: Bo Peep, Spanish, Flower Soloist, Friend of Fritz Returning as the beautiful shepherdess that tends her flock, Emily will command the stage with her winsome charm and artistic expression as the demure Bo Peep. She captures the audience with her artistry, charisma and intricate footwork as she bursts onto the stage in the exhilarating Spanish duo.

Liv Hoglo, Featured Soloist Roles: Bo Peep, Fritz, Arabian Soloist, Friend of Fritz Liv continues to expand her repertoire by extending her versatility. The sharp angularity and synchronization of the movements in the Arabian Soloist duet contrast with the supple and fluid choreography of the doting Bo Peep. The rambunctious Fritz requires consummate acting skills.

Kyra Allgaier, Featured Soloist Roles: Friend of Clara, Arabian and Flower Soloist Kyra is a member of the “Three Musketeers.” She and her two cohorts, Maya and Madison, have taken on a widening array of roles. Each dancer, although different, possesses drive, focus, excellent work habits and ample potential. They are a group to be followed for years to come. Maya Butkevich, Featured Soloist Roles: Fritz, Flower Soloist, Friend of Clara A relative newcomer to Pre-Pro, Maya will capture the audience with her expressiveness, poise and solid technique when she performs the role of the mischievous Fritz. Adding to the role’s chemistry is the fact that Herr Drosselmeyer and she are real-life father and daughter.

Madison Valenta, Featured Soloist Roles: Fritz, Flower Soloist, Friend of Clara, Trepak The ability to be adaptable and have range is often a key to success in any endeavor. Whether wearing a frilly dress as a Friend of Clara, a romantic tutu for Flowers, an equine outfit for Trepak or male garb for Fritz, Madison is not daunted by the attendant range of technical prowess that is required.

Madeline Immerman, Soloist Roles: Spanish, Flower, Friend of Fritz A supple port de bras, a zest for Spanish dance and a luminous personality on stage make Madeline a perfect choice for Spanish. An integral member of the rehearsal staff, Madeline is also a ballet instructor. She has developed a keen eye for talent and has created an enviable rapport with students.

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10 Farber Drive, Suite 31, Bellport, NY 11713 (631) 289-7742 Nutcracker 2018 Premiere December 15, 1995 Composer Peter Ilyich Tchaikovsky Choreographer Valia Seiskaya Set & Scenery Designer Margaret Piotrowska Costume Mistress Sue DiFiore Lighting Designer Elizabeth Silver Rehearsal Mistress Johanna Hsu Stage Manager Elizabeth Silver Guest Artists Daniel Wagner Max Lippman Principals Jenna Lee Diana Atoian Brianna Jimenez Graciela Sagona Lara Caraiani ACT I In order of appearance: Herr Drosselmeyer: S. Butkevich Drosselmeyer’s Assistant: B. Nyvall Clara: D. Atoian, L. Caraiani, B. Jimenez, Gr. Sagona Fritz: M. Butkevich, L. Hoglo, J. Jaramillo, M. Valenta Herr and Frau Stahlbaum: P. and H. Sagona Guests at Party C. Bland A. Caraiani C. Carter G. Carter J. Franco M. Gonzalez J. Hsu D. Lettiere

Children at Party A. Boryushkina A. Brogan A. Carter S. Carter A. Chandler A. Franco V. Franco K. Hughes M. Lettiere S. Li M. Martufi I. Morlas C. Muller V. Murphy A. Nyvall A. Perez-Canoa C. Ruotolo A. Samara A. Savino M. Storke A. Tramontana E. Tramontana K. Urso D. Vaisman S. Villagracia A. Wigand Vc. Ye A. Zhang Governess: I. DiCorrado Friends of Clara and Fritz K. Allgaier H. Alonso D. Atoian D. Baranowski Peace, Love, and Harmony, Merry Christmas and Happy Holidays! —Diana Atoian Friends of Clara and Fritz (cont’d) J. Bergold E. Bishop R. Bland M. Butkevich L. Caraiani M. Castelli S. Creedon L. Hoglo M. Immerman J. Jaramillo B. Jimenez J. Lee E. Pyrros Gi. Sagona R. Sama M. Valenta J. Virnelli Vv. Ye N. Zhang

Maids: L. Lee, Y. Yu Doll: R. Bland, J. Jaramillo, E. Pyrros, J. Virnelli Chocolate Soldier: R. Bland, B. Jimenez, J. Lee, Gr. Sagona Nutcracker: M. Lippman Mouse King: J. Levy Mice (*Soloists) K. Allgaier* H. Alonso D. Baranowski* B. Borch F. Brazeau L. Caraiani* M. Castelli S. Creedon K. Hughes M. Immerman D. Kent* S. Li A. Murphy M. Valenta* Vv. Ye* N. Zhang

Soldiers A. Brogan S. Carter A. Chandler A. Franco V. Franco K. Hughes M. Lettiere M. Martufi I. Morlas C. Muller V. Murphy A. Nyvall A. Samara A. Savino M. Storke A. Tramontana E. Tramontana K. Urso D. Vaisman A. Wigand Vc. Ye A. Zhang Cavalry (*Captain): Al. Tramontana*, N. Brogan, J. Morlas, G. Ostrowski, P. Tsui

Snow Queen: R. Bland, J. Jaramillo, E. Pyrros, J. Virnelli Snowflakes K. Allgaier D. Atoian D. Baranowski E. Bishop R. Bland B. Borch F. Brazeau M. Butkevich L. Caraiani L. Hoglo J. Jaramillo B. Jimenez D. Kent J. Lee E. Pyrros Gi. Sagona Gr. Sagona R. Sama M. Valenta J. Virnelli Vv. Ye N. Zhang Intermission ACT II Sugar Plum D. Atoian L. Caraiani B. Jimenez J. Lee Gr. Sagona Angels A. Boryushkina A. and V. Franco M. Lettiere A. Nyvall Merry Christmas

The Høglo Family Angels (cont’d) A. Savino M. Storke E. Tramontana A. Wigand Spanish Dancers: J. Hsu, E. Bishop, M. Immerman

Arabian Dancers (*Soloists) K. Allgaier* H. Alonso D. Baranowski R. Bland M. Butkevich M. Castelli S. Creedon* L. Hoglo* J. Jaramillo* D. Kent S. Neuf E. Pyrros* Gi. Sagona R. Sama J. Virnelli*

Chinese: D. Atoian, R. Bland, J. Jaramillo, B. Jimenez, J. Lee, Gr. Sagona, J. Virnelli Trepak: K. Allgaier, D. Baranowski, R. Bland, F. Brazeau, S. Creedon, J. Jaramillo, D. Kent, M. Valenta, Vv. Ye, N. Zhang Cossack: H. Alonso, M. Castelli, R. Sama Bo Peep: E. Bishop, L. Hoglo, J. Virnelli Sheep: A. Brogan, M. Martufi, C. Muller, V. Murphy, A. Samara, K. Urso, D. Vaisman Lamb Chop: A. Franco, V. Franco, S. Villagracia

Mother Ginger: L. Lamendola Polichinelles A. Brogan S. Carter A. Chandler K. Hughes S. Li I. Morlas C. Muller A. Murphy V. Murphy A. Nyvall A. Tramontana K. Urso Vc. Ye A. Zhang Clowns A. Barrett C. Borch M. Gambino D. Krause K. Krause A. McGovern K. Pirozzi L. and S. Poulis

Dew Drop: D. Atoian, L. Caraiani, B. Jimenez, J. Lee, Gr. Sagona Flowers (*Soloists) K. Allgaier D. Atoian* D. Baranowski J. Bergold E. Bishop R. Bland* B. Borch F. Brazeau A. Brogan M. Butkevich* L. Hoglo M. Immerman J. Jaramillo* B. Jimenez* D. Kent J. Lee* S. Neuf E. Pyrros* Gi. Sagona Gr. Sagona* R. Sama A. Samara M. Valenta* J. Virnelli* Vv. Ye N. Zhang

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The Ye Family Credits Nutcracker Webmaster Karin Engel Rehearsal Assistants Johanna Hsu, Girie Sagona, Jenna Lee, Graciela Sagona, Julia Virnelli, Eva Pyrros, Brianna Jimenez, Diana Atoian, Lara Caraiani, Madeline Immerman, Jordan Jaramillo Assistant Costume Mistress Nicole DiFiore Costume Design & Execution Kathy Baker, Birgitta Bergeman, Ronni Camhi, Sue DiFiore, Karen Kralik, Kathi Kwiecinski, Vaso Mavrianos, Laura Schifano, Caroline Wilks, Ashley Bland Costume Detailing Johanna Hsu, Madeline Immerman, Andrea Savino, Denice Franco, Lisa Lee, Dani Lettiere, Michelle Martufi, Alison Tramontana, Ianina Vaisman Audio Recording Engineer Andrew Nittoli Sculptures/Art Work Matt Targon/Bill Meehan Props Manager Philip Sagona Stage Crew Chris Bland, Joe Franco, Mark Gonzalez, Bob Nyvall, Philip Sagona Green Room Supervisors Lorna Jaramillo, Denise Gonzalez Scenery Painted by Scenic Art Studios, Inc., Norwalk, CT Scenery Design Assistant Anita Wasilewska Choreography, Spanish Dance Loretta Celitan Administrative Services Yan Yu, Karin Engel, Lorna Jaramillo, Lisa Lee Community Calendars Lisa Lee Program Proofreading Beth Stearns (Language Arbiter), Kathleen Alonso, Ronni Camhi, Lorna Jaramillo, Lisa Lee, Michelle Martufi, Yizhi Meng, Girie Sagona Photography Sergey Butkevich, Erik Muller Electronic Imaging Erik Muller, Yan Yu, Kevin Urso, Warren Camhi We would like to acknowledge all those not listed here without whose contributions these performances would not have been possible. Much like performing ballet, wealth planning always comes from the heart. Merry Christmas and Happy Holidays

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The Bishop Family VALIA SEISKAYA Russian-born Valia Seiskaya took her first ballet lessons in Greece at the age of six. Her teacher was Adam Morianoff, also a Russian émigré. (Valia was experiencing difficulty learning Greek; thus, it was natural for her mother to seek out a fellow countryman.) At nine she became a scholarship student, showing prodigious technique—for ex- ample, entrechat huit, eight beats, in centre—by age ten. Pointe work also started at ten, character ballet at twelve. Thereafter, Mme. Seiskaya rapidly developed the combination of strong technique and high elevation which would become her hallmark as a professional.

At fifteen, Valia continued her training under Sonia Morianova, the niece of Adam Morianoff, who had recently retired from the National Opera of Greece. She became a member of the National Opera at seventeen, soon attaining the rank of featured soloist, and touring Europe and Russia with the company. At the National Theater her preparation continued under resident ballet masters and choreographers, including the Bolshoi’s Asaf Messerer, Boris Kniazev, Nina Kyrsanova and Olympia Yelodari (former judge at the International Ballet Competitions held in Varna, Bulgaria and Moscow).

In Greece, as in most European countries, ballet students wishing to become professionals must pass comprehensive national level examinations and ob- tain a license. Mme. Seiskaya has fulfilled all her requirements and has been granted both a diploma and a license.

The Seiskaya Ballet School was founded in 1974, one year after Mme. Seis- kaya retired from the National Opera of Greece. At that time she taught all fifteen class sections. In 1976 Studio A was doubled in size to its present 2,500 square feet, and in 1981 Studio B was opened, adding another 1,500 square feet to the dance facility. That year also saw the establishment of the Seiskaya Ballet Academy.

Seiskaya Ballet School continues to be one of the premier institutions of its kind, offering classical and character ballet for the non-career-oriented dancer. The School offers an open-class format, where students are encouraged to explore fulfillment through dance. Expanded in September 2007, the School was supplanted by OPEN which provides pre-Academy and adult We wish you holiday joy and peace. The Brazeau Family

Stephen Brazeau, LCSW-R Individual, Couple and Family Therapist Port Jefferson Station 631 942-5851 [email protected] Congratulations to Angelina and the Cast of Nutcracker 2018!

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The Seiskaya Ballet Academy is designed as a professional training program for serious dancers who display the determination, physical attributes and musicality of the career-oriented dancer. Admission to the Academy is by audition only. Since the inception of the Seiskaya Ballet programs, over seventy students have opted for professional careers.

All Seiskaya students are encouraged to participate in the guest teacher and summer workshop programs offered by the Ballet Education and Scholar- ship Fund, Inc. (BESFI). As part of their professional preparation, Academy students’ participation in auditions for company schools and major dance companies are routinely encouraged.

Seiskaya students have compiled an outstanding record of achievement. Through the years, full scholarships have been awarded by every major institution for which they have auditioned, including schools affiliated with American Ballet Theatre and the New York City, San Francisco, Houston, Joffrey, Pacific Northwest, Pittsburgh, Miami, and Boston Ballets. Some of the numerous dance companies Seiskaya students have joined: American Ballet Theatre (5), Boston Ballet (2), Atlanta Ballet (2), Ballet West, Ballet Memphis, Ballet Austin, State Ballet of Missouri, and Milwaukee (3), Eliot Feld, Fort Worth, New Jersey, Pacific Northwest, Pittsburgh, Royal Swedish, Tennessee, Louisville and Tulsa Ballets (2).

In 1994 Seiskaya student Michael Cusumano captured a bronze medal and Special Commendation at the International Ballet Competition (IBC) in Varna, Bulgaria and a coveted Jury Award (a gold medal-level award) at the Prix de Danse, Paris, France. Valia Seiskaya was nominated that year as the Best Teacher and Coach at Varna, one of the few Americans ever to be so honored.

In 1996 Kirov student Rasta Thomas, coached by Valia Seiskaya, reached the pinnacle: a gold medal in the Men’s Junior Division at the 17th IBC, Varna, Bulgaria. Incredibly, he was the first American male dancer ever to win a Junior Division gold and the youngest male dancer ever to do so. In addition, his triumph ended a sixteen-year stretch in which no gold medal was awarded in the Junior Men’s Division.

In 1998 Seiskaya student Elizabeth McGrath established herself as one of America’s potential stars. She represented the U.S. in the 18th IBC in Varna, Bulgaria distinguishing herself by advancing to the semifinal round. In late Happy Holidays from the Samara Family By Appointment www.stevenhbeardds.com

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Additional exemplary efforts in the international arena include those by Alex- andra Kastrinos, Allison Wade, Eileen Houghton, Johanna Hsu, Sophie Vanier, Amy Wilks, Karen Lynch, and Lesli Lyon. Seiskaya students have captured more than twenty national and regional awards, including those from the National Arts and Letters Competition; National Arts Recognition and Talent Competition (Presidential Scholar in the Arts); Saraband, Ltd.; the Amilita Hoffman Memorial Ballet Competition and American Ballet Competition.

During her 17-year professional career with the National Opera of Greece, Mme. Seiskaya gained an affinity for the grand sweep of story-line ballets and operas staged by the company. Her own choreographic works reflect that interest, such as: Street People, Las Damiselas, Forest, MASK, and the Nutcracker. Fresh interpretations of classical favorites La Boutique Fan- tasque, Walpurgis Night and A Night on Bald Mountain complement her signature ensemble works Grand Waltz, Seasons and Dance of the Hours.

Valia Seiskaya is listed in Who’s Who Among Outstanding Americans, was The Village Times 1985 Woman of the Year in the Arts and was elected to the Long Island Volunteer Hall of Fame in 2011. She has received commen- dations from President Reagan, Governor Pataki and Congressman Forbes.

Embarking on its 24th season, the Seiskaya Nutcracker has established itself as the premier event of its kind on Long Island. Total cumulative attendance eclipsed 100,000 last season. Procedural Notes LATECOMERS will be seated at ap- DOCTORS who expect to be called propriate intervals in the program during a performance may give their as predetermined by Seiskaya Bal- pager/seat number to an usher who let and the theater’s management. will notify the House Manager. Viewing monitors are available in NO FOOD OR BEVERAGES are the lobby for those awaiting seating. permitted in the theater. SOUND RECORDINGS, VIDEO- SMOKING is strictly prohibited. TAPING AND/OR PHOTOGRAPH- NUTCRACKER MERCHANDISE ING of any performance without may be purchased in the lobby during written permission of the manage- intermission and either before or ment is forbidden by law. after the performances. Skylar,

We are so proud of your hard work and dedication.

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Vivian Ye, Maia Castelli, Nina Zhang, Fern Brazeau, Alana Samara, Audrey Brogan Join Seiskaya Ballet again in 2019 on Friday, May 17th at 7PM and Saturday, May 18th at 2PM when the Ballet Education and Scholarship Fund, Inc. benefit performances will be presented by the Seiskaya Ballet. Returning for BESFI’s 40th season at the Staller Center, the program will feature a one-act ballet, vibrant character dances plus an exciting series of pas de deux. To join our mailing list, call 631-584-0192, email us at [email protected] or write: Seiskaya Ballet; 7 Flowerfield Suite 16; St. James, New York 11780. Auditions for the Seiskaya Ballet Academy are available throughout the year by making an audition reservation at the above phone number. Applicants must be properly attired, with females, if applicable, requiring pointe shoes. A non-refundable audition charge of $25.00 will be collected at the time of the audition.

The 2019 BESFI Intensive Summer Workshop will be held from July 8th through August 16th. The program will continue the three division format which allows students more flexibility in scheduling and is an alternative to sleepaway camps. As always, an outstanding teaching staff will be featured. In its 35+ years, the workshop has attracted such noted instructors as Andre Kramarevsky, Jurgen Schneider, Luis Fuente, Marianna Tcherkassky, Eleanor D’Antuono, Lupe Serrano, Marjorie Tallchief and Cynthia Harvey. When available, students may opt for an abbreviated schedule or simply pay by the class. Class placement priority is given to students attending the entire program. Scholarships are available through an open competition, which is tentatively scheduled for June 2, 2019. Details will be available on request by writing BESFI, P.O. Box 2146, St. James, New York 11780 or by visiting www.besfi.com. BESFI 2019 LI’S MASTER SUMMER WORKSHOP July 8 to August 16 Faculty (subject to change)  YANN IRLINGER  MARY CARPENTER  OĞULCAN BOROVA  ALEXANDRA BERGMAN  ANDREA BERGEMAN-RAK  VASO KIKNA  TBA Classical & Character Ballet, Variations, Contemporary, Pas de Deux, Pointe, Turns, Beats & Port de Bras Scholarship Competition June 2, 2019 Information: (631) 584-0192 or www.besfi.com Merry Christmas The Caraiani Family Wishing peace, love and joy to the 2018 Nutcracker Cast.

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